Search dance music

Notes: A solid entry-level option for beginner DJs and vinyl collectors. Impressive sound quality and solid, durable build. Includes high-quality Ortofon OM Black cartridge and headshell.

Supplier's Notes:
The RP-1000 MK2 is the ideal turntable for prospective DJs and HiFi enthusiasts. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Precision-engineered die-cast platter and belt-drive motor:

Unlike direct-drive turntables, the RP-1000 MK2 uses a belt-driven motor to de-couple the drive unit from the precision-engineered platter and chassis. The elastic, high-quality rubber belt absorbs and reduces unwanted vibrations, resulting in distortion-free playback. The adjustable pitch control with a range of +/-10 % is suitable for fine pitch adjustments.

Statically balanced s-shaped tone arm:

The RP-1000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a wide variety of pick-up cartridges can be connected.

Newly developed haptic touch and sturdy housing design:

The new deep-black top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-1000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: Erica Synths Black Output is a high-quality output mixer and a stereo panner with balanced outputs and headphone amplifier for monitoring your modular masterpieces.

All inputs are buffered, we use stereo potentiometers (similar to those used in high quality studio mixers) for panning, IN4 is a stereo input with simultaneous level adjustment for both channels, IN3 has a CV controlled auto-pan function. There is also a 6.3mm jack for the balanced outputs and headphones.

Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.

Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.

Notes: Clever little valve-based headphone amp from Korg's NuTekt DIY range. Some basic assembly required but no soldering. Fully customisable for advanced users.

Supplier's notes:
The HA-S is a Nutube-equipped DIY Headphone amp kit that will let you enjoy the highest quality audio anywhere. No soldering is required, so even if you are new to the world of DIY, you will be able to assemble the HA-S to add a warm, analog tube-driven signal boost to any sound source in no time! Build your own Headphone amplifier This DIY HA-S kit allows you to build your very own Headphone amplifier in an easy and fun way, without any soldering needed. Not only that, it provides the authentic vacuum tube sound that audiophiles know and love. Built-in Nutube Nutube is a new and revolutionary fully analog vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generating the response and same rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. The transparent case of the HA-S delivers a glimpse into this technology; allowing the glow of the tube to be visible at all times. Energy efficiency The filament of the Nutube is powered by a DC to DC converter, which consumes less electric current and thus allows for a longer battery life than other vacuum tube equipped amplifiers. The design is so efficient that the HA-S can drive the Nutube with a line voltage of 26 V using only two A4 batteries., for a rich and authentic vacuum tube sound. Sound possibilities The HA-S has a special NFB (Negative Feedback) switch, that allows you to choose from a high fidelity clean and pristine sound, or a warmer, more harmonically rich sound as expected from a vacuum tube. When the NFB switch is OFF, the harmonics present in the Nutube (triode tube) will be amplified to create a sound rich in harmonics, warmth and textures. When the NFB switch is ON, the distortion ratio and frequency characteristics will be modified, creating a really detailed and clean sound. For further sound modification, we have included two OP amp options for the output: the premium audio oriented "MUSES01" and the industry standard NJM4580, both from JRC. These can be easily replaced so even the most purist audiophiles will be able to customize and adapt the sound of their HA-S to heir heart's content. For advanced users who want to customize their amplifier even more, the circuit diagrams are readily available, making it really easy to change discrete components and make your own and unique headphone amp matching your desired tone and performance -, the possibilities are endless!

Notes: Feature-packed interface and control surface bundled into one box, allowing you to get audio in and out of your software while also taking control via a long channel fader, transport controls and more

Supplier notes:
When you're a solo artist, you have to be more than just creative to realize your visioniyou must also be a producer and an audio engineer. The ioStation 24c audio interface and production controller provides the tools needed for all of these diverse roles in a compact, ergonomic desktop design that will fit into any home studio. Record your audio through two pristine XMAX mic preamps and high-definition 24-bit, 192 kHz analog-to-digital converters. Navigate your recordings with easy-to-use transport controls. Edit your production and automate parameters in your favorite DAW with the powerful Session Navigator and mix it all with a 100 mm touch-sensitive motorized fader. Whether you're a musician producing your latest album or just getting started with your first podcast, the ioStation 24c gives you all the tools you need to record and mix with the ease of hands-on, tactile control- all in a single device that doesn't clutter your creative space.

Audiophile-grade digital converters and transparent preamps create a superior recording and listening experience. The ioStation 24c audio interface features two of PreSonusr' acclaimed XMAX Class A analog microphone preamps that deliver incredibly high headroom, deep lows, shared smooth highs, and a rich overall sound- you'll hear every breath, transient, and detail in your recordings. High-quality converters provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally. The result is clear, consistent audio that makes mixing easier and creating a polished sound faster.

Rather than forcing you to reinvent your mixing method, the ioStation 24 augments the way you currently mix. You will still use your faithful keyboard and mouse for things they do well, while the ioStation 24c handles what you really want to get your fingers on: your mix. This is DAW control the way you always hoped it could be!

Streamlined workflow and support for the Mackie Control and HUI protocols make it fast and easy to control Pro Tools, Logic Pro X, Cubase, Ableton Live, and more. No driver installation is necessary; just plug in your ioStation 24c and take command of your mix. Deep integration with the included PreSonus Studio Oner Artist will let you mix at lightning speed.

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the ioStation 24c audio interface works with virtually all macOSr and Windowsrx recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in by track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content and upgrades without even opening your browser- you'll build the version of Studio One that's right for you. By combining a flexible single-window user interface with a modern, beat-based production workflow, Studio One's drag-and-drop approach doesn't dictate how you work or what you work on; you do.

The ioStation 24c's unique Session Navigator is your caffeine-fueled assistant engineer, providing easy access to eight mission-critical functions for maximum flexibility. Use the large encoder button and companion buttons to edit and mix with greater efficiency and speed. Scroll through your timeline using the encoder or work measure-by-measure with the arrow buttons; zoom in and out on the timeline with the encoder and make your tracks larger or smaller with the arrow buttons; navigate and drop markers; and maintain constant control of your main level. Once you start using the Session Navigator, you'll wonder how you mixed without it.

Whether you're just getting into audio production or looking to streamline your recording rig, the ioStation 24c audio interface and production controller will give you clear, clean, ultra-high-def sound with professional mixing tools in a compact, space-saving design. While it's a perfect companion for any recording software, the ioStation 24c and included Studio One Artist provide you with a complete, affordable recording solution that will make you sound great.

This suite of plug-ins adds a wealth of fresh virtual instruments and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies i these are real-deal workhorses that you'll rely on for countless mixes.

Notes: Part of Sonicware's Liven groovebox series, the 8bit Warps draws on retro 80s chiptune vibes to create a mini instrument with huge character and surprising range.

*** Update: New features of the version 3.0 firmware September 2023 ***

Added 6 effect types:
- Distortion
- Phaser
- Tremolo
- Ring Modulator
- Auto Wah
- Reverse Delay

Added the Sound Locking features

A sequence can be duplicated to double the length

Looping of chain playback is now possible

New preset 29 drum sounds that can be easily made drum patterns with the sound locking feature

And several bug fixes and improvements

Supplier's Notes:
The LIVEN 8bit warps combines an 8-bit waveform memory synthesizer with a step sequencer.

Carefully selected preset waveforms and editable user waveforms along with high-quality filters and effects can be used freely to create a wide spectrum of sounds. The LIVEN 8bit warps can generate classic retro game sounds of course, but its unique 8-bit sound can also be used in a range of music genres, including EDM, hip-hop, techno and rock.

Powerful functions for live electronic music performance include 16 physical control knobs, parameter locking for each sequencer step, a looper, and SYNC IN/OUT and MIDI IN/OUT connectors to make synchronized performance with other equipment easy.

All these powerful functions are in a device that weighs only 790 g. Play it anywhere at any time.

Size : 11.7 inch (W) x 6.92 inch (D) x 1.89 inch (H), 297mm (W) x 176mm (D) x 48mm (H)

Weight : 1.74lb., 790g

Accessories: Warranty

Power supply: AA batteries x 6, or 9V DC output AC adapter (1A or higher, EIAJ3 standard inner diameter 1.7mm outer diameter 4.75mm, center +)

Notes: Really clever noise-based oscillator from AJH. Drones, sweeps and bleeps aplenty, ranging from tamed to out-of-control filth. Also doubles up as a more conventional ring mod and distortion module.

Supplier's notes:
This 14HP wide module is a voltage controlled noise based oscillator, or noisillator for short. It generates 1/f noise and this is then sent through a feedback loop which allows the noise to be "tuned" to varying degrees depending on the settings of the frequency and resonance controls, or incoming frequency or resonance CV's. The tuned circuit can be FM modulated too, for some thunderous sweeping sounds. We have bright and dark outputs, which are pre and post filter respectively. The Bright output will always have a degree of noise present in the signal, whereas the Dark output can be tuned noise only when 4 pole resonance is selected. We also have an external Sync input, which will reset the resonant waveform, and we also have an Audio input, so that an external signal can be mixed into the resonant loop. Combinations of external waveforms to these two inputs can create some massive drone sounds, or sweeping sync sounds.

There is also an XOR ring modulator, which can be used as a module in its own right too. Lastly, we have an XOR amplifier, which is another independant circuit that can be used to add noise and distortion to any audio signal.

Notes: deton8 is a hybrid sampler/drum synthesizer using a mix of crunchy 8BIT samples and wavetable synthesis. and a plethora of real time fx and tricks.

Handle-assembled to order in France.

deton8 includes the following kits (but you will be able to upload your own samples):

DETON8 default (big beats, break)
AMY SISTER (jungle break)
HIP08 (for all your 808 hiphop needs)
TEK09 (Rave on)
MINTY POPS (Classic beats)
INDUSTRIAL (exclusive kit by our dear friend NKDM)
14 additional kits, thanks to Electronisounds!

Notes: The babies of the Yamaha HS range pack a bigger punch than their size might suggest. A good entry-level option for smaller studios. Clear, revealing monitors at a friendly price.

Supplier's notes:
The Yamaha HS5 is a new addition to Yamaha's HS series of active monitors, influenced by the critically acclaimed and highly sought after NS-10 studio monitor speakers.

The Yamaha HS5 Active Studio Monitor features biamped full range 2 way speakers rated at 45W and 25W and has been developed by Yamaha to offer an exceptionally flat and accurate frequency response for use in music production and composition as well as home project studios. The HS5 monitors' design has been informed by the tradition of the legendary NS10M monitors.

Yamaha HS5 speakers feature a low resonance bass reflex enclosure which improves the rigidity of the overall speaker, and less cabinet resonance means that the signal remains clear and uncoloured. This is very important in getting an accurate mix which translates across all systems.

Port noise has also been audibly reduced by up to 6dB using the new Yamaha proprietary technology in the HS5 studio monitors, which also helps to deliver a clean and precise signal. The HS5 is equipped with XLR and TRS jack connectors as well as room control and hi trim response controls.

Notes: Better known for analogue modules, it turns out Erica Synths are pretty damn good at digital too. Draw your own waveforms, build wavetables, tweak in real time and get freaky. Killer VCO.

Supplier's notes:
Erica Synths Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) - apply FM, phase distortion, ring modulation, wavefold/wavewrap, bitcrush.

Waves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs - the main output and the output with configurable suboscillator.

NB! To have the module functionality up to date, we recommend you to check the Erica Synths home pageor our social media from time to timefor announcements about firmware updates for the Graphic VCO. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in the User Manual.

The sound is clean, modern, punchy and detailed thanks to the unit running at 96kHz - quite different to some low bit-rate wavetable oscillators on the market. Wavetable interpolation is smooth as butter and with the built-in effects you can dirty things up in many different ways. The module scores highly on the sound front. The Graphic VCO is a very capable oscillator module with excellent sound quality and a lot of features that could make it the right choice, especially if live performance is your thing. - Sound On Sound
The bottom line is that the Graphic VCO is a joy to use. It's a module that's unashamedly digital, yet unmistakably eurorack. I think Erica showed a great deal of careful judgement and restraint in the design of this module. It would have been easy to have made it bloated and cumbersome trying to cram as many features as possible into it, but they kept it fairly simple which keeps the module fun and immediate in use. It's capable of a huge tonal palette ranging from beautiful to brutal that is bound to fit in with a lot of different styles and systems. - Ask Audio
The ability to draw and then effortlessly jump between different custom digital waveforms in this way feels unique on the Eurorack stage, and allows for a wide range of tones and transitions between them. - Orb Mag

Technical specifications:

Audio output amplitude
10Vptp
Octave range
C0-C8
Sample rate
96kHz
Unipolar CV input range
0 -+10V
Bipolar CV input range
-10V -+10V
Panel Width
16 HP
Module depth
30mm
Power consumption
152mA@+12V,
20mA@-12V

Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine

Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.

Notes: The EHX 22500 is a stereo looper with two independent loops that can be played in sequence or in parallel. Flexible performance controls and creative effects allow you to loop in any way you imagine. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

Creative controls over looping functions such as adjustable tempo, programmable loop/overdub length, and two loops that can playback independently or locked to one another makes the 22500 act like the looper of your dreams.

Download free drum loops for the EHX 22500

Dual stereo loops with independent or locked loop lengths
Sequential looping mode enables verse/chorus switching
Parallel looping mode allows simultaneous playback of two loops
16 built-in drum loops
Selectable microphone input with phantom power
Reverse and Octave functions
Undo-Redo your last overdub or recording
Quantize or non-quantize (free running) modes
USB port enables backup/restore to PC or Mac
Programmable third footswitch for Stop or Tap Tempo
Optional external Loop Up/Down Foot Controller
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
235mA
Year Released
2015

Notes: Clever little portable deck from German DJ gear specialists Reloop. Designed for mobile scratching or crate digging. Bluetooth streaming and USB recording too. Bonus.

Supplier notes:
The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg

Notes: The DJ200i is the premium DJ cartridge from hi-fi specialists grado. Hand engineered for a premium quality, rich, warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket, and many cartridges priced significantly higher.

The grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 piece otl cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.

Notes: Voltera is an expander for the Metron trigger and gate sequencer, adding 4 bipolar voltage tracks. Up to 16 Volteras can be connected to a Metron, providing up to 64 CV outputs.

With independent voltage ranges and quantisation settings per track, Voltera allows simultaneous real-time control of 4 different parameters, so you can set the track to the parameter you are sequencing.

When used in conjunction with Voltera, it is possible to easily sequence melodies and parameters with the Metron.

Features

4 bipolar voltage outputs in 4HP
Integrated user interface with Metron
Quantised and unquantised voltages
Up to 16 Voltera modules can be connected simultaneously to a Metron
Independent voltage ranges for each output
Analogue programming
Digital accuracy
Fast haptic operation
Power consumption: 60mA at +12V and 15mA at -12V

Depth: 43mm

HP : 4

Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9r Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:
PRECISION: Pays homage to the iconic Fender P Bassr
LONGHORN: Emulates the Danelectror 6-string bass, ideal for baritone type tones
FRETLESS: Features both electric and standup fretless basses.
SYNTH: A tribute to the classic Taurusr Synthesizer
VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
BOWED: Classic bowed bass
SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
3:03: A polyphonic salute to the sought after Roland TB-303r vintage bass synth
FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

Note: All third party trademarks referenced by EHX remain the property of their respective owners. Unless specifically identified as such, EHX's use of third party trademarks does not indicate any relationship, sponsorship, or endorsement between it and the owners of these trademarks. Any references by EHX to third party trademarks is to identify the corresponding third party goods and/or services and shall be considered nominative fair use under the trademark law.

Pays homage to nine of the best bass sounds ever
Tracks impeccably and works on guitar without mods, special pickups or MIDI implementation
Independent Effect and Dry volume knobs let you precisely control your mix at the Effects output
Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs
Dry output jack outputs the input signal at unity gain
Compact, rugged, easy to use
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Selectable Buffered Bypass
Audio
Mono
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
100mA
Year Released
2019

Notes: Expander module for the Tetrapad, Intellijel's multi-dimensional performance touch controller. Adds huge functionality, allowing you to sequence parameters and create complex modulation.

Supllier notes:
Tete is the long awaited and highly anticipated expander for the Tetrapad.

Some of the key features:

Three primary modes: VOLTAGES, NOTES and COMBO.

VOLTAGES mode:

Up to 16 voltage storage locations (grid) with 8 voltages stored at each location.

You have the choice to record and playback your recall of these locations in a looper style (just play freely and spend arbitrary amount of time at any location) or as a clocked sequence (SH-101 style). Additionally you can traverse the matrix using the X and Y CV inputs to get Cartesian style sequencing.

There is also variable slew that allows you to morph/glide between the values.

NOTES mode:

You can create sequences or loops in chord, scales or keyboard mode. The isomorphic keyboard grid can vary from 4 notes to 12 notes max. There are real-time performance looping, transposition and inversion capabilities via the CV inputs and dedicated loop button. In sequencer mode each step can be a tie, rest, or gate with size 25/50/75%. Basically we have created a way to very quickly and intuitively make chord sequences that are very musical and easy to manipulate. It is difficult to summarize in words but we will be sure to create some videos to demonstrate how easy and fun this is to play with. It definitely represents something unique in the landscape of Eurorack sequencers.

COMBO mode:

In this mode you can loop record your performance on any combination of the following functions:

fader, bipolar fader, drum hit, switch or LFO. Kind of like Elektron style parameter locking but all of the motions is recorded continuously instead of just in slices. Instantly turn a simple patch into a highly animated and complex beast.

With all of the above mentioned loop recording modes you can very easily overdub since the Tetrapad detects pressure/pressing. In combo mode you can erase individual channels.

All modes allow for internal or external clocking and configurable syncing.

All of the modes have special XYZ CV modulation assignments and make use of the dedicated CV outputs.

For example, in Looper mode one of the CV outputs generates a continuous ramp that represents the position in the loop. This can be used with devices like the Planar 2 in Interpolation mode to sync the recorded patterns together no matter what tempo.

Notes: Ten-channel version of Mackie's new compact ProFX mixer, ideal for home studio use or small live setups. Built-in USB interface and digital effects section. Great value.

Supplier's notes:
The Mackie ProFX10 v3 10-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: The Ar Merc'het Brao module is comprised of two filters and two overdrives.

As usual at Touellskouarn it has a Breton name: Ar Merc'het Brao means "The pretty girls".

It can be used with a stereo signal or with two mono signals. The module is modular as well as guitar friendly.

The filters are resonant with a slope of -12dB. A switch allows to switch each filter from LowPass to HighPass. The filter cut-offs are voltage controlled thanks to dedicated CV inputs. Additionally, the Ar Merc'het Brao features global controls for cut-off and resonance.

Both overdrive sections offer the classic and well known TouellSkouarn distortion sound.

Notes: Entry-level controller for NI's Traktor DJ software. Surprisingly feature-packed for such an affordable price. Two channels with integrated mixer and effects, plus RGB pads for hot cues and loops.

Supplier notes:
Whether it's bass-heavy breakdowns, steppy synths, or peak-time rewinds that define your style, the TRAKTOR KONTROL S2 has everything you need to make your mix happen. Craft sets on two decks and get creative with easy-to-use tools like looping, beat syncing, and club-grade effects.

Turn the music you listen to into the sets you play, with a streamlined interface that makes blending tracks a breeze. Plug in, line up a few of your favourite tracks, and get mixing wherever you are. You can leave the beatmatching to TRAKTOR, so you have more time to pick tunes that fit the vibe, experiment with FX, use looping and remix decks, and to define your own sound. Whether you're at a house party, a bar, or the club, you can create mixes made to make you move.

WHAT'S NEW?

The perfect way to really ramp up your mixing, with eight RGB pads on each deck. Cut straight to a hook everybody knows by setting and triggering cue points, or punch in your own edits with samples on a Remix deck.

Upsized, touch-sensitive jog wheels let you cue, scratch, and nudge tracks much more accurately - not to mention perform bigger backspins. They also mean more fun getting hands-on with your music.

A familiar club-standard layout, wherever you go. Browse tracks, adjust beatgrids, use effects and features like Flux Mode, directly on the TRAKTOR KONTROL S2. Everything you need for creative mixes at your fingertips.

Turn up your track transitions with new Mixer FX: Cut bass with a filter instead of EQ for resonant kicks, or get hi-hats galloping with delay. A choice of eight effects and three filters ensures you always have the right tools to hand.

Scale up your set with Steams and loops. Trigger one-shot sounds and samples to inject new energy into your mix.

Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.

Notes: CV Thing is a fully mappable CV to MIDI converter in just 6HP. Its based on our VCMC module, but aiming for small and compact performance rigs. It has eight inputs that can be mapped to any MIDI message quite easily thanks to its simple and intuitive user interface. CCs, Program change ,V/Oct to Note or Clock are some of the messages that can be configured to easily control MIDI gear from your modular rig.

Features:

Class-compliant USB MIDI and TRS connectors.
TRS to DIN5 Type A adaptor included.
8 CV inputs.
Controls fully mappable to any MIDI message (CC, Notes, Program change, Clock, ST/SP, NRPN...)
Configurations are saved both in internal memory and via Sysex.

Specifications:

Current needs: +12V: 50mA, -12V: 4mA
Width: 6 HP
Depth: 25mm, (32mm DIY) including power connector
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: Genuine EMS synthi filter, with redesigned faceplate!

This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS. The only officially licensed remake of the EMS diode lowpass filter used in the VCS3 and AKS synths. It´s a faithful recreation of the original circuit, featuring some modifications that are also done on vintage EMS equipment, like a switchable faster CV response option for very quick modulations. Another switch determines if the filter has 18dB/oct slope as used by EMS pre-1974 or 24dB. The cutoff frequency and also the resonance are voltage controllable. Signal inputs and outputs have level controls.

Notes: Steppy is a 4-track programmable gate sequencer with eight internal memory slots, external clocking, numerous tweakable parameters, and a performance-first design aesthetic.

Each track features numerous independent parameters that govern its playback independently of the other tracks. Specifically:

- Each track has its own length, which can range from 1-step to 64-steps, allowing for polyrhythms, fills, or constantly evolving gate interactions between tracks.
- Each track has its own gate length, which ranges from very short to very long, with tied gates possible at the extreme setting.
- Each track has its own clock divider, allowing patterns to play out over completely different periods of time.
- Each track has its own swing setting, which offsets the timing of every other step.
- Each track has its own delay setting, which offsets the timing of every step.
- Each track has its own probability control, which sets the likelihood that each programmed gate will fire when called upon by the pattern.
- Each track can be shifted (or 'rotated') forward or backward by a number of steps. So if you've created a pattern that 'feels' like it has its downbeat on step 3, you can shift that pattern two steps to the left, so that the downbeat sits on step 1.

Tracks can be programmed by entering active steps on the grid or tapped in live as the sequence is moving. Tracks can be selected and modified in real time as the sequence plays. A select button allows you to directly access each track (and each page of 16 steps within that track) directly through Steppy's intuitive multifunction buttons array.

Tracks can be individually muted and unmuted, and a special performance mode (called "Loopy") enables you to touch any two gate steps and instantly create a performance that loops between those steps.

Track patterns can be cleared without clearing its playback parameters, and all track patterns (along with their individual playback and performance parameters) can be saved as a preset to one of eight internal memory slots.

Notes: Erica Synths Black Quad VCA2 is a versatile four channel voltage controlled amplifier and mixer module for use in complex modular systems. Each channel has linear/logarithmic response selector and signal level indicator LED. All outputs are sequentially mixed and CV inputs are normalled to each other, so you can use the module in various configurations. If no CV is applied, the Black Quad VCA2 performs as a signal mixer, and the 4th channel is DC coupled for controlling CV sources, as well.

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Separate modulation inputs for all three effect parameters plus Sample Rate Reducer (SRR) input - changes internal clock. Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to SRR input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz via SRR input.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Moog SR Series Cases are here to safeguard your Moog Grandmother synthesizer where you need it most and ensure your sound travels far and wide.

Developed with artists for artists

Musicians report the most important performance a case can offer are protection from impact and protection from wateriin that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Complete protection, comfort, and convenience

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Grandmother synthesizer.

Specs

Internal material: Padded plush liner
External materials: Durable abrasion resistant 1680D Cordura, water-resistant. Laminated zippers, reinforced stitching and metal rivets
Handles/straps: (2) Smooth and durable webbed handles (top and side) with reinforced stitching - Removable anti-slip shoulder strap, - Removable air-mesh padded backpack straps

*** Please note: the synthesisers in the pictures are not included, they are shown for demonstration purposes only. ***

Notes: Moog SR Series Cases are here to safeguard your Moog Matriarch synthesizer where you need it most and ensure your sound travels far and wide.

Developed with artists for artists

Musicians report the most important performance a case can offer are protection from impact and protection from wateriin that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Complete protection, comfort, and convenience

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Matriarch synthesizer.

Specifications

Internal material: Padded plush liner
External materials: Durable abrasion resistant 1680D Cordura, water-resistant. Laminated zippers, reinforced stitching and metal rivets
Padding: Semi-rigid ABS, generous foam padding
Handles/straps: (2) Smooth and durable webbed handles (top and side) with reinforced stitching - Removable anti-slip shoulder strap, - Removable air-mesh padded backpack straps

*** Please note: the synthesisers in the pictures are not included, they are shown for demonstration purposes only. ***

Notes: Great value from this compact, portable multi-track recorder. Record instruments or vocals anywhere. Pre-loaded drum loops and built-in synth instruments help you get started.

Supplier's Notes:
The R12 Multitrak - Live to make music.

The R12 is made for musicians who live to make music. And they want the freedom to make music wherever they go.

All you need on-board

Compact and mobile, you can record and mix songs without a computer. Use the R12's full-colour LCD touchscreen to cut, copy, loop, and edit your tracks.

Amazing sound

The R12 has super-clean preamps and you'll love the way they sound. With two XLR/TRS inputs, and 8 tracks of audio, the R12 is perfect for recording everything from demos to release-ready songs.

Fully loaded

The R12 includes a send effects channel offering reverb, chorus and delay with a ddedicated effects return fader. For advanced tones, you can use presets and effects from Zoom's Guitar Lab.

Take it everywhere

The R12 provides up to 5 hours on four AA batteries allowing you to bring your production anywhere. Additionally, you can use the R12 with the included AD-17 power adapter, or a USB battery.

The R12 also has pan and a 3-channel EQ for each track and a compressor on inputs 1 and 2.

Playback. Play along.

Use Sequence Play to create a playlist of your projects. Then use them as backing tracks, whether you're playing live or rehearsing a set.

It starts with a groove

With 150 preloaded drum loops in a variety of patterns and genres, the R12 provides a versatile rhythm section for any project.

Import audio files

Add additional audio samples by importing files into your R12 via Micro SD card or USB thumb drive.

From headphones to monitors

The R12 includes an 1/8" stereo headphone jack as well as dedicated 14" monitor outputs.

Interface + control surface

Use the R12 as a stereo audio interface with your favorite DAW or streaming platform, via USB-C. As a control surface, the transport controls and faders make it easy to adjust and control your software during production.

Attention to detail

Connections

Connect microphones, instruments or line level devices like keyboards, mixers and more.

Hi-Z

Input 1 on the R12 has a Hi-Z switch, allowing you to plug your guitar directly into the recorder.

Phantom Power

Both inputs on the R12 offer 48V Phantom Power for condenser microphones.

Stay in time. Every time.

Activate the fully customizable click track with the press of a button. Click balance blends the metronome with your playback audio and routes it to your headphones and/or the main outputs.

Add some synth

The R12 has 18 FM synth instruments built in. They can be played by plugging in a MIDI keyboard via USB-C or programmed using the touchscreen.

What's in the box:
R12 MultiTrak
AD-17 AC Adapter
USB Cable

Specs

INPUTS / OUTPUTS
INPUTS - MIC/LINE (mono): 2
OUTPUTS - MASTER OUT: 1
PHONES: 1

INPUTS
MIC/LINE (MONO) Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT / TRS: TIP HOT)
Input gain: +6 ~ +50 dB
Input impedance: XLR: 3.9 kO TRS: 3.9 kO/1 MO (when Hi-Z ON, INPUT 1 only)
Phantom power: +48 V (switchable separately for INPUTS 1 and 2)
Equivalent input noise: -121 dBu or less (IHF-A) at +50 dB/150 O input
Frequency response: -1.0/+0.5 dB: 20 Hz - 20 kHz

OUTPUTS
MASTER OUT - Connectors: 2 TRS phone jacks (balanced)
Maximum output level: +14 dBu
Output impedance: 200 O
PHONES Connectors: 1 stereo 3.5mm mini jack
Maximum output level: 45 mW + 45 mW (into 32 O load)
Output impedance: 10 O

RECORDER
Maximum simultaneous recording tracks: 2
Maximum simultaneous playback tracks: 8
Recording format: 44.1kHz, 16/24-bit, mono/stereo WAV
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB

TRACK SETTINGS
EQ
High: 10 kHz, 12 dB, shelving
Middle: 2.5 kHz, 12 dB, peaking
Low: 100 Hz, 2 dB, shelving
Pan: L100 - R100

EFFECTS
Input Dynamics: Comp/Limiter/Gate
Patch memory effects: 3 types can be used simultaneously
50 patch memories
Guitar Lab supported
Can be assigned and used as an insert (input) or send effect
Dedicated send effects: 10 types of spatial effects

TUNER: Chromatic/Guitar/Bass/Open A/Open D/Open E/Open G/DADGAD

CLICK (METRONOME)
Time signatures: 3/4, 4/4, 6/8
Tempo range: 40.0 - 250.0 BPM

POWER
Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)

RHYTHM LOOPS
Sound source format: PCM
Number of loops: 150

SYNTH
Sound source format: FM
Polyphony: 8
Number of sound types: 18 (and a PCM drum kit)

DISPLAY: 2.4" (320×240) full-color touchscreen LCD

USB
CONNECTOR: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.

AUDIO INTERFACE FUNCTION:
2-in/2-out or 2-in/2-out (iPad): USB 2.0 Full Speed - 44.1 kHz, 16/24-bit
2-in/4-out: USB 2.0 High Speed - 44.1 kHz, 16/24-bit

MASS STORAGE FUNCTION
Device: USB 2.0 High Speed (5 V/200 mA power supplied when host)
GUITAR LAB CONNECTION: USB 1.1 Full Speed
DAW CONNECTION (CONTROL SURFACE): USB 1.1 Full Speed

MASS STORAGE FUNCTION
Host: USB 2.0 High Speed (5V/200 mA power supplied)

USB MIDI KEYBOARD CONNECTION: USB 1.1 Full Speed (5 V/200 mA power supplied)

ESTIMATED CONTINUOUS OPERATION TIME USING BATTERIES
During playback with +48V off and 32O headphone load
Alkaline batteries: about 5 hours
NiMH batteries (1900 mAh): about 5 hours
Lithium batteries: about 11 hours
* The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

POWER CONSUMPTION: 5 W maximum
DIMENSIONS: 256 mm (W) × 158 mm (D) × 61 mm (H)
WEIGHT (including batteries): 827 g
NOTE: 0 DBU = 0.775 VRMS

Notes: Pony VCO is a fully analogue Thru-Zero oscillator with wavefolder and dedicated VCA in only 4HP. The module offers great stability and tuning capabilities thanks to its powerful core, based on Sound Semiconductors IC. It comes with a range selector, that allows it to go down to LFO range, as well as octave and waveform selectors.

Pony VCO is also available in 1U format keeping the same functionality and control layout.

Features

Through Zero Frequency Modulation
Wavefolding (Timbre)
Pulsewidth Modulation (PWM)
SYNC
VCA
LFO

Specs

Current Draw: +12v: 32 mA -12v: 25mA
Width: 4HP
Deepth: 30mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

In Through Zero oscillators, frequency is controlled by either positive and negative voltage. If FM CV goes below zero, the core will continue oscillating inverting its phase. This "little" change of behaviour allows the core to create a whole new range of timbres that are just impossible to achieve with regular VCOs.
If you set the module as LFO, the range of funky modulations will be endless!

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Field recorder meets interface in this clever offering from IK's iRig range. Essentially a 4-in/2-out audio and MIDI interface with built-in mics, the Quattro is portable, versatile and high quality.

Supplier's Notes:
Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Specifications

Microphone Input
Microphone Input: balanced female 3-pin, XLR. Pin 2: hot / Pin 3: cold / Pin 1: ground
Microphone Input Level: from 6 mVpp to 1.4 Vpp
Microphone Input Impedance: 3.2 kOhms
Gain Range: 40 dB
Phantom Power: +48V i 4V
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS

Instrument Input
Instrument Input: unbalanced, Hi-Z, TS 1/4" Jack, Tip: signal / Shield: ground
Instrument Input Level: from 30 mVpp to 6.9 Vpp
Instrument Input Impedance: 1 MOhms
Gain Range: 27 dB
Frequency Response: 20 Hz - 20 kHz +/-1.5dB
Input Noise: -103 dB(A), -97 dB RMS
Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Control numbered thumbwheel
Headphone Level Power 100mW into 50 Ohms

Stereo Headphone Output
Connector: 1/8" TRS Jack. Tip: right / Ring: left / Shield: ground
Headphone Level Power 100mW into 50 Ohms

MIDI Input/Output
Connector: 2x2.5mm TS Jack
Other Input/Output
DC barrel: 1x DC barrel. For power and device charging.
Device Connector: mini-DIN

Common
Conversion: 24-bit A/D, 24-bit D/A
Sampling Rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz

Power:
- USB bus powered when used with a computer
- Battery powered (2xAA included) when used with an iOS device
- DC power supply (not included, iRig PSU 3A sold separately)*

Package includes
iRig Pro I/O universal Audio-MIDI interface
Lightning to Mini-DIN connection cable with charging features (60cm/23.62")
USB-A to Mini-DIN connection cable (60cm/23.62")
USB-C to Mini-DIN connection cable (60cm/23.62")
2.5mm TRS male to MIDI female adapter (10cm / 3.9")
2 x 1.5V AA Battery
Velcro strip

Dimensions
Size: 43mm/1.69" x 127mm/5" x 37mm/1.46"
Weight: 120g/4.23oz (batteries excluded)

Notes: Updated version of Omnitronic's affordable alternative to Pioneer CDJs. The XMT-1400 is a versatile media player, capable of playing from CD, USB and SD card.

Supplier's Notes:
DJ player for CD, USB and SD

Audio CD, CD-R, CD-RW, MP3 CD
USB port for storage media and portable players
SD(HC) card slot
Anti-shock RAM buffer memory
Text display supports CD text and ID3 tags (artist and title name)
Touch-sensitive scratch jog dial with mode selector: pitch bend, scratch, fast or frame search
Reverse run
Brake effect (as with analog turntables)
Comfortable track selection via 10-digit numerical track input
Folder navigation
Search buttons for fast forward and reverse
Pitch adjustment +/-4 %, +/-8 %, +/-12 %, +/-16 %
Pitch bend via jog dial or separate buttons
Manual beatcounter
Instant start and cue function with preview
Double loop/reloop function
Single or continuous play
Repeat functions
Title programming
Extra-large play/pause and cue buttons with color illumination
LCD display for easy controlling
Desktop console housing

Technical specifications

Power supply: 100-240 V AC, 50/60 Hz
Power consumption: 12 W
Power connection: Mains input via C8 "figure 8" mounting version power supply cord with Euro plug (provided)
Frequency range: 20 - 20000 Hz
S/N ratio: >86 dB
THD: <0,01 % at 1 kHz
Audio player: USB + SD + CD player Anti-shock Seamless loop; pitch
CD player drive: Slot in-Single CD drive
Display type: LCD display
Display: CD-DA play time remaining , play time elapsed , total play time remaining , Bargraph; MP3 ID3-Tags , play time remaining , play time elapsed , Bargraph
Connections: Output: line via 1 x stereo RCA 2 V
Format: CD, CD-R, CD-RW, CD-DA, MP3
Frame accuracy: 1/75 s
Available storage media: USB devices/SD cards max. 128GB
Pitch range: +/-4%, +/-8%, +/-12%, +/-16%
Housing design: Desktop console housing

Dimensions: Width: 23 cm
Depth: 31 cm
Height: 12 cm
Weight: 2,30 kg

Notes: ADDAC711 is a dual channel Isolated DI box and is all about keeping the sound coming into your Modular free from any undesired noisy interferences, making sure that what you're getting from your inputs is what your external hardware is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 711 circuit is designed around a unity 1:1 type Low-cost Audio Transformer operating in the 20 Hz to 20 KHz range, this impedance matching transformer provides two fully balanced outputs (via XLR connectors).

There are two independent channels on the module with:
Audio Output
Signal overload warning led
LIFT/FLOAT/GND toggle switch
Gain control
XLR Input

The LIFT/FLOAT/GND 3-way switch lets you choose between lift, ground or floating ground. In the LIFT position (left) the module circuit will be "lifted" to ground through a 100R resistor and a 10nF capacitor. In the FLOAT position (middle) Ground will not be shared leaving ins and outs grounds completely apart from each other fully isolating both signals.
In the GND position Ground will be shared between inputs and outputs, here no isolation is used. Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the external hardware. Try out which one of these options will work best in any given situation.

The importance of using Audio Transformers

Applying a transformer balanced input isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and cleancircuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, this module presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate ADDAC711 from any other device, preventing hum problems coming from an outsider ground. Being a low-cost transformer the frequency response curve is not completely linear, still the -0.2dB
attenuation at 50Hz feels negligible.

Notes: Like the Iguana that's malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colourful tool for adding modulated textures to songs.

The Polychrome Flanger is a true bypass, all analogue Flanger pulling in familiar layout controls from the Julia and Lillian.
Dial in a wealth of colourful flange with the D-F-V blend knob and the shape and voice switches.
The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line

The Voice Switch lets you select between two voices for the flanging effect.
In the down position, the flanger is more traditional and full frequency.
In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don't sleep on the vibrato sounds in the Polychrome.
Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.

Specs
The Polychrome comes in a flat black enclosure with purple, yellow, coral, green and white ink, featuring original artwork by David Huttner.
Power supply not included.

Dimensions and power consumption:
0.25kg
6,6 x 12,2 x 5,6 cm (W x D x H)
50 mA

In the box:

Walrus Audio Polychrome
Manual
Sticker
Guitar pick
Pouch

Notes: Wave Expander bridges the gap between the Melody Miracle and Touch Tones synthesizers, and the rest of the synthesizer world. Control other synths by sending CV and gate signals via Wave Expander, and dial in the right amount of control with onboard CV tuners. Outputs are visually indicated with the Chrominancer color window at the center of Wave Expander, bringing cosmic insight to the signals at hand.

Melody Oracle and Touch Tones expander module
Use AMP synthesizers to control external gear
12 outputs (6 CV/6 Gate)
CV Range: 0V to +12V
Chrominancer color window

Notes: Unique touch-activated instrument with built-in speaker, allowing you to trigger notes with one hand and modulate the timbre via touch pads. Unorthodox tones, unorthodox interface. Lots of fun.

Supplier's Notes:
Touch Tones is a touch activated auto harmonic synthesizer, with a 3 octave tuning range, XOR logic modulator, Harmonicon auto harmony generator, and two onboard bandpass filters. The left side of the Touch Tones holds three capacitive touch pads for playing notes, while the right side contains a set of 7 touch pads to modulate the different parameters sequencing the synthesizer.

Three octave range plus XOR modulator.
Harmonicon automatic harmony keys play a perfect 5th of each tuned ROOT note.
Dual Luma filters for active timbral shaping via light control.
Wear the Touch Tones for Function or Fashion with the included chain lanyard.

Notes: Hue is an audio colour processing effect, in 6HP eurorack format. Hue is comprised of a chain of 5 effects (Drive, Filter, Tape Saturation, LoFi, Compressor). Each effect imparts a particular coloration, tone, distortion, and/or texture to the source audio. With Hue, Drums bang with more intensity & melodies morph into lush LoFi tones.

Hue's goal is to simply colour your sound. The initial concept was born of a debate about the techniques and processes used to make drum machines sound big, bold, and delicious. The sounds that tug at the hearts of boombap, LoFi, and subsequently modbap, enthusiasts are those that have great texture, lush degradation, soft distortion, and big bold strokes of colour. The classic beloved drum machines were often processed with outboard gear, recorded to tape, pressed to vinyl, played in big booming systems, sampled, and resampled and on and on. Ultimately, those are the sounds that become nostalgic and reminiscent of all that we love about classic LoFi boombap production. Hue is Modbap's attempt at bringing that vibe into eurorack with a cute little 6hp package.

The effects chain audio signal path is as follows; Drive, Filter, Tape Saturation, LoFi, Compressor. The panel layout allows for the DJ style filter knob to sit in first position for ease of tweaking. Drive boosts and lightly distorts the signal, while shift+Drive adjusts the Drive tone. The Filter is a low pass filter to the left and a high pass filter to the right. Tape effect is intended to impart cassette tape saturation, while shift+Tape adjusts the intensity. LoFi adjusts bit depth, while shift+LoFi adjusts sample rate. Lastly, the one knob compressor mini pot serves as the final glue in the signal path that brings it all together.CV inputs for Drive, Filter, Tape Saturation, and LoFi opens loads of creative possibilities. Hue is a textural beast when creative modulation is thrown at it.

Hue puts the power to shape and transform your sound at your fingertips. It's great for beefing up drums and equally as magical on melodic content. Hue can be the glue that brings it all together. It also, pairs well with Trinity and Osiris. All in all, Hue exemplifies the tagline "Made for eurorack, dope enough for boombap!"

Tech Specs

Width: 6HP
Depth: 28mm
Power: 50mA +12V, 50mA -12V

Features
5 effects (Drive, Filter, Tape Saturation, LoFi, Compressor.)
4 CV inputs for modulating the effects
Mono in and mono out
6HP

Notes: The #1 EQ pedal returns - better than ever

Empress Effects have brought back the most sought-after Parametric EQ pedal, with groundbreaking upgrades.

Everything people loved about the original ParaEq was kept, and more fidelity and control have been added.

More Control

Whether you're trying to cut through a mix or fix a feedback issue, you need precision! The ParaEq MKII offers the most control of any pedal EQ on the market.

More Sweetness

Effortlessly sweeten your tone with beautiful sounding, super smooth Baxandall filters for broad high and low frequency shelving adjustments on the Deluxe.

More Power

The ParaEq MKII pedals operates internally at 27V, providing clean headroom without unwanted clipping.

More Purity

This pedal is able to offer the most control without degradation to the tone due to minimal circuit topology00-the opposite of graphic EQs.

Why Choose Parametric EQ over Graphic EQ?
Parametric VS Graphic EQ Graph
Graphic equalizers provide a convenient visual sense of the EQ curve. However, there is a tradeoff in transparency and precision.

The graph here shows the ParaEq MKII Deluxe (cyan) and a 7-band graphic EQ pedal (magenta) both providing a +4dB boost at around 2 kHz. As can be seen, the ParaEq is much more precise in the changes it can make, whereas the graphic EQ affects nearly the entire frequency spectrum. Furthermore, at around 10kHz the ParaEq is providing unity gain, whereas the graphic EQ is attenuating the signal by nearly 6dB. This makes the ParaEq a more transparent circuit than the graphic EQ.

This combination of transparency and precision is why recording studio control rooms are dominated by parametric equalizers, and why they're a great choice for creative and corrective EQ on your pedalboard.

Which ParaEq Do You Need?

The original ParaEq has been loved and trusted by musicians on a variety of instruments for over a decade. Both the ParaEq MKII and the ParaEq MKII Deluxe feature a low-noise, transparent signal path that is extremely versatile.

With three fully parametric bands, you can simultaneously achieve broad tonal shaping and precise fine-tuning to sculpt your perfect sound.

The ParaEQ MKII Deluxe will appeal to players who:

Need high-pass and low-pass filters for precision work at the frequency extremes
Want the glorious sound of Bandaxall filters for sparkling high end or extra weight in the low end
Want to be prepared for any EQ situation

Specifications

Input Impedance: 1MO
Output Impedance: 100O
Frequency Response (-3dB): 22Hz - 25kHz
Total Harmonic Distortion: < 0.05%
Noise: > 107dB
Headroom: +30dBu
Input Voltage: 9VDC Centre-Negative
Required Current: 300mA
Power Input Connector: 2.1mm Barrel Connector
Height (Enclosure Only): 1.5"
Height (Including Controls): 2.5"
Length: 3.5"
Width: 4.5"
Weight: 1lb

Notes: A full size version of Mutable Instruments Warps. It is functionally identical and will run all firmware that ran on the original.

Width: 10hp
12V: 110mA
-12V: 5mA

Notes: Dusky drama

Gloamer is an all-analogue, polyphonic amplitude synthesizer that alters the attack and decay time of any sound source without sacrificing the fidelity of the original tone. Its attack function provides a pick-triggered volume swell: a cinematic "slow gear" effect that is smooth and controllable with variable timing from extremely fast to very slow. The volume swell cycle can be reset at any moment by muting, allowing players to craft bowed string-like lines and chords with ease. Gloamer also features a powerful optical compressor that can add subtle punch or extreme sustain, helping to maintain a smooth volume swell effect even with very long attack times. A Volume knob controls loudness at the peak of the attack cycle, while a master Blend control allows players to layer an uncompressed clean sound in with the volume swell effect. Additionally, when activated, the Decay function causes notes to fade out once the attack cycle is complete. When the decay cycle is completed, an auto-reset function causes the attack to begin again immediately, as long as there is audio input. This allows you to create a wide range of undulating, asymmetrical tremolos at slower settings as well as pulsating stutter effects when using faster attack and decay times.

Knob-by-knob

Volume: Sets the master output volume of the effect when engaged.
Compression: Determines the balance of clean and compressed signal.
Blend: Determines the balance of clean signal and effect.
Attack: Determines the duration of time it takes for a note to swell in from silent to full volume.
Decay: Determines the duration of time it takes for a note to fade out from full volume to silence.
Sensitivity: Determines how much input signal is needed to reset the attack and decay cycle.
Ready (LED): Signals when the pedal is armed and ready to begin the attack and/or decay cycle.

A hi-fi attack and decay master
Gloamer was designed to allow players to change the nature of their attack and decay while maintaining pristine, hi-fidelity audio. Easily swell blooming single note lines or full, lush chords and become the string section you've always wanted to hire but can't afford.

Model name: Gloamer
SKU: ATS
Function: Volume Swell with Compressor
Category 1: Modulation
Category 2: Compression

Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 470K
Output impedance: 150 ohms

Body:

Length (in): 3.5
Width (in): 4.75
Height (in): 2.5
Weight (lbs): 1

Notes: A multi-purpose module designed to combine noise and modulation sources, slew, sample-and-hold, envelope following and more. Extremely versatile way to add randomness and controlled movement to patches.

Supplier's Notes:
Flurry collects and connects a number of practical modular synthesis tools, focused on clocks, noises, and randomness to create a module that is rife with opportunities for exploration and experimentation. Equally capable as a synthesis source, modulator, clock, or signal modifier; It is bound to find a way to bring new life and dimensions to your synth patches.

Core Functions:

A clock and random pulse source with adjustable and modulatable rate
Accurate pink and white noise sources
Analogue sample & hold and track & hold circuits with very low droop
Analogue slew with adjustable slew time and edge selection (rising edge, falling edge, or both)
Envelope follower
16 noise synthesis algorithms, each with 2 parameters.

One of Flurry's more interesting aspects is its collection of digital noises, which provide a wealth of interesting noises, suitable for either audio or modulation purposes. Each noise type has its own pair of unique parameters to further dial in the desired characteristics, with the primary parameter under CV control.

Most people consider noise to be "undesirable," and product developers expend great effort to design circuits that minimize noise. So why make a module designed specifically to create noise?

Indeed, unwanted noise is undesirable. But not all noise is unwanted. Synthesizing the sound of wind or waves are a couple of the more obvious uses for a noise generator, but the possibilities go far beyond. The crack of a snare hit; the breathiness of a flute sound; an added sizzle to a resonant pad - all are within the sonic domain of noise.

But noise has many other benefits beyond simply being heard. Noise happens to make a wonderful modulator. When noise is used to modulate a filter's cutoff frequency, or an oscillator's pitch or pulse width, then all sorts of raspy, buzzy, gritty timbres are obtained.

Noise is also a key ingredient in sample & hold circuits - a technique most commonly used to generate stepped, random voltages. The circuit works by sampling an input signal's voltage each time you send it a clock pulse, and holding that voltage until the next clock pulse. So, naturally, Flurry also contains the requisite clocking tools! Two of the most common destinations for the S&H output are a filter's cutoff frequency (creating stepped, clocked timbral changes), and oscillator pitch (which produces random notes at clocked intervals).
Of course, you might not always want your voltages to change so abruptly at each clock pulse. Maybe you'd prefer they wobble about gradually and with more grace? To do that, you need a slew circuit, and once again Flurry has you covered - allowing you to select not just the slew time, but also whether the slew is applied to rising voltages, falling voltages, or both. A flick of the switch, and that Slew circuit becomes an envelope follower, enabling Flurry to generate envelopes from input signals (syncing to drum hits are a common use).

With all these features, plus the ability to create random pulses, clock to external pulses, and perform more esoteric track & hold duties, Flurry is a noise lover's toolbox.

Width: 8HP
Depth: 34mm
Power: 116mA @ +12V 30mA @ -12V

Notes: The OpticTone is a combination of a 12dB multi-mode Vactrol Filter and a Vactrol Voltage Controlled Amplifier.

It is a completely original circuit inspired by the singular nature of Vactrols and their fluid and natural character.

The Filter section provides the three fundamental filter types: Lowpass, Bandpass and Highpass.

A Resonance knob with voltage control input is available for improved modulation flexibility. The feedback knob interacts with the Resonance path, tempering it from creamy resonance to wacky self-oscillation.

Filter and VCA run in parallel, both are controlled by the Freq/Amp knob and it's associated voltage-control input. The combination of both signals can be crossfaded with a dedicated knob.

The Freq/Amp is also controlled with direct touch control on the panel via the 3 lines below the knob.

The filter frequency control can be inverted by the Inv Freq switch, providing the possibility to change the filter direction. This feature allows the filter to "close" when the VCA is "opening" or the other way around.

The Ping input allows to generate the well known vactrol filter percussive sounds if a gate or trigger signal is provided. The Ping frequency if controlled by the Freq/Amp knob, ranging from low kicks drums to high pitch bongos.

There is also a Drive knob to take care of your saturation needs. The Overdrive range is wide, from soft textural clipping to heavy distortion.

All voltage controlled inputs have an attenuator-inverter knob.

Features:

Vatrol based 12dB multi-mode Voltage Controlled Filter: Lowpass, Bandpass and Highpass.
Vactrol Based Voltage Controlled Amplifier.
Crossfade between VCF and VCA section.
Voltage controlled Resonance.
Ping Input for percussive sounds generation.
Cutoff Frequency polarity inversion switch. Doesn't change VCA polarity
Overdrive and Feedback controls.
Attenuator/inverter knobs on all voltage controlled inputs
Touch control over Frequency and Amplitude.


Specs:

Width: 10HP
Depth: 33mm
Power consumption: 55mA +12 / 55mA -12
Eurorack Format
Doepfer power connection

Notes: ILLUMINATOR is an eight channel converter that turns Eurorack and analog CV signals into a voltage that drives LEDs and LED strips, creating a unique light show in sync with your live performance. CV signals coming from your music gear are already pulsating with the different parts and sounds of your track, so there is no need for any kind of programming or light operator.

You can focus on playing your set and let ILLUMINATOR take care of the rest, creating a dynamic visual show that follows your tracks down to every note and beat!

No presets, no memory- just your music driving the lights. Create intense strobe-like effects by connecting rapid hi-hats from your analogue drums, or use slow external LFOs for a moody ambience during your ambient sessions.

ILLUMINATOR is compatible with standard 12V LED strips that are affordable and widely available. LED strips are flexible and typically come with adhesive on the back, so it's easy to attach them to any objects and surfaces, including irregular and unusual ones. It can be your Eurorack case, synth stands, walls of the venue, furniture and even your body! This way you can create a unique light show that would otherwise require an expensive (and unwieldy!) lighting setup. Everything you need for your ILLUMINATOR show easily fits into a small backpack for just a couple hundred euros.

ILLUMINATOR can also run an art installation, as LED strips are far from its only application. It can drive anything that accepts DC 12V with a current up to 0.5A. You can hook up anything from motors, electromagnets to old-fashioned filament bulbs. It's the perfect beating heart for your weird mechanical steampunk orchestra. Your imagination is the limit!

ILLUMINATOR accepts all types of CV signals in the range from 3 to 20 volts. Each of the eight channels contains an individual trimmer pot that defines the sensitivity of the channel. It not only adjusts the optimal input range for connected CV sources, but it can also set the brightness of each LED strip. Default factory setting for all trimmer pots is made for the range of 5V, compatible with most gear out of the box.

Applying bipolar CV is also possible but the negative part of the signal will not light up the LEDs (everything below zero will be processed as zero).

CV signals can be connected to ILLUMINATOR using Eurorack mini-jacks or PULSAR-23-like pins and alligator clips. PSU DC IN and all outputs are standard DC sockets 5.5×2.1mm center plus.

Technical specs

Number of channels: 8
Supply voltage: DC 12V
Supply voltage socket: 5.5 × 2.1 mm (center plus)
Output voltage: DC 12V
Output LED socket: 5.5 × 2.1 mm (center plus)
Maximum total power of all channels: 48 watts
Maximum total current of all channels: 4A
Recommended maximum current for one channel: 0.5A
Absolute maximum current for one channel: 1.5A
Input voltage range: 3 - 20 Volts
Input impedance / with correct adjustment of the input sensitivity: > 5.7 kOm / 100 kOm
Input sockets: Eurorack mini-jacks and Pulsar-23 / Ornament-8 pins
Number of mini-jack sockets: 8 (1 for each channel)
Number of Pulsar-23 pins: 9 (1 for each channel + 1 common ground)
LED Items: 8
LED Color: 4000K x 2, Red x 2, Blue x 2, Green x 2
LED Length: 1.5 + 3 m cable
LED Power: 4.8 W/M
LED Voltage: DC 12V
LED IP Rate: IP65
Power supply Input: 100 - 240 VAC, 1.5 A, 50/60 Hz
Power supply Output: 12 DC, 5A
Dimensions: 275 x 70 x 40 mm
Weight: 300 g
Box size: 375 x 310 x 85 mm
Box weight: ~ 800 g

Product dimensions
Illuminator: 275 x 70 x 40 mm
Box: 375 x 310 x 85 mm
Net and gross weight
Illuminator net weight: 300 g
Gross weight: ~ 800 g

Notes: Mar Karit is a tube pedal preamplifier.

It contains 2 tubes, one NOS EF86 for the preamp section and one 6J1P (6ak5) for the buffer output. It is an all tube Preamp.

It runs on a 9V power supply (center positive) - and operate internally at 35volts. Furthermore, it produces a warm, rich, and full-bodied sound, and can capture both the softest and loudest sounds with great accuracy and clarity.

Pushed a little too far, it can produce pleasing harmonic distortions and warm saturations. The two volume knobs control the level of each stage.

All tube preamp
EF86 and 6J1P
High end components (Nichicon, Panasonic caps, Alpha pots and Switch, Rean Jacks...)
Made in France
True Bypass
9V DC / input power supply positive tip

Notes: Analogue tones are on the menu with this beautifully designed bucket brigade chorus/vibrato. Warm, organic sound with lots of modulation options and expression pedal input.

Supplier's Notes:
The Tempest features a full analogue pitch shifting circuit designed around a BBD chip

Offers digital control and 4 different RAMP options over Rate, Depth or Blend.

Expression or Ramp are selectable via firmware, and the expression jack can be used for external tap/ramp & engage control.

Lag Control
4 different wave shapes
Tone control
Blend 100% dry CCW, 100% wet CW and rich lush chorus at 50%
Rate, Depth and Blend ramping engine
Tap tempo w/subdivisions
Ramp up, Ramp down, bounce up&down, bounce down/up
EXP or CV input jack to control over ramp parameters
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks