Review: With their "Foundations" series, DJ Spinna and Kai Alce continue to explore the formative years of house music culture, offering up seven-inch singles showcasing classic and overlooked gems. This fourth volume in the series contains two more must-have tracks subtly re-edited to fit the format by the effervescent Alce. First up on side A is Dreamer G's vocal anthem "I Got The Feeling", a 1992 NYC house classic - and Timmy Regisford favourite - produced by none other than Kerri Chandler. On the flip Spinna and Alce take us back to 1988, offering up an early New Jersey house production from the "Backroom Boys" team of Cassio Ware, Derek A. Jenkins and Dwayne Richardson, who would later find fame as DJ Spen. A superb song that's as soulful as you'd expect, it's largely been overlooked for over three decades.
Review: TRAMP Records' latest must-have "45" is an incendiary double-header of killer cuts. On the A-side you'll find "Candy Man", the suitably obscure sole single from Josephine Jones. It's a lolloping, lo-fi soul affair, with Jones' distinctive vocals rising above the kind of head-nodding breaks, heavy bass and clipped guitar riffs that will get hip-hop DJs hot under the collar. Turn to the flip for another chance to savour Raw Soul's "Just Walk Funky", a track recorded in their home town of Norfolk, Virginia in the early 1970s that went unissued until Put released it in 2009. It remains a tidy chunk of off-kilter instrumental funk rich in intricate guitar licks, booming bass and fizzing drums.
Review: Earlier in the year, Kutiman took his brand of psychedelic fusion to Wah Wah 45s for the very first time. Here he returns home to Siyal Music with Turkish vocalist Melike Sahin in tow. "Sakla Beni" is wonderfully odd and exotic - a spaced-out psych-funk affair that wraps mazy, Moog style motifs, mind-altering orchestration and Sahin's wide-eyed vocal around a skewed, low-slung groove. It's brilliantly hallucinatory, as is the accompanying "Karaoke Version" - a superb instrumental take that allows listeners a chance to revel in the intricacy of Kutiman's arrangements. In this context, "Sakla Beni" sounds like it should be gracing the soundtrack of a particularly odd late 1960s Turkish film
Kim English - "It Makes A Difference" (Danny Krivit & Kyle Smith remix - Danny Krivit 7" edit) (5:39)
Loni Clark - "Rushing" (Mood II Swing dub - Danny Krivit 7" edit) (5:31)
Review: Danny Krivit is currently known as one of the music community's greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as "King of the Re-edit." Danny has a deep connection to Kim English's "It Makes A Difference" release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny's re-edit of one of the most famed dubs from the Nervous catalogue as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The "rushing rushing rushing" hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.
Review: Almost a year to the day since their last essential re-edit outing, Prescription Pricing Authority returns to G.A.M.M. with two more floor-friendly slabs of contemporary scalpel science. A-side "Pick 'Em Up" is a rolling, filter-sporting revision of a down-low disco-funk classic rich in bouncy pianos, soaring female chorus vocals, metronomic drums and punchy horns. It sounds like a peak-time monster in the making, which is never a bad thing. They up the tempo on flipside edit "Cali '76", a tidy, DJ-friendly rearrangement of a horn-sporting chunk of polyrhythmic jazz-funk that boasts some suitably spacey synth solos and horn lines sharper than your average razor.