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Jolin Nexum Smart Multi-Cable Tester Module Jolin Nexum Smart Multi-Cable Tester Module
Cat: 918461 Rel: 06 Jul 23 • View all Synth modules
 
An 8hp smart multi-cable tester.
Notes: NEXUM is a smart multi-cable tester.

Why:

To test the unknown power cable of a fresh module.
To check if all the spaghetti is working before a gig.
To know if your power supply is well-mannered.
To mass produce cables and be sure that all of them are working.

With:

Eurorack 2.54mm cables - 10 pins and 16 pins ones.
Other 2.00mm connection cables - 20 pins headers.
JST 1.27mm cables - 20 pins headers.
Patch cables - 3.5mm TS & stereo - 3.5mm TRS.

How:

Plug a cable in one of the sockets and the other end specularly on the opposite side. Check if the blue LEDs light up steady in a number equal to the cores of the cable you are testing. Wiggle the wire back and forth just to be sure that all the individual cores are firmly connected.

Due to its configuration, the connection is considered true only if there is no continuity between the adjacent wires or discontinuity in that specific core. This smart feature will avoid false positives.

On top there are two LEDs indicators directly wired to the power lines to check if the -12V or +12V PSU power lines are misbehaving.

Dimensions:

8 HP
18 mm deep

Current Draw:

50 mA +12V
5 mA -12V
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FORTHCOMING
Zoom H1essential 32-Bit Float Stereo Handy Recorder Zoom H1essential 32-Bit Float Stereo Handy Recorder Zoom H1essential 32-Bit Float Stereo Handy Recorder Zoom H1essential 32-Bit Float Stereo Handy Recorder Zoom H1essential 32-Bit Float Stereo Handy Recorder
 
32-bit float stereo handy recorder
Notes: Zoom H1essential - 32-Bit Float Recording for All

The World's Easiest Recorder, Just Got Easier

With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.

32-Bit Float Magic

With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take

The First Handy Recorders with Accessibility

The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.

Loud and Clear

The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.

The Perfect Practice Companion for Musicians

Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.

Sound Makes the Scene

The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.

For Storytellers

Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.

Big Features, Small Package

The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.

Features

32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power

Specs

Inputs

Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL

MIC/LINE IN jack

Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V

Built-in mic
90 degree XY stereo format
Directionality: Unidirectional

Outputs

PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW

Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported

Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification

Display
OLED: 128 x 64

USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed

Power

2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.

Estimated continuous operation time using batteries

Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.

Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $99.93
(No payment required now - pay when released)
Electro-Harmonix Nano Q-Tron Envelope Filter Effects Pedal Electro-Harmonix Nano Q-Tron Envelope Filter Effects Pedal Electro-Harmonix Nano Q-Tron Envelope Filter Effects Pedal Electro-Harmonix Nano Q-Tron Envelope Filter Effects Pedal
Cat: 857444 Rel: 16 Dec 21 • View all Effects pedals
 
A compact version of the classic Micro Q-Tron Envelope Controlled Filter known for its organic, analogue sound and expressivity.
Notes: Excellent value from this simple but effective envelope filter pedal. User-friendly controls help you quickly dial in a tone with three different filter modes. Sounds as good on synth as it does on guitar or bass.

Supplier's Notes:
Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here's how it works: The Nano Q-Tron responds to the user's playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It's all about how you play and it's super interactive.

Specifications

Circuit: Analog
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 10mA
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MRP:$119.91 SAVE 17%
 1 in stock $99.92
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Doepfer A-100 SSB Small Supply Bus Board & Power Supply Doepfer A-100 SSB Small Supply Bus Board & Power Supply Doepfer A-100 SSB Small Supply Bus Board & Power Supply
Cat: 755432 Rel: 13 Nov 19 • View all Synth Module Accessories
 
Power supply & bus board with 8 connectors for modular synthesisers
Notes: A-100SSB is a combination of power supply and bus board with 8 connectors for A-100 modules, planned for applications with up to 8 modules and a max. current of 380 mA.

- Wide range mains voltage input 100-240V AC / 50-60 Hz
- IEC inlet on board for the connection of a suitable mains cable (a suitable mains cable has to be purchased by the customer locally, it's not included with the A-100SSB)
- Switching supply with +12V/380 mA and -12V/380mA for the operation of A-100 modules up to 380 mA total supply current
- Safety cover at the bottom side (covers all elements that lead mains voltage)
- On board fuse
- 8 bus connectors
- LED displays for +12V, -12V and +5V
- Dimensions: about 270 mm (length) x 55 mm (width) x 35 mm (height)
- Several 3mm holes for mounting the unit on a rear panel or bottom plate
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Doepfer A-147-5 Quad VCLFO Module (silver)
Cat: 973756 Rel: 14 Nov 23 • View all Synth modules
 
Quad VCLFO module - 4HP.
Notes: Module A-147-5 contains four voltage controlled low frequency oscillators (VCLFO) with triangle waveform outputs. All LFOs share a common frequency control. Each of the LFOs 2, 3 features a Delta control which is used to shift the frequency of the LFO in question up or down. With the Delta controls at center positions the frequencies of all LFOs are roughly the same. To control the frequencies by external control voltages four CV inputs are available which follow roughly the 1V/oct standard.

The module has these controls and in/outputs available:

Control F: manual control of the frequency for all four LFOs
Control Delta F2, F3 and F4: manual control of the frequency shift up/down for the LFO in question
Sockets CV 1...4: Frequency control voltage inputs (normalled from top to bottom)
Sockets with triangle symbol 1...4: triangle outputs
LEDs: visual displays of the triangle outputs (red = positive, yellow = negative output voltage)

Application examples:

Generation of four triangle modulation signals with a common frequency control for all LFOs and individual controls for the frequency deviation of each LFO, manually adjustable and controllable by external control voltages
Generation of modulation signals for polyphonic FM/PWM applications. For this the four CV inputs are connected to the same control voltages which are used to control the frequencies of the corresponding VCOs. That way each LFO follows the frequency of the associated VCO with the possibility to control the frequency of all VCOs (control F) and the frequency deviations (Delta F controls). For the simultaneous modulation depth control the Quad VCA module A-130-4 is recommended.
Generation of complex modulation signals by summing up the outputs (e.g. by means of a mixer module A-138n / A-138i / A-138j)

Technical notes:

The level of the triangle outputs is about +/-5V (10Vpp)
The manually adjustable frequency ranges from about 0.025 Hz (about 40 seconds) to about 50 Hz with the delta controls of LFOs 2, 3 and 4 about center position
The frequency deviations adjusted by the delta controls are about +/-1:5. Example: with 1 Hz in center position the frequency shift ranges from about 0.2 Hz in position -5 to about 5 Hz in position +5 (1 Hz/5 = 0.2 Hz, 1 Hz*5 = 5 Hz).
The manual frequency controls and the control voltage inputs have an exponential control behavior
With external control voltage the max. frequency is about 150 Hz, the minimum frequency
The scale of the CV inputs is roughly 1V/oct (not adjustable)
The CV inputs are normalled from top to bottom. Provided that only socket CV1 is patched CV1 controls the frequencies of all four LFOs.
When each CV input is patched to it's own control voltage each LFO is controlled individually by it's own CV. In this case CV1 controls only the frequency of LFO1.
Internally the rectangle outputs are available at four terminals (typ level +/-10V or 20Vpp). If required they can be wired to four sockets of a DIY breakout module made by the user, 1k protection resistors are recommended to avoid short circuits. If lower levels are required passive attenuators (voltage dividers) may be used.
Internally is even an (unbufferd) triangle sum signal available. For this each of the four triangle outputs is simply connected to the sum output terminal via a 47k resistor. This output has high impedance and should be buffered or amplified to avoid level drop when the load changes (e.g. by means of an A-180-3 or A-180-4 or A-183-3).
By changing the values of the capacitors in the LFO circuits even other frequency ranges are possible (e.g. Quad VCO to form kind of a cloud VCO). Pay attention that the accuracy of the CV input scales is not sufficient for precise 1V/oct VCO applications. The 1V/Oct scales cannot be adjusted and the circuits are not temperature compensated.

Dimensions
4 HP
45 mm deep
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Tags: LFO module
 1 in stock $99.92
Instruments Of Things IO-Lights MIDI Controller Instruments Of Things IO-Lights MIDI Controller Instruments Of Things IO-Lights MIDI Controller
Cat: 835906 Rel: 25 May 23 • View all MIDI controllers
 
A MIDI controller that controls MIDI CC or MIDI Note messages via environmental light.
Notes: Comes with USB-C to Micro USB adapter cable.

Light sensitive MIDI controller - IO-Lights is a MIDI controller that controls MIDI CC or MIDI Note messages via environmental light. A high-resolution light sensor in the center of the product makes it possible. In addition, MIDI notes can also be sent to IO-Lights, which are then represented as light by the 12 LEDs on the device.

How to use IO-Lights?

IO-Lights is used as a common MIDI controller. Just connect it via USB to the music software of your choice and start controlling sounds with light. You want to connect IO-Lights to your hardware synthesizer? Then simply use an additional USB MIDI host (e.g. this). Configuration and firmware updates can be done directly in a web app.

Light to MIDI:

In the center of IO-Lights is a high-resolution light sensor that measures brightness. Use your surrounding light or a light source of your choice and point it at IO-Lights to control your sound.

MIDI to Light:

IO-Lights can not only control MIDI signals, but also visualize MIDI notes by the 12 LEDs on the product UI. Therefore simply send MIDI notes to IO-Lights. This is where the magic happens: the resulting light also influences the MIDI signals that IO-Lights emit. This creates a generative sound-light interaction.

Controller Output:

Notes: IO-Lights generates musical notes based on light.

Control Change: IO-Lights controls sound parameter based on light.

Random Light Mode:

Let IO-Lights generate light randomly. Not only does it look nice, it also influences your sound by the resulting change of luminosity. If you want more control, you can change the internal note scale and enable external clock synchronization.

Feedback Loop Mode:

We all know feedback loops are wild, and interesting! IO-Lights has a dedicated feedback loop mode based on a simple formula: The higher the brightness measured with the light sensor, the less LEDs are on, and vice versa. This results in an oscillating light source, which can be influenced by reflecting material (for example your hand) or an external light source. Based on this random source, MIDI data is generated to play notes or automate your instruments.

Note Scale:

If you want more harmony, a custom note scale quantizing incoming light can be set in the web app. Combined with tempo synchronization, IO-Lights evolves into an organic, visual instrument with many surprises, and still does what you want.

Clock Sync:

IO-Lights allows time synchronization to external software or hardware via MIDI clock. If tempo sync is enabled, the current measured light values are sent synchronously to the MIDI host clock. Additionally a custom clock divider can be set.

Web App:

To customize IO-Lights to your needs, Instruments Of Things provide a web app hosted on their official website. Internal parameters, such as note scale or incoming brightness range can be changed in real-time and persisted via WebMIDI. New firmware updates are automatically discovered and can be directly installed in (Google Chrome/Chromium) browser via WebUSB.

Connectivity/Compatibility:

IO-Lights is a USB-MIDI class compliant device and comes with an additional USB-C to Micro USB adapter cable. It can be directly connected to your MIDI host device without additional drivers (Windows, Mac OS, Linux, Android, iOS, ...). For configuration and firmware updates a web browser with WebMIDI and WebUSB support is required.
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 1 in stock $99.66
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Nu-X Time Core Deluxe MKII Delay Effects Pedal Nu-X Time Core Deluxe MKII Delay Effects Pedal Nu-X Time Core Deluxe MKII Delay Effects Pedal Nu-X Time Core Deluxe MKII Delay Effects Pedal Nu-X Time Core Deluxe MKII Delay Effects Pedal Nu-X Time Core Deluxe MKII Delay Effects Pedal Nu-X Time Core Deluxe MKII Delay Effects Pedal
Cat: 965864 Rel: 05 Oct 23 • View all Effects pedals
 
Delay effects pedal.
Notes: Time Core Deluxe mkII is the next generation digital delay pedal from NU-X, with 7 selectable delay types. Simulation of highly revered analogue, tape and digital effect pedals with the benefit of up-to-date features such as tap-tempo, kill dry and buffered tail bypass offer a choice of high end delay effects with augmented flexibility. New additions include the proprietary Phi delay, SOS looper and layered reverb. From short slap-back echo to long multi-tap repeats, the Time Core Deluxe mkII covers practically any delay duties required for your pedal board.

Full stereo or mono signal path
True or buffered bypass options
7 distinct delay types
40 second looper function
USB-C port for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Time, Mix, Repeat, Delay type
Recording mode: 40 second sound-on-sound looper
Modes: Phi Digital, Analog, Modulation, Tape, Pan, Verb, Reverse delay
Inputs: L+R 6.3mm mono jack
Outputs: L+R 6.3mm mono jack
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Time Core Deluxe MkII pedal
Alkaline PP3 battery
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 1 in stock $99.45
Nu-X Verb Core Deluxe Reverb Effects Pedal Nu-X Verb Core Deluxe Reverb Effects Pedal Nu-X Verb Core Deluxe Reverb Effects Pedal Nu-X Verb Core Deluxe Reverb Effects Pedal
Cat: 965871 Rel: 05 Oct 23 • View all Effects pedals
 
Reverb effects pedal.
Notes: Verb Core Deluxe offers 8 different reverb effects in a single, straightforward stomp box format. A selection of classic and contemporary reverb types are available, with new features such as buffered tail bypass and kill dry functions. Each reverb type has adjustable Decay, Level and Tweak, which affects a different parameter depending upon the delay type selected. The dry signal follows an all-analogue signal path, keeping the signal pure and helping to avoid unwanted noise. If you need a reverb on your pedal board, this could be the answer to all your needs.

Mono or full stereo signal path
True bypass or buffered with reverb tails
8 distinct reverb types
Hold the footswitch for additional freeze function
USB-C port for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Decay, Level, Tweak, Reverb type
Modes: Room, Hall, Plate, Damp, Shim, Spring, Tre-verb, Mod-verb
Inputs: L+R 6.3mm mono jack
Outputs: L+R 6.3mm mono jack
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Verb Core Deluxe pedal
Alkaline PP3 battery
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 1 in stock $99.45
Nu-X Mod Core Deluxe MKII Modulation Effects Pedal Nu-X Mod Core Deluxe MKII Modulation Effects Pedal Nu-X Mod Core Deluxe MKII Modulation Effects Pedal Nu-X Mod Core Deluxe MKII Modulation Effects Pedal
Cat: 965875 Rel: 05 Oct 23 • View all Effects pedals
 
Modulation effects pedal.
Notes: Evolving from the popular Mod Core Deluxe pedal, this mkII version has new effect models, signal routing options and editing features. A choice of 8 modulation models range from chorus to phasing and vibrato, with Rate and Depth controls and an additional Tweak control to adjust a third parameter specific to each effect and a further Blend adjustment in Alt mode. Rate can also be adjusted using a Tap Tempo function of the main footswitch. Mod Core Deluxe mkII has routing options for mono out, stereo out or mono with send/return loop. When using the loop, there are 3 routing options for pre, parallel and post effect placement. If you have space for just one mod effect on your board, the Mod Core Deluxe mkII offers a choice of 8 high quality pedals in a single compact stomp box format.

8 distinct modulation effect models
Analog dry signal path for low noise and zero latency
Mono or stereo output
Built-in send-return loop
4 parameter control for effect settings
USB-C for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Rate, Depth, Tweak & Mod type
Modes: ST.CH, CE-1, SCF CHO, SCF FLG, SCF PM, U-VIBE CHO, U-VIBE VIB, PH-100
Inputs: Instrument in & Loop return (6.3mm mono jack)
Outputs: Out1 & Out2/Loop send (6.3mm mono jack)
Tempo range: 50-200 bpm
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Mod Core Deluxe mkII pedal
Alkaline PP3 battery
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 1 in stock $99.45
Mackie OnyxGO Mic Wireless Clip-On Mic With Companion App Mackie OnyxGO Mic Wireless Clip-On Mic With Companion App Mackie OnyxGO Mic Wireless Clip-On Mic With Companion App Mackie OnyxGO Mic Wireless Clip-On Mic With Companion App Mackie OnyxGO Mic Wireless Clip-On Mic With Companion App Mackie OnyxGO Mic Wireless Clip-On Mic With Companion App Mackie OnyxGO Mic Wireless Clip-On Mic With Companion App
 
Wireless clip-on mic with companion app
Notes: The app-powered OnyxGO Mic is the best way to record your voice directly to your smartphone with amazing sound quality, versatility, and ultra-compact size. Just clip it on, open the OnyxGO app, pair it, and you're ready for action. Easily record clear phone calls with built-in noise reduction and dial it in with voice-changing effects, 5-band EQ, and reverb. You can even generate subtitles on the fly with AI-powered auto-transcription. It also has a built-in headphone output for real-time stereo monitoring which also allows it to function as a wireless adapter for wired headphones. When you need great audio for your calls, live streams, and beyond on your smartphone, grab OnyxGO Mic.

Technical Specifications:

OnyxGO Mic Features:

Professional-quality built-in microphone
Connects to your mobile device via Bluetoothr
Ultra-compact design
Clips on to your shirt, jacket, sweater vest, etc.
Headphone output
Real-time stereo monitoring
Onyx preamp circuitry
OnyxGO App Features
Phone call recording
Noise reduction
Digitally mix Bluetooth audio and mic signal
Digital effects, 5 band EQ, reverb
Automatic lip sync
AI-powered auto-transcription & subtitle generation
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MRP:$114.65 SAVE 13%
 1 in stock $99.40
Doepfer A-130-8 Octal Linear VCA/Voltage Controlled Mixers Slim Line Series Module (silver)
Cat: 765896 Rel: 28 Jul 20 • View all Synth modules
 
linear VCA module
Notes: Lots of functionality in a compact format thanks to Doepfer's typically smart approach. Eight linear VCAs with three mixers built in for good measure. Can be used for both audio and CV signals. Versatile.

Supplier notes:
Module A-130-8 contains eight linear voltage controlled amplifiers (VCAs). Each VCA features a control voltage input (CV), a signal input (In) and a signal output (Out). In addition three mixers are included: the socket labelled "1-4" outputs the sum of the VCAs 1-4, the socket labelled "5-8" outputs the sum of the VCAs 5-8, the socket labelled "1-8" outputs the sum of all eight VCAs.

The signal inputs are able to process levels up to 10Vpp without clipping. Each CV input is equipped with a trimming potentiometer that is used to adjust the sensitivity of the CV input in question. In the factory the module is adjusted for the CV range 1...+5V but can be re-adjusted by the user for other control voltage ranges (e.g. 0...+10V).

The amplification range for each single VCA is 0...1. The signals of the sum outputs have a lower amplification to avoid distortion.

The VCAs and mixers are fully DC coupled, i.e. the module can be used for the processing of both audio and control voltage signals. The control voltage and signal inputs can be normalled by means of small solder pads (e.g. 1 > 2 > 3 > 4 and so on, or 1 > 5, 2 > 6, 3 > 7, 4 > 8 for the stereo application mentioned below).

Typical applications:
any kind of VCA application (e.g. voltage controlled attenuation of audio or control voltage signals)
two voltage controlled mixers with four channels each
voltage controlled stereo mixer with four channels each, for this the control voltage inputs have to be correspondingly patched or internally normalled: CV1=CV5 /CV 2=CV6 / CV3=CV7 / CV4=CV8
voltage controlled mixer with eight channels
add-on for the planned Joystick module A-174-4

HP : 6
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MRP:$116.75 SAVE 15%
 1 in stock $99.22
Doepfer A-133-2 Dual Voltage Controlled VCA/Polarizer/Inverter/Ring Modulator Module (silver)
Doepfer A-133-2 Dual Voltage Controlled VCA/Polarizer/Inverter/Ring Modulator Module (silver) (attenuator/dual/stereo/polarizer/ring modulator/VCA synth module)
Cat: 765897 Rel: 28 Jul 20 • View all Synth modules
 
VCA/polarizer/inverter/ring modulator module
Notes: A-133-2 is the slim version of the A-133 but has some additional features and improvements available compared to the A-133.

Module A-133-2 can be used for a lot of applications: as a simple VCA, or a voltage controlled polarizer/attuverter, or a voltage controlled inverter up to a DC coupled ring modulator. In principle the module contains two special voltage controlled amplifiers (VCAs) that allow both positive and negative amplification.

The overall amplification is definded by the sum of the voltage generated by the Man control, the external control voltage CV and the position of the CV control which works as an attenuator for the external control voltage. Without external CV the amplification is +1 when the Man control is fully CW. In the center position the amplification is zero and fully CCW it's -1 (i.e. the incoming signal is inverted). By means of the external control voltage CV the manually adjusted amplification can be modulated. CV can be both positive or negative (i.e. bipolar) to obtain positive or negative amplification values controlled by the external CV.

In addition the CV signal can be modulated via the modulation control input Mod by means of another control voltage. The Mod socket is normalled to +5V, i.e. a constant positive voltage is used as modulation CV provided that no plug is inserted into the Mod socket.

The current amplification is displayed by a dual color LED (note: it's not a signal display but indicates the amplification, probably yellow = positive amplification, red = negative amplification)
Application examples:
voltage controlled amplifier (VCA) with pure positive overall amplification (Man + CV)
voltage controlled inverter with pure negative overall amplification (Man + CV)
voltage controlled polarizer/attuverter overall amplification changing between positive and negative (Man + CV)
DC coupled ring modulator with offset feature, the "classical" ring modulator corresponds to Man=0 and symmetrical audio signals for In and CV
additional effects by means of the modulation feature of the CV signal (using the Mod input)
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 1 in stock $99.13
Raw Yaw Media Uni 3-Channel Attenuverter Module
Cat: 978899 Rel: 15 Nov 23 • View all Synth modules
 
Triple attenuverter utility module - 10HP
Notes: Uni is a triple attenuverter utility module designed to give cases gigantic macro control knobs.

Inputs:

CV inputs 1 and 3 - CV input for bidirectional attenuation. When input cables aren't plugged into these jacks, 5v reference signals will be used.
CV input 2 - CV input for either unidirectional or bidirectional attenuation. When an input cable isn't plugged into this jack, a 5v reference signal will be used.
Switch - toggles CV input 2 between unidirectional and bidirectional attenuation.

Outputs:

CV outputs 1, 2 and 3 - attenuated CV output. If no cables are plugged into an output jack, it is summed into the subsequent output jack.

25 mA +12V 20 mA -12V 0 mA 5V
10 HP 27mm deep
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 1 in stock $99.13
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quote 978899
Doepfer A-178 Theremin Control Voltage Source Module (silver)
Doepfer A-178 Theremin Control Voltage Source Module (silver) (controller/CV modulation/utility synth module)
Cat: 751716 Rel: 23 Oct 19 • View all Synth modules
 
Theremin controller module - 8HP
Notes: Theremin module for generating a variable control voltage by approaching/removing hand to/from an antenna. The distance range is about 30-40 cm. Additionally the module is equipped with a Gate output with adjustable threshold level. Controls/Inputs/Outputs: antenna input, offset (knob for zero adjust), 2 x CV out, 2 x LED (for CV control positive/negative and zero offset adjust).

To simulate the original Theremin two A-178, a VCO (e.g. A-110) and a linear VCA (e.g. A-130 or A-132) are required. But of course the A-178 can be used to control other functions in the A-100 (e.g. filter frequency, modulation depth and/or speed, tempo, attack/decay time and so on).

The CV output voltage of the A-178 can range - according to the setting of the front panel controls - from -10V...+10V. The gate output switches from 0V to about +10V.

Applications:

- Controlling any voltage controlled parameter of the A-100, e.g. pitch or pulsewidth (VCO A-110), loudness (VCA A-130/131/132), panorama (A-134), filter frequency or resonance (A-120/121/122/123), phasing (A-125), frequency shift (A-126), resonance peaks (A-127), envelope parameters (A-141/142), tempo (A-147)

- Triggering of A-100 activities via gate with adjustable threshold, e.g. starting an envelope (A-140/141/142), Start/Stop of a sequence (A-155), any switching function (A-150/151)

- Conversion into MIDI control change messages is possible with the A-192.

If two or more A-178 are used the distance between the modules/antennas should be at least 40-50 cm. Otherwise the antennas may affect each other.
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2hp Mix 4-Channel Mixer Module (silver)
2hp Mix 4-Channel Mixer Module (silver) (attenuator/mixer synth module)
Cat: 635860 Rel: 30 Dec 16 • View all Synth modules
 
4 channel mixer module
Notes: Mix is a 4 channel mixer that is great for audio or control voltage signals. Up to four inputs can be combined to a single output each with its own level control.
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Nobels ODR-1BC Natural Overdrive Effects Pedal With Bass Cut Switch Nobels ODR-1BC Natural Overdrive Effects Pedal With Bass Cut Switch Nobels ODR-1BC Natural Overdrive Effects Pedal With Bass Cut Switch Nobels ODR-1BC Natural Overdrive Effects Pedal With Bass Cut Switch Nobels ODR-1BC Natural Overdrive Effects Pedal With Bass Cut Switch
Cat: 902642 Rel: 17 Oct 22 • View all Effects pedals
 
Natural Overdrive gets an upgrade.
Notes: Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for nearly 30 years. In fact, this top selling pedal has developed its own almost cult following since it was first designed and engineered in the eighties.

When the original circuit was developed, there seemed to be countless overdrives on the market that had what many people describe as a 'nasal' tone, but Nobels worked hard on creating a very 'open' sounding pedal that works with you and your amplifier. The result was the ODR-1, German engineering at its finest with stacks of resistors and capacitors forming very precise filters and signal shaping, giving you a pedal that responds to your dynamics and adds texture to your tone in a very natural, musical way - all while allowing the character of your guitar to be fully retained.

Step forward to 2020 with the latest model ODR-1BC.

With numerous requests from the pedal community and professional players worldwide, Nobels have added the option of an internal Bass Cut switch under the battery cover to help tame your low end if needed. In standard mode though, you still get the full frequency response of the original that is perfect for warming up single coils etc. In addition, the internal power circuitry has been increased to allow for 9-18 V capability to provide extra headroom, if your playing styles and tone goals require it. These new features haven't altered the fundamental tone and vibe, but have increased the versatility of the pedal massively for modern rigs.

With the drive control, the distortion can be easily adjusted from almost clean to maximum drive. The circuit also works very well with your guitar's volume control, so by backing off the volume you can clean up your tone. The tonal range is controlled by the Spectrum control tone pot with mid-click and fluorescent pointers on the Glow-in-the-Dark knobs. Turn the knob clockwise and it increases the bass and treble at the same time, while turning it counter clockwise has the opposite effect. The midrange stays untouched in either direction, to ensure a transparent yet warm tone wherever the Spectrum knob is placed.
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TipTop Audio MIXZ Dual Audio/CV/Gate Mixer Module With MixBus (black) TipTop Audio MIXZ Dual Audio/CV/Gate Mixer Module With MixBus (black) TipTop Audio MIXZ Dual Audio/CV/Gate Mixer Module With MixBus (black) TipTop Audio MIXZ Dual Audio/CV/Gate Mixer Module With MixBus (black) TipTop Audio MIXZ Dual Audio/CV/Gate Mixer Module With MixBus (black)
Cat: 914511 Rel: 13 Dec 22 • View all Synth modules
 
Dual audio, CV and gate mixer module with TipTop MixBus - 10HP
Notes: MIXZ is a multi-channel mixing module for mixing audio, CV, and gate signals with excellent linear response and low noise. Balancing a clear visual layout and multiple mixers in a small footprint makes the MIXZ easy to use in a variety of configurations within a modular synth. Its high-quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth, organic merge of dynamics and excellent separation of mixing sections and channels. MIXZ has three sections:

Mixer A: a low-noise, 4-channel mixer with independent gain control for each channel.
Mixer B: a low- noise, 4-channel mixer with master gain control.
MixBus: a multi-channel mixer that mixes signals from modules utilizing the Tiptop MixBus.

Mixer A and B can be configured as either two independent, 4-channel mixers or as a single 8-channel mixer. If the output of Mixer A is not in use, then Mixer A will be routed internally to Mixer B forming the 8-channel mixer.

Tiptop MixBus is a new method we have developed to mix audio signals through the Eurorack power bus board without patch cables. A little bit of magic, eh? Although this technique is not ideal for a low-noise mix, we found it to be useful for some applications, including mixing our drum modules, which all have a MixBus-enabled output. The result is that your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch. This will save you time and frees up cables for repatching sound again and again, while keeping the channels of MIXZ free to bring other signals into the mix.

Combining the MixBus with Mixer A and B, the MIXZ sums dozens of channels in only 10HP.

Dimensions:
10 HP
36 mm deep

Current draw:
14 mA +12V
14 mA -12V
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Dreadbox Nostalgia 3-Stage Delay Module
Dreadbox Nostalgia 3-Stage Delay Module (delay/effect/external module)
Cat: 809397 Rel: 20 Jan 21 • View all Synth modules
 
3-stage delay module - 10HP
Notes: Enter a galaxy of rich and vibrant delays. The Dreadbox Nostalgia 3 Stage Delay is a superb effect module that can give you amazing results in moments. Delay is a true staple in the effects world and it can take your modular music to the next level via just a few cables.

The Dreadbox Nostalgia 3 Stage Delay is ideal for a range of modular music styles, from ambient to acid house. This 10HP module fits snugly in your system and has enough CV control to keep even the most avid patcher satisfied.

117 mA +12V
25 mA -12V
35 mm deep
10HP
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Electro Harmonix 45000 Multi-Track Looping Recorder Foot Controller Pedal
Cat: 560185 Rel: 03 Feb 15 • View all Effects pedals
 
Foot controller pedal for the 45000 multi-track looping recorder.
Notes: The EHX 45000 Foot Controller makes everything faster and easier by delivering hands free operation of the key functions of the 45000 Multi-Track Looping Recorder. Choose a new track or loop without missing a beat. Get instant access to up to 100 loops per SDHC card. Record and Play new loops with ease.

The Foot Controller receives power from the 45000 and connects to it with a standard mono guitar cable. It's a must have!

The 45000 Foot Controller allows you to use your 45000 remotely, with your feet!
Provides instant access of up to 100 loops per SDHC card
Gives you access to Track Select, Record, Play, Loop Up and Loop Down
Large dual digit display indicates the 45000's current loop number
The Foot Controller obtains all of its power from the 45000 using a standard 1/4 guitar cable
No power required

Specifications:
Circuit: Digital
Audio: Mono
Dimensions (in): 5.75 x 4.75 x 2.5
Year Released: 2013
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After Later Audio Cloverleaf 1U Case Jack Interface Module For Intellijel Cases With Headphone Amp
Cat: 900389 Rel: 21 Sep 22 • View all Synth modules
 
An interface for the case 1/4" jacks in Intelljel cases
Notes: An interface for the case 1/4" jacks in Intelljel cases. The jacks are marked as if they are part of the case, so the jacks marked out, require an input.

The module sports both input and output for either a consumer line level (0.447Vpk) or a professional line level (1.095Vpk). These levels are controllable via jumper on the back of the module. It can also have a single input and output channel switched to pedal level. The case output is fed to the headphone amp that has a corresponding level control. The module otherwise does not have any level control and relies on using a VCA or other module to perform any level controls.

The module can essentially be run in one of three modes:

1) Stereo line level in and out

2) Stereo line level in and out via the left side and mono pedal in and out on the right side. In this mode the stereo line levels leverage TRS on the 1/4" jacks. You can use the included 3.5mm couplers to get TRS on the 3.5mm side.

3) Mono line level in and out via the left side and mono pedal in and out on the right side.

For Palette 64hp users only have two 1/4" jacks. You can choose if you want to use the case jacks as either inputs, outputs, or one input and one output.
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Frequency Central Asteroids Gate Generator & Actuator Module
Cat: 1003593 Rel: 19 Mar 24 • View all Synth modules
 
Gate generator & actuator module - 8HP
Notes: Arcade performance buttons for gating and actuating.

You can use Asteroids in two different ways:

Gate generator using the two outputs. A 5V gate will be output when the relevant button in pressed.

Momentary manual actuator. Whatever is present at the relevant input will be output when the button is pressed.

Product Specifications

12V draw: 7mA
-12V draw: 0mA
5V draw: 0mA
Depth: 25mm
Width: 8HP
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 1 in stock $98.35
Doepfer A-178v Theremin Control Voltage Source Vintage Edition Module (black) Doepfer A-178v Theremin Control Voltage Source Vintage Edition Module (black)
Cat: 852800 Rel: 05 Jan 22 • View all Synth modules
 
Theremin module for generating a variable control voltage by approaching/removing hand to/from an antenna.
Notes: Theremin module for generating a variable control voltage by approaching/removing hand to/from an antenna.

The distance range is about 30 cm. Additionally the module is equipped with a Gate output with adjustable threshold level. To simulate the original Theremin two A-178, a VCO (e.g. A-110) and a linear VCA (e.g. A-130 or A-132) are required. But of course the A-178 can be used to control other functions in the A-100 (e.g. filter frequency, modulation depth and/or speed, tempo, attack/decay time and so on).

The CV output voltage of the A-178 can range - according to the setting of the front panel controls - from -10V...+10V.

The gate output switches from 0V to about +10V.

Power consumption: 60mA at +12V and 20mA at -12V

Depth: 40mm

HP : 8
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Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal
Cat: 1003303 Rel: 28 Feb 24 • View all Effects pedals
 
Analogue dry & wet mixer/attenuator & booster effects pedal
Notes: The Dreadbox PSYCLOP is the ultimate modern utility device. It's an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible.

PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.

Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.

To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.

Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.

So all you have to do is plug in and embark on your next thrilling sound design adventure.
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2hp ADSR 4-Stage Linear Envelope Module (silver)
2hp ADSR 4-Stage Linear Envelope Module (silver) (envelope generator synth module)
Cat: 638779 Rel: 21 Feb 17 • View all Synth modules
 
Four stage linear envelope module in 2HP.
Notes: ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.
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Sonuus i2M Musicport MIDI Converter & Audio Interface (black) Sonuus i2M Musicport MIDI Converter & Audio Interface (black) Sonuus i2M Musicport MIDI Converter & Audio Interface (black) Sonuus i2M Musicport MIDI Converter & Audio Interface (black) Sonuus i2M Musicport MIDI Converter & Audio Interface (black) Sonuus i2M Musicport MIDI Converter & Audio Interface (black)
Cat: 434101 Rel: 25 Aug 11 • View all MIDI converters & accessories
 
MIDI converter & Hi-Z USB audio interface
Notes: Continuing from the appeal of the G2M and B2M, the i2M Musicport combines the features of both these units (to support both guitar and bass) with an optimised USB interface for even faster MIDI performance. Featuring extended MIDI features and configurability to satisfy the most demanding users, and a high-impedance audio interface that won't suck the tone from your instrument, the i2M Musicport is the new way to connect your musical instruments to your computer.

Designed particularly for guitar and bass, it works with most musical instruments including wind instruments and the human voice. Now you can record great-sounding tracks and play synthesizers and samplers how you have always wanted to: by using your favourite instrument.

Plug and Play

Using class-compliant USB drivers built into your computer's operating system, and with no special instrument set up required, the i2M Musicport offers a true plug-and-play experience for all musicians.

Ultra-Fast Monophonic MIDI Conversion

Although latency is unavoidable when converting musical pitch into MIDI mes-sages, the unique technology used in the i2M Musicport reduces this to a minimum. Not only is the MIDI conversion extremely fast, but accurate and ro-bust. In fact, the pitch-bend detection of the i2M Musicport is more accurate than many popular guitar tuners!

Fine nuances of your playing are captured by the i2M Musicport: note velocity is determined from how hard you play; and subtle vibrato and bends are con-verted to ultra-accurate pitch-bend messages with virtually no latency. Every-thing from the emotional subtlety of a 'cello solo to the most extreme use of a guitar's whammy bar are tracked flawlessly.

The optimised USB MIDI interface further minimises latency by intelligently managing data packets and avoiding the inherent delays in the traditional MIDI hardware protocol.

Flexible MIDI Architecture

The MIDI converter architecture is very flexible and powerful comprising six zones (splits), each with configurable pitch bend, MIDI channel, transpose and other parameters.

Hi-Z USB Audio Interface

The i2M Musicport features a very high-impedance (Hi-Z) audio input circuit. This means it won't degrade the tone of your musical instruments, unlike typi-cal "line" inputs - often a problem with electric guitars and dynamic micro-phones. The input pre-amp also has adjustable gain to accommodate a wide variety of musical instruments.
High quality 16-bit, 44.1 kHz (CD quality), and 48 kHz (DVD quality) digital audio can be recorded into your favourite audio application, or used live, for example through amp-simulators with great-sounding results.

An ASIO driver (only supported on Windows operating systems) is available to provide low latency audio and features the unique ability to use any other au-dio device (even other ASIO devices) as the output audio device so you can hear everything you do in real time.

Future-Proof (Upgradeable Firmware)

To support new features and to make it futureproof, the firmware (internal software) of the i2M Musicport can be upgraded. This means you can invest with confidence in the i2M Musicport.

Pocket-Sized / Gigantic Possibilities

Fashioned as an in-line 1/4" jack-to-USB adapter, and about the size of a car key-fob, the i2M Musicport has an ultra-compact design that can easily fit into your pocket. But this tiny box will redefine your musical possibilities.

An invaluable composition tool, the i2M Musicport will let you access new sounds with ease, enable you to create tab and scores, provide you with new inspiration and let you have more fun than you thought possible.

Desktop Editor Software

The i2M Musicport features a very flexible and powerful MIDI converter archi-tecture with 6 zones enabling MIDI to be sent on up to 6 MIDI channels simul-taneously, with each zone being independently configurable. You can custom-ise each of the operating modes for your particular requirements and ex-change these settings with other i2M Musicport users.

Four presets can be stored on the i2M Musicport so you can switch between these without requiring the Desktop Editor Software. This software is available for Microsoft Windows, and OSX (10.5 and above).

Note: the i2M Musicport doesn't include its own MIDI sounds, you must use suitable software (sampler, synthesizer, sound module etc) or your computer to record or to hear the MIDI output.

Specs:

Power supply: USB bus powered
Size: 75mm x 28mm x 28mm
Weight: 40 g
Input (Instrument): 6.35mm (1/4") mono jack | 10 MOhm impedance
Switches:MODE button to select active preset
Computer: Standard Type B USB socket
Drivers: Class-compliant (built into operation system)
Preamp Gain: -12dB (cut) to +15dB (boost) in 3dB steps
Audio: 16-bit, 44.1kHz (CD Quality) | 16-bit, 48kHz (DVD Quality)

Box Contents:

i2M musicport
Printed Operators' Manual (in English)
1m USB cable
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Audio Technica ATH-M40X DJ/Studio Monitoring Headphones (black) Audio Technica ATH-M40X DJ/Studio Monitoring Headphones (black) Audio Technica ATH-M40X DJ/Studio Monitoring Headphones (black)
Cat: 519788 Rel: 04 Mar 14 • View all Studio headphones
 
Professional monitoring headphones with 40mm neodymium magnet drivers and fully detachable cables
Notes: Superb value for money with this hugely popular model from the ever-reliable Audio-Technica. A little smaller and a lot cheaper than the excellent M50X model, but with similarly clear, balanced performance.

Supplier's Notes:

The high-performance ATH-M40x professional headphones are tuned flat for incredibly accurate audio monitoring across an extended frequency range.

Your studio experience is enhanced with superior sound isolation and swiveling earcups for convenient one-ear monitoring. Engineered with pro-grade materials and robust construction, the M40x excels in professional studio tracking and mixing, as well as DJ monitoring.

This product includes interchangeable coiled and straight cables, a carry pouch and a 1/4" jack adapter for universal compatibility.
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Acid Rain Technology Navigator Attenuator Attenuverter & Mixer Module Acid Rain Technology Navigator Attenuator Attenuverter & Mixer Module
Acid Rain Technology Navigator Attenuator Attenuverter & Mixer Module (attenuator/controller/mixer/polarizer/utility module)
Cat: 804572 Rel: 22 Jan 21 • View all Synth modules
 
Voltage utility module
Notes: Navigator is a compact, multi-use voltage utility designed to bring playable control to CV sources in your rack. The combination of normalled voltages and mixing allows you to attenuate, polarize and offset signals to modulate parameters exactly within the sweet spot of another module's CV input. Navigator is a compact, multi-use voltage utility designed to bring playable control to CV sources in your rack. The combination of normalled voltages and mixing allows you to attenuate, polarize and offset signals to modulate parameters exactly within the sweet spot of another module's CV input.

Details:

4hp

25mm deep

11 mA on +12V, 8 mA on -12V, 0 mA on +5V
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Doepfer A-118-2V Noise/Random/Sample & Hold Vintage Edition Module (black)
Cat: 790467 Rel: 10 Nov 20 • View all Synth modules
 
Signal generator module
Notes: Module A-118-2 generates the signals white noise, colored noise, continuous random voltage and stepped random voltage.

The noise signal is generated 100% analog by amplification of the noise of a transistor. White and colored noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red and Blue noise (low/high frequency component) in the colored noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal is sampled at the rising edge of the Clock signal. For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. Dual color LEDs are used to indicates the continuous and stepped random voltages.

Controls:
Blue: share of the high frequencies in the the colored noise output
Red: share of the low frequencies in the the colored noise output
Rate: rate of change of the continuous random voltage
Level: amplitude of the continuous random voltage
TH/SH: switches between T&H und S&H

Inputs and outputs:
RND: continuous random voltage output (with LED display)
TH/SH: stepped random voltage output (with LED display)
Clk: Clock input of the S&H/T&H unit
C Noise: colored noise output
W Noise: white noise output

Important notes:
After power on it takes a few minutes until the two noise signals and the random signals are generated. The module is not faulty when after power on the signals do not appear immediately!

The S&H/T&H function is realized by pure analog circuitry (electronic switch followed by a holding capacitor and buffer). Consequently the output voltage drifts a bit in the holding state because the capacitor is discharged by parasitic resistors. The drift depends also upon environmental conditions like humidity or temperature.

The level of the random voltage changes with the settings of the Blue and Red controls. Especially the Red control affects the random voltage level (which is derived by low pass filtering from the colored noise signal) because the Red control changes the share of the low frequencies in the colored noise signal. The effect of the Blue control is much smaller because it changes the share of the high frequencies in the colored noise signal which are filtered out by the low pass of the random circuitry.

Power consumption: 20mA at +12V and 20mA at -12V
Depth: 40mm
HP : 4
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Tesseract Modular Tex Mix 4 Mono Channels Expandable Mixer Module
Cat: 797284 Rel: 07 Dec 20 • View all Synth modules
 
Synth module
Notes: This is a 4 mono channels expansion. Several of these modules can be added to provide more channels. Every channel features:
- Mono input
- Vactrol Gate (plug a CV into the GATE IN to modulate the volume of a channel, just like a classic VCA. When nothing is plugged in the GATE IN, the gate is normalled to fully open)
-SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the channel volume control but only if the channel switch is in ON position)
-SEND B control (post-fader)
-PAN control (only affects the master bus)
-VOLUME control (affects the master, cue and POST sends, does not affect PRE-fader send)
-ON/OFF/CUE switch: ON - channel is routed to the master bus
OFF - channel is muted
CUE - channel is routed to the cue bus

13 mA +12V
8 mA -12V
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Pigtronix GateKeeper Micro High Speed Noise Gate Effects Pedal Pigtronix GateKeeper Micro High Speed Noise Gate Effects Pedal Pigtronix GateKeeper Micro High Speed Noise Gate Effects Pedal Pigtronix GateKeeper Micro High Speed Noise Gate Effects Pedal Pigtronix GateKeeper Micro High Speed Noise Gate Effects Pedal
Cat: 853410 Rel: 21 Dec 21 • View all Effects pedals
 
High speed noise gate effects pedal
Notes: Gatekeeper is a lightning fast, studio-quality noise gate that locks out unwanted noise from any rig. Featuring Threshold and Release knobs, Gatekeeper provides 100% attenuation with unprecedented response time and utilizes ultra high-speed J-FET circuitry to completely eliminate hum, hiss, buzz and any other intrusive non-musical sounds from your signal path. Its wide range Threshold control combines with exceptional headroom to deliver smooth transient response previously available only in rackmount, studio-oriented noise gate processors. The addition of the Release knob allows the user to control how long it takes gate to slam closed.

Knob-by-knob

Threshold: Sets the dynamic at which the noise gate activates.
Release: Sets the release time of the noise gate.

Designed for all rigs

Mercilessly cutting out any and all sounds you don't want to hear at the very instant you stop playing, the Gatekeeper was designed with even the most high-gain rigs in mind. Crank the volume without fear of the annoying 60-cycle hum or white noise.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs
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Tiptop Audio BD808 Analogue Bass Drum Generator Module (light grey)
Cat: 590416 Rel: 09 Nov 15 • View all Synth modules
 
Analog bass drum snythesizer module - 4HP wide
Notes: Introducing the BD808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine. Its small size, minimalist design, and modern production methods have allowed us to bring the world's most famous bass drum sound generator back at a very low cost. The real thing is here again.

The BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay - all without compromising the signature sound of the TR-808.

A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.

All these little, but unique, features make integrating this legendary sound generator into your modular easy, unleashing the power of real analog drums and making those speaker cones shake.
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MXL 990 Condenser Studio Recording Microphone
Cat: 483705 Rel: 12 Mar 13 • View all Vocal Recording Microphones
 
Pressure gradient condenser microphone.
Notes: The 990 remains one of the industry's most ground-breaking home studio recording microphones. The first high quality condenser microphone to come into reach of working musicians, the 990 has a FET preamp and a large diaphragm for truly professional sound quality in both digital and analog recordings. This revolutionary condenser microphone continues to astound artists with its silky, high end and tight, solid low and midrange reproduction.

FET based design with transformer balanced output for a variety of applications.

Vintage body style with champagne finish.

Includes custom shockmount, mic stand adapter & carrying case.

Technical specifications:

Type: Pressure gradient condenser microphone
Capsule: 6 micron gold-sputtered
Frequency response
20 Hz - 20 kHz
Polar pattern: Cardioid
Sensitivity: 15mV/Pa
Max SPL for .5% THD: 130 dB
Impedance: 200 ohms
Equivalent noise level: 20 dB (A-weighted IEC 268-4)
Power requirements: Phantom power 48V (+- 4V)

Size and weight
60mm x 130mm / 2.36 in. x 5.11 in
544.3g / 1.2 lbs

Metal finish: Champagne

In the box:

MXL 990 Mic
Custom Shockmount
Mic Stand Adapter
Carrying Case
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ADDAC System ADDAC200PI Dual Pedal Integrator Module
ADDAC System ADDAC200PI Dual Pedal Integrator Module (dual/stereo/external synth module)
Cat: 776156 Rel: 09 Sep 20 • View all Synth modules
 
Pedal integrator module
Notes: This small utility is the pedal's lover best friend, it allows 2 diferent chains of pedals to be independently connected to your synth.

The Send channels attenuate the synth level to instrument level.

The Return channels amplify the signal from instrument to synth level.

Specs:
- Width: 4 HP
- Depth: 3 cm
- Max current: 10mA
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After Later Audio Auris Contact Mic Envelope Follower Module
After Later Audio Auris Contact Mic Envelope Follower Module (CV modulation/envelope follower/expression/external synth module)
Cat: 931529 Rel: 03 Mar 23 • View all Synth modules
 
Contact microphone envelope follower module.
Notes: An exact hardware replica of the Mutable Instruments Ears, which is based on the Music Thing Modular's Mikrophonie.

The ridges on the panel are less defined than on the Mutable version, so the texture is a bit more subtle.
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ALM 84HP 9U Synth Module Enclosure Case Dust Cover ALM 84HP 9U Synth Module Enclosure Case Dust Cover
Cat: 971551 Rel: 08 Nov 23 • View all Synth Module Accessories
 
Dust cover designed for the ALM 84HP 9U modular synth case.
Notes: Dust cover designed for the ALM 84HP 9U modular synth case.
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M-Audio Oxygen Pro Mini 32-Key USB MIDI Keyboard Controller (black) M-Audio Oxygen Pro Mini 32-Key USB MIDI Keyboard Controller (black) M-Audio Oxygen Pro Mini 32-Key USB MIDI Keyboard Controller (black) M-Audio Oxygen Pro Mini 32-Key USB MIDI Keyboard Controller (black)
Cat: 818301 Rel: 02 Jul 21 • View all MIDI keyboards
 
USB-powered MIDI keyboard controller
Notes: 32-note model from M-Audio's excellent Oxygen Pro controller series. Pads, sliders, rotaries and extensive transport controls, plus Note Repeat and built-in arpeggiator. Small but powerful.

Supplier's Notes:
The Oxygen Pro Mini is a powerful, 32-key USB powered MIDI controller that allows you to create the music you want, wherever you want! The new Oxygen Pro controllers open up worlds of expression and creativity and make bringing your production ideas to life more seamless than ever. Taking feedback from users and artists alike, these controllers are the ultimate studio and live performance tools, allowing you to keep your focus on creating music- not programming your software. It doesn't matter if you want to create music on the go or in the studio, the M-Audio Oxygen Pro series is perfectly flexible for your workflow.

It's simple to use the Oxygen Pro Mini controller with any DAW with the Oxygen Pro Mini's automatically mapped controls such as Transport, Faders, Channel controls (Record Arm, Solo, Mute, and Select), Pan controls and more. Whether you use Ableton, Pro Tools, MPC Beats, Cubase, Logic, Studio One or any other major DAW, just select your DAW in the Oxygen Pro Mini and select the correct configuration in your DAW, and the Oxygen Pro Mini's controls will be completely integrated into your DAW! It also instantly maps to all the virtual instruments included with the Oxygen Pro Mini (Velvet, Mini Grand, Vacuum, Boom, DB33, Xpand!2). These world-class Air Music Tech plugins can be fully controlled by the Oxygen Pro Mini and used in real-time as you create and mix your music.

With Smart Chord and Smart Scale technology, creating music and transferring what's in your imagination to what you hear coming out of your computer has never been easier!

With Smart Chord activated, pressing a single key or pad will play a full chord rather than just one note. The key or pad you press will determine the root note in the chord. The rest of the chord's properties (Major, Minor, and Voicing - 1,3,5; 1,3,5,7, etc.) are determined by the settings you choose. Smart Chord also has a Custom Mode which lets you to determine the chord structure that will be assigned to each key by manually playing it. For example, if you select Custom Mode, and play a 1-b3-5-b7 chord, every key will then be assigned to play this chord structure. The note of the key you press will serve as the root of the chord and all of the parameters can be edited right on the Oxygen Pro Mini!

The Oxygen Pro Mini also features intelligent Smart Scale technology. With Smart Scale, you can set the key bed so that only notes in the selected scale are able to be played. This allows you to play within a chosen scale without the risk of playing any "wrong" notes. You can choose from 16 different scale variations when assigning a scale to the keyboard. Smart Scale is easy to activate and deactivate and allows you to set the scale parameters you need to keep you focused on creating.

Built into the Oxygen Pro Mini are features that are essential to creating modern day pop, electronic, hip hop, and dance music. Note Repeat and the built-in Arpeggiator open up a world of precise music production and live sound techniques to make your music sound professional.

Note Repeat allows you to hold down any of the custom-made M-Audio performance pads and you'll hear a repeated rhythmic pattern at a selectable note division. The Note Repeat feature can be activated momentarily or can be used in Latch mode. If you choose Momentary, holding the Note Repeat button will make the note played by the pad automatically repeat. If you choose Latch, pressing any pad will cause its assigned note to repeat without you having to hold down the Note Repeat button.

The built-in Arpeggiator will affect anything you are playing on the keys from any virtual instrument in your DAW. When the Arpeggiator is activated, the keyboard will repeatedly play the pressed keys in sequence. The arpeggiator's timing and rhythm is based on the keyboard's time division setting and either the keyboard's or your DAW's tempo setting. Each note in the arpeggio will be the length you've selected for the time division setting; for example, if you select 1/4, each note in the arpeggio will be a quarter note. This powerful tool can operate in Latch or Momentary mode, making it easy to unleash your creativity.

With great feel in a lightweight chassis, the Oxygen Pro Mini controller provides a new level of creative inspiration. The M-Audio PrecisionTouch mini key bed adds professional semi-weighted action with advanced high-speed key bed scanning technology for an ultra-expressive playing experience.

What's In The Box:

Oxygen Pro Mini
USB Cable
Software Download Card
Quickstart Guide
Safety & Warranty Manual
Dimensions

15.8" x 7.52" x 2.56" / 401 mm x 190 mm x 60 mm

Weight: 2.65 lbs / 1.2 kg
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Electro-Harmonix Bass Soul Food Analogue Overdrive Effects Pedal
Cat: 569652 Rel: 28 Apr 15 • View all Effects pedals
 
Overdrive effects pedal
Notes: Natural bass overdrive and clean boost for the tone conscious! Enhance the original sound of your instrument and amp while retaining the essential character.

The EHX Bass Soul Food dives deeper than the original Soul Food, retaining even more low frequecies while adding warmth and growl to your original tone.

Its gain stage, treble control and signal path are optimized for bass guitar and guitarists wanting extended low frequency response. An adjustable clean blend assures an articulate, full tone while boosted power rails deliver extended headroom.

EHX Founder and President, Mike Matthews, stated: "Our Soul Food put 'Klon-like' transparent overdrive into the hands of players at an unprecedented price point. Now we want to bring that to bass guitarists and guitar players who want more low-end definition. The Bass Soul Food delivers a wide range of overdrive and clean boost sounds, and has plenty of volume to assert your place in the mix. It will give your tone a lift in all the right places!"

Selectable true or buffered bypass modes and a switchable -10dB pad for active instruments complete the package.

Specifications

Circuit: Analogue
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 22mA
Year Released: 2015
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Wavefonix 6 Channel Linear Mixer Module
Cat: 796514 Rel: 16 Nov 20 • View all Synth modules
 
Linear mixer module
Notes: This mixer has six DC-coupled inputs, making it perfect for mixing both audio or CV signals from sources such as VCOs, LFOs and envelopes etc.

Each channel features a unity-gain, linear attenuator.

Specifications

Format: Eurorack
Width: 12hp
Depth: approx. 25mm
Power consumption:
+12V: 10mA
-12V: 10mA
+5V: 0mA
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Tesseract Modular Tex Mix 4 Stereo Channels Expandable Mixer Module
Notes: This is a 4 stereo channels expansion. Several of this modules can be added to get more stereo channels. Every channel features:
Stereo input (L works as mono in)
SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the ON/OFF/CUE switch position and channel volume control)
SEND B control (post-fader)
PAN control (only affects the master bus)
VOLUME control (affects the master, cue and POST sends)
ON/OFF/CUE switch: ON- channel is routed to the master bus
OFF- channel is muted
CUE- channel is routed to the cue bus

15 mA +12V
15 mA -12V
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MXL 770 Small Diaphragm Condenser Studio Microphone With Pad & HPF
Cat: 483707 Rel: 01 Mar 13 • View all Vocal Recording Microphones
 
Small diaphragm condenser microphone.
Notes: The 770 is a high-quality multipurpose condenser mic that vocalists gravitate to for its solid low-frequency response and clear high end. To achieve this we use a high-quality FET pre-amp and transformerless balanced output for a wide dynamic range and low noise. The 770 features include a low-frequency roll-off to reduce unwanted rumbling and a -10db pad to facilitate a wide variety of sound sources. The 770 comes with a shock mount to reduce mechanical vibrations and a rugged carrying case. The 770 is a perfect combination of quality, flexibility, and value for both professional and home recording studios.

Multipurpose workhorse microphone equally at home in a studio or streaming/podcasting setup
Low-frequency roll-off and -10db pad for a variety of sources
Neutral voicing provides the clarity needed for critical audio applications

Technical specifications:

Type: Condenser microphone
Capsule: 22mm gold-sputtered capsule
Frequency response: 20 Hz - 20 kHz
Polar pattern: Cardioid
Sensitivity: 15mV/Pa
Impedance: 150 ohms
Attenuation switch: 0dB, -10dB
High pass filter: 6dB/octave @ 150Hz
Equivalent noise level: 20 dB (A-weighted IEC 268-4)
Max SPL for .5% THD: 137 dB
S/N Ratio: 74 dB (Ref. 1 Pa A-weighted)
Power requirements: 48V phantom power

Size and weight:
59mm x 158mm / 2.32 in. x 6.22 in.
453.59g / 1lb

Metal finish: Black with black grill
Included accessories: MXL case | MXL 70 shock mount

In the box:

MXL 770 Mic
Carrying Case
High Isolation Shockmount
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FORTHCOMING
Decksaver Midas M32R & M32R Live Dust Cover Decksaver Midas M32R & M32R Live Dust Cover Decksaver Midas M32R & M32R Live Dust Cover Decksaver Midas M32R & M32R Live Dust Cover Decksaver Midas M32R & M32R Live Dust Cover
Cat: 1009960 Rel: 30 Jun 24 • View all Recording Studio Accessories
 
Dust cover designed to fit the Midas M32R or M32R Live
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $96.51
(No payment required now - pay when released)
CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand CoverUp Pro Roland Compact Modular 3-Tier Desktop Stand
Cat: 968739 Rel: 01 Nov 23 • View all Recording Studio Accessories
 
Stand designed for three of the following: S-1 Tweak, T-8 Beat Machine, J-6 Chord Synth and E-4 Voice Tweaker.
Notes: Introducing the Roland Compact 3-Tier Modular Equipment Stand

Elevate your musical experience with the Roland Compact 3-Tier Modular Equipment Stand, a versatile solution designed to enhance your stage setup. Crafted with precision using cutting-edge 3D printing technology, this stand boasts a perfect blend of form and function, offering musicians a truly exceptional experience.

Key Features:

Modular Design: The Roland Compact stand features a smart, modular design, allowing you to use it either as a complete unit or as separate tiers. This adaptability ensures that your equipment setup is tailored precisely to your needs.

Eco-Friendly Materials: We're committed to sustainability! Our stand is created using eco-friendly materials, reducing its environmental impact. You can enjoy your music guilt-free, knowing that you're contributing to a greener world.

Lightweight and Portable: Musicians are always on the move, and we've got you covered. This stand is exceptionally lightweight, making it easy to transport from one gig to another. Say goodbye to the hassle of heavy gear!

Sturdy and Reliable: Despite its featherweight design, the Roland Compact stand is incredibly sturdy. You can trust it to hold your valuable equipment securely, providing you with the stability you need for a flawless performance.

Space-Efficient: With its three-tier configuration, this stand maximizes your available space. Organize your gear efficiently, so you can focus on making music without worrying about clutter.

Whether you're a solo artist, part of a band, or a live performer, the Roland Compact 3-Tier Modular Equipment Stand is the perfect choice for taking your performance to the next level. Its innovative design, sustainable production, and ease of transportation make it an invaluable addition to your musical arsenal.
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Doepfer A-130-2v VCAs Dual Linear/Exponential VCA Slim Line Series Vintage Edition Module (black)
Cat: 973749 Rel: 14 Nov 23 • View all Synth modules
 
Dual linear/exponential VCA module - 4HP.
Notes: Module A-130-2v is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

Gain: manual gain control (Initial Gain) in the range 0...1
CV: attenuator for the CV input
lin/exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)
Inputs and outputs (for each of both units):

CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
In: signal input, max. 16Vpp (+8V...-8V) without distortion
Out: signal output

A-130-2v is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

Power consumption: 30mA at +12V and 30mA at -12V

Depth: 50mm

HP : 4
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4ms Row Power 25 Power Supply Module 4ms Row Power 25 Power Supply Module 4ms Row Power 25 Power Supply Module
Cat: 752437 Rel: 25 Oct 19 • View all Synth modules
 
25W Eurorack power supply
Notes: The Row Power 25 is a clean, regulated, and protected power supply module for Eurorack systems. It requires a barrel-style power brick (15V - 20V DC) and supplies power to modules via flying bus cables, direct connection, and/or bus boards.

The Row Power 25 provides 25W of power for any Eurorack modules (typically 4-10 modules*):

+12V @ 1.4A maximum, 1.0A recommended
-12V @ 0.8A maximum, 0.5A recommended
+5V @ 1.0A maximum, 0.8A recommended

*number of modules can vary depending on each module's power consumption.

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 25 can also be daisy-chained to Pods. Each Row Power and Pod will be independently regulated and protected for ultra-low cross-talk between rows.
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2hp Euclid Euclidean Gate Sequencer Module (silver)
Cat: 667366 Rel: 31 Oct 17 • View all Synth modules
 
Rhythmic pattern generator
Notes: Euclid is a rhythmic pattern generator based on ideas originally presented by Euclid, the Greek mathematician. The Euclidean algorithm can be adapted to create rhythms by taking the total number of active steps in a sequence, and then distributing them across the entirety of the pattern.

This creates cyclical rhythms that are immediately musical and can be used for everything from EDM to IDM. Bring your patches full circle with Euclid.
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New Systems Instruments LFO Phase Expander Module
New Systems Instruments LFO Phase Expander Module (expander/LFO/phase shifter synth mdoule)
Cat: 929803 Rel: 20 Mar 23 • View all Synth modules
 
Quad LFO expander module in 6HP.
Notes: Unlock the potential of the Quad LFO with the LFO Phase Expander. Each expander gives you three outputs that duplicate the LFO with a fixed phase difference. The first ranges from 0- to 180-, the second from 90- to 270-, and the last from 180- to 360-. Along with the original output, this gives you four phases of modulation. These are easily tuneable to quadrature (all knobs centred), but also any arbitrary phase relationship. You can attach up to four expanders, one for each LFO, giving you up to sixteen modulation sources.

A multiphase LFO is extremely useful for building rhythmic modulations, particularly when paired with analogue logic, such as provided by Babel. Further, regardless of the waveform selected on the Quad LFO, the output of the Phase Expander is always a sine wave. This gives you the useful possibility of having three rhythmically related phases of an LFO synced to a clock signal.

Other than rhythmic modulations, the most common use of a multiphase sine LFO is in creating panning and crossfade controls that sound correct using only one or more VCAs. This is useful in panning sounds back and forth, rotating a sound in quadraphonic space, creating Shepard tones, etc.

Even when you don't have a specific need for exact phase relationships, a multiphase LFO gives you a convenient way to expand your palette of potential modulators, adding three related but distinct waves.

Specs

Size: 6HP
Depth: 22mm
Power Consumption: +12V 21mA, -12V 21mA
Output Swing: -5V - +5V peak
Output Impedance: 1kO
Output Drive: 2kO (min), 20kO+ (ideal)
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IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC IK Multimedia iRig Stream Streaming Audio Interface For iOS, Mac & PC
Cat: 751621 Rel: 21 Nov 19 • View all Audio interfaces
 
Audio interface for live streaming
Notes: Today's mobile devices make it easier than ever to share your music with the world. From Instagram live-streams to YouTube videos, SoundCloud playlists and more, social media and smartphones have become a key aspect of how many musicians get heard and connect with fans.

iRig Stream makes it easier than ever to share, letting you connect instruments, mixers and more to your iPhone, iPad, Android device and Mac/PC, with convenient features designed just for use on today's most popular platforms. Whether it's mono or stereo, live playing or an existing mix, iRig Stream gets you connected to all your favourite apps, so you can start connecting with listeners instantly.

Get connected:

iRig Stream makes it easier than ever to connect. With USB, USB-C and Lightning cables right in the box, it plugs into all the latest iPhones, iPads, and Android devices, as well as Mac & PC - even the latest devices.

2 line-level RCA inputs are perfect to connect DJ and multi-channel mixers, but are also great for keyboards, synth & drum machine setups, and more. Whether you're looking to stream your DJ set, record band practice, jam along with your favourite song, or even host a podcast, iRig Stream lets you connect a massive range of gear.

Sound your best:

iRig Stream offers 24-bit, 48 kHz A/D and D/A converters to ensure a clean, professional signal regardless of the platform you'll wind up on. And adjustable input gain and easy-to-read level indicators let you dial in the right sound level instantly

Make your voice heard:

iRig Stream offers a unique headphone / microphone jack, wired just like your smartphone, so you can listen and talk over the stereo input simultaneously.

The mic input is mixed into the stereo inputs, to ensure it works with any app, and offers adjustable volume. Best of all, it works with most headphones with a built-in mic*, and also with IK products like iRig Mic Lav, iRig Mic, and iRig Pre, giving you a wide range of options for any situation.

Designed for apps:

If you're ever tried streaming or sharing audio on social media, you know many apps only support mono signals - so iRig Stream offers a mono/stereo switch to compensate. Stereo passes both inputs as left & right channels, and mono mixes them together to a single channel, ensuring you won't lose anything panned to one side.

iRig Stream also offers a loopback function that lets you mix the output of your device with the incoming signal. Load up a backing track in your favourite music app, jam along on your instrument, then send both signals together to a video or live-stream - all on one device!

Comprehensive compatibility:

iRig Stream works with any app that records or streams audio or video, so you'll never stop finding new ways to use it. To get you started, it includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video recording app. Record, trim, edit and share, right from your device.

Built to go and to last:

iRig Stream is compact enough to slip into the pocket of your backpack, so it's ideal for use on the go. It runs off your device's battery, so there's no batteries to run out mid-show, but can also charge your device with an optional power supply, to keep you going for extended sessions.

Includes:

- iRig Stream interface
- Lightning to mini-DIN connection cable (60cm/23.62")
- USB C-Type to mini-DIN connection cable (60cm/23.62")
- USB A-Type to mini-DIN connection cable (60cm/23.62")
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Walrus Audio Fundamental Series Overdrive Effects Pedal Walrus Audio Fundamental Series Overdrive Effects Pedal Walrus Audio Fundamental Series Overdrive Effects Pedal
Cat: 939299 Rel: 14 Apr 23 • View all Effects pedals
 
Three-mode overdrive effects pedal.
Notes: The Fundamental Drive is a versatile overdrive that allows for a wide range of tones thanks to its three-mode switch. It's the perfect tool at the front of your chain to set the tone for your whole rig.

The Gain slider sets the amount of gain applied to your guitar signal passing through the overdrive circuit.

The Tone slider controls the amount of high-frequency level reduction.

The Volume slider sets the overall output volume of the pedal.

The slide switch allows you to change between 3 distinct flavours of the pedal. Each position has different clipping modes or tone profiles.

Smooth: A classic soft-clipping silicon overdrive. Clean and smooth.

Crunch: Silicon soft clipping with added hard clipping silicon diodes and a slight low-end boost. Crunchy and edgy.

Bright: Silicon soft and hard clipping from the Crunch mode with a pre-clipping low-end cut. Bright and glassy.

For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.
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4ms Pod64X 64HP Unpowered Synth Module Enclosure Case 4ms Pod64X 64HP Unpowered Synth Module Enclosure Case
Cat: 769793 Rel: 20 Mar 20 • View all Synth Module Accessories
 
eurorack enclosure case
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod64X Unpowered is 64HP with 2.16" (55mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

64 HP Eurorack modular space
Standard M3 threaded holes
100% lightweight anodized aluminum

Includes:

64HP Pod, black anodized aluminum
M3 x 8mm pan-head screws, stainless steel (20)
Adhesive rubber feet (4)
Unpowered: requires you to provide your own Eurorack power system
Exterior dimensions:
Width: 329.7mm (12.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 64HP
Weight:
0.42 kg = 14.9 oz
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Happy Nerding PanMix Jr 3-Channel Mixer Module With Manual Panning & Volume Controls (silver)
Cat: 960498 Rel: 04 Aug 23 • View all Synth modules
 
3-channel mixer module with manual panning and volume controls - 6HP.
Notes: PanMix Jr is a high quality 3 channel mixer with manual panning and volume controls with dual concentric knobs. Each channel's output is separately available. Also channels 1 and 2 can be switched to be mixed with the subsequent channel, allowing for 1-1-1, 1-2, 3 mix configurations. Equal power pan law (3dB) is provided. Left and Right led indicators available for all three channels.

Several modules can be chained together via connections on the back side. This connection is possible with other Happy Nerding stereo modules too. At the moment PanMix Jr stereo output can be internally sent to another PanMix Jr, 3x Stereo Mixer and Isolator module. Or stereo signal can be received from another PanMix Jr, OUT, 3x Stereo Mixer, latest revision of PanMix.

55 mA +12V
55 mA - 12V
35 mm Depth
6 HP wide
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 1 in stock $94.65
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