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2hp
Cat: 725419 Rel: 19 Mar 19 • View all Synth modules
 
2HP Eurorack buffered mult module - silver
Notes: The 2hp Buff is a buffered multiple capable of splitting an input signal to multiple outputs. Due to its active architecture, inputs retain their full integrity as they are copied to multiple destinations. One input signal can be copied to six outputs, or two inputs can be copied to three outputs each. The Buff is especially great for splitting pitch or audio signals where signal integrity is critical. Keep your signals in shape with Buff.
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 2 in stock $66.51
2hp
Cat: 725418 Rel: 19 Mar 19 • View all Synth modules
 
Voltage offset generator with three channels & voltage ranges - black
Notes: The 2hp DC is a voltage offset generator. It creates three channels of offset voltages, each with a different output range. Great for manually controlling CV inputs through a known range or summing together with CV signals to act as a bias. With the addition of a multiple, you can control several modules at once with a single knob. Take control with DC.
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 1 in stock $77.42
2hp
Cat: 725417 Rel: 19 Mar 19 • View all Synth modules
 
Voltage offset generator with three channels & voltage ranges - silver
Notes: The 2hp DC is a voltage offset generator. It creates three channels of offset voltages, each with a different output range. Great for manually controlling CV inputs through a known range or summing together with CV signals to act as a bias. With the addition of a multiple, you can control several modules at once with a single knob. Take control with DC.
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 2 in stock $76.33
Cat: 752435 Rel: 25 Oct 19 • View all Synth modules
 
Small passive expander for the Listen Four & Listen IO modules - 4HP
Notes: The Listen Up is a small passive expander for the Listen modules that provides stereo 1/4" (6.35mm) jack inputs and outputs. It connects to one or two Listen modules and/or WAV Recorder module with the included 3-pin cables. There are four 1/4" jacks arranged in left/right pairs. The left jack of each pair can be used as a TRS stereo jack if the right jack is unpatched.
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 2 in stock $63.24
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Cat: 706834 Rel: 12 Dec 18 • View all Synth module accessories
 
20HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod20 is 20HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod20 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
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 1 in stock $84.52
Cat: 706837 Rel: 12 Dec 18 • View all Synth module accessories
 
26HP metal enclosure for Eurorack modules with built-in power supply
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 is 26HP with 1.34" (34mm) of available module depth. The built-in power supply has two power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod26 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.
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 1 in stock $98.14
Cat: 706836 Rel: 12 Dec 18 • View all Synth module accessories
 
26HP metal enclosure for Eurorack modules
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod26 Unpowered is 26HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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 2 in stock $53.44
Cat: 752442 Rel: 25 Oct 19 • View all Synth module accessories
 
32HP metal enclosure for Eurorack modules with built-in power supply - Beta version
Notes: Limited Beta version of the popular Pod32. These are new, fully tested and functional units. The only difference between the Pod32 Beta and the regular Pod32 is that the Beta version has fewer holes to screw in modules. Most common Eurorack sizes will fit from 4HP to 32HP, but some odd sizes and combinations won't fit. Please refer to the product image, or visit the 4ms website for possible module combinations.

This Pod requires a power brick (not included). Or, if you already have a Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain power supplies.

Pods are a perfect way to get started in Eurorack module, or add a couple more modules to your monster system!

Made from 100% anodized aluminium, Pods are light, tough and perfect for on-the-go set ups. Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!
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 3 in stock $68.70
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Cat: 706839 Rel: 12 Dec 18 • View all Synth module accessories
 
32HP metal enclosure for Eurorack modules
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod32 Unpowered is 32HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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 2 in stock $53.44
Cat: 725503 Rel: 12 Apr 19 • View all Synth module accessories
 
Portable, compact enclosure that turns Eurorack modules into table-top instruments
Notes: The Pod40X Unpowered is 40HP with 2" (51mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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 1 in stock $68.70
Cat: 725518 Rel: 12 Apr 19 • View all Synth module accessories
 
Portable, compact enclosure that turns Eurorack modules into table-top instruments
Notes: The Pod40X Unpowered is 48HP with 2" (51mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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 2 in stock $68.70
Cat: 711004 Rel: 12 Dec 18 • View all Synth module accessories
 
60HP metal enclosure for Eurorack modules
Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod60 Unpowered is 60HP with 1.34" (34mm) of available module depth. No power supply is included, you must supply your means of powering modules with a DIY power supply or a front-facing module such as the Row Power. Two holes on the rear face are plugged with removable plastic plugs, and can be used for DIY applications.
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 2 in stock $76.33
Cat: 752437 Rel: 25 Oct 19 • View all Synth modules
 
25W Eurorack power supply
Notes: The Row Power 25 is a clean, regulated, and protected power supply module for Eurorack systems. It requires a barrel-style power brick (15V - 20V DC) and supplies power to modules via flying bus cables, direct connection, and/or bus boards.

The Row Power 25 provides 25W of power for any Eurorack modules (typically 4-10 modules*):

+12V @ 1.4A maximum, 1.0A recommended
-12V @ 0.8A maximum, 0.5A recommended
+5V @ 1.0A maximum, 0.8A recommended

*number of modules can vary depending on each module's power consumption.

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 25 can also be daisy-chained to Pods. Each Row Power and Pod will be independently regulated and protected for ultra-low cross-talk between rows.
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 2 in stock $97.05
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Cat: 716718 Rel: 17 Jan 19 • View all Live mixers
 
Mixer for microphones, instruments & line-sources, plus USB interface with assignable recording/playback sources
Notes: The ART USBMix4 is a great starting point for building a personal home studio. Perfect for podcasters, songwriters or at home movie makers looking for a simple solution for recording voiceovers, location recording or adding music to your projects using any Mac or PC.

- High Performance Low Noise Design
- Switchable +48v Phantom Power (CH1 & CH2)
- Assignable USB Record Source
- Independent Level Controls for Main and Headphone/Monitor Outputs
- 1/8th-inch Headset Connectors (Mono Mic In and Stereo Headset Out)
- Integrated Class Compliant Plug-and-Play USB Audio for Mac & PC
- Operates on USB Power or 5VDC External Power Supply (Included)
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 1 in stock $85.07
Cat: 745086 Rel: 09 Sep 19 • View all MIDI keyboards
 
Smart, versatile controller with 25 high quality keys, travel-friendly features & powerful software included - black & white edition
Notes: A new controller keyboard from Music tech pioneers Arturia that excites both new users and experienced professionals alike. MicroLab is a small-scale MIDI keyboard with smart design features that you can take anywhere.

THE KEYS:

MicroLab features the same professional slim-keys as their industry standard KeyStep controller. The keybeds found on budget controllers are often not very inspiring, but the 25 expressive, velocity-sensitive keys on MicroLab are simply a joy to play. The hold button gives you instant sustain, and by holding the shift key, you can access the "Chord" mode, letting you program in a chord and replay with just one finger.

THE FEATURES:

The rubberized shell protects MicroLab from and bumps and scrapes when you're on the move, and also features a recess that perfectly fits the USB cable, letting you store or pack it easily. MicroLab also includes capacitive mod and pitch controls that work in the same way that touchscreens do, these also let you swipe through and select presets with a tap. You can also quickly switch MIDI channels via the dedicated knob and numbered keys.

THE SHAPE:

Arturia have designed this controller to work with you, and not get in the way. Because the cable is recessed, you can push it right up against other gear in your studio without cables getting in the way. It's the width of the average plane and train tray table, and the shell stops it from sliding around. The keys are also recessed slightly into the body, nothing sticks out, so there's nothing to catch when you slip it into your backpack.

THE SOFTWARE:

MicroLab includes 3 great software titles for free:

- Analog Lab Lite - Explore 600 fantastic presets taken from Arturia's award-winning V Collection series. Analog and digital synths, classic organs and pianos.
- UVI Grand Piano Model D - A beautifully sampled Steinway for you to play using MicroLab's expressive, velocity-sensitive keys.

Bitwig Studio 8-Track - A powerful and innovative software studio to record, sequence, and mix your tracks. Make music right out of the box.
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 More than 10 in stock $68.49
Cat: 745083 Rel: 09 Sep 19 • View all MIDI keyboards
 
Smart, versatile controller with 25 high quality keys, travel-friendly features & powerful software included - blue & white edition
Notes: What's your favourite colour? Arturia's tiny keyboard comes in orange, blue or black. Highly portable two-octave design with MIDI over USB. We like the blue one.

Supplier notes:
A new controller keyboard from Music tech pioneers Arturia that excites both new users and experienced professionals alike. MicroLab is a small-scale MIDI keyboard with smart design features that you can take anywhere.

THE KEYS:

MicroLab features the same professional slim-keys as their industry standard KeyStep controller. The keybeds found on budget controllers are often not very inspiring, but the 25 expressive, velocity-sensitive keys on MicroLab are simply a joy to play. The hold button gives you instant sustain, and by holding the shift key, you can access the "Chord" mode, letting you program in a chord and replay with just one finger.

THE FEATURES:

The rubberized shell protects MicroLab from and bumps and scrapes when you're on the move, and also features a recess that perfectly fits the USB cable, letting you store or pack it easily. MicroLab also includes capacitive mod and pitch controls that work in the same way that touchscreens do, these also let you swipe through and select presets with a tap. You can also quickly switch MIDI channels via the dedicated knob and numbered keys.

THE SHAPE:

Arturia have designed this controller to work with you, and not get in the way. Because the cable is recessed, you can push it right up against other gear in your studio without cables getting in the way. It's the width of the average plane and train tray table, and the shell stops it from sliding around. The keys are also recessed slightly into the body, nothing sticks out, so there's nothing to catch when you slip it into your backpack.

THE SOFTWARE:

MicroLab includes 3 great software titles for free:

- Analog Lab Lite - Explore 600 fantastic presets taken from Arturia's award-winning V Collection series. Analog and digital synths, classic organs and pianos.
- UVI Grand Piano Model D - A beautifully sampled Steinway for you to play using MicroLab's expressive, velocity-sensitive keys.

Bitwig Studio 8-Track - A powerful and innovative software studio to record, sequence, and mix your tracks. Make music right out of the box.
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$75.25 SAVE 10%
 9 in stock $67.73
Cat: 745084 Rel: 17 Sep 19 • View all MIDI keyboards
 
Smart, versatile controller with 25 high quality keys, travel-friendly features & powerful software included - orange & white edition
Notes: A new controller keyboard from Music tech pioneers Arturia that excites both new users and experienced professionals alike. MicroLab is a small-scale MIDI keyboard with smart design features that you can take anywhere.

THE KEYS:

MicroLab features the same professional slim-keys as their industry standard KeyStep controller. The keybeds found on budget controllers are often not very inspiring, but the 25 expressive, velocity-sensitive keys on MicroLab are simply a joy to play. The hold button gives you instant sustain, and by holding the shift key, you can access the "Chord" mode, letting you program in a chord and replay with just one finger.

THE FEATURES:

The rubberized shell protects MicroLab from and bumps and scrapes when you're on the move, and also features a recess that perfectly fits the USB cable, letting you store or pack it easily. MicroLab also includes capacitive mod and pitch controls that work in the same way that touchscreens do, these also let you swipe through and select presets with a tap. You can also quickly switch MIDI channels via the dedicated knob and numbered keys.

THE SHAPE:

Arturia have designed this controller to work with you, and not get in the way. Because the cable is recessed, you can push it right up against other gear in your studio without cables getting in the way. It's the width of the average plane and train tray table, and the shell stops it from sliding around. The keys are also recessed slightly into the body, nothing sticks out, so there's nothing to catch when you slip it into your backpack.

THE SOFTWARE:

MicroLab includes 3 great software titles for free:

- Analog Lab Lite - Explore 600 fantastic presets taken from Arturia's award-winning V Collection series. Analog and digital synths, classic organs and pianos.
- UVI Grand Piano Model D - A beautifully sampled Steinway for you to play using MicroLab's expressive, velocity-sensitive keys.

Bitwig Studio 8-Track - A powerful and innovative software studio to record, sequence, and mix your tracks. Make music right out of the box.
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 9 in stock $73.07
Audiowerkstatt DIN 2 MIDI 2 DIN Converter v2 (DIN 2 MIDI 2 DIN Converter)
Cat: 714389 Rel: 20 Dec 18 • View all Audio & MIDI interfaces
 
Converts DIN-Sync/Sync24/Sync48 signal to MIDI-clock-signals & vice versa
Notes: The audiowerkstatt din2midi2din v2 has a MIDI- and a DIN-sync-output and on both outputs a clock-signal is sent at the same time.

With a button you can select, if the clock-signal present at the DIN-sync- or the MIDI-input is used. A LED indicates the selected input.

The device operates as a standard in "Sync24"-mode (24 clock pulses per quarter note). By holding the button when switching on, the device is started in "Sync48"-mode (48 clock pulses per quarter note).

All settings will be saved and restored at startup.
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 2 in stock $97.06
Cat: 745114 Rel: 27 Aug 19 • View all Wireless microphones
 
Dual wireless microphone system
Notes: Dual wireless microphone system with fixed UHF receiver and 2 handheld transmitters. The receiver unit is compatible with standard 19" racks using the included rack ears and front mounting antenna accessories.

In the box:

Dual channel receiver
2 x handheld transmitters
4 x AA batteries
2 x UHF antennas
2 x antenna leads
2 x rack-mounting ears
Mains power adaptor
6.3mm jack to jack lead
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 1 in stock $95.96
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Cat: 745116 Rel: 27 Aug 19 • View all Wireless microphones
 
Dual wireless microphone system
Notes: Dual wireless microphone system with fixed UHF receiver and 2 handheld transmitters. The receiver unit is compatible with standard 19" racks using the included rack ears and front mounting antenna accessories.

In the box:

Dual channel receiver
2 x handheld transmitters
4 x AA batteries
2 x UHF antennas
2 x antenna leads
2 x rack-mounting ears
Mains power adaptor
6.3mm jack to jack lead
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 1 in stock $95.96
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Cat: 735368 Rel: 11 Jun 19 • View all Live mixers
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 2 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
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 1 in stock $64.33
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Cat: 735370 Rel: 11 Jun 19 • View all Live mixers
 
Compact mixer with USB/Bluetooth
Notes: Compact format audio mixer with 4 mono input channels and a stereo line input. Each mono channel has a combo XLR/jack input with individually switchable mic/instrument impedance and +48V phantom power for the XLR. Input channels have High/Low EQ and Pan controls and mono channels also have Effects level to vary the amount of internal digital delay effect added for vocals or instruments. An internal player/recorder with backlit display can accept a USB memory stick containing compressed audio files in various formats or alternatively connect to a smart phone via Bluetooth for wireless link. Output is delivered on a pair of balanced XLR connectors and offers very low noise operation for high quality studio or live performances.
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 2 in stock $79.60
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Cat: 740109 Rel: 25 Jul 19 • View all Decksavers + DJ equipment covers
 
Protective cover specifically designed to fit the Moog Grandmother synthesiser
Notes: The tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good analogue synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the Grandmother can sit ready for operation. Slides straight into a flight or soft case for maximum protection during transportation. This cover is designed with 50mm clearance for patch cables, meaning you can leave your cables in place when travelling or protecting your modular setup in the studio. Shields delicate controls and internal components from damage at home, on the road and on stage.
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 1 in stock $52.34
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Cat: 740120 Rel: 24 Jul 19 • View all Decksavers + DJ equipment covers
 
Protective cover specifically designed to fit the Moog Mother 32 & DFAM
Notes: The tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the Mother 32 / DFAM can sit ready for operation. Slides straight into a flight or soft case for maximum protection during transportation. Our Mother 32 & DFAM cover features Soft-Fit technology, providing extra protection to vulnerable wooden cheek panels that often adorn synthesizers. This cover is designed with 50mm clearance for patch cables, meaning you can leave your cables in place when travelling or protecting you Mother-32 / DFAM in the studio. Shields delicate controls and internal components from damage at home, on the road and on stage.
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 1 in stock $50.16
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Cat: 740107 Rel: 25 Jul 19 • View all Decksavers + DJ equipment covers
 
Protective cover specifically designed to fit Sequential Prophet Rev 2 Synthesiser
Notes: The tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good analogue synth down over the years - this is where Decksaver steps in. Precision trimmed for a perfect fit whilst accommodating cables, the Prophet Rev-2 can sit ready for operation. Our Prophet Rev 2 cover features Soft-Fit technology, providing extra protection to vulnerable wooden cheek panels that often adorn synthesisers. Slides straight into a flight or soft case for maximum protection during transportation. Shields delicate controls and internal components from damage at home, on the road and on stage.
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 1 in stock $56.70
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Cat: 755432 Rel: 13 Nov 19 • View all Synth module accessories
 
Power supply & bus board with 8 connectors for Eurorack modules
Notes: A-100SSB is a combination of power supply and bus board with 8 connectors for A-100 modules, planned for applications with up to 8 modules and a max. current of 380 mA.

- Wide range mains voltage input 100-240V AC / 50-60 Hz
- IEC inlet on board for the connection of a suitable mains cable (a suitable mains cable has to be purchased by the customer locally, it's not included with the A-100SSB)
- Switching supply with +12V/380 mA and -12V/380mA for the operation of A-100 modules up to 380 mA total supply current
- Safety cover at the bottom side (covers all elements that lead mains voltage)
- On board fuse
- 8 bus connectors
- LED displays for +12V, -12V and +5V
- Dimensions: about 270 mm (length) x 55 mm (width) x 35 mm (height)
- Several 3mm holes for mounting the unit on a rear panel or bottom plate
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 1 in stock $71.97
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Cat: 755435 Rel: 12 Nov 19 • View all Synth module accessories
 
Miniature PSU/bus board
Notes: The A-100 MNT (Mini power supply/bus) is composed of a miniature power supply and system bus, with connectors for four modules. It's designed to be used with a small set-up of just a few modules, in your own custom-designed case. The idea is that then you can use individual A-100 modules - for instance the filters, the filterbank, frequency shifter, sampler, MIDI interface, etc. - as free-standing pieces of equipment, which can easily be integrated with your other instruments or recording equipment.

The power supply provides the usual A-100 system requirements of +12 V and -12 V, and an additional +5 V supply, for the few modules (for instance A-190, A-191) which need it. The maximum current loading capacity totals 100 mA for +/- 12 V and/or 50 mA for the +5 V supply.

The system bus provides connections for four System A-100 modules. As well as the power supply, it also carries "INT.CV" and "INT.GATE" connections (see A-100 manual, main introduction, chapter 3, 'The A-100 signal flow'.).

The A-100 MNT is supplied as standard with an external power supply, which has to be connected to the socket on the MNT's circuit board.
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 1 in stock $51.25
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Cat: 577753 Rel: 06 Jun 19 • View all Synth modules
 
12dB multi-mode filter - 8HP
Notes: Module A-106-5 is a 12dB multimode filter that is based on the filter circuit of the Oberheim SEM module.

The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates.

The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

The module generates a distorted audio signal if the level control is set to about 50% (i.e. centre position) or more with A-100 standard signals like VCOs.
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 1 in stock $80.69
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Cat: 731938 Rel: 10 Jun 19 • View all Synth modules
 
Noise/random generator - 4HP
Notes: Module A-118-2 is the slim version of module A-118-1 and offers essentially the same features as the A-118-1. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-118-1. The module is primarily planned for applications where only limited space is available. The functional difference between A-118-1 and A-118-2 is the additional T&H/S&H unit which is not included in the A-118-1.

The module generates the signals white noise, coloured noise, continuous random voltage and stepped random voltage (derived from the continuous random voltage by means of a S&H/T&H unit).

The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is derived from the coloured noise signal by low pass filtering. Consequently the settings of the controls for the coloured noise (Blue, Red) affect the behaviour of the random voltage! A dual colour LED (red = positive / yellow = negative output voltage) indicates the continuous random voltage.

The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal (= continuous random voltage) as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal (= continuous random voltage) is sampled at the rising edge of the Clock signal.

For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. It does not work with slowly changing continuous CV signals. Another dual colour LED (red = positive / yellow = negative output voltage) indicates the stepped random voltage.
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 5 in stock $78.51
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Cat: 731940 Rel: 11 Jun 19 • View all Synth modules
 
Compact two-channel VCA - 4HP
Notes: Module A-130-2 is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

The module is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

- Gain: manual gain control (Initial Gain) in the range 0...1
- CV: attenuator for the CV input
- Lin/Exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)

Inputs and outputs (for each of both units):

- CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
- In: signal input, max. 16Vpp (+8V...-8V) without distortion
- Out: signal output
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 3 in stock $78.51
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Cat: 577791 Rel: 10 Jul 19 • View all Synth modules
 
VCA with exponential response for low level sensitivity - 8HP
Notes: Module A-131 provides voltage-controlled amplification. For audio signals, you would normally use the exponential VCA (A-131), and for control voltages, the linear VCA (A-130). It doesn't always have to be that way, though.

The amount of amplification the VCA's provide is determined by the voltage at the CV input, and the position of the gain control, which sets the overall gain in the system.

The VCA has two audio inputs, each with an attenuator. They are amplified by an amount determined by the combination of the gain and the two CV controls.
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 1 in stock $69.79
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Cat: 577763 Rel: 10 Jul 19 • View all Synth modules
 
8HP Eurorack module featuring two identical VCA's
Notes: Module A-132-3 is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently, the VCA's can be used to process both audio and control voltages. The input has no attenuator available but is capable to process up to 16Vss signals (i.e. -8V...+8V) without distortion.
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 1 in stock $95.96
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Cat: 716920 Rel: 29 Jan 19 • View all Synth modules
 
Voltage-controlled panning module consisting of 2 linear VCA's - 8HP
Notes: A-134-1 is a voltage controlled universal panning and/or crossfader module. If the module is used a voltage controlled Panning device one audio signal is panned to two different outputs. If the module is used a voltage controlled Crossfader two audio signals are mixed to one common output. The module enables even compositions of both functions.

The module contains two linear high quality VCAs (made with CEM3381/PA381 until April 2013, SSM2164 from May 2013). VCA2 works in the opposite direction of VCA1 i.e. the more VCA1's loudness increases the more VCA2's loudness decreases. The panning or crossfading is adjusted with a control knob (manual control) and by two external control voltages, one equipped with an attenuator. Suitable control voltage sources are e.g. LFOs (A-145, A-146, A-147), envelope signals (A-140, A-141, A-142, A-119), random (A-118), Theremin (A-178) or a voltage coming from a MIDI-to-CV-Interface (A-190, A-191). The panning/crossfading is displayed with 2 LEDs.

A-134-1 has an audio input with attenuator for each VCA. If the audio input of VCA2 is not used the audio input of VCA1 is connected with audio in of VCA 2, i.e. the sockets are "normalled". The module has three audio outputs: Left Output (VCA1), Right Output (VCA2) and Mix. For Panning applications the outputs Left Out and Right Out are used. If the module is used as a Crossfader the Mix Output functions as output.

Module A-134-1 enables voltage controlled stereophonic panning effects (one audio signal distributed to two outputs), crossfading effects (two audio inputs mixed to one audio output with voltage controlled loudness proportion) and combinations of both effects.
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Cat: 716922 Rel: 29 Jan 19 • View all Synth modules
 
Dual crossfader module for voltage controlled morphing between two audio or CV signals
Notes: Module A-134-2 contains two identical voltage controlled crossfader units.

Each unit has two voltage controlled amplifiers (VCAs) with opposite control behaviour available. The outputs of the two VCAs are mixed together to obtain a common output. The behaviour of the control voltage inputs can be chosen with an internal jumper:

Symmetrical mode: If the corresponding jumper is not set both VCAs of the crossfader have the same 50% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. A negative CV has the opposite result. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about -2.5....+2.5V. This mode is useful for bidirectional (i.e. positive and negative) control voltages, for example LFO or joy stick (adjusted to 0V CV in centre position).

Asymmetrical mode: If the corresponding jumper is set VCA2 is fully closed and VCA1 has full 100% amplification with zero CV. If the applied CV becomes positive the amplification of VCA1 decreases and those of VCA2 increases in the same way. The CV voltage range to obtain the maximum/minimum positions of the crossfader is about 0...+5V. A negative CV has no function in this mode. This mode is useful for unidirectional (i.e. only positive) control voltages, for example ADSR, ribbon controller or Theremin control voltage.

The CV input of the upper unit (CV1) is normalled to the CV input of the lower unit (CV2). I.e. if no plug is inserted to CV2 the CV input of the upper unit (CV1) also controls the lower unit.

The second signal input of the upper unit (In1B) is normalled to the first signal input of the lower unit (In2A). I.e. if no plug is inserted into In2A the signal In1B is used as the first signal input of the second unit.

As the inputs and outputs are DC coupled the module can be used for both audio and control voltage signal processing.
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 1 in stock $71.97
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Cat: 716933 Rel: 29 Jan 19 • View all Synth modules
 
Generates four phase shifted copies of a VCO signal applied to the audio input
Notes: Module A-137-2 is another version of a wave multiplier. In contrast to the A-137-1 Wave Multiplier I, the A-137-2 generates four phase-shifted copies of a VCO signal applied to the audio input. The four shifted signals are added to the original signal to obtain a fat sound similar to five independent VCOs. The phase shifting is made by a simple circuit that works only for sloped signals like sawtooth, triangle or sine, but not for rectangles or pulses.

The audio input signal (typically a sawtooth, triangle or sine wave from a VCO) is compared with a slowly varying control voltage (CV Shift In). The output of the comparator is a rectangle wave with variable pulse width. When the output of the comparatur is added to the input signal (a sawtooth in the example) with the correct level relation between both signals one obtains a phase shifted sawtooth. The left picture shows the incoming sawtooth wave on top. The two horizontal dashed lines (blue and orange) indicate two different comparison levels. Below the incoming sawtooth the two resulting comparator outputs (rectangle waves) and the two resulting shifted sawtooth waves are shown. It is not a "real" phase shift but an algebraic function. But the result is virtually the same. One could obtain the same function even with several comparator modules A-167 and mixers A-138a/b or polarizing mixers A-138c. But this would require a lot of modules.

The module has available four manual shift controls and four control voltage inputs with attenuators for the four internal shifting circuits. Typical sources for these inputs are LFOs, VCLFOs, random voltages, envelope generators, sequencers or other control voltage sources. Internally eight single outputs are available at single pins: the four shifted signals and in addition four rectangle outputs. A corresponding breakout module with eight sockets is in the planning stage and will be released provided that there are sufficient inquiries. The original signal and the four shifted signals are equipped with internal jumpers. If external toggle switches are used instead of the jumpers each of the 5 signals can be turned on/off individually.

The audio input is equipped with an attenuator to adjust the level for the right summation of the original and the comparator signals (as described above).
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 2 in stock $79.60
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Cat: 716947 Rel: 29 Jan 19 • View all Synth modules
 
Crossfader for two different A-100 signals, plus insert for external effects
Notes: The A-138d primarily is used for crossfading between two modular signals. On the other hand you can used it for inserting stompboxes or other effects into your modular system. Both the inputs and the mix output are available twice, like a mini-multiples e.g. for using the input signal also for other applications, kind of like a Thru.

Crossfader: With the crossfading control CF you blend manually between the inputs In 1 and In 2. The Mute switch allows for muting one of the two signals, independent on the crossfader position.

Effect insert: The signal at input In1 is emitted at the FX Send output and can be attenuated with the Atten. control because the modular system works with much higher levels.

The effect unit's output is inserted to the FX Return input socket and its level can be boosted with the Amp. control. The processed signal is available at the bottom in 2 socket.

Use the CF control to blend between the original signal and the effect signal and to mute switch for quick muting e.g. of the effect return signal.
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Cat: 716951 Rel: 29 Jan 19 • View all Synth modules
 
19HP Eurorack module for attenuating, polarizing & crossfading audio or control signals
Notes: Module A-138e contains four identical units that can be used for different crossfading, mixing and polarizing applications:

Polarizer: only input A is used, inputs B and C are unconnected. In this case the sub-unit works as a polarizer. In the CCW position of the control the signal connected to input A appears at the output, in the CW position the inverted signal, in the centre position no signal appears at the output

Two-way Crossfader type 1: Two different signals are connected to the inputs A and C, switch is in the left position (switching contact of input B is open). In this case the sub-unit works as two-way crossfader between the two signals connected to the inputs A and C. In the centre position both signals appear with the same level.

Two-way attenuator: Two different signals are connected to the inputs A and C, switch is in the right position (switching contact of input B is connected to GND). In this case control is used to attenuate signal A (between CCW and centre position) or signal C (between centre and CW position). In the centre position no signal appears at the output. Similar to the two-way crossfader but without signal in the centre position.

Three-way Crossfader: Three different signals are connected to the inputs A, B and C. In this case the sub-unit works as three-way crossfader. In the CCW position only signal A appears at the output. Between CCW and centre position a mix of the signals A and B appears at the output. In the centre position only signal B appears at the output. Between centre and CW position a mix of signals B and C appears at the output. In the CW position only signal C appears at the output.

Two-way Crossfader/Polarizer type 2: Two different signals are connected to the inputs A and B. In the CCW position only signal A appears at the output. Between CCW and centre position a mix of the signals A and B appears at the output. In the centre position only signal B appears at the output. Between centre and CW position a mix of signals B and inverted signal A appears at the output. In the CW position only the inverted signal A appears at the output. Useful for CV mixing: e.g. signal A = ADSR, signal B = LFO. In this case one can fade between ADSR ... LFO + ADSR ... LFO ... LFO - ADSR ... - ADSR.

In addition, the inverted signal of input A is available as a separate output. Potentiometers with centre detent and centre terminal are used as controls.
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Cat: 731945 Rel: 10 Jun 19 • View all Synth modules
 
Multi-featured mixer - 6HP
Notes: Module A-138i is a four channel mixer with an additional mute switch for each input. On top of that it is equipped with two types of single outputs and a dual mix output. All inputs and outputs are DC coupled. Consequently the VCAs can be used to mix both audio and control voltages.

Each input is - apart from the mute switch - equipped with the usual attenuator.

The single outputs offer the attenuated and possibly muted signal of the channel in question. Two version of single outputs are available:

Single Output A: If a plug is inserted into the single output "A" socket the channel in question is removed from the sum signal.

Single Output B: If a plug is inserted into the single output "B" socket the channel in question is not removed from the sum signal. This type of single outputs is available only for the channels 1 and 2.

The output is twice available (two sockets, hard-wired like a multiple).

The distances between the controls and sockets are smaller as for the standard A-100 modules and rubberized small-sized knobs are used. In return the front panel has 6 HP width only. The module is primarily planned for applications where only limited space is available.
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 1 in stock $78.51
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Cat: 738617 Rel: 10 Jul 19 • View all Synth modules
 
Versatile module that can also be used as a modulation device - 8HP
Notes: Module A-140-1 is an envelope generator, and, since it puts out control voltages, counts as one of the modulation devices in a modular system. As soon as the gate input receives sufficient voltage, the ADSR generates a variable voltage, changing in time, called an envelope. This varying voltage is output in normal (positive) and inverted form, and can be used, eg. for voltage controlled modulation of a VCO, VCF, or VCA, or for processing other modules' inputs and outputs.

The shape of the envelope is governed by four parameters: Attack, Decay, Sustain and Release.

The envelope is started (triggered) by a gate signal either from the INT.GATE voltage on the system bus, or, if a signal is put into it, from the gate input socket.

The envelope can also be re-triggered, i.e. start from scratch again, each time a trigger signal is sensed at the Retrig. input socket, when the gate is still open.

Module A-140 has available a three-position toggle switch to select one of three time ranges. The time ratios for the three ranges are about 1 : 20 : 1000. The absolute Attack times are about:

20uS ... 100ms (switch position L)
400uS ... 2s (switch position M)
20ms ... 120s (switch position H)
The Decay and Release times are about 3-4 times more. Because of the exponential slope and the gradual asymptotic approach to the zero level the exact specification of the decay and real times is a bit difficult.

The voltage ranges of the ADSR outputs are about 0 ... +8V for the two normal outputs and 0 ... -8V for the inverted output.

In combination with the Comparator module A-167 a free-running "ADSR-LFO" can be realized.
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 4 in stock $77.42
Cat: 738621 Rel: 10 Jul 19 • View all Synth modules
 
Voltage controlled envelope generator with decay parameter - 8HP
Notes: Module A-142-1 is a voltage controlled envelope generator. The only time parameter is decay (like TB303). Decay may be adjusted manually and via voltage control input (with attenuator). The envelope output is displayed with LED control. Additionally from the envelope signal a Gate signal and an inverse Gate signal with adjustable threshold is derived. LED control for Gate output. Thus one obtains a voltage controlled Gate additionally or alternatively to the envelope signal with voltage controlled duration.

The attack time is fixed to about 0.2 ms, the shortest decay time is about 2 ms. By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

Typical applications: dynamic control of decay e.g. in combination with the Analog/Trigger Sequencer A-155, voltage controlled trigger delay functions (like A-162, but voltage controlled).
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 1 in stock $80.69
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Cat: 738640 Rel: 09 Jul 19 • View all Synth modules
 
Voltage controlled sine-LFO with four separate, phase shifted outputs - 8HP
Notes: Module A-143-9 is a derivative of our planned thru-zero quadrature VCO. It is a voltage controlled sine LFO with 4 outputs. The phase shift between the outputs is 90 degrees. The sine shifted by 90 degrees is also called cosine, the sine shifted by 180 degrees is nothing but the inverted sine, and the sine by 90 degrees is nothing but the inverted cosine.

The frequency range is from some minutes to frequencies beyond audio with three ranges selected by a toggle switch:

- Switch position H: about 30 Hz ... 3.5 kHz with the manual frequency control ("Frq."), beyond 20 kHz with additional external CV
- Switch position M: about 1 Hz ... 150 Hz with the manual frequency control ("Frq.")
- Switch position L: about 0,1 Hz ... 10 Hz with the manual frequency control ("Frq."), down to several minutes with additional external CV

Two exponential frequency control inputs are available: CV1 without attenuator and CV2 with polarizer. Consequently the module can be used even as an experimental sine VCO but does not feature an exact 1V/oct CV input! The precision CV input will be left to the thru-zero quadrature VCO.

Two LEDs display the positive and negative share of the sine output.

The core of the module is a so-called quadrature circuit that generates a sine a cosine signal with very low distortion. The quality of the sine/cosine signals are much better than those generated by a waveform converter with a sawtooth or triangle signal as starting point.

The output levels are about 5 Vss (+/-2.5V) but can be adjusted internally by a trimming potentiometer (P5 "Shape").

Typical applications:

- External sine/cosine oscillator for the frequency shifter A-126
- Modulations with pure sine/cosine waveforms
- Quadrature/barberpole effects (e.g. with the voltage controlled mixer A-135)
- Experimental sine/cosine VCO (e.g. for FM sounds)

Many users suggested to add a common output level control, i.e. four VCAs with one common control (manual + CV without attenuator + CV with polarizer) for the output levels. This is why we also designed the Quad VCA module A-132-2 with the possibility of an internal default connection to the four outputs of the A-143-9 (no soldering required, short 10 pin flat cable with removable connectors on both ends).

The A-143-9 is also a meaningful addition for the Frequency Shifter module A-126. It enables frequency shifting even below 50 Hz generating e.g. these mellow beat sounds with a few Hz frequency shifting only. The following document describes how to connect the A-126 and the A-143-9: A126_A143_connection.pdf.

The thru zero version of the A-143-9 with temperature compensation is the module A-110-4.
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 1 in stock $79.60
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Cat: 577770 Rel: 06 Jun 19 • View all Synth modules
 
Low frequency oscillator featuring 5 different waveforms - 8HP
Notes: Module A-145 is a low frequency oscillator, which produces cyclical control voltages in a very wide range of frequencies. Five waveforms are available: sawtooth, inverted sawtooth, triangle, sine and square wave.

The LFO can be used as a modulation source for any number of modules - for instance modulating the pulse width or frequency of a VCO, modulation of the cut-off frequency of a VCF, or amplitude modulation with a VCA.

A three-way switch lets you select three frequency ranges, spanning from one cycle every several minutes at the lowest, to moderate audio frequency at the highest (about 4-5 kHz).

The LFO signal can also be synchronised, via the reset input.
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 1 in stock $65.98
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Cat: 731949 Rel: 10 Jun 19 • View all Synth modules
 
Quad low frequency oscillator - 4HP
Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.
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 5 in stock $83.24
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Cat: 738645 Rel: 10 Jul 19 • View all Synth modules
 
Low frequency oscillator with adjustable waveform - 8HP
Notes: Module A-146 (LFO 2) is a Low Frequency Oscillator, which produces periodic control voltages over a wide range of frequencies.

The LFO can be used as a modulation source for a series of modules (for instance pulse width and/or frequency modulation of a VCO, modulation of a VCF cut-off frequency, amplitude modulation with a VCA).

Three outputs are available, with different waveforms: sawtooth / triangle; square wave, and positive-voltage square wave.

The waveform is continuously adjustable from rising sawtooth, through triangle to falling sawtooth. The same control affects the pulse width of the square wave.

A three-way switch can select one of three frequency ranges, spanning from one cycle every few minutes, at the lowest, up to audio frequency at the highest.
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Cat: 745775 Rel: 10 Sep 19 • View all Synth modules
 
Two sample & hold units in one module for generating stepped random voltages or slicing signals
Notes: Module A-148 (Dual S&H) has two identical sample & hold modules, designed to produce 'staircase' voltages. The signal present at the sample input is sampled at a rate set by the signal at the trigger input, and held at that voltage at the S&H output.

The exact shape of the staircase depends on the sort of waveform at the sample input: NOISE or RANDOM signals produce random patterns; an LFO produces rising or falling staircase patterns.

Two LEDs for each S&H indicate the voltage (positive or negative) of the sampled signal.
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 4 in stock $69.79
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Cat: 745778 Rel: 10 Sep 19 • View all Synth modules
 
Two independent voltage controlled switches in one module - 4HP
Notes: Module A-150-1 (Dual VCS) contains two separate voltage-controlled switches.

Each switch has a control voltage input, a common Out / Input, and two In / Outputs. The switches are bi-directional: they can work in both directions, so can connect one input to either of two outputs, or either of two inputs to one output. Voltages in the range -8V...+8V at the O/I resp. I/O sockets can be processed by the module.

Two LEDs show which in / output is active (i.e. which is connected to the common out / input).
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 1 in stock $54.52
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Cat: 745790 Rel: 10 Sep 19 • View all Synth modules
 
8HP dual trigger delay for Eurorack
Notes: Module A-162 contains two identical circuits that generate a trigger signal with adjustable delay and length from an incoming rectangle signal (e.g. gate, trigger, rectangle output of an LFO or VCO). The rising edge of the incoming signal is used to trigger the new trigger signal. This module makes it possible to delay the onset of a trigger pulse, and also change its length.

On each of the two units, two controls can alter the onset time and duration of triggers, from about 2 ms up to more than 10 seconds. A control LED shows the generated signal.
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 3 in stock $64.33
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Cat: 745791 Rel: 10 Sep 19 • View all Synth modules
 
Simple & effective voltage-controlled frequency divider - 8HP
Notes: Module A-163 is a voltage controlled audio frequency divider. The frequency of the input signal (preferably the rectangle output of a VCO) is divided by an integer factor N (N = 1, 2, 3, 4 ... up to 32). N can be adjusted manually and modulated with an external control voltage (e.g. from LFO, ADSR, Random, MIDI-to-CV, Theremin, Light-to-CV, analogue sequencer) with attenuator. The control input has polarizing function, i.e. the manually adjusted dividing factor can be modulated upwards or downwards. The basic idea of a polarizer is described in the modules A-133 Voltage Controlled Polarizer and A-138c Polarizing Mixer.

The output waveform is rectangle with 50% duty cycle. Unlike the A-115 with fixed dividing factors (2, 4, 8, 16) the dividing factor of the A-163 is voltage controlled and can be any integer value between 1 and about 20 (but only one output). In contrast to A-113 the dividing factor of the A-163 is voltage controlled and the output waveform is rectangle (the A-113 has 4 sawtooth outputs with 4 adjustable but not voltage controlled dividers).
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 2 in stock $78.52
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Cat: 745792 Rel: 10 Sep 19 • View all Synth modules
 
Dual trigger modifier, consisting of two trigger inverters for gate, clock or trigger signals - 4HP
Notes: Module A-165 (Dual Trigger Modifier) contains two separate trigger modifiers, to use with logical/digital levels (gate, clock, trigger). Each half of the module enables signals generated by the A-100 to communicate with other instruments (such as an external sequencer) or is simply used where you want to reverse a trigger polarity.

Whatever signal is patched into the input, inverted by the module, and fed out of the Inv. Out (inverted output) socket. At the same time, a trigger signal of roughly 50 ms is generated every time an edge of the trigger pulse is sensed (negative as well as positive). This trigger signal is available at the +/- output.

Two LEDs act as indicators showing the level of signal available at the two outputs.

When both units are daisy-chained the module can be used as level shifter for gate/trigger/clock signals (from min. +2,5V up to +12V)
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 2 in stock $61.07
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Cat: 745796 Rel: 10 Sep 19 • View all Synth modules
 
Pulse-width generator - 4HP
Notes: Module A-168-1 is a pulsewidth modulation generator (PWM Module). It derives a rectangle signal with adjustable pulsewidth from an external triangle, sawtooth or sine wave. The external signal can be an LFO, VCO or any other signal with falling/rising slopes (e.g. ADSR). In addition, the pulsewidth can be modulated by a CV signal (e.g. LFO or ADSR). The typical application is the generation of a rectangle signal with PWM from VCOs or LFOs which do not yet have this feature (e.g. A-110-4, A-145, A-147-2, A-143-4, A-143-9).

The module is equipped with these controls and in/output:

- Manual PW control (PW)
- PWM CV Input with attenuator (PWM)
- Signal input (In)
- Output with LED control (Out)
- Inverted Output with LED control (/Out)
- Internal trimming potentiometer for PW (is adjusted for symmetrical 50:50 rectangle when the manual PW control is at centre position)
- Internal trimming potentiometer for PWM range (is adjusted so that the manual PW control covers the full PW range 0 ... 100%)
- The trimming potentiometers are required to adjust the module for best operation for signals with different DC offsets (e.g. unipolar/bipolar signals) and different signal levels
- Normally the module is assigned to another module because the trimming potentiometer have to be readjusted when the input signal changes (unless the signals have nearly the same DC offset and level)
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