Review: Wow, classics don't come much more special than this. A like-for-like repress of the 1970 RCA release, both sides here are soaked in Scott Heron's raw troubled soul. The endlessly sampled, hugely powerful and perfectly funky "Revolution" remains almost as poignant and prophetic as it was the day it was penned. "Home Is Where The Hatred Is" is much more personal and reveals his talent as a singer as much as the lead track boasts his poetry and ability to deliver a strong message.
Review: Originally written by Richard Evans, instrumental track ''Burning Spear'' was subsequently covered by S.O.U.L, turning up as a standout on their debut album What Is It? in 1971; with its funky flute and heady bass it is nothing less than a bonefide golden classic. On the B-Side we're treated to the breakbeat heavy, vocal led "Do Whatever You Want To Do" from S.O.U.L's second long player Can You Feel It ?
Review: Never pressed to 45 before, both firing sides are taken from Esther's debut album from 1969; Newport News, Virginia. Both cover versions, JJ Barnes' "Chains Of Love" is given gospel-funk muscle as Esther belts out her heart over an impeccably frenetic band while Joe Zawinul's instantly recognisable jazz standard "Walk Tall" gets a powerful spoken word flex. Gutsy business to the very core, this is a snapshot of Esther at her most ambitious, energetic and creative.
Review: Two powerful soul sessions from Alice Clark's eponymous debut 1972 album. "Don't You Care" is a hard-hitting soul standard (that became very popular in acid jazz scene in the early 90s) where Alice opens her heart for all to see while her incredible band ebb and flow with Clark's emotions. "Never Did I Stop Loving You", meanwhile, languishes in sentiment at a slightly lower tempo that allows her to really dig deep for those low notes. The real fun happens as we reach momentum towards the end and every band member brings out their A-game and bounces off each other - backing up Alice every step of the way. You will care about this.
Review: Two crucial moments from Gil Scott Heron's immense repertoire; "When You Are Who You Are" takes the lead. Taken from his 1971 album Pieces Of A Man, it's a straight up homage to clarity and honesty told in the context that only Gil knew best. Flip for a very special alternative take of "Free Will". The title track of his following album, released a year later in 1972, the variations of this take (which has never been released on vinyl before) are subtle but strong enough to justify it a place in your collection.