Pieces To Share (Kyle Hall & Steve Lehane mix) (3:14)
Nothing To Fear (4:00)
Review: Some ultra-limited business here from Kyle Hall, which remarkably marks his first release of 2019. The Detroiter is in fine form from the off, first peppering a hip-hop tempo "beatdown" groove with 8-bit sounds, jazz-funk synth doodles and rich Fender Rhodes motifs on "Rising" before breaking up the beats and channeling Kaidi Tatham/Dego on the warm and luscious "Full Play". Turn to the flip for the similarly inclined, loose and languid, analogue-heavy melodiousness of "Pieces To Share" and the delay-laden sunrise shimmer of "Nothing To Fear", a glistening and smile-inducing number that's almost overwhelmingly positive.
Review: They may not have released many records, but samba/soul/jazz fusionists the Han Litz group have been mainstays of the Dutch scene for a decade. Here they return with a wonderfully breezy, samba-soaked collection of cuts that's remarkably their first ever outing on wax. The A-side begins with two warm, afternoon fresh tracks that sound like authentic Brazilian samba jams from the 1970s, before Litz and company indulge in a little flute-heavy jazz ("Preludia") and Afro-tinged broken beat/jazz fusion ("Yemaya Olodo"). Also impressive is closing cut "Epiphany", which has been transformed by Yoruba Soul man Osunlade into a sumptuous shuffle through deep house/samba fusion complete with Flamenco style Spanish guitar solos.
Praying For You (Louie Vega NYC Fender Rhodes Solo) (4:55)
Praying For You (Louie Vega Vonita dub) (5:43)
Praying For You (KDA remix) (6:10)
Praying For You (album version) (6:11)
Praying For You (Louie Vega Expansions NYC dub) (5:41)
Smile (David Morales remix) (7:01)
Review: Earlier this year, DJ Spen and Teddy Douglas's long-serving gospel-house group Jasper Street Co returned to action with their first album in 16 years. It's from that album that "Praying For You" is taken, though the selling point here is not the LP mix but rather a suite of reworks from Louie Vega. Our picks of the bunch are his jazzy and breezy "Main Mix", the brilliantly bass-heavy "Vonita Dub" (think righteous call-and-response gospel vocals and a killer groove) and the sleazy "KDA Remix". The latter is a basement-bothering stomper rich in fuzzy organ stabs and spacey electronics. The smooth, slick and pleasingly colourful David Morales remix is also rather good (it reminded us a little of vintage Frankie Knuckles rubs, which is no bad thing).
Review: The new incarnation of the famous fabric mix series serves up a big one here with Ibiza kingpins and US house torchbearers The Martinez Brothers laying down a fulsome 23 track mix. It brims with the sort of energy that they always have themselves in the booth and takes you on a contemporary trip through the bendy minimal of Cabanne, Frak's percussive workout and some tropical curveballs from The Bayara Citizens. The Brothers also impress with two of their own tracks - "Jam Joint" and "Mistakes" - full of wonky synth work and shuffling drums, and it marks another highpoint in their longstanding career.
Review: Two years on from their last outing of note - the deliciously melodic and atmospheric "Elephants EP" - PHCK returns to All Day I Dream with a surprise debut album. The German trio is in fine form throughout "More Than A Machine", effortlessly moving between the hazy, slow burn dreaminess of glassy-eyed opener "Heaven's Gate", the deep Afro-house shuffle of "Whiteout", the tech-tinged ambient house hypnotism of "A Flock", the chiming melodies and hushed grooves of "Harps" and the hard-to-pigeonhole flex of "Essential Return", where a metronomic drumbeat is overlaid with metallic Indonesian instrumentation and woozy freestyle vocals.