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Review: Given that Isle of White twosome Wet Leg (AKA late twenty-somethings Rhian Teasdale and Hester Chambers) broke through with an insanely infectious chunk of monosyllabic rap-sporting post-punk pop, the stupidly catchy 'Chaise Longue', it seems fitting that the song lands early on their self-titled debut album - track two, to be precise. While the set features little else quite as upbeat, energetic and unashamedly joyous, it's still a boisterous and at times brilliant debut full of tongue-in-cheek lyrics, low-slung post-punk intent, raucous references to vintage '80s and '90s indie, weighty guitar riffs and ear-catching melodic motifs. It's the kind of set capable of pushing them towards super-stardom and will undoubtedly be warmly received by critics.

Review: A warm welcome back to perennial genre-benders Hot Chip, who return to stores after three long years with their eighth album, some 21 years after making their debut. Freakout/Release is no dramatic change in direction, but instead a further distillation of what has always made the band so appealing - a trademark fusion of synth-pop, loved-up house sounds, lilting and sometimes melancholic lead vocals, loose-limbed organic drums, nods to Prince and an ability to craft killer hooks. There are highlights aplenty, from the gravelly live hip-hop funk of 'The Evil That Men Do' (where rapper Cadence Weapon delivers a star turn) and the subtly post-punk influenced, saucer-eyed brilliance of 'Hard To Be Funky' (featuring Lou Hayter), to the classic Hot Chip sing-along flex of 'Time' and the krautrock-tinged 'Out of My Depth'.

Review: ***B-STOCK: Creasing to corner of outer sleeve, product unopened & in excellent condition***


Some 33 years after it first hit record stores, My Bloody Valentine's debut album still sounds undeniably fresh. Isn't Anything, which appeared on the back of two similarly ground-breaking EPs, genuinely moved guitar-based music forwards, in part by combining Kevin Shields and company's more traditional alternative rock inspirations - think Dinosaur Junior, Sonic Youth and the jangling sixties psychedelia of the Byrds - with then cutting-edge production techniques, subtle nods towards hip-hop and an impressive dedication to achieving layered, immersive sound. Sometimes loud, gnarled and intense and at other times becalmed, dreamy and otherworldly, the album remains breathlessly inspiring all these years on.