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Notes: ***B-STOCK: Box opened, product in perfect working order***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: This is a new revision of one of ADDAC's first modules, back from 2010.

Now more compact in 6hp and with an Offset CV input.

The incoming signal amplitude is controlled by a [GAIN] attenuverter circuit allowing to attenuate the signal as well as invert its phase.
A back jumper can set the maximum gain amount to either x1 (unity gain) or x10. DIY modifications can be made by changing its resistors.
After the Gain an offset can be added to the signal, displacing the signal up or down (-5V to +5V) this can be adjusted using the [OFFSET] knob and CV input

When using no input using the [OFFSET] knob and CV input will generate an output between -5V and +5V.

Tech Specs:

6HP
2.5 cm deep
40mA +12V
40mA -12V

Notes: The CVADDER-HQ is a precision adder especially for adding 1V/octave (pitch-controlling) CVs. This makes it possible e.g. to transpose a sequence. Compared to general purpose CV mixers (like POLAMIX), this module does the summing of the CVs very precise (within a few millivolts), so the desired pitch is not affected.

The module offers four CV inputs where three of them are summed, and the CV at the fourth input is subtracted - meaning "transposition downwards".

This module also allows transposing the incoming CV by one or two octaves or a variable offset by buttons.

A separate output provides the voltage of the internal transposition (+1, +2 octaves / free).

If the transposition buttons are not necessary and you prefer to have a dual precision adder, take a look at the 2CVADD-HQ module.

Notes: A simple VC panner with CV-controlled level. The left input normals to the right input to give an easy way to add panning to a mono signal.

Expandable

Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4hp
12V: 40mA
-12V: 40mA

Notes: Two channel USB module.

Standard Mode - Send two channels into your USB device and receive two channels from USB.

Insert Mode - Send two channels to your USB device and get a copy of the sent signal in the outputs.

Toggle between the modes via a pair of jumpers on the back. The USB-B to USB-A cable is provided with the module. Why use the cutting edge USB-B? I felt the jacks were way more sturdy than mounting USB-C jacks vertically.

Expandable - Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4HP
12V: 10mA
-12V: 10mA

Notes: Ultra soft over-ear memory foam cushions covered with Alcantarar, an aesthetic, functional, and CO2 neutral material. Highly comfortable and ideal for longer listening sessions. Provides a spacious, open sound with low isolation.

Notes: High comfort headband with memory foam and head padding covered with PU leather for longer sessions.

Notes: Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose to reduce distortion and increase transparency. Tuned for a balanced, accurate sound. Balanced sound - Bio-diaphragm.

Notes: Engineered with a 40mm speaker diaphragm made from stiff bio-cellulose for more defined high-frequency details, more pronounced mid-range, better dynamics, and more natural tonality.

Notes: Dust cover designed for the ALM 84HP 9U modular synth case.

Notes: The 'Stereo Sum' is a unity gain summing mixer that features four stereo input pairs summed as pairs to two independent mix outs or all as a single combined mix. It is a useful utility for efficiently combining outputs of multiple stereo sources, such as the MEGA-TANG and Jumble Henge mixers or multiple MFX returns. The inputs accept stereo or mono signals (via normalisation) which can be audio or CV (module is DC coupled) and the top mixer's outputs are normalised to the bottom mixer section meaning if the upper output is left unpatched the two upper inputs will be added to the lower output.

Stereo input pairs

Stereo inputs. Can be used with audio or CV (inputs are DC coupled).

Left ins normalised to Right for mono signals.

Stereo mix output 1

Stereo mix output. Normalised to bottom mixer section if ouput is left unpatched.

Stereo input pairs

Stereo inputs. Can be used with audio or CV (inputs are DC coupled).
Left ins normalised to Right for mono signals.

Stereo mix output 2

Final stereo mix output.

Technical specifications

Power: +12V 8ma / -12V 8ma
Size: 4HP
Depth: 32mm

Notes: Transport case for 14" Macbook Pro

This carrying case from Analog Cases is specially designed for the 14" Macbook Pro.

In contrast to conventional nylon bags, the cases of the PULSE line are made of sturdy EVA (a moulded polymer that has so far only been used for high-quality housings in consumer electronics). It retains its shape and provides excellent protection. The sturdy carrying strap and low weight make the PULSE Case the ideal companion for a variety of common mini controller keyboards, smaller electronic musical instruments or audio interfaces. Inside, the separate nylon mesh pocket brings order to the cable chaos.

Analog Cases stands for practical and stylish design. The robust and lightweight bags are designed for modern music creators whose equipment is as mobile as their lifestyle. About its name, the manufacturer says:

"The name Analog Cases reflects our design philosophy: Bags should be simple, cool and stylish. For us, analogue is more than just a kind of sound - it's a way of life. Analogue means timeless, creative and beautiful. That's what motivates us to make music, and it's what motivates us to create cases."

Notes: Limited-edition white version of Arturia's ever-popular MiniLab controller, now in its third iteration. Features 25 velocity-sensitive keys, eight RGB pads, eight rotary encoders and four faders.

Supplier's Notes:
MiniLab 3 Alpine White

Ice-cold music maker

MiniLab 3 Alpine White is a music-making controller keyboard with a fresh makeover. Control music software, create your own tracks with inspiring sounds & samples, and get playing with comfy keys & pads - all in dazzling white.

A MIDI controller with a minimalist aesthetic

Rediscover the keyboard controller of choice for today's production pros & beginner music makers alike, decorated with a lush modern aesthetic to elevate any setup.

A fresh all-white look

This mini keyboard controller is going for that ultra-clean, contemporary design vibe with a white exterior, white keys, and white controls.

A fresh all-white look

This mini keyboard controller is going for that ultra-clean, contemporary design vibe with a white exterior, white keys, and white controls.

Easy to use

Explore amazing synth & instrument sounds on your computer, make beats & musical ideas in minutes, and sharpen your production skills - great for beginners.

Everything you need

Play keys, punch in a drum loop, connect to MIDI gear, and get creative with premium musical software included as standard.

Be creative anywhere

MiniLab 3 Alpine White is tiny. It fits perfectly in your lap, in small spaces in your home studio, balanced on top of other gear, and even on an airline tray-table. Don't let a lack of space get in your way. Whenever you get the chance to live out your creativity, this little controller will be ready.

Pint-sized control freak

Small but mighty, MiniLab 3 Alpine White has an expressive, velocity sensitive keyboard, 8 RGB backlit pads, 8 rotary encoders, and 4 faders to put you in total control of your virtual instruments, DAW, and effects. 1 knob is even clickable, letting you navigate menus and select presets right on your controller!

Every sound you need included

What software & sounds do you get with MiniLab 3? From recording software to a library of over 4 million samples, you're totally kitted out for whatever music you want to make.

A Hands-on Experience

Explore the layout, features, and hidden talents of MiniLab 3 in detail, from its quality slim keyboard to its easy-to-use creative commands.

Main Features

Premium Keybed quality

25 high quality note velocity-sensitive slim keyboard

Pads & controls
2 banks of 8 velocity & pressure sensitive pads with RGB backlighting
8 rotary encoders
4 sliders
2 capacitive touch sensors for pitch bend and modulation wheel

Display control
Mini display & clickable browsing knob
real-time feedback on tweaks and controls

Smart features

Built-in arpeggiator
Chord mode
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless integration with all Arturia software instruments, including Analog Lab: select sounds, browse presets and smart-assigned controls
1 DAW preset for automatic integration with any major DAWs
DAW Transport Control with MCU protocol for every other DAWs
Up to 5 user presets for a totally customizable experience
Connectivity

USB-C connects to computers and iPad
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB powered

Size & weight

Instrument size: 14 x 8.7 x 2 inches (355 x 220 x 50mm)
Instrument weight: 3.3 lbs (1.5 Kg)

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple

Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments

Notes: Unleash your creativity

Designed for seamless pairing with MiCreator Studio, the Satellite microphone unlocks powerful creative flexibility. Link Satellite and MiCreator Studio via the in/out ports to track an additional sound source or even achieve true stereo recordings and capture the energy of the moment. Satellite even works as a standalone mic and offers a headphone jack. Start recording how you want, when you want with Satellite.

Custom Condenser Capsule - Record in top notch audio quality
Max SPL: 130 dB SPL - Record even very loud sources
FlexTilt mechanic - Easily position the mic head for optimal recording
Full metal housing - Longlasting and durable
Headphone jack
Exchangeable & customizable face plates for an individual and personalized look

Technical Specifications

Directional characteristic: Cardioid
Frequency range: 20 Hz - 20 kHz
Max. SPL: 130 dB SPL
Weight: 220g
Dimensions: 100 x 60 x 28 mm

Notes: Turn your MiCreator Studio into a mobile content creation powerhouse with Y-Lav. Record multiple speakers simultaneously by tethering Y-Lav to your MiCreator Studio. And hear your audio in real time with onboard direct monitoring output. No matter what you create, make sure it sounds as good as it looks with Y-Lav.

Pairs seamlessly with MiCreator Studio to unlock powerful creative flexibility
Connected via the Link Connection (In/Out jack on the MiCreator Studio)
Record high-quality audio for video projects and more
Connect a second pair of headphones via the built-in headphone jack

Technical Specifications

Polar pattern: Omni
Connections: 3.5 mm / 1/8" TRRS, 3.5 mm 1/8" TRS Klinke
Weight: 30 g
Dimensions: 35 x 17 x 17 mm

Notes: STMix is a four-channel stereo mixer in 28hp and 1U format. It can work independently or as an expansion of Befaco's Hexmix module via the six-pin connector located in the back. The module is designed under the Intellijel 1U format.

Features

Four channels stereo inputs with volume control.
AC Coupled inputs to improve audio performance.
Output clipping LED indicators.
Connector at the back to interface with the Hexmix module.
1U Intellijel format

Specs:

Current needs: +12V: 30mA, -12V: 30mA
Width: 28 HP
Depth: 20mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: Custom backpack for the BOSS RC-505mkII and RC-505 Loop Stations

Transport your RC-505mkII or RC-505 in style with the CB-RC505, a premium backpack-style carrying bag for BOSS's popular tabletop Loop Stations.

The slimline design is light and easy to carry, while the plush internal padding fully protects your RC when you're on the move. There's also a sub-compartment for stowing a laptop or tablet, plus a large outside pocket for essential looping accessories.

Creative Magic Everywhere You Go

The RC-505 series eliminates the need to carry lots of additional gear, thanks to its onboard multi-effects, integrated mixing features, and versatile connectivity options. This bag's slim design is just right for users of the tabletop Loop Station, trimming unneeded bulk while providing a protective home for the instrument and core items you need to create and perform.

Smart Onboard Storage

The outside pocket on the CB-RC505 is big enough for a mic, headphones, AC adaptor, and cables, standard accessories for beatboxers and other vocal-based loop performers. And with the flat pocket inside the main compartment, you can expand your creative setup with a laptop or tablet. If you're a looping instrumentalist who needs more room for foot pedals and other external gear, the CB-BU10 Utility Gig Bag is an ideal option.

Premium Construction

The CB-RC505 is built to last with quality materials and construction throughout. The water-resistant nylon exterior is rugged and protective, and there are two thick rubber feet for impact protection when setting the bag on the ground. The padded top handle is comfortable to grab and reinforced for years of travel, and you can easily hide the backpack straps in dedicated pockets when they're not needed.

Custom backpack for the BOSS RC-505mkII and RC-505 Loop Stations
Rugged construction with water-resistant nylon
Plush interior with thick padding
Hideaway backpack straps and handle with comfortable padding
External pocket for a microphone, AC adaptor, and other accessories
Slim sub-compartment for a laptop or tablet
Thick rubber bottom feet
Heavy-duty zipper with custom BOSS pull

Specifications

Compatible Models: RC-505MK2, RC-505
Main Material: Nylon cloth (front cloth), Polyester (inner cloth)

Size & weight
Dimensions (excluding protruding parts):
470 (W) x 310 (D) x 185 (H) mm
18-9/16 (W) x 12-1/4 (D) x 7-5/16 (H) inches
Weight: 1.28 kg / 2 lbs 14 oz

Notes: Improves your overall tone

The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: SUSTAIN knob, ATTACK knob, TONE knob, LEVEL knob, Pedal switch
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Carbon-zinc battery (9V, 6F22) or Alkaline battery (9V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 20 mA

Expected battery life under continuous use: Carbon: Approx. 10.5 hours, Alkaline: Approx. 26 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery/9 V type (6F22)
Options (sold separately) AC adaptor: PSA series
Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 380 g / 14 oz

Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz

Notes: Serious Rock DNA forged into a compact, battery-powered amp

BOSS Katana amps have received accolades from guitarists everywhere for their fantastic sound and feel, onboard effects, and great value. Now, the Katana-Mini makes serious Katana tone accessible in a small, go-anywhere amp that runs on batteries. Offering sound quality that far exceeds other amps in its class, this miniature powerhouse features an authentic multi-stage analogue gain circuit for big, expressive sound, plus a traditional analogue EQ and an onboard tape-style delay. Ultra-compact and travel-ready, the Katana-Mini delivers inspiring Katana tone anywhere you want to play.

Unlike typical small, battery-powered guitar amps that offer so-so sound quality, the Katana-Mini produces big, full tone that inspires you to plug in and play for hours at a time. BOSS's comprehensive design approach includes a custom speaker, advanced hardware, refined circuitry, and special component selection, which all work together to produce maximum sound quality in a minimum footprint. The amp also incorporates BOSS's decades of research in energy efficient design, providing class-defying power and punch from only six AA-size batteries.

Inspiring Tones, Ready to Rock

The Katana-Mini's all-analogue input circuitry includes multiple gain stages that drive three classic sound settings, offering the same cascaded gain approach found in high-end amp designs. This is what gives the Katana-Mini its satisfying tone and quick, interactive feel, with distortion that's easily controlled with input volume and picking strength. Inspired by BOSS's flagship Waza amp, the Katana-Mini's Brown setting delivers expressive, high-gain tones rich with harmonics, perfect for heavy riffs and soaring solos. Crunch provides overdrive that's ideal for rock rhythms and bluesy leads, while Clean offers up crisp, sparkling tones with punchy dynamic response.

Analogue Tone Stack and Onboard Delay

In contrast to the limited EQs found in other small amps, the Katana-Mini comes equipped with a genuine three-band analog tone stack. This provides natural sound shaping via familiar bass, mid, and treble controls, just like the tone stack in a full-size stage amp. In addition, you can enhance your sound further with the Katana-Mini's cool tape-style delay. Using the dedicated time and level knobs, it's simple to dial in everything from subtle reverb-like ambience to long, warm delay repeats.

Jam at Home or Grab and Go

Thanks to the Katana-Mini's advanced-yet-compact design, you can plug into serious guitar tone any time and any place. Weighing just under three pounds, it sits easily on a tabletop or shelf at home. And with the integrated handle and battery operation, it's easy and convenient to grab the amp and play anywhere you want, indoors or out. With the aux input, you can even plug in your smartphone and jam along with your personal music library or tracks streamed from the web. And for private practice and recording situations, you'll want to take advantage of the phones/recording output, which features special cabinet voicing for real mic'd amp tone.

Specifications

Rated Power Output: 7 W
Nominal Input Level: INPUT: -10 dBu (1 M ohm), AUX IN: -10 dBu (20 k ohm)
Speaker: 10 cm (4 inches)
Controls: POWER switch, TYPE switch

GAIN knob: VOLUME knob

[EQUALIZER]
BASS knob
MIDDLE knob
TREBLE knob

[DELAY]
TIME knob
LEVEL knob
Indicators: POWER

Connectors
INPUT jack: 1/4-inch phone type
AUX IN jack: Stereo miniature phone type
PHONES/REC OUT jack: Stereo miniature phone type
DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 6, Rechargeable Ni-MH battery (AA, HR6) x 6, or
AC adapter (sold separately)
Current Draw: 350 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 7 hours
Rechargeable Ni-MH battery: Approximately 9 hours (When using batteries having a capacity of 2500 mAh.)
* This can vary depending on the capacity of the batteries and the conditions of use.
Accessories: Owner's manual, Alkaline battery (AA, LR6) x 6
Option (sold separately): AC adaptor (PSB series)

Size & weight

Width: 230 mm / 9-1/16 inches
Depth: 116 mm / 4-5/8 inches
Height: 181 mm / 7-1/8 inches
Weight (including battery): 1.2 kg / 2 lbs 11 oz

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Dual wireless microphone system with fixed UHF receiver and 2 beltpack transmitters, supplied with a choice of neckband or lavalier microphones. The receiver unit is compatible with standard 19" racks using the included rack ears and front mounting antenna accessories.

In the box:

Dual channel receiver
2 x beltpack transmitters
2 x neckband microphones
2 x lavalier microphones
4 x AA batteries
2 x UHF antennas
2 x antenna leads
2 x rack-mounting ears
Mains power adaptor
6.3mm jack to jack lead

Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.

Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.

One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.

The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.

Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.

Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.

Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.

Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.

One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.

The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.

Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.

Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.

Notes: Your AKAI deserves to be in a comfortable position to enjoy it. That is why CoverUp have designed this stand so that in your studio, you have the best ergonomics and can make music without thinking about anything else.

Notes: Designed specifically for the Akai MPC Live, this stand offers a comfortable and ergonomic position for your equipment.

Crafted with two feet connected by 6mm rods to provide enhanced stability, ensuring your MPC Live stays securely in place.

Assembling the stand takes only seconds, and it weighs just a few grams, making it perfect for musicians who use their MPC Live for live performances.

To protect your MPC Live and prevent slippage, the stand includes silicone feet that prevent scratching and sliding.

Introducing the MPC Live Stand - the ultimate accessory for your Akai MPC Live. Elevate your performance and experience with this specially designed stand that combines comfort, stability, and convenience.

With its ingenious construction featuring two feet connected by sturdy 6mm rods, this stand guarantees rock-solid stability for your MPC Live. Say goodbye to wobbling or shifting during intense performances, allowing you to focus on creating music with confidence.

Setting up the stand is a breeze. In just a matter of seconds, you can assemble it effortlessly, thanks to its smart design. Plus, its lightweight construction ensures that you won't be burdened by unnecessary weight when on the go, making it an essential companion for live gigs and studio sessions.

It is important that you protect your precious MPC Live. That's why the stand includes high-quality silicone feet, meticulously designed to prevent any scratches or slips. Your MPC Live will stay in pristine condition, ready to perform at its best whenever you need it.

Choose the MPC Live Stand and take your music production to new heights. Elevate your setup, enhance your comfort, and unleash your creativity with this must-have accessory.

Weight: 0,5 kg
Dimensions: 10 × 10 × 10 cm

Notes: Your AKAI deserves to be in a comfortable position to enjoy it. That is why CoverUp have designed this stand so that in your studio, you have the best ergonomics and can make music without thinking about anything else.

Notes: The double stand is intended to house two Behringer synthesizers, with the ability to improve the operating position on both.

At the same time, it saves a lot of space on the surface, ideal for optimizing the space in our studios.

The stand includes rubber feet so it won’t scratch or slip.

It is compatible with Model D, K2, Pro 1, Neutron, Cat, Wasp

Notes: If you have Behringer TD3 machines in your studio, this is the ideal stand.

Designed and designed exclusively for the Behringer TD3, it may be more comfortable, more spacious and maintains your equipment 100% safe and stable.

All our supports, keep adherent feet 3m behind them so that the support does not loosen.

Notes: ELK (Elektron Leveling Kit) is a set of stands designed to match the height and angle of various generations and models of Elektron devices.

The MK2 series (RYTM and A4) features an incline, while other current models such as Digitakt, Digitone, Syntakt, and Analog Heat are flat. Additionally, we include previous generations such as Machinedrum, Monomachine, A4, RYTM, and Octatrack in this list.

With these stands, the fronts of the synthesizers are aligned at the same height and angle, creating a seamless continuation of the equipment placed beside them.

Compatible with Analog RYTM MK2 and Analog Four MK2 DIGI Stand.

Compatible with Digitakt, Digitone, Syntakt, Analog Heat (MK1 and MK2), Machinedrum, Monomachine, A4 MK1, RYTM MK1, and Octatrack (MK1 and MK2).

Each stand has rubber feet on its bottom to prevent slipping or scratching on the supporting surface.

Kit includes: X1 MK2 + X1 Digi elevate stand

Notes: Triple support for the entire Korg Volca line (Beats, Kick, Sample, FM, Keys, Bass, Drum, Modular, Mixer)

Save space in your studio and operate your synthesizers more comfortably.

The brackets fit directly into the Volca without the need for screws or moving parts. This makes them easy to transport and set up for those who go out and play with their Volca.

On the bottom, each foot has silicone legs to prevent them from scratching or slipping.

The pictures show red, but the colour is black.

For up to 3 Korg Volca devices
Made of biocompatible PLA plastic
Connection of the side parts by means of wooden rods
Dimensions (W x D x H): 196 x 246 x 271 mm

Suitable for:

Volca Beats
Volca Drum
Volca Bass
Volca Keys
Volca FM
Volca Kick
Volca Nubass
Volca Modular
Volca Sample
Volca Mix

Notes: For two Make Noise desktop units

Suitable for 0-Coast, 0-Ctrl and Strega

Made of biocompatible PLA plastic

Connection of the side parts via wooden rods

Colour: Black

Notes: Moog is synonymous with synthesizers, and we have created a triple stand for three of their latest inventions. This triple stand is designed for the Mother32, DFAM, and Subharmonicon. You can assemble the parts as a triple stand, or you can use them separately as a double stand and an elevated single stand. While these synthesizers already have a slight incline, you will see how much more comfortable it is to use them together in a column and how much space you can save on your studio table. CoverUp studied the cabinets of each device to design a stand that fits perfectly and takes advantage of each shape to add strength and stability. Spce has been left to ensure the rear connectors don't collide with the stand. All of CoverUp's stands come with 3M rubber feet to prevent scratching or slipping.

Notes: The ideal support for your three Boutique synthesizers.

To use them in a comfortable and ergonomic position, which in turn saves space.

Specially designed taking into account the need for space for wiring and rear connectors.

On the support faces, each support has a recess to place silicone feet and prevent the equipment from slipping or scratching.

Includes the two side supports, the rods and the silicone feet

Notes: Introducing the Roland Compact 3-Tier Modular Equipment Stand

Elevate your musical experience with the Roland Compact 3-Tier Modular Equipment Stand, a versatile solution designed to enhance your stage setup. Crafted with precision using cutting-edge 3D printing technology, this stand boasts a perfect blend of form and function, offering musicians a truly exceptional experience.

Key Features:

Modular Design: The Roland Compact stand features a smart, modular design, allowing you to use it either as a complete unit or as separate tiers. This adaptability ensures that your equipment setup is tailored precisely to your needs.

Eco-Friendly Materials: We're committed to sustainability! Our stand is created using eco-friendly materials, reducing its environmental impact. You can enjoy your music guilt-free, knowing that you're contributing to a greener world.

Lightweight and Portable: Musicians are always on the move, and we've got you covered. This stand is exceptionally lightweight, making it easy to transport from one gig to another. Say goodbye to the hassle of heavy gear!

Sturdy and Reliable: Despite its featherweight design, the Roland Compact stand is incredibly sturdy. You can trust it to hold your valuable equipment securely, providing you with the stability you need for a flawless performance.

Space-Efficient: With its three-tier configuration, this stand maximizes your available space. Organize your gear efficiently, so you can focus on making music without worrying about clutter.

Whether you're a solo artist, part of a band, or a live performer, the Roland Compact 3-Tier Modular Equipment Stand is the perfect choice for taking your performance to the next level. Its innovative design, sustainable production, and ease of transportation make it an invaluable addition to your musical arsenal.

Notes: ***B-STOCK: Box damaged with tears on packaging, but product is in excellent condition and in perfect working order***


Introducing the Roland Compact 3-Tier Modular Equipment Stand

Elevate your musical experience with the Roland Compact 3-Tier Modular Equipment Stand, a versatile solution designed to enhance your stage setup. Crafted with precision using cutting-edge 3D printing technology, this stand boasts a perfect blend of form and function, offering musicians a truly exceptional experience.

Key Features:

Modular Design: The Roland Compact stand features a smart, modular design, allowing you to use it either as a complete unit or as separate tiers. This adaptability ensures that your equipment setup is tailored precisely to your needs.

Eco-Friendly Materials: We're committed to sustainability! Our stand is created using eco-friendly materials, reducing its environmental impact. You can enjoy your music guilt-free, knowing that you're contributing to a greener world.

Lightweight and Portable: Musicians are always on the move, and we've got you covered. This stand is exceptionally lightweight, making it easy to transport from one gig to another. Say goodbye to the hassle of heavy gear!

Sturdy and Reliable: Despite its featherweight design, the Roland Compact stand is incredibly sturdy. You can trust it to hold your valuable equipment securely, providing you with the stability you need for a flawless performance.

Space-Efficient: With its three-tier configuration, this stand maximizes your available space. Organize your gear efficiently, so you can focus on making music without worrying about clutter.

Whether you're a solo artist, part of a band, or a live performer, the Roland Compact 3-Tier Modular Equipment Stand is the perfect choice for taking your performance to the next level. Its innovative design, sustainable production, and ease of transportation make it an invaluable addition to your musical arsenal.

Notes: Protective cover and inclined stand. All in one piece. On one side, it's a cover that protects the OP-1, shielding keys, screen, and knobs. But leaving the side connectors uncovered, so you don't have to unplug it to cover it.

It also provides the option to use it as an inclined stand for the OP-1, simply by reversing its position. Fitting snugly around the perimeter of the synthesizer.

The cover is decorated to resemble the recording view of the OP-1.

***The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Notes: Introducing the Headrush Prime Decksaver cover - the ultimate protective shield for your prized Headrush Prime FX unit.

The Headrush Prime is a cutting-edge FX processor, renowned for its innovative effects and performance capabilities. Whether you're a guitar enthusiast, a live performer, or a recording artist, the Headrush Prime FX unit is your gateway to a world of sonic possibilities.

This Prime Decksaver lid is specially designed and custom-moulded to perfectly fit the contours of the Headrush Prime FX unit, ensuring a secure and snug fit. Crafted from Decksaver's own grade of premium-quality polycarbonate, this tough transparent plastic offers extreme durability and impact resistance, making it the ideal choice for safeguarding your FX unit from accidental knocks and damage during transport and performance.

This smoked clear lid is engineered to protect the FX unit's touch-sensitive controls, multi-function footswitches, expressive expression pedal, high-definition colour display, and various knobs, which are all vital for crafting, tweaking, and controlling the wide array of effects at your disposal.

Focus on pushing the boundaries of your creativity without worrying about dust, debris, liquid spills, or accidental impacts compromising your FX unit's performance. The cover's sleek design not only shields your equipment but also allows for convenient cable management, enabling you to keep your Headrush Prime FX unit fully connected and ready for action at any moment.

All of Decksaver's cover designs are rigorously tested to meet high standards, ensuring that your valuable equipment receives the best possible protection.

Don't take chances with your musical gear. Secure your Prime FX unit with a Decksaver lid today. Let your creativity flow freely, knowing that your unit is well-guarded and ready to unleash its sonic magic whenever you are.

Experience peace of mind and elevate your musical performances with the superior protection of Decksaver.

Dimensions

Weight: 0.99 kg
Length: 65.5 cm
Width: 30.8 cm
Height: 8 cm

Material: Smoked clear polycarbonate.

Notes: Novation has been pushing the boundaries of music technology for years, and their latest release, the Novation 49SL MK3, is no exception.

This powerful MIDI controller is packed with features that make it a must-have for any music producer or performer.

With its seamless integration with popular DAWs, including Ableton Live, Logic Pro X, and Pro Tools, the 49SL MK3 is a versatile tool that will enhance any studio or stage setup. Its 49 semi-weighted keys with after-touch provide a natural playing experience that will bring your music to life.

But as with any high-quality piece of equipment, it's essential to protect your investment from any potential damage. That's where this custom Decksaver cover comes in. Decksaver's team has spent countless hours researching and developing the perfect cover for the 49SL MK3, ensuring that it fits snugly and securely over the unit.

Made from ultra-durable polycarbonate material, this Decksaver cover provides exceptional protection against scratches, dust, and other harmful elements. The cover is also designed to allow access to all the important ports and buttons, so you won't have to remove it every time you want to use your controller.

Investing in a Novation 49SL MK3 is a potentially big decision, and protecting it should be a top priority.

With this Decksaver cover, you can safeguard your equipment and enjoy peace of mind knowing that your MIDI controller is safe and secure.

Whether you're on stage or in the studio, this cover will help you keep your focus on making great music, not on worrying about damaging your gear.

Weight: 1.5 kg
Length: 82.3cm
Width: 30.7cm
Height: 5cm

Material: Smoked clear polycarbonate.

Warning: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires, and sunlight.

Notes: Are you a synth enthusiast looking for the ultimate addition to your setup? Look no further than the Novation Summit - a powerhouse synthesizer that delivers unparalleled sound quality and versatility.

With 16-voice polyphony and dual-filter architecture, the Summit allows you to create rich, complex sounds that are both dynamic and expressive. And with its intuitive interface and advanced features, including dual stereo effects engines and an arpeggiator, the Summit is perfect for both studio production and live performance.

But with a piece of gear as valuable as the Novation Summit, it's essential to protect it from any potential damage. That's where Decksaver comes in! Decksaver's custom-moulded polycarbonate cover is specifically designed to fit the contours of the Summit, providing maximum protection against dust, spills, and accidental impacts.

Crafted from ultra-durable polycarbonate material, this Summit cover is super-tough yet lightweight, ensuring that your precious synth is always safeguarded without weighing you down. So whether you're transporting your Summit to a gig or storing it at home, you can rest easy knowing that it's protected by a Decksaver cover.

Investing in the Novation Summit is a big step for any musician, but protecting your investment is just as important. So why wait? Grab a Decksaver cover today and keep your Summit safe and sound!

Features Decksaver's own Soft-fit inserts to protect delicate wooden cheek panels.

Dimensions

Weight 1.65 kg
Length 101.5cm
Depth 31 cm
Height 5.5cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires, and sunlight.

Notes: Unleash your musical prowess and dive into the boundless realm of creativity with the Roli Seaboard Rise 2. Along with the Rise 49, these innovative MIDI controllers redefine the art of expression, so it's crucial to protect their unparalleled touch-sensitive surfaces and cutting-edge technology from the trials of the music-making journey.

Introducing the Seaboard Decksaver cover, the ultimate shield tailored exclusively for your Seaboard Rise 2 or Rise 49. Precision-crafted to perfection, this cover is your ticket to unbridled inspiration while preserving the brilliance of your musical masterpiece.

With this perfectly formed Decksaver lid, you can bid farewell to worries about dust, spills, scratches, and accidental impacts when your gear is not in use. Crafted from top-grade polycarbonate, this robust shield ensures your Seaboard stays immaculate, untouched by the wear and tear of everyday use.

Designed with unwavering attention to detail, the custom-fit mould effortlessly envelopes your Seaboard, leaving all controls and connectors readily accessible. Whether you're composing in the studio or performing on stage, this Decksaver cover ensures your creative flow remains unhindered.

Each Decksaver design undergoes rigorous testing to meet Decksaver's stringent quality standards, assuring you of the utmost reliability and longevity.

Join the league of musical virtuosos who trust Decksaver to protect their instruments. Elevate your musical experience, knowing that your Seaboard Rise 2 & Rise 49 is safeguarded by the industry's finest cover.

Choose Decksaver, choose perfection, and choose to embark on a musical odyssey that transcends boundaries with the Roli Seaboard Rise 2 & Rise 49 Decksaver cover. Elevate your passion for music and preserve the essence of your Seaboard in style - a symphony of limitless possibilities awaits!

Fits

Seaboard Rise 2
Seaboard Rise 49

Dimensions

Weight: 0.9 kg
Length: 84.3 cm
Width: 21.6 cm
Height: 3.2 cm

Material: Smoked clear polycarbonate.

Notes: NANOPATCH M is a tiny and incredibly versatile patch bay, with mini jacks sockets on both the rear and the top panel. It is ideal for connecting to instruments and a mixer when used in conjunction with NANOPATCH X.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

Mini jack sockets on the back panel makes it easy to connect to eurorack systems and small instruments such as Korg Volcas.

3.5 mm to 6.35 mm cables can be used when connecting to equipment with 1/4" sockets.

Using standard eurorack cables, easily patch signals from a NANOPATCH M through effects connected to a NANOPATCH X (and back again).

How It Works

Rear sockets labelled 1/2, 3/4, 5/6 and 7/8 can be used for either mono or stereo signals. For example, if a TRS cable is plugged into rear socket 1/2, the left and right channels will break out to sockets 1 and 2 on the top panel. If another cable is plugged into rear socket 2, rear sockets 1 and 2 will correspond to sockets 1 and 2 on the top panel, both in mono.

Normalling

Channels 1-4 can be full-normalled to channels 5-8 using DIP switches located on the side of the NANOPATCH M.

This allows a signal to pass through from instrument to mixer without the need for any patching. When a patch cable is inserted into either socket of a normalled pair, the connection is broken, allowing for custom routing of the signal.

Typical Setup

A typical setup would be to have four instruments connected to channels 1-4 and four mixer channels connected to channels 5-8.

Connections to the mixer could either be made with four separate mono cables (utilizing the sockets on the side) or with two insert cables (as in the diagram).

Notes: NANOPATCH X is a tiny patch bay with the primary function of connecting to guitar pedals and other effects processors. It can be used in conjunction with NANOPATCH M or standalone, for a variety of purposes.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

How It Works

Each 1/4" TRS socket on the back corresponds to two mono TS mini jacks on the top panel.

By using insert cables (TRS to dual TS), connect up to four pedals to a single NANOPATCH X.

The inputs and outputs of the pedals are then easily accessible via the top panel, using standard eurorack or TRS cables.

Patching can be done directly from instrument to mixer or via a NANOPATCH M.

Notes: Module A-130-2v is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

Gain: manual gain control (Initial Gain) in the range 0...1
CV: attenuator for the CV input
lin/exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)
Inputs and outputs (for each of both units):

CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
In: signal input, max. 16Vpp (+8V...-8V) without distortion
Out: signal output

A-130-2v is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

Power consumption: 30mA at +12V and 30mA at -12V

Depth: 50mm

HP : 4

Notes: Module A-130-4 contains four linear VCAs with a common level control section for all four VCAs. It can be used for all applications of simultaneous amplitude/level control of up to four different audio or CV signals. A-130-4 is the replacement of the no longer available module A-132-2. Compared to the A-132-2 the width has been reduced from 8HP to 4HP.

The module has these controls and in/outputs available:

Control Man.: manual control of the amplification
Control CV: attenuator for the control voltage applied to socket CVo socket Input 1
Sockets In 1...4: VCA inputs 1...4
Sockets Out 1...4: VCA outputs 1...4

Application examples:

simultaneous amplitude/level control of up to four different audio or CV signals
polyphonic application 1: simultaneous control of the frequency modulation depth of 4 VCOs (Quad-LFO A-145-4 or Quad-VCLFO A-147-5 > A-130-4 > FM inputs A-111-4)
polyphonic application 2: simultaneous control of the pulsewidth modulation depth of 4 VCOs (Quad-LFO A-145-4 or Quad-VCLFO A-147-5 > A-130-4 > PWM inputs A-111-4)
simultaneous control of quadrophonic signals

Technical notes:

The maximum amplification for each VCA is about 1 ("Man." control fully CW). Even with an external control voltage applied to the CV input the maximum amplification is limited to 1.
The module is equipped with two internal connectors (pin headers with 4 pins each). Pin header #1 can be used to normalize the four inputs to other modules (e.g. Quad LFO A-145-4 or A-147-5, Quad ADSR A-143-2). Pin header #2 can be used to connect the four outputs to other modules.
The max. level at the VCA inputs without clipping/distortion is about 20Vpp or +/-10V.

Dimensions
4 HP
45 mm deep

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V

Notes: Module A-147-5 contains four voltage controlled low frequency oscillators (VCLFO) with triangle waveform outputs. All LFOs share a common frequency control. Each of the LFOs 2, 3 features a Delta control which is used to shift the frequency of the LFO in question up or down. With the Delta controls at center positions the frequencies of all LFOs are roughly the same. To control the frequencies by external control voltages four CV inputs are available which follow roughly the 1V/oct standard.

The module has these controls and in/outputs available:

Control F: manual control of the frequency for all four LFOs
Control Delta F2, F3 and F4: manual control of the frequency shift up/down for the LFO in question
Sockets CV 1...4: Frequency control voltage inputs (normalled from top to bottom)
Sockets with triangle symbol 1...4: triangle outputs
LEDs: visual displays of the triangle outputs (red = positive, yellow = negative output voltage)

Application examples:

Generation of four triangle modulation signals with a common frequency control for all LFOs and individual controls for the frequency deviation of each LFO, manually adjustable and controllable by external control voltages
Generation of modulation signals for polyphonic FM/PWM applications. For this the four CV inputs are connected to the same control voltages which are used to control the frequencies of the corresponding VCOs. That way each LFO follows the frequency of the associated VCO with the possibility to control the frequency of all VCOs (control F) and the frequency deviations (Delta F controls). For the simultaneous modulation depth control the Quad VCA module A-130-4 is recommended.
Generation of complex modulation signals by summing up the outputs (e.g. by means of a mixer module A-138n / A-138i / A-138j)

Technical notes:

The level of the triangle outputs is about +/-5V (10Vpp)
The manually adjustable frequency ranges from about 0.025 Hz (about 40 seconds) to about 50 Hz with the delta controls of LFOs 2, 3 and 4 about center position
The frequency deviations adjusted by the delta controls are about +/-1:5. Example: with 1 Hz in center position the frequency shift ranges from about 0.2 Hz in position -5 to about 5 Hz in position +5 (1 Hz/5 = 0.2 Hz, 1 Hz*5 = 5 Hz).
The manual frequency controls and the control voltage inputs have an exponential control behavior
With external control voltage the max. frequency is about 150 Hz, the minimum frequency
The scale of the CV inputs is roughly 1V/oct (not adjustable)
The CV inputs are normalled from top to bottom. Provided that only socket CV1 is patched CV1 controls the frequencies of all four LFOs.
When each CV input is patched to it's own control voltage each LFO is controlled individually by it's own CV. In this case CV1 controls only the frequency of LFO1.
Internally the rectangle outputs are available at four terminals (typ level +/-10V or 20Vpp). If required they can be wired to four sockets of a DIY breakout module made by the user, 1k protection resistors are recommended to avoid short circuits. If lower levels are required passive attenuators (voltage dividers) may be used.
Internally is even an (unbufferd) triangle sum signal available. For this each of the four triangle outputs is simply connected to the sum output terminal via a 47k resistor. This output has high impedance and should be buffered or amplified to avoid level drop when the load changes (e.g. by means of an A-180-3 or A-180-4 or A-183-3).
By changing the values of the capacitors in the LFO circuits even other frequency ranges are possible (e.g. Quad VCO to form kind of a cloud VCO). Pay attention that the accuracy of the CV input scales is not sufficient for precise 1V/oct VCO applications. The 1V/Oct scales cannot be adjusted and the circuits are not temperature compensated.

Dimensions
4 HP
45 mm deep

Notes: The Dreadbox PSYCLOP is the ultimate modern utility device. It's an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible.

PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.

Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.

To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.

Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.

So all you have to do is plug in and embark on your next thrilling sound design adventure.

Notes: YYS is a super useful spin on the 4x2 matrix mixer. Instead of comparatively boring unipolar attenuators to send to the destination channels, attenuverters were used. This allows combinations of DC signals that can cancel each other out to make interesting new waveforms, and with audio signals can cause strange stereo cancellations. dsp.coffee also included inverted outputs and bipolar LEDs as a bonus.

Features:
- 4 inputs with 2 attenuverters to send to output A or B
- Inverted outputs that follow A / B
- Bipolar LEDs for monitoring

Notes: Use the Pico Platform compressor / limiter on any instrument for precise and powerful control of your signal's volume and of course, extended sustain on leads. Add subtle dynamic control to level out peaks and valleys in your signal or give your sound a real squeeze for extra sustain and pop. The Pico Platform is extremely transparent with no tonal colouring, making it extremely versatile and easy to work into your existing set up.

The Pico Platform's control set is simple yet comprehensive. Use the Sustain control to adjust the compressor ratio or limiter threshold for a subtle or extreme effect. The addition of a Blend knob allows for adding seamless sustain while preserving attack and tone. Adjust the Attack control to set when the compressor activates after a transient. Use the Mode button to choose between Compressor and Limiter modes and Soft Knee or Hard Knee compression curves for smoother or more dramatic compression styles.

Studio-style compressor / limiter to precisely tune dynamics
Compressor and Limiter modes for a wide range or compression styles
Selectable Hard Knee / Soft Knee compression curves
Sustain adjusts Compressor ratio or Limiter threshold
Attacks adjusts attack time
Blend adjusts dry/wet ratio
Volume control overall output level
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023