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FORTHCOMING
Hittin' The Ramp: The Early Years 1936-1943
Cat: HLP 9042. Rel: 01 Nov 19
 
Jazz
coming soon $193.24
FORTHCOMING
After Service (Collector's Vinyl Edition)
Cat: MHJL 9396. Rel: 20 Sep 19
 
Coldwave/Synth
coming soon $180.97
FORTHCOMING
Monk's Dream
Monk's Dream (limited 180 gram numbered vinyl 2xLP box)
Cat: UD 1S2011. Rel: 26 Aug 19
Jazz
  1. Monk's Dream
  2. Body & Soul
  3. Bright Mississippi
  4. Five Spot Blues
  5. Bolivar Blues
  6. Just A Gigolo
  7. Bye-Ya
  8. Sweet & Lovely
coming soon $166.66
VARIOUS
Ann Arbor Blues Festival 1969 Vol 1 & 2 (50th Anniversary Edition) (mono) (limited gatefold 180 gram coloured vinyl 4xLP box set + book + booket + news articles)
Cat: 813547 027764. Rel: 23 Aug 19
50s/60s
  1. Roosevelt Sykes - "Dirty Mother For You" (4:52)
  2. Arthur "Big Boy" Crudup - "So Glad You're Mine" (3:46)
  3. JB Hutto & His Hawks - "Too Much Alcohol" (3:49)
  4. Jimmy "Fast Fingers" Dawkin - "I Wonder Why" (3:19)
  5. Junior Wells - "Help Me (A Tribute To Sonny Boy Williamson)" (6:33)
  6. BB King With Sonny Freeman & The Unusuals - "I've Got A Mind To Give Up Living" (5:51)
  7. Mississippi Fred McDowell - "John Henry" (4:40)
  8. Pinetop Perkin - "Pinetop's Boogie Woogie" (3:15)
  9. Big Bill Hill - "Introduction" (0:38)
  10. Luther Allison & The Blue Nebulae - "Everybody Must Suffer/Stone Crazy" (14:48)
  11. Clifton Chenier - "Tu M'as Promis L'amour (You Promised Me Love)" (3:59)
  12. The Original Howlin' Wolf & His Orchestra - "Hard Luck" (16:54)
  13. Otis Rush - "So Many Roads, So Many Trains" (4:32)
  14. Muddy Waters - "Long Distance Call" (7:32)
  15. Charlie Musselwhite - "Movin' And Groovin'" (6:16)
  16. Magic Sam - "I Feel So Good (I Wanna Boogie)" (4:59)
  17. Shirley Griffith - "Jelly Jelly Blues" (3:11)
  18. Big Mojo Elem - "Mojo Boogie" (5:11)
  19. T-Bone Walker - "Call It Stormy Monday (But Tuesday Is Just As Bad)" (8:42)
  20. Big Bill Hill - "Announcements" (1:55)
  21. Big Mama Thornton & The Hound Doggers - "Ball & Chain" (6:13)
  22. Big Joe Williams - "Juanita" (2:01)
  23. Sam Lay - "Key To The Highway" (5:41)
  24. Lightnin' Hopkins - "Mojo Hand" (5:02)
  25. James Cotton Blues Band - "Off The Wall" (13:55)
  26. Son House - "Death Letter Blues" (7:51)
 in stock $162.57
FORTHCOMING
WMD Voltera Voltage Expander For Metron Module
Cat: 742232 • View all Synth modules
 
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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coming soon $168.71
Cat: 742798 Rel: 01 Jan 90 • View all Portable & USB turntables
 
***B-STOCK: Box opened, product unused***
Notes: The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg
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 1 in stock $172.80
Cat: 742281 Rel: 08 Aug 19 • View all DJ cartridges
 
AT-XP7 cartridge pre-mounted on the AT-HS6BK headshell
Notes: The AT-XP series cartridges provide a high-quality sound for vinyl DJ's. Offering all of the features of a DJ cartridge, but with a Hi-fi sound, the XP series are perfect for the stage and club DJ who prioritises sound quality.

- Audiophile DJ cartridge AT-XP7 pre-mounted on the AT-HS6BK headshell
- VM dual magnet construction
- Durable robust design for high-quality specialist DJ playback
- Tapered aluminium cantilever providing outstanding rigidity
- Compatible with the replacement styli ATN-XP3 and ATN-XP5 as well
- Configuration with single cartridge (AT-XP7). The replacement stylus (ATN-XP7) and a headshell bundle, consisting of the replacement stylus and the headshell AT-HS6BK (AT-XP7/H) are available separately
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 2 in stock $162.58
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FORTHCOMING
Noise Engineering Quant Gemi Quad Octave Switch & Buffered Mult Module
coming soon $164.61
FORTHCOMING
Korg Volca Nubass Vacuum Tube Bass Synthesiser Korg Volca Nubass Vacuum Tube Bass Synthesiser
Cat: 732455 • View all Synthesisers
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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coming soon $183.03
FORTHCOMING
Noise Engineering Vox Digitalis 1-16 Step Pitch Sequencer Module
Cat: 739891 • View all Synth modules
 
Intuitive pitch CV sequencer in 4HP
Notes: Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.
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coming soon $164.61
FORTHCOMING
Endorphin.es Squawk Dirty To Me VCF Module
Cat: 734886 • View all Synth modules
 
Stereo filter with voltage controlled resonance - 6HP
Notes: The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end
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coming soon $178.93
FORTHCOMING
Endorphin.es Airstreamer Envelope Generator Module
Cat: 734888 • View all Synth modules
 
6HP function generator
Notes: Airstreamer is a function generator with AD, ASR and loop mode. The curves can be altered in shape. A 1V/octave input makes it possible to play the module like an oscillator.

- Fast and effective envelope generator with variable slope curves and three modes: looping, attack-sustain-release (ASR) and attack-decay (AD)
- 320 khz samplerate, zero aliasing CV generation
- 1v/oct input, bipolar and unipolar outputs, selectable end of cycle outputs
- Thru-zero VCA input that inverts the envelope when CV goes to negative voltages
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coming soon $150.30
FORTHCOMING
Endorphin.es Milky Way Stereo FX Module
Cat: 734890 • View all Synth modules
 
Multi effects module - 6HP
Notes: Milky Way is a multi effects module with stereo signal flow. Its algorithms are already known from the Blck_Noir and the Grand Terminal.

- Simple and effective 6hp stereo* FX module
- Comes with "T.F.D" firmware installed: 16 types of effects are available, sorted in two banks
- Meta CV effects scanning
- Volume control with VCA

*depending on the effect type
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coming soon $178.93
Cat: 728707 Rel: 24 Jul 19 • View all Synth modules
 
Ring modulator based on the ARP 2600's 4014 ring mod - 8HP
Notes: Mobula is Delta Sound Labs' faithful take on the classic ARP 2600 ring modulator model 4014. This particular processor is renowned the world over for its clean sounding ring modulation effect. Due to its unconventional circuit design, where the positive and negative parts of the signal split between two two-quadrant multipliers, it achieves what is referred to as a four quadrant multiplication.

Built with a combination of modern closely matched and discrete transistors this super skiff friendly module is faithful to all of the original features, with the single addition of independent switching of input signal DC-blocking. This module is DC-coupled; meaning it will happily process both control voltages and audio signals at the flick of a switch. The unique electronic architecture leads to both significantly increased low frequency response and superior carrier suppression when compared to traditional transformer based ring modulation designs.
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 2 in stock $152.34
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NUX PA50 Personal Monitor Guitar Amplifier (monitor/guitar amplifier)
NUX
Cat: 735361 Rel: 15 Jul 19 • View all Guitar amplifiers
 
Personal monitoring amplifier featuring 2 separate input channels with different EQ response
Notes: The NuX PA-50 personal monitoring amplifier has a flat frequency response and is equipped with a full range 2-way speaker set. 2 independent channels each have a different EQ response. Channel 1 is improved for dynamic sound and designed to enhance low and high frequencies. Channel 2 has a flat response which does not colour the tone of the input source. Use with a processor or IR loader, such as NUX Solid Studio to give the true sound your favourite guitar amplifier(s) without carrying the whole rig. And use the 3-band EQ and you can fine-tune your output to get a perfect result.
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 2 in stock $164.61
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Cat: 739049 Rel: 19 Jul 19 • View all Synth modules
 
Headphone amp capable of driving high impedance headphones via a 1/4" stereo Neutrik jack
Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.
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 1 in stock $151.32
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Cat: 739136 Rel: 16 Jul 19 • View all Synth modules
 
Random looping sequencer - silver faceplate, 6HP
Notes: Permutation is a set of random sequencers that use a digital shift register to generate unpredictable CV and gate patterns that can be locked into repeating loops. The concept is based on the Turing Machine, an open source module designed by Tom Whitwell.

Permutation retains the core functionality of the Turing Machine while adding new features such as dedicated outputs for each bit of the shift register, CV inputs for all parameters, and an internal bipolar VCA. Locked sequences are also saved across power cycles.
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 1 in stock $191.20
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Cat: 738775 Rel: 11 Jul 19 • View all Keyboard stands
 
Two-tier, standing-height, heavy-duty keyboard stand in black, with carry bag
Notes: The new standard in column keyboard stands is here; STAY's TOWER is a sturdy and ingeniously designed solution. Made from ultra-strong extruded aluminium, TOWER weighs nearly half of the leading column stand, yet supports comparable weight easily. Support legs are curved to lift the stand off the floor, allowing pedal placement wherever the player desires - even under the stand. TOWER also breaks down in seconds and comes with a sectioned carry bag for easy transport of all components.

- Maximum load capacity: 120 kg
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 5.4 kg
- Tote bag included
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 1 in stock $199.38
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The Complete Matrix Tapes (180 gram vinyl 8xLP box set + 18 page booklet)
UMC
Cat: 570957 3. Rel: 12 Jul 19
Rock
  1. I'm Waiting For The Man (version 1) (13:06)
  2. What Goes On (version 1) (9:02)
  3. Some Kinda Love (version 1) (4:58)
  4. Heroin (version 1) (8:07)
  5. The Black Angel's Death Song (version 1) (6:18)
  6. Venus In Furs (version 1) (4:37)
  7. There She Goes Again (version 1) (3:12)
  8. We're Gonna Have A Real Good Time Together (version 1) (3:21)
  9. Over You (version 1) (2:25)
  10. Sweet Jane (version 1) (5:12)
  11. Pale Blue Eyes (version 1) (6:07)
  12. After Hours (version 1) (3:01)
  13. I'm Waiting For The Man (version 2) (6:34)
  14. Venus In Furs (version 2) (5:10)
  15. Some Kinda Love (version 2) (4:03)
  16. Over You (version 2) (3:04)
  17. I Can't Stand It (version 1) (7:54)
  18. There She Goes Again (version 2) (2:51)
  19. After Hours (version 2) (2:31)
  20. We're Gonna Have A Real Good Time Together (version 2) (3:41)
  21. Sweet Bonnie Brown/It's Just Too Much (7:53)
  22. Heroin (version 2) (10:03)
  23. White Light/White Heat (version 1) (9:26)
  24. I'm Set Free (4:47)
  25. We're Gonna Have A Real Good Time Together (version 3) (3:15)
  26. Some Kinda Love (version 3) (4:39)
  27. There She Goes Again (version 3) (2:59)
  28. Heroin (version 3) (8:27)
  29. Ocean (11:02)
  30. Sister Ray (part 1) (19:42)
  31. Sister Ray (part 2) (17:36)
  32. I'm Waiting For The Man (version 3) (5:23)
  33. What Goes On (version 2) (4:38)
  34. Some Kinda Love (version 4) (4:06)
  35. We're Gonna Have A Real Good Time Together (version 4) (3:19)
  36. Beginning To See The Light (5:36)
  37. Lisa Says (5:49)
  38. New Age (6:41)
  39. Rock & Roll (6:51)
  40. I Can't Stand It (version 2) (7:00)
  41. Heroin (version 4) (8:17)
  42. White Light/White Heat (version 2) (8:43)
  43. Sweet Jane (version 2) (4:17)
 in stock $154.39
Cat: 738639 Rel: 09 Jul 19 • View all Synth modules
 
Four voltage controlled LFO's/ VCO's with triangle & rectangle outputs in one single module - 22HP
Notes: Module A-143-4 is a fourfold voltage controlled low frequency oscillator (LFO). As the frequency range includes moderate audio frequencies it can be used as a four-fold VCO too.

- Four independent VCLFOs/VCOs with triangle core
- Frequency range switches: low (bottom position) = LFO mode, high (top position) = VCO mode
- Two frequency control CV inputs for each unit
- CV1 without attenuator (~ 1V/oct)
- CV2 with attenuator
- Manual frequency control
- Internal jumpers for the frequency range of the manual frequency controls:
- Jumper not installed: ~ +/- 1 octave range (mainly for VCO applications)
- Jumper installed: ~ +/- 5 octaves range (mainly for VCLFO applications)
- Sync inputs: Combined Reset/Direction inputs for unit #1 - #3 / Separate Reset and Direction inputs for unit #4 (normalled sockets, i.e. Reset is connected to Direction if the Direction socket is unused) / Up/both/down direction switch for unit #4, for technical details concerning the Reset and Direction function please refer to the sketch below
- Triangle and rectangle outputs for each unit
- Typ. output voltage range -5V ... +5V for both outputs (i.e. about 10 Vpp, symmetrical with reference to 0 V)
- Red/yellow LED displays for the triangle outputs (red = negative output voltage, yellow = positive output voltage)
- Common control section with two CV inputs and manual control (these inputs and controls affect the frequency of all four units)
- Sum outputs for triangle and rectangle with red/yellow LED displays
- Optional ultra-low frequency mode: for this a negative voltage can be applied via a jumper internally to the CV2 input of each unit and the common section (i.e. a negative voltage is normalled to the socket CV2 in question). Then the CV2 - - Attenuator control works as a negative frequency control (i.e. turning up this control lowers the frequency). Herewith LFO periods up to about one hour (or even more) are possible.
- Optional CV bus access via jumper (i.e. the module can pick up the CV from the A-100 bus, e.g. generated by a Midi/CV or USB/CV interface A-190-x or a bus access module A-185-1/2), if the jumper is installed the bus CV affects all four units as the bus CV is added to the CV generated by the common control section
- Typ. frequency range: < 0.001 Hz (~ one hour, LFO mode with ultra-low option) ... 15 kHz (VCO mode with installed frequency range jumpers for the manual frequency controls)
- Heat-up time: ~ 15 minutes (required to heat-up the main circuit by the affixed oven)

The module was planned mainly as a quad VCLFO. But we added a range switch (nothing but a switch for two different capacitors) so that even audio frequencies are possible and the module can be used as VCO with some restrictions too. Because of the closeness of the main circuitry (i.e. four VCO cores within less ~ 1 square millimetre) the oscillators may lock if the frequencies are very close to each other and the VCO frequencies interact marginally. If a high quality quad VCO is required the A-111-4 is recommended as this module has four separate VCO circuits available.

The reset circuitry is optimized for the LFO mode. As it takes some time to discharge the oscillator capacitor the discharge time had to be chosen so that the capacitor is fully discharged in LFO mode. In the high range (where a much smaller capacitor is used) this will cause a zero state duration in the 0.3 ms range if the oscillator is synced (during this time the capacitor is shortened for discharge).
The control scale of the inputs "CV1" is about 1V/octave. To improve the behaviour in the VCO mode a tempco circuit is used to keep the temperature of the exponential converter at a fixed temperature (similar to the tempco option of the DIY SYNTH). That way the frequency of the VCOs (and even the VCLFOs) is nearly independent from the environment temperature. But the accuracy (1V/octave scale and temperature compensation) is not as precise as for the dedicated VCOs A-110 and A-111-1.
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 1 in stock $198.35
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Cat: 734880 Rel: 10 Jul 19 • View all Synth modules
 
Envelope module with two ADSR voltage controlled enevelope generators - 8HP
Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.
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 4 in stock $151.32
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Cat: 738634 Rel: 09 Jul 19 • View all Synth modules
 
Quad AD-generator with four independent Attack-Decay envelopes - 28HP
Notes: Module A-143-1 is a complex envelope generator that consists of Attack/Decay generators. For the complex envelope generator the four units are daisy-chained, i.e. the preceding unit triggers the following unit. The four units can be used even as four separate AD generators (switch position AD) or AD-type LFOs (switch position).

Details: Module A-143-1 contains four separate attack/decay type envelope generators. Each unit can be switched into a free running mode (LFO mode). The LFO mode differs in several points from a regular LFO (like A-145, A-146 or A-147): The slopes are exponential - in contrast to linear slopes of a normal LFO, and the frequency is defined by both controls. The attack control defines the time of the rising slope, the decay control the falling slope.

Each unit has available a comparator that compares the AD output voltage with a manually adjustable threshold and switches the corresponding comparator output (Cp 1...4) to "high" as soon as the AD output voltage goes in the decay phase below this value. The comparator output is normalled to the trigger input of the next stage via the switching contact of the trigger input socket. Consequently the first unit triggers the second, the second triggers the third and so on.

Each AD generator is equipped with a Polarizer (look at the Voltage Controlled Polarizer A-133 concerning details about the polarizer function) and a mixer that adds up all polarizer outputs. This allows to add up all AD/LFO output signals inverting or non-inverting with adjustable level to the mix output. Additionally a single output (Env 1...4) is available for each unit.

If the trigger input of unit 1 is controlled by a normal gate signal (e.g. from a keyboard resp. MIDI-to-CV/Gate interface) one obtains a very complex envelope signal at the mix output. The signal contains 8 segments controlled by Attack 1, Decay 1, Attack 2, Decay 2, Attack 3, Decay 3, Attack 4 and Decay 4. The transition between the stages (i.e. when the following AD generator is triggered) is controlled by threshold knob. The positive or negative contribution of each unit to the mix signal is adjusted with the Mixing Polarizer control. If the trigger input of unit 1 is controlled by the comparator output of unit 4 one obtains a 8 stage LFO.

The single AD outputs can be used to control VCAs or VCFs that open one after another corresponding to the AD signals (a little bit similar to the Shepard generator A-191).

The default-connection between the four units (CPn = Trig.n+1) can be interrupted by patching cables into the trigger inputs. Consequently the four units can be used as separate AD generators or LFOs. In any case the mix signal is available (e.g. mix of four AD generators or LFOs with adjustable level and sign).

In the LFO mode the comparator output serves as LFO rectangle output with adjustable pulse width (= threshold control).

Each unit is equipped with a separate LED display for envelop and comparator output. The shortest attack/decay time is about 5 ms, the longest attack/decay times are about 3 seconds (attack) / 10 seconds (decay). By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

The sketch at the bottom of the page shows the module principle with 4 daisy-chained AD units (as predetermined by the normalled sockets), that are mixed with the integrated polarizing mixer.
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 1 in stock $167.68
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Cat: 731957 Rel: 03 Jul 19 • View all Synth modules
 
Small compact joystick module with recording function - 8HP
Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.
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 1 in stock $152.34
EBS
Cat: 718776 Rel: 24 Jun 19 • View all Effects pedals
 
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan
Notes: When Billy Sheehan first turned to EBS to create his signature pedal, he needed to capture the essence of his sound in a pedal to serve him when he could not bring his entire rig. It turned out so great it has been a significant part of his main setup ever since and served thousands of other bass players as well. Now it's time for the ultimate version!

"This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together", Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.

Since the pedal splits the signal into two parallel paths - one clean and one with distortion - it becomes as if running the sound through two different bass rigs at the same time. The two Clean and Drive Level controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.

A Phase Inverter switch brings back more low-end to the drive channel at times. The Boost footswitch kicks up the drive gain a notch when needed.

The new and major feature of the Ultimate version is the Hi or Lo Frequency Filter. This switch moves the whole frequency spectrum of the Tone filter up or down, to extend the capabilities of the pedal.

The Hi setting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.

The individual Effect Loops for each channel can be used to colour the channels individually with external effects. The Clean Loop jack can also be used as a clean input if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.

This version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.
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 2 in stock $176.13
FORTHCOMING
The Osamu Kitajima Early Years Boxset
The Osamu Kitajima Early Years Boxset (limited numbered 5xLP + 5xCD box set)
Cat: EVERLANDPSYCH 003007.
 
Experimental/Electronic
coming soon $192.22
Vinyl Collection Two (remastered) (limited gatefold 180 gram vinyl 10xLP box set + book in slipcase)
UMC
Cat: 673137 9. Rel: 21 Jun 19
Rock
  1. Let's Get Rocked (LP1: Adrenalize) (4:56)
  2. Heaven Is (3:30)
  3. Make Love Like A Man (4:18)
  4. Tonight (4:01)
  5. White Lightning (7:00)
  6. Stand Up (Kick Love Into Motion) (4:28)
  7. Personal Property (4:21)
  8. Have You Ever Needed Someone So Bad? (5:17)
  9. I Wanna Touch U (3:38)
  10. Tear It Down (3:39)
  11. Desert Song (LP2: Retroactive) (5:14)
  12. Fractured Love (5:12)
  13. Action (3:40)
  14. Two Steps Behind (acoustic version) (4:14)
  15. She's Too Tough (LP3: Retroactive) (3:38)
  16. Miss You In A Heartbeat (4:05)
  17. Only After Dark (3:48)
  18. Ride Into The Sun (3:14)
  19. From The Inside (4:09)
  20. Ring Of Fire (4:42)
  21. I Wanna Be Your Hero (4:30)
  22. Miss You In A Heartbeat (Electric version) (4:53)
  23. Two Steps Behind (Electric version) (4:26)
  24. Truth? (LP4: Slang) (2:59)
  25. Turn To Dust (4:13)
  26. Slang (2:39)
  27. All I Want Is Everything (5:15)
  28. Work It Out (4:48)
  29. Breathe A Sigh (4:07)
  30. Deliver Me (3:05)
  31. Gift Of Flesh (3:46)
  32. Blood Runs Cold (4:25)
  33. Where Does Love Go When It Dies (4:00)
  34. Pearl Of Euphoria (6:14)
  35. Demolition Man (LP5: Euphoria) (3:27)
  36. Promises (3:56)
  37. Back In Your Face (3:22)
  38. Goodbye (3:38)
  39. All Night (3:38)
  40. Paper Sun (5:22)
  41. It's Only Love (4:11)
  42. 21st Century Sha La La La Girl (LP6: Euphoria) (4:07)
  43. To Be Alive (3:53)
  44. Disintegrate (2:53)
  45. Guilty (3:46)
  46. Day After Day (4:36)
  47. Kings Of Oblivion (4:19)
  48. Tonight (LP7: Rarities Volume Two - demo) (4:24)
  49. When Love & Hate Collide (demo) (5:59)
  50. From The Inside (bonus track) (4:12)
  51. Two Steps Behind (bonus track) (4:11)
  52. She's Too Tough (Joe's demo) (3:41)
  53. Miss You In A Heartbeat (Phil's demo) (5:35)
  54. Tonight (acoustic) (4:17)
  55. SMC (bonus track) (1:14)
  56. Hysteria (LP8: Rarities Volume Two - live In Germany 29/05/92) (7:17)
  57. Photograph (live In Germany 29/05/92) (4:44)
  58. Pour Some Sugar On Me (live In Germany 29/05/92) (5:10)
  59. Let's Get Rocked (live In Germany 29/05/92) (5:42)
  60. Armageddon It (live At The Hard Rock Cafe, Singapore 26/10/95) (4:39)
  61. Two Steps Behind (live At The Hard Rock Cafe, Singapore 26/10/95) (4:17)
  62. From The Inside (live At The Hard Rock Cafe, Singapore 26/10/95) (3:45)
  63. Animal (live At The Hard Rock Cafe, Singapore 26/10/95) (3:54)
  64. When Love & Hate Collide (live At The Hard Rock Cafe, Singapore 26/10/95) (4:24)
  65. Pour Some Sugar On Me (live At The Hard Rock Cafe, Singapore 26/10/95) (4:29)
  66. When Love & Hate Collide (LP9: Rarities Volume Three - Piano & String version) (4:16)
  67. Can't Keep Away From The Flame (Japanese 'vault' - bonus track) (2:36)
  68. Truth? (5:04)
  69. Move With Me Slowly (bonus track) (6:13)
  70. Work It Out (Viv's demo) (3:32)
  71. Bringin' On The Heartbreak (live At The Molson Centre, Montreal 11/10/96) (4:21)
  72. Switch 625 (live At The Molson Centre, Montreal 11/10/96) (3:43)
  73. Miss You In A Heartbeat (live At The Molson Centre, Montreal 11/10/96) (5:22)
  74. Work It Out (live At The Molson Centre, Montreal 11/10/96) (4:19)
  75. Deliver Me (live At The Molson Centre, Montreal 11/10/96) (3:05)
  76. When Saturday Comes (LP10: Rarities Volume Three - bonus track) (4:16)
  77. Jimmy's Theme (bonus track) (3:08)
  78. Burnout (bonus track) (4:09)
  79. Immortal (bonus track) (3:49)
  80. World Collide (bonus track) (3:41)
  81. I Am Your Child (bonus track) (3:30)
  82. Demolition Man (live At Magness Arena, Denver 09/12/99) (3:27)
  83. When Love & Hate Collide (live At The Kokusai Forum Hall, Tokyo 02/10/99) (4:10)
  84. Paper Sun (6:15)
  85. Goodbye (3:40)
 in stock $180.97
Cat: 724225 Rel: 17 Jun 19 • View all Record bags
 
Mukatsuku record bag - plus extras
Notes: This hand-crafted British made luxury leather 7" record bag with embossed Mukatsuku logo is made from vintage black leather and comes with adjustable leather shoulder strap and padded top flaps with zips to hold money, needles or adapters.

Holds up to 80 x 45's.

Other goodies included;

- Branded leather keyring
-Steel 45 adapter
- 2 x wooden 45 adapter (1 x pattern edition,1 x round)
- Button badge
- Stickers

NB. These bags are individually hand made from vintage leather and as the material is a natural product the colour may vary slightly from the image shown.
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 3 in stock $153.36
Portrait In Jazz (limited hand-numbered 180 gram vinyl 2xLP box + inserts)
Cat: MOFI 2009. Rel: 11 Jun 19
Jazz
  1. Comrer Ain Or Come Shine (3:22)
  2. Autumn Leaves (6:00)
  3. Witchcraft (4:35)
  4. When I Flal In Love (4:54)
  5. Peri's Scope (3:16)
  6. What Is This Thing Called Love? (4:37)
  7. Spring Is Here (5:05)
  8. Some Day My Prince Will Come (4:56)
  9. Blue In Green (5:25)
 in stock $158.48
Cat: 732328 Rel: 10 Jun 19 • View all Audio & MIDI interfaces
 
Premium 6-channel audio interface featuring high resolution audio recording
Notes: Connect, create, and collaborate with our six-in, six-out audio interface. Featuring high-definition recording, ultra-low latency, and flexible connectivity, AUDIO 6 brings your whole setup together. You can plug in mics, guitars, and synths, create send and return loops with effects, and control synths and drum machines. Plus, you get all the software you need to capture performances, build songs, and polish recordings - bring any idea to life.

Whether recording your next album or gigging your latest release, your focus should be on creating at your best. With pro-grade sound, gig-ready portability, and plug-and-play simplicity, AUDIO 6 lets you do just that.

AUDIO 6 works with all your mics, instruments, and headphones. You've got a choice of connections and features: 48V phantom power, MIDI in/out, and four analogue outputs with additional CV/gate control for your analogue gear. Plus, easy-to-see top panel LED VU-meters for all four analogue inputs and the main stereo output.

Whether you're a solo performer, duo, or a full band, the AUDIO 6's pristine audio quality lets you sound as good on stage as in the studio. Turn your laptop into a live rig or vocal processor, with flexible connections to fit any performance. USB bus-power means fewer cables and power supplies, plus a big volume knob on top lets you make easy level adjustments while on stage.

Two high-power headphone outputs, with individual level controls, make it easy to collaborate. Hear exactly what you're recording, in real-time, with latency-free direct monitoring that lets you blend playback and monitored audio to your liking. We've also doubled their output power - great for stage use or high-impedance headphones.

Whether at a small band session or a freewheeling modular synth jam, having a flexible set of connections lets you bring your ideas together and capture music in the moment. XLR, TRS, S/PDIF, and MIDI aren't just letters, they're ways to make music happen - and we've put these connections right where you need them.
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 3 in stock $183.03
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FORTHCOMING
Blood On The Tracks (Ultradisc One-step)
coming soon $166.66
Cat: 739110 Rel: 28 May 19 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The TRAX is a compact 6 HP Eurorack module that manages to combine the best elements of classic sequencers mixed with some amazing new features. It offers a wide range of possibilities from traditional to the more experimental algorithmic type sequencing.

With unique new features like Evolve, once you enter a pattern or two, the TRAX is able to compare the patterns and generate numerous related patterns instantly for you to access. In addition, the Remix feature will provide 256 variations of each pattern entered.

The TRAX features a Trigger Output, 2 CV Outputs, and an Analog Clock Input that doubles as an Output when reconfigured. Combine the TRAX module with the new MIDI BUS module to control TRAX with a MIDI Clock, send TRAX MIDI Input, or even send MIDI Note Output from the TRAX!

Each Trigger and CV part have their own parameters to control playback type, direction, remix, evolve, phi, randomize, copy/paste, offset, loop steps, loop bars, and a regeneration loop point for evolve and phi modes. And our unique CV Links feature allows any or all of these parameters to be used independently, or instead follow the Rhythm part's parameter values to behave more like traditional sequencers.

A host of Global features provide playback, sync, tempo control, swing, mute, fills, rec type, independent CV output quantization to 29 different scales, MIDI, MIDI to CV conversion, and screensaver.
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 1 in stock $160.11
Cat: 720430 Rel: 28 May 19 • View all Synth modules
 
Trigger & CV sequencer - 6HP
Notes: The TRAX is a compact 6 HP Eurorack module that manages to combine the best elements of classic sequencers mixed with some amazing new features. It offers a wide range of possibilities from traditional to the more experimental algorithmic type sequencing.

With unique new features like Evolve, once you enter a pattern or two, the TRAX is able to compare the patterns and generate numerous related patterns instantly for you to access. In addition, the Remix feature will provide 256 variations of each pattern entered.

The TRAX features a Trigger Output, 2 CV Outputs, and an Analog Clock Input that doubles as an Output when reconfigured. Combine the TRAX module with the new MIDI BUS module to control TRAX with a MIDI Clock, send TRAX MIDI Input, or even send MIDI Note Output from the TRAX!

Each Trigger and CV part have their own parameters to control playback type, direction, remix, evolve, phi, randomize, copy/paste, offset, loop steps, loop bars, and a regeneration loop point for evolve and phi modes. And our unique CV Links feature allows any or all of these parameters to be used independently, or instead follow the Rhythm part's parameter values to behave more like traditional sequencers.

A host of Global features provide playback, sync, tempo control, swing, mute, fills, rec type, independent CV output quantization to 29 different scales, MIDI, MIDI to CV conversion, and screensaver.
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 3 in stock $168.70
In Nomine Satanas: 40 Years In Sodom (limited coloured 8xLP box set + custom-shaped 7" picture disc + 40 page hard-back book + tour program + patch + poster)
BMG
Cat: 405053 8411157. Rel: 31 May 19
Metal
  1. Sons Of Satan (LP1: Welcome To Hell) (3:35)
  2. Welcome To Hell (3:12)
  3. Schizo (3:31)
  4. Mayhem With Mercy (0:53)
  5. Poison (4:29)
  6. Live Like An Angel (Die Like A Devil) (3:54)
  7. Witching Hour (3:36)
  8. One Thousand Days In Sodom (4:32)
  9. Angel Dust (2:37)
  10. In League With Satan (3:29)
  11. Red Light Fever (5:04)
  12. Black Metal (LP2: Black Metal) (3:43)
  13. To Hell & Back (3:03)
  14. Buried Alive (0:27)
  15. Raise The Dead (6:31)
  16. Teacher's Pet (4:45)
  17. Leave Me In Hell (3:35)
  18. Sacrifice (4:30)
  19. Heaven's On Fire (3:41)
  20. Countess Bathory (3:48)
  21. Don't Burn The Witch (3:17)
  22. At War With Satan (Introduction) (2:22)
  23. At War With Satan (LP3: At War with Satan) (19:56)
  24. Rip Ride (3:11)
  25. Genocide (2:58)
  26. Cry Wolf (4:19)
  27. Stand Up (& Be Counted) (3:30)
  28. Women, Leather & Hell (3:20)
  29. Aaaaaarrghh (2:26)
  30. Powerdrive (LP4: Possessed) (3:14)
  31. Flytrap (3:48)
  32. Satanarchist (2:43)
  33. Burn This Place (To The Ground) (2:39)
  34. Harmony Dies (2:42)
  35. Possessed (4:50)
  36. Hellchild (2:39)
  37. Moonshine (3:17)
  38. Wing & A Prayer (2:44)
  39. Suffer Not The Children (3:04)
  40. Voyeur (2:58)
  41. Mystique (4:57)
  42. Too Loud (For The Crowd) (2:57)
  43. Intro/Too Loud (For The Crowd) (LP5: Eine Kleine Nachtmusik) (1:31)
  44. Seven Gates Of Hell (2:51)
  45. Leave Me In Hell (4:39)
  46. Nightmare (3:07)
  47. Countess Bathory (7:19)
  48. Die Hard (2:51)
  49. Schizo (3:24)
  50. Guitar Solo - Mantas (3:12)
  51. In Nomine Satanas (3:22)
  52. Witching Hour (4:14)
  53. Black Metal (LP6: Eine Kleine Nachtmusik) (3:17)
  54. The Chanting Of The Priests (5:07)
  55. Satanarchist (1:57)
  56. Flytrap (3:37)
  57. Warhead (4:16)
  58. Buried Alive/Love Amongst The Dead (5:37)
  59. Bass Solo - Cronos (3:46)
  60. Welcome To Hell/Bloodlust (7:11)
  61. Angel Dust (LP7: Sons Of Satan Rare & unreleased - Church Hall Rehearsals 1979AD) (4:43)
  62. Buried Alive (Church Hall Rehearsals 1979AD) (5:35)
  63. Raise The Dead (Church Hall Rehearsals 1979AD) (5:10)
  64. Red Light Fever (Church Hall Rehearsals 1979AD) (4:17)
  65. Sons Of Satan (1980AD Impulse Studios - £50 demo Recordings) (3:20)
  66. In League With Satan (1980AD Impulse Studios - £50 demo Recordings) (3:18)
  67. Angel Dust (1980AD Impulse Studios - £50 demo Recordings) (4:10)
  68. Live Like An Angel (Die Like A Devil) (1980AD Impulse Studios - £50 demo Recordings) (4:13)
  69. Schizo (LP8: Sons Of Satan Rare & unreleased - 1980AD Impulse Studios - £50 demo Recordings) (5:00)
  70. Venom (1980AD Impulse Studios - £50 demo Recordings) (4:40)
  71. Angel Dust (Impulse Studio demo Session 1980AD) (3:11)
  72. Raise The Dead (Impulse Studio demo Session 1980AD) (3:36)
  73. Red Light Fever (Impulse Studio demo Session 1980AD) (4:49)
  74. At War With Satan (1983AD Impulse Studio - At War demos) (13:45)
  75. Bloodlust (3:02)
  76. In Nomine Satanas (3:25)
 in stock $174.84
Cat: 727956 Rel: 13 May 19 • View all Wireless microphones
 
Compact wireless microphone system
Notes: Wireless GO is the world's smallest and most versatile digital wireless mic/receiver combination. Users get an incredibly compact on-camera (fits a hot shoe or clips to objects) receiver, and a compact clip-on transmitter with built-in microphone - featuring rechargeable 7-hour battery life, and digital audio transmission of up to 70m range in busy WiFi environments!

Plus, users can add a headset or Lavalier to the transmitter with its 3.5mm jack input - making it the world's smallest belt-pack transmitter for a Lavalier microphone.

The RX receiver connects directly to camera (or smartphone using an optional SC7 cable) allowing for instant capture with no need to sync audio afterwards.

Wireless GO is unique in its clip'n'go versatility, incredibly compact form-factor, and unmatched price accessibility. It's the perfect wireless mic solution for content creators in all disciplines: filmmakers, on-camera presenters, newsgatherers, vloggers and more.
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 2 in stock $177.92
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Malekko Quad VCA Module (synth module)
Cat: 676895 Rel: 17 May 19 • View all Synth modules
 
4-channel, advanced voltage controlled amplifier - 8HP
Notes: Quad VCA is a 4-channel, advanced voltage controlled amplifier with an analog signal path that can either be used stand-alone, or in tandem with the Varigate 4+ and 8+ for multiple preset recall over the power bus. Input channels 2-4 are normalled to 1 and Scan Mode allows for complex level and modulation routing. Each channel includes a mute function and all outputs are summed to a mix output. To adjust level and CV modulation per channel, use the Select Channel buttons and then adjust the Offset and Attenuverter controls. Scan Mode includes two functions. Scan: Insert 4 inputs, 1 CV and monitor Mix output for 4:1 scanning. Pan: Insert an input into Ch 1 and Ch 1 CV will route input to up to 4 different outputs. Offset and Attenuation can be adjusted to control how incoming CV is applied. The Remote switch allows you to access saved presets when paired with Varigate 8+ (100 presets) or Varigate 4+ (16 presets). In stand-alone mode, all settings are auto-saved.
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 2 in stock $180.97
Cat: 732134 Rel: 15 May 19 • View all Synth modules
 
Updated version of the State 700 module - 10HP
Notes: State 700 Mk2 is an update of this popular module. The Mk2 is the same size as the Mk1, at 10HP wide, but features additional audio and CV inputs, both with their own attenuators. Based on the Roland System 700 state variable filter module, State 700 provides lowpass, bandpass and highpass outputs simultaneously. The Mk2 features upgraded outputs from the original module, keeping signals more in line with Eurorack output levels. A big part of the sound of the State 700 is the way in which resonance is reduced as the audio inputs are driven harder. It won't self oscillate with a hot audio input, throttle back a little and you'll get squelchy ear bleeding resonances!
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 1 in stock $183.02
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Cat: 731956 Rel: 16 May 19 • View all Synth modules
 
3-channel module for recording & playing back movements of controllers - 6HP
Notes: The FLAME "C-3 MK2" is a three-channel module for recording and playing back movements of controllers. These can be recorded with each channel's individual knob. The movements will be output as control voltages. The recording time per track is over one minute. The playback speed is adjustable. All three tracks have a common reset input. The track data remains permanently stored (battery-backed memory). The module can be globally switched to bipolar or unipolar voltage range (switch on the PCB).
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 1 in stock $152.34
Cat: 717592 Rel: 01 May 19 • View all Audio & MIDI interfaces
 
Portable ultra-high-definition USB-C audio interface
Notes: Professional quality in your home recording studio and on the go.

Ideal for DJs, mobile musicians, and electronic musicians who want excellent audio quality in a sturdy, portable form factor, the bus-powered Studio 26c 2-in, 4-out audio interface records at up to 192 kHz and features mic/line/instrument inputs, DC-coupled line outputs, MIDI I/O, and a Cue Mix A/B button. A complete, all-in-one recording package, the Studio 26c comes with PreSonus' award-winning Studio One Artist music production software for macOS and Windows and includes USB-C to USB-C and USB-C to USB-A cables for compatibility with most computers.

World-class recording software included:

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 26c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:

The 2-in, 4-out Studio 26c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, 1/4-inch TRS, line-level main outputs; and an output level control. All line-level outputs are DC coupled, enabling them to send control voltages. A Cue Mix A/B function lets you toggle between two mixes while monitoring through headphones - perfect for DJs and to listen in on a performer's monitor mix. The Studio 26c's built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 26c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX-L mic preamps capture complex musical harmonics smoothly and naturally, with no audible distortion.

Designed for the home recording studio. Built for the road:

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 26c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it's a perfect companion for any recording software, the Studio 26c and included Studio One Artist provide you with a complete, affordable, home and mobile recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 3 in stock $172.08
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Cat: 730429 Rel: 29 Apr 19 • View all Effects pedals
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 2 in stock $172.80
KRK
Cat: 718670 Rel: 01 Apr 19 • View all Studio monitors
 
Professional grade 7" (bi-amp) studio monitor designed & engineered in the USA
Notes: The new 7" KRK ROKIT RP7 Generation 4 ("G4") bi-amp professional monitor takes music and sound creativity to a whole new industry-level. DSP-driven room tuning with 25 visual Graphic EQ settings on an LCD, combined with the included KRK App help minimize and correct problems in your acoustic environment. Matching drivers made with Kevlar ensures the same sonic integrity on every single frequency, minimizes listening-fatigue, and offers an incredibly balanced listening experience.

A scientifically designed high-quality speaker enclosure and newly-designed front-firing port offer exceptional low-end extension, punch and flexible room-positioning. High density Iso-foam pads decouple the speaker from the surface for improved clarity while fluid mechanics fully tuned to the entire system result in a deep and dynamic listening "sweet-spot" with incredible imaging and 3D soundstage.

A new custom designed efficient class D power amp reduces operating temperatures to retain better audio integrity while a built-in Brickwall limiter automatically engages at maximum amp-level to maintain a balanced sound, protect the system, and offer better and wider dynamics. Although truly affordable, price isn't even in the ROKIT conversation-professionals choose ROKITs for their time-tested and reliable results. The new ROKIT Generation 4 Line actually is ROKIT Science.
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 2 in stock $196.82
Korg Volca Drum Digital Percussion Synthesiser (drum machine/percussion synthesiser)
Cat: 715951 Rel: 21 Mar 19 • View all Drum machines
 
Drum machine with 16-step sequencer, 6 dual-layer drum parts, MIDI input & sync I/O
Notes: Welcome to an infinitely expanding world of sound-design. Joining volca kick and beats as the third, and most unique, drum synth in the volca lineup. The volca series is all about unique sound. Whether it's analogue, PCM, or FM, the volca series puts unique sounds into an accessible platform. And now, the series is joined by a new rhythm machine that brings yet another sonic character. It's the volca drum digital percussion synthesizer. Based on a simple trigger waveform, wave folder and overdrive are used to add overtones and distortion, and then a waveguide resonator effect brings the sound to life. The six-part DSP synth engine was designed with a completely different philosophy than conventional drum machines, and generates a wide range of unexpectedly different sounds. And of course, you can play those sounds from the volca-style sequencer.

Adding these distinctive sounds to your rhythms will revolutionarily transform your performances and productions.

Digital percussion synth with a 6-part x 2-layer structure:

The term "digital" typically brings to mind sounds that are based on PCM-sampled bass drum, snare drum, or cymbal, but the volca drum creates its drum sounds by DSP-powered analogue modelling. Oscillator waveforms such as sine wave, sawtooth wave, and noise are provided. By applying various changes to these waveforms, you can create a wide variety of percussion sounds that range from realistic to idiosyncratic, and are not limited only to drums.

The six parts each have two layers, and do not impose any rules or restrictions such as specifying which parts must be used for the bass drum or for the cymbal; all parts have the same specifications. You can freely assign your new sounds to these six parts without being limited by the conventions of a drum set. A kit consists of the six parts that you've assigned plus the waveguide resonator effect settings, and 16 such kits can be stored in memory (the factory settings contain 10 preload kits).

Distinctive sound from a newly developed DSP engine:

Each part consists of two layers. For each layer, users choose one of five types of oscillator waveform including sine wave, sawtooth wave, and HPF noise, and also choose from three types of pitch modulator and amp EG, each optimized for drum sounds. Layer parameters can be edited either individually or simultaneously, and users can also use the two layers to produce the same sound for additional thickness.

Waveguide resonator adds rich resonances:

The effect section features a waveguide resonator that's based on physical modelling, and which adds sympathetic resonances to the sound. You can choose from two types of waveguide: "tube" which adds the resonance of a cylindrical object such as a drum body or a long pipe, or "strings" which adds the metallic resonance of a string. The three knobs located in the centre of the panel let you specify the DECAY (amount of attenuation), BODY (sonic character), and TUNE (pitch). Setting TUNE to a lower value will produce a delay-like behaviour. You can take advantage of these knobs not only for sound design but also in your live performances.

16-step sequencer with a wide range of parameter automation:

The 16-step sequencer is excellent for improvisation. You can easily create patterns using the 16 buttons, each corresponding to one of the 16 steps. In addition to step recording, the sequencer also supports realtime recording in which you can construct a pattern while looping the playback. The pattern chain function lets you play multiple sequence patterns successively, so you can successively play back desired patterns of consecutive numbers. Up to 16 sequences can be connected to construct patterns with 256 steps.
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 More than 10 in stock $152.35
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Cat: 725927 Rel: 19 Mar 19 • View all Hi-fi headphones
 
On-ear headphones featuring incredible acoustics & comfortable, portable design
Notes: One of Paul W. Klipsch's first labours of love was a headphone. 70 years later, our legendary acoustic heritage combined with in-depth comfort and fit expertise are forged into every Klipsch headphone making them the best sounding, most comfortable options on the planet. Reference On-Ear II headphones are engineered to minimize fatigue and create the perfect seal so you can rock-on, way past the encore.

Quality you can feel:

Designed with the authentic in mind, Reference On-Ear headphones are crafted with a minimal, clean design. Hinges and sliding mechanisms are reinforced and intelligently hidden for a clean, solid feel and added reliability.

Amazing sound:

A ground-up design focusing on proper representation of music from any genre, Reference On-Ear doesn't add anything you weren't meant to hear by the artist. Vocals are clear, highs are crisp, and bass is true and accurate.

Total comfort:

Reference On-Ear's premium ear cushions are soft and deep. This adds comfort and separates music from outside noise. The earcup provides articulation in every direction, ensuring that pressure is applied evenly across the entire ear. With just the right amount of headband pressure, your ears stay comfortable for hours.

Portable design:

Perfect for on-the-go situations, Reference On-Ear headphones fold up and includes a hard zip carrying case. A durable, tangle-resistant cable and three button mic allows full control of your Apple device without having to take it out of your pocket.
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 1 in stock $178.06
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Cat: 718619 Rel: 04 Mar 19 • View all Guitar amplifiers
 
15W battery-powered guitar amplifier with iOS/USB interface
Notes: iRig Micro Amp is a compact, battery-powered amp that lets you do more. At 15W RMS, it's louder than you'd expect and covers a range of tones, with 3 custom-voiced analogue channels: clean, drive, and lead.

Plus, iRig Micro Amp's connection lets you plug into all your favourite apps and software. Learn new songs, practice your favourite licks, perform with backing tracks, and even record your own songs easier than you ever imagined.

All this in an ultra-compact size that's easy to carry anywhere. With iRig Micro Amp you'll never stop finding ways to take your playing further.

iRig Micro Amp offers 15W power when plugged in, and 7.5W when running on 6 x AA batteries. Combined with a 4" custom-voiced speaker, it pumps out surprising volume at half the size of similarly-powered amps. So it's perfect for everything from a bedroom or desktop, to jamming with friends or street busking.

It offers 3 analogue channels: clean, drive and lead, with the rich, warm sound you'd expect from the tone gurus behind AmpliTube. You get low, mid and high tone controls, plus adjustable gain, to easily dial in nearly any sound.

Need more volume or a bigger speaker? iRig Micro Amp also offers a cabinet output, so it can keep up with a full drum kit for band practice. An aux input lets you connect any analogue input, like an MP3 player, to jam along, and a headphone output is perfect for silent practice.

With its compact size and flexible options, iRig Micro Amp is the perfect option for your gig bag, to be able to practice, jam or perform anytime, anywhere.

iRig Micro Amp also connects to your iPhone, iPad, Mac and PC, routing your guitar's signal to your device to process or record, and plays back directly through the 4" speaker. It's an entire setup in a single integrated unit derived from IK's award-winning iRig HD 2 mobile guitar interface, with 24-bit, 96 kHz for pristine sound quality.

With the included AmpliTube app and software, Micro Amp delivers the widest range of tones and a level of accuracy you've never heard in a practice amp before. iRig Micro Amp unlocks 10 amps and 26 stompbox effects in AmpliTube CS for iPhone or iPad, and includes AmpliTube 4 for Mac/PC for 9 amps and 10 stomps. Right out of the box you can enjoy everything from vintage twang to screaming high-gain, and all the tone-shaping pedals you'd want.

You can easily expand your sonic collection with IK's range of additional amp and effect models - there are over 280 pieces to choose from, including officially licensed re-creations of gear from Fender, Orange, Mesa-Boogie and other iconic gear manufacturers, as well as guitar legends like Slash, Jimi Hendrix and Dimebag Darrell, all available a la carte.

Beyond AmpliTube, iRig Micro Amp lets you connect to an endless array of apps and software. Learn new licks, polish your technique, or jam along with your favourite songs - iRig Micro Amp makes it easy and fun so you'll never get bored.

iRig Micro Amp also makes it easy to start recording your own music. With apps like GarageBand, it's a cinch to capture your ideas or even record a full track. But Micro Amp also works with professional recording software like Logic, Pro Tools and more, creating a convenient desktop setup for use on the go.

There's never been an amp that offers you this many ways to make music in a size you can carry anywhere. iRig Micro Amp really does let you take your playing further.
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 2 in stock $154.39
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Cat: 717580 Rel: 06 Feb 19 • View all Synth modules
 
Four channel stereo mixer with line-level, modular-level & headphone outs
Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 1 in stock $171.77
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Cat: 717581 Rel: 06 Feb 19 • View all Synth modules
 
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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 3 in stock $172.79
What's Going On (remastered) (limited hand-numbered 2xLP box + photo + insert)
Cat: UD1S 2008. Rel: 31 Jan 19
Soul
  1. What's Going On (3:52)
  2. What's Happening Brother (2:41)
  3. Flyin' High (In The Friendly Sky) (3:56)
  4. Save The Children (3:11)
  5. God Is Love (2:35)
  6. Mercy Mercy Me (The Ecology) (3:11)
  7. Right On (7:36)
  8. Wholy Holy (3:08)
  9. Inner City Blues (Make Me Wanna Holler) (5:27)
 in stock $158.48
Cat: 708087 Rel: 23 Jan 19 • View all Synth modules
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - black, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
Dimensions: 12HP wide, 26mm Deep
Current draw: 55mA Positive, 40mA Negative
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 2 in stock $190.17
Cat: 708115 Rel: 22 Jan 19 • View all Synth modules
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 1 in stock $173.81
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NUX
Cat: 712777 Rel: 22 Jan 19 • View all Effects pedals
 
Multi-function effects pedal featuring analogue overdrive & distortion circuits
Notes: Cerberus is a multi-function effect pedal which can be used stand-alone or with the 4 cable method and comes packed with extraordinary features including inside routing, IR loader, analogue overdrive & distortion and digital effects. You can use Cerberus as a stand-alone device to prepare your setup and control as a stomp-box chain and/or save any combinations including routing as a preset and recall by a single click. You can add your essential gears into the chain with using 4 cable method no matter which equipment you use. Cerberus also offers MIDI control to organize your own effect pedals and improve your effects control at the same time. We've put together 2 selected analogue Drive/Distortion pedals, modulation effects and delay & reverb effects.
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 2 in stock $157.15
Cat: 708117 Rel: 22 Jan 19 • View all Synth modules
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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 1 in stock $162.57
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