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Cat: LEWIS 02412. Rel: 17 Nov 05
Indie/Alternative
in stock $5.33
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Review: We've been digging in our warehouse and found some classic electro from the prolific Boris Divider on the superb Satamile Records. This EP was released almost 20 years ago but you couldn't tell - the electro contained within it is as sharp as a knife and relevant as a selfie. 'Clone Factory' kicks off with lashings of metallic snares and jagged rhythms, 'Robot Skin' brings some high-speed cyborg funk and 'Digital Mind' then cruises through the cosmos on coruscated low ends. 'New Race' closes out with a fourth and final electro workout of the highest order.
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Review: Exclusively crafted for Satamile, these four dynamic electro and breaks tracks come from Roadking, one of Germany's top electro producers and known for his work with Elektrolux and Mikrolux. The man born Frank Rueckert delivers four electrifying electro tracks that are each defined by his distinctive style and sound - they are tunes infused with energy from the crisp and snappy drums of the title track to the more silky and loopy celestial sounds of 'Devotion' via the rugged metal snares and robotic vocals of 'Only Electro Music'. 'Silence' shuts down with a spraying synth lead that takes you into the future.
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Cat: DIOP 2. Rel: 21 Aug 07
Roots/Lovers Rock
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Played by: Alex Benson - Base Logic
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Cat: LINSENSE. Rel: 10 Feb 10
Roots/Lovers Rock
Played by: Juno Recommends Reggae
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Cat: TOWN 137. Rel: 29 Mar 10
Soul
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Review: It's been at least a hot minute since the last heavyweight release from Swamp 81 dropped (and they don't get much heavier than a double pack of body music from Boddika). The wait has totally been worth it as Funkbias sees UKG legend Zed Bias team up with Rinse FM's excellently named Funk Butcher for two drops of typically forward thinking music. "Last Forever" burst uneasily out of the rumbling groove that opens the track into masterful concoction of vocal affectations, burning synth beams, snapping tribal drums and trademark Zed Bias bass. "Heaven Sent" does indeed begin like it was sent from above with gentle piano melodies lulling you in before being engulfed by a heavily pressurised flex of 808s and more crafty vocal dicing. The interplay between the soft and harsh elements is quite brilliant. Those who like a fine example of cover art will go weak at the knees over the Will Bankhead embossed design too.
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Review: This week's lesson in simple musical mathematics is demonstrated by Tensnake and Aloe Blacc. The former's inexorable rise in 2010 has perhaps been matched by the worldwide popularity of the latter's "I Need A Dollar", so getting Mr Niemerski on board to remix the track was a smart move. The end results are typically appealing, with Blacc's vocals looped brilliantly around a burning deep house arrangement that peaks in all the right places. The central energetic pulse of cavernous bass stabs and slick hi-hats are inundated by massive swathes of soaring chords as the track progresses, with the requisite breakdowns augmented by choral vocal refrains. Totally euphoric in its intentions and execution, this is bound to have devastating effects when implemented at the right time.
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Review: Born on the French Island of Martinique, Louis Xavier later settled in France where he discovered the freedom of jazz, and an idea to mix his influences into a global melting pot of sound. He formed his band (Synchro Rhythmic Eclectic Language) in Paris in the early '70s, making music that was both spiritual and eclectic for its time. Both tracks are jazz in essence but with instrumental funky rhythms infused with intricate percussion and electric keys.
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