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Cat: 731192 Rel: 19 Jun 19
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 More than 10 in stock $240.34
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FORTHCOMING
ALM Squid Salmple 8 Channel 4 Output Sampler Module
coming soon $434.11
Cat: 731216 Rel: 18 Jun 19
 
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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 5 in stock $508.23
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Cat: 731217 Rel: 18 Jun 19
 
Expander for Quad Operator's algorithm functionality - 4HP
Notes: Where the unexpanded Quad Operator maintains a one knob per function design discipline, we nevertheless recognized the value of some more advanced algorithm-oriented functionality.

The Algo expander for the Quad Operator provides:

- Saving and loading of modulation send knob positions for FM algorithm design reuse

- Crossfade between pairs of saved algorithms, or a saved algorithm and the live knob positions
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 2 in stock $97.40
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Cat: 681306 Rel: 24 Jul 18
 
Multi-algorithm macro oscillator - 12HP
Notes: Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $186.34
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Cat: 689804 Rel: 03 Sep 18
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 More than 10 in stock $283.76
Cat: 648928 Rel: 25 May 17
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: 'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 7 in stock $226.58
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Cat: 685134 Rel: 24 Jul 18
 
Random gate/voltage generator - 18HP
Notes: Marbles is a source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavours of randomness it produces.

The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.

T: The random gate generator

Marbles either follows its own internal clock, or locks onto an adjustable multiplication/division of an external clock (or regular rhythmic pattern). This regular clock is perturbed by a process simulating an musician playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.

From this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).

X: The random voltage generator

This generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.

Complete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centred or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.

An auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!

A feeling of deja-vu:

Marbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.

You are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!
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 7 in stock $241.40
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Cat: 690936 Rel: 18 Apr 19
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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 More than 10 in stock $313.40
Cat: 616166 Rel: 09 Jun 16
 
Quad VCA & mixer synth module - 12HP wide
Notes: VCAs are the cornerstones of modular patches: shaping the amplitude or timbre of a tone with an envelope, animating a mixture of several oscillators, controlling the amount of filter modulation with a random source or a touch controller, applying an envelope on the linear FM signal hitting an oscillator... are all possible uses of these super versatile building blocks. That's why you never have enough of them.

What about four more?
Veils provides four VCAs with an adjustable response curve. Veils' outputs are daisy-chained, allowing adjacent groups of 2, 3, or all 4 channels, to be mixed together.
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 More than 10 in stock $152.46
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Cat: 686269 Rel: 27 Apr 18
 
Universal, patch-programmable modulation source - 14HP
Notes: ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 More than 10 in stock $209.64
Cat: 643380 Rel: 27 Mar 17
 
Buffered multiple module in 1U
Notes: Dual 1 x 4 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×8 buffered mult.
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 7 in stock $40.77
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Cat: 673868 Rel: 12 Jan 18
 
Versatile audio mixer module - 6HP
Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.
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 More than 10 in stock $88.93
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Cat: 718920 Rel: 23 Apr 19
 
Expansion module for Zadar - 3HP
Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.
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 7 in stock $58.23
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Cat: 641949 Rel: 18 Apr 17
 
Analog-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 9 in stock $317.64
Cat: 643379 Rel: 13 Sep 17
 
Quad voltage controlled amplifier & cascaded mixer - 12HP wide
Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).
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 More than 10 in stock $177.87
Cat: 643383 Rel: 27 Mar 17
 
Utility module featuring Clock, Random Pulse, Analog Noise, Sample/Hold & Slew
Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.

Features:

- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate
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 3 in stock $105.87
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Cat: 589506 Rel: 09 Dec 15
 
Power solution for eurorack systems - 40W
Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 40 provides 40W of power, suited for up to two typical eurorack rows:

+12V @ 1.5A
-12V @ 1.3A
+5V @ 1.5A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).
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 6 in stock $138.70
Cat: 671564 Rel: 29 Nov 17
 
12dB multi-mode filter with unique classic circuitry, based on the filter from the 70s EDP Wasp synth
Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA
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 3 in stock $82.58
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Cat: 569585 Rel: 30 Jun 15
 
Tidal modulator signal generator Eurorack synth module - 14HP wide
Notes: Tides is all about waves that go up and down, from minute-long cycles to audio rates... This module is Mutable Instruments' unique take on the looping AD envelope generator - pushing this well-known trope to unknown territories.

The core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and "bounces" to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.

Tides' advanced features include:

- Output level CV input (digital VCA).
- Dual outputs: standard unipolar waveform, and "double-shot" waveform with a positive spike during the ascent and a negative spike during the descent. At audio rate, both of them have a different sound.
- Accurate V/Oct tracking with straightforward calibration procedure.
- Freeze input to temporarily hold the waveform.
- Clock input to lock onto a multiple or fraction of a trigger sequence... or audio signal, PLL-style.

*For audio demos, please visit - http://mutable-instruments.net/modules/tides/demos
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 2 in stock $188.46
Cat: 687873 Rel: 01 May 18
 
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 3 in stock $88.93
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Cat: 589504 Rel: 02 Nov 16
 
Advanced audio processor synthesiser module for creative synthesis - 20HP wide
Notes: Announcing the Dual Looping Delay from 4ms Company, designed by Gary Hall!

The 4ms Dual Looping Delay (or DLD) is an advanced audio processor for creative synthesis. Not a tape or analog emulation but a modern crystal-clear digital delay, the DLD combines features of delay, looping, and sample-tight synchronization for powerful and dynamic sound capture and modification. The DLD is designed to integrate seamlessly with modular time-base and sequencing devices such as the 4ms Quad Clock Distributor (QCD), etc.

What is a "Looping Delay"?
Modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modelled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions.

By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythm devices of all descriptions.

The 4ms Dual Looping Delay is conceived and designed by Gary Hall. Implemented and manufactured by 4ms Company
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 5 in stock $369.52
Cat: 621354 Rel: 28 Nov 16
 
Quadruple Low Frequency Oscillator (LFO) synth module in Eurorack format - 10HP wide
Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.
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 6 in stock $254.11
Cat: 690950 Rel: 25 Oct 18
 
Stereo effects processor - 16HP
Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.
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 5 in stock $274.23
Cat: 686670 Rel: 27 Apr 18
 
8 great sounding custom stereo effects in just 3HP
Notes: Pico DSP is a small brother of the popular stereo effects processor Black Hole DSP. It contains eight algorithms, in detail four delays, two types of reverb, Leslie speaker emulation and an Overdrive/Bitcrusher. Each effect is editable in two parameters. One of them can be modulated using the CV input. Pico DSP features clear, high-resolution sound. Alongside the established standards, it is also possible to generate lots of freaky special effects.
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 1 in stock $136.58
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Cat: 633762 Rel: 05 Jan 17
 
CV sequencer with eight channels, each containing up to 16 steps
Notes: 8 independent 16-stage CV sequencers packed with performance features and presets makes the Voltage Block the ultimate CV tool. Create quantized or unquantized sequences for each output, record your modulation changes, tie sequences together, mute on the fly, randomize your outputs and so much more. The Voltage Block can be used stand-alone or pairs well with Varigate 4 and especially Varigate 8+ to share clocking and preset save/recall. All in 20hp.
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 More than 10 in stock $294.35
Cat: 677587 Rel: 29 May 18
 
Granular sample player/DSP platform - 20HP
Notes: Record. Mangle. Destroy.

Nebulae is a granular sampler and DSP platform. Its phase vocoder audio engine provides elastic audio, which can be time stretched, granularized, and mangled to no end. With independent control over pitch and speed, and granular controls such as overlap, window, and density, finding new sonic territory is only a knob turn away. Nebulae can use live audio input, a recorded buffer, or audio files as the source material for its powerful audio manipulations. The live input buffer can record up to five minutes of stereo audio at 48kHz, 24 bit. In addition, up to 75 MB of stereo audio can be loaded simultaneously through the USB port. No naming convention or special formatting necessary; just plug and play.

Nebulae lives a double life as an open source DSP platform with an extensive library of off the shelf alternate instruments. You can turn the module into a lush reverb, spectral delay, or tape-style looper simply by loading a new file onto the flash drive. Do you want to tweak one aspect of an existing instrument, even the default functionality? No problem. No prior coding knowledge is necessary to tweak and refine existing firmware to your liking or start with one of our templates. Alternate firmware files can be written with Pure Data, Csound, SuperCollider, and even bare-bones C programs.
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 7 in stock $381.17
Cat: 725423 Rel: 19 Mar 19
 
Multi-dimensional signal processor with stereo inputs & outputs
Notes: Prism is a multidimensional signal processor that creates a framework for the spectral metamorphosis of any input signal. This stereo audio buffer can be navigated through on 3 axes, each of which provides a different sonic journey through its array of time based controls.

The X and Z planes are home to a flexible delay line capable of long clocked delays, slapback echo, or comb filtered vocoder-esque timbres. On the Y axis is the decimate control. This sets the audio fidelity of the buffer by manipulating the sample rate and bit depth of the output. A state variable filter with configurable low pass, high pass, and band pass outputs can be enabled at the beginning or end of the signal chain providing yet another dimension of spectral transformation. And thanks to its digital architecture, the current buffer contents can be locked in place with the Freeze control, creating glitch and beat repeat effects which can be synced to an external clock source.

The Prism blurs the lines between DSP effect, filter, and looper and transcends into a new realm of uncharted audio processing.
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 9 in stock $232.93
Cat: 569556 Rel: 03 Mar 16
 
Topographic drum sequencer module - 16HP wide
Notes: Take the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you've got a drum pattern generator like no other.

Grids' "brain" is a map of the typical drum patterns used in (mostly electronic) music, laid out by similarity, trained on a large corpus of drum loops. The module can smoothly interpolate and navigate from one pattern to the other, at the whim of a knob move or a CV.

But Grids' knowledge of drum patterns goes far beyond what would be achieved with presets - given a position in the map, thousands of variations can be intuitively generated by controlling the "event density" of each of the 3 channels (bd, sd, hh) - gradually moving from a sparse backbone to a deliciously rich pattern with ghost notes, rolls and fills.

Add CV-control on these parameters and you can add subtle or drastic variations to the drum pattern. If you don't want to waste a noise source or S&H for that, Grids has its own internal source of randomness that can unpredictably spice the pattern, in an always meaningful way.

Building the rhythmic foundation of your tracks with Grids is fun, surprisingly intuitive, with modulation and variations possibilities that will rapidly make you forget x0x-style sequencers.

*For audio demos, please visit - http://mutable-instruments.net/modules/grids
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 More than 10 in stock $152.46
Cat: 569573 Rel: 23 Sep 15
 
Liquid filter Eurorack synth module
Notes: Ripples delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments' lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.

3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.

Self-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from "loudness drop" when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH/Jupiter filters, with a very round and "liquid" resonance.

The 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good "final stage" module for an inexpensive/space-constrained subtractive synthesis synth voice.

*For audio samples, please visit - http://mutable-instruments.net/modules/ripples
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 8 in stock $156.70
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Cat: 569591 Rel: 10 Apr 15
 
Multiples and mixing utilities synth module, 4HP size
Notes: Links provides 3 utility functions focused on signal distribution and mixing.

1:3 is a 3-output buffered multiple, with an offset error < 0.1%. It is useful for distributing the voltage from a CV output with a large protection resistor to several modules - particularly VCOs.

2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.

3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager). It is particularly suitable for rapidly mixing audio sources such as oscillators, for which a unity gain mixer would have caused clipping.

A 2-color output monitoring LED is available for each of these functions.
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 3 in stock $57.17
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Cat: 569592 Rel: 10 Apr 15
 
Mixer, offset, attenuverter synth module with 3 channels of audio/CV processing, 6HP size
Notes: Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.

A bicolor LED monitors the polarity and intensity of the audio or CV signal on each output.

Unconnected inputs are normalized to an internal precision voltage reference, which can produce either a +5V or +10V constant voltage.

Normalization on the outputs allows the module to be used as a mixer or offset generator: when no jack is inserted in an output, the signal from this output is summed into the next output. Combined with the internal voltage reference, this allows the module to be used as a CV offset control.

Patch examples:

Mixing:
When output 1 is left unconnected, the signal on output 2 is the sum of channels 1 and 2. Channel 3 can be used for another purpose (attenuation, attenuversion, or constant CV generation).

When output 1 and 2 are left unconnected, the signal on output 3 is the sum of channels 1, 2 and 3.

Offset generation:
Leave channel 1's input and output unconnected, and connect a CV source to channel 2's input. Channel 2's output will contain a scaled and offset copy of the input CV. Channel 1's level knob will control the offset and channel 2's level knob will control the signal scale and polarity.
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 2 in stock $87.87
Cat: 602200 Rel: 04 Apr 16
 
Dual balanced line audio input and balanced line audio output synth module - 24HP wide
Notes: Dual Balanced Line Audio Input and Balanced Line Audio Output

This module allows you to interface your Eurorack modular system to the pro balanced line level world (+4 dBu). You can send and return to rack mount/desktop FX units, patch to external line-level instruments like synths and drum machines, interface to a DAW, and much more.

This module connects to the Audio I/O JACKS module via ribbon cable. The same ribbon cable can be used to connect to the rear-mounted audio jacks of the 7U performance cases
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 4 in stock $110.11
Cat: 590918 Rel: 26 Oct 15
 
Dual Low Pass Gate synthesiser module - 4HP wide
Notes: The LxD, Low Strike Duo, is a dual-response, two channel, direct-coupled, Low Pass Gate, which utilizes vactrols in order to provide simultaneous control over the Amplitude and Frequency Spectrum of an Input Signal.

It is, in essence, a VCFA (Voltage Controlled Filter Amplifier). Unlike the Optomix, the LxD offers two different filter responses. CH. 1 offers a 12db/ Octave response that is mildly-resonant, while CH. 2 offers a 6bd/ Octave that is non-resonant.

The Output of CH. 1 is normalled to the input of CH. 2. This normalization puts the two channels in series, which is similar to the VCF into VCA arrangement made popular by many monosynths of the 1970's.
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 4 in stock $104.30
2hp
Cat: 725427 Rel: 03 Apr 19
 
Melodic percussion generator
Notes: Bell is a melodic percussion generator based on modal synthesis. By synthesizing the vibrations of complex geometric shapes, Bell provides a simple interface for creating metallic sounds that can both emulate acoustic instruments, and defy physics. Its sonic palette includes numerous physical models that span the range of vibraphone, marimba, glockenspiel and Tibetan bowls. In addition, damping allows for the articulation of all voices, and enables drastically changing the tone of your patch with a single knob turn.

It's time to ring your Bell!
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 3 in stock $147.17
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2hp
Cat: 649102 Rel: 11 May 17
 
Stereo reverb Eurorack module
Notes: Verb is a lush stereo reverb with a full feature set and superior audio quality. A wide range of reverb times take your sound from small room to never-ending concert hall.

CV over mix allows dynamic movement between the dry and reverberated sound, and the dampening control lets you dial in the perfect timbre for the wet signal. Whether you need a traditional reverb for an FX send or an esoteric sound design tool, Verb can take you there. Get lost in space with Verb.
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 3 in stock $96.34
Cat: 663389 Rel: 26 Oct 17
 
Fully assembled field kit for experimenting with electro acoustic sound
Notes: The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Let's get more detailed...

The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

The Four Channel Mixer is the beating heart of the Field Kit, providing a fully functional mixer with individual Gain, Mix Level and Tone control over each channel and individual Master- and Aux sub-mixes.

The level of the Master and Aux Channels can be set with the Master Volume and Aux Volume controls and the channels being sent to the Aux sub-mix can be set with dedicated Aux Select-buttons. The Aux sub-mix is pre-fader.

The CV Radio is a CV-controllable radio receiver capable of receiving radio frequencies on AM/FM and SW bands. Additionally it provides the ability to catch electromagnetic waves for further processing inside the Field Kit. The frequency of the radio can be set with a dedicated multifunctional Search-control which acts both as a manual CV-source and as an input attenuator for a CV-signal.

The Envelope Follower in the Field Kit applies two functions to the waveform you send to the input: full-wave rectification (mirroring of negative portions of the waveform) and low-pass filtering (averaging). It can also be used for frequency doubling of a signal, which is a great tool to have in the electroacoustic domain.

The Low Frequency Oscillator generates periodically varying voltages to be used as control signals. The output waveform can be set with a three-position Waveform-control and gives out either a Square-, Triangle- or a mix of Square and Triangle waveforms.

A very cool function of the Field Kit is the DC Interface. You can use its output voltages to run little motors, fans, solenoids, buzzers and control them with control voltage signals. You can pick up the vibrations and electromagnetic waves with the contact microphones and electromagnetic pickup.

The Signal Interface is a nifty toolset to transform the raw signals of a wide variety of sensors and switches into signals that can be used with the Field Kit or other gear. This means you can trigger or control sound by light, heat, humidity, distance, speed, acceleration, proximity, pressure, force, level, all depending on what type of switch or sensor you are using! Ideal for sound installations!
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 4 in stock $230.83
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quote 663389
Cat: 689031 Rel: 19 Jun 18
 
Electroacoustic workstation - boxed version
Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.

- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator

All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.

The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
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 More than 10 in stock $228.70
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quote 689031
Cat: 728383 Rel: 09 May 19
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 5 in stock $268.93
Tiptop Audio Happy Ending Kit (silver) (modular synth starter kit)
Cat: 590438 Rel: 10 Nov 15
 
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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 1 in stock $146.11
Cat: 569586 Rel: 30 Jun 15
 
MIDI interface and MIDI event processor Eurorack synth module with 4 CV outputs and 4 trigger/gate outputs - 12HP size
Notes: Yarns is a MIDI interface providing up to 4 channels of CV/Gate conversion, and providing some of the MIDI message processing features of Mutable Instruments' MIDIpal, including arpeggiator, euclidean sequencer, and a SH-101 inspired step sequencer.

Yarns provides 4 CV outputs and 4 Gate/trigger outputs, which can be assigned to up to 4 voices. In single voice mode, note, velocity, modulation and aftertouch (or other CC) CV are produced, along with a gate, a trigger, and a clock/reset output. In two voices mode, two channel of note, modulation or aftertouch CV are produced, along with two gates, and clock/reset outputs. Finally, in four voices mode, four pairs of CV/Gate outputs are provided.

The 2 and 4-voice modes are available both in a "polyphonic" and "multitimbral" flavour. The former receives chords from one single MIDI channel and dispatches them to the voices; while the later provides independent monophonic parts - which can be addressed to different MIDI channels, keyboard ranges, or even velocity levels. Various note priority modes (low, high, last) and polyphonic allocation schemes (voice-stealing, random, cyclic) allows you to fine-tune the CV/Gate conversion to your playing style. Each voice has a built-in digital LFO to interpret modulation wheel messages as a vibrato; can respond to pitch-bend messages; or can be smoothed with a glide/portamento control - no need for a dedicated module and patches to get the right response from a MIDI keyboard!

Each part can generate sequences either through an arpeggiator/euclidean sequencer combo; or with a SH-101 style sequencer with step-by-step recording, storing up to 64 notes. The module can sync to an external MIDI clock, and generate a clock/reset output at any subdivisions of the MIDI clock.

Other unique features include support for microtunings (either through standard MIDI messages or from a selection of historical tunings or indian ragas), just intonation, and an audio output mode which can transform one, two, or four of the CV outputs into simple digital oscillators.
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 3 in stock $244.15
Cat: 725794 Rel: 15 Apr 19
 
10HP Eurorack CV modulator module
Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
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 1 in stock $83.64
Cat: 563563 Rel: 10 Mar 15
 
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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 5 in stock $71.47
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Cat: 563664 Rel: 10 Mar 15
 
Complex multi stage pitch and gate sequencer synth module, 34HP wide
Notes: The Metropolis is a unique and powerful musical sequencer inspired by the Ryk M-185 (a Roland System 100m format sequencer.) but with many additional enhancements and functions.

The Metropolis comprises eight "STAGES", each with its own assignable gate mode, pulse count and pitch value. Each stage can also have a special slide or skip function activated too. The slide functionality is a constant time portamento very similar to the Roland TB303 (unlike most synths/sequencers that use constant rate portamento) which produces a very musical and interesting result.

In addition to the base sequencer settings set with the sliders and switches there is a full menu of controls and auxiliary modifiers that allows the user to control and manipulate the sequence in many powerful ways including sequencer direction modes, pitch quantization and scale manipulators, clock dividers, shuffle and much more
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 9 in stock $550.58
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quote 563664
Cat: 602195 Rel: 10 Aug 16
 
Full featured VCO/LFO synth module - 8HP wide
Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
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 4 in stock $205.40
Cat: 602207 Rel: 04 Apr 16
 
USB socket for charging/powering peripheral devices - 2HP wide
Notes: USB socket for charging/powering peripheral devices.

This tiny but handy module connects the USB A connector to the +5V bus on the Intellijel TPS series powered busboards. Allowing 1A or more of current to be supplied to USB devices such as lamps, phone chargers, and usb powered musical devices.

It connects to the bus via supplied two-pin cable.

*Compatible with the TPS30 MAX and TPS80 busboards. TPS30MINI board requires an adapter.
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 9 in stock $18.26
Cat: 716898 Rel: 30 Jan 19
 
2-channel Eurorack oscilloscope - 16HP
Notes: Sometimes your ears are not enough and you really need to see the sounds and control voltages you are generating. Zeroscope's two channel design lets you display and compare both control voltages and audio. It's a good old fashioned sci-fi light show!

The Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.

Three Modes Packed Into 1U:

- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.

The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs

The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.
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 2 in stock $137.64
Intellijel 1U x 2HP Blank Panel (Eurorack blank panel)
Cat: 620719 Rel: 29 May 18
 
1U blank panel space made from brushed aluminium - 2HP wide
Notes: Blank panel for Intellijel 1U spaces. Made from high quality brushed aluminium that matches the 1U modules.

These can also be used for DIY purposes if you drill/mill them to fit your own custom circuits.

Comes with 2 screws.
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 3 in stock $5.82
2hp
Cat: 638773 Rel: 21 Feb 17
 
Dual linear VCA module with CV input attenuator & DC-coupled inputs
Notes: The 2hp VCA is a dual, linear VCA. It uses the renowned 2164 SSM architecture, giving it extremely low distortion and high quality audio outputs. With a CV input attenuator, and DC-coupled inputs this is your new go-to module for voltage controlled amplification of audio or CV.
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 1 in stock $80.21
2hp
Cat: 686047 Rel: 04 May 18
 
Lush sounding, voltage controllable stereo reverb
Notes: Verb is a lush stereo reverb with a full feature set and superior audio quality. A wide range of reverb times take your sound from small room to never-ending concert hall.

CV over mix allows dynamic movement between the dry and reverberated sound, and the dampening control lets you dial in the perfect timbre for the wet signal. Whether you need a traditional reverb for an FX send or an esoteric sound design tool, Verb can take you there. Get lost in space with Verb.
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 3 in stock $103.76
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