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Cat: 751457 Rel: 18 Aug 17 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Entity Bass Drum is a complete and versatile synthesizer voice geared for designing a huge array of bass drum, percussive and synth sounds. Finally, a truly deep tool for creating analog bass drum, bass lines and other percussive effects is here!

The design consists of a high fidelity resonant filter, 2 stage slope generator (rise/fall) with independent slope shaping, a high fidelity VCA and discrete transistor saturation circuitry. Every parameter on the Entity Bass drum is voltage controllable.

By applying a trigger of any length and at least 2V amplitude, we excite the resonant filter to produce a percussive sine wave. The pitch control tunes the output with a range of 8Hz to around 2.2KHz. Both higher and lower levels are achievable using the FM input for modulation etc. The internal filter will track 3-4 octaves reliably and the tracking device is temperature compensated.

The slope generator (ENV) can be switched into the circuit via the 3 way switch below the FM LVL control. This control is a bipolar attenuator which affects the level of the slope generator and/or external modulator that affects the pitch of the output.
The 3 way switch selects FM, FM+ENV or just ENV as a mod source.

The rise/fall envelope is a two stage function generator. The controls provide slope timing from 1ms to about a minute. To the right of these controls is the shaping section where logarithmic, linear and exponential slope shapes are selected independently for the two envelope stages.

The envelope is designed to re-trigger at a set point. This allows for changing dynamics to occur to pitch and amplitude when the slope times are greater than the output transient time. For instance the sound can vary between any number of triggers that fire before the envelope set point is reached. Setting the slope time fast enough (below roughly 1 o'clock) provides for nominal operation. Settings will vary depending on trigger and ring decay timing.

The envelope can also be used exclusively or in a more complex patch via a direct +ENV output. Additionally, a novel DUCK output provides a means to control external VCAs - to work like slow compressors. DUCK is an inverted and positively offset version of the +ENV out. This keeps VCAs open when the envelope is off and effectively 'ducks' the VCA when the envelope fires. Of course, mod sources for these outputs are not limited to VCAs...

BODY is a subtle, yet novel control. This control simulates the tightness of a drum head. All the way tight, we get a softer and somewhat muted sound, to the right we achieve a more flabby sound. The middle region is the sweet spot for a nearly perfect resonant drum. BODY can have a greater effect depending on the other parameters and can be very useful for fine tuning the sound in a mix and designing original drum sounds.

RING controls the resonant decay time. Both short and plucky and an infinite ring are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

Before the output section, we have the discrete transistor saturation. We like this because of the vintage low end distortion from overdriven class-A discrete amplifiers. This one is tuned a bit more aggressively and just a touch is necessary to add some bite. However, you can go over the top and get brutal if you so desire... ;-)
The saturator will overdrive the output stage for more of a hard clipping effect that can be tuned out by adjusting the output level control without sacrificing signal amplitude - its a hot signal by intention.

The OUTPUT section is a parallel signal processor design. The OUTPUT control blends the nominal output with a secondary input (or nothing) depending on the 2 way switch setting below the control and/or whether an external signal is patched into the AMP CV input. In 'AMP' mode, the OUTPUT control works like a volume control. If a signal is active on the AMP CV input, the control will blend between the nominal output and the CV control level. Similarly, in 'ENV' mode we get the same blending action using the internal envelope.

The VCA can also be accessed directly via the A-MIX input. This allows you to use the output section as a standalone VCA (modulated via the envelope or not) or to mix other sounds with the Entity. Feedback patching is a possibility using a stackable or mult to feed the output into the A-MIX input. This produces a juicy distortion effect of a different flavour, you may like it.

The filter can be used independently or in combination with the nominal output via the F-MIX input. This input is used as an aux trigger input that is sensitive to pulse/trigger width. As the effect is less dramatic than the main trigger, dynamic rhythms are achievable using both inputs and creative triggering.
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 1 in stock $299.52
Cat: 519900 Rel: 16 Jul 14 • View all Theremins
 
Theremin with traditional heterodyning oscillator for pitch control with built-in speaker
Notes: The Theremini is a re-imagination of one of the oldest electronic musical instrument in history, and Bob Moog's first love - the theremin. Its design fuses the experience of performing with an instrument you don't actually touch, with a powerful sound engine derived from Moog's award winning synthesizer, Animoog. The Theremini guarantees immediate success to any player at any skill level, while providing new ways to experiment with music, education, and gestural control.

Assistive pitch correction allows each player to adjust the instruments level of playing difficulty. At the maximum position, the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As this control is decreased, more expressive control of pitch becomes possible. When set to minimum, the Theremini will perform as a traditional theremin with analog heterodyning oscillator and absolutely no pitch assistance.

A built in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a users playing position, or to educate younger players about pitch and scales.

The presets section allows you to select from 32 wave or wavetable-based patches, store a selected scale & root note, set and recall a specified playing range, and specify per-patch settings for the included stereo delay.

Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via front panel headphone jack. Simply plug in ear-buds or headphones and the built in speaker becomes silent.

For live performance and gestural control, the rear panel features two line level audio outputs, a pitch CV output with selectable range, and a mini USB jack for MIDI I/O and connectivity.
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 1 in stock $299.37
FORTHCOMING
The Columbia Album Collection
Cat: 190759 23242. Rel: 15 Nov 19
 
Experimental/Electronic
coming soon $299.33
Cat: 572883 Rel: 19 Jun 15 • View all Filters
 
Rack mounted effects unit with RCA & 1/4" jack ins and outs
Notes: We have to admit being more than a little proud when thinking of the Action Filter's history. Twelve years ago we made the first version of this still popular stereo-filter with no end in sight. It still is built upon the same basic principle: ACTION!

Neither MIDI nor control voltage decide about filter sweeps and cues but you. Action Filter demands and supports your intuition and creativity. Reign over frequencies and rhythm instead of being a victim of technique.

What remains?

Like its predecessors, Action Filter 4 consists of a high-/lowpass filter-combination per stereo channel. Together, these either work as bandpass- or notch-filter with variable bandwidth and individual resonance per filter.

What's new?

Unspectacular but a spectacle nevertheless: Beside the mandatory RCA in- and outputs, Action Filter 4 is equipped with 1/4"-jacks. In addition, the FILTER MODE switch made it to the unit's front, labeled as STYLE.

Who is the Action Filter 4 dedicated to?

... of course for all action heroes! With jack- and RCA-connectors, Action Filter 4 is best suited for the DJ booth as well as for studio applications. You can use it to process full tracks or add that "certain something" to individual audio tracks. Emphasize or kill specific frequency bands and - on top of it - have lots of fun actively playing with frequencies! Simply: ACTION!
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 3 in stock $299.33
Cat: 638975 Rel: 17 May 17 • View all DJ turntables
 
Professional quality USB turntable featuring high-torque direct-drive motor
Notes: The T.92 M2 USB DJ Turntable is one of Stanton's newest additions. The T.92 M2 USB uses a direct-drive motor with a motor torque of 1.6kg and has built-in USB connectivity making it easier than ever to digitalise your beloved vinyl records. Features also include a key lock function, a pitch range of +/-12%, three playback speeds (33/45/78) and Quartz Lock. The new T.92 M2 aims to fit in effortlessly with any DJ setup and comes with a free full copy of Deckadance 2 DJ Software.

Deckadance 2 DJ Software:

Deckadance 2 is a powerful DJ application built for Stanton products, whether you're a professional DJ, remix/groove producer, mobile DJ or even just a bedroom DJ Deckadance 2 is flexible enough to suit any performance objectives. Not only is Deckadance 2 a standalone application but it can also run inside of your DAW with VST support as well as running VST compliant effects and soft synths inside Deckadance 2 giving you the capability to perform mind-blowing sets while being controlled by MIDI controllers, timecoded vinyl and CD systems. Deckadance 2 provides you with every tool you need to stand out above other DJs.
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 2 in stock $298.83
Cat: 625489 Rel: 28 Nov 17 • View all VST instruments & samplers
 
Virtual keyboard instrument plug-in with over 500 keyboard sounds
Notes: KEYSCAPE is an extraordinary new virtual instrument featuring the largest selection of collector keyboards in the world. From "holy grail" pianos to stunning keyboards you didn't even know existed, this is a keyboardist's dream come true.

Ten years in the making, each of these sought-after keyboards was carefully restored and then deeply multi-sampled by the renowned Spectrasonics Sound Development Team. These compelling and highly expressive sounds will inspire you to PLAY!

The process began with going to the ends of the earth to find and restore each one of these rare and incredibly special instruments with the top technicians and expert craftsmen from each discipline. We even went as far as spending years redoing these instruments from scratch again and again until they were totally "right." This incredible attention to detail and meticulous care given to each instrument allowed us to develop these sounds to a whole new level of authentic tone.

While it's every performing keyboardist's dream to have the very best instruments instantly available anywhere, Keyscape is equally useful in the studio for producers and composers. Since these instruments can be easily transformed into amazing "unreal" sounds with the powerful STEAM Enginer under the hood, Keyscape easily turns these coveted instruments from History into innovative new sounds of the Future.

Custom Controls:
The Custom Controls presented for each Patch allow you to go far beyond the original sound. The intuitive interface includes useful performance controls and high-quality creative effects processing specially crafted for each Patch. Hundreds of included Patches showcase the remarkable versatility and ability to dramatically customize these iconic sounds to your music.

Authentic Expression:
With many of these collector instruments, it's really the imperfections that make them so interesting. Instead of cleaning up all the quirks and noises they make, we made sure to closely capture them since they are a big part of their vibe. In addition to that, our software team closely modelled the authentic behaviour and mojo of vintage amplifiers, classic effects units, and unique subtleties like mechanical noises, pedal noises, and release overtones to bring these sounds to a whole new level of authenticity and dynamic expression.

Hybrid "Duo" Sounds:
Along with the hundreds of patches based on the 36 instrument models, Keyscape includes special hybrid "Duo" sounds which combine two of the instruments to create something entirely new. The unique timbre of these Duo patches make them some of the most creative and inspiring sounds in Keyscape!

Omnisphere Integration:
As a bonus for Omnisphere 2 users, Keyscape also integrates fully as a satellite instrument within the Omnisphere interface. Keyscape will simply appear as a library inside Omnisphere's browser for users of both plugins. This capability allows Omnisphere 2 users to harness additional functionality like Live Mode, Stack Mode, Multi-timbrality, endless FX routings and the full synthesis power of the STEAM Engine to explore endless new sonic possibilities and combinations.
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 More than 10 in stock $298.25
FORTHCOMING
Rainger FX Drone Rainger Digital Delay Pedal
coming soon $297.18
FORTHCOMING
Rainger FX Dr Freakenstein's Chop Fuzz Pedal With Igor
coming soon $297.18
Cat: 690792 Rel: 30 May 18 • View all Synth modules
 
4-channel CV recorder, looper & lo-fi sampler - 14HP
Notes: Four-channel recorder/looper for recording and playing back control voltages or potentiometer movements in a very wide frequency range, from very slow to fast. The output is a smoothed voltage without audible increments due to an algorithm with 16 bit resolution.

Synchronization via clock or MIDI and "punch-in" recordings are possible. The recording time per channel is up to one hour (such us MIDI clock) independent of selected sync mode.

Four independent channels are used for recording control voltages from analogue sequencers, LFOs, envelope generators, joysticks as well as potentiometer movements. It's possible to record/playback CVs in 16 Bit resolution either in the -5V to +5V range or from 0V to +10V. You can set the range individually for each channel.

SOURCE determines the record source. This can be the CV input, the potentiometer or both. ZOOM is a two stage fine adjust function of the control ruler.

Playing back the tracks can happen manually, via a Trigger, a Gate or via MIDI Start/Stop. Following modes are possible: LOOP, SINGLE (one shot), GATE (gated playback) and SCAN (CV scanning). Using the SCAN mode, the recorded sample can be scanned via CV input or the pot of the channel. It is possible to manually play the track velocity and direction (feasible effects: reverse, randomized, stuttering).

There are a number of possibilities to manipulate track playback. After the recording you can change the START point, end point (LENGTH) and playback SPEED or determine if the loop is set with the CVs or pots.

Using the LINK function, it is possible to group channels for multitrack or joystick recording: ALL allows for using all four channels individually. In DUAL mode tracks are grouped in sets of two or four tracks at any one time (e.g. for simultaneous recording of X and Y axes of a joystick).

Synchronization via clock or MIDI and "punch-in" recordings are possible with individual settings per track and with automatic detection of the clock frequency (number of clocks per quarter). When synchronising to MIDI Clock (96 pulses per bar) you can record up to one hour. The HARD/SOFT setting uses different levels for the CV interpolation in Clock/MIDI sync mode.
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 1 in stock $297.17
Cat: 690939 Rel: 25 Oct 18 • View all Synth modules
 
Synth module for creating punchy tom sounds - 16HP
Notes: Toms is developed in collaboration with the French company e-licktronick and it's Erica Synths' take on analogue toms circuits adapted for modular systems. Massive, punchy sound, Accent and Tone CV make it distinctively expressive in studio and live performances.
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 1 in stock $297.17
Cat: 718779 Rel: 01 May 19 • View all Earphones
 
Dynamic in-ear monitoring headphones with studio sound - clear
Notes: The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It's miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours.

More punch, more transparency, more control:

The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single dynamic high-performance driver - with a diaphragm measuring only 7mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.
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 1 in stock $296.17
FORTHCOMING
Singles Collection Vol 2
Singles Collection Vol 2 (hand-numbered coloured vinyl 9x7" box limited to 100 copies)
Cat: AR 45BOX002. Rel: 28 Oct 19
 
Rock
coming soon $296.09
FORTHCOMING
L'integrale (Deluxe)
L'integrale (Deluxe) (limited numbered 180 gram vinyl 13xLP + DVD + slipmat + poster)
Cat: BEC 5650119.
 
Coldwave/Synth
  1. Rita Mitsouko
  2. The No Comprendo
  3. Marc & Robert
  4. Re
  5. Systeme D
  6. Acoustiques
  7. Cool Frenesie
  8. La Femme Trombone
  9. En Concert Avec L'Orchestre Lamoureux
  10. Variety
coming soon $293.93
Cat: 616197 Rel: 07 Jul 16 • View all Synth modules
 
Dual analog filter eurorack synth module - 16HP wide
Notes: Dual analog filter module:
The Malekko Richter series in Eurorack modular format offers the same great sound, ergonomics, musicality, and quality that made the Wiard 300 series legendary, at a fraction of the cost and size.

The Dual Borg contains one Borg I (left side) and one Borg II (right side). These are two different filters, each with their own character. They do not sound the same nor react the same way to your inputs. The Dual Borg is a versatile audio processor and the concept comes from a marriage of two divergent influences: the Buchla 292 Low Pass Gate and the Korg MS20 filter.

The Borg Filter is different from most filters in that it, at its heart, is a vactrol. Vactrols are combination light sensor/light resistors that possess interesting sonic traits. Often described as "rubbery" or smooth in quality, vactrols are also known for their relatively slow response. This response creates a natural, very musical decay. As a low pass gate (frequency mode), the Borg will act as a filter and a VCA simultaneously. In combination with the characteristic vactrol response, this creates a signature sound that is desired by many synth enthusiasts, especially when used with very short, percussive patches.

But the Borg is no one-trick pony, and low pass gates are not for every patch. When in frequency mode, the Borg is a 12db filter with loads of personality. Gorgeous resonance (influenced by the MS20 and shaped by the vactrol design) swells from subtle warmth to a roaring howl that is unique to the Borg! For entering VCA mode, the new push button VCA switches allow instant changeover between modes- great for performances!

A continuously adjustable low pass to high pass control is provided (a notch filter is a mix of these two). Each filter has one audio input and two CV frequency inputs (one with attenuation). Two separate outputs are provided, and output 2 has a slightly more aggressive resonance. Removing either jumper on the back of the filter will make the resonance "scream" even more! The jumper behind the Borg I effects the Borg I's resonance, and the jumper behind the Borg II changes the Borg II's resonance.

The Borg I (left side) has a slower response and a more mellow sound compared to the Borg II (right side). Thanks to its longer decay time, the Borg I is best for recreating the famous Buchla bongo patch, and the Borg II is best for a faster, more aggressive response.

The signal path of the Dual Borg is selectable: Series or Parallel.
- In Series mode, when you plug into either in 1 or in 2, or even both inputs (as a mix), the signal is routed through the Borg I then Borg II filters and both out 1 or out 2 have the same signal. If you are connected to both outputs, you will only get signal from out 2.
- In Parallel mode, a single input into in 1 or in 2 is routed through both filters side by side, and a single output (either out 1 or out 2) will give you a mix of both filters. If you have only one input but two outputs, out 1 is the Borg I filter only and out 2 is Borg II only. If you have two inputs and two outputs, then each filter is completely separate: in 1 and out 1 is Borg I, in 2 and out 2 is Borg II. To use only one filter, you must patch into both outputs then choose which filter's output you want to hear.
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 3 in stock $292.85
Cat: 734882 Rel: 18 Jul 19 • View all Synth modules
 
High-quality dual linear VCA with mixing functionalities
Notes: Audiophile Circuits League VC Dual Amp contains two fully discrete voltage controllable amplifiers with linear characteristic. It is based on a new circuit design which delivers unheard clarity of sound. To this day there is no other VCA using this special technique!

The module offers a very low harmonic distortion in the whole linear gain range, no crossover distortion and no overshoots nor ringing. Furthermore, it has a very high dynamic range which provides a lot of headroom. The VCAs will amplify the input signal very accurately and it will sound crystal clear, without any coloration, distortion or bleed. Each channel has a Gain potentiometer for manually setting the VCA's initial gain and a control voltage input which is equipped with an attenuverter for scaling the modulation.

Thanks to normalized signal and CV inputs, both VCAs can be used in conjunction - great for processing stereo material. Furthermore, you can create voltage controlled panning effects and crossfades in next to no time. Beside the two individual audio outputs from each VCA, there is a Sum-output which provides the mix of the output of both VCAs and of the signal coming from the Aux-input. This additional input has no level control and is mixed at unity gain. Thus three different signals can be mixed together.

The amplifiers are also suitable for processing control voltages thanks to a completely DC-coupled signal path. Behind its simple appearance, this module shines with its functionality and sound quality!
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 1 in stock $292.85
Cat: 752299 Rel: 25 Feb 15 • View all Subwoofers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Accurate, immersive, and portable - the SubPac S2 is the latest addition to our line of revolutionary tactile audio systems that have quickly become essential tools for music production and enjoyment from the top studios in LA and London, to basement apartments and bedrooms worldwide. Not just for musicians and producers, the SubPac adds real depth, connection and enjoyment to whatever you play through it - your music and media comes to life with the added dimension of physical bass. Imagine standing in front of a beautifully tuned club system and feeling the bass - this is the experience the SubPac delivers, all without any external noise.

Building on the success of the original SubPac S1, our engineering team has taken a radical approach in redesigning the S2. Featuring an all-new ergonomic design with a flexible strapping solution for your chair, improved materials inside and out, newly optimized tactile transducers, improved battery life and the addition of Bluetooth 4.0 A2DP streaming for casual listening, the SubPac S2 is the most powerful and accurate seated tactile bass solution on the planet. Feeling is believing!
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 1 in stock $292.72
Cat: 717639 Rel: 17 Jan 19 • View all DJ mixers
 
2-channel DJ battle mixer with highly adjustable Innofader-ready crossfader
Notes: The PMX-10 is a 2-channel mixer designed to meet the needs of the most demanding scratch addicts, with a highly adjustable Innofader-ready crossfader, 8 RGB performance pads per side, and professional inputs and outputs (including booth output). The rugged all-metal chassis means the PMX-10 can take a beating for years to come. The real secret sauce in the PMX-10 is the MIDI and audio interface functionality. Every control on the PMX-10 sends MIDI - not just the dedicated MIDI functions like the cue buttons and effects controls. This combined with the built-in 2-channel audio interface allows the PMX-10 to also work as a fully stand-alone MIDI controller. With the PMX-10, you'll get a lot for not a lot.

2-Channel Combat-Ready Performer:

PMX-10 is a digital mixer, MIDI controller, and a soundcard all-in-one. Featuring combo TRS/XLR mic input, microphone input with gain control, recording output, it offers multiple device connectivity for any DJ who needs flexibility.

Clean & Easy user experience:

Offering tremendous strength and rigidity, the PMX-10 lets you get expressive with its intuitive one-knob action. Its instinctive layout lets DJs mix, beat, and scratch to their creative desire and is ideal for use by a beginner or even a studio expert professional.

16 RGB Performance Pads:

The PMX-10 adds 8 responsive pads per side for well-timed triggering of hot cues and samples and no matter where you're, the backlit pads give you precise visual feedback in any lightning condition.

Take Control Of Your Music:

The dedicated MIDI controls lets you load a track or engage a loop right where you need them. It also has an easily replaceable and removable crossfader with adjustable curve control to assign any channel to either side of the crossfader.
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 2 in stock $291.77
Cat: 723754 Rel: 17 May 17 • View all DJ turntables
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The T.92 M2 USB DJ Turntable is one of Stanton's newest additions. The T.92 M2 USB uses a direct-drive motor with a motor torque of 1.6kg and has built-in USB connectivity making it easier than ever to digitalise your beloved vinyl records. Features also include a key lock function, a pitch range of +/-12%, three playback speeds (33/45/78) and Quartz Lock. The new T.92 M2 aims to fit in effortlessly with any DJ setup and comes with a free full copy of Deckadance 2 DJ Software.

Deckadance 2 DJ Software:

Deckadance 2 is a powerful DJ application built for Stanton products, whether you're a professional DJ, remix/groove producer, mobile DJ or even just a bedroom DJ Deckadance 2 is flexible enough to suit any performance objectives. Not only is Deckadance 2 a standalone application but it can also run inside of your DAW with VST support as well as running VST compliant effects and soft synths inside Deckadance 2 giving you the capability to perform mind-blowing sets while being controlled by MIDI controllers, timecoded vinyl and CD systems. Deckadance 2 provides you with every tool you need to stand out above other DJs.
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 2 in stock $291.77
FORTHCOMING
M Audio Air 192/14 USB Audio & MIDI Interface M Audio Air 192/14 USB Audio & MIDI Interface M Audio Air 192/14 USB Audio & MIDI Interface
 
8-in/4-out 24/192 USB audio interface
Notes: Conquer any recording session with professional studio quality and features:

The M-Audio AIR 192|14 is an 8-in 4-out feature-packed USB audio/MIDI interface that provides all the connections and software you need to easily create professional 24-bit/192kHz studio-quality recordings. The AIR 192|14 features (4) XLR+1/4" TRS combo inputs, (2) 1/4" line inputs and (2) 1/4" instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of your guitar or bass when plugged directly into the interface. There is also MIDI input and output connections so you can connect any external midi gear that you may have such as external sequencers, drum machines and controllers.

We've included software to match your style:

The AIR 192|14 comes complete with a software package that has everything to get you started making professional recordings right out of the box. With 2 powerful DAWs to suit your production needs, AIR 192|14 includes Pro Tools | First M-Audio Edition, and Ableton Live Lite. This amazing audio and MIDI recording software will inspire you to create, record and share your ideas across the world at any time.

We've also added an entire Effects Plugin, Virtual Instruments and Loop package to cater to all your production needs. Whether you need a guitar tone, reverb, or delay we've got your effects needs covered with Eleven Lite, 20 effect plugins and AIR's Creative FX Collection Plus. With the included AIR Virtual Instrument plugins, you'll have a virtual drummer, drum machine, synth, strings, percussion, organ and piano plugins to add world-class-sounding instruments to your songs with ease.

Hear the Performance Now - Not a Second Later:

When recording, you want to focus on capturing that perfect moment, and getting the best performance out of your artist and talent. You don't want to be bogged down by "clicks," "pops" or latency. The AIR 192|14 not only features a high-speed USB connection for providing the lowest round trip latency (2.59ms) between your machine and your hardware, but it also features monitor mix control for listening directly to the source inputs, providing you with zero-latency technology.

Connect Anything and Everything:

The AIR 192|14 features 8 inputs for simultaneously recording up to 8 channels at once to meet all your studio's recording needs. The (4) dedicated XLR/TRS Mic/Line combo inputs with Crystal Preamps and phantom power are perfect for recording a vocals, mic'ing up an acoustic guitar, vintage guitar or bass amp or the core elements of a drum kit. The (2) 1/4" dedicated Instrument inputs use specially designed to provide the cleanest signal from your guitar, bass or keyboard, while the (2) 1/4" dedicated Line inputs provide a pure uncoloured signal for connecting a tube preamp, keyboard, synth or mixer, and MIDI input and output for connecting any of your boutique synth gear.

Mix, Monitor and Provide:

At the centre of the AIR 192|14 is a large metal monitor volume knob with inlayed rubberized diamond textured comfort grip for dialling in your studio monitor's volume, and smoothly referencing your mix at both high and low levels. The monitor and headphone outputs feature a direct mono/stereo switch and direct/USB mix knob. The (2) 1/4" headphone outputs have independent volume controls, and source select switches let you create mixes to suit your and your artist's needs. In addition to the (2) 1/4" rear panel monitor outputs, the AIR 192|14 offers an additional (2) 1/4" outputs for connecting outboard gear.

Crystal Preamps, Pristine A/D Converters and Premium Components:

Our engineers designed the Crystal Preamps to provide engineers, producers and musicians with a transparent, low-noise preamp that guarantees the best sound from your microphones and captures your performance exactly the way you intended. The AIR 192|14 incorporates pristine A/D converters to provide 24-bit resolution digital audio for explosive dynamic range that captures every nuance and subtlety of your performance.

Segmented VU Meters for Dialling in Your Best Signal:

When capturing a performance, you want to get the best levels possible. With the AIR 192|14's segmented input VU LEDs (-20db through 0dB), you can dial in the perfect gain setting every time, so there's no more guessing how close or far away you are from optimizing your signal.

What's In The Box:

- AIR 192|14
- USB-C-to-USB-C Cable
- USB-C-to-USB-A Cable
- (2) 1/8" (3.5 mm) to MIDI Adapters
- Software Download Cards
- User Guide
- Safety and Warranty Manual
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MRP:$350.12 SAVE 17%
coming soon $291.77
Cat: 660833 Rel: 19 Oct 17 • View all PA speakers
 
Active PA loudspeaker with 15" high-precision woofer & 1" compression driver
Notes: Designed by the same team that produced the best-selling Mackie SRM450v2, the Mackie Thump TH-15A delivers deep low-end and real power in a lightweight design that is extremely portable. Class-D Fast Recovery; amplification pushes 400-watts of power to the high-frequency compression driver and bass-pounding 15? woofer. Plus, Mackie Active electronics, including a precision crossover and driver time-alignment provides total optimization for maximum system efficiency. Versatile by design, the TH-15A features a user-adjustable 3-band EQ for tone control and, since it can be pole-mounted or used as a wedge, the TH-15A represents the best value available for a complete stage solution.
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 2 in stock $291.24
Cat: 749862 Rel: 15 Oct 19 • View all Synthesisers
 
Four-part polyphonic desktop synthesiser with virtual analogue synthesis
Notes: Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
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 5 in stock $290.70
VARIOUS
Electric Eclectics (20x12" + 1-sided 7" in silk-screened luminescent sleeves + t-shirt (large) in flat packed wooden box limited to 247 copies)
Cat: FREE 001 L. Rel: 07 Feb 19
 
Electro
  1. Carl Finlow - "The Lure Of Perfection"
  2. Carl Finlow - "FMeral"
  3. Carl Finlow - "Fundamental Force"
  4. Carl Finlow - "Subaqua"
  5. Microlith - "Untitled 81 4"
  6. Microlith - "Untitled 97 4"
  7. Microlith - "Untitled 103 6"
  8. Microlith - "Untitled 105 2"
  9. Cignol - "Blanket Data"
  10. Cignol - "Sys Reboot"
  11. Cignol - "Acid Tears"
  12. Cignol - "Number"
  13. MetaComplex - "Simulation Model"
  14. MetaComplex - "Digital Reflection"
  15. MetaComplex - "Cellular Warfare"
  16. MetaComplex - "DataCortex"
  17. MetaComplex - "Hadron Escape"
  18. MetaComplex - "Cognitive Map"
  19. Nullptr - "Many Worlds"
  20. Nullptr - "Amsler Grid"
  21. Nullptr - "Zonules"
  22. Nullptr - "Vitreous"
  23. Nullptr - "Sclera"
  24. Nullptr - "2nd Build"
  25. Nullptr - "Heterophoria"
  26. Scape One - "Chaotic Solitude"
  27. Scape One - "Fissle"
  28. Scape One - "Gneiss"
  29. Scape One - "Quartz"
  30. Nebenprodukt - "Biomimicry"
  31. Nebenprodukt - "Greenwashing Companies"
  32. Nebenprodukt - "Zero Liquid Discharge"
  33. Nebenprodukt - "Marine Calamities"
  34. Nebenprodukt - "Electrochemical Oxidation"
  35. Nebenprodukt - "Fluid Dynamics"
  36. Nebenprodukt - "Blue Dyed Organism"
  37. Franck Kartell - "Halo"
  38. Franck Kartell - "Lueurs"
  39. Franck Kartell - "Phosphorescence"
  40. Franck Kartell - "Electroluminsecence"
  41. Franck Kartell - "Flash"
  42. Franck Kartell - "Retour A L'Obscurite"
  43. KAN3DA - "Island Sky"
  44. KAN3DA - "Leda & The Swan" (Full version)
  45. KAN3DA - "Choirpeggio"
  46. KAN3DA - "Kohonen Network"
  47. KAN3DA - "Complex Jam"
  48. Das Muster - "Veranderungen"
  49. Das Muster - "Die Verlorenen"
  50. Das Muster - "Bedurfnisse Erwecken"
  51. Das Muster - "Die Ankunft Des Meisters"
  52. Das Muster - "Optionen"
  53. Das Muster - "Unbekannte Krafte"
  54. Das Muster - "Horizontale Drehung"
  55. Das Muster - "Zeittunnel"
  56. Das Muster - "Optionen" (The Lover At Galibier Alek Stark remix)
  57. Johan Inkinen - "Freakzone"
  58. Johan Inkinen - "The Blue Nights"
  59. Johan Inkinen - "My RRE Material"
  60. Johan Inkinen - "Alley Cruise"
  61. Johan Inkinen - "Rottweiler GBG"
  62. Johan Inkinen - "The Silent Callback"
  63. Luxus Varta - "Liquid Days"
  64. Luxus Varta - "Varta"
  65. Luxus Varta - "Lumeria"
  66. Luxus Varta - "Sonic Dream"
  67. Luxus Varta - "Werner"
  68. Luxus Varta - "1991"
  69. Obergman - "Coherence"
  70. Obergman - "Dual Manifolds"
  71. Obergman - "Helicoverpa"
  72. Obergman - "Interlaced"
  73. Obergman - "Hidden Variable"
  74. Obergman - "Continuum Slice"
  75. Foreign Sequence - "Stellar Parrot Funk"
  76. Foreign Sequence - "Greasy Strangler"
  77. Foreign Sequence - "Space Out"
  78. Foreign Sequence - "The Dancer"
  79. Foreign Sequence - "Dunal Symbiosis"
  80. Mesak - "Cry For Oldschool"
  81. Mesak - "A Plus B"
  82. Mesak - "(I Want) Blood!"
  83. Mesak - "Zuleima"
  84. Mental Note - "The Balloon Women Of Helium 8008"
  85. Mental Note - "Krankenhaus"
  86. Mental Note - "Stink Valve (Pungent Funk Expunger)"
  87. Mental Note - "Hydrogenated Triangles"
  88. Mental Note - "Sick Willian"
  89. Cygnus - "El Gato"
  90. Cygnus - "El Cocodrila"
  91. Cygnus - "Cycario"
  92. Cygnus - "You Like Danger"
  93. Noise&Noise - "Sociology Of The Universe"
  94. Noise&Noise - "God & Man Die Together"
  95. Noise&Noise - "Cybernetics"
  96. Noise&Noise - "The Clash Of Civilizations"
  97. Noise&Noise - "Ephemeral Human"
  98. Noise&Noise - "Humans Are The Sex Organs Of Technology"
  99. Noise&Noise - "Respect For The Deep Sea"
  100. Noise&Noise - "Abstract Materialism"
  101. Hieroglyphica - "Reaction RMX"
  102. Heimelektronik - "808tec"
  103. Darren J Horgan - "Analog Frequency"
  104. Acidulant - "Metronix"
  105. Jensen Interceptor - "Unknown Future"
  106. Luke Eargoggle - "Twilight Zone"
  107. Automatic Tasty - "Fuck Sake, My Heart Has Unwravelled (& Now The Threads Keep Catching On Everything)"
  108. Mutex - "Binary Perceptions"
  109. Aquagonia - "Contro Tempo"
  110. Noamm - "Empty Love"
  111. Binary Digit - "Full Bucket Experiment"
  112. Martin Matiske - "Loving Me"
  113. Arpanet - "Einstein Ring"
 in stock $290.69
Cat: 690950 Rel: 25 Oct 18 • View all Synth modules
 
Stereo effects processor - 16HP
Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.
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 2 in stock $290.69
Cat: 538678 Rel: 17 Jun 14 • View all Subwoofers
 
10 inch glass composite powered subwoofer with built in crossover and resonance suppressing enclosure technology
Notes: To hear what's really going on at the bottom of your mixes, you need a subwoofer that speaks the truth. The Temblor T10 lets you take charge of the low-frequency foundation of your mix with a combination of quality components and design, plenty of inputs and outputs, and extensive user controls not normally available in this price range.

An ideal companion to Eris and Sceptre active reference monitors, the T10 complements full-range monitors without overshadowing them, extending the reach of your full-range system's low end with a musical and natural approach.
Powerful and musical, Temblor features high-quality components and design that enable it to deliver fast and accurate transient response, extending low frequencies without a hint of "tubbiness" or overshoot.

The Temblor T10 is an active subwoofer with a 10-inch glass-composite driver, built-in crossover, high-temperature voice coil, and damped rubber surround. Its cabinet features a front-firing, bass-reflex acoustic port and optimized, resonance-suppressing internal bracing. The enclosure has integrated rubber feet for stable placement.

In addition to outstanding accuracy and a frequency response that ranges from 20 Hz to 130 Hz, this combination of features enables the subwoofer to produce higher volume - up to 113 dB SPL - with less power than a sealed-box design. But make no mistake; the T10 has plenty of juice: 250 watts of Class AB power.

The result is a subwoofer that delivers accurate, tight low end and outperforms subs costing far more. With Temblor T10, you hear what the foundation of your mix really sounds like so you can produce your best mix from top to bottom.

The T10 provides more user controls than any other subwoofer in its class, enabling seamless integration into your listening environment.

The Temblor T10's extensive user controls include input gain (-30 dB to +6 dB, continuously variable) and a continuously variable low-pass filter (50 Hz to 130 Hz) that let you create a seamless crossover transition between your full-range studio monitors and subwoofer for a more accurate listening environment.

A switchable high-pass filter removes frequency content below 80 Hz from the full-range signal sent from the T10 outputs to the main monitors, avoiding destructive cancellation and reinforcement in the T10's upper range.
The result is a subwoofer that can be adjusted to perfectly complement not only our Sceptre CoActual and Eris active studio monitors but virtually any studio monitor.

The T10 also features a momentary footswitch (included) that bypasses the subwoofer, high-pass filter, and Sub Out. This allows your audio source signal to pass directly through the Temblor T10 to the full-range studio monitors, making comparing your mix with or without sub frequencies quick and easy. This helps to ensure your mix will sound good on a wide variety of systems.

Of course, we didn't forget the "small things" that can make a big difference: polarity invert and a ground-lift switch.

No other subwoofer anywhere close to the Temblor T10's price range offers a comparable selection of inputs and outputs.

The Temblor T10 provides a choice of three input pairs: two sets of balanced inputs (XLR and 1/4" TRS) and one pair of RCA unbalanced inputs. Pairs of inputs are provided in order to accept a stereo signal from your audio source.
When both of the balanced connections are in use, the TRS inputs will take precedence over the XLR inputs. The RCA inputs will sum into either balanced connection.

You get two pairs of balanced outputs: XLR and 1/4" TRS. The full-range signal connected to the stereo inputs on the T10 is passed through to these outputs so you can connect them to your main left and right studio monitors. If the High Pass Filter switch is engaged, frequencies below 80 Hz are not sent from these outputs.

The T10 also has a balanced XLR output that sends the low-frequency signal from the low-pass filter to a second Temblor T10 for the ultimate in smooth low end.
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 2 in stock $289.98
Cat: 698452 Rel: 21 Aug 18 • View all Effects pedals
 
Digital distortion pedal with high gain modern preamp
Notes: The WMD Geiger Counter is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

- High Gain Modern Preamp
- Dramatic Tone Control with Disable
- Sample Rate from 260Hz to 58kHz
- 1 to 8 Bit Depth with Mask mode
- 252 Wave Table Modulator
- CV In for Expressive Control
- Always saves settings
- Hand Wired True Bypass
- Top Quality Components
- Super Hard Epoxy Powder Finish
- Standard 9V Power Jack
- 4.5" x 3.5" Small Footprint
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 1 in stock $289.61
Cat: 690947 Rel: 01 Nov 18 • View all Synth modules
 
Two Spin FV-1 chips in one module, each filled with eight custom effect programs
Notes: To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.

Dual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.
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 1 in stock $288.53
Cat: 519838 Rel: 19 Feb 15 • View all Electronic drums
 
Percussion pad with on-board sound storage and 8 dual zone isolated rubber pads
Notes: SamplePad Pro is the all-in-one percussion instrument that knows no bounds. Isolated and responsive dual-zone pads. Hundreds of professionally recorded in-demand sounds. Full compatibility with all MIDI equipped pads, triggers, sequencers, and instruments. Plus, a direct USB connection to your computerieven a card slot for loading your own custom sounds. In short, SamplePad Pro is everything you're looking for in a pad-based instrument - and more.

SamplePad Pro is streamlined and sleek. The backlit LCD panel and minimal controls combine to deliver an uncluttered appearance and intuitive access to all parameters. Up top are eight (6 + 2) expressive rubber pads that offer a fantastic feel designed to please every level of performer. Active blue LED illumination adds a hi-tech edge, while providing a powerful assist when playing under any type of stage lighting.

Want more? No problem. SamplePad Pro has trigger inputs for two additional drum pads. Plus, there are Kick Drum and Hi-Hat pedal inputs. The Kick Drum pedal jack provides both switch and trigger options; the Hi-Hat pedal jack can be set for either switch or variable operation. Adding pads and pedals can transform your SamplePad Pro from a percussion powerhouse into a full-blown electronic drum kit for the on-the-go performer. A convenient module mounting kit is available.

With SamplePad Pro, there's no limit to your sonic creativity. Built-in are over 200 carefully-crafted drum, cymbal, and percussion sounds - each created by the professional Alesis sound design team. Sounds are arranged into ten preset drum kits for instant access during performance. Plus, each sound offers individual access to key parameters such as pitch, panning, and reverb for customized control. And when that next "must-have" sound comes around, you can even use an SD card (up to 32GB) to store an additional 512 sounds and 89 custom kits. Finally, all of the internal sounds can be accessed via MIDI for maximum versatility.

Equipped with a standard USB port, SamplePad Pro offers convenient single-cable connectivity with your computer. Standard 1/4" outputs provide a direct connection to an amplifier, sound system, audio interface, or recording setup. The headphone output allows for hours of uninterrupted private practice, or for isolated on-stage monitoring, and even features a dedicated volume control. As an added bonus, SamplePad Pro includes a stereo aux input - with level control - so you can play along to your smartphone or MP3 player, rehearse the set list, or jam to your favorite tunes.
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 2 in stock $288.06
Cat: 525143 Rel: 15 Aug 14 • View all MIDI controllers
 
Akai Pro's new flagship Ableton Live controller designed for Ableton Live, with included production software package
Notes: In 2009, Akai Professional collaborated with the creators of Ableton Live, a powerful music performance and production software environment, and introduced the original Ableton Performance Controller-APC40. The instrument raised the standards of controller design, revolutionized hardware and software integration, and proved to be an essential performance tool for Ableton Live users everywhere. Building upon this original partnership, Akai Professional now introduces an all-new, reimagined Ableton Live controller-APC40 mkII.

The new APC40 mkII incorporates five years of user feedback into its design. Almost every aspect of the original APC40 has been deliberated, reworked, and improved to provide extended controller functionality, countless musical capabilities, and a smarter workflow. In addition to its sleek look, veteran APC40 users will immediately notice the enhancements that include an RGB clip-launching grid, reinforced fader design, revised knob lay out, and much more.

APC40 mkII features a 5x8 RGB clip-launching grid that's built for dexterous exploration: launch clips and create or perform your song from the ground up using 40 responsive triggers. RGB lighting provides visual feedback and displays three clip statuses-loaded, playing, and recording-so you can intelligently perform without looking at your computer. You can also color code your clips with the RGB lighting for advanced visual organization, and use the Shift button and directional arrows to manipulate the scope of the 5x8 grid.

APC40 mkII comes equipped with an array of assignable faders and knobs: nine reinforced faders and eight channel control knobs are arranged in-line with each channel for an intuitive layout and smarter workflow. Eight Device Control knobs make it easy to tweak device parameters and light up to provide visual feedback of each parameter. In addition, the Sends button enable users to cycle through all eight send buses right from their APC40 mkII. The A/B crossfader has also been reworked and can be assigned and re-assigned without ever having to touch the mouse.

APC40 mkII comes pre-mapped to Live for an instant performance and production setup. When APC40 mkII is plugged into your computer, its hardware controls correspond 1 to 1 with Ableton Live's interface-no additional configuring is required. In addition, all of APC40 mkII's controls can be re-assigned on the fly for customized setups that change with your performance or production style. APC40 mkII is also powered over USB and supports plug-and-play connectivity, allowing you to take this controller from the studio to the stage or wherever you go. Whether you are an electronic music artist and Live is your canvas, a DJ using Live for performance and real-time mixing, or a more traditional musician using Live on stage or in the studio, you will find the APC40 mkII to be the intuitive, powerful instrument that directly links your inspiration with Ableton Live.

APC40 mkII comes packed with a music production suite that includes a version of Ableton Live, two high-definition virtual synthesizers, and 5GB of professional samples and loops for immediate out-of-the-box music creation. Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Also included is the Puremagnetik Effect Racks, a collection of over 200 sophisticated audio effects engineered for instant sound sculpting. This collection comes packed with an endless variety of channel strips, DJ and live sound effects, glitch racks, amp racks, modulators, filters, beat processors, and noise boxes. Hybrid 3, by AIR Music Tech, is a virtual synthesizer for electronic musicians, DJs, sound designers, and music producers who love to get their hands dirty. Create anything from fat, retro synth sounds to edgy, modern leads and everything in between. SONiVOX Twist is a spectral morphing synthesis virtual instrument. Comprised of a dynamic interface, an advanced pattern generator, and onboard effects, Twist lets you create serious sounds using simple controls. Finally, five Toolroom artist launch packs and five Prime Loops sample packs feature an eclectic mix of sounds from today's electronic music scene. Jumpstart your inspiration with these premium instrumental loops, drum kits, one-shots, and more.
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 1 in stock $288.06
Cat: 698445 Rel: 09 Aug 18 • View all Synth modules
 
Analogue multi-tap phaser - silver faceplate
Notes: Mega-Phase 12 is an analogue stereo phaser with beefy, very vocal sound. The module is based on the effect pedal Small Stone developed by Electro Harmonix. In contrast to the classic, here you don't have four, but up to twelve stages at hand. The resonance can be picked up from different points in the signal path. Thanks to several inputs and outputs, it is possible to patch a second, external feedback loop with additional effects. Without a doubt the most flexible phaser module on the market.
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 1 in stock $286.38
Cat: 745481 Rel: 19 Sep 19 • View all Filters
 
Polivoks filter chip with CV & Expression pedal inputs
Notes: The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
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 1 in stock $285.29
Cat: 557488 Rel: 19 Dec 14 • View all Synth modules
 
Analog computer synth module designed for musical purposes
Notes: MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to:

- Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
- Integrate an incoming signal
- With no signal applied, generate a variety of linear, logarithmic, or exponential functions
- Add, subtract and OR up to 4 signals
- Generate analog signals from digital information (Gate / Clock)
- Generate digital information (Gate / Clock) from analog signals
- Delay digital (Gate / Clock) information
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 4 in stock $285.29
Cat: 633368 Rel: 28 Nov 16 • View all Synth modules
 
All-analogue voltage controlled filter module - Eurorack compatible
Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection
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 2 in stock $285.29
Cat: 620652 Rel: 11 Aug 16 • View all Synth modules
 
Sequencer synth module in Eurorack format - 10HP wide
Notes: Octone is a sequencer designed with the creation of music in mind. Tonality, rhythm, and rests are all built into this powerful module.

The pitch output can be quantized to one of the pre-defined scales or unquantized, allowing for the creation of microtonal melodies. Scales are easily selected via a button and will save between power cycles; no more menu diving or edit functions needed! Analog portamento can also be applied to the pitch output, providing a smooth glide between notes.

In addition to the extensive control of pitch, gate programming has never been easier. Each step of the sequencer has an associated gate out which can be used for effect throws or timbre modulations for each note in your melody. There is also a customizable global gate out, allowing for the inclusion of rests and repeats to your sequence.

With the combination of powerful pitch and gate controls, the Octone is the ideal sequencer for crafting tonal melodies with intricate rhythmic patterns.
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 1 in stock $285.29
Cat: 742229 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $282.04
Cat: 706888 Rel: 10 Dec 18 • View all Synth modules
 
Quadrature sine wave VCO/state variable filter - 18HP
Notes: The SPIN section is a quadrature sine wave oscillator. The GRIND section compares each phase against the input signal, then subtracts the resulting square waves from the input signal. If the spin section is either damped enough or enough signal is fed into it from the GRIND section then it will stop oscillating and become a state variable filter.

The Angle Grinder tracks volts per octave and can be used as a sine wave oscillator with voltage control over harmonic content available at the GRIND OUT. With no input it's four phase related sine outputs (0, 90, 180, and 27 degrees) remain clean from 0.1Hz to over 20kHz and are suitable for quad panning or XY applications.

With an input signal applied the GRIND out ranges from quadrature pulse width modulation (at LFO rate) to sync-like metallic tones (at audio rate). When GRIND is fed into the SPIN then it becomes a nonlinear feedback network with the faders and corresponding CV inputs providing instinctive control over phase cancellation, oscillation, and distortion. The four phase related outputs will become low pass, band pass, high pass, and inverted band pass filter outputs.

The function of the Angle Grinder depends on both the position of the knobs and the presence of an input signal.
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 1 in stock $280.97
Cat: 507583 Rel: 19 Oct 13 • View all DJ controllers
 
Add-on DJ controller designed for plug&play compatibility with Serato hardware & software
Notes: Pioneer's first add-on controller that works Plug-and-Play with all supported Serato DJ hardware (including DVS). A portable but powerful companion to your primary Serato DJ setup. For any Serato DJ user that wants to get the most out of Serato DJs powerful and advanced features.
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 1 in stock $279.89
Cat: 659930 Rel: 31 Jul 17 • View all Studio monitors
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***

Channelling the spirit of the legendary Yamaha NS10 nearfield speakers, the HS8I monitors offer exceptional detail and clarity with a superb flat response.

This edition of the HS8 speaker features mounting points for wall, ceiling and baton brackets - perfect for installations in studios, public spaces and retail environments.

Highly Efficient Transducers:

The HS Series features newly developed transducers that achieve astonishingly smooth response over a wide bandwidth. These transducers utilise an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions Every component's materials and design have undergone an extensive cycle of development, re-examination and optimisation resulting in staggering gains in signal reproduction accuracy across the audio spectrum.

Low Resonance Enclosure Design:

The enclosures are constructed from a specific dense and resilient MDF with a damped acoustic response perfectly matched to reference monitoring. Drawing from over a century of acoustic piano making, Yamaha have employed a traditional 3-way metered-joint technique. Common to architectural design, this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance.

Wide Range of Applications:

The 'I' Editions of the HS Series feature flexible mounting options that help bring a stylish aesthetic and classic HS sound to a more diverse range of installed applications.
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 1 in stock $279.89
Cat: 656782 Rel: 24 Jul 17 • View all DJ interfaces
 
2-channel audio interface for using Rekordbox DVS with any DJ set-up
Notes: The INTERFACE 2 opens up Rekordbox DVS to anyone, anywhere. This 2-channel audio interface allows you to scratch and control the music from your Rekordbox library using your own preferred DJ equipment. Connecting it is quick and simple.

The INTERFACE 2 audio interface comes bundled with licence keys for Rekordbox DJ and Rekordbox DVS, as well as 2 control vinyls (RB-VS1-K time coded vinyl records). So start scratching your digital tracks as soon as you unbox your gear.

High-quality sound:
With its crystal-clear sound, inherited from our professional DJ gear, the INTERFACE 2 guarantees professional audio at all times. Audio files up to 96kHz sampling rate are supported by the high quality D/A converter designed to give club standard sound.

Compact, robust chassis:
Take the INTERFACE 2 out on the road with confidence. The unit is compact and portable, yet highly robust in its seamless aluminium casing with extended edges that protect the terminals.

Easy analog sound recording:
Easily record and capture your vinyl or any analog sound source using normalize technology in Rekordbox. There's no need for extra volume or recording monitoring as this is done automatically by a single click in the software.

DVS options:
Use the 2 included RB-VS1-K time coded vinyls or download a custom control signal WAV file, if you'd like to use CDs or USB drive to scratch with your players, controller or all-in-one system.

AC and USB power:
Choose your preferred source of power, be it via USB or via an AC adapter. Both are included in the box, allowing you to keep your options open.

Sturdy signal:
The INTERFACE 2 is designed to firmly hold your turntables' ground wires, thus reducing noise. The GND knob stays attached even when fully turned, so there's no chance of it falling off.

Stand-alone audio interface:
Record audio to your computer or send out audio to your speakers using your interface. 3 samples rates are supported: 44.1 kHz, 48 kHz and 96 kHz.

Accessories included:
- Power cord
- AC adaptor
- USB cable
- Quick Start Guide
- Warranty
- Licence key card (Rekordbox DJ, Rekordbox DVS)
- Audio cable x4
- Rubber feet x4
- Control vinyl x2
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 1 in stock $279.89
Cat: 689804 Rel: 03 Sep 18 • View all Synth modules
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 3 in stock $279.88
Cat: 718062 Rel: 18 Feb 19 • View all Synth modules
 
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
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 1 in stock $278.80
Malekko Quad LFO Module (synth module)
Cat: 676892 Rel: 31 Aug 18 • View all Synth modules
 
4-channel LFO generator with 16-step sequencer - 12HP
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

To create a sequence of automation for an LFO, hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.
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 2 in stock $278.80
Cat: 522246 Rel: 26 Mar 15 • View all Rackmount CD & media players
 
Desktop CD/USB media decks with 2 independent jog wheels
Notes: True all-in-one CD/USB mixing solution in a single rack-mounted unit. Twin media players combine with a basic integrated mixer to offer all the functionality you need to get started.

Supplier notes:
Gemini's CDM-4000 USB/CD Media Console is a powerful, cost-effective tool that provides easy-to-use track search and playback features across dual CD decks. Combining practical functionality with the control of a central mixer section, the CDM-4000 offers a versatile, all-in-one solution for mobile DJ rigs, as well as bar and club installations.

For flexible, hands-on control, the CDM-4000 boasts two independent jog wheels that allow you to search through a track, bend the pitch or even scratch like a pro. Plus, a Pitch Control slider offers maximum control when beat matching, while a powerful Loop Section with Reloop enables you to take song-shaping creativity to the next level. And for maximum convenience, the CDM-4000 is compatible with audio CDs, CD-Rs and MP3-CDs.

Handy playback features like Single and Continuous play modes, along with Instant-start provide an outstanding level of flexibility. The unit also has a Program feature that supports playlist creation, so restaurant and bar owners can provide music for their customers without having to worry about controlling the unit. And for seamless performance night after night, the CDM-4000 features anti-shock with RAM buffer memory, ensuring external bumps and vibrations won't disrupt your performance.

The ability to create cue points quickly and easily, and preview those cues, enhances the unit's convenience, allowing you to craft a professional mix with ease and confidence. And for simple, swift navigation of songs, the CDM-4000 features a large, blue-backlit LCD screen that displays a variety of track information, including time, pitch value and track number.

Thanks to its central mixer section, the CDM-4000 offers great command with 2-band EQ, Gain Control and an array of inputs and outputs for connecting external tools like monitors, microphones, amplifiers, headphones and recording devices. A cross fader also lets you mix evenly from one source to another, giving your set that smooth, expert sound you crave.

With professional features and a robust, user-friendly design, the CDM-4000 bridges the gap between affordability and powerful functionality.
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 3 in stock $278.80
Cat: 607837 Rel: 18 May 16 • View all Synth modules
 
Eurorack SID voice synth module - 19HP wide
Notes: The original SID GUTS took the legendary SID chip and tailored it into the eurorack modular environment. By use of a real SID chip the classic sound was taken in a new direction with the levels of direct and voltage control only a modular system can offer.

The 'SID GUTS DELUXE' improves upon the original SID GUTS 'Eurorack SID Voice' by adding both new features and further control.

The module now includes improved frequency control, a chord mode using all available oscillators and numerous other tweaks.

*SWIN SID chip included (please note - ALM & Juno do not offer any support for this product)*

Technical Specifications:
Supply: +/-12V
Current Draw: ~50-200ma (with vintage SID chip)
Size: 19 HP
Depth: 32mm (including power header)
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 1 in stock $278.80
Cat: 690690 Rel: 10 Oct 18 • View all Music production software
 
Music creation, production & mastering software - Professional edition
Notes: Work better, faster. Studio One 4 Professional is designed for ease of use without sacrificing effectiveness. It seamlessly combines the time-tested recording studio model with today's beat-oriented production process, so musicians of all genres can bring their musical ideas to sonic reality - quickly and easily.

Studio One doesn't dictate a workflow but provides the tools and flexibility for musicians to follow their own musical path. Songwriters prototyping a song will love the new Harmonic Editing features, which allow Instrument and Audio Tracks to follow chord progressions dynamically. For EDM and hip-hop producers, the next-generation Impact XT and Sample One XT virtual instruments are complete production environments - auto-slice, dice, sample, de-construct, and trigger synched loops with an intuitive workflow. Patterns and a new Drum Editor bring step sequencing and drum machine-style music creation into the 21st century. Studio One is also a complete mastering suite, including DDP import/export for CD duplicators and digital delivery for online streaming and publishing.

There's a very good reason why so many musicians have switched to Studio One from older, more rigid programs. Built on a modern foundation that's not bogged down by legacy code, Studio One provides an efficient, creative companion from initial inspiration to final master. Its efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, advanced virtual instruments, mastering, and video player - you spend your time creating music, not wondering what to click next. The 64-bit double-precision mix engine is state of the art, while the smooth, analogue quality of the virtual instruments comes from proprietary techniques that provide much higher controller resolution. That's why Studio One just plain sounds better.

The reason why Studio One resonates with musicians is simple: PreSonus listens. Many new features in Version 4 are the direct result of user feedback, including AAF import/export so users can bring song data from their old DAW into Studio One. Add the most flexible arranging tools of any music program, full integration with Notion for superior notation, over 20 GB of carefully curated content, analogue console emulation, advanced step sequencing, unified hardware control with the FaderPort series of hands-on controllers, and much more - it's no wonder that Studio One continues to gain new followers every day.

***Studio one 4.5 is here!***

Studio One 4.5 is now available for all owners of Studio One 4. It includes over 70 new features and improvements that benefit both traditional recordists as well as contemporary nonlinear producers.
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 1 in stock $276.65
Cat: 674119 Rel: 25 May 18 • View all Synth modules
 
MIDI to CV interface - controls up to 4 CV synthesisers individually or as a polysynth - 32HP
Notes: Polygene is a Eurorack polyphonic MIDI to CV converter with 4 voice outputs that can be used to play your CV synths/modules as a 4 voice polysynth.

Simple to use, it's the perfect way to have MIDI control over 4 CV synths, to play together as one poly synth.

Connect to 4 mono synths, e.g. Analogue Solutions Nyborg, or connect to Eurorack modules set up as 4 synth voices.

The Arpeggiator has no nonsense operation harking back to the days of early Roland synths such as the Jupiter 8 and SH101. The Arpeggiator can also be used as a simple 16 note step sequencer, and also plays back the velocity amount that was used. The Arpeggiator will control CV synths, but the note info is also sent to the MIDI Out socket as MIDI notes, so you can have it play a MIDI synth.
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 1 in stock $275.57
Cat: 742228 Rel: 05 Sep 19 • View all Synth modules
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: More aggro filth from the troubled minds at Schlappi Engineering. This time it's a distortion/filter module with touch-sensitive metal conductors for hands-on control. Screaming saturation and self-resonance ideal for angry techno. Nasty.

Supplier notes:
The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $275.57
Cat: 728383 Rel: 09 May 19 • View all Synth modules
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 8 in stock $274.48
Cat: 676695 Rel: 20 Dec 18 • View all Synth modules
 
Four-channel MIDI-CV interface for playing polyphonic patches - 16HP
Notes: Module A-190-5 is a four voice Midi/USB to CV/Gate interface. For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers.

- Four voice monophonic (i.e. to control four monophonic voices by four succeeding Midi channels)
- Four voice polyphonic (i.e. to control four monophonic voices by one Midi channel) with several sub-modes (e.g. rotating/non-rotating)
- Two voice polyphonic (i.e. to control two monophonic voices by one Midi channel)
- Unisono

The basic mode is selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states.
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 1 in stock $274.48
Cat: 570743 Rel: 01 Jun 15 • View all DJ mixers
 
Professional 3 +1 channel DJ mixer with iPad split connection and integrated instant sound colour effects
Notes: The Reloop RMX-33i is a 3+1 channel DJ mixer with digital audio architecture and integrated Instant Sound Colour effects. This compact club-style mixer benefits from the same high-quality build and sound characteristics that are already found on the flagship RMX-80 Digital mixer.

An iPad split input on the rear of the mixer makes it possible to include an iPad, Android tablet or smartphone directly into your DJ set-up via 3.5 mm jack to the RMX-33i.

The supplied iPad split cable can divide the audio signal into two separate mono channels or delivers one stereo output.

This connection method means DJ apps with split-cue function (like DJAY by Algoriddim) can be utlisied, as can the stereo output from production or sampler apps.

The RMX-33i has four high-quality digital Sound Colour effects built-in. White noise, Filter (low and high-pass), Bit Crusher and Gate can be assigned to the dedicated Instant FX potentiometers at the push of a button. The effects can be used for any channel and are modulated via a large, ergonomic bi-polar potentiometer to achieve exactly the sound you want.

The instantly recognisable mixer layout has a three-band EQ section that can be easily set to 'Kill' (isolator mode) or 'Classic', to suit any individual mixing style.

The line- and cross-fader curves are adjustable on the mixer surface, so smooth mixes and hard cuts can be carried out quickly and changed mid-routine. In addition to curve adjustment, the cross-fader and line-faders can be set to auto-start or crossover-reverse to suit the needs of your performance.

With a total of ten inputs and five outputs, you will always find the right connection for any analogue or digital source. The output section benefits from both RCA and XLR outputs for trouble-free connection of the master signal to any PA system.

The RMX-33i's high-quality crossfader can also be upgraded with the new Reloop Innofader by Audio Innovate for a truly unrivalled performance at a very appealing price.

RMX-33i: 3+1 Digital FX Mixer with iPad Split Connection!

*Includes 50% off coupon code for Djay Pro by Aldoriddim.
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 1 in stock $273.41
Cat: 640977 Rel: 30 May 17 • View all Synth modules
 
Stereo filter module in 6HP with high pass & low pass circuits
Notes: The WMD Overseer is a stereo filter inspired by those commonly found on DJ mixers and DJ software. It features two filters on one knob, stereo ins and outs, bypass switch, and a fun stereo "Tilt" function which offsets the filter cut-off frequency across the stereo field creating some dizzying stereo effects.

Controls:

- Bypass Switch: Turns the filter on and off. LED will be red when the filter is engaged. Toggles on button release.
- Filter Cut-off Knob (the big one): Turn Left for Low-Pass filtering and Right for High-Pass filtering. No filtering in the middle. Becomes offset with CV.
- Filter Cut-off Switch: Switched to the left limits both filters to audible frequencies so you cannot accidentally filter out all signal. Switched to the right disables the limit allowing you to filter the signal into oblivion.
- Resonance knob: Controls the amount of frequency boost at the cut-off point. Will not self-oscillate. Knob becomes offset with CV.
- Tilt Knob: In the middle applies no tilt. Rotate left or right to off set the offset to the filter cut-off on each side. Knob becomes offset with CV.
- Tilt Switch: Allows you to apply the Tilt function to either or both HP and LP. Left for LP, right for HP, centre for both.
- HP - LP Knobs: Attenuverters for incoming CV over the filters.
- HP - LP Switch: Switch to the right sends 5V to the HP - LP knobs and turns them into independent controls for the cut-off frequency of both filters, allowing you to control both filters at the same time with these independent knobs.

Jacks:

- HP: CV input for the High-Pass filter
- LP: CV input for the Low-Pass Filter
- Tilt: CV input for the Stereo Tilt function
- Res: CV input for the Resonance of both filters
- Master: CV Input over both filters, accepts -5V to +5V

Other:

- Input Impedance: 40k
- Output Impedance: 220 ohms
- Frequency Response: 20Hz to 20kHz +-1dB
- LPF Cut-off Range (-3dB Fc)
- Limited LPF: 22Hz to 32kHz
- Unlimited LPF: 1Hz to 32kHz
- HPF Cut-off Range (-3dB Fc)
- Limited HPF: 3Hz to 12kHz
- Unlimited HPF: 3Hz to 38kHz
- Signal Path: AC Coupled at all times
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 3 in stock $273.40
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