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Review: Spain's Slow Town rarely fails to deliver the goods. Split, so called because it contains tracks from numerous artists, more than lives up to the label's rising reputation. It probably helps that the A-side comes from former Bent man and longtime East Midlands deep house stalwart Nail. His "Shake Back" explores similar sonic territory to Pepe Bradock's "Deep Burnt", whilst retaining the chunky, bass-heavy bottom-end recognizable from his releases for Classic, Shabby Doll and Robsoul Recordings. On the flip, there's an equally assured cut from London stalwarts Jonno & Tommo. "Wolf Spirit" is an altogether more tech-tinged affair, built around a restless electronic bassline, hypnotic percussion and woozy, late night chords.

Review: Sushi tech Records has always been a favourite of ours but, looking back at the entirety of its catalogue and more recent releases, we have too admit that we slightly underestimated the label over the last ten years. not anymore; each and every release that Yossi Amoyal drops is better than the last, and their most recent compilation is still proudly turning at 33RPM on our HQ turntable. It's a new two-tracker this time, led by Ion Ludwig and Monoaware, both interesting deep house producers who know the meaning of subtlety. The former delivers a fine, dubbed-out house tune called "Be Fifty Times Two" - most certainly one for the dub techno enthusiasts or fans of the Workshop latel - while the latter's "Side Stepper" takes a more minimalist approach in the same vein as the Villalobos school of thought. All in all, a masterful and beautifully executed EP.

Review: In terms of mental Swedish techno reissues, you can't do better this week than this reappraisal of the Frak and Smea split LP from Borft Records. Initially released jointly by Jan Svensson's label and TE Records back in 2003, Split was only one of two releases through Borft that year; given the avalanche of material the label has released over the years such a fact should not be overlooked and listening to the material it's understandable why this period in the Borft discography is described as "very silent and strange". Tobias Ekberg's SMEA project lines the A Side with two sprawling freeform new beat in "Koala Grip" and "Gott Medd Kaffe" bookending a pair of abstracted compositions. On the Frak side, "Svett 2" finds Jan Svensson and friends dabbling in pitch shifting minimal sounds, whilst "Malad" is much closer to the deranged electronics we all now love them for.

Review: Coming from the Mr Sam album, and being played by the trance majors of the World, "Split" finally got the dancefloor upgrade everybody was waiting for. Remixer's T4L and Jonas Steur (Estuera) do a fine job and boost the original.

Review: "Split" is number 5 in a series of coloured vinyl split 10"s, strictly limited to 500 copies. This features tracks from Scottish indie/emo/whatevercore quartet Orko and My Awesome Compilation who specialise in infectious, hook-laden rock songs.

Review: Dave House and Jenny Owen Youngs are on number four in a series of coloured vinyl split 10"s, strictly limited to 500 copies.

Review: Uganda keeps on giving, with the country currently at the forefront of sub-Saharan Africa's electronic underground: a fertile corner of the world in terms of emerging and established talent. Enter Hibotep, a Kampala-based rising star who was born and raised in Ethiopia but grew up in Somalia. Joining her on this EP, another one to know from the Ugandan capital, Hibo Elmi, a DJ, filmmaker, fashion designer, installation artist, rapper and studio head considered to be one of the most important female dance music makers on the continent right now. Running the gamut from 'Amber''s dark, hypnotising dub-hop moves, through 'Ebwino's sparse, weightless tones, which eventually give way to playful stepping rhythm beneath the relentless microphone skills of MC Will'stone, and 'Saffron' with its slow mo, exotic shuffle, if those responsible for this EP themselves reflect the incredible diversity of the city's scene, the sounds do the same.

Review: DJ Python is a real firm favourite here at Juno HQ. His slow motion and dubbed out reggaeton rhythms just do something to us. He takes care of the B-side of the second release from Worldwide Unlimited. 'I'm Tired' is sleepy and drowsy dub with wispy synths that reflect light like fireflies as the ever-tumbling rhythms take you down deep. 'Uwu' has a tropical feel with layers of watery droplets and jungle sounds, humidity and percussion. Nick Leon's offerings are just as lean and inviting, with a crisp, tech-edged opener then a more broken beat on 'Love Potion.'