Search dance music

Notes: Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: Vintage and more.

With its unmistakably unique exterior and its inimitable sound, the microKorg set the standard for analog modeling synthesizers. The year 2008 saw the introduction of the microKorg XL, which inherited the microKorg's fat and powerful sounds, while adding keyboard staples such as electric piano and the CX-3 organ. And now, in the next evolutionary step, the microKorg XL+ delivers a fresh update to the sounds and design of the microKorg XL, making it the ideal compact keyboard.

The microKORG XL featured a sound selector that lets you choose your sound using 2 large dials: music genre and instrument category. The new microKORG XL+ offers an additional selection of these music genres to fit today's fast-moving music scene. Now you can select a program that matches your song more intuitively than ever. For even more convenience, you can also leave one of the dials fixed and only use the other dial to make program changes during a song (music genre fixed), or use the dial to select vocoder variations (instrument category fixed).

Lush analog modeled synthesizer sounds that are characteristic of the microKORG have been freshly added to the microKORG XL+. In addition, for band use, the microKORG XL+ comes equipped with the piano sound from Korg's classic stage piano, the SGproX (famous for its ability to stand out in your band's mix), as well as its hard-edged grand-type electric piano. This compact package also includes sounds from the M1 and the VOX organ, vintage tape-type string and flute machines, as well as other gorgeous sounds from keyboard history. Each of these 128 programs are genuinely usable sounds, giving the microKORG XL+ plenty of variety to serve as your main keyboard or of course as a secondary keyboard in your rig.

The microKORG XL+ projects a style that's reminiscent of vintage electric pianos, featuring a futuristic yet retro design with a stylish black panel. High-quality parts such as metal levers, dials that move with an audible click, and knobs with a sturdy operating feel are some of the ways that the microKORG XL+ outclasses other instruments in its range and enhances your experience editing synthesizer sounds.

The microKORG XL+'s sound engine uses MMT (Multiple Modeling Technology), borrowing from Korg's well proven wealth of analog modeling technology. The MMT sound engine has been featured on numerous products, and provides 2 oscillators that generate huge powerful sounds. Oscillator 1 (OSC1) gives you a total of 7 types of oscillator algorithm to choose from, including formant waveforms such as human voice, and PCM/DWGS waveforms for vintage keyboard and strings. It also lets you use techniques that cannot be imitated on typical PCM synthesizers, such as cross modulation, unison, and VPM (Variable Phase Modulation). By taking advantage of modulation (sync or ring) with oscillator 2 (OSC2), it's easy to create complex and powerful sounds.

The microKORG XL+ can function as a powerful vocoder that lets you connect a mic and use its audio input to shape the tonal character of the oscillator's sound to create talking effects. The vocoder consists of a 16-band filter bank that can simulate the vocoder sounds of the past and also shift the filter frequencies (Format Shift function) or adjust the level and pan of each band to dramatically change the sonic character. Using the Vocoder is an easy way to add sounds that can be found in today's popular electronic music. Since a gooseneck microphone is included, you can immediately start using thevocoder in your songs.

2 master effects utilize the effect engine that was brought to perfection in Korg's Kaoss Pad series, giving you a total of 17 powerful effect types including delay and echo effects as well as dramatic effects such as ring modulator and grain shifter. In addition, effects such as delay can be synchronized to MIDI clock for a wide range of possibilities in live performance.

Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.

Notes: Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: The KORG MS-20 mini is now available as a limited-edition white monotone variation model. This model is the first new colour to appear in the nearly 40 years since the original unit went on sale in 1978. Based on the black that is emblematic of the MS-20's distinctive presence, this new model features a clean white monotone for its front panel and knobs, while retaining the faithful circuitry, 5-pin MIDI, and USB MIDI of the black MS-20 mini. Combining a completely new freshness together with a vintage feel that befits the MS-20 as the original semi-modular synthesizer, this limited-edition model will be a great way to add classic MS-20 sounds to any setup!

Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.

Notes: The electribe has been reborn including KORG's latest technology distilled from popular products such as the KingKORG, kaossilator, kaoss pad, and taktile. The 200 preset patterns cover House and Techno as well as cutting-edge dance music genres such as Trap and EDM. Another major evolution of the new electribe is support for polyphonic playback, which is indispensable for musical styles that involve complex chord progressions such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create. Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

For the electribe, KORG designed a synth engine that gives you the maximum sound-creating freedom and the fastest sound production. The 409 oscillator waveforms include analog modeling and PCM. The analog modeling synth engine provides a broad variety ranging from simple basic waveforms to complex combinations such as dual, unison, sync, ring modulation, and cross modulation. The PCM sound engine provides mainly rhythm sounds, but also covers multisamples for keyboard. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

The filters at the heart of the sound-shaping capabilities are inherited directly from the KingKORG, and they use filter algorithms that simulate standard synthesizers so that you can get "the sound" which was used in famous songs, just by selecting the appropriate filter type.

You can also apply filters to drums to create rhythm tracks that are rich in tonal variation. Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The new electribe provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities. There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration your musical ideas.

Notes: Already something of a modern classic, Korg's compact synth and vocoder features built-in speakers in this upgraded S model. Huge fun, easy to use and great for live performance.

Supplier's notes:
Shape your sound, bring it anywhere: The microKORG S continues to build on the success of the original.

With a serious sound, ubiquitous design, and superior build quality, the microKORG analog modeling synthesizer became an instant world standard when it was released in 2002. Since then, the microKORG has found its way into the hands of musicians far and wide, and now, receives an update to ensure it will remain one of the world's most beloved synthesizers for years to come.

The new microKORG S features a built-in 2+1 speaker system with power that far exceeds its size. Its body sports an elegant white motif, and features new presets that represent the sounds of a new generation. Beneath the microKORG S's sophisticated exterior hides a sound engine both brutal in strength and universal in application.

Built-in 2+1 speaker system ensures a rich and full sound at any volume:

Inside that compact body of the microKORG, we've included a carefully constructed speaker system consisting of stereo speakers with clear imaging, plus a woofer that emanates a startling amount of low frequency. The chassis uses a new box structure, and the combination of ample box volume and a bass reflex port takes full advantage of the speakers, thereby delivering a rich sense of volume that exceeds the size of the speakers, a clear sense of positioning, and a rich low-frequency range. In addition to the battery-powered operation of the existing model, the inclusion of the built-in speakers allows an easy yet full-fledged performance experience even in an environment where there is no power supply or PA.

Since the speaker box is contained within the chassis of the instrument, the vibrations from the speaker can be felt through your fingertips. This tactile feedback allows you to experience the same subtle and dynamic response as when playing an acoustic instrument or electric piano.

Increased memory, new programs, and additional user programs:

The memory capacity has been increased from the original microKORG. Mainly centered on simple and present sounds that shine on stage, we've added 64 powerful preset programs that meet the needs of the changing music scene, including clearly defined and punchy leads, electric pianos that sound great in an ensemble, and powerful and solid basses. In addition, we've also newly provided 64 additional slots for user programs, so you can save your own original sounds without overwriting the presets. This encourages a sound design process that's ideal for this instrument: select a sound that you like, and edit it.

Elegant new design retains the spirit of the original:

The microKORG's distinctive form has been beloved worldwide for more than ten years. The microKORG S adds speakers, yet carries on the looks and compactness of the original. In addition, the front panel features an elegant white reboot, updated with maple wood for the side panels.

Favorite Select function:

There's a new Favorite Select function that lets you assign up to eight of your favorite programs. Since this lets you instantly recall the sound you need, it makes live performance even more convenient.

All of the functionality of the original microKORG, plus so much more:

This new instrument carries on all of the original microKORG's functionality, including the ease of selecting a program of a desired musical genre and then editing the selected sound, a vocoder with an included miniature microphone, and battery operation that allows you to perform anywhere. As a beginner's first synthesizer that's easy to use, as a supplementary live synth for the stage, or as a sound module for production, the microKORG S will continue to play a role in every music scene around for many years to come.

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Shape your sound, bring it anywhere: The microKORG S continues to build on the success of the original.

With a serious sound, ubiquitous design, and superior build quality, the microKORG analog modeling synthesizer became an instant world standard when it was released in 2002. Since then, the microKORG has found its way into the hands of musicians far and wide, and now, receives an update to ensure it will remain one of the world's most beloved synthesizers for years to come.

The new microKORG S features a built-in 2+1 speaker system with power that far exceeds its size. Its body sports an elegant white motif, and features new presets that represent the sounds of a new generation. Beneath the microKORG S's sophisticated exterior hides a sound engine both brutal in strength and universal in application.

Built-in 2+1 speaker system ensures a rich and full sound at any volume:

Inside that compact body of the microKORG, we've included a carefully constructed speaker system consisting of stereo speakers with clear imaging, plus a woofer that emanates a startling amount of low frequency. The chassis uses a new box structure, and the combination of ample box volume and a bass reflex port takes full advantage of the speakers, thereby delivering a rich sense of volume that exceeds the size of the speakers, a clear sense of positioning, and a rich low-frequency range. In addition to the battery-powered operation of the existing model, the inclusion of the built-in speakers allows an easy yet full-fledged performance experience even in an environment where there is no power supply or PA.

Since the speaker box is contained within the chassis of the instrument, the vibrations from the speaker can be felt through your fingertips. This tactile feedback allows you to experience the same subtle and dynamic response as when playing an acoustic instrument or electric piano.

Increased memory, new programs, and additional user programs:

The memory capacity has been increased from the original microKORG. Mainly centered on simple and present sounds that shine on stage, we've added 64 powerful preset programs that meet the needs of the changing music scene, including clearly defined and punchy leads, electric pianos that sound great in an ensemble, and powerful and solid basses. In addition, we've also newly provided 64 additional slots for user programs, so you can save your own original sounds without overwriting the presets. This encourages a sound design process that's ideal for this instrument: select a sound that you like, and edit it.

Elegant new design retains the spirit of the original:

The microKORG's distinctive form has been beloved worldwide for more than ten years. The microKORG S adds speakers, yet carries on the looks and compactness of the original. In addition, the front panel features an elegant white reboot, updated with maple wood for the side panels.

Favorite Select function:

There's a new Favorite Select function that lets you assign up to eight of your favorite programs. Since this lets you instantly recall the sound you need, it makes live performance even more convenient.

All of the functionality of the original microKORG, plus so much more:

This new instrument carries on all of the original microKORG's functionality, including the ease of selecting a program of a desired musical genre and then editing the selected sound, a vocoder with an included miniature microphone, and battery operation that allows you to perform anywhere. As a beginner's first synthesizer that's easy to use, as a supplementary live synth for the stage, or as a sound module for production, the microKORG S will continue to play a role in every music scene around for many years to come.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Killer value for money here. Korg's budget synth brings proper analogue polyphony to a crazy price point. Amazingly versatile with sound to match synths two or three times the price.

Supplier's notes:
Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


One of our favourite synths of 2019 and still amazing value. Analogue meets digital, offering hugely versatile sound in the same compact, user-friendly format as the original Minilogue.

Supplier's notes:
An evolved next-generation analogue synthesizer with huge potential for sound design and performance. We wanted to deliver a next-generation analogue synthesizer for a new generation of musicians new to analogue synthesis. That dream was realized in the development of the minilogue, which instantly made the analogue synthesizer approachable.

In addition to emphasizing the same real analogue sound and joy of controlling an electronic musical instrument offered by the original minilogue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential. Minilogue xd is a fitting addition to the original groundbreaking minilogue.

Four-voice polyphonic analogue synthesis. The analogue synthesizer circuit of the minilogue, whose genuine analogue sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd's filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analogue to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

Equipped with a digital multi-engine:

The additional sound design possibilities of digital sound are delivered by the multi-engine that's provided as a third oscillator in addition to the two analogue VCOs. This engine, which is equipped with three different types of sound generator (noise, VPM, and user slot) lets you take advantage of a sonic character that's different than analogue, and use it at the same time as the analogue engine, infinitely expanding the potential of hybrid sound design.
Noise generator

The noise generator provides four types of noise that are indispensable for percussive sounds or for sound effects. You can use the digital filter to directly change the colour of the noise.

VPM oscillator:

minilogue xd's multi-engine features a VPM (Variable Phase Modulation)/FM oscillator with a two-operator structure. It can produce sharp, metallic sounds with complex overtones beyond the possibilities offered by analogue systems. With 16 types of oscillator and a SHAPE knob control, you'll be able to create complex sounds intuitively.

User oscillators:

User oscillators allow you to load your own oscillator programs that you created or obtained via the internet. There are 16 user slots, as well as one type of morphing wavetable oscillator provided as a preset.

High-quality digital effects:

minilogue xd's high-quality digital effects use 32-bit floating point DSP processing, adding a finishing touch to its deep sound design platform. The three types (modulation effects, reverb, and delay) can be used simultaneously, letting you choose from a wide range of variations including chorus, ensemble, warm tape delay, and a diverse variety of reverb. The user effect slots allow you to load your own effect programs that you've created.

User customization brings out infinite potential:

The minilogue xd features a customizable open environment. The unit comes with 16 user oscillator slots and 16 user effect slots that you can customize. Oscillators and user programs that you've created with the SDK (Software Development Kit) can be loaded into the minilogue xd via the dedicated librarian software.

Polyphonic step sequencer controlled by 16 buttons:

The step sequencer provides 16 steps, and supports both realtime recording and step recording. You can use the 16 step buttons to select a step directly, allowing quick editing to replace the pitch of a step or to mute it, or even improvisatory performances. Motion sequence lets you record the movements of up to four knobs, adding time-varying change to the sound, and you can record not only smooth changes in value but also values that change precisely at each step. You can use this to design the sound differently at each step; for example, you might create a drum pattern or sound effect from just a single program. This allows countless ideas to be unleashed.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Fresh take on digital synthesis from Korg, featuring 'altered FM' sound engine with vintage filter modes based on Korg classics. Huge 32-voice polyphony with excellent performance options and effects.

Supplier's Notes:
Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like KORG did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

The opsix is an "altered" six-operator FM synthesizer. With its astoundingly accessible operator mixer and flexible sound engine that goes well beyond traditional FM, this instrument widens the potential of digital synthesizers to their utmost.

The opsix is an instrument for players of all generations- modern in every way, getting back to the basics to offer you a glimpse of the future. Whether you are new to synths, looking for a completely unique addition to your sound palate, or an original FM purist, opsix will deliver on all expectations and more.

Keyboard: 37 keys (velocity and release-velocity sensitive)

Maximum Polyphony: 32 voices (or a max. of 24 voices, depending on the settings)

Sound generating system: Altered FM sound generator

Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator

Algorithm: 40 presets + user algorithm (unique to each program)

Operator: 5 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder)

Oscillator waveform: 21 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White)

Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)

EG: ADSR

LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)

V.Patch: 12 routings

Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)

Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step) , Motion Sequencer (up to 6 lanes)

Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) fault)

Number of programs: 500 (250 preset programs and 250 user programs as the factory-set de

FAVORITE: 64 (16 Slots × 4 Banks)

Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port

Power supply: AC adapter (DC12V)

Power consumption: 5 W

Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"

Weight: 2.9 kg / 6.93 lbs.

Included items: AC adapter, Precautions, Quick Start Guide

Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch



***Introducing the Opsix Sound Librarian***

The Opsix Sound Librarian lets you view and organize data on a Opsix connected to a computer via USB, and transfer sound data back and forth between the Opsix and the computer.

To use the Opsix Sound Librarian, you need an Opsix running software version 1.0.1 or later, a USB cable, and a USB-capable Windows / Mac computer.

For macOS 11.0 (Big Sur) or later, you will need an Opsix running software version 1.0.3, which will be released soon. Thank you for your patience.

How to install:
Download the Sound Librarian, which can be reached at https://www.korg.com/us/support/download/product/0/874/#software, and open the package.

Notes: Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag

Notes: Specially tuned for bass sounds, the Minilogue returns in this new format. Same great analogue synth architecture, updated to create a low-end monster.

Supplier's Notes:
Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.

An expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass.

Production-ready bass

Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.

All 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots.
Powerfully analogue

The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue.

Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities.

Eight voice modes

Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes.

16-step sequencing

Minilogue Bass offers powerful and intuitive sequencing possibilities. The 16-step polyphonic sequencer also captures the motion of up to four real-time controls, and can be overdubbed or step-sequenced, alongside the ability to change the root position of the playback by playing a key.

Overview

Sound visualisation

Minilogue Bass has an OLED oscilloscope that shows you the waveform as you sculpt your sound.

Sound librarian

The Minilogue Bass Sound Librarian allows for easy organisation of programs inside your synth, and can also save the entire library to a computer. It even gives the ability to load any existing Minilogue patches alongside factory and bonus libraries from Korg.

Solid looks

The sand-blasted 2mm aluminium front panel on Minilogue Bass features an edgy appearance, which is emphasised by the inverted black and red keys. A red-coloured wood rear panel further adds to a unique appearance.

Minilogue bass is also roadworthy - with metal shaft chassis-mounted potentiometers and rubber coated knobs complementing its powerful and dynamic sound creation possibilities.

In sync

Alongside MIDI and USB, Minilogue Bass has a sync connector for effortless connectivity with Volcas, Electribes and SQ-1 sequencer.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analog synthesis
Maximum Polyphony: 4 voices
Program

200 programs (100 Presets / 100 Users)
Each program includes voice mode and sequence data settings
Up to eight favorite programs can be registered
Voice Modes: 8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) -
VOICE MODE DEPTH can vary different parameters in each mode

Main Synthesis Parameter
VCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring
MIXER: VCO1, VCO2, Noise
FILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity
AMP EG: Attack, Decay, Sustain, Release
EG: Attack, Decay, Sustain, Release
LFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)
DELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)

Sequencer
16-step polyphonic sequencer
Motion sequence can be used on up to four parameters

Controls
41 dedicated panel controls deliver immediate parameter access
A slider can control different parameters for each program

Display: Real-time OLED oscilloscope provides visual feedback of parameter changes
Connectors: Headphones (6.3mm stereo phone jack), Output (6.3mm monaural phone jack), Audio In (6.3mm monaural phone jack), Sync In (3.5mm monaural mini jack), Sync Out (3.5mm monaural mini jack), MIDI In, MIDI Out, USB Type B
Power Supply: AC adapter (DC9V)
Power Consumption: 8 W
Dimensions (W x D x H): 500 x 300 x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter

Notes: ***B-STOCK: Box opened, product in perfect working order***


Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag