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Cat: 060349 7834174. Rel: 27 Dec 24
Rock
Review: Experience the captivating essence of Chicago's live performance at the Kennedy Center in September 1971, now beautifully captured in a stunning multi-track recording. Highlighting the jazz-infused gem 'Goodbye', featured on the Chicago Six Decades Live collection, this track became a standout with the highest streaming numbers. Delve into the band's unreleased repertoire from the same set, offering a rare glimpse into their dynamic live energy. Complete with detailed liners and a poster, this collection promises to immerse listeners in the timeless magic of Chicago's iconic sound, showcasing their enduring legacy in the realm of live music.
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Review: There's no fucking around with this record," says Nick Cave of his new album alongside the Bad Seeds. "When it hits, it hits. It lifts you. It moves you. I love that about it." And we do too. It makes a great return after a five-year break for the band and across its ten tunes it plays with ideas of both convention and experimentation. It is full of surprises an of course rich in emotion and the sort of mental imagery Cave has always excelled at next to offering up plenty of heartfelt narratives. Guests such as Colin Greenwood on bass and Luis Almau on nylon string guitar and acoustic guitar add extra layers to what is a fine return.
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Review: The legend of the late great David Bowie will always live on, particularly with spectral releases like this still appearing on the regular. Rock 'n' Roll Star! vharts Bowie's journey to Ziggy Stardust across no fewer than six CDs and a blue-ray disc that include early home demos, radio sessions and live performances, session recordings, outtakes and alternate versions of tunes from his The Rise and Fall of Ziggy Stardust record. Unreleased gems on the album include an alternate rendition of 'Lady Stardust,' an unheard version of the cherished 'Shadow Man,' and an upbeat interpretation of The Who's 'I Can't Explain.' Interestingly, Bowie later slowed down and covered this for the PIN-UPS album.
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Review: We Have Dozens of Titles by Gastr Del Sol is a treasure trove for fans, offering a glimpse into the experimental post-rock pioneers' journey from their Bastro roots to their groundbreaking work as Gastr Del Sol. This collection, curated from their 1993-1998 recordings, shows their evolution into sonic explorers, pushing the boundaries of post-rock with influences from musique concrete and free improv. The unearthed CBC recording from Festival International de Musique Actuelle de Victoriaville in 1997 is a highlight, featuring ethereal versions of familiar tracks like 'The Seasons Reverse' and 'Blues Subtitled No Sense of Wonder.''The live rendition of "Onion Orange' is a revelation, with Jim O'Rourke's kosmische synth waves intertwining seamlessly with David Grubbs' intricate guitar work. Additionally, the inclusion of rarities like 'The Harp Factory On Lake Street' and tracks from various compilations adds depth to the collection. Each track, whether a live performance or a studio recording, has been meticulously mastered or remastered by O'Rourke, enhancing the listening experience. We Have Dozens of Titles not only fills in gaps in Gastr Del Sol's discography but also exemplifies their innovative approach to music-making.
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Tell Me Who You Are Today
Floating On A Moment
Burden Of Life
Lost Changes
Rewind
Reaching Out
Oceans
For Sale
Beyond The Sun
Whispering Love
Review: Beth Gibbons has never saturated the market with her distinctive approach to singing and songwriting, choosing to leave the power of her contributions to Portishead and solo hanging in the air. That makes Lives Outgrown a truly exciting proposition, some 20 years after her last solo outing and simultaneously unique but naturally leading on from the magical Out of Season. The sonic content is layered differently, less folky and more like art rock embellished with electronics, but the melancholic, wistful melodic makeup feels absolutely rooted in Gibbon's approach throughout the years. This is the CD edition of a very welcome return from a truly unique treasure in British alternative music.
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Review: Portishead's incredibly gifted lead singer Beth Gibbons is back with a solo album which appears like a bolt from the blue on Domino. As it transpires, Lives Outgrown has been ruminating for some time as Gibbons reflects on the passage of time, working closely with James Ford (of Simian Mobile Disco fame) and Talk Talk's Lee Harris to develop a distinct, gently psychedelic art rock-meets indie pop sound. Throughout, the album is guided by Gibbons' distinctive approach to songwriting, sounding like a natural cousin to her work in Portishead or her earlier solo album Out Of Season, while also offering something beguiling fresh and unsurprisingly brilliant. This is the CD edition, which comes in a hardback book case for the collectors out there.
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Review: Shellac's sixth studio album, To All Trains, is a demonstration to the band's distinctive sound. Recorded over several years and mastered by Bob & Steve at Chicago Mastering Service, the album features Shellac's trademark minimalist sound, characterised by asymmetric time signatures, repetitive rhythms, and angular guitar sound. Albini's and Weston's surreal, bitingly sarcastic lyrics add to the album's unique atmosphere. With its complex and unconventional approach to music, To All Trains showcases Shellac's mastery of their craft and their unwavering commitment to their distinctive sonic vision.
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My Size
Pick Me Up (Big Chicken)
What Are We Doing Here?
What Kind Of People Are They?
Heaven & Hell
Ted End
You're Mind
No 29 (Eternal Youth)
I Believe In Everything
Cinnamon Girl (outtake)
It's Hard To Write A Love Song (demo)
The Haunted Can Be Free (demo)
World Behind My Face (demo)
My Size (demo)
What Kind Of People Are They? (demo)
Pick Me Up (Big Chicken) (demo)
No 29 (External Youth) (demo)
Ted End (demo)
Ten Little Friends
Apron Strings
I Feel Better
Thinkin' It Over
Who Cares?
I Wonder
I Was Just Being Friendly
The Window Shopper
I Found Out
Nightmare (Please Wake Me Up)
I Wonder (demo)
All Dressed Up (demo)
Back On The Rod (demo)
Countryside Boogie (demo)
Gimme That Rock 'n' Roll
Mr Bass Man
Do The Dangle
Hound Dog
Made In Japan
My Wife
Roller Skate Kate
Peg Leg Peggy
Lucille
Big Black Cadillac
BP Big Gallon Jingle (100 Miles Of Motorway) (demo)
BP Big Gallon Jingle (100 Miles Of Motorway) (with Voiceover - demo)
Made In Japan (Early take)
Peg Leg Peggy (Early take)
I Fall To Pieces
Cell Number 7
You Can Be So Mean
Lady Killer
Who In The Hell?
Mad Dog
Jungle (instrumental)
I'm So Scared
Drowning
Mad Dog (single mix)
Cell Number 7 (single mix)
Try Me
Talk Dirty
Lovebird
Sleeping Man
I'm Coming Back
Dancing Master
Fallen Angel
Love Is A Heart Attack
Too Late The Hero
Sleeping Man (demo)
Dancing Master (demo)
I'm Coming Back (demo)
Love Is A Heart Attack (demo)
Overture (outtake)
Stranger In A Strange Land
Love Doesn't Last
Suzie
Bridges Under The Water
Heartache
Billy
Life After Love
Hurricane
Too Much Too Soon
Last Song
Country Hurricane
Casualty (outtake)
Light In The Dark (outtake)
Break Your Heart (outtake)
Love Doesn't Last (demo)
Heartache (Early version)
Review: As The Who blazed their trail in the tumultuous sixties, John Entwistle, known as The Ox, showcased his prowess not just as a bassist but also as a skilled songwriter. Despite his satisfaction in The Who's success, Entwistle expressed frustration within the band about the limited opportunities for his compositions. Consequently, Track Records greenlit a solo album project. By 1970's end, Entwistle amassed enough material for his debut album, the first CD in this 6-CD box set. This comprehensive collection includes all six of Entwistle's solo albums along with 29 bonus tracks, featuring collaborations with Joe Walsh, Peter Frampton, and other notable artists.
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Cat: 4AD 0652CD. Rel: 03 May 24
Indie/Alternative
Review: Kristin Hersh's debut solo album, Hips and Makers, remains a timeless gem with her exceptional songwriting, strong vocals, and masterful guitar arrangements. Released in 1994, it's a raw and honest exploration of personal stories set against a backdrop of minimalistic yet intricate acoustic arrangements. The album's clever and in-your-face lyrics, coupled with breathtaking artwork by the late Vaughan Oliver and Paul McMenamin. Songs like 'Teeth' and 'Houdini Blues' deliver poignant insights, while the official single 'Your Ghost,' featuring backup vocals from Michael Stipe, stands out as a mainstream favourite. The expanded 30th-anniversary edition offers a deeper dive into Hersh's solo journey, with bonus tracks and a great demo of 'The Ghost'. Additionally, Hersh's live performances, such as the memorable show at Double Door in 1994, highlight her impressive stage presence. As Hersh continues to create music with Throwing Muses and 50 Foot Wave, her solo work remains a strong and more personal dedication to her craft.
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Review: Billy Idol's Rebel Yell reissue for its 40th Anniversary offers this 2CD set includes 13 bonus tracks, including the impressive 'Poolside Remix' of 'Eyes Without A Face' and the previously unreleased 'Best Way Out of Here'. Besides the other mega hits like 'Flesh For Fantasy', 'Catch My Fall', 'Rebel Yell' you have the amazing cover version of 'Love Don't Live Here Anymore' featured which is a big cult fan favourite for Billy. For fans eager to delve deeper into Billy Idol's iconic album, the reissue offers a chance to rediscover its timeless tracks and explore some hidden gems. Demo versions and remixes highlight the release on the second disc for those looking for unique versions of the songs.
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Review: Claire Rousay's Sentiment album is a captivating exploration of poignant emotional landscapes, encompassing themes of loneliness, nostalgia, sentimentality, guilt, and sensuality. Through a blend of experimental and ambient music, Rousay deftly incorporates textural found sounds, sumptuous drones, and candid field recordings to create music that celebrates life's banalities with granular detail. Rousay's vocals and guitar take centre stage, conveying a powerful desire for connection amidst a backdrop of resignation. The album that balances vulnerability with innovation, delivering anthemic yet deeply personal songs that resonate with listeners on an emotional level. Sentiment is a blissfully melancholic and undeniably sensual listening experience.
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Vini Reilly (35th Anniversary Edition) (3xCD + mini CD + DVD)
Cat: FACD 244. Rel: 18 Apr 24
Indie/Alternative
Vincent Gerard & Steven Patrick - "I Know Very Well How I Got My Note Wrong" (bonus track - 3" Mini Cd)
Live In Porto 30/04/1988 (DVD Region 0)
Review: Formed in the post-punk era of Manchester in 1978, The Durutti Column, led by guitarist Vini Reilly, has remained an enigmatic and influential force in the history of post-punk. Their 1989 release, aptly titled Vini Reilly, is a testament to Reilly's eclecticism and sonic experimentation. The album spans a vast musical landscape, encompassing elements of post-punk, rock, acoustic, avant-garde, jazz, classical, folk, pop, and electronica.The album's 35th anniversary reissue box set includes many great additions that allows listeners to appreciate the enduring impact of his artistry, as he continues to inspire and challenge music enthusiasts worldwide. Includes new essay by Durutti Column/Factory Records expert James Nice, liner notes by band member Bruce Mitchell, liner notes from Anthony Wilson, interview extracts with Vini Reilly and restored images and outtake images.
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Review: Manchester mavericks A Certain Ratio have been on a rare run of form of late, with 2023's 1982 counting as one of their most vibrant and endlessly entertaining albums for decades. Of course, all their albums are of a consistent quality, but It All Comes Down To This genuinely crackles with energy. From the word go, the veteran band's inherent funkiness is present, but this time it comes cloaked in fuzzy funk-rock guitar riffs, acid-fried effects, and vocals that are amongst the most forthright they've committed to wax (or, in this case, CD). In many ways, it is - as the band and producer/Sopeedy Wunderground boss Dan Carey intended - a 'back to basics' sound that focuses on the key aspects of ACR's sound. When those 'basics' are so strong, it's no surprise that the results are this impressive.
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Dark Matter (Deluxe Edition) (CD + Blu-ray in hard-back book sleeve)
Cat: 650849 6. Rel: 19 Apr 24
Indie/Alternative
Dark Matter: Dolby Atmos Immersive Mix & HD Audio (Blu-ray)
Review: Pearl Jam's 12th album, Dark Matter, sees the veteran rockers returning to their roots with a renewed sense of vigor. Departing from the reflective tone of their previous release, Gigaton, the band opted for a more spontaneous approach to songwriting, gathering in a room to craft material that feels refreshingly loose and live. The album as a whole delivers some convincing arguments for a classic Pearl Jam collection. Tracks like "'Scared Of Fear,' 'Wreckage,' and 'Setting Sun' showcase the band's trademark grandeur, with muscular guitar leads, powerful drumming, and Eddie Vedder's unmistakable vocals leading the charge. Many long time fans will appreciate this album as a fiery rebirth after a series of more stilted releases. Ultimately, Dark Matter is a audio guidepost to Pearl Jam's enduring identity and their ability to deliver authentic rock music that resonates with both diehard fans and casual listeners alike.
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Review: Pearl Jam's Dark Matter sees the veteran rockers returning to their roots with a revitalised energy. Recorded in a rapid yet collaborative burst of creativity, the album captures a raw essence reminiscent of their early days. The band still delivers a potent rock-forward sound with muscular guitar leads and Vedder's iconic vocals. Tracks like 'Scared Of Fear' and 'Wreckage' showcase the band's trademark grandeur, while 'Setting Sun' serves as a raggedly majestic closer. Dark Matter proves to be very strong album which should excite longtime fans.
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Review: Mansun's The Dead Flowers Reject, originally conceived as an insurance policy against label rejection of their experimental album Six, emerges as a hidden gem in the band's discography. Recorded concurrently with Six, this album offers a slightly less eccentric selection of songs, showcasing a more conventional sequencing approach. Frontman Paul Draper describes it as possibly his favorite Mansun album, capturing the band's live essence. Fans will relish the opportunity to experience this essential piece of Mansun's legacy in its full glory. Mansun's influence on the late 90s British music scene is undeniable, and The Dead Flowers Reject adds another layer to their iconic status. With its newfound availability on vinyl, this album solidifies its place as a crucial component of Mansun's innovative journey.
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Cat: 009362 4846017. Rel: 11 Apr 24
Metal
Review: It's been seven years since the tragic passing of Chester Bennington and the abrupt end of nu-metal legends Linkin Park, while their legacy remains praised and intact by avid fans. Papercuts offers up a career-spanning greatest hits collection, yet rather than sequencing each bundle of tracks chronologically in terms of specific album release, the cuts are mixed with the design of flowing as naturally as possible, with the anthemic 'Faint' from 2003's Meteora rubbing shoulders with their iconic Jay-Z Collision Course collab 'Numb/Encore'. Elsewhere, 'One Step Closer'; the breakout single from 2000's genre-defining debut LP Hybrid Theory is followed directly by 'New Divide', which served as the lead single from the Transformers: Revenge Of The Fallen soundtrack. From their rap-metal beginnings to their signature style of nu/alt-metal to the their calmer accessible later era, this compilation delivers a succinct yet sprawling distillation of Linkin Park's most vital contributions to the several dynamic scenes they helped to elevate.
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Review: Mark Knopfler's 2023 album, One Deep River, is a written diary through the heartland of Americana. Demonstrating his mastery of storytelling, Knopfler intricately weaves tales of life's trials and triumphs, evoking a poignant reflection on the human experience. Each track showcases Knopfler's signature guitar work and soulful vocals, transporting listeners to dusty highways and riverbanks at twilight. From the introspective 'Beneath a Prairie Moon' to the bluesy swagger of 'Ride On Across,' Knopfler's ability to paint vivid landscapes through music is unparalleled. 'One Deep River' resonates with timeless allure, embodying Knopfler's status as a guitar troubadour of the modern era.
… Read more in stock $13.24
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Review: The latest offering from serial collaborator and cross-genre tastemaker Stephen O'Malley's Ideologic Organ imprint is a tender filigree bureau of acid folk sketches from Tokyo's Ai Aiso. Across seven tracks, she patiently meanders through broken and phased chord progressions, her simultaneously pure and wavering vocal lines forming elegant arcs over sparse beds of instrumentation and washes of room tone. Some tracks are bookended by applause, and it is this ostensibly 'indoorsy' atmosphere which lends the mini LP a great deal of charm; the delicate atmospherics seem to issue from an intimate and isolated space. Indeed, Bandcamp user Everyvillianislemons317 describes it as "The perfect album for a lonely night in the city." We're more than inclined to agree.
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Review: Mark Knopfler's One Deep River delivers a steady stream of timeless classics, featuring his signature blend of poetic lyricism and exquisite guitar work. As the tenth solo album released on his own label, British Grove via EMI, Knopfler continues to captivate with his warm vocals and masterful compositions. The album's lead single, 'Ahead Of The Game,' sets the tone with a melancholic narrative, possibly autobiographical, over a classic Knopfler riff. Title track 'One Deep River' taps into Knopfler's emotional ties to his hometown of Newcastle, particularly the Tyne River. This connection to childhood memories imbues the album with a sense of nostalgia and introspection, echoed in each meticulously crafted song. Produced alongside longtime collaborator Guy Fletcher, the album exudes sophistication and depth, with Knopfler's guitar textures and evocative storytelling taking center stage.
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Cat: LCDSTUMM 48. Rel: 11 Apr 24
Indie/Alternative
Review: Mute's re-release of These Immortal Souls' debut album, Get Lost (Don't Lie!), marks a long-awaited moment for fans of post-punk excellence. Remastered from the original tapes by Lindsay Gravina, along with original band members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new life into the iconic record. Originally unleashed in 1987 on the heels of their debut EP, Marry Me, the album encapsulates the band's raw energy and uncompromising vision. Led by the unmistakable vocals of Rowland S. Howard, renowned for his work with the Birthday Party, the band's lineup, including Harry Howard, Epic Soundtracks, and Genevieve McGuckin, solidifies their place in the annals of post-punk history. Clocking in at a concise 30 minutes, Get Lost (Don't Lie!) remains a potent sonic statement, capturing the essence of These Immortal Souls' dark and brooding sound. From the haunting atmospheres to the frenetic rhythms, each track is a testament to the band's collective talent and creative chemistry. For both seasoned enthusiasts and newcomers to the These Immortal Souls saga, this reissue serves as a fitting tribute to a band whose influence reverberates through the underground music scene.
… Read more in stock $10.90
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Cat: LCDSTUMM 98. Rel: 11 Apr 24
Indie/Alternative
Review: Mute's reissue of These Immortal Souls' sophomore album, I'm Never Gonna Die Again, has been long awaited by fans of the band's dark and brooding sound. Remastered from the original tapes by Lindsay Gravina, along with original members Harry Howard and Genevieve McGuckin at Birdland Studio, this edition breathes new sonic life into the haunting melodies and gritty textures of the album. Originally released in June 1992 after a hiatus due to Rowland S. Howard's writer's block, the album marked a triumphant return for These Immortal Souls. Lead single 'King of Kalifornia' set the tone with its gritty intensity, showcasing the band's evolution since their debut. Joined by Anthony Thistlethwaite on saxophone and slide mandolin, the band's lineup remained formidable, with Rowland S. Howard's distinctive vocals and guitar work leading the charge. Alongside Harry Howard, Epic Soundtracks, and Genevieve McGuckin, they craft a sonic landscape that was both haunting and hypnotic. For fans of post-punk and dark wave, I'm Never Gonna Die Again remains a standout in These Immortal Souls' discography. With this reissue, Mute pays homage to the band's enduring legacy, ensuring that their music continues to gain new fans for years to come.
… Read more in stock $10.90
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Review: Skep Wax's first Under The Bridge compilation, released in 2022, reunited the bands, songwriters and producers who populated cult early '90s indie label Sarah Records. This hotly anticipated follow-up repeats the trick, presenting 20 recently recorded cuts from the Bristol-based imprint's original roster of artists. It too, is a hugely successful - and understandably nostalgic - exercise, with hi9ghlights including the bright-and-breezy indie jangliness of Action Painting's 'Just Who Are The Cockleshell Heroes', the shoegaze-influenced dream pop haziness of Soundwire's 'Everything Is Real', the near Balearic soft focus shuffle of 'Double Nine' by GNAC, and the saucer-eyed excellence of The Orchids' 'A Final Love Song'.
… Read more in stock $11.41
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Cat: TRNHC 013CD. Rel: 05 Apr 24
Folk/Americana
Review: Build Something Better by Grace Petrie, produced by Frank Turner, is a powerful statement on contemporary societal inequalities and injustices. With a blend of punk-folk elements, Grace's acoustic guitar and vocals shine, supported by Ben Moss' captivating fiddle playing and Stuart Proven's excellent drumming. The album tackles themes of alienation, political disillusionment, and the struggle for truth in a post-truth world. Tracks like 'The House Always Wins' and 'Meanwhile In Texas' confront hard-hitting issues with poignant lyrics and infectious musical patterns. Grace's songwriting ability shines through in tracks like 'King And Country' and 'Earthwire,' where personal relationships intertwine with broader social commentary. The album culminates in the title track, 'Fixer Upper,' offering hope amidst the existential threat of global crises. Overall, Build Something Better is a musically rich and lyrically profound album.
… Read more in stock $12.98
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Review: Few bands have sidestepped expectations as cannily as Mount Kimbie. Initially a duo but now expanded into a quartet, the British band has previously excelled in mixing, matching and fusing a wide range of experimental and left of centre electronic music influences. On The Sunset Violet, their first full-length as a quartet, they've shifted sonically once more, leaning into their indie-rock influences on a set recorded in California. The latter aspect - and the impact of being surrounded by sunshine and desert - is reflected in the warmth and haziness of the sound, which draws on the layered vocals and guitars of vintage shoegaze while also reaching for more familiar aspects of the band's previous experimental electronic sounds (for proof, check the ghostly musical vision that is King Krule collaboration 'Boxing').
… Read more in stock $10.90
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Review: After an extended hiatus of nigh-on five years, Vampire Weekend has finally got around to recording a new album. Only their third studio set in total, Only God Was Above Us sees the trio muse on the weight of history - their own as much as anything else - while fretting about what lies ahead for the human race. Musically, much of what's on offer is densely layered and impressively loud, with loads of intricate musical detail (check the jazz horns and mad stereo panning of 'Classical' and the string-laden, White Album-era Beatles nostalgia of 'Capricorn') working in unison with their attractive, harmonic, saucer-eyed vocals. It's a bit of a triumph all told and one that proves that there's plenty of life yet in Vampire Weekend.
… Read more in stock $13.24
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Review: Cranes were a British alternative band formed in 1985. Long before the Dream Pop subgenre name came out, the band earned a cult following culminating in 1992 opening for The Cure on their Wish tour of America. Strangely, there catalogue has been mostly untouched as far as reissues are concerned. But, the news of a remaster and reissue is even better! Originally released in 1986, their debut album Fuse was a cassette only purchase and for 38 years it has stayed that way. Until now! Fans of shoegaze, goth, dream pop and indie should pick this up without question to hear how ahead of time the band's music was.
… Read more in stock $11.93
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Review: Texas-based trio Khruangbin returns with their highly anticipated album, A La Sala, blending Thai funk, psychedelic rock and world music influences. Laura Lee's funky basslines, Mark Speer's intricate guitar work, and Donald "DJ" Johnson's precise drumming define each hypnotic groove. Tracks like 'Farolim De Felgueiras' and 'A Love International' emit a laid-back aura, ideal for lazy summer days, while 'Juegos Y Nubes' adds Latin rhythms with a psychedelic twist. 'A La Sala' offers a rich journey through diverse musical landscapes, solidifying Khruangbin's mastery of genre fusion and their ability to create sonic euphoria.
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Review: During The Black Keys surprise revival of recent years, much of their music has been produced by Dangermouse. While he played no role on the duo's new album, Ohio Players - their 12th in total - his influence remains in the inventiveness of the production. The pair's new-found love of collaboration remains too, with Beck credited as co-writer on roughly half of the album's tracks. His influence is obvious in the funkiness and fuzz-fuelled psychedelia of 'This Is Nowhere' and 'Don't Let Me Go', as well as the quirky, horn-sporting cheeriness of 'Beautiful People (Stay High)' and the low-slung, effortlessly funky indie-rap hedonism of 'Paper Crown' (where he appears on vocals alongside Juicy J. The band's wholehearted love of hip-hop is also explored on the excellent Lil Noid collaboration 'Candy & Her Friends'.
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FORTHCOMING
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Review: The Libertines is a rather divisive band but we are firmly in the fan camp. It's great to have the pari of Carl Barat and Pete Doherty back working together as older, wiser men, but happily their music has lost none of the urgency it had when they were drug loving youths. They defined a specific period in UK music culture back at the turn of the millennium and are now back for more with All Quiet on the Eastern Esplanade, which according to frontman Pete Doherty happened "in a moment of rare peace". Lead single 'Run Run Run' has already performed well brings both lots of raw riffs, raucous energy and some of the superb songwriting they were famous for first time around.
… Read morePre-orders at Juno
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CD1: Switched On
CD2: Refried Ectoplasm (Switched On Vol 2)
CD3: Aluminum Tunes (Switched On Vol 3)
CD4: Aluminum Tunes (Switched On Vol 3)
CD5: Electrically Possessed (Switched On Vol 4)
CD6: Electrically Possessed (Switched On Vol 4)
CD7: Pulse Of The Early Brain (Switched On Vol 5)
CD8: Pulse Of The Early Brain (Switched On Vol 5)
Review: This massive anthology box set compiles all five volumes of the Stereolab Switched On series: 94 non-album tracks and sought after deep cuts by the group. Beginning with the original Switched On compilation LP from 1992, the series that ensued - though entirely comprised of deep cuts - still makes for a comprehensive jaunt through the Anglo-French auteurs' oeuvre, which never once lets up on quality. Every track here could've appeared on a full-length, so it's a testament to the band's work ethic that they simply had this much material to follow up with. Warp's comprehensive new 8xCD includes experimental highlights such as the original weirdo-chanson 'Plastic Mile', an Autechre remix of 'Refractions In The Plastic Pulse' and the stripped back 'XXXOOO', among many other gemstones.
… Read more in stock $48.52
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Review: French dream pop breakthrough Halo Maud follows up her debut record Je Suis Une Ile (I Am An Island) with her second ever LP, Celebrate, which lives up to its name in fantastic fashion. Evidently less introspective than her last, the sonic palette throughout this dozen sunbursts suggests Maud has found her inner John Donne; indeed, opener 'Terres Infinies' is a massive crasher of a three-pronged shoegaze, synthwave and art pop sensibility, and both sonically and titularly suggests a new, deterritorial antithesis to the first album's sense of introspection. Organic, well-rounded instrumentation hears Maud traverse infinite terrains of bright tambourines and detuned synths thereafter.
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Review: 40 years after the band's formation, The Jesus & Mary Chain have delivered their eighth studio album, their first full length release of new material for seven years. Admirably, the Reid brothers have refused to rest on their laurels and offer-up something undeniably nostalgic - catnip for long term fans if you will - but instead have fused elements of their familiar sound and style with plenty of fresh ideas. There are audible nods to Suicide, Kraftwerk and the improvisational practices of jazz, but also tons of fuzz, feedback and aural chaos. It's an invigorating mixture that's best exemplified by 'Jamcod', where the pair's red-raw guitars, low-slung bass and acid-fried vocals rise above a skittish electro beat, the slipped shoegaze-goes-dreampop flex of 'Chemical Animal', and the pleasingly spiky and punchy 'Girl 71'.
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Cat: WIGCD 506. Rel: 21 Mar 24
Post Rock/Experimental
Review: Julia Holter has subtly shifted focus on new album (her sixth in total) Something In The Room She Moves, moving away from exploring memory and dream-like states to instead focus on (in her words) "the complexity and transformability of our bodies". To create this rather distinctive (and rather good sound world), she added her own ethereal vocals to self-created backing tracks rich in electric fretless bass, warming wind and reed instruments, and distinctive synth sounds plucked from a Yamaha CS060. The results are predictably immersive and soul-enriching, with highlights including stunning opener 'Sun Girl', the percussively inventive 'Spinning', and the pastoral, dreamy 'Evening Mood'.
… Read more in stock $10.90
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Moon Safari (25th Anniversary Edition) (limited 2xCD + Blu-ray)
Cat: 505419 7906770. Rel: 14 Mar 24
Balearic/Downtempo
Review: When Air's Moon Safari first landed on terra firma in 1997, it was a revelation that flipped the French touch boom on its head. Swapping discoid thrust for sensual lounge, Nicolas Jean Godin and Jean-Benoit Dunckel kept a certain sophisticated nostalgia in their sound which tracked with their compatriots, but they absolutely weaved their own spell with it. The hits caught on for good reason, from the dirty grind of 'Sexy Boy' to the swooning romanticism of 'All I Need' featuring Beth Hirsch on vocals, but the moments in between merely added to the spectacle, lodging Air in the hearts and minds of a whole generation. This special anniversary edition adds a second disc of B-sides, remixes and session tracks, plus a Blu-ray disc featuring the iconic videos and a documentary from the Moon Safari era.
… Read more in stock $24.39
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Review: Bleachers return with their self-titled new album, released via Dirty Hit. Following up their debut album Strange Desire in 2014, the band are seen to continue building on a huge, passionate following across three studio albums, renowned for their impressive live show and infectious camaraderie. There's a rich depth to the sound on Bleachers, laid out in bright, soulful technicolour. The album is frontman Antonoff's distinctly New Jersey take on the bizarre sensory contradictions of modern life, on his position in culture, and the things he cares about. Sonically, it's sad, it's joyful, it's music for driving on the highway to, for crying to and for dancing to at weddings. There's something reassuringly touchable and concrete about its sentiment: exist in crazy times but remember what counts.
… Read more in stock $11.93
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Review: A genuine treat for goth-rock fans, here, as Laser Media presents a six-disc box set featuring live performances - all originally recorded for radio broadcasts - by arguably the genre's most famous and celebrated band, Leeds legends The Sisters of Mercy. It moves back and forth through the years, with the earliest recordings (featured on disc five) dating from 1981 - when they'd yet to fully define the "goth" sound - and the most recent 1991 (discs three and four). It's a good reflection of their live sound and career evolution, with fine renditions of singles and fan favourites being joined by deeper cuts and covers of such classics as 'Knocking On Heaven's Door', 'Gimme Shelter' and 'Jolene'.
… Read more in stock $23.35
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Review: The Cuckoo Storm might never have been, were it not for a social media post Adrian Crowley wrote on a wintry late-night walk in a quiet neighbourhood of Dublin during lockdown. Struck by Waterson's previous album Death Had Quicker Wings Than Love (co-written with David A Jaycock), Crowley wanted to mark the moment, and so pressed 'send' into the ether with no way of knowing what would follow. Drawn to his voice and seeing a kindred spirit in his poetic lyrics, Waterson was touched by his message and responded by asking if he would be interested in working together. His answer was a resounding 'yes.' Cuckoo Storm followed; a deeply compelling album and serendipitous collaboration comprising eleven beautifully crafted songs, sung by two matching voices that are a powerful match. Waterson's brilliantly distinctive voice is underpinned by Crowley's rich baritone, and together it's an intoxicating mix.
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Review: A triumphant return for modern synth-pop chart-toppers Everything Everything, Mountainhead is an album-length analogy for our present condition, and an oozing forth of slick, joyous music at that. "Making a mountain out of a molehill" is certainly lent a positive spin when considered in light of "starting from nothing", i.e. music career-making; Everything Everything did just that in the mid 2010s when they charmed their burgeoning audience with their sophisti-synth prowess, and this is a sophistication that can only be continually reinforced hereon. For their latest concept album Mountainhead, all of society is imagined as working towards the creation of a manmade mountain; at the top is rumoured to be a huge mirror that reflects endlessly recurring images of the self, and at the bottom of the pit is a giant golden snake; the primal fear of all believers. Everything Everything make joyous work of the dreaded maxim, "the taller the mountain, the deeper the hole", delivering glitzing, falsetto'ing gems in the form of 'Cold Reactor' and 'R U Happy?', both of which transcend their initial synthpop reveries to become more than their constituent sum.
… Read more in stock $7.78
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Review: At 66 years young, Guiding By Voices main man Robert Pollard has a whopping 3,000 songs registered to his name with BMI, while outside of his primary project, he's released 22 solo albums as well as a plethora of lesser known works put out under obscure aliases. His latest alter ego, Rip Van Winkle, features a backing band shrouded in mystery on their debut EP The Grand Rapids, which redirects Pollard's eccentric and unique penmanship down the realms of neon-hued post-punk and frosted cold meets new wave machinations.
… Read more in stock $10.38
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Review: Following on from 2022's critically acclaimed, Mercury Prize nominated debut LP The Overload, crossing over the bridge provided by last year's absurdist, Black Mirror-indebted eight-minute stand alone single 'The Trench Coat Museum', everyone's new favourite Leeds based post-punks Yard Act are set to capitalise on their momentous winning streak with the highly anticipated sophomore effort Where's My Utopia? Recorded in collaboration with Gorillaz member Remi Kabaka Jr handling production duties, sonically the band have opted to open their playful dynamic to as many sprawling influences as possible, simultaneously leaning into synth-laden new wave territory whilst citing Fela Kuti's political messaging and worldly psychedelia as an integral aspect. As lyrically snide and sharp as ever, the reliable brand of tongue-firmly-in-cheek socio-political commentary reaches ludicrous new heights when unpacking the band's success to date, their self-awareness of being signed to a subsidiary of a subsidiary of another soulless corporation aggressively at odds with the members' personal ethos, and even the increasing admiration/begrudgery that stems from the ascension within the eyes of their supporters. It's all clever, dense, humorous and delivered via an onslaught of razor-focused bangers. In essence, it's Yard Act.
… Read more in stock $13.24
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Cat: 505419 7893995. Rel: 29 Feb 24
Indie/Alternative
Review: For indie heads of a certain vintage, this album - a first full-length collaboration between Oasis lead singer Liam Gallagher and former Stone Roses guitar-slinger John Squire - is one of the most hotly anticipated of the year. It was recorded in Los Angeles over a three-week period last year, with former Foo Fighters and Gorillaz studio don Greg Kurstin handling production. As you'd expect, the album is undeniably nostalgic, with Squire's variously funky, raw and bluesy guitar licks and Beatles-esque backing tracks providing a fitting vehicle for Gallagher's distinctive lead vocals. For proof, check recent singles 'From Mars To Liverpool' - where Squires' solos towards the end seemingly soar above reverb-laden backing vocals that accurately pay tribute to the Fab Four - and the more psychedelic Roses-meets-Oasis flex of 'Just Another Rainbow'. There are no surprises, but fans will love it.
… Read more in stock $12.98
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Intro (DVD)
Dream Machine
Summer In Berlin
Big In Japan
A Victory Of Love
Diamonds Are Forever
Sounds Like A Melody
Dance With Me
Enigma
Elegy
Welcome To The Sun
Summer Rain
Moon Girl
Apollo
Around The Universe
Lassie Come Home
Eternally Yours
Flame
Forever Young
Pandora's Lullaby
Review: A live Greatest Hits from Alphaville's 40-year band history: Live from the Berlin Philharmonic Hall with the German Film Orchestra Babelsberg. Packed in a DVD sized digipak, contains a DVD-9 and 2 CD's.
Universal code: 0 (universal)
… Read moreUniversal code: 0 (universal)
in stock $23.61
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… Read more in stock $36.84
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Bloodsports (Deluxe Edition) (10th Anniversary Edition) (2xCD in spot-varnished sleeve)
Cat: EDSL 0151. Rel: 23 Feb 24
Indie/Alternative
Review: Originally released in 2013 and celebrating its ten-year anniversary just a little late, Bloodsports was the sixth full-length and much needed return to form from London's glam-centric alt-rock staple Suede. Arriving more than a full decade after 2002's A New Morning, the LP marked the longest gap between projects from the group as issues stemming from addiction as well as the commercial underperformance of the aforementioned album led to a seven-year hiatus. Reuniting with longtime producer Ed Buller, for the first time since 1996's Coming Up, while re-enlisting former keyboardist Neil Codling who originally departed in 2001, the end result would be not only their most acclaimed work since their last outing with Buller but rejuvenate the Suede camp entirely, as we've since been treated to three more subsequent LPs, with the most recent, criminally underrated Autofiction lading in 2022.
… Read more in stock $20.24
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Review: Walls Have Ears first surfaced as a bootleg live album from an unknown source, cropping up in conjunction with a throng of incendiary live performances by Sonic Youth made between London and Brighton at the height of their fame. Though the original bootlegger's identity is unknown - Thurston Moore was livid at the fact, famously mumbling, "our creative control was put on the spot by this guy" - the album is tightly and expertly assembled, lending it enough credo to be reissued by Goofin this 2024. As Sonic Youth biographer Steve Chick wrote of the album, "unloved by its creators, Walls Have Ears proves that artists sometimes aren't the best judges of their own artistic output," and this is, nonetheless, a whoppingly firecracking sound.
… Read more in stock $14.01
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Review: If the greatest bands evolve over the course of their career, IDLES are clearly on the right track. While the Bristol-band rose to prominence via a raw, noisy and aggressive sound that sat somewhere between post-punk and alt-rock, Tangk - their fifth album and first for three years - represents a genuine (and deliberate) tearing up of their previous trademark sound. Inspired specifically by a desire to "make people dance and make people feel", it feels like a successful attempt to move into the punk-funk/rock-rave territory previously defined by LCD Soundsystem. It's fitting then that James Murphy and company feature on standout (and recent single) 'Dancer'. The nods to the glory years of DFA Records continue throughout, with further highlights including the moody, low-slung brilliance of 'Grace' and the righteous heaviness of 'Gift Horse'.
… Read more in stock $11.41
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Cat: 725518 3. Rel: 08 Feb 24
Post Rock/Experimental
Review: Trailed by her label Loma Vista as "a rebirth in process", Chelsea Wolfe's tenth studio album wears its weighty and deeply personal inspirations (cutting ties with friends and lovers and the extensive period of healing that follows) as a badge of honour. While these themes are most explicitly explored in the lyrics (and shine through her delicate, frequently weary vocal performances), there's a darkness and brooding intensity to some of the music on show that undoubtedly suits its subject matter. For proof, check the gnarled, raw and fuzzy Nine Inch Nails-meets-Tricky flex of 'Whispers In The Echo Chamber', the claustrophobic sound design and razor-sharp guitars of 'Everything Turns Blue', the Mezzanine-era Massive Attack growl of 'Tunnel Lights' and the breathlessly brilliant closing cut, 'Dusk'.
… Read more in stock $14.52
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Review: Ministry were a very different band in 1982, when Al Jourgensen started out as a synth pop provocateur straining at the leash to take things darker. He has repeatedly sworn off their debut album With Sympathy as a sanitised version of the sound he was pursuing, and this collection of live recordings from the year before it was released show a sharper edge to tracks like 'Revenge' and 'Effegy'. It's still absolutely synth-pop of the era, when the music was only one step removed from post-punk anyway, but most importantly the sound is clear and bright, showing the first iteration of the band at their best and playing close to home.
… Read more in stock $20.75
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Review: Swedish multi-instrumentalist Kristoffer Gildenlow is a veteran of the nation's progressive hard rock and metal scene. His track record charts formative years with bands such as Pain Of Salvation, Neal Morse and Kayak, but more recent years have heard him move into increasingly solo, daimonic and personally-expressive directions. Empty is his latest masterpiece; a haunting album of loss, heartbreak, existentialism and grief, centring on the concept of walking wounded, whether in the abstract or concrete. Spoken word segments and softer downturns provide ample contrast, without which the albums more gushing moments, such as 'Down We Go', would not hit as hard.
… Read more in stock $18.16
