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Review: On the latest volume in the Late Night Tales series, Don Letts has dug deep into his crates to present a selection of some of his favourite dubbed-out reggae cover versions, alongside dub style remixes of more contemporary covers. It's a simple concept, brilliantly executed, with Letts offering up some exclusive, dubplate style remixes amongst the classic cuts and recent gems. Highlights include, but are in no way limited to, the full vocal dub of Capitol 1212's take on Joy Dvision's 'Love Will Tear Us Apart', Mad Professor's insanely weighty 2021 dub of John Holt classic 'You'll Never Find Another Love Like Mine', Blackbox Recorder's oddball reggae-soul version of 'Uptown Top Rankin' and Easy Stars All Stars' deliciously mystical interpretation of The Beatles' 'Within You Without You'.
… Read morePlayed by: Juno Recommends Reggae
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Review: It may have been released digitally six months ago, but Kanye West's "Jesus Is King" album - his 12th solo set in total - has finally made it on to vinyl. By now, most will have already heard it, but for the uninitiated "Jesus Is King" sees West meditating on Christianity, offering up a tight 27-minute set of tracks that draw influence from (or explicitly sample) gospel music in all its forms. It's still a hip-hop album of course, it's just that the beats, musical choices (gospel choirs, loops from killer records by gospel soul act The Whole Truth etc) and lyrics are closer to the black American gospel tradition than anything West has released before.
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Review: Kendrick Lamarr has always been one of hip-hop's most thoughtful and thought-provoking MCs, with a passion for utilising beats and backing tracks that often sidestep hackneyed rap tropes and lazy samples. Even so, Mr Morale & The Big Steppers, Lamarr's first solo album for five years, is an arresting listen from start to finish. Impeccably produced, with countless musical twists and turns, spellbinding instrumentation (including jazz pianos, orchestration, intriguing electronics, sparkling synths and punchy rhythms aplenty), it sees Lamarr lyrically signposting his own failings (something not enough rappers of his profile are comfortable doing) within a wider framework of accountability. It's brave but brilliant, with some of the topics covered including his relationship with money, white women and his father, gender and generational trauma. A genuinely landmark album all told.
… Read more in stock $11.07
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Review: Jazz-wise deep house and downtempo producer Hanna has a string of fine albums to his name stretching back to the tail end of the '90s. Bless, though, is his first full-length since 2008, and sees the Cleveland, Ohio man transfer to Theo Parrish's legendary Sound Signature imprint. Each of the album's ten tracks comes dripping in hazy, late night soul, as Hanna smoothly shuffles between hazy nu-jazz explorations and various strains of sensual deep house. For the DJs there are plenty of floor-friendly moments, while the inclusion of a string of groovier downtempo workouts should please the home listening posse.
… Read more in stock $14.68
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Review: Back in 2016, Martin Jenkins unveiled the first instalment of a "loose trilogy" of vaguely conceptual albums for the Ghost Box label. Entangled Routes is the third and final part of this trilogy and lands two years after its predecessor, Hollow Earth. Though not expressly acknowledged within the music, Jenkins' inspiration this time round was apparently "mycorrhizal networks" - subterranean networks of funghi that transfer water, carbon and other minerals and nutrients to the roots of plants. Musically, what's on offer is intoxicating and far-sighted, with Jenkins mixing up trippy ambient psychedelia with modular-rich, melodious electronica, throbbing, arpeggio-driven dancefloor cuts and what would once have been called IDM. As usual, the album is full of great ideas, beautifully executed, and sequenced in such a way as to provide a genuine aural journey.
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Cat: 485917 5. Rel: 23 Mar 23
Pop
Review: Lana Del Rey is back with a title that promises to intrigue, 'Did You Know That There's A Tunnel Under Ocean Blvd?"' If her previous works are any indication, we can expect a hauntingly nostalgic exploration of life in California, where the artist grew up. With her velvety voice and dejectedly poetic lyrics, Del Rey has made a name for herself as a modern-day bard of the West Coast. This release is sure to add another chapter to her musical saga, charting three new songs and one remix, and collaborations across the pop spectrum including Father John Misty, Tommy Genesis and Jon Batiste.
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Review: Beyonce joins Drake in the house-via-Baltimore club 'renaissance', which has seen to a good deal of major hip-hop & R&B artists working in the styles over the course of entire albums and mixtapes. This being the queen of pop's first album in over six years, some naysayers say songs like 'Break My Soul' (filled with 90s organ and downtempo kicks and snares a-la Robin S) and 'Energy' (packed with batida stylings) are paint-by-numbers, but we beg to differ; for Beyonce, it's a polyglot of reinventory music.
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Review: Tyler, the Creator's fifth studio album was produced entirely by the Californian artist himself, but it does feature guests like Solange, Playboi Carti, Kanye West and Lil Uzi Vert. It immediately debuted at number one and it's easy to see why. Rich with a complex fusion of funk, rap and r&b that glides on Cali-synths and neo soul melodies, the whole thing is tethered to the ground with a hefty low end and follows the narrative of a love triangle as told by American comedian Jerrod Carmichael. Arguably his best work to date, the production is next level and storytelling wholly involving.
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Review: San Francisco-based DJ/producer Nick Monaco has long been part of the Soul Clap family, releasing his first 12" on the label back in 2012. Mating Call, a double 12" set running at album length, is easily his most expansive release yet. It's typically eccentric, delivering a range of songs - featuring his own distinctive vocals - that blend numerous styles whilst retaining a loose, funky and altogether rather kaleidoscopic feel. It's rooted in Balearic pop, but also touches on dub, deep house, boogie, dub disco and a strangely deep and contemporary take on the triple-beat rhythms of glam rock. It's hard to accurately describe, but is really rather good; certainly, it's one of Soul Clap's strongest releases of recent times.
… Read morePlayed by: Juno Recommends CD Albums
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VARIOUS
It's All For You (Sect Records CD Only Compilation) (unmixed low-price 2xCD)
Cat: SECTCD 1. Rel: 28 Feb 12
Techno
Review: "It's All For You" is a complement to the Sect vinyl catalogue, and a mark of respect to the CD in techno history. Artists known and new swell the ranks, representing the techno forms in the honorable Sect style. Beyond the usual, exceptionally high standard of quality from the Sect roster of artists so far, new artist productions on the first CD include Ben Gibson's "Clamour", a modern take on a Tokyo-style future cityscape, Jeroen Search's "Section A", a physical, forward thinking deep techno triumph and Voidloss' "In The Void" - techno the way it should be made for the 21st century. On CD 2, AnD's "Granular" offers traditional dub aesthetics and modern techno techniques taken to a wholly satisfying next level, while OCH's "Tears" manifest as a dark techno experience of rhythm-led lines of perfection. CV's "Acceptance Of The Fact At Hand" hones hues of colour in aural form, as a subtle vista is painted with strings of haunted beauty.
… Read morePlayed by: OCH
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Cat: 670996 8. Rel: 22 Jun 18
Indie/Alternative
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Review: A few eyebrows were raised when Omar-S announced the title of his latest album. While clearly meant as a controversial talking point, the title should not distract from what is one of Alex 'Omar' Smith's strongest collections of cuts to date - and one with an all-star cast of Motor City collaborators (Rick Wilhite, Norm Talley and OB Ignitt all feature). Musically, it's pleasingly diverse, with Smith effortlessly drifting between 21st century P-funk ("In My City"), cowbell-powered deep-house funk ("Don't Leave Me Standing Yeea"), sparse and synth-heavy house hypnotism ("Mell'like Boom Boom In'dair"), disco-house jack ("Washtenaw County Horn Section"), sub-heavy Detroit-meets-Sheffield minimalism ("You Gotta Beat The Clock") and sunrise-ready dancefloor dreaminess ("Simply"). This CD edition also includes four cuts not available on the vinyl edition.
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Review: After a run which has seen her re-recording her early albums in defiance of a restrictive record deal, Taylor Swift dropped a bomb at the MTV VMAs this year by announcing her tenth studio album. Since then, the information has been trickling out with the steady precision we expect from one of pop's biggest stars, and finally we can clutch Midnights. An album steeped in concept and supposedly drawing from 13 different sleepless nights from throughout Swift's life, it's a reflection on those strange places we go in ourselves when we choose to burn the midnight oil, crafted alongside her steadfast producer Jack Antonoff. There are a variety of editions of this highly anticipated album, all with different covers, and this deluxe Lavender CD edition is sure to be one of the most coveted.
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Review: Given the brilliantly simple concept behind this fine compilation - contemporary Detroit producers remix Funkadelic - we're rather surprised nobody's done it before. With 17 varied re-rubs stretched across two hugely entertaining CDs, there's plenty to enjoy. Highlights come thick and fast, from the deep house/P-funk fusion of Alton Miller's take on "Get Your Ass Off and Jam" and Andres' loose, hip-hop influenced revision of "Music For My Mother", to the thrusting loops and heady late night hypnotism of Anthony Shake Shakir and T-Dancer's version of "Standing on the Verge". While many of the versions stay relatively faithful to the original, the more "out-there" interpretations - see BMG's outer-space ambient dub of "Maggot Brain" and Moodymann's epic revision of "Cosmic Slop" - are also consistently impressive.
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Review: SAULT's body of work is almost untouchable. The mysterious collective has turned out plenty of it in the last couple of years with no fewer than four fantastic albums. This one is a complete left turn, though, which ditches the edgy alt-rock, sou land jazz for an altogether more subbed and symphonic sound. It is a soaring astral soundtrack with plenty of wide open spaces, grand arrangements and plenty of uplifting and celebratory sounds drawn from hugely spiritual choral music and contemporary classical.
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Review: Out of the Blue is arguably a more personal collection than many of Phil Mison's previous compilations. It was inspired by his first few trips to the White Isle of Ibiza, and specifically the unlikely set of circumstances that led to him filling in for the legendary Jose Padilla at the Cafe Del Mar. Musically, the track list is reflective of the story, joining the dots between impossible-to-find rarities (see the loved-up jazz-rock of "Jelly" by the Cactus Rose Project and the life-affirming fusion business of Christoph Spendel Group's "Forever"), huggable Balearic synth-pop, flamenco-inspired sunset gems and a smattering of head-in-the-clouds Italian dream house gems. Given Mison's heritage and status within the Balearic scene, it's little surprise to find that Out of the Blue is utterly brilliant.
… Read morePlayed by: Ursula 1000
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Review: The final part of Dark Entries' long-running series of archival Patrick Cowley releases showcases tracks originally recorded for Afternooners, a late '70s gay porn film by director John Coletti. As with previous Cowley releases on Dark Entries, the double album also contains previously unheard material rediscovered from the Fox Studio archives. It's another essential collection of atmospheric synthesizer music in the producer's distinctive style, all told, with tracks ranging from the whistling cheeriness of "Hot Beach" and the sparkling, cowbell-laden throb of "One Hot Afternoon" to the dubbed-out, semi-ambient dreaminess of "Bore & Stroke" and the humid, upbeat "Jungle Orchid".
… Read morePlayed by: I Love Disco!, Snuffo
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Review: The latest of Radiohead's reissues is an utter avalanche of material. 'Kid A Mnesia' itself is an 'album mashup' between their two albums Kid A and Amnesia; both projects are remastered and released side-by-side on the same LP. It doesn't stop there: for the fanatics, there's an exclusive third disc, Kid Amnesiae, which contains formerly unheard material both recording sessions, as well as Kid Amnesiette, a cassette of B-sides. This ultra-deluxe edition is, decidedly, one for the ultra-fans. Besides the radical electronic fever dreams making up both projects, this version contains the never-before-heard song 'If You Say The Word' on the bonus CD. Remastered on vinyl and cut at half the speed of the original LP, it's an audiophile's banquet. Also watch out for the exclusive booklet of drawings that come with the special edition of this special edition.
… Read more in stock $16.22
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Review: B12's 1993 debut album, Electro-Soma, has long been regarded as one of intelligent dance music's "must-have releases". Offering a decidedly intergalactic blend of otherworldly techno, ambient and deep space electronica, it remains a brilliant piece of work. Here, Warp Records give it the reissue treatment, packaging the peerless original album with a second disc of early B12 rarities and hard-to-find cuts recorded during the same period. There's naturally plenty to admire on this bonus disc, from the shimmering electro bustle of "Transient Pathways" and Motor City futurism of "Debris", to the intoxicating ambient brilliance of "Go With The Hiss". That this material is every bit as good as the tracks included on Electro-Soma is testament to the (then) duo's rarely matched brilliance.
… Read morePlayed by: Thread London
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Review: Given that Isle of White twosome Wet Leg (AKA late twenty-somethings Rhian Teasdale and Hester Chambers) broke through with an insanely infectious chunk of monosyllabic rap-sporting post-punk pop, the stupidly catchy 'Chaise Longue', it seems fitting that the song lands early on their self-titled debut album - track two, to be precise. While the set features little else quite as upbeat, energetic and unashamedly joyous, it's still a boisterous and at times brilliant debut full of tongue-in-cheek lyrics, low-slung post-punk intent, raucous references to vintage '80s and '90s indie, weighty guitar riffs and ear-catching melodic motifs. It's the kind of set capable of pushing them towards super-stardom and will undoubtedly be warmly received by critics.
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VARIOUS
Heavenly Remixes 3 & 4: Andrew Weatherall Volume 1 & 2 (unmixed 2xCD)
Cat: HVNLP 190CD. Rel: 28 Jan 22
Deep House
Mark Lanegan Band - "Beehive" (dub)
Review: The latest in Heavenly's colossal milking of the late Andrew Weatherall's extensive remix career comes in the form of a CD bundle of the first two collectible vinyl compilations, the Weatherall Remixes Volumes 1 and 2. The man occasionally known as Lord Sabre provided plenty of reworks for the London-based imprint over a 30-year period, and you'll find most of his greatest here, including the legendary two-part dub of St Etienne's 'Only Love Can Break Your Heart', his peerless, 15-minute peak-time 1992 take on Flowered Up's 'Weekender', a delightfully dubbed-out, Asphodells-style rework of Gwenno from 2015, and a stunningly spaced-out dancefloor dub of Mark Lanegan's Band.
… Read more in stock $8.14
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Review: Since opting to release more music under his given name, DeepChord man Rod Modell has largely stuck to dubbed-out ambience and heady drone soundscapes. His latest full-length is a little different, though, offering up club-focused cuts that mix his usual fuzzy aural textures and dub-fired motifs with up-tempo techno rhythms. By his standards, it's a very forthright set, with highlights including the noise-soaked stomp of "Reiki", the thrusting heaviness of "ITO", the hypnotic slam of "Jade" - where breezy, early morning electronics flutter away above tough drums and a mind-altering bassline - and the boisterous peak-time techno anthem "Scrawler".
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Cat: INV 176CD. Rel: 14 Oct 16
Soundtracks
Review: There's no doubt that the brilliant, synthesizer-heavy soundtrack played a key part in the success of Netflix's deliciously odd thriller, Stranger Things. Written and performed by Survive members Kyle Dixon and Michael Steen, it got the right balance between John Carpenter style creepiness, Vangelis-like melodiousness, and the cinematic feel of classic movie soundtrack material. Happily, the streaming behemoth has decided to release two volumes of musical highlights from the series, beginning with this first volume. It's testament to the quality of the Texas-based duo's work that those who've not seen the series should still enjoy it. This is atmospheric, clandestine electronic music of the highest order.
… Read morePlayed by: Juno Recommends CD Albums
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Bob STANLEY / PETE WIGGS / VARIOUS
Fell From The Sun: Downtempo & After Hours 1990-91 (unmixed CD)
Cat: CDCHD 1596. Rel: 30 Jun 22
Rock
Soul Family Sensation - "I Don't Even Know If I Should Call You Baby" (Marshall Jefferson Symphony mix)
Review: Ace Records continue their series of compilations from Saint Etienne's Bob Stanley and Pete Wiggs, tapping into unique niches of British music culture under titles like English Weather and The Tears Of Technology to arrive at this latest joint, Fell From The Sun. This is a specific trip into the downtempo, after hours sounds prevalent in 1990-1991, as the acid house wave broke and Balearic selector ethics seeped into studio practice. The selections are absolutely on point, from The Orb's majestic remix of Primal Scream's 'Higher Than The Sun' to Saint Etienne's own moody roller, 'Speedwell'. It's bouncy and boundlessly optimistic as well as being supremely chill, absolutely of its time but still ringing with an eternal charm that feels ready for a revival. Let this compilation be your guide.
… Read morePlayed by: Marco Gallerani
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Cat: GI 360CD. Rel: 14 Aug 20
Soundtracks
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Review: The hype machine may have kicked into overdrive at the announcement of a new Aphex Twin EP, but after all there's a reason we all get so excited. Richard D. James is just a rare sort of artist - one who can wrench untold depth, detail and feeling from the oddest of angles and still keep it rave-ready in the process. It's been a while since we had some new material from the Cornish wonder, but now he's gifting us four fresh slabs of braindance par excellence which bristle with his distinctive touch. Those subtle microtonal shifts in the melodies, the particular flair with which the drums are dissected, the overall head-spinning tapestry of the whole thing - no one does it quite like Aphex, and this CD single gives you his considerable skills in the highest definition.
… Read more in stock $10.81
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Review: Dominick Martin AKA Calibre has made many fine albums in his time, but even by his standards Feeling Normal - his 17th solo set - is something special. While naturally rooted in the soulful, emotive style of drum & bass that he's become renowned for, the album's 13 tracks also incorporate rhythmic and musical elements drawn from two-step garage, the sub-heavy end of UK techno, ultra-deep house, dub techno and dubstep. As a result, the vast majority of the cuts on show neatly sidestep convention, delivering hybrids that gleefully celebrate the impact of soundsystem culture on the UK bass continuum while also offering something new, fresh, melodious, hugely listenable and exceptionally entertaining.
… Read more in stock $11.84
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Review: My Bloody Valentine frontman Kevin Shields has talked a lot about the stress of making Loveless, the band's now iconic 1991 sophomore album. It took over two years (and trips to 20 recording studios) to make, such was Shields sharply focused desire to capture a very specific sound. As this reissue proves, his attention to detail genuinely resulted in what many critics cite as their best album - a wonderfully immersive, wide-eyed and enveloping set that fuses their fuzzy alt-rock guitars with gaseous musical textures, dreamy aural colours and painstakingly layered musical soundscapes that sound as gloriously intense and druggy as they did way back in 1991. It's an album that everyone should own - or at least all those who doubt the sonic potential of primarily guitar-based music.
… Read more in stock $12.87
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Review: Durand Jones & The Indications earned lavish praise for their eponymous 2016 debut album, with critics comparing it favourably to conscious soul sets of the 1970s from the likes of Curtis Mayfield and Marvin Gaye. This belated follow up is, if anything, even better, with the group's core offering - tight instrumentation and super-smooth vocals from the hugely talented Jones and drummer Aaron Frazer - being complemented by silky string arrangements, warm brass and lyrics that flit between social commentary and glassy-eyed, loved-up bliss. Highlights include "Morning In America" - a kind of 2019 update to Marvin Gaye's "What's Going On" - the super-sweet vocal harmonies of "Don't You Know" and "Long Way Home", a lilting look at homesickness blessed with the twin attractions of swooping strings and a killer bassline.
… Read morePlayed by: Rebel Soul
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Review: Here's something guaranteed to ensure a rush of excitement in deep house heads everywhere: a brand new album from much-loved U.S producer Fred P. It's the first under the previously unused F.P-Oner alias, and his first studio outing since 2013's Black Jazz Chronicles set, Codes & Metaphors. Unsurprisingly, the simply titled 5 is as inspired, sumptuous and melodious as you'd expect, with gentle dub house, jazz and - in the case of the wonderful "Infinite Love" - Detroit techno influences. While much of the album is slinky, sensual and ultra-deep (see the fabulous "Visions of You" and "Sleepless in Shibuku"), there are a couple of thrillingly percussive moments to get the pulse racing, including the African-influenced tribal workout "The Realm of Possibility".
… Read more in stock $17.77
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Tullio De Piscopo - "Stop Bajon (Primavera)"
Lil Louis & The World - "Funny How U Luv"
Outside - "The Plan" (Kton mix)
Level 42 - "Love Meeting Love"
Skyy - "First Time Around"
First Choice - "Love Having You Around"
Luther Vandross - "Never Too Much"
Tony Allen - "Hustlers"
James Brown - "Get It On The Good Foot"
Joe Lewis - "Love Mystery (Of Love #2)"
Kenny Dixon Jr - "I Like It" (Sherard Ingram mix)
ERB - "The Weekend"
Leron Carson - "China Trax"
Theo Parrish - "Reaction To Plastic"
Incognito - "I Can See The Future"
George Benson - "The World Is A Ghetto"
Two Tons O Fun - "Make Someone Feel Happy Today"
One Way - "Do Your Thang" (feat Al Hudson)
Review: Since its' initial release back in 2000, Theo Parrish's Methods Of Movement mix has attained cult status. 16 years on, the set has lost none of its' potency, or for that matter its' ability to entertain. An exercise in classic dancefloor eclecticism, it offers a sprint through dusty disco, soul, funk, Afrobeat, boogie, Detroit techno and deep house. It's effectively the kind of set you'd expect Parrish to play at a house party, laying down favourites from Tullio De Piscopo (the Balearic classic "Stop Bajon (Primavera)", Luther Vandross, Tony Allen, Incognito, First Choice and pal Kenny Dixon Jr. Packed full of energy, and shot through with soul, Methods Of Movement is Theo Parrish at his mercurial best.
… Read morePlayed by: Kisk
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