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Cat: 690893 Rel: 08 Jun 18 • View all Effects pedals
 
Five-knob four-stage phaser effects pedal
Notes: A few years ago ZVEX Effects released the Candela Vibrophase, a candle-powered vibrato/phaser machined from solid brass and glass that used a mix of 1800s technology (a Sterling heat engine) and 60s/70s audio circuitry to create a lovely swirling effect. After numerous requests to put that sound into a guitar pedal, they came up with a way of dramatically broadening the spectrum of textures available using the original circuitry from the Candela.

It's presented to you here as the Vibrophase, a five-knob four-stage phaser that creates phase and vibrato nuances never heard before. Five knobs! Count 'em! Speed sweeps from maddeningly slow to puppy dog flippy, vibrato/phase sweeps from, erm, you'll figure that out, feedback sends the output back through the phaser again to raise intensity, and there are controls for the top end and bottom end of the sweep so you can completely tailor the sound to your song.
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 2 in stock $193.39
Cat: 730429 Rel: 29 Apr 19 • View all Effects pedals
 
Vertical, pedalboard-friendly version of the Instant Lo-Fi Junky pedal
Notes: This pedal was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 2 in stock $172.93
Cat: 616173 Rel: 27 Jul 16 • View all Handheld recorders
 
4-track handheld audio recorder with built-in X/Y stereo microphnones
Notes: Brilliant Four-Track Audio Recording for Music, Film, Podcasting, and Beyond
At Zoom we're always developing new ideas to improve the performance and function of our Handy Recorders. With the new H4n Pro, we've taken everything creators love about the H4n and brought it to the next level.
The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.
Welcome to the new gold standard in field recording.

The Filmmaker's Favorite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favorite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level* stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row center.
* +4dBu line-level is not supported.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a ?" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favorite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artifacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the center with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.
The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs and Outputs:
Inputs - The two locking combo connectors accept either XLR or 14" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.
Outputs - A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

Three Ways to Record:
STEREO MODE uses the built-in X/Y microphones (or external mics) and is convenient for recording live performances, acoustic instruments, dialogue, and more.
In 4CH MODE, you can record with the built-in X/Y mics and two external inputs simultaneously, great for getting live room sound and a stereo board feed at the same time.
MTR MODE (Multi-track Mode) turns your device into a four-track studio, with built-in effects, overdub functions, and the ability to work with previously recorded sound files.

Recording Functions:
Pre-Record (for STEREO/4CH mode) - Pre-Record ensures that you'll never miss the start of a great take. The device is continuously listening, keeping the previous two seconds* of audio whenever you hit RECORD.
*One second when recording at 96k or working 4CH mode.
Auto-Record (for STEREO/4CH mode) - Auto-Record automatically starts recording when a user-set sound level is detected. There's also an Auto-Record
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 2 in stock $192.03
FORTHCOMING
After Service (Collector's Vinyl Edition)
Cat: MHJL 9396. Rel: 20 Sep 19
 
Coldwave/Synth
coming soon $181.11
Cat: 741753 Rel: 20 Mar 14 • View all Studio monitors
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process.

By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.
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 2 in stock $157.57
Cat: 519623 Rel: 20 Mar 14 • View all Studio monitors
 
Active 2 way monitors in white with 6.5" cone woofer and 1" dome tweeter unit
Notes: Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. Unlike studio monitors with added bass or treble frequencies which may sound more flattering at first, HS Series speakers were designed to give you the most honest, precise reference possible, providing an ideal sonic platform to build on throughout the mixing process.

By combining acquired knowledge and expertise with state-of-the-art sound technologies, Yamaha's speaker engineering team have examined, then optimized, every aspect that has contributed to making these monitors the most trusted in the business. The second generation HS Series also adds a new 6.5" model to the lineup, bringing its exceptional accuracy to an even greater variety of recording environments.
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 6 in stock $162.69
Cat: 492001 Rel: 17 Jun 13 • View all Studio monitors
 
Active nearfield monitor with 6.5" cone woofer and 1" dome tweeter
Notes: This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE
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 4 in stock $160.65
Cat: 616022 Rel: 31 Jul 17 • View all Studio monitors
 
2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer & 1" dome tweeter - white
Notes: Channelling the spirit of the legendary Yamaha NS10 nearfield speakers, the HS5I monitors offer exceptional detail and clarity with a superb flat response.

This edition of the best-selling HS5 Monitor Speaker includes built-in mounting points, making it compatible with two optional bracket types for wall and ceiling mounting - offering the flexibility needed for a wider range of sonic environments.

Highly Efficient Transducers:

The HS Series features newly developed transducers that achieve astonishingly smooth response over a wide bandwidth. These transducers utilise an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Every component's materials and design have undergone an extensive cycle of development, re-examination and optimisation resulting in staggering gains in signal reproduction accuracy across the audio spectrum.

Low Resonance Enclosure Design:

The enclosures are constructed from a specific dense and resilient MDF with a damped acoustic response perfectly matched to reference monitoring. Drawing from over a century of acoustic piano making, Yamaha have employed a traditional 3-way metered-joint technique. Common to architectural design, this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance.

Wide Range of Applications:

The 'I' Editions of the HS Series feature flexible mounting options that help bring a stylish aesthetic and classic HS sound to a more diverse range of installed applications.
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 2 in stock $170.12
Cat: 616016 Rel: 31 Jul 17 • View all Studio monitors
 
2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer & 1" dome tweeter - black
Notes: Channelling the spirit of the legendary Yamaha NS10 nearfield speakers, the HS5I monitors offer exceptional detail and clarity with a superb flat response.

This edition of the best-selling HS5 Monitor Speaker includes built-in mounting points, making it compatible with two optional bracket types for wall and ceiling mounting - offering the flexibility needed for a wider range of sonic environments.

Highly Efficient Transducers:

The HS Series features newly developed transducers that achieve astonishingly smooth response over a wide bandwidth. These transducers utilise an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Every component's materials and design have undergone an extensive cycle of development, re-examination and optimisation resulting in staggering gains in signal reproduction accuracy across the audio spectrum.

Low Resonance Enclosure Design:

The enclosures are constructed from a specific dense and resilient MDF with a damped acoustic response perfectly matched to reference monitoring. Drawing from over a century of acoustic piano making, Yamaha have employed a traditional 3-way metered-joint technique. Common to architectural design, this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance.

Wide Range of Applications:

The 'I' Editions of the HS Series feature flexible mounting options that help bring a stylish aesthetic and classic HS sound to a more diverse range of installed applications.
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 2 in stock $173.94
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quote 616016
Cat: 739163 Rel: 21 Jul 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tirana is a super-compact step sequencer and modulation source, serving as the utility module for supporting other sequencing devices, but due to a suite of smart features, the module shines on its own terms. Tirana sports unipolar and bipolar voltages, mutable step triggering, transposition, and direction change controlled externally via CV. The step repeat function and virtually infinite expandability make it even more powerful.
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 1 in stock $157.64
Cat: 657758 Rel: 21 Jul 17 • View all Synth modules
 
Compact step sequencer & modulation source module - 6HP
Notes: Tirana is a super-compact step sequencer and modulation source, serving as the utility module for supporting other sequencing devices, but due to a suite of smart features, the module shines on its own terms. Tirana sports unipolar and bipolar voltages, mutable step triggering, transposition, and direction change controlled externally via CV. The step repeat function and virtually infinite expandability make it even more powerful.
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 2 in stock $161.66
Cat: 633371 Rel: 14 Feb 17 • View all Synth modules
 
Multi-tool synth module for audio signals & control voltages
Notes: Samara is a "Swiss Army Knife" type of module, intended to serve the most common voltage and audio signal processing purposes such as attenuation, offsetting, mixing, inverting, and even basic waveshaping. Samara features four channels, each with two inputs and an attenuator, additional switchable offset generators, four voltage level and polarity indicators, two adders with switchable scale, and a precision four-channel processor that selects minimum and maximum voltage.
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 2 in stock $167.80
WMD/SSF Ultrafold Module (synth module)
Cat: 588817 Rel: 02 Oct 15 • View all Synth modules
 
Voltage controlled wave folder synthesiser module - 6HP wide
Notes: ULTRAFOLD is a powerful voltage controlled wave folder.

The input drive and wave fold controls make up the heart of the design, providing warm saturation and additive harmonics to the input signal.

The wave shift control offsets the input signal to allow for asymmetrical folding - unveiling the subtleties in the distribution of spectral content.

The novel bipolar feedback control takes wave folding to a new level by returning the folded output to the input, thereby skewing the wave shapes for dramatic changes to the upper harmonics.

An auxiliary feedback input is provided to allow for insane folded FM sounds when another oscillator drives this input.

Power Draw: +30mA, -30mA. 6HP width. 25mm Depth.
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 1 in stock $171.90
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Cat: 588824 Rel: 02 Oct 15 • View all Synth modules
 
2 pole multi-mode filter synthesiser module - 4HP wide
Notes: MMF is a 2 pole Multi-Mode Filter in 4 HP. It has simultaneous LowPass, BandPass and HighPass filter outputs.

MMF will self oscillate into a nice sine wave and track 1V/octave. The Resonance is voltage controllable.

The PING input is for a gate or trigger, and generates a fast decay envelope with a nice sound, reminiscent of a vactrol filter, but without the vactrol. PING can normal to the FM jack, or go direct (switchable behind the panel).

The FM input is connected to an attenuverter pot to give you control over the signal.

Power Draw: +62mA, -24mA. 4HP Width. 25mm Depth.
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 3 in stock $161.66
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Cat: 640973 Rel: 27 Feb 17 • View all Synth modules
 
Tempo-syncable modulation source module - 6HP
Notes: The Modbox is a tempo syncable modulation source with a three-phase LFO, CV Skewable LFO, Sample and Hold, and White Noise generator.

LFO 1 is a three-phase LFO with independent outputs for each phase which are set at 0, 120, and 240 degrees. Shape can be switched between Sine, Triangle, and Saw with a push of a button.

LFO 2 is a Skewable LFO with three shapes. The LFO shape can be smoothly changed from a Ramp through Triangle to Saw wave shapes. The skew shape can be changed with the Skew knob or with CV

The Sample and Hold circuit's clock is normalled to the 2nd LFO but can be clocked externally as well. The sample and hold samples voltage from and internal white noise source. There is also an input for an external sample source. White noise has its own output as well for use with other modules and applications.

Both LFOs can be sync'd to an external clock source by holding the wave shape button for different lengths of time. As they are independent of each other, one can be sync'd while the other runs free like a gazelle on an African plain.

Tempo sync calculates the time between incoming clocks and reacts instantly to each new clock pulse. Each rate knob becomes a multiplier/divider when sync is engaged.
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 1 in stock $192.37
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Cat: 588826 Rel: 02 Oct 15 • View all Synth modules
 
Delay synthesiser module - 4HP wide
Notes: DPLR is a delay module with two interactive delay lines, each with 750mS of delay time.

One input is split to two delays which share overall delay time (DELAY) and regeneration (REGEN). Side B has control over its delay offset (SPREAD) from side A.

Delay, Spread and Regen are all voltage controllable. Regen at max will echo indefinitely, and can create interesting noise swashes.

The pushbutton at the top taps through seven different crosstalk configurations (Regen isolated through ping-pong). Push and hold to change through four different Regen Filter settings from very bright to dark.
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 3 in stock $158.59
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WMD/SSF ADSR VCA Module (synth module)
Cat: 588820 Rel: 02 Oct 15 • View all Synth modules
 
Multi-mode envelope generator with an integrated Voltage Controlled Amplifier(VCA) synthesiser module - 6HP wide
Notes: ADSRVCA is a multi-mode envelope generator with an integrated Voltage Controlled Amplifier(VCA).

This envelope generator is capable of producing a classic, gate driven Attack/Decay/Sustain/Release (ADSR) envelope as well as a self sustaining, looping Attack Decay (AD) and Attack Decay Release (ADR) one shot envelopes.

The integrated VCA eliminates the need for an external VCA module and can be used independently when an external control voltage is utilized.

The envelope controls the shape of the VCA’s amplitude response by default.

Power Draw: +36mA, -16mA. 6HP width. 25mm Depth.
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 1 in stock $161.66
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FORTHCOMING
WMD Voltera Voltage Expander For Metron Module
Cat: 742232 • View all Synth modules
 
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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coming soon $168.84
WMD Pro Output Module (synth module)
Cat: 580282 Rel: 30 Jul 15 • View all Synth modules
 
Pro Output synth module with Low Distortion / Low Noise & High Headroom - 6HP wide
Notes: The WMD Pro Output is a simple and purpose built module to get your modular signal interfaced with professional and consumer audio gear. It also includes a very high quality headphone driver.

Rail to rail opamps at the input stage allow for headroom above the typical eurorack levels of 20Vpp. The Pro Output can handle 23Vpp before clipping. Signals are attenuated down to the proper levels allowing for simple adjustment free connection to any type of device, professional or consumer.

The Pro Output is DC coupled through the entire signal path, including the headphone driver. This design eliminates coupling capacitors and the distortion they can cause.

Controls and I/O:

Input - The inputs are designed to accept any normal modular level. 10Vpp is the nominal operation level. The left input is normaled to the right side for mono operation. Inputs will clip at 23Vpp, giving enough headroom for any eurorack signal.

Phones/Line - The headphone driver connects to a 3.5mm stereo jack, and a 1/4" jack for whatever type of headphones you use. It can drive both simultaneously.

The headphone output level is internally limited to protect against accidental knob turns. Connect a couple of jumpers to the rear of the module to disable this limiting. This will allow the headphone amp to drive headphones extremely loudly, but still without distortion. Output quality remains the same regardless of the jumper settings.

With the limiting enabled (jumpers off), the maximum output is around -10dBV. With limiting disabled (jumpers on), the maximum output increases to pro level, about +4dBu.

Stereo - The Stereo (-10dBV) output is designed to interface directly with consumer level gear. Hook directly to sound cards, portable recorders, and speakers. It can be used as a second headphone output but will be loud.

+4dBu Bal - These two outputs (left and right) are high quality low impedance balanced line drivers. They are designed to drive long cables and to drive balanced transformer or transformerless inputs. Use these to connect directly to mixing consoles, mic preamps, or any other piece of professional outboard gear.
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 2 in stock $191.34
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quote 580282
Cat: 731606 • View all Effects pedals
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls and took $100 off the price. This is for those players who want to dial in a tone quickly and save pedalboard space.

The Controls:

Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.

Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.

Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.

Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.

Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the centre. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.

Volume - Sets the output volume of the GCCI which can be up to 5Vpp, enough to really crush your amp's input stage.
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 1 in stock $163.72
Cat: 698451 Rel: 30 Aug 18 • View all Effects pedals
 
Stripped down version of the Geiger Counter digital distortion pedal
Notes: The Geiger Counter - Civilian Issue is 32 killer sounds from the original Geiger Counter. WMD stripped off the majority of the controls and took $100 off the price. This is for those players who want to dial in a tone quickly and save pedalboard space.

The Controls:

Stomp Switch - Like all WMD pedals, the GCCI (Geiger Counter Civilian Issue) is handwired and true bypass, so it won't affect your tone when disabled. When the GCCI is on, the red LED will be lit.

Gain - The gain control provides anywhere from a nice clean tone to a ton of overdrive. Use this to hit the Function tables harder or softer to produce different amounts of harmonics.

Tone - The tone control can be used to fine tune the harmonic content from the Function tables. Use lower settings for fewer upper level harmonics.

Function - Twisting this knob will cause the number on the display to change. It goes 0 to 9 and A to F. This selects the 16 presets inside the GCCI. Push the knob in to activate the Low Fidelity mode for each preset. Low Fidelity mode is indicated by the decimal point on the display.

Each Function recalls parameters from the original Geiger Counter including the Bit Depth, Sample Rate and the Wave Table. The wave tables are displayed in the manual file. As your guitar string swings up and down, the wave table is played left to right from the centre. The output is what's vertically on the graph. The more movement in the Function, the more harmonic content you'll get out.

Volume - Sets the output volume of the GCCI which can be up to 5Vpp, enough to really crush your amp's input stage.
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 1 in stock $183.15
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Cat: 696393 Rel: 06 Aug 18 • View all Synth modules
 
Dual channel digitally controlled VCA - 4HP
Notes: The DVCA is a redux of the classic WMD Digital VCA module, giving it more features while reducing its size and power consumption.

Channel A is now unipolar/bipolar switchable, allowing for use as a bipolar VCA.

With control parameters for bias and CV, users can create classic ring modulation and attenuversion effects. Channel B still has the character and features of the Digital VCA.
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 1 in stock $182.13
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Cat: 695384 Rel: 06 Jul 18 • View all Synth modules
 
Analog 12db/octave multimode filter with distortion - 18HP
Notes: VCF1 brings sound and functions of our popular Rocket and 2-Pole to your Eurorack. Besides being a filter, VCF1 boosts an experimental distortion stage to add harmonic distortion to the signal. Watch out - it can get brutal!

The efficiently designed user interface allows direct access to all important sound parameters. Equipped with real metal knobs the parameter range of the pots are made for perfect musical results.

VCF1 allows you to side-chain an additional audio signal, and the organic filter resonance can be used for extreme self-oscillating effects.
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 3 in stock $171.90
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Cat: 526565 Rel: 11 Aug 14 • View all Synthesisers
 
String synthesiser unit with fully polyphonic string sections and monophonic solo sections
Notes: Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.
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 3 in stock $197.41
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Cat: 708371 Rel: 19 Mar 13 • View all Synthesisers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


With the Rocket, Waldorf introduce a new mini synthesizer that boasts a feature set uncommon in its class. With its advanced oscillator section, this small black cube can generate sharp edged leads, gargantuan basses and vast synthesizer soundscapes, that can resound as an 8-voice chord if desired.

The logical layout of the user interface and the choice of available parameters bear witness to the ample experience Waldorf have creating exclusive sound generators. As a result of its heritage all functions that essentially define a synth sound are available for immediate manipulation.

Every knob movement changes the sound directly and with immediate results. The characteristic analog Waldorf multi-mode filter (low/ band/ high pass) can also self oscillate. The integrated boost function intensifies the sound with sheer wickedness. Besides being used for modulation duties, the LFO also contains a flexible arpeggiator that can be synchronized to the outside world using MIDI.

The Rocket is an ideal sound design machine, which in combination with its extremely attractive price, will appeal to any sound designer or musician interested in quality sounds. It works as a stand-alone instrument or in any imaginable music production environment. But its most important feature is of course its sound: a real Waldorf synthesizer, powerful, direct and with a lot of love for the details. Naturally the Rocket is completely designed and built in Germany.
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 2 in stock $167.30
Cat: 561577 Rel: 15 Sep 15 • View all Synth modules
 
Wavetable module with 21st century advanced wavetable engine with classic Waldorf wavetables included - 32HP
Notes: nw1 is our debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness - just like Nave.

Wavetable scanning is cyclic with optional modulation of travel speed, position, spectrum, and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers, nw1 will enrich your Eurorack modular system as a potently powerful sound source. The nw1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the nw1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables.

Wavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic, bell-like timbres, as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged, digital sounds back before the invention of wavetable synthesis in the late-Seventies.

Starting with the wavetable synthesizers of those days, a whole new sound palette left its imprint on so many hit records. Today, with Waldorf's neatly-sized nw1 Wavetable Module, this sound is readily available for the popular Eurorack standard - sounding just as pure, sharp, and massively destructive as it did back in the golden days of digital!
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 3 in stock $168.83
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Cat: 599600 Rel: 16 Aug 17 • View all Synth modules
 
3-section modulation module with flexible, all-analog ADSR & LFO circuitry
Notes: Three different modulation sources in one module make the mod1 the control centre of your modular patch.

From simple envelopes and LFOs to complex looped multi-stage curves, the mod1 delivers rich and endless modulation options - all based on pure analogue circuitry for everything from super- smooth curves to razor-sharp edges that never sound "digital".

From gently undulating LFOs to ultra-precise hard cuts, you get it all based on innovative analogue circuits for a truly musical touch.
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 3 in stock $160.64
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The Complete Matrix Tapes (180 gram vinyl 8xLP box set + 18 page booklet)
UMC
Cat: 570957 3. Rel: 12 Jul 19
Rock
  1. I'm Waiting For The Man (version 1) (13:06)
  2. What Goes On (version 1) (9:02)
  3. Some Kinda Love (version 1) (4:58)
  4. Heroin (version 1) (8:07)
  5. The Black Angel's Death Song (version 1) (6:18)
  6. Venus In Furs (version 1) (4:37)
  7. There She Goes Again (version 1) (3:12)
  8. We're Gonna Have A Real Good Time Together (version 1) (3:21)
  9. Over You (version 1) (2:25)
  10. Sweet Jane (version 1) (5:12)
  11. Pale Blue Eyes (version 1) (6:07)
  12. After Hours (version 1) (3:01)
  13. I'm Waiting For The Man (version 2) (6:34)
  14. Venus In Furs (version 2) (5:10)
  15. Some Kinda Love (version 2) (4:03)
  16. Over You (version 2) (3:04)
  17. I Can't Stand It (version 1) (7:54)
  18. There She Goes Again (version 2) (2:51)
  19. After Hours (version 2) (2:31)
  20. We're Gonna Have A Real Good Time Together (version 2) (3:41)
  21. Sweet Bonnie Brown/It's Just Too Much (7:53)
  22. Heroin (version 2) (10:03)
  23. White Light/White Heat (version 1) (9:26)
  24. I'm Set Free (4:47)
  25. We're Gonna Have A Real Good Time Together (version 3) (3:15)
  26. Some Kinda Love (version 3) (4:39)
  27. There She Goes Again (version 3) (2:59)
  28. Heroin (version 3) (8:27)
  29. Ocean (11:02)
  30. Sister Ray (part 1) (19:42)
  31. Sister Ray (part 2) (17:36)
  32. I'm Waiting For The Man (version 3) (5:23)
  33. What Goes On (version 2) (4:38)
  34. Some Kinda Love (version 4) (4:06)
  35. We're Gonna Have A Real Good Time Together (version 4) (3:19)
  36. Beginning To See The Light (5:36)
  37. Lisa Says (5:49)
  38. New Age (6:41)
  39. Rock & Roll (6:51)
  40. I Can't Stand It (version 2) (7:00)
  41. Heroin (version 4) (8:17)
  42. White Light/White Heat (version 2) (8:43)
  43. Sweet Jane (version 2) (4:17)
 in stock $154.50
VARIOUS
Heartworn Highways: 40th Anniversary Edition (Record Store Day 2016) (limited hand-numbered 2xLP in hand crafted wood box + 80 page book + DVD + poster)
Cat: LITA 146. Rel: 25 Apr 16
Folk/Americana
  1. Guy Clark - "LA Freeway" (4:30)
  2. That's A Lightnin' Lick (1:27)
  3. Larry Jon Wilson - "Ohoopee River Bottomland" (3:26)
  4. Guy Clark - "That Old Time Feeling" (4:48)
  5. People Condemn Whiskey (0:56)
  6. Townes Van Zandt - "Waitin' 'Round To Die" (2:33)
  7. David Allan Coe - "I Still Sing The Old Songs" (3:38)
  8. Intro (0:25)
  9. Guy Clark - "Desperados Waiting For A Train" (4:23)
  10. Rodney Crowell - "Bluebird Wine" (4:10)
  11. Steve Young - "Alabama Highway" (5:02)
  12. Intro (0:11)
  13. Townes Van Zandt - "Pancho & Lefty" (4:12)
  14. Guy Clark - "Texas Cookin'" (3:29)
  15. Gamble Rogers - "Charlie's Place (Gamble's Story)" (4:34)
  16. Gamble Rogers - "The Black Label Blues" (2:39)
  17. These Guards All Drive Cadillacs! (0:47)
  18. David Allan Coe - "River" (1:56)
  19. John Hiatt - "One For The Road" (4:15)
  20. Steve Earle - "Darlin' Commit Me" (3:17)
  21. Guy Clark - "Ballad Of Laverne & Captain Flint" (3:26)
  22. Steve Young - "I'm So Lonesome I Could Cry" (3:30)
  23. Steve Earle - "Mercenary Song" (2:40)
  24. Would You Do Elijah's Church? (0:08)
  25. Steve Earle - "Elijah's Church" (4:29)
  26. Rodney Crowell - "Silent Night" (3:27)
  27. Heartworn Highways (DVD)
 in stock $187.24
Cat: 712096 Rel: 27 Nov 18 • View all Effects pedals
 
Compact 6-in-1 multi-effect for electric bass
Notes: Dapper Bass is an all-in-one workhorse for bass players. This strip has everything you need, plus some inspiration.

TUNER:

First in line is a big, bright, fast and accurate tuner so you can play confidently in tune.

BOOST COMP:

BOOST COMP is a booster and compressor combo. Set-to-forget knobs make it simply diabolical.

DIRTY Q:

The DIRTY Q module is an envelope filter with some interesting tricks. Tweak the knobs onboard until you find the vocal tone that suits your playing style.

BASS AMP:

This BASS AMP module will give your bass the life it needs for every musical genre. The EQ is golden with cleans and highly responsive even with the gain up.

OCTAVE:

Use the all-analogue monophonic OCTAVE module to beef up your low end, create synthy leads, or make everything crash off the walls. Individual octave and dry control ensure maximum inspiration.

CHORUS:

Plunge into the lush CHORUS module to take your sound to a brave new world. No patience for annoying parameters - the single depth knob will let you decide how deep into analogue chorus dimensions you want to go.

And Dapper Bass is expandable for everything else you might need too:

FX LOOP:

Hook up your other effects - as many as you want! - and make Dapper Bass the core of your rig.

THRU and XLR out:

Use the THRU output jack to run through some parallel effects (rack processors, interfaces, etc.) or do some re-amping.

The XLR OUT feeds a balanced signal to audio interfaces or mixers.
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 2 in stock $151.43
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Cat: 526907 Rel: 22 Jul 14 • View all Keyboard stands
 
Two-tier portable column keyboard stand
Notes: The APEX Series Keyboard Stands represent over two decades of research and development and are used all over the world by gigging keyboard players and touring musicians. The AX-48 Pro offers everything keyboard players loved about the original APEX keyboard stand while offering a sleek new design and updated features that support a whole new generation of keyboards and workstations. The APEX Series is the finest looking keyboard stands on the market, and shine the spotlight on keyboard players, while securely supporting their prized instruments.

Setup and tear down takes seconds! The AX-48 Pro breaks down into a single, slender unit that's easy to transport and takes up very little room because the hollow column becomes its own carrying case! The legs remain connected and slide into and out of the base of the column, and the arms that support your keyboards are stored in compartments at the top of the column.

The APEX AX-48 Pro extends stage and studio performance by providing an Accessory Slot on the top of the stand. Simply pop off the Accessory Cap and install the optional AX-48 Pro Mic Boom, for instance, and your keyboard stand is now ALSO a microphone stand. Look for more options to come in the very near future!

The modern look and shape of the APEX AX-48 Pro brings the keyboard player out from behind a stack of no-character keyboard stands, and into the spotlight with the rest of the band. The footprint of the new AX-48 Pro has not changed from the previous APEX, but now offers an updated column design that is as esthetically pleasing as it is performance ready.

Everything keyboard players have come to appreciate about the APEX keyboard stand for over two decades is still available in the new APEX AX-48 Pro. It's THE original column style keyboard stand that securely holds two keyboards out of the box (up to 125 lbs. each!). The patented Tribar arms are height adjustable, the support legs are super stable, and it's incredibly easy to setup, tear down, and transport from gig to gig.
s
Keyboards, synthesizers, and keyboard workstations have evolved in the last two or three decades since the original APEX was developed. The APEX AX-48 Pro now ships with two sizes of Tribar arms (one set of 13" arms, and one set of 18" arms) to safely hold today's keyboards, synthesizers, and keyboard workstations of all sizes.
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 3 in stock $179.44
UDG
Cat: 565210 Rel: 24 Jul 15 • View all DJ equipment backpacks
 
DJ controller backpack, with multiple carrying options, additional pockets and full padding
Notes: UDG presents the Urbanite Series, cutting edge bags for today's on the go DJ's / Producer's.

Each design not only makes you feel good, they make you look great. The Controller Backpack lets you take a wide variety of your essential gear for your digital set up from one gig to the next. It let's you safely store your digital controller in the main compartment while in the side entry laptop compartment you can store up to 19" laptop.

It has enough space in the two front pockets to store all your other necessities; hard drives, headphone, cables & accessories and is fully padded in all the right places for the ultimate in protection.

The backpack has a 4-method carrying system.

Fits: Up to 19" laptop, Pioneer DDJ-1000, DDJ-RX, DDJ-SX3, DDJ-SX2, DDJ-SX, DDJ-RR, DDJ-SR, DDJ-S1, DDJ-T1, XDJ-R1, XDJ-Aero, NI Traktor S8, Denon DJ MC7000, Numark NS6, 4Trak, N4, Reloop Mixon 4 or similar size controllers
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 1 in stock $150.41
UDG
Cat: 737526 • View all Record trolleys
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Incorporating a new hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The Slingbag will hold approximately 65 records.
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 1 in stock $162.82
UDG
Cat: 474712 Rel: 14 Nov 12 • View all Record trolleys
 
Trolley holds 60 records + 2 CD wallets
Notes: The UDG Slingbag trolley deluxe specially designed to protect your LP's during travelling. With a capacity up to 60 records, this bag is perfect for mobile DJ's use or as an optimal complement to the UDG sling bag. Constructed from high-quality fabrics, foam padded walls, electroplated zipper, comfort top-carry handle, detachable shoulder strap, and in-line wheels will provide secure and dynamic travel experience.
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 4 in stock $153.48
Cat: 739544 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


SWITCH 8 POTS, 8 SIGNALS:

Octopus is a dual 8 way multiplexer/switch capable of sequencing up to 8 signals or potentiometers. Sequence pitch with pots, switch audio signals with the CV inputs, so many possibilities! The horizontal axis sets the channel, the vertical axis stores 8 channel positions.

The fun begins when you start sequencing or modulating the channel selector either:

- Manually by use of the two large potentiometers
- By overriding the potentiometers with CV (0-5V DC)
- By moving up and down the vertical axis via Triggers (5v DC pulse)

NOTE: The CV inputs are not limited to Control Voltages. You can use octopus to "switch" audio too, like multiple waveforms of an oscillator, or audio tracks of a song!
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 1 in stock $194.34
Cat: 700742 Rel: 23 Oct 18 • View all DJ equipment backpacks
 
Classic backpack with a refined shape & minimalist modern design
Notes: The Walden Backpack has a large main chamber with two heavy duty zippers (luggage lock ready), and a full-sized front pocket that comes with an easy to access organizer panel for business cards, keys, chargers, sunglasses, etc. A dedicated headphone pocket makes tuning in or out a breeze. Exceptionally durable, the exterior is made of the highest quality 1680 waterproof backed ballistic nylon. With enough room for almost any adventure, a padded laptop sleeve, and our lifetime warranty, the Walden Backpack is built to last and ready to do work in style.
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 1 in stock $172.92
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Cat: 569860 Rel: 23 Apr 15 • View all Record bags
 
DJ messenger bag with heavy duty waterproof backed 1680 denier black ballistic nylon exterior & 4 ply taslan nylon lining
Notes: The North To South Messenger Bag is designed for the person on the go.

Built with room to haul this messenger bag is wide enough to fit a heavy stack of records, a laptop, and still have room for the rest of your stuff, making it a great choice for DJs, business professionals, or really anyone who needs a sharp looking bag!

Made to last and complete with a Tucker & Bloom lifetime warranty.
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 1 in stock $179.07
Cat: 737691 Rel: 24 Apr 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The TouellSkouarn Kala Goanv is an inductor based filter. According to this unique design the sound is extraordinary and somewhere in between a phaser-ish band pass, distortion and a gnarly wah-wah with a vintage character.

Even if the module is pretty simple it has LOTS of character. We find an input and one output level control and also a big cut-off controller. The small grey knob controls resonance. A cut-off CV input with attenuator is there as well but that's about CV control. Frequency behaviour is very dependent on the other parameters' settings.

This boutique module is hand-wired, has a beautiful laser-etched perspex faceplate and the big - knob is vintage.

As the module is inductor based it can easily pick up hum and electric fields so keep it away from the power supply transformer.
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 1 in stock $162.91
Cat: 642594 Rel: 24 Apr 17 • View all Synth modules
 
Bandpass filter inductor based module with distortion & CV control
Notes: The TouellSkouarn Kala Goanv is an inductor based filter. According to this unique design the sound is extraordinary and somewhere in between a phaser-ish band pass, distortion and a gnarly wah-wah with a vintage character.

Even if the module is pretty simple it has LOTS of character. We find an input and one output level control and also a big cut-off controller. The small grey knob controls resonance. A cut-off CV input with attenuator is there as well but that's about CV control. Frequency behaviour is very dependent on the other parameters' settings.

This boutique module is hand-wired, has a beautiful laser-etched perspex faceplate and the big - knob is vintage.

As the module is inductor based it can easily pick up hum and electric fields so keep it away from the power supply transformer.
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 1 in stock $173.94
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quote 642594
Cat: 657572 Rel: 24 Apr 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Heklev is an analog echo and reverb module, which can also be used to create chorus and flanger effects. It is based on MN3007 bucket brigade devices. Besides the actual effect block, there is a built-in VCA. The Heklev's beefy sound character is reminiscent of renowned vintage effect units.

The Heklev comes equipped with three potentiometers to adjust delay time and feedback of the BBD circuit as well as the mixture of dry and processed signals. A CV input allows the user to modulate the echo's rate. The results are sent to the VCA, which can also be influenced by control voltages. Heklev offers three outputs. They emit dry and mix signals of the effect block as well as material coming from the VCA.

On the circuit board of the Heklev, there are five trim potentiometers. These control elements make it possible to adjust input and output volumes, the BBD bias, noise cancelling as well as the range of the echo time knob.
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 1 in stock $185.29
Cat: 716996 Rel: 16 Jan 19 • View all Hi-fi cartridges
 
Ideal upgrade for P-Mount T4P turntables with advanced Shibata stylus
Notes: Replacement cartridge with Spherical Stylus & T4P mounting.

P-mount cartridges (T4P) are designed to be interchangeable. A "T4P" insignia is usually present on the turntable to indicate a P-mount tonearm. So, for all practical purposes any brand below will fit and work in a T4P tonearm. Specifically designed to be user-friendly, the P-MOUNT or T4P cartridge makes changing and setting-up a phono cartridge very simple, easy and fast. It takes only two steps: plug and screw. That's it.
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 1 in stock $153.48
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Cat: 739183 Rel: 13 Sep 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
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The SD909 adapts the iconic TR-909 snare drum and noise generator for use in the Eurorack modular synthesizer format. We painstakingly tested the module in our lab to sound like a fresh machine coming off of the assembly line back in the 80s. On top of the original circuit, we have added new features that expand the palette of what can be produced with this analog circuit.

The sound of the SD909 consists of two main sections: the binary noise generator and two modulated triangle oscillators. The oscillators provide the low end punch while the noise makes up the upper sonic spectrum, resulting in a combination that makes the 909 snare sound so rich. In the SD909 module the noise generator and oscillators are variable and voltage controlled, which pushes the circuit beyond its original boundaries offering new sounds as well as many variations of the original tone. The panel has markings to guide setting the knobs to reproduce the snare sound of the vintage machine.

Just like the other drums in this series, the SD909’s high-powered output gain stage allows further enhancement of the sound through distortion and clipping. We have designed a dual pulse-shaper circuit on each gate input so you can trigger your SD909 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. Also, the SD909 is equipped with access to the MIXZ MixBus matching the rest of the Tiptop line of percussive modules.
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 1 in stock $162.30
Cat: 658617 Rel: 13 Sep 17 • View all Synth modules
 
Snare drum module in Eurorack format - 8HP
Notes: The SD909 adapts the iconic TR-909 snare drum and noise generator for use in the Eurorack modular synthesizer format. We painstakingly tested the module in our lab to sound like a fresh machine coming off of the assembly line back in the 80s. On top of the original circuit, we have added new features that expand the palette of what can be produced with this analog circuit.

The sound of the SD909 consists of two main sections: the binary noise generator and two modulated triangle oscillators. The oscillators provide the low end punch while the noise makes up the upper sonic spectrum, resulting in a combination that makes the 909 snare sound so rich. In the SD909 module the noise generator and oscillators are variable and voltage controlled, which pushes the circuit beyond its original boundaries offering new sounds as well as many variations of the original tone. The panel has markings to guide setting the knobs to reproduce the snare sound of the vintage machine.

Just like the other drums in this series, the SD909’s high-powered output gain stage allows further enhancement of the sound through distortion and clipping. We have designed a dual pulse-shaper circuit on each gate input so you can trigger your SD909 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. Also, the SD909 is equipped with access to the MIXZ MixBus matching the rest of the Tiptop line of percussive modules.
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 2 in stock $164.73
Cat: 739168 Rel: 09 Nov 15 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
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Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provides anything from crushed hats and short ticks to the original sound and anything in between. A modulation switch allows you to tap a voltage control to either the tune input or the internal VCA for modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.
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 1 in stock $176.99
Cat: 590435 Rel: 09 Nov 15 • View all Synth modules
 
Percussion synth module with TR-909's original closed and open hi-hats circuits adapted for use in Eurorack modular synthesiser format - 8HP wide
Notes: Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provides anything from crushed hats and short ticks to the original sound and anything in between. A modulation switch allows you to tap a voltage control to either the tune input or the internal VCA for modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.
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 1 in stock $188.27
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Cat: 712300 Rel: 06 Feb 17 • View all Vocal microphones
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The TM-280 is the top model in the Tascam microphone series offering rich, warm and bright sound with a low noise level. Its wide frequency response with a slightly enhanced high end is ideal for precise and smooth reproduction of vocals, acoustic string instruments, wind instruments and other sound sources in your home or project studio.

A switchable low-cut filter allows you to add clarity by reducing the amount of unwanted low-frequency sounds or to compensate for the proximity effect in close miking. There is also a switchable level attenuation that reduces the risk of distortion caused by excessively loud sounds. And the cardioid directivity pattern enables the TM-280 to pick up the intended source while rejecting off-axis sounds.

The TM-280 is a condenser microphone opposed to dynamic microphones which are usually being used in live performances. Unlike dynamic mics, a condenser mic does not need a relatively heavy magnet and voice coil to convert acoustic waves into electrical signals. Instead, it uses a diaphragm coupled to an electrical condenser where vibrations are converted to changes in capacitance, realising a lightweight structure that helps to create a wider and smoother frequency response. To derive a signal from the changes in capacitance, electrical power is required.

Condenser microphones are largely divided into two categories according to the size of diaphragm. While small-diaphragm mics are more robust and have a very even frequency response, large-diaphragm mics are known for low noise, they have higher sensitivity and can handle higher sound pressure levels. Large-diaphragm microphones are often used for vocals as they can help to create a distinctive sound due to their warm colouration.

With its 34-mm gold-plated diaphragm, the TM-280 offers the typical warm and bright sound of large-diaphragm microphones with a smoothly increased high-end presence.

Tascam TM-280 The polar pattern of a microphone shows how well the mic picks up the sound from different directions (directivity). The TM-280 has a unidirectional, or cardioid, pattern. This type of directivity is ideal for vocals and other single sound sources because it mainly picks up the sound from the front and reduces off-axis sounds from the sides and rear.

The circuit in the TM-280 is made of selected discrete electronic components that lead to an overall signal-to-noise ratio of 80 dB. When connected to a Tascam HDDA mic preamp (as used in the US-2x2/US-4x4), for instance, this means you can turn up the input gain and still have a low noise level even when you're not singing or playing.

The TM-280 is equipped with a switchable low-cut filter and a second switch to reduce the microphone's sensitivity. Use the low-cut filter (also called high-pass filter) to add clarity to your sound by reducing the amount of low frequencies. When you're close to the mic while singing or speaking, for instance, your voice may sound too rich due to the so-called proximity effect. Using the low-cut filter can compensate part of that effect. When recording very loud sounds like brass instruments or very powerful voices, you can set the level attenuation switch to -10 dB to avoid distortion.

Since a large-diaphragm microphone is sensitive against structure-borne noise, the TM-280 comes with a professional suspension shockmount that holds the mic while minimising vibrations from the mic stand. Also included is a pop filter that reduces plosives when recording vocals. The filter can be attached to the suspension. And not least, a sturdy flight case allows you to safely carry your mic set to a different location.
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 1 in stock $172.66
Cat: 738155 Rel: 29 Mar 17 • View all Instrument microphones
 
B-STOCK: Box opened, product in perfect working order
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TM-DRUMS is a set of four microphones tailored for getting a good drum sound with ease using a Tascam multi-track recorder or audio interface with DAW software. Especially designed for beginners who cannot afford separate mics for each and every part of the drum kit, this mic set meets the minimum requirements for multi-microphone recordings and can even be handled by people who are not yet so familiar with creating a good sounding mix with many sources.

TM-DRUMS comprises of one dynamic mic designed for the bass or kick drum, another dynamic mic designed for the snare, and two condenser mics that can be used for hi-hat, toms and cymbals. Each of the three mic types has its own special characteristics to enhance the instrument it was made for.

The TM-50DB's frequency response delivers a thick bass thump with the right amount of punch, while the TM-50DS enhances the special character of the snare drum with attack and clarity. The TM-50C microphone can be used as an overhead microphone to capture the sound of your hi-hat and cymbals. As a condenser microphone, it handles high sound pressure levels and captures a wide frequency range. Since there are two of these in the set, you can also use that pair to easily create a stereo recording of the entire drum kit, supported by the two mics for kick and snare drum.

Creating a great-sounding drum sound is not hard to accomplish. With two overhead microphones and separate mics for the kick drum and snare drum, you'll get a wide stereo image with clear highs. Start with the overheads and try out different positions until you find that toms, cymbals and hi-hat build a balanced base sound. Then, add a thick kick drum and a well-defined snare drum to that base sound with their separate mics.

If a clear hi-hat is important to your music, you can emphasize it by placing one of the TM-50C over the hi-hat and use the second TM-50C as overhead on the other end of your drum kit. By going this way, you will have more influence on the basic instruments: kick, snare, and hi-hat. You will certainly find a good position for the overhead mic where it can capture the rest of your kit. This approach does not deliver a stereo image like with two overheads but it still gives you some amount of width when panning the hi-hat to one side and the overhead to the other side.

Tascam TM-80 Once you created your basic drum sound and you're familiar with multi-microphone recording, it is easy to add more mics. Is your drum kit located in a room with a nice ambient sound? Why not add that room ambience to make your sound more natural?
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 1 in stock $161.29
Cat: 553188 Rel: 31 Oct 14 • View all Handheld recorders
 
Portable recording interface specifically designed for use with DSLR cameras
Notes: TASCAM's DR-60DmkII, an update of the award winning DR-60D, is the audio recording solution for on-set filmmakers and videographers. The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera's microphone in. ProSound Network Best of Show The streamlined design fits perfectly under a DSLR camera rig, without relying on bulky recorders or the limited audio quality of the camera's microphone in.

The DR-60DmkII is the next generation of 4-track solid-state recording, based on TASCAM's decades of recording innovation. The upgraded HDDA microphone preamps provide up to 64dB of gain, capturing every nuance of a performance. Up to four channels at a time can be recorded to the internal SD Card, at up to 96kHz/24-bit WAV file resolution. Two of the mic inputs utilize locking XLR connectors with 48V phantom power, the other two use an 1/8" stereo connector for wireless and lavaliere microphones.

A Camera Output sends the mic mix to the camera for later synchronization, and a Camera Input is provided for monitoring playback. An additional headphone out and line out assist the crew during filming. The DR-60DmkII is designed for low-noise operation, including soft touch buttons and dedicated gain controls.

Multiple recording modes are available on the DR-60DmkII. Four-Channel Mode records all four microphone inputs. Dual Recording is an alternate setting, capturing a copy of your audio at a lower level for a distortion-free safety track. Menus and operation are well laid out, owing to decades of innovative recording design.

Reach beyond the limited performance of your camera's audio to capture the other half of your film. At a cost less than competing preamps, the TASCAM DR-60DmkII is the ultimate 4-track recorder designed for filmmakers, television, live events and web broadcast.
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 1 in stock $157.49
Cat: 627789 Rel: 26 Jul 17 • View all Handheld recorders
 
Ultra-compact mono digital recorder with Lavalier microphone
Notes: Capture audio where it happens - No cables, no wireless, no worries...

The TASCAM DR-10L is an ultra-compact, incredibly convenient digital recorder/lavalier microphone combo. For added flexibility, the included wired lavalier microphone is affixed via a 1/8" screw-down lock connector compatible with most Sennheiser lavalier mics and mics with the same connector.

Designed for both the creative filmmaker and the busy videographer, the DR-10L is an immensely powerful problem-solving tool, delivering professional sonics and revolutionary convenience.

Ideal for location recording, a DR-10L can be mounted to each on camera actor, removing the need for booms, wires or expensive (an unpredictable) wireless systems. Perfect or live events, a DR-10L can be worn by each and every member of even the biggest wedding party to ensure that every last word is captured. And lastly, the combination of a portable, high quality digital recorder and a tiny, professionally spec'd microphone makes the DR-10L an inspiring tool for the experimental audio designer.

Stealth fighter:
Building on the success of the DR-10X and the DR-10SG, the DR-10L marries the industry standard TASCAM portable mini-recorder with a high performance lavalier mic. Easy-to-use - and easy-to-wear - the DR-10L can become your secret weapon in the war against poor production audio.

Dual recording records two files simultaneously at different levels:
Film-makers and videographers often experience sudden audio volume jumps during filming. An actor could decide to scream a line and a documentary subject could do almost anything. Designed to be used as a self-contained remote recording device, the DR-10L is well prepared to deal with these scenarios. The DR-10L has several features to prevent distorted audio, but the most secure is Dual Recording. This feature captures a copy of your signal at a lower level, as a safety track in case of distortion.

Automatic file closing saves file data before the battery runs out:
You can always monitor the battery level on the easy-to-read OLED display. If the battery runs out in the middle of a recording, the unit will automatically save the file before turning off so your take isn't lost. And the case is designed so that batteries can be changed quickly, without removing the recorder from the camera shoe mount.

Automatic level, limiter and other functions solve common recording level problems:
If the input sound level is too low or too high, an automatic level function can increase or decrease the recording volume to an appropriate level. The limiter prevents distortion caused by sudden input overloads. These functions save you from worrying about recording level settings in situations when there is no second chance.

Compact and lightweight body that is only 63 g, including battery:
The DR-10L has been designed to be small, light and easy to conceal. Perfect for on-camera talent, documentary subjects or entire wedding parties, the DR-10L can easily be hidden away and so that noting comes between you and the perfect shot (with perfect audio!)

Operates for up to 10 hours continuously on a single alkaline AAA battery:
One easily obtained Alkaline AAA battery powers the DR-10L for up to 10 hours continuously. The DR-10L can also use disposable lithium or rechargeable NiMH batteries.

In the Box:
- Tascam DR-10L Digital Audio Recorder with Lavalier Mic
- Lavalier Microphone
- Microphone Clip
- Windscreen
- USB Cable
- Carrying Case
- Belt Clip
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 5 in stock $172.93
Cat: 554266 Rel: 06 Feb 15 • View all Handheld recorders
 
Micro linear PCM recorder for wireless beltpacks with "Dual Recording" feature
Notes: Tascam's DR-10C-series recorders connect to your lavaliere microphone to create a compact recording system that fits on a belt pack. Two versions are available: the DR-10CL for Lectrosonics mics and DR-10CS for Sennheiser microphones. Additionally, option kits are available for Shure (AK-DR10CH) and Sony/RAMSA (AK-DR10CR.)

The DR-10CL & CS recorders have both inputs and outputs, so they can either be used stand-alone or with a wireless transmitter. When used with a transmitter, the DR-10C acts as a backup to protect against wireless dropouts during recording. For lectures or worship services, the DR-10C can record the entire program before it gets to the front of house system. And for events like weddings and reality TV production, the DR-10C is a compact recording system for body mics.

The lightweight DR-10C runs for hours on a single AAA battery. It records to standard microSD media. Recording features include auto-gain and a low-cut filter for simple setup. Its dual recording feature records a safety track of your audio at a lower level, so in case of distortion you have a non-clipped backup. When multiple units are used, an infrared signal can synchronize settings between recorders.

Whether using it as a backup or as a primary recording system, there's nothing else like the Tascam DR-10CL and CS.
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 2 in stock $186.15
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