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Notes: After Later's redesigned take on the classic Mutable Instruments Rings module offers all the distinctive resonant synth sounds you'd expect, from strings to percussion. Great value.

Supplier notes:
This is an exact hardware replica of the Mutable Instruments Rings module.

Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

New Features:
New creative features: Scale Mode, Chord Mode, and Arpeggiator, making composition, songwriting, and beat-making more intuitive than ever.
Custom DAW integration: KeyLab Essential 3 features custom scripts for deeper control over DAWs, including Ableton Live Logic Pro X, FL Studio, and more.
More versatile presets: The 2000 presets included with Analog Lab V are no longer limited to vintage sounds; users can enjoy unique hybrids, modern synths, orchestral sounds, and more.
Easier controls & interface: RGB-backlit pads with velocity and pressure sensitivity, contextual button, and a bright new 2.5" LCD screen for real-time feedback.
Expanded software package for beginners & pros: Now includes Analog Lab V, 2 pianos (UVI Model D, NI's The Gentleman), plus subscriptions to Loopcloud and Melodics.

Notes: Unusual output and mastering module, inspired by studio and radio mastering tools but fitting into just 6hp. Includes multi-band compression, mid/side stereo processing and brickwall limiting.

Supplier's Notes:
Golden Master is a multiband processor module in Eurorack format. Inspired from the studio mastering and radio loudness units from the 90's, this tool is a game changer for everyone who performs live with a Eurorack synthesizer.

The whole magic of Eurorack lies in its raw sound and simple analog mixes - processing through the Golden Master brings instant punch and sound pressure, as well as controlling the overall volume.

Power consumption: 135mA at +12V and 25mA at -12V
Depth: 30 mm (with ribbon cable connected)
HP : 6

Notes: The Pitch Forkr+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it's your ultimate harmonizer.

Review: Steely Dan are the kind of band where everyone has their favourite album, with a fanbase who might well get a little heated debating which phase of the band is superior. But when it comes down to it, everyone will agree Aja is their masterpiece, where that exacting studio process and the elevated songwriting hit some magical sweet spot that yielded the semi-mythical perfect album. The grooves are so slinky as 'Black Cow' opens the record up, they spring with joy out of 'Peg' and they lock down heavy on 'Josie', and there's so much more in between. This faithful reproduction from Analogue Productions is a limited audiophile edition for a band who were made for audiophiles.

Notes: Reverse-engineered from the original machine, our BD909 is an identical recreation of the original all-analog drum circuit of the TR-909. We've added additional controls and synthesis features that turn this classic circuit into a chest-pounding analog bass drum laboratory - all tightly packed into an 8HP module. The BD909 sound differs from our BD808 in that the main sonic energy is centered in the mid to low frequency range (as opposed to the low frequency range of the BD808). This frequency range gives the needed headroom allowing your bass Lines to deeply fill up the low end while the kick drum rides on top - creating a clear and punchy mix.

The BD909 includes all the controls found in the original: Attack, Decay, Tune Decay, Accent and Level. We have gone beyond that and added controls that further increase the palette of sound this circuit is capable of. First off, we've added a tuning control knob for the oscillator and included its own CV input and attenuator that let you tune your 909 kick with your bass lines. Next, we added control knobs for the tuning attack and extending tuning decay - each one affects the other, allowing for very intuitive and interactive sound shaping - this feature opens up numerous "sweet spots", and provides the ability to center the energy peak at different parts of the sound. Finally, we offer additional punch and distortion by giving complete control over the internal waveshaper, which allows you to overload the waveform manually or with voltage control.

Beginning with the classic and pure sound of the 909 kick, these additional functions greatly expand the BD909's flexibility and let it create powerful analog bass drums that range from soft and smooth to punchy and aggressive - and everything in between.

Notes: Endorphin.es add to the ranks of clever 1U format modules with this take on their Cockpit four-channel stereo mixer. Simple design including a CV/trig input for sidechain compression/ducking.

Supplier's Notes:
Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
the LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New knobs on the black module version
Power consumption: 37mA at +12 V and 23mA at -12 V

Depth: 41mm

HP : 24

Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: Delta-V is a fully analogue dual-channel function generator, featuring a dedicated VCA and LFO cycle switch for each channel. It packs a great deal of functionality in only 10HP, and will surely find use in almost every patch.

Generate envelopes, slew gates and signals, or run LFOs with precise control over attack and decay times. Using the SHAPE knob, Delta-v can create a wide range of envelopes, from very snappy exponential curves for percussion to logarithmic thumps for bass lines.

If VCA's input is unpatched, the module outputs a regular voltage envelope. When an audio signal is patched into the VCA input, the output signal becomes the audio signal amplified by the envelope.

Sending other envelopes or an LFO to VCA input lets you modulate those modulators, quickly creating complex control voltages that go beyond the usual attack-decay envelope.

Combine this with the SUM output, which sums the two channels, and the attenuverters, which can quickly attenuate or invert the signal, and you have a whole array of signal processing capabilities.

The TRIGGER input fires a Attack-Decay envelope, while the SLEW input will affect the rate of change of the signal.

The trigger for channel 1 and 2 can be linked together, so you can fire two envelopes with one patch cable.

Each channel has an End of Cycle output, (EOC) this outputs a short trigger at the end of each envelope cycle.

The output voltage ranges from -10 to +10 volts, set with handy output attenuverters.

The CYCLE switch starts looping the envelope, creating LFO's that go up to audio rate, and that can also be used as an interesting sound source.

There are many ways to utilise Delta-V.

Challenge yourself to explore new, unconventional territories!


Width: 10HP
Depth: 27MM
Power: +12V 70 MA
Power: -12V 70 MA
Power 5V: 0 MA

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Really great value monitors from PreSonus, packing a punch from 4.5-inch woofers despite their compact overall dimensions. Bluetooth connectivity for added versatility.

This monitor comes with free Studio One Prime and Studio Magic plug-ins.

Supplier's notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E4.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E4.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E4.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content wirelessly. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E4.5 BT has you covered with rear-panel, left and right 1/4-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E4.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E4.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.

Notes: A warm and deep sound source you can rely on

A flexible and warm Analog Multifunction Oscillator, rich in harmonics. Excellent for performance use!

ONA can work as an Audio Oscillator or as a Low Frequency Modulator and it provides control over all its parameters, making it a versatile, deep and easy-to-use oscillator.

Thanks to its triangle-core oscillator and wave-shapers you can choose between a big palette of output waveforms to give shape to your ideas.

Classic Waveforms. Sine, Triangle, Saw and Square.

2 Complex Waveforms with Pulse Width Modulation.

2 Sub-Waveforms to add some bass sounds easily.

Blend them to give unlimited depth to your sound!

Notes: For decades, the voltage controlled slew limiter has been a staple of modular synthesisers. With its extreme versatility, it can be used to slew control voltages (CVs), create envelopes, as a low-frequency or audio oscillator and much more.

Today, Contour 1 brings a fresh approach to this classic circuit. It delivers much improved performance and control by incorporating modern design techniques.

At its most basic, a slew limiter slows down the rate of voltage change in a signal. On Contour 1, the rising and falling rates can be individually set using sliders and CV modulation.

The gate and trigger inputs allow the module to be used as a function generator: create snappy attack-release (AR) and attack-decay (AD) envelopes, with slope times ranging from 500 us to 30 seconds. The dedicated gate input makes it easy to generate +10 V envelopes from any signal source. Using the large tactile push button, AD envelopes can be manually triggered. A trigger will also reset the output voltage.

When set to loop mode, Contour 1 will continually re-trigger itself. In this mode, it fulfils the role of a variable-shape low-frequency oscillator (LFO) or temperature-stable voltage controlled oscillator (VCO) in the audio range.

Both the rising and falling slopes can be individually bent, from concave through linear to convex. While doing so, the deviation in slope time, and thus oscillation frequency, is kept to a minimum. Since the bend parameters are separately voltage controllable, boundless modulation possibilities present themselves.

Explore anything from shape-shifting envelopes to rich VCO timbres: Contour 1 will make you re-think what a slew limiter can do.

Dimensions
8 HP
30 mm deep

Current Draw
90 mA +12V
85 mA -12V

Notes: Quality belt-driven DJ turntable with built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records. Plug & play: no driver installation required, unit is identified automatically.

- Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits
- Includes software for recording and editing
- 2 speeds, pitch control +/- 10%
- Large start/stop button
- Strobe lamp for exact speed adjustment
- Adjustable anti-skating
- Shock-absorbing feet
- Switchable phono/line output
- Delivery includes removable dust cover, pick-up system, RCA and USB cable
- USB 1.1 support
- Suitable for Windows XP, Vista,7, 8, 10 and Mac OS X

Notes: The Wireless GO II Single is an extremely versatile and ultra-compact wireless microphone system consisting of a dual receiver and single transmitter. Featuring a high-quality microphone built into the transmitter for completely wireless operation, fl exible output for connecting to cameras, computers and smartphones, extended transmission range, over 40 hours of on-board recording and much more, Wireless GO II Single is the perfect microphone for a wide range of content creation applications.

Acoustic & electrical specifications

Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 50Hz - 20kHz
Maximum SPL (Mic): 100 dB SPL (1kHz @ 1m) dBu
Maximum Input Level (3.5mm): -20dBV
Equivalent Noise Level (A-Weighted): 22dBA
Power Requirements: In-built rechargeable lithiumion battery charged via USB 5V, 0.3A
Operating Time: Up to 7 hours
Analog Inputs: 3.5mm TRS (lavalier microphone input)
Analog Outputs: 3.5mm TRS
Transmission Range: 200m (line of sight)
Computer Connectivity: USB Type-C
Operating System
Requirements: macOS 10.11 above, Windows 10 and above


Mechanical specifications:

Weight (grams):
TX: 30g, RX: 32g

Dimensions (millimetres): TX: Length: 44, Width: 45.3, Height: 18.3
RX: Length: 44, Width: 45.5, Height: 18.3

Included Accessories:
2 x Fur Windshields
2 x USB-C Cables
1 x SC5 3.5mm TRS Cable
1 x Carry Pouch

Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative

Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: The SL MIXFACE is a complete controller device which combines style and simplicity with a powerful engine. Designed for mobility, you can bring it everywhere and use it in total freedom thanks to its hosting capability and auto-mapping of the main DAW apps.

Through its connectivity and the integrated batteries, it's a perfect portable device, which with a simple gesture becomes the best desk companion.

Press a button and switch the control from the DAW environment to your favourite instrument and vice versa. All the Transport functions are always ready to go, while you can edit any sound parameter of the instrument or mix the tracks of your song.

Connectivity:

The SL MIXFACE is able to host any keyboard turning it into a full 4 layers MIDI controller. Thanks to its connectivity ports it communicates with the computer as device by using Bluetooth and USB at the same time.

Extended capability:

The SL MIXFACE perfectly matches the SL controller line expanding its control capability. Thanks to the magnetic system it sticks on it becoming a natural physical controls extension. Simply plug MIXFACE to an SL keyboard and it gets the control of the 4 layers on the fly.

Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)

Notes: Top-of-the-range wireless headphones from AIAIAI, based on the tried-and-tested TMA-2 modular design. Features Bluetooth connectivity, vegan leather ear pads and dual microphones.

Supplier's Notes:
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort and isolation with vegan leather.

Soft over-ear cushions and headband covered with high grade memory foam and PU leather to provide optimal comfort and better sound isolation.

Bluetooth 5.0 connectivity with +40h playback time.

High quality wireless audio, +40h playback time on any Bluetooth enabled device.

Intuitive multi-functional joystick controls.

Complete control of music and calls with multi-directional joystick, and dual mics for improved voice quality and clarity.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Enhanced comfort and isolation with vegan leather.
Bluetooth 5.0 connectivity with +40h playback time.
Intuitive multi-functional joystick controls.
Responsible modular headphones - Headphones for life.


Specifications & parts:
Driver diameter 40 mm
Resonance freq. 80 Hz
Impedance 32 Ohm
Rated power 40 mW
Max power 100 mW
Diaphragm Bio-cellulose
Magnet High-grade Neodymium

S10 . Bluetoothr 5.0 - Detailed sound - Bio-diaphragm
Bluetoothr speaker units with a diaphragm made from stiff bio-cellulose for more defined high-frequency details, more pronounced mid-range, better dynamics, and more natural tonality. Delivered as a pair, including USB-C charging cable

H03 . High comfort - PU leather
High comfort headband with PU leather head padding ideal for longer listening sessions.

E04 . Over ear - PU leather
Soft over-ear memory foam cushion covered with PU leather. The thickness and materials gives better comfort and sound isolation. Delivered as a pair.

C05 . Straight - 1.2m
Straight 1.2m thermo plastic cable. Soft touch surface and perfect for small workstations.

A01 . Protective pouch
Designed to protect your headphones from dust and scratches, the A01 protective pouch is made from soft nylon and features a mesh inside. Fits any TMA-2 and Tracks headphone.

Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).

Notes: Xkey37 LE- 37 reasons to go (slightly) bigger.

One more octave.

Same beautiful design... but longer.

20% lighter than a 11-inch MacBook Air!

New Xcable means more exciting possibilities.

MIDI OUT. Sustain and expression pedals inputs

Enough room for two-handed playing.

Portability meets functionality. Awesome!

Xkey 37 LE sets you free!

Real Keys- 37 full size keys. Shut your eyes and you'll think you're playing a regular piano.

Portable- Lightweight and tough. Xkey is the perfect traveling companion.

New Xcable- The Xport connector now gives you access to MIDI OUT, sustain & expression pedal inputs. With just one cable!

Slim Design- Main aluminium body is only 3.9mm high. That's 36% less than the new iPad Air.

Aluminum Body- Robust, high quality construction. Looks great. Same finish as a MacBook.

100% MIDI- Use Xkey with your favorite music apps on your favorite devices. Works out of the box.

Polyphonic Aftertouch- Your pressure on the keys controls the effect individually. Professional studio standard feature.

Customizable- Download the free Xkey Plus application. Configure your keyboard how you like it.

Velocity Sensitive- Play loud with one hand, soft with the other. There's 128 levels of sensitivity.

USB Powered- No battery needed. The Xkey is powered and upgradable via a single USB cable (provided).

Regular Updates- Benefit from upcoming new features. Upgrade your Xkey online!
Smart Buttons- Octave Change, Pitch Bend, Modulation, and Sustain function buttons.
Controls- 37 full-size keys (3 octaves).
100% MIDI compliant.
Velocity sensitive.
Polyphonic aftertouch.
Pressure sensitive Pitch bend and Modulation buttons, with continuous MIDI control data.
Octave +/- push buttons.
Sustain button.
USB Powered (no external power supply needed).
Firmware upgradable via USB.
Configurable via Xkey Plus free app for iOS, Mac OSX, and Windows.

Connectors

Micro USB connector (cable provided).
Activity indicator LED.
Xport connector (proprietary Xcable provided)
MIDI OUT (DIN-5 through Xcable).
Sustain Pedal input (6.35mm (1/4") jack through Xcable).
Expression Pedal input (6.35mm (1/4") jack through Xcable).

Dimensions
Width: 553 mm (21.77 in)
Height: 135 mm (5.31 in)
Depth: 16 mm (0.62 in)
Weight: only 880 g (1.94 lb) - 20% lighter than a 11-inch MacBook Air!

Power consumption
~ 125mW / 25mA

Included in Package
Xkey37 / Xkey37 LE (37 keys)
Xcable Included with Xkey37, optional for Xkey37 LE (with MIDI OUT, expression and sustain pedals inputs)
Micro USB cable.
Quick Start Guide.

Notes: Inspired by the legendary UDG ProducerBag, the UDG Ultimate ProducerBag Large has been created to cater for those electronic musicians who crave more space for their performance equipment.

Fits: Pioneer DJM-S5, Toraiz SP-16, Denon DJ Prime Go, Novation AFX, Akai MPC Live II, Reloop Elite, Rane Seventy, Seventy-Two, NI Maschine Jam, and various pedalboards

The UDG ProducerBag Large offers increased space for performers using laptops up to 18.4" and larger MIDI Controllers. Constructed from high quality fabrics, the backpack style UDG ProducerBag Large features padded walls with an adjustable divider to create an internal partition to suit your own requirements. Available in black, the bag offers both comfortable transportation and padded protection for your valuable items.

Specifications

Colour: Black, Orange inside
Weight: 3,25 kg / 7.15 lbs
Outer Dimensions (W x H x D): 56.0 x 45.0 x 18.0 cm | 22.0 x 17.0 x 7.1 inch
Inner Dimensions (W x H x D): 46.5 x 32.0 x 15.0 cm | 18.3 x 12.6 x 5.9 inch
Material: Water Resistant Nylon 420D
Protection: Padded MIDI Controller compartment
Bottom guards fabrics protect from scuffing and abration.

Extras

6 pockets for Accessories and smaller gears
Top carry handles
Ergonomic detachable shoulder strap
Integrated combination lock.

Fits:

Up to 18.4" laptop
Pioneer DJM-S5, Toraiz SP-16, DJS-1000, DJM-750MK2
NI Traktor Kontrol S2 MK2, Maschine Jam/ MK3/ MK2, Traktor Z2
Denon DJ Prime Go, MC6000 MK2, MC3000
Numark iDJ Live II, Mixtrack II / Pro II
Rane Seventy, Seventy-Two
Akai MPC Live II, APC 40 MK2, MPD232, MPD26, MPD32
Reloop Elite, Beatpad/2, Beatmix, Digital Jockey-3, Jockey 3 Remix, Terminal Mix 2
Novation AFX, 25SL MK2, Launchkey 25, Nocturn 25
Hercules DJConsole RMX2, DJControl Jogvision, DJ Control Air+ S
M-Audio Oxygen 25, Trigger Finger Pro, Xponent
Stanton SCS.4DJ, DJC.4
Livid OHM 64
Vestax VCI-380/400/400DJ,
Arturia Drumbrute, Keylab 25
Various pedalboards

Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).

Notes: User-friendly mid/side processing module. Tweak the stereo image or split a stereo signal into mid and side elements then route out to other modules for further processing before summing back together. Powerful.

Supplier's Notes:
Minsk is a stereo image processor. It is a hybrid tool that combines digital and analog processing to facilitate advanced mid/side (M/S) manipulation of a stereo signal pair. It allows for separate treatment of the mid and side components, which affects the depth and width of the auditory scene. Minsk offers both manual and voltage control of the stereo width, as well as two dimension effects for enhancing the existing stereo image or creating a faux stereo image based on the stereo or mono input source. Minsk is especially handy during the preparation of a vinyl release or before a club concert, because it can eliminate out-of-phase low-end frequencies (high pass filter at 300Hz with the filter slope 12dB/oct, 50Hz with the filter slope 24dB/oct).

Dimensions:
6 HP

Current Draw:
140 mA +12V
40 mA -12V
0 mA 5V

Notes: Erica Synths Fusion Ring Modulator - a classic design ring modulator with germanium diode ring + vacuum tube to boost and shape audio and carrier signals.

Germanium diodes enrich the sound by adding extra harmonic content meanwhile vacuum tube adds evilish overdrive to audio and carrier signals. As a result you get one of the most versatile ringmodulators around!

All Fusion modules by default are configured to work with regular eurorack PSU.

Configurable power supply - standard eurorack +-12V conection OR eurorack +-12V plus Erica Synths Tube heater PSU

Due to the fact that cold tube heaters have lower resistance, Fusion modules have significant power consumption peak at startup, when power consumption almost doubles for 1-2 seconds. This is not a problem with linear PSUs that have power inertia, but may cause switching PSU internal protection turn off the power supply. Please make sure your PSU has some headroom before installing multiple Fusion modules.

Specifications:

Input signal level: up to 20V ptp
Output signal level: 10V ptp
Mixer GAIN: 1
Power supply: bipolar +-12V , eurorack standard
Power consumption: Eurorack PSU configuration: 160mA@+12V, 10mA@-12V
Module width: 12HP
Module depth: 25mm

Notes: With the BeatBuddy MINI 2 Drummer Pedal, use your foot to take full control over your drummer including transitions, fills, intros, and more.

The ergonomic button makes this drummer pedal perfect for playing or jamming out when wearing socks (or barefoot)!

Over 200 styles and samples of professional drummers result in a versatile and organic feeling drum machine.

The BeatBuddy MINI 2 drummer pedal is a more compact and affordable version of the award winning BeatBuddy drummer pedal. It's used by School of Rock, Taylor Robinson Guitar, Frost School of Music (University of Miami), and more as a tool for efficient and engaging practice.

The ability to play along with beats sampled from professional drummers and control them with nothing but your feet will help you improve your musical talent faster than ever before. Most importantly, the fun you'll be having along the way will keep you coming back for more.

Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.

Notes: The legendary Whammy pedal is the premier pitch-shifting pedal for any guitarist's board, and it only gets better with time. In addition to the classic Whammy sound, we've added chordal Whammy pitch-shifting and true bypass.

Whammy artists have won over 60 Grammysr using its unique pitch-shifting sound to enhance their music. Its songs echo the hallways of the Rock & Roll Hall of Famer and generate acclaim on over 700 million albums around the world. There is no doubt why Whammy is one of the most common sights on guitarists' pedalboards.

The Whammy can bring new depth to your artistry. Turn your solo into raging, rebellious screams of tone or tame your crowd with highly expressive, ambient chordal bends. Energize your audience with a scratchy note frenzy, bring them in and out of the sound tunnel with musical bursts, or carry them through an existential exploration of full-fretboard pitch translation. The Whammy puts expression into the expression pedal.

Don't be the last guitarist without a Whammy! The iPB-10 unleashes the ability to create and control guitar effects like never before.

General Specifications
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D Conversion24 bit
D/A Conversion24 bit
Power Consumption2.4 Watts (< 265 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Dimensions
Height2.5"
Width6.5"
Depth7.75"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din

Notes: Huge chorus-flanger. Take your music to infinity. The fully analogue Dreadbox Komorebi Chorus-Flanger Pedal gives you a huge array of sound design possibilities. This powerful pedal can add some serious impact to your sound.

It doesn't matter if you're playing bass, guitar, synths, or even if you want to hook it up to your modular Eurorack system. The Komorebi is ready to go. Sprinkling its beautiful effects over anything it touches.

From a slight pinch of flange to add some movement to your bass lines, or a lengthy chorus effect to treat your pads and chords to a final touch of space-age wideness. It's a guitar pedal but not as you know. Komorebi works with everything.

Current draw: 100mA

Notes: Dynamic hold effects are the aim with this creative reverb pedal. Three reverb modes (tape, comb filtering and resonant bandpass filtering) can be frozen and triggered to create infinite sustaining textures.

Supplier's Notes:
Dynamics. It's the shifting ebb and flow of the tide. It's the ups and downs of life. It's witnessing night turn into day, as the sun attacks and sustains through the nightly veil, making the darkness release its gloomy grasp and decay. It's where you'll find the Old Blood Noise Endeavors Sunlight Dynamic Freeze Reverb. An envelope triggered multi-mode reverb with the ability to dynamically freeze and sustain your notes forever, seeing you create truly mesmerising sunlit soundscapes.

Building on what made OBNE's top-selling Dark Star such a stellar early-chain pad reverb, Sunlight twists it into the other dimension as a reverb pedal centred around the idea of a dynamic hold. When you play, your new notes are let through and old notes are allowed to fade away, but when you stop playing, old notes have the chance to repeat forever.

A dead simple to use interface of just two knobs controls the nature of this relationship. In addition, there are three sonic modes that highlight modulation, comb filtering and resonant bandpass filtering, each of which takes their own spin on the reverb signal. The Mix, Input and Decay controls work exactly the same across each mode, as they help control the dynamics.

Mix sets the loudness of the reverb, which goes from all dry to all wet and anywhere in between, allowing you to create everything from subtle reverberations to deep ambient textures. Now, the interplay between Input and Decay is where the real Sunlight magic starts to happen. Decay determines how long the reverb trails will sustain, which will go from quick ephemeral evaporations to infinite reverb pads. On the other hand, Input controls how much of your signal is allowed into and fed back within the reverb. At zero, no new input will be added to your reverb, but as you increase it, more signal is let through, letting you create gently evolving ambient textures or drastically changing synth-like pads.

Rate and Depth are mode-dependent controls. TAPE Mode is a modulated reverb inspired by the unexpected shifts of a tape machine wobbling. Here, Rate and Depth set the speed and intensity of the lopsided vibrato applied to the reverb signal. COMB Mode is a combination of reverb and delay. Four delay lines are placed after the reverb, and the emphasis on stacked short delays creates comb filters like a fixed flanger. Rate sets the time of all four delays, and Depth sets the feedback (or resonance) of the delay section. PASS Mode is a bandpass filter applied between two reverb paths, where a random sample-hold function sets the cutoff frequency of the bandpass. Rate sets the timing of the sample-hold and Depth sets the range of possible cutoff frequencies. If Rate is set to 0, Depth sets a fixed cutoff frequency.

But the sound shaping adventure doesn't end here. Sunlight also contains a bunch of expressive capabilities performed through the on-board ALT switch, which can be set to change control settings either momentarily or latching. It can be assigned to the Rate, Depth, Decay or Input controls or any combination of the four. You can also control them externally via an external expression pedal, the OBNE Expression Slider or even the OBNE Expression Ramper, which will open up even more creative possibilities.

Dimensions:

Product Height (cm): 5.800
Product Width (cm): 6.600
Product Depth (cm): 12.000
Product Weight (kg): 0.300

Box Height (cm): 7.800
Box Width (cm): 8.200
Box Depth (cm): 14.400
Boxed Weight (kg): 0.453

Notes: Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines' Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.

Cirrus is KMA Audio Machines' first step into the fully digital realm. But KMA have come up with a special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.

Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-f textures. However, the ambient party doesn't stop here!

A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!

Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!

The Cirrus has been equipped with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see ft.

As the final piece of the tonal puzzle, a Serial FX-Loop was added, letting you put any pedal in front of the Delay/Reverb line, to further flavour your own signature sound.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 220mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

Notes: All the reverb and analogue-style delay you could wish for in a single pedal thanks to this killer all-rounder. Separate foot switches for reverb and delay on/off, with optional true bypass or 'trails' setting.

Supplier notes:
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.

Notes: Updated with new driver construction and recycled materials, AIAIAI's Studio model is designed for production work and mixing, featuring the same top quality modular design as the brand's other TMA-2 models.

Supplier's Notes:

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantara.

Ultra soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar ideal for longer sessions.

Versatile.

Trusted for music creativity in all environments - in the studio, on the road, and on stage.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Signature AIAIAI sound tuned for clarity and detail
Bio-diaphragm speaker for enhanced accuracy
Enhanced comfort with Alcantarar
Responsible modular headphones - headphones for life
High quality cable

Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

Features

Premium Keybed quality
49 note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls
1 clickable encoder
9 rotary encoders
9 x 30mm faders
8 transport switches
4 command switches
1 modulation wheel & bend wheel
8 touch & pressure-sensitive pads

Display control
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls
Smart features

Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple
Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content:
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 49 keys
Size : 31.1 x 9.45 x 2.76 inches (790 x 240 x 70mm)
Weight : 6.1 lbs. (2.76 Kg)

Notes: Novopro CDJ dual table stand

Fully adjustable and universal, twin arm CDJ stand

Heavy duty professional stand that is suitable for two CDJ's, media controllers or other equipment - designed to fit ANY CDJ sized players or controllers

Adjustable tray height and left/right positional adjustment with the pivoting arm bracket

The two trays can independently tilt down at variable angles and are set in place with a securebolt locking system

The trays are depth and width adjustable to fit most players and controllers in the market - from a small controller to a full sized CDJ Nexus player

Your equipment is protected with the supplied foam rubber pads

Designed so that your mixer can be placed upon the steel base plate. This solid, powder coated plate gives a secure and stable base support for the stand and your equipment

The support arms have been updated to a nut and bolt fixing (rather than split-pin fixings) to ensure the trays are tightly secured into place

Each tray has a width of 30.5cm and is depth adjustable using the sliding tray mechanism, from 35cm to 45.7cm

The max height of each tray is 50.5cm (including the brackets)

The base size is 41.5cm wide and 47.7cm deep

Net Weight of the complete stand is 9.9kgs

Notes: Next-gen version of the popular iRig Pro Duo offers versatile recording options in a compact, portable package. Two mic/line inputs with phantom power, stereo line outputs, headphone out and MIDI in/out.

Supplier's notes:
IK Multimedia introduces the iRigr Pro Duo I/O, an enhanced, ultra-compact 2-channel audio/MIDI interface that enables high-quality recording on the go with iPhone, iPad, Android devices and Mac/PC. Designed for musicians, podcasters and other content creators, it can accommodate a variety of input sources including microphones, MIDI controllers, line-level and high-impedance instruments such as guitars, basses and keyboards, and more. It can also be used as a MIDI interface.

A sequel to IK's acclaimed iRig Pro Duo, the new iRig Pro Duo I/O features updated mic preamps with increased gain, as well as the addition of a USB-C cable to work with all of today's latest devices and new, dedicated PC drivers to ensure optimal performance on laptops and Surface tablets. In addition, refined volume controls with level indicators for more convenient workflow and a new rubberised finish to better stand up to the road, offer the same standard of quality customers have enjoyed from IK's award-winning iRig Pro I/O single-channel interface.

Recording capabilities
Two analogue combo inputs (1/4" / XLR) are provided for connecting and simultaneously recording any combination of dynamic and condenser microphones and instruments (line level or Hi-Z). They are complemented by Class-A preamps, adjustable gain and 48V phantom power. Each channel has its own input gain control for dialling in the perfect amount of input signal for a particular recording.

iRig Pro Duo I/O can also be used as a MIDI interface via MIDI input and output connectors and included breakout cables. Additional connections include two balanced 14" outputs and headphone output.

A direct monitor switch provides latency-free monitoring of direct incoming signal for use with video or streaming apps, or lets users monitor the processed signal returning from their device when recording music or using audio processing apps.

Out-of-the-box performance
iRig Pro Duo I/O runs on USB bus power or 2 AA batteries (or an optional PSU), and includes Lightning, USB-A and USB-C cables to work with any device right out of the box.

Although compatible with any app designed for high-quality digital audio input for recording or creation, iRig Pro Duo I/O comes with free access to over $/€500 of IK software, apps, and in-app material, making it an all-in-one package with everything needed to record, edit, and share great music, podcasts, interviews and more.

About the iRig series
Celebrating its 10th anniversary in 2020, IK's iRig series of interfaces helped define the mobile music-making category. With products designed for guitarists, vocalists, broadcasters and social media journalists, the series makes high quality audio recording accessible to everyone at an affordable price.

Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
The LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New aluminium knobs on the black module version

Power consumption:
240 mA +12V
75 mA -12V
0 mA 5V

Dimensions:
6 HP
38 mm deep

Notes: The legendary Memory Man legacy continues with this compact take on the Deluxe model. Classic bucket brigade delay sounds with new modulation controls including rate and depth.

Supplier's Notes:
No one does analogue delay and modulation like Electro-Harmonix and the Nano Deluxe Memory Man delivers the unmistakably lush delay, chorus and vibrato of the benchmark large-format Deluxe Memory Man in a compact, pedalboard ready chassis.

The Nano Deluxe Memory Man delivers EHX's signature analog delay, chorus and vibrato plus some updates we've added including both Rate and Depth knobs for enhanced modulation control. It features a maximum delay time of 550mS, an internal user-accessible switch to turn delay tails on or off, true bypass switching when the tails feature is off and it comes equipped with a standard 9Volt power supply. For over 44 years the Deluxe Memory Man has been the gold standard for analog delay and modulation. Now it's available in an ultra-compact package!

Specifications:

Circuit: Analog
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 150mA
Year Released: 2021

Review: This is a big collection of eight 12"s, a poster and in sept for only the most ardent Depeche Mode fan. The collection features faithfully reproduced original artwork and audio masters and all singles first released on CD singles during 1997. This is an ongoing single Series that will apparently continue over the years so that eventually all recordings previously only available on CD will make their way to wax. This instalment features big remixes from legendary names like CJ Bolland, Kruder + Dorfmeister , Underworld and Jedi Knights amongst many more.

Notes: ZED-6FX delivers Allen & Heath's renowned build and audio excellence in a compact, portable format, making it the ideal choice for quality conscious musicians, singer / songwriters and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6FX is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analog warmth and depth. ZED-6FX is the first mixer to include a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath's acclaimed in-house effects aficionados. Guitarists will be pleased to know that ZED-6FX comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6FX features an exceptional new preamp design, created by analog guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analog range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

ZED-6FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6FX comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: - CV & Gate inputs on 3.5mm mono jack sockets
- A to D conversion for main CV input is 16 bit high quality ADC
- V/octave, Hz/V or 1.2V/oct modes selectable
- Gate type can be selected as Gate or S-trig
- Aux1 & 2 inputs on 3.5mm mono jack (continuously variable or switch selectable)
- Auxes can select controller number
- Auto tune feature makes setup easy
- MIDI Out on 5 pin DIN socket
- Non-volatile memory EEPROM (no back-up battery required)
- 32 bit ARM processor

Comes with multi-regional power supply

Notes: Nagaoka JNP-200 Replacement Stylus is the original replacement stylus for the MP-200 MM cartridge featuring an elliptical block diamond tip and boron cantilever.

Replace a worn out or defective stylus to prevent damage to your records, and enjoy the best from your records again with more musical information being extracted from the vinyl grooves, allowing you to enjoy the best sound quality.

Tech Specs

Cantilever: Boron

Stylus: 0.4 x 0.7 Mil naked elliptical block diamond stylus tip

Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed thru AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.

Features
10 sets of custom cymbal samples
Analogue VCA and EG
Tune and Decay controls
CV control with an attenuators over Tune and Decay
Sample loop for Crash and Ride
Manual triggers
Accent for better expression

Audio output level: -5...+5V
CV level (full span): -5V - +5V
Accent CV level: 10V
Tigger level: 5V
Trigger time: 1ms
Power consumption: 95mA @ +12V, 36mA @ -12V
Module width: 10HP
Module depth: 45mm

Notes: Popple is an 8hp multimode stereo filter based on the Mutable Instruments Ripples V1 filter section. Popple maintains the buttery smoothness of Ripples filter while giving you two separate audio paths. The audio paths share a resonance, control, a frequency cutoff control, resonance CV input, and a v/oct cutoff CV input. Each channel then has it’s own cutoff CV input with attenuverters (which are normalled to a 2.5V signal).

Popple will also self-oscillate at high resonance settings, when coupled with the v/oct CV control, it can also act as a dual sine wave oscillator.

Notes: Amp Academy Pedal

The Amp Academy is a complete valve amp modelling rig in a compact stomp box format. 3 storable scenes with 2 channels, selectable from 6 separate classic amplifier models. Each patch has Gain, Master and Boost for overdriven tones and 3-band EQ + Presence control. As with a real professional tube amp, there is an effects loop and internal rever effect. The addition of a noise gate helps to keep everything silent when no notes are played. Balanced or unbalanced outputs give flexible options for live performances via FRFR speakers, mixing console, or even for direct recording. All settings are fully editable via USB using the proprietary Amp Academy software and even self-made or third party IRs can be loaded for custom amp modelling. Next time you are carrying your heavy valve amplifier around, consider this incredibly flexible and pocket-sized alternative.

Power supply: 9Vdc, 100mA (min) pin-negative (not included)
Controls: Gain, Master, Boost, NR, Bass, Middle, Treble, Presence
Connections: Guitar in/out (6.3mm), Loop (6.3mm TRS), Aux (3.5mm), DI (XLR)
Dimensions: 115 x 105 x 58mm
Weight: 440g

Review: 30 years on, the power of Nevermind has never dulled. Of course it's the most commercially appealing of Nirvana's albums, but it's no less daring for it no matter how many times you've heard it. Well, how to toast an album as world-changing as this one? By going all out on the lavish vinyl edition of course, which in this case means a mammoth eight-disc 180gm vinyl edition with a 40-page hardback book. If you want an altar at which to worship one of the definitive moments in popular music, this authoritative release is surely all the plinth you need.

Notes: Low-budget flexibility from the German brand. Three channels with three-band EQ, plus streaming from Bluetooth or USB for added connectivity.

Supplier notes:
- 3 input channels with gain control, 3-band equalizer, cue button and channel fader
- DJ microphone channel with level control and 2-band equalizer
- Integrated Bluetooth audio streaming for your smartphones and tablets
- MP3 player with USB port and blue LCD screen
- Pre-fader listening to all input channels and the master output via adjustable stereo headphones output
- Crossfader with adjustable curve and reverse function
- Master channel with level control and 6-digit stereo LED level meter, switchable between master and PFL signal
- 6-digit stereo LED level meter
- 6 line and 2 phono inputs via RCA jacks
- Balanced XLR and RCA outputs
- Record output, independent of the master

Notes: The polyphonic SUPEREGO Synth Engine reinvents sample and hold, performs fluid glissandos and creates oscillator like, synthesizer effects. It can stack sounds or create infinite sustain, it even lets you tweak attack and decay, or use its effects loop to invent novel synth patches. Indulge your guilty pleasures!

*UK 230V power adapter included*