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Review: Given their famously militant approach to music formats, it's a surprise to see Paranoid London's previously vinyl-only 2014 debut album finally being issued on CD. For those who missed out first time around, it's well worth checking. As you might expect, it makes great use of both vintage analogue equipment and similarly old skool influences, in turn doffing a cap to Phuture-style Chicago acid, Inner City, hip-house, Green Velvet, Dance Mania style ghetto-house, and stripped-back, dancefloor-friendly machine soul. Despite the ragged nature of some of the material, it's both hugely listenable and hangs together impressively - no mean feat given the DJ-friendly nature of the tracks. It all adds up to a retro-futurist treat.
… Read morePlayed by: Julian Sanza, Billy Bogus
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VARIOUS
Cat: OSTCD 003. Rel: 25 Aug 17
International
Iftiin Band - "Xuduud Ma Leh Xubigaan (This Love Has No Boundaries)" (feat Mahmud Abdalla "Jerry" Hussen & Maryan Naasir)
Dur Dur Band - "Duruuf Maa Laygu Diidee (Rejected Due To My Circumstance)" (feat Muqtar Idi Ramadan)
Review: In 1988, on the eve of the civil war that began to tear apart Somalia in the early 1990s, an intrepid band of broadcasters and journalists secretly salvaged some 10,000 cassettes of homegrown music from the archives of Radio Hargeissa in Somaliland. Almost 30 years on, those tapes have finally been mined for Sweet As Broken Dates, a brilliant compilation that finally showcases some of the multitude of gems that were recorded and released in the country between the late '60s and early '90s. It's a brilliant collection, all told, full of exotic music that combines Western styles - soul, funk, disco, pop, reggae, boogie, psychedelic rock and even early hip-hop- with musical influences from the wider region (most notably Arabic and tropical music from islands in the Indian Ocean). In other words, it should be an essential purchase.
… Read morePlayed by: AfroBase (Radio Chart)
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Review: For the first time since establishing the Kangding Ray project back in 2006, David Lettelier appears on the acclaimed Stroboscopic Artefacts imprint. The transfer seems to have inspired him artistically, too. While previous albums for Raster-Norton were principally concerned with blurring the boundaries between club-ready techno, off-kilter IDM and worthy experimentation, Hyper Opal Mantis looks much more closely at ghostly ambient, industrial and Electronic Body Music. Of course, while the influences may be broader, Lettellier's "high definition" approach to sound design and production is still present throughout. In other words, it's very much a Kangding Ray record, he's just moved the goalposts a bit.
… Read morePlayed by: Ground Loop
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Review: There have been plenty of column inches devoted to this collaborative debut album from hyped producer Kamaal Williams (AKA Rhythm Section International sort Henry Wu), and fast-rising Afrobeat drummer Yussef Dayes. With such raw talent to choose from, it's little surprise to find that Black Focus is as good as the critics claim. Their sound is distinctive: a London-centric take on jazz-funk that's loose, rich, organic and shot through with soul. Their major influences seem to be the work of West London broken beat pioneer Kaidi Tatham, and his inspiration, jazz-funk legend Herbie Hancock. These touchstones, combined with Dayes' brilliant drumming and Williams' superb synth solos and jammed-out Rhodes lines, makes Black Focus a hugely alluring set.
… Read more in stock $8.04
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Played by: Wesley Matsell
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Review: There was much talk ahead of the release of Darkstar's debut album as to whether the London based outfit could live up to the promise of their stunning breakthrough single "Aidy's Girl Is A Computer" on Hyperdub in 2009. The answer, in short, is yes. In the course of the past 12 months Aiden Whalley and James Young have morphed from a production team into a band, adding vocalist James Buttery along the way, and North, the fruits of their labour, is a fragile, delicate and beautiful record. Tracks like "Gold" and ""Dear Heartbeat"" showcase an 80s synth pop sensibility, forming the backbone of an album that is steeped in worry and melancholia. Buttery's vocal talents add an extra layer of depth to the music, particularly on the poignant, piano driven opening and closing track "In The Wings" and "When It's Gone". There is much to explore on North, which will go down as one of 2010's most affecting electronic albums.
… Read morePlayed by: Ennio Styles
in stock $7.99
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Review: Durand Jones & The Indications earned lavish praise for their eponymous 2016 debut album, with critics comparing it favourably to conscious soul sets of the 1970s from the likes of Curtis Mayfield and Marvin Gaye. This belated follow up is, if anything, even better, with the group's core offering - tight instrumentation and super-smooth vocals from the hugely talented Jones and drummer Aaron Frazer - being complemented by silky string arrangements, warm brass and lyrics that flit between social commentary and glassy-eyed, loved-up bliss. Highlights include "Morning In America" - a kind of 2019 update to Marvin Gaye's "What's Going On" - the super-sweet vocal harmonies of "Don't You Know" and "Long Way Home", a lilting look at homesickness blessed with the twin attractions of swooping strings and a killer bassline.
… Read morePlayed by: Rebel Soul
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Bob STANLEY / PETE WIGGS / VARIOUS
Winter Of Discontent (unmixed CD)
Cat: CDCHD 1603. Rel: 26 Jan 23
Indie/Alternative
Played by: Juno Recommends Rock/Indie
in stock $9.86
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Brunswick Complete Singles Collection (Japanese Edition) (limited CD with obi-strip)
Cat: UVSL 2025. Rel: 12 Dec 23
Soul
Played by: Craig Charles Funk And Soul
in stock $9.60
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VARIOUS
BGP Presents The Vanguard Experience: I Like It (unmixed CD)
Cat: CDBGPD 106. Rel: 18 Feb 08
Broken Beat/Nu Jazz
Played by: Gilles Peterson
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Review: Black Sands, the eagerly anticipated fourth album from Simon Green AKA Bonobo, is no revolutionary change from his signature sound but does come with perhaps even more subtlety and complexity than his previous offerings. Having constantly instilled a degree of integrity and value back into chill out music following the influx of Cafe Del Mar and Coffeeshop compilations, Green once again displays a musicianship that sets him apart as a true artist and producer amongst a sea of downtempo and chillout DJs.
His undeniably clear understanding of composition and arrangement of live instruments has enabled Green to make an album that reaches out through diverse styles, taking influence and inspiration from wherever possible. On Black Sands, Green delves into electronic music and bass more than he did across Animal Magic, Dial "M" For Monkey or Days To Come but does so with enough subtlety and finesse to refrain from causing a radical shift in his product. Tracks like "Kiara," "We Could Forever" and "All In Forms" all utilise beats and bass in a more contemporary outlook than we are used to with Bonobo. Of course the instrumental feel is still there for all to see. Title track "Black Sands" takes this position for almost seven minutes of a horn infused waltz whereas "Kong" assumes the traditional soul-jazz Bonobo take and "Animals" lets delicate drum patterns guide us through pleasing tempo shifts.
The instrumental vibe is highlighted further in the album's approach to vocals. Unlike his last album, Days To Come which was littered with vocals, Black Sands houses only three tracks that contain vocals. The breathy vocals of Andreya Triana complete tracks like "Stay the Same" and "The Keeper" turning them in more traditional songs. Black Sands is another loving crafted offering that uses orchestral arrangements but this time merged with more of a dance aesthetic. As he continues to make chillout more credible in his experimental way, it's no wonder that Bonobo is one of the biggest artists to come from the excellent Ninja Tune.
… Read moreHis undeniably clear understanding of composition and arrangement of live instruments has enabled Green to make an album that reaches out through diverse styles, taking influence and inspiration from wherever possible. On Black Sands, Green delves into electronic music and bass more than he did across Animal Magic, Dial "M" For Monkey or Days To Come but does so with enough subtlety and finesse to refrain from causing a radical shift in his product. Tracks like "Kiara," "We Could Forever" and "All In Forms" all utilise beats and bass in a more contemporary outlook than we are used to with Bonobo. Of course the instrumental feel is still there for all to see. Title track "Black Sands" takes this position for almost seven minutes of a horn infused waltz whereas "Kong" assumes the traditional soul-jazz Bonobo take and "Animals" lets delicate drum patterns guide us through pleasing tempo shifts.
The instrumental vibe is highlighted further in the album's approach to vocals. Unlike his last album, Days To Come which was littered with vocals, Black Sands houses only three tracks that contain vocals. The breathy vocals of Andreya Triana complete tracks like "Stay the Same" and "The Keeper" turning them in more traditional songs. Black Sands is another loving crafted offering that uses orchestral arrangements but this time merged with more of a dance aesthetic. As he continues to make chillout more credible in his experimental way, it's no wonder that Bonobo is one of the biggest artists to come from the excellent Ninja Tune.
in stock $8.04
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Played by: Craig Charles Funk And Soul
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Cat: INV 176CD. Rel: 14 Oct 16
Soundtracks
Review: There's no doubt that the brilliant, synthesizer-heavy soundtrack played a key part in the success of Netflix's deliciously odd thriller, Stranger Things. Written and performed by Survive members Kyle Dixon and Michael Steen, it got the right balance between John Carpenter style creepiness, Vangelis-like melodiousness, and the cinematic feel of classic movie soundtrack material. Happily, the streaming behemoth has decided to release two volumes of musical highlights from the series, beginning with this first volume. It's testament to the quality of the Texas-based duo's work that those who've not seen the series should still enjoy it. This is atmospheric, clandestine electronic music of the highest order.
… Read morePlayed by: Juno Recommends CD Albums
in stock $8.29
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Review: Breaking from their exceptional soundtrack work of late, the infallible Scottish post-rock behemoth Mogwai have returned to the studio for their ninth full-length. 'Every Country's Sun' is a whirlwind album whose sheer impact hinges on its powerful use of contrast, most likely evident of their recent film and television score work. Passages of atmospheric calm give way to loud cascading floods of aggression without sounding trite, forced or clumsy, and a more polished use of electronics further accentuates the band's tonal variety. From the spatial futuristic opener 'Coolverine' to the album's grinding and mechanical climax, 'Every Country's Sun' feels like a score for a film not yet made, following all the highs, lows, twists and turns of narrative told by a band continuing to showcase their deft and controlled writing.
… Read morePlayed by: Juno Recommends CD Albums
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Gosh
Sleep Sound
SeeSaw (feat Romy)
Obvs
Just Saying
Stranger In A Room (feat Oliver Sim)
Hold Tight
Loud Places (feat Romy)
I Know There's Gonna Be (Good Times) (feat Young Thug & Popcaan)
The Rest Is Noise
Girl
Review: In Colour is of course the long awaited debut solo album from The xx's in-house knob twiddler Jamie 'xx' Smith, arriving through regular home Young Turks backed with a whole host of guest appearances. The more obsessive Jamie xx fans out there (of which we wager there are many) will no doubt already have burned out their laptops and retinas basking in the all too colourful pre-release streams of In Colour, but it's always nice to grip an album in your hands. The eleven tracks on In Colours come across like a low key ode to the rave from Jamie and pals, with Four Tet, Romy & Oli xx, Young Thug and Popcaan featuring, and yes there is also plenty of steel pan. "Hold Tight", which sounds like Jamie's attempt at forest techno, is a definite highlight!
… Read morePlayed by: Juno Recommends CD Albums
in stock $9.07
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Preface
Lights On
Two Weeks
Hours
Pendulum
Video Girl
Numbers
Closer
Give Up
Kicks
Review: Young Turks clearly believe that Tahlilah Barnett, formerly known as Twigs (hence the FKA Twigs pseudonym) is a star in the making. They plucked her from obscurity last year and have since released a number of highly regarded singles. This debut album expands on her EPs to date, showcasing her woozy, intricate take on post-R&B. Naturally, her vocals - fragile and evocative, sounding not unlike Kate Bush on occasions - take centre stage, riding a bed of layered-up head-nodding rhythms, post dubstep grooves, trip-hop soundscapes, fizzing electronics and bubbling synthesizers. It's an intoxicating brew, all told, and one that delivers further proof of Barnett's immense potential.
… Read morePlayed by: Juno Recommends CD Albums
in stock $8.04
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in stock $8.29
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Review: Jazzman's dusty-fingered diggers recently did a deal to reissue some of the "holy grail" albums released by Austin-based Fable Records in small numbers back in the early 1970s. Forty Seven Times Its Own Weight's "Cumulo Nimbus" is the first of these. It's a pleasingly warm and evocative set of tracks from the one-album combo that offers an enjoyable and cutting edge fusion of hard-wired jazz-funk, post-modal fusion, horizontal slow jams and low-slung goodness that pairs free-jazz style solos and spiritual grooves with just the right amount of funk-fuelled instrumentation (see "Jig"). The set includes both dancefloor-friendly and laid-back fare, with the jaunty title somehow managing to tick both boxes at once.
… Read morePlayed by: Jazzman/Juke Box Jams/Soul/Jazz45
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Played by: Marcelo Tavares(Deep Space Podcast)
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Leaves Painted In A Darker Blue (hand-numbered CD + inserts limited to 80 copies)
Cat: LONTANOSCD 19. Rel: 07 Jan 22
Ambient/Drone
Played by: Juno Recommends Ambient/Drone
in stock $7.52
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Cat: ALNCD 68. Rel: 22 Jul 22
Deep House
Review: We all know and love Ron Trent as a house music maestro, but as his elevated productions have betrayed over the years, his chops reach well beyond the simple demands of functional club stuff. In line with his more eclectic output, What Do The Stars Say To You heralds his WARM project in a frankly stunning burst of musicality that harks back to the glory days of 70s and 80s studio prowess. This is still music driven by a groove, but it's certainly not a house by numbers affair. Instead you get soaring violin solos (from Jean Luc Ponty no less), infinte threads of nimble keys work and enough downtempo, slinky grooves to buffet a yacht from the Balearics to the Florida Keys and back again. Featuring members of Azymuth, Gigi Masin and Khruangbin amongst others, this is a return to the craft of exquisite album making, as handled by a true master in his field.
… Read morePlayed by: Stephane Attias
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Review: 'Fragments + Distancing' cultivates a profound sense of meditative stasis with the use of a Moog Mother 32, custom built filters, and various Eurorack modular sequencers, modules, and effects. James continues his proven and unique efforts in creating ethereal tones on this latest collection of songs. Fragments was created by using a method of composition James has been perfecting, where he takes small pieces of unreleased music that he has written stretching over the last 10 years, and runs them through different modes and methods of granular stretching and FFT processing. In some cases, the original audio source was no longer than 20-30 seconds long. PITP is honored to share this collection of music.
… Read more in stock $8.81
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Review: Given that he was the Impulse label's most significant star during its formative years, it seems fitting that a newly discovered live recording of John Coltrane should form part of the acclaimed jazz imprint's 60th anniversary celebrations. What we get is a genuine piece of jazz history: an expanded, wonderfully free-wheeling and hugely atmospheric performance of Coltrane's landmark A Love Supreme suite, recorded live at The Penthouse in Seattle on October 2nd, 1965. Coltrane is of course in prime form, as are his regular accompanying players. Significantly, these included Pharoah Sanders, who on that now famous night in Seattle was making his first official appearance as part of Coltrane's group.
… Read morePlayed by: Juno Recommends Jazz
in stock $9.53
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Review: Gilles Peterson and Bluey's Str4ta project has always been something of a nostalgic offering, with the pair exploring their mutual love of Brit-funk, jazz-funk and dancefloor grooves of the early 1980s. Naturally, they've loosely stuck to the same winning blueprint on sophomore set 'Str4tasfear', with the addition of an impressive cast-list of collaborators, a touch more production polish and a subtly wider set of inspirations only enhancing the listening experience. The results are uniformly impressive, with our picks of a very strong bunch including the slap-bass sporting, floor-friendly brilliance of 'Turn Me Around', the Maze-esque 'Night Flight' (all squelchy electronic bass, glistening jazz guitars and colourful synthesizer solos), the sweat-soaked jazz-funk disco heaviness of 'Lazy Days' (featuring Emma-Jean Thackray) and the super-sweet 'When You Call Me'.
… Read morePlayed by: Pete Haigh
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Review: Volume One of For the Love Of You was an instant hit and so it makes sense the irrepressible Athens of the North label has come back with a second volume. Once again this is a collection of soul covers featuring interpretations of Grover Washington Jr., Midnight Star, Meli'sa Morgan and Simply Red and loads more. The music is golden, the soul vibes rich, and the new styles brought to these classics is instantly appealing in a whole new way. As alwayss, this is another superb release from Athens of the North.
… Read more in stock $9.86
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VARIOUS
It's All For You (Sect Records CD Only Compilation) (unmixed low-price 2xCD)
Cat: SECTCD 1. Rel: 28 Feb 12
Techno
Review: "It's All For You" is a complement to the Sect vinyl catalogue, and a mark of respect to the CD in techno history. Artists known and new swell the ranks, representing the techno forms in the honorable Sect style. Beyond the usual, exceptionally high standard of quality from the Sect roster of artists so far, new artist productions on the first CD include Ben Gibson's "Clamour", a modern take on a Tokyo-style future cityscape, Jeroen Search's "Section A", a physical, forward thinking deep techno triumph and Voidloss' "In The Void" - techno the way it should be made for the 21st century. On CD 2, AnD's "Granular" offers traditional dub aesthetics and modern techno techniques taken to a wholly satisfying next level, while OCH's "Tears" manifest as a dark techno experience of rhythm-led lines of perfection. CV's "Acceptance Of The Fact At Hand" hones hues of colour in aural form, as a subtle vista is painted with strings of haunted beauty.
… Read morePlayed by: OCH
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Review: Lazare Hoche doesn't release that much music, but what he does put out is invariably excellent. Following a smattering of singles and an acclaimed collaborative album alongside Malin Genie - 2013's I Don't Sync So Volume II - he's decided to put together a compilation featuring his own productions and those by music industry mates. Access, then, is a lesson in warm and luscious deep house, with significant contributions coming from Luke Solomon (donning the Jean Caffeine guise on the dreamy and rolling "Jean Afterthought"), DJ Gregory's Point G project (the ultra-deep pulse of "La Lampe Du Vizir Adjane"), and pals Skymaster and Mandal. Hoche's own contributions rank amongst the compilation's highlights, with the title track delivering a pitch-perfect lesson in the seductive powers of dreamy, dust-encrusted deep house.
… Read more in stock $7.52
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Review: Richard H Kirk was rightly praised for 2020's Shadow of Fear, his first album since turning Cabaret Voltaire into a solo project back in 2014, and his recently follow-up EP, Shadow of Funk. Both distilled the essence of the Cabs' club-friendly industrial funk sound, re-formatting it for the 21st century. Dekadrone, though, is a different proposition altogether. Focused not on clubs but on immersive home listening, the four-phase, single track set removes Kirk's clanking, often paranoid beats in favour of dystopian aural textures (think dark, droning tones, abstract electronics, apocalyptic ambience and dirt-encrusted samples). Those who prefer the Cabs' more experimental, ambient-leaning works will love it.
… Read morePlayed by: Juno Recommends Leftfield
in stock $8.20
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Review: Boom: three years, three albums. No biggie for Bristol duo The Allergies, Jalapeno's biggest success story since Kraak & Smaak. Each album shows them getting deeper into the groove, creeping away from the cheeky samples and sculpting their own pedigree funk originals. With Ugly Ducking Andy Cooper onside through the mix from the wild ride vibing "Fade Away" to the white knuckle lyrical fire of "Run It Back", there's a real band feeling to the whole album as familiar voices thread throughout the jams... including that of UK hip hop legend Dr Syntax.
… Read morePlayed by: The Allergies
in stock $9.07
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Review: Over the last few weeks, Jazzman's ongoing "Holy Grail" reissue series has focused on obscure but in-demand albums from the Fable Records catalogue. The latest to get the deluxe reissue treatment is Steamheat's "Austin Funk", a 1975 set that's notably harder and funkier than the Texan label's usual jazz-funk fare. Of course, there are still plenty of jazz-funk flourishes to be found amongst the soulful vocals, crunchy clavinet lines, fast-tempo grooves and heady horn lines. Our picks include the low-down deep funk headiness of "Radiator", the fizzing brilliance of "Body Talk", the harmonic jazz guitar, horn and electronic piano solos of "Ghetto Tool" and the eyes-closed, in-the-zone madness of closing cut "Frozen Tundra Lady".
… Read morePlayed by: Jazzman/Juke Box Jams/Soul/Jazz45
in stock $8.64
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