Search dance music

Notes: Turn your smartphone into a professional filmmaking rig with the RODE Phone Cage. This magnetic mobile filmmaking cage features an ultra-secure mounting system for attaching a MagSafer iPhoner or other smartphone with a magnetic case. Five cold shoe mounts allow for easy mounting of a wide range of accessories, including microphones and lights, with in-built cable management ensuring your rig stays neat and tidy. Conveniently placed 14-inch and 3/8-inch threads facilitate connecting even more accessories, including handles and tripods, allowing you to customise it to your needs. The Phone Cage is made from lightweight aluminium and is incredibly rugged, perfect for outdoor use and run-and-gun filmmaking.

Magnetic mobile filmmaking cage
MagSafer compatible
In-built cable management slots
Five cold shoe mounts for attaching microphones and lights
14-inch and 3/8-inch threads for use with tripods, handles and other accessories
Facilitates portrait and landscape shooting

Mechanical specifications

Mounting Options:
Cold Shoe Mounts: 5
Standard 1/4-inch Thread: 14
ARRI 1/4-inch Thread: 17
3/8-inch Threads: 2

Weight (grams): 285
Dimensions (millimetres):
Length: 245
Width: 35.5
Height: 126

What's in the box

1 x Phone Cage
1 x Magnetic Phone Mount
1 x Locking Screw

Notes: A standalone instrument to get you into the world of analogue synthesis. Hand-built, simple to use and capable of some excellent drones and tones. Just add headphones.

Supplier's Notes:
OVUM is where you start: a standalone all-analogue tool for exploratory sound synthesis - all you need to start creating is headphones.

OVUM is designed for exploring pure tones, drones, and microtonal sound textures. Five independently controlled triangle-core oscillators give you five lush voices to layer and evolve. Each voice has a separate control for volume, pitch, and tone, and can be switched between a bright square wave and a crisp triangle wave.

OVUM is hand-built from 100% analogue circuitry, with no digital components, screens, quantization, or key-combinations to memorize - everything is immediate and at your fingertips.

OVUM is enclosed in a beautiful and sturdy wood and aluminum case that feels as good in your hands as it looks on your tabletop.

OVUM has a USB-C port for power, and a single 3.5mm audio output jack for headphones or line-out to connect to an amplifier, audio interface, or effects.

To reduce waste, by default OVUM comes with just the instrument and a USB to USB-C power cable. If you don't have a spare USB power supply, they can be added to your purchase at checkout. OVUM is portable, but does not contain a battery. It can be powered by any USB powerbank.

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: The New Standard in Octave Pedals

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

OC-5 Octave Sound Tryout

Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

High-Octane Octave Performance

Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.

Classic Tones with Vintage Mode

Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.

Enhanced Poly Mode

The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.

Extended Range with Octave Up

Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.

Guitar/Bass Switch and Direct Out

The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.

Specifications

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)

Current Draw: 60 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb

Notes: Module A-101-8 is a 8-stage phase shifter which uses light-sensitive resistors (LDR) and is a replica of the Compact Phasing A manufactured by the company Schulte in the seventies. The actual phasing circuit is identical to the historic model. Only the illumination control of the LDRs is different: the A-101-8 uses LEDs to illuminate the LDRs, the historic model used incandescent miniature lamps. And the A-101-8 has no built-in LFO but can be controlled by any external control voltage source (e.g. LFO, ADSR, random, Theremin, ribbon controller, sequencer, midi). The phasing offset (i.e. the base value for the phase shifting) and the modulation depth of the external control signal can be adjusted separately. The Compact Phasing A had no offset control but only a depth control for the built-in LFO. Feedback and mixing ratio of the output signal are set by two controls. The audio input is equipped with an attenuator. The module has two audio outputs available (same as the historic model) and a visual display of the phase shifting.

The module has these controls and in/outputs available:

Control Man. : manual control of the phase shift offset (base value)

Control CV: attenuator for the signal applied to the CV socket

Control Feedb.: Feedback or Resonance (similar function as filter resonance/feedback/emphasis)

Control Mix: sets the mixing ratio between original and phase shift signal appearing at output 1

fully CCW: only the modified input signal appears at output 1 (see note below *)

center: a mixture between the modified input signal and the phase shift signal appears at output 1, that's the standard position for the classical phasing effect

fully CW: the pure phase shifted signal appears at output 1 (e.g. for vibrato effects)

Control Input Level: attenuator for signal applied to the In socket

Socket In: audio input

Socket CV: control voltage input

Socket Out 1: audio output 1 (mix signal)

Socket Out 2: audio output 2 (modified input signal)

LED: visual control of the phase shift

The module has some peculiarities (same as the historic model):

The input signal is processed at first by a pre-stage which outputs a "modified" input signal (*). This signal is not processed by the phase shift stages but is affected by the feedback setting. Only when feedback is set to zero this signal is identical to the input signal. Otherwise it contains feedback components.

This signal is output on socket Out 2.

When both output sockets Out 1 and Out 2 are used as stereo channels one obtains a spatial stereo sound effect.

The same signals is also used for the CCW position of the mix control. With mix control fully CCW the unmodified signal appears only if the feedback control is set to zero. Otherwise it contains feedback components.

The historic model had two audio inputs: one 5-pin DIN socket and a 1/4" jack socket. The DIN socket was intended for high-level line signals. When the 1/4" jack socket was used the amplification of the pre-stage increased by about 100. The 1/4" jack socket was intended for low level signals (e.g. electric guitars or microphones). For this feature the A-101-8 has an internal jumper that can be used to increase the amplification. As long as the module is used within the A-100 system usually the lower amplification is used to avoid distortion.

The 8 photo resistors and LEDs are assembled within an small lighproof box. In addition the pc boards are made of lighproof black material to avoid interfering light from other modules or the bus board.

Dimensions
4 HP
45 mm deep

Current Draw
30 mA +12V
30 mA -12V

Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: Want to take more of your gear with you when travelling? UDG presents the UDG Creator Wheeled MIDI Controller Case Black 22" to bring you the perfect solution for flying and travelling with MIDI controller, laptop and any additional hardware.

UDG Creator Wheeled MIDI Controller Case Black 22" means more equipment with no compromise on convenience and protection. Featuring protective padded compartments and padded secure strap. It's the only trolley gear bag available that is large enough to house controllers such as the Pioneer DDJ-FLX4/ REV1/ 200/ 400/ SB3 or NI Traktor S3/ S2 MK3/ S4 MK3. Made of tough, durable black exterior & interior material, sturdy in-line wheels for easy transport and mobility with paddings in all the right places for the ultimate carrier of your valuable equipment.

Specifications
Colour: Black
Weight: 3,90 kg / 8.58 lbs
Outer Dimensions (W x H x D): 67.6 x 43.0 x 25.0 cm | 26.6 x 16.9 x 9.8 inch
Inner Dimensions (W x H x D): 56.0 x 36.0 x 10.5 cm | 22.0 x 14.2 x 4.1 inch
Material: Water resistant Ballistic Nylon 1680D

Protection:

Padded compartment for controller or mixer with padded secure strap
Padded compartment for up to 17" laptop
Padded pocket for up to 9.7" tablet and small accessories
Smooth rolling in-line wheels with high quality in-line skate bearings

Extras

Includes removable paddings to fit various controllers
Rear-access pocket for magazine/document
Retractable handle with 2 stage internal trolley system
Additional cable pouch
Soft padded carry handle

Fits:

Pioneer DDJ-FLX4, DDJ-REV1, DDJ-200, DDJ-400, DDJ-SB3, DDJ-RB, DDJ-SB2, DDJ-SR2, DDJ-RR, DJS-1000,
CDJ-3000, DJM-900NXS2,
NI Traktor S3, S2 MK3, S4 MK3, S5, S4 MK2, S2 MK2, Komplete Kontrol A25, Maschine Studio,
Denon DJ Prime Go, MC3000, MC4000, MC6000 MK2,
Reloop Elite, Beatmix 2 MK2, Beatpad MK2, Terminal Mix 4/ 8,
Akai MPC Live II, APC 40, MPK 25,
Novation AFX, Peak, Nocturn 25, Remote SL MK II, Zero SL MK II,
Numark Mixtrack Platinum FX, Mixtrack Pro FX, Mixtrack, Mixtrack II/ III, Mixdeck Express, Mixtrack Platinum, Mixtrack Pro/ II/ III, NV II,
American Audio Encore 2000, VMS4, VMS5,
Roland TR-808, TR-909, DJ-707M, TR-8, TR-8S, DJ-202, System-1,
Rane Twelve, Seventy-Two, Seventy,
Gemini G2V, G4V, GMX,
M-Audio Exponent,
Hercules DJControl Inpulse 500 DJControl Jogvision, DJControl Inpulse 300,
Korg Minilogue XD,
up to 17" laptop, up to 9.7" tablet, audio interface, books and magazines

Notes: M4U eX is a compact and yet extremely powerful USB 3.0 MIDI interface with 8 MIDI ports.

Each of the 8 ports can either be used as a MIDI input or as a MIDI output, replacing not only traditional MIDI interfaces like it's popular predecessor models with 4 inputs and 4 outputs, but providing also other possible configurations. For instance, you can use up to 8 outputs at a time or up to 8 inputs, or 6 outputs and 2 inputs - to name some examples. And the best feature? This is all handled automatically, simply based on your connection to other MIDI inputs or MIDI outputs and each automatic input / output configuration is displayed via colored LEDs on the front panel.

M4U eX is not only one of the worlds first USB 3.0 MIDI interfaces, it also includes a USB 3.0 hub with 3 connectors for other USB equipment like software dongles or USB keyboards and others. This can literally turn this device into the central hub for your MIDI and USB musical instrument devices. The class compliant device can be bus powered or if needed for other USB devices, be powered by the included DC power supply.

The Windows 7 / 8.1 / 10 / 11 and macOS compatible device provides not only perfect timing and the highest low latency performance of any MIDI interface in it's class on the market today, it can even be used fully standalone without a computer: different operation modes allow you to route input to output signals, merge MIDI signals or use M4U eX as a MIDI thru box. These modes can be selected with the push of a button when needed.

If the 8 ports are not enough, you can connect multiple units to the computer at one time - plus there is also the larger M8U eX available, with 16 ports.

Features/specifications

USB 3.0 MIDI interface
100% class compliant, works without the installation of a driver
USB bus powered
8 MIDI ports, 4 on the front and 4 on the back
Automatic input and output detection, each port works as a MIDI input or MIDI output
Standalone operation possible
Can be used as MIDI Thru box in standalone mode to send one MIDI signal to 7 outputs
Can be used as MIDI merger in standalone mode to merge 7 MIDI signals to a single output
3-port USB 3.0 hub with external 5V DC power supply to power USB devices (power supply included)
Multiple units can be used with one computer at a time
Downwards compatible to USB 2.0 with a USB 2.0 legacy mode
Optional ESI MIDI Port driver for multi device / multi client operation under Windows available
Dimensions roughly 17.5cm x 12.0cm x 4.5cm

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: Celebrating the classic, shimmering flanger sounds of Andy Summers, the EHX Walking on the Moon is a tribute to the tones Andy employed while carving his niche in the early days of playing with the Police. Liquid flange effects that hint toward chorus with extra depth and nuance make Andy's sound one of the most coveted in all of the guitar universe.

"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers

The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.

Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.

Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.

Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)

Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023

Notes: DT 990 PRO Black Edition

For decades now, professional users all around the world have placed their trust in Beyerdynamic's classic range: DT 770/880/990 PRO. These benchmark-setting studio headphones, available in three different models, boast extremely detailed resolution and very transparent sound.

The DT 990 PRO Black Edition is a technically identical design variation of DT 990 PRO headphones. It is the range's open-back model offering impressive spaciousness.

Benchmark for studio sound

These open-back studio headphones are a reliable tool for any sound enthusiast. The wide stereo image and three-dimensional sound reproduction make the beyerdynamic DT 990 PRO headphones a loyal companion for producers. Outstanding tonal depth ensures that even small changes in the positioning of the acoustic source can be perceived while mixing.

Incredible spaciousness

The circumaural headphones with their open-back design provide exceptional spaciousness and detailed tonal depth. Their mild bass and treble boost ensures a pleasant sound. The bass is not overstated but rather precise and the treble boost is powerfully present without sounding sharp.

Extreme comfort

The single-sided cable allows the headphones to be put on and taken off frequently without cables getting tangled, and soft, adjustable ear cups provide for added comfort. The robust spring steel headband design ensures that the over-ear headphones also offer a secure fit.

Difference compared to the DT 990 PRO

Soundwise, both models are identical as they feature identically designed acoustic transducers. First of all, they are distinguished by the black design elements and secondly, the Black Edition model is equipped with a straight 3m cable and the standard version with a spiral cable.

Professional devices

With an impedance of 250 ohm, the DT 990 PRO headphones are perfect for mixing in the studio.

Durability

One aspect that sets these products apart from the rest is that they are handmade in Germany. The durability of Beyerdynamic's products is worth noting because all the components used are replaceable if necessary.

Made in Germany

The DT 990 PRO headphones are and always have been handcrafted in Germany. With their high-quality materials and meticulous workmanship, these studio headphones are a sound, long-term investment.

High-end studio quality

Thanks to the Tesla technology developed in Heilbronn, the DT 1990 PRO offers even finer resolution with precise and powerful bass. The PRO flagship also sets new standards in terms of wearing comfort and workmanship.

Technical specifications

Transmission type: Wired
Weight headphones without cable: 250 g
Transducer type: Dynamic
Operating principle: Open
Nominal frequency response: 5 - 35,000 Hz
Nominal impedance: 250 ? / system
Nominal SPL: 96 dB
Nominal T.H.D: < 0.2%
Power handling capacity: 100 mW
Sound coupling to ear: Circumaural
Nominal headband pressure: approx. 3.5 N
Weight: 340 g
Length and type of cable: 3 m / straight cable
Connection: Gold plated mini stereo jack plug (3.5 mm) & 1/4" adapter (6.35 mm)

Notes: HN VCF is a state variable filter having 12 db Low Pass, 12 dB High Pass, 6 dB Band Pass plus 18 db Low Pass marked as "LP!", because it has extra drive. All three parameters: "Freq", "Resonance" and "Drive" have dual knobs with outer knobs controlling bipolar CV amount. These affected CVs are then shown by the relative green/blue LEDs.

The possibility to have CV over "Resonance" and "Drives" makes it a very capable 6 HP filter.

"LP!" output has 6 dB steeper slope (18 dB) compared to ordinary 12 dB "LP" output. Plus it has much more drive.

Dimensions
6 HP
35 mm deep

Current Draw
55 mA +12V
65 mA -12V

Notes: WarpEx is an expander module that adds polyphony and MIDI to Warp.

- 4-Voice polyphony
- MIDI input and MIDI Thru
- MPE compatibility (MIDI polyphonic expression)
- Dedicated trigger and V/Oct inputs for each voice
- Illuminated pushbutton to quickly toggle between the MIDI voice modes: Mono, Poly and MPE.

Inputs:

- +/- 8 Volts (V/OCT)
- 0.0 Volts to +5.0 Volts (TRIG and MIDI)
- Overvoltage protection on all jacks.
- 4 TRIG Inputs: Gate inputs for Voices 1-4
- 4 V/Oct Inputs: CV input for pitch of voices 1-4 (i 8V, up to low audio rate ~100Hz)
- 1 MIDI In: Input Type-A for Midi signals. Use provided MIDI-to-DIN adapters.
- Button Toggles between MIDI voice modes: Red = Mono, Blue = Poly, Purple = MPE (Poly)

Outputs:

- Midi-Thru, 5v signal

WarpEx is fully managed by the Warp master

Scope of delivery:

Module, 3mm screws, ribbon cable for connection to Warp, 2 Midi-to-Din adapters Type A

Power consumption: Warp powers this expander via the included grey bus cable
Depth: 30mm
HP : 4

Notes: Seductive swells and reverse tape effects push the envelope on any pedalboard!

The original Attack Decay Tape Reverse Simulator is known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes, and bowed instrument effects. In 2019 the digital Attack Decay reissue was released, and now the Pico Attack Decay gives us volume envelope effects in a simplified, compact package.

The Pico Attack Decay allows you to dial in volume swells and decays, both in Mono mode-one volume envelope for all notes you play-and the revolutionary Poly mode where each note to has its own volume envelope creating cascading swell effects and leads with agile attack smoothing. With intuitive functionality and simple controls, the Pico Attack Decay opens up creative avenues for any player interested in pushing the (volume) envelope.

The Pico Attack Decay is both powerful and simple with four knobs and a mode button that let you create a wide variety of effects. The ATTACK knob sets the swell or fade-in speed of the volume envelope while the DECAY knob sets the fade-out speed of the volume envelope. Set the ATTACK higher for languid volume swells. Set the DECAY higher for artificially staccato notes for synth-like punches. SENS adjusts the threshold for triggering the envelope. VOL controls the overall output volume. A hidden BLEND control allows you to blend wet and dry signals for even more flexibility in tone.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Zoar is a highly interactive medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that highly sought after touch sensitive amp-like quality.

It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.

From defined sparkle and tightness of an overdrive to low-medium gain fuzz that's perfect for drop tuned guitars and basses, Zoar can do it all. Zoar lets you dial in and control every nuance of your tone from jangly on-the-verge of break up to blowing the walls out heavy saturation.

While having its roots in a very familiar past, the passive 3-band EQ has been finely tuned for modern tones. While this style of tone shaping seems simple on the surface, it is deceptively complex and highly interactive - yet surprisingly easy to instantly dial in dozens of mind blowing sounds.

Want to elevate your sonic spirit to a higher level? Try running Zoar at higher voltage! Zoar can handle power up to 18v DC. Higher voltages will yield a different frequency response with more defined dynamics and a faster response. When powered at 18v, the range of clean tones are widened, dirty tones become punchier with better note articulation, low frequencies are tightened, higher frequencies will cover a broader spectrum without becoming harsh and the output volume nearly doubles! The experience is not unlike plugging into a wall of high wattage tube amplifiers!

This meticulously crafted box has six knobs that allow you to truly customize your sound with the Level, Weight, Gain, Bass, Middle, and Treble controls.

The Gain control on Zoar goes from the edge of break up all the way over the cliff into the crunchy, grinding abyss. The character of the distortion is heavily dependent on the setting of the Weight control as well as the pickup type and further fine-tuned by the EQ section.

Zoar's 3-Band EQ and Gain controls give you nearly unlimited options with great focus and sensitive precision, but the real powerhouse of Zoar is the Weight control. This control dictates the amount of low end that is passed into the circuit, thus controlling the entire character of the pedal. Simply dial in the 3-Band EQ to 12 o'clock and adjust the Weight to see how drastically it dictates your sound. From a mere clean boost to a high gain distortion to overdrive to the crispy Hi-Fi fuzz territory, this function gives you everything.

The Level control hits unity around noon, but this is dependent on where the other controls are set. In addition to controlling the output volume, it also plays a small part in controlling the voice of Zoar. By adjusting the Level control with any combination of EQ (boosting the frequency bands and cutting the output volume), you can achieve drastically different curves that have the feel of the more traditional low pass filter type tone control.

Notes: An accurate Manual Voltage Source.

Voltio fits somewhere between a music tool and a piece of electronics lab gear.

It generates voltages equivalent to all the notes on the 12-tone equal temperament scale throughout a ten-octave range, with an intuitive two-knob interface.

The Precision Adder In, lets you sum Voltio's Out with external voltages.

Additionally, the front panel banana connectors let you plug standard multimeter probes for hands-free operation on electronics lab.

Use it to transpose Oscillators and sequences in a musical way or as a reference to calibrate your analogue gear.

Features:

Easily adjust your oscillators in known intervals.
Transpose Musical phrases from sequencers, arpeggiators, or any other notes source.
Calibrate oscillators and filters on your DIY projects or during analogue gear maintenance.

Specs:

Current needs: +12V: 35mA, -12V: 15mA
Width: 6 HP
Depth: 30mm including power connector
Designed, kits prepared and assembled in Barcelona.

Notes: BOSS's iconic DD-3 Digital Delay has been a pedalboard staple since 1986, loved everywhere for its great sound and simple operation. With the DD-3T, we've updated the classic stomp with enhanced functionality while fully retaining the original's sound and control layout. It's now possible to tap in delay tempos using the onboard switch or an external one, with your choice of three beat subdivisions. And the direct output jack has been moved next to the main output, providing easier connectivity for wet/dry setups.

In continuous production for over three decades, the DD-3 has been the go-to delay stomp for countless players. Based on the DD-2-the world's first digital delay pedal from 1983-the DD-3 is revered for its warm, round delay tone and simple controls that let you dial in sounds fast. The DD-3T's sound circuitry and controls are identical to the DD-3, delivering every drop of that classic vibe you know and love.

A key addition the DD-3T brings is tap tempo, an essential feature for creating the rhythmic delay effects at the heart of many guitar styles. In delay mode, hold the pedal switch for two seconds to toggle between bypass and tap operation. And for on-demand tap control, simply connect an external footswitch. When the DD-3T receives tap input, up to 800 ms of delay time is available, and the Mode knob sets the tap subdivision (quarter-note triplet, dotted-eighth note, or quarter note).

The DD-3T features a direct output jack like the DD-3, but it's been moved next to the main output jack to make connections easier. Plugging a cable into the direct out converts the main out to delay only, allowing you to send wet and dry signals to different amps for wide, immersive sounds. And if your amp or switcher has a parallel effects loop, just connect a dummy plug to the direct out to mute the dry sound for effect-only blending.

The original DD-3 (and DD-2 before) included a forward-thinking Hold function, which allowed you to capture a sound up to 800 ms long, play it continuously, and jam over the top. Many years later, BOSS further developed this creative concept with the successful Loop Station products, which helped spawn the new musical style of live looping. The DD-3T includes the same Hold function as the DD-3, but it's been renamed "Short Loop" to reflect today's common usage.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
TEMPO jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 70 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")

Alkaline battery (9 V, 6LR61)

Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 420 g / 15 oz

Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: Make quick changes to signal routing manually or with CV control. Any audio or CV signal can be routed via two outputs in series, parallel or reverse series. Quick, clever and easy to use.

Supplier's Notes:
Signal flow is an essential concept in modular synthesis: the path taken by audio or control voltages (CVs) may be long or short, branching or linear, intuitive or highly complex.

While the patch programmability of a modular system is its greatest strength, it can also be a weakness: quick experimentation is often hampered by the need to repatch the synthesiser to change the signal flow.

Pivot 2 offers a unique solution: a compact, fully voltage controlled variable signal router. At the turn of a single knob, any signal can be routed through two external modules in series, parallel or reverse series, as well as any combination in between.

Experiment with patching wavefolders before, after or alongside filters, shuffle multiple delay lines, precisely dial in two-stage audio compression or easily control intricate feedback patches.

Looking beyond the basic signal routing application, Pivot 2 will also function as a complementary pair of counter-acting linear voltage controlled amplifiers (VCAs), a voltage controlled crossfader or a voltage controlled panner.

Analogue voltage controlled send/return router.
Seamless transitions from series, through parallel on to reverse series effect routing.
Also functions as a complementary VCA pair, voltage controlled crossfader or panner.
Impedance-compensated outputs with dual-colour LEDs.
Premium mounting hardware: black screws, black nylon washers and matching hex key.
High-quality components and assembly; designed and made in Belgium.

4 HP | +12: 60 mA, -12: 60 mA

Notes: Portable Analogue Audio Mixing with the Power of Bluetooth

The Alto Professional TrueMix 600 is a portable audio mixer with Bluetooth and a built-in stereo USB audio interface that delivers all the essential features you need for home recording, livestreaming, podcasting, or performing. The TrueMix 600 features a dedicated Bluetooth channel for easily streaming from your personal devices. The Bluetooth channel also supports feedback-free phone pairing by utilizing mix-minus technology, a feature that no other audio mixer series in this class supports. There are six analogue inputs with high-headroom circuitry for minimal noise and clipping in your signal. The Mic Input Channels offers XLR inputs that are great for connecting dynamic mics or condenser mics with 48v phantom power. These channels also have balanced 14" line inputs for connecting instruments and other line-level signals. There are also two Stereo Input Channels, each with dual balanced 14" TRS inputs. These inputs are perfect for your line level audio sources. All channels feature a two-band EQ with colour coded knobs that make it easy to dial in your perfect sound while operating in low-light situations. Connecting the TrueMix 600 to your computer is also lightning fast, with plug and play connectivity on Windows and macOS. The TrueMix 600 is a feature-packed compact audio mixer that's perfect for using on-the-go.

Robust Output Routing

Whether you're making music at home, recording a podcast, or livestreaming online, being able to hear yourself is essential. The TrueMix 600 features a variety of output and routing options to handle any scenario. There are two headphone outputs, each with their own independent volume control knob. If you need to send your audio signals to another destination like an external effects processor, there is an AUX send/return and individual AUX send controls on each individual channel so you can always dial in the perfect mix. For recording, the USB output sends a copy of the main outputs to your computer, or you can connect the 2-Track in/out to an external recorder which can also be sent directly to one of the headphone outputs. The TrueMix 600 delivers everything you need to take full control of your audio routing.

TrueMix 600 Features

USB I/O for audio playback and stereo recording
Dedicated Bluetooth channel with mix-minus return for feedback-free phone pairing
Dual headphone outputs with independent volume control
1/4" Main, Tape, Headphone, and AUX outputs
Two mic input channels with phantom power and balanced line inputs
Two stereo input channels with balanced 1/4" TRS jacks
Two-band EQ on all channels
2-track inputs w/ assignable routing: Main Mix or Headphone Out
Eight-segment LED VU meter for precise level monitoring

Technical Specifications

Frequency Response All inputs: 20 Hz - 22 kHz (+/-1 dB)
THD+N (Total Harmonic Distortion) All inputs: < 0.005% (@ 4 dBu, 1 kHz)

Gain Range:
Mic inputs (Channels 1-2): 0 - 50 dB
Line inputs (Channels 1-2): 15 dBu - 35 dBu
Line inputs (Channels 3-6): -20 dBu - +20 dBu

Max Voltage Gain:
70 dB (MIC INPUT to MAIN MIX OUTPUT)
80 dB (MIC INPUT to CTRL ROOM / PHONES OUPTUT)
60 dB (MIC INPUT to AUX SEND)

SNR (Signal-to-Noise ratio) All inputs: > 110 dBu

Crossover Frequency:
Adjacent inputs: < -80 dB @ 1 kHz
Inputs to outputs: < -75 dB @ 1 kHz (stereo L/R, Channels 1-2, panned hard left or right)

Phantom Power: +45 ~ +49V with switch control

Impedance
Mic inputs: 3.9 kO
All other inputs: > 10 kO
Aux outputs: 1 kO
All outputs: 120 O

Equalization
High: +/-15 dB @ 12 kHz
Low: +/-15 dB @ 80 Hz

Bluetooth
Profile: A2DP
Module: Bluetooth 5.0
Operating Frequency: 2402 MHz - 2480 MHz
Range: 100 ft. / 30.5 m

Connectors
(5) 1/4" (6.35 mm) TRS outputs
(6) 1/4" (6.35 mm) TRS stereo L/R inputs
(2) 1/4" (6.35 mm) TRS headphone output
(2) 1/4" (6.35 mm) TRS mono input
(1) Standard RCA L/R input
(1) Standard RCA L/R output
(2) XLR inputs
(1) USB type-B input
(1) DC power input

Controls
(1) Power switch
(10) volume control knobs (1 per input, 1 aux return, 1 2TK In, 2 headphone out, 1 Bluetooth, 1 Main Out)
(4) Stereo pan control knobs (1 per input)
(4) Aux volume control knobs (1 per input)
(4) EQ Low control knobs (1 per input)
(4) EQ Hi control knobs (1 per input)
(4) Gain control knobs (1 per input)
(3) Locking switch buttons (2 source select, 1 Bluetooth)
(1) Horizontal sliding switch

Indicators
(1) Power LED
(4) Peak LEDs
(1) Phantom LED
(16) Main Out Meter LEDs
(1) Bluetooth LED

Power
Connection: DC
Voltage: 18V, 1A
Consumption: 18W

Dimensions (width x depth x height) 8.9" x 8.5" x 2.9" / 225.5 x 217 x 74 mm
Weight 3.2 lbs. 1.4 kg

Notes: Designed with versatility in mind, MapVolt is a dual-channel Universal Voltage Processor built for flexibility in handling audio and CV signals.

With only 6hp, Mapvolt is a multipurpose tool for voltage-controlled scaling, inverting, offsetting, subtracting, and mixing functions.

Each channel of MapVolt can operate in either Polarizer or Attenuator mode, allowing manual control via knobs or CV signals. In Polarizer mode, it functions as a Voltage Controlled Attenuator-Inverter, granting control over signal level and polarity. Additionally, it can be used as a Four-Quadrant Multiplier or Ring Modulator for audio signals, with the processor input serving as the carrier signal and the polarizer's CV input acting as the modulator.

In Attenuator mode, MapVolt operates as a VCA, providing control over signal levels. Its VCA CV input range of +5/-5 makes it well-suited for amplitude modulation (AM) with other +/-5V waveforms.

MapVolt is equipped with dedicated Voltage Offset knobs for each channel, which can be controlled via CV. If no input is patched into the Processor input channel, the Voltage Offset knobs can be used as Offset Generators.

With its dedicated mixing stage, MapVolt enables the combination of both channels into a shared output. Furthermore, if one of the processor channels is inverted, it allows for the subtraction of one signal from the other.

Dimensions
6 HP
33 mm deep

Current Draw
65 mA +12V
65 mA -12V

Notes: GOBLET is an analogue filter and distortion unit with some added quirks and extra controls.

Why:

To make stuff sound filthy.
To shape the output of an oscillator.
To live interact with the sound during a performance.
To soft sweep the cutoff thanks to the optocouplers logarithmic response.

With:

Simple waves - make them unrecognizable.
Complex waves - shape them into something new.
Percussions - crank the resonance and give an acid twist to a beat.
No input - play with the feedback and the touch controls.

Dimensions:

8 HP
18 mm deep

Current Draw:

45 mA +12V
25 mA -12V

Whichever power connector you use should work fine with the polarity.

Notes: Yep, it's an attenuator. With a fancy name! And LEDs!

Sinc Defero's inputs are circularly normalled, too, so you can use it as a mult by leaving inputs unpatched.

Features:

Size and power:

4HP Eurorack
+12v: 45mA
-12v: 40mA
Sinc - from Old English sinc for "treasure" and Greek clastic for "easily removable"

Defero - from Latin for "sloping down"

"Portable treasure reduction"

What's in the box:

Module
Power cable
To reduce excess materials, screws will no longer be included with Noise Engineering's modules beginning in 2023.

Notes: The Erica Synths Envelope Generator 2 is a re-triggerable, looping envelope generator with some unconventional features that are very useful for experimental setups. What sets the Black EG2 apart from other envelope generators is its optional GATE LENGTH setting, which allows for generating full ADSR envelopes even if a short trigger is used at the input. Likewise, in LOOP mode, the module outputs a full ADSR envelope instead of a classical AD envelope. The gate length is both manual and CV controlled, which allows for using this envelope generator in compact modular setups controlled by trigger sequencers only.

SPECS:

Gate input level 3...10V
Envelope amplitude 0...10V
Attack time 0...7,4"
Decay time 0...19"
Sustain level 0...10V
Release time 0...17"
Gate length 0...3,7"
Panel width 8HP
Module depth 25mm
Power consumption 29mA@+12V, 33mA@-12V

LOOP/SINGLE

Select between SINGLE SHOT or LOOP modes. When the internal gate is o , the rise and fall times are set via the A and R knobs. When the internal gate is on, all knobs have an e ect on the envelope shape.

The LED gives visual feedback on the envelope state.
GATE ON
Engage the internal gate and you have a full ADSR envelope in loop mode and with a trigger applied to the trigger input in single mode.

G. LENGTH

Set the internal gate length manually

LENGTH CV

This is the internal gate length CV input.

The CV is added to the gate length potentiometer setting

GATE

This is the GATE input

A / D / S / R

These knobs adjust envelope stage times and sustain level

TRIGGER

This is the TRIGGER input. You can retrigger the envelope and start the attack stage again, even if the gate is still high (see Figure 1).

If you wish to use the envelope generator with an internal gate, patch the incoming trigger signal here. The internal gate is linked to the trigger input, not the gate input.

EG OUT

This is the envelope generator output.

Notes: With its take on the cult-classic, chainsaw distortion pedal, the EHX Hell Melter takes distortion to its extremes. The Hell Melter features expanded controls and tonal capabilities, allowing the already in-your-face sound of the pedal to broaden by switching to more open clipping options and boosting the internal voltage for increased headroom, less compression, and more attack.

Originally designed as the ultimate in high-gain tone, this world-famous distortion circuit is known for the death metal sounds of Sweden's Entombed and the shoegaze wash of My Bloody Valentine. It's even found a home in the rig of David Gilmour!

The EHX Hell Melter's expanded control set includes Gain and Level controls, and a powerful active EQ featuring with parametric mids for improved versatility. The Dry level control allows for blending your input signal for improved low-end when used with a bass or even blending in other distorted tones.

Boost Footswitch engages an input gain boost and volume boost which is internally adjustable. The Normal/Burn switch toggles between the classic chainsaw sound and the more open clipping option.

Classic Heavy Metal circuit with expanded controls
Increased overall output volume
Active EQ controls expansion with parametric MIDS control
Noise gate and dry level control
NORMAL and BURN modes
Footswitchable boost section
Independent distortion and level knobs
9V power supply included

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 140mA
Year Released: 2023

Notes: The AT2040USB is an ideal microphone for creators, featuring a dynamic design for excellent voice capture with added USB functionality.

Combining the broadcast-quality performance of the AT2040 dynamic podcast microphone with plug-and-play USB functionality makes this the ideal microphone for podcasters, streamers, and other content creators to achieve professional results.

When live streaming, outstanding sound is just as important as interesting content and high-quality video. The AT2040USB microphone ensures a natural frequency response with rich, powerful lows and crystal-clear studio sound, making it easy for YouTubers looking to increase their viewership and streamers wanting to gain a professional edge.

This dynamic microphone also touts its quality with a highly directional, hypercardioid pickup pattern that helps eliminate common ambient noise, like the hum of a computer fan. With a narrower pickup angle than a cardioid design, the AT2040USB provides focused vocal capture, which is ideal and super effective for creators and gamers who stream and chat with followers.

Additionally, the microphone's robust metal body includes an integrated shock mount to minimize unwanted noise and vibration, while its internal pop filter protects against harsh spoken sounds. For added noise, shock, and vibration cancellation that may be transmitted through a mic stand, boom, or mount, users can purchase the AT8458a shock mount separately.

Highly Directional Voice Capture - Vocal Clarity

Hypercardioid polar pattern provides maximum vocal isolation for professional-quality sound.

Mute Button - Simple to Silence

A simple touch of the capacitive mute button immediately silences the microphone. The mic's LED ring changes from blue to red indicating that the audio is muted.

Headphone Output - Zero Latency Monitoring

A headphone jack with volume control allows you to monitor audio directly from the microphone, while the mix control allows you to blend your microphone signal with computer audio.

Headphone Output - Clean Articulation

The AT2040USB's multistage foam mesh windscreen includes a nonwoven filter to allow close-up use without annoying pops.

Integrated Shock Mount and Low-cut Filter - Quiet, Professional Performance

The mic features a specially designed, integrated shock mount that tames any noise, shock and vibration that might be transmitted through a mic stand, boom or mount. The low-cut filter eliminates low-frequency sound for additional reduction of vibration and surrounding environmental noise.
Features
Dynamic broadcast microphone with plug-and-play USB functionality is perfect for podcasters, streamers, and other content creators
Hypercardioid pickup focuses on your voice and minimizes room noises and echo
Multistage foam mesh windscreen provides superior internal pop protection
Integrated shock mount tames noise, shock and vibration transmitted through mic stands, booms and mounts
Built-in headphone jack with high-output amplifier and volume control enables real-time monitoring with excellent sound quality
Mix control allows the microphone signal to be blended with pre-recorded audio
Silent soft-touch mute button provides convenient, reliable muting at the microphone
High-resolution AD convertor with 24-Bit/96 kHz sampling rate for extremely clear, natural sound reproduction
Switchable low-cut filter controls unwanted low-frequency sound
Two-state LED indicator ring lights blue when mic is powered on and
lights red when it is muted
Professional-grade metal body for lasting durability
Includes mounting clamp and USB-C to USB-A cable (with USB-A to
USB-C adapter)

Specifications
USB 2.0 compliant
System requirements:
OS Windows 10, Windows 11
macOS Catalina, macOS Big Sur, macOS Monterey, macOS Ventura (Please check the product's web page for the latest information)
Element: Dynamic
Polar pattern: Hypercardioid
Frequency response : 80-16,000 Hz
Low cut: 80 Hz, 18 dB/octave
Power supply: USB power (5 VDC)
Bit depth: 16 bit/24 bit
Supported sampling rates: 44.1 kHz/48 kHz/88.2 kHz/96 kHz
Controls: Headphone level control, Mix control, Low cut, Mute
Dimensions: 145.3 mm (5.7") long, 52 mm (2.0") maximum body diameter
Weight: About 600 g (21 oz)
Gross Package Dimensions: 9.0 x 24.4 x 24.6 cm
Gross Package weight: 978.6 g
COO: Taiwan
Output connector: USB Type-C
Headphone output: 77 mW (at 1 kHz, 1% T.H.D., 32 ohms)
Headphone jack: 3.5 mm (1/8") stereo mini-jack

Included accessories
AT8487 mounting clamp
5/8"-27 to 3/8"-16 threaded adapter
USB cable (about 2.0 m (6.6'), USB Type-C to USB Type-A)
USB conversion adapter (USB-Type-A to USB Type-C)

Notes: The Morphor VCF Multimode is an intuitive, no nonsense 8HP fully analogue filter module. Featuring a dedicated lowpass and highpass filter core.

To shape the sound exactly the way you want, both filter sections have a cutoff frequency control over the whole audible frequency range through a knob and bipolar CV jack. Additionally, resonance control and a switchable pole selection are available.

The second output acts as both a bandpass and highpass output, depending on the position of the BP/HP mixing knob. Combining all these features results in an easy-to-use but flexible module to perform your unique filter needs.

Weight: 110 g
Dimensions: 128.5 × 40.6 × 40 mm
Width: 8 HP

Notes: Simple, solid performance is the order of the day with this MIDI controller from ESI. 16 pads, six rotary encoders and plug-and-play USB compatibility all housed in a classy aluminium unit.

Supplier's Notes:
Developed for Beat Makers, Finger Drummers and DJs

The Xjam is a small, full-fledged plug-and-play MIDI controller. Due to its solid aluminum chassis, the Xjam is wonderfully portable and ideal for use outside of the studio on mobile devices.

With a 4x4 pad matrix, the 6 endless encoders and the smooth 16 pads, it provides a pleasant and expressive playing experience. In addition, the Xjam offers 48 configurations instead of the usual 16 scenes to save.

Its smooth and ultra-sensitive pads with polyphonic aftertouch are as versatile as the Xjam is in general. The 16 RGB pads also send MIDI CC, MIDI Program Change or MMC messages. There are also 6 high-quality endless encoders on board, which can be used in a variety of ways. In addition to controlling MIDI CC messages, the encoders can be assigned to send pitch, MIDI program change messages or even aftertouch messages. The Xjam comes with a powerful editor software for perfect adaption to your needs. There is also a TRS-MIDI Out socket to send signals to external sound generators.

Connectors & Functions

CTRL BANK let you control up to 18 independent parameters
360- ENCODER knobs to send continuous controller messages to your software or external MIDI device
SCENE BANK let you access up to 48 different scenes
PAD BANK let you access up to 48 different pads
PADS polyphonic aftertouch and velocity
USB-C port connects to the computer or mobile device and used to send and receive MIDI data
MIDI OUT for connection and transmission of MIDI data to an external device
FOOT SWITCH input for sustain pedal
EDIT each pad and encoder can be edited independently
SETUP adjust the global settings and the repeat parameters
TYPE allows to choose from different types (MIDI CC, PITCH, PROGRAM, AFTERTOUCH)
REPEAT with two different modes available, temporary and static

Portable

Great for the road & any mobile applications or where space constraints are an issue. Play drums & control effects with the Xjam. Everything's right there for building any style of track, anywhere you feel the inspiration.

Great For Live Shows

The velocity & pressure-sensitive pads are great for playing virtual instruments live onstage. Plus, the pads offer aftertouch that adds a whole different level of expression & control for that extra element to live or studio performance.

Bundled Software

In order to get you started right out of the box, Xjam ships with a powerful software package for professional recording, creation of your own songs, mixing of any audio content and much more. The following applications are currently included:

Bitwig 8-Track

Bitwig Studio 8-Track - the trim and effective DAW to start producing, performing, and designing sounds like a pro for use on up to eight tracks of audio / MIDI, incl. the Bitwig Essentials Package, a versatile selection of handpicked presets and sounds. Record instruments, create your arrangements, design new sounds, or just jam - every feature has been developed by musicians, for musicians!

Steinberg Cubasis LE

Cubasis LE is the compact version of Steinberg's mobile multitouch sequencer, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze, no matter where you are, right there on an iPhone or iPad when connecting Xjam.

Steinberg WaveLab LE

Whether you are a hobby musician, home studio owner, freelancer or podcaster - WaveLab LE helps you to bring your music, voice and sound recordings to a more professional level. This easy-to-use mastering and audio editing software from Steinberg turns your computer with Xjam into an audio analysing, editing and publishing studio.

Specifications

MIDI Pad controller
6 velocity-sensitive pads
3 colour pad indicators for velocity and edit/setup operation
6 MIDI encoder knobs, all programmable
Sustain pedal input
48 user-programmable scene presets, available for instant recall
Sends and receives MIDI data
Bus powered: needs no batteries or AC adapter
Size: 200mm (7.87 in) x 135mm (5,3 in) x 23mm (0.59 in)
Weight: 371g (0,8 lb)
3.5mm TRS jack to female 5-pin DIN MIDI cable available separately

Notes: The "Luskellader Frekans Izel" is a Low Frequency Oscillator (LFO) that can be used to modulate various parameters of the synthesizer, including pitch, filter cutoff, and amplitude. The module has 2 ouputs, with continuous morphing shapes available at the same time, one Square/PWM, one Saw/triangle/inverted saw. The LFO has a speed switch going from low to audio rates. The 2 knobs are : Speed and Morph. The module is 6HP wide and is made with quality components such as Nichicon/Panasonic caps and alpha pots.

HP : 6

Notes: Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Artists and producers can save time on tracking sessions by recording dry tracks first, then using Canvas Re-Amp's custom transformer to convert line-level signals, optimizing them to work with amps and guitar pedals of any kind to explore limitless tones and sounds.

Using a Re-Amp

1. From your DAW, audio track goes into the Canvas Re-Amp.
2. Out from Re-Amp into pedals or mic'd amp.
3. Out from pedals / amp back into DAW.

Specs

Frequency Response: 20Hz To 20kHz
THD+N: 0.07% @ 20Hz / +4dBu Input 0.001% @ 1kHz / +4dBu Input
Maximum Input Level: +21dBu @ 20Hz
Noise Floor: -116dBu
Signal To Noise Ratio: 114dB @ 1kHz
Input: Balanced Line-Level
Input Impedance: 3k Ohms
Output: Unbalanced Instrumental-Level
Output Impedance: 2.5k Ohms
Common Mode Rejection Ratio:79dB @ 20Hz / +4dBu Input
Power Requirement : None - Passive
Audio Circuit: Transformer Isolated

Notes: Take a DJ-mixer-style combined high-pass and low-pass filter, cram it into Eurorack and you have the DJ VCF. A simple formula, but one perfected by Erica's attention to detail, with CV control and adjustable resonance.

Supplier's Notes:
As its name suggests, the Erica Synths Black DJ VCF provides sound treatment functionality typically found on DJ decks - it is fully open when the cutoff knob is set to 12:00. When turned counter-clockwise, lowpass filtering is applied and when turned clockwise, highpass filtering is applied. The filter also has a nice-sounding resonance parameter. This module provides hands-on control over the sound during the performance, as well as unconventional timbre modulations that are hard to achieve with conventional state variable filters. The Black DJ VCF is a fully analogue design and consists of two VCFs - highpass and lowpass in series and the filter management is done by complex CV routing.

CUTOFF
This is the main control of the module - manual cutoff frequency adjustment with a twist - it's fully open when the cutoff knob is set to 12:00. When turned counter-clockwise, lowpass filtering is applied and when turned clockwise, highpass filtering is initiated

AUDIO LVL
Adjust the audio signal level

RESONANCE
Adjust the resonance level manually. On settings over 1PM, the filter will start to self-oscillate. The resonance is incoming audio signal-sensitive - a signal of greater amplitude may reduce the impact of resonance on the resulting sound

CV1 LVL
This is the cuto CV attenuverter. Adjust the CV level to your taste! Notice that the cutoff CV works differently compared to conventional state variable filters - it sweeps the filter from closed lowpass through fully open to closed highpass

CV2 LVL
This is another cuto CV attenuator

CV2 IN
This is the cuto CV2 input, which is controlled by the attenuator knob

AUDIO IN
Patch your audio signal here.

OUTPUT
This is the audio output of the module.

CV1 IN
This is the cutoff CV1 input. The CV1 level is adjustable by the CV1 LEVEL attenuverter knob.

Features
Fully analogue DJ-style VCF
Manual resonance control
Cuto ff CV attenuverter and attenuator
Input and output
Protection against undesired overvoltage

Technical specifications:

Audio level: 10Vptp
CV level : -10V - +10V
Filter slope: 24dB/oct
Power consumption: +55mA, -58mA
Module width: 10HP
Module depth: 35mm

Notes: The Golden Boy Mini - the epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth. With its exceptional harmonic detail and abundant headroom, this compact overdrive pedal takes the concept of transparent overdrive to new heights, using a simple and powerful interface.

The Golden Boy Mini is the perfect addition to any guitarist's arsenal, allowing you to shape and enhance your tone in ways you've never imagined. Its transparent nature ensures that your core tone remains intact, while adding a dynamic of warmth, richness, and depth that elevates your playing to new levels.

Its intuitive controls allow you to dial in the perfect blend of overdrive, from subtle grit to soaring, harmonically rich tones. The pedal's wide-ranging gain control ensures that it can adapt to any musical style or genre, whether you're playing delicate fingerpicked melodies or unleashing blistering solos. Pair it with Asymmetrical or Led Clipping and put the final touches with it's 3-band Baxandall-style EQ.

Beyond its exceptional sound, the Golden Boy Mini is built to withstand the rigors of the road. Its rugged construction and top-quality components ensure reliability and durability, making it a reliable companion for both studio sessions and live performances.

Whether you're a seasoned professional or an aspiring guitarist, the Golden Boy Mini will transform your tone and ignite your creativity.

Discover the Golden Boy Mini and unlock the true potential of your guitar tone. Order yours today and witness the power of transparent overdrive like never before. Elevate your sound and embark on a sonic journey with the GOLDEN BOY Mini!

Notes: You've been up all night in a bidding war on eBay to win a prized 80s rack effect unit - you can't wait to add some serious cheese to your tracks, and the sound of gated reverbs ring in your ears. Your heart pounds, and your pulse rises to crescendo as you win the auction! But there is one problem: your Eurorack system runs way too hot to simply plug straight into your stereo FX units. Your heart sinks, as you realize there is not much you can do that doesn't involve a lot of messing around with complicated and weird mono modules. That is, until now: introducing the Herzlich SFXI.

The Stereo FX Integrator was designed in response to my own need: owning several cool stereo FX units, and having no easy way to integrate them with an easy send and return, in my Eurorack system. Attenuate your Eurorack signals down to line level, or even all the way down to instrument level, and get a nice, clean boost back up to modular levels, with this dead simple and highly useful device from the R&D department at Herzlich Labs.

You can even use it to integrate external stereo line level signals into your Eurorack, which is both nice and convenient, and also useful. Finally, you have an easy way to get the sound of your JV1080 into your Clouds.

The scientists have been working overtime to produce this unit, and were fed extra rations of maize and millet gruel just to bring you this circuit. Every SFXI sold will grant the poor souls at Herzlich Labs another serving of maize and millet gruel. Please think of the poor scientists at Herzlich Labs.

Dimensions
4 HP

Current Draw
30 mA +12V
30 mA -12V
0 mA 5V

Notes: The Low Fat is a new 2hp Eurorack module by AJH Synth, it's a High Pass filter, with frequency control by either manual pot, and/or external CV with attenuator. It's intended to compliment other filters, particularly low pass VCF modules, in practical tasks such as removing excessive low frequencies, for example when the bass is swamping a mix. It can be switched between 6dB (1 pole) response and 12dB (2 pole) response.

By patching a CV signal to the FCV input it can be voltage-controlled and used musically as with any other VCF. When used in conjunction with a LP filter it forms a fully customisable band pass filter, allowing the range of passbands to be cherry-picked. Feeding in a 1V/Oct pitch CV and setting the FCV pot to a suitable level allows it to track an incoming pitch CV, so the amount of High Pass filtering remains constant as the pitch of the incoming VCOs traverse up and down the frequency range. This can be particularly useful in creating percussive sounds, such as snares and hats, but also on sequenced bass lines. Since it is only 2HP it's a great way to occupy one of those frustrating gaps in your eurorack modular case with something that is deceptively useful, and adds another dimension to the classic bass monster that is the Transistor Ladder Filter.

Dimensions:
2 HP
26 mm deep

Current Draw:
9 mA +12V
12 mA -12V
0 mA 5V

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Building on the reputation of its award-winning predecessors, the Erisr Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 80W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 5 to reach down to an astonishing 48 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

5.25-inch woven composite low-frequency driver
1-inch, ultra-low mass, silk-dome, high frequency driver
Crossover Frequency, 3.5 kHz
100- x 60- EBM waveguide provides a sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
80W, Class AB dual amplification
48 Hz to 20 kHz frequency response
102 dB Peak SPL (@ 1 meter)
Acoustic Tuning Controls:
Acoustic Space (Flat, -2 dB, -4 dB)
High Frequency (+/-6 dB, center 10 kHz, continuously variable)
Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)
Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Inputs:
XLR and 1/4-inch TRS balanced rear-panel inputs
RCA unbalanced rear-panel inputs

Protection:
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
Power Saver mode (engages after 40 minutes)

Set up your studio monitors for your room.

Erisr Studio 5 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonus studio monitors, the Eris Studio 5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10kO

Performance

Peak SPL: 102 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Power amplifier type: Class AB

Measurements

Dimensions: 11.50 x 8.00 x 8.80 in

Product depth: 8.78" (22.3 cm)
Product height: 11.5" (29.2 cm)
Product width: 8" (20.32 cm)

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: Introducing the n-1 case, a sleek, thoughtfully designed Eurorack modular case for sound and music makers. Our flat-packable case interlocks and slides together, requiring no tools to assemble. Later in the year, we will be launching a range of accessories that will provide further versatility to the n-1 case. These add-ons will allow you to customize your case to suit your unique preferences, ensuring it remains an adaptable companion on your evolving musical journey.

What's in the box?
12mm plywood frame
3mm plywood back
4 dowel pins
1 pair of aluminum rails
M5 hex socket screws
M3 rail slide nuts
mystery stickers!
*case is unpowered, giving users the freedom to choose a panel-mounted power supply or adapt an internal power option.

Notes: This stand its part of a new concept in COVERUP. With differents parts, you can use to put on multiple synths, including big devices, until now, not possible with the other stands.

You can configure your setup with you like more, with two big devices, or three medium devices. Easy to ensamble, very light to move from your studio to live. Just you need 1 minute to arm and start to playing.

Your setup of synthesizers and studio equipment can change permanently and with it also the position on the work table.

Taking this into account, CoverUp developed a 3-level support, which can be set up in different ways depending on the number of machines that we are going to place and their size.

In the triple stand configuration (using all 4 parts), 3 20cm machines can be placed. deep and a maximum height of 7cm.

This space is enough for much of the hardware available today.

The triple bracket parts are assembled with screws (included) using a universal socket that holds them together firmly.

In turn each part can be used as a simple support. It is only enough to separate the parts by removing the screws and use each part as it suits us.

Each part has rubber feet underneath, so that the support does not slip and is firmly supported.

Both halves of the triple support are linked with wooden rods at various points to give it lateral stability.

The design contemplates space for the rear connectors of each equipment, so that none of them are obstructed by the support.

Measures:
Depth: 58cm
Height: 41cm
Width: 34cm

Notes: The model 230 double support is designed to house two large pieces of equipment, with the ability to improve the operating position of both.

In each position of the bracket, a 30cm piece of equipment can be placed. deep, such as Maschine MK3 and Maschine Jam.

This double support in turn allows it to be used as two simple supports. Simply unscrew the front half from the back.

At the same time, it saves a lot of space on the surface, ideal for optimizing the space in our studios.

The width is adjustable according to the length of the rods that join both halves.

The support includes rubber feet so that it does not scratch or slip and the screws for its assembly.

Notes: The studio legends

For decades now, professional users all around the world have placed their trust in Beyerdynamic's classic range: DT 770/880/990 PRO. These benchmark-setting studio headphones, available in three different models, boast extremely detailed resolution and very transparent sound.

The DT 770 PRO headphones is the range's closed-back model and offers maximum flexibility and detailed sound that you can rely on.

Impressive sound volume

The Beyerdynamic DT 770 PRO headphones have established themselves as a firm favourite amongst music producers, sound engineers and broadcasters and are used in studios all over the world. They reproduce the entire frequency range with incredible precision, and even reproduce low frequencies in punchy detail.

Top-notch impulse response

The headphones are designed for critical music and sound monitoring, providing a perfectly neutral listening environment with exceptional isolation and top-notch impulse response. High frequencies are translated into an analytical and differentiated sound. Ultra-low bass sounds are defined and reproduced crisply.

Extreme comfort

The robust spring steel headband ensures a secure fit for the wearer. Soft ear cups mean that the headphones are comfortable even if worn for prolonged periods. The single-sided cable allows the headphones to be put on and taken off frequently without cables getting tangled.

Allrounder; universal studio

These 80-ohm headphones are the ideal Choice for a range of studio applications.

Made in Germany

The DT 770 PRO headphones are and always have been handcrafted in Germany. The durability of these headphones is worth noting, because all the components used are replaceable if necessary.

High-end studio quality

Thanks to the Tesla technology developed in Heilbronn, the DT 770 PRO offers even finer resolution with precise and powerful bass. The pro flagship also sets new standards in terms of wearing comfort and workmanship.

Technical specifcations

Transmission type: wired
Weight headphones without cable: 270 g
Transducer type: Dynamic
Operating principle: Closed
Nominal frequency response: 5 - 35,000 Hz
Nominal impedance: 80 O
Nominal SPL: 96 dB
Nominal T.H.D: < 0.2%
Power handling capacity: 100 mW
Sound coupling to ear: Circumaural
Ambient noise isolation: approx. 18 dBA
Nominal headband pressure: approx. 3.5 N
Weight: 345 g
Length and type of cable: 3 m / straight cable
Connection: Gold plated mini stereo jack plug (3.5 mm) & 1/4" adapter (6.35 mm)

Notes: Building on the reputation of its award-winning predecessors, the Erisr Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 80W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 5 to reach down to an astonishing 48 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

5.25-inch woven composite low-frequency driver
1-inch, ultra-low mass, silk-dome, high frequency driver
Crossover Frequency, 3.5 kHz
100- x 60- EBM waveguide provides a sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
80W, Class AB dual amplification
48 Hz to 20 kHz frequency response
102 dB Peak SPL (@ 1 meter)
Acoustic Tuning Controls:
Acoustic Space (Flat, -2 dB, -4 dB)
High Frequency (+/-6 dB, center 10 kHz, continuously variable)
Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)
Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Inputs:
XLR and 1/4-inch TRS balanced rear-panel inputs
RCA unbalanced rear-panel inputs

Protection:
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
Power Saver mode (engages after 40 minutes)

Set up your studio monitors for your room.

Erisr Studio 5 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonus studio monitors, the Eris Studio 5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10kO

Performance

Peak SPL: 102 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Power amplifier type: Class AB

Measurements

Dimensions: 11.50 x 8.00 x 8.80 in

Product depth: 8.78" (22.3 cm)
Product height: 11.5" (29.2 cm)
Product width: 8" (20.32 cm)

Notes: AIAIAI's affordable XE range might just offer the best value studio headphones around. Balance S01 drivers and comfortable E04 ear pads are paired with a slim headband for great sound at a reasonable price.

Supplier's Notes:
Modular studio headphones.

Balanced and detailed sound
Enhanced comfort over-ear cushions
High sound isolation
Weighing only 190g
Modular headphone design

Modular studio headphones with highly detailed sound and full bass extension, balanced for music production. Comfortable PU leather over-ear earpads provide high isolation, reducing surrounding noise when creating on the go. Weighing only 190g for enhanced comfort over extended periods of time.

Balanced detailed sound

Critically acclaimed sound stage specifically designed for studio use with a clear and highly detailed sound representation.

The speaker unit contains a bio-cellulose diaphragm made from bacterial cellulose, an organic compound grown using certain types of bacteria. The precision-grown diaphragm from bio-cellulose is stiffer, lighter, and stronger than regular PET speaker units, allowing the sound-producing diaphragm to vibrate without the levels of distortion found in other speakers.

Each of these qualities results in more accurate and detailed sound from the speaker with the ability to retain clarity of sound at high volumes.

With a minimal and lightweight construction of only 190g, the TMA-2 Studio XE is ideal for the flexible, versatile and dynamic workflow of modern music makers.

Lightweight & comfortable

High grade over-ear memory foam cushions covered in resilient and soft PU leather, for enhanced comfort during long creation sessions or live performances. The over-ear cushion design provides high sound isolation when creating in noisy environments.

Headband made from high grade nylon combined with durable PU leather earpads, results in a total headphone weight of only 190g.

In the box

S01 . Balanced sound - Bio-diaphragm

Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose to reduce distortion and increase transparency. Tuned for a balanced, accurate sound. Balanced sound - Bio-diaphragm.

H01 . Slim - PU foam

Slim and lightweight polycarbonate headband with soft, durable PU foam padding.

E04 . Over ear - PU leather

Soft over-ear memory foam cushions covered with PU leather. The thickness and materials provide better comfort and excellent isolation. Adding a low end boost for a warmer sound with powerful dynamics.

C05 . Straight - 1.5m - Adapter

Straight black 1.5m thermo plastic cable with soft touch surface. Comes with 1/4 to 1/8 screw-on adapter.

Headphones for life

As a music creator, you need headphones that can keep up with your evolving needs and styles. These TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

By investing in this modular headphone system, you're not just buying headphones - you're investing in a long-term solution that evolves with your music. This reduces electronic waste while ensuring that you always have the optimal headphones just for you.

Diaphragm: Bio-cellulose
Driver diameter: 40 mm
Impedance: 32 Ohm
Magnet: High-grade Neodymium
Max power: 100 mW
Rated power: 40 mW
Resonance freq: 80 Hz

Notes: MOOER burst onto the music products scene in 2010 and has been impressing guitarists ever since. However, the company has expanded it's horizons this year with its VP vocal processing pedal series. The MVP2 Harmonier is a powerful example of this - it's a versatile and innovative vocal processor pedal designed to elevate both vocal and guitar performance, offering tonal precision, creativity, and convenience in one compact pedal.

At its core, the pedal offers a versatile pitch harmonizer effect. The 'Key' dial allows users to choose to harmonize their important with any note in the chromatic scale, with the 'Sharp' LED button being used to select sharp notes. Once chosen, the 'Mode' dial facilitates further customization, offering 11 different harmony modes that control the harmony's interval. This includes all classic intervals such as octaves, fifths, and thirds.

The 'Level' dial adjusts the volume of the harmonizer effect, but Harmonier offers even further tonal flexibility thanks to its reverb function. Users can press and hold the 'Sharp' button while rotating the 'Level' dial, which allows them to adjust the volume of the pedal's internal reverb module. The pedal also offers tone modes: flat, warm, and bright. These can be controlled by activating the pedal's unique 'hidden mode' and using the 'sharp' button.

'Hidden mode' is activated by pressing and holding both of the pedal's footswitches, but this is just one example of Harmonier's unique control system. The left footswitch can be held to save effect presets, and pressed to scroll through 7 preset slots. The right footswitch can be pressed to turn on the pedal's effects, pressed again to isolate the reverb, and held to turn off all effects except for the tone setting.

Unlike most of MOOER's pedal offerings, Harmonier supports both XLR and 1/4" inputs and outputs. These can be used in 'mixed mode' by holding the right footswitch whilst plugging in the power supply or repeating this action again to switch to 'individual mode', which isolates the signals to their given ports.

Alongside its fundamental functionalities, the pedal features a gain dial, a 48V phantom power switch designed for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Collectively, the MVP2 Harmonier's features guarantee that both vocalists and guitarists have all the necessary tools to augment their instrument's sounds with stunning harmonies, without ever having to worry about the pedal's batteries running low.
12 pitches with 11 different harmony mode
11 harmony modes that provide different harmonic intervals
High-quality internal reverb module with adjustable volume
3 tone modes: flat, warm, and bright
7 preset slots
Dual-functionality LED button
Two multi-functional footswitches
Customizable effect, tone, and reverb isolation
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Notes: SVF 1U

Multimode State Variable Filter

The perfect 1U, multimode, voltage-controlled filter for sweet-sounding subtractive synthesis duties or to form the basis of more complex patches. Punchy, clean, and precise. Explore new sounds through the dual modulation inputs and dedicated low pass, high pass and band pass/notch outputs. This filter responds beautifully to audio rate FM and you can self-patch to get even more interesting filter responses. Adjust the Q for a sharp howl or use it as a sine VCO.

Features:

Dedicated 2-pole Low pass filter (LP) and 2-pole High pass filter (HP) outputs.
Switchable Bandpass filter (BP) and Notch filter (N) output.
Optional +6dB input boost and asymmetric clipping circuit.
PITCH input tracks 1V/Oct accurately over 4+ octaves.
FM CV input with attenuverter.
Capable of generating very low distortion sine waves from 2Hz to 20kHz when driven to self oscillation (Max Q).

Size: 20HP
Depth: 35mm
Power: 27mA @ +12V 30mA @ -12V

Notes: The Foldiplier is a 4hp odd/even harmonics generator with 2 different oscillating feedback paths. The folding core of the design originates from the odd harmonics (middle)section of the Serge Wave Multiplier. But the Foldiplier adds voltage control over the symmetry and offset as well as a switch for feedback, jumper selectable between, a transistor based oscillating fuzz inspired by the Hemmo Bazz Fuss with a lot more low harmonic content and a passive oscillating half wave rectification circuit with more high harmonic content. When these feedback oscillations mix with an incoming waveform some unpredictable and unique nonlinear timbres can be achieved. The module can also be used as a no-input experimental oscillator with the feedback switch engaged. All diodes in the module are silicon.

The Fold knob controls the amount of times the waveform is folded in on its self (indicated by the red led window below the knob). The C.V. knob below is an attenuator for incoming control voltage corresponding to the Fold jack(indicated by the red led window above the jack, it only responds to positive voltage). So, the Fold knob acts like an initial amount of folding depending on its position. For example, with the Fold knob fully clockwise you can get even more folds with a control voltage in at the Fold jack. The Offset knob controls how much positive DC voltage(0 to 5v, clockwise) or negative(0 to -5v counter clockwise) DC voltage(indicated by the led window above the Offset jack, red for positive, yellow for negative) injected into the waveform via the Symmetry knob. With the Offset knob position at noon(0v) there will little effect from the Symmetry knob. The Offset jack is expecting +5v to -5v with knob position at noon to scan through the positive and negative voltage. The Symmetry knob controls the amount of negative or positive offset voltage(dependent on the Offset knob) mixed with the waveform(indicated by the yellow led window above the Symmetry jack). If positive voltage is mixed with incoming waveform more folds will occur on the positive troughs of the waveform, likewise, when negative voltage is introduced more folds happen on the negative troughs. This part of the circuit can also be broken down by thinking of the Offset as a voltage controlled crossfader swinging between positive and negative voltages into a VCA controlled by the Symmetry knob and jack. When a voltage is present at the Symmetry jack the Symmetry knob becomes an attenuator. The Symmetry jack only responds to positive voltage.

Width: 4hp
Panel Material: Double Sided PCB panel with Classic and Soulless
Reverse Power Protected
Current Consumption: +12v: 40mA, -12v: 35mA
Depth: 47mm or 1.75"
All through-hole build
Ships with M3 black nylon screws
Expandable: No

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:

Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 24HP-44HP:

Power output:
+12V @ 1A
-12V @300mA
5V@ 150mA
Power connectors: 2 (plus optional flying bus cable)

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.

Notes: EcoSynth is a small, portable Eurorack modular case solution, designed for your desktop! It's a practical solution designed to save your hard-earned cash for modules. If you're looking for a small desktop solution to augment other desktop electronic hardware, this is for you. If you need a larger case, EcoSkiff passes on the savings for more traditional size racks like 84HP and 104HP.

Save on money and space: get just as much HP as you need!

Available in the following sizes:
24HP
44HP
64HP
84HP
104HP

Features and specifications:

Over-current protection: shuts off each power rail automatically if modules use too much current on that rail
The skiff goes together with just a Phillips head screwdriver!
Comes with 3mm slide nuts
Max module depth: 44mm
Max module depth above power supply: 33mm

Specifications, 24HP-44HP:
Power output:
+12V @ 1A
-12V @300mA
5V@ 150mA
Power connectors: 2 (plus optional flying bus cable)

Specifications, 64HP-104HP:
Power output:
+12V @ 2A
-12V @750mA
5V@ 1.5A
Power connectors: 15
Daisy chains to another EcoSkiff, Skiff Power, Five Amp Power, or Schottkey DC

Requires a 12V 5A center positive power brick with a 5.5mm x 2.1mm tip.
Assembly required, but no soldering needed.