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Cat: CL 94960. Rel: 11 Apr 24
Experimental/Electronic
Kometenmelodie (CD2: King Biscuit radio 1975 - live On King Biscuit Flower Hour At Ebbets Field, Denver, CO, USA, May 20 1975)
Kling-Klang (CD3: BBC Broadcast In Concert 1975 - live At Fairfield Halls, Croydon, England, September 21, 1975)
Introduction (CD4: Utrecht 1981 - live At Muziekcentrum Vredenburg, Utrecht, Netherlands, December 10, 1981)
Neonlicht (Neon Lights) (CD5: Captain video 81 part 2 - live At Captain video, Paris, France, July 6, 1981)
Die Stimme Der Energie (The Voice Of Energy)/Uran (Uranium)/Die Sonne, Der Monde, Die Sterne/Ohm Sweet Ohm
in stock $14.49
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Osculating Elements/My God Is Every Bird (cassette)
Cat: UGOTBMC 1. Rel: 09 Apr 24
Experimental/Electronic
in stock $11.91
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WC 001 (hand-numbered hand-stamped 12" limited to 200 copies)
Cat: WC 001. Rel: 25 Mar 24
Experimental/Electronic
Review: Well Curated is a series of releases and parties that - in its own words - "reflects the ethnomusicology of the last 50 years of music" - and aims to reach into all genres, merging classic styles and breaking down barriers. Steve Spacek occupies the A-side with the breezy broken beat and soul-in-space of 'Alone In Da Sun', while Lukid's 'Hair Of The Dog' is a more intense counterpart, with wobbling sub-bass and swirling, surging atmospherics hovering above.
… Read more in stock $11.91
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Review: Lempuyang makes it to release number 15 with a devastatingly deep new EP from Deepchord Records co-founder Mike Schommer. He kicks off with 'Scapegoat' featuring the alluring vocals of Milly James which echo out over super slow-motion dub rhythms and icy pads. The Pole rework brings more crisp hits and distant eerie drones over a more pronounced rhythm but one that remains devilishly sparse. On the flip, 'Deceivers' has more hypotonic drive - a fleshy dub stepper to lock in any 'floor and then 'Believers' slows it down to a crawl once more. An essential dub EP that promises no represses.
… Read morePlayed by: Juno Recommends Techno
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Review: Vincent Fenton's FKJ project has been a delight to melt away in since first appearing some time back in 2013. His body of work has been measured but meaningful since then, with just his self-titled album to his name aside from a scattered selection of singles. The last we heard from the French artist was the Ylang Ylang EP, released in 2019 digitally on Mom + Pop. Given the EP's warm reception, FKJ has decided to put out a vinyl edition himself, and truth be told his smoky, soulful blend is perfectly suited to wax.
… Read more in stock $13.98
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Glasshouse (ash grey vinyl 12" in screen-printed sleeve limited to 100 copies)
Cat: DET 004. Rel: 04 Mar 24
Drum & Bass / Jungle
Review: The fledgling Detach label continues to show it means business with a new 12" in a lovely screen-printed sleeve. Romanian artist Dyl is the one in charge and has been serving up consistently excellent and innovative sounds now for serval years. All of these cuts mix up great sound design with languid rhythms - the first is eerie, with watery droplets and glassy tinkles hanging in the air, while 'Glasshouse 2' has a percolating rhythm down low. 'Glasshouse 3' gets a little more dynamic with a shimmering low end and freaky abstract life forms and 'Glasshouse 4' layers in more intense and ever-shifting synth lines while the closer sounds like it's roaming through a deserted factory long after it shut down.
… Read more in stock $12.42
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Review: Here's something to stir the hearts of all fans of Mika Vainio and Ilpo Vaisanen's Panasonic/Pansonic project: a trio of long-lost remixes that were created, but for some reason never released, way back in 1996. Side A boasts an epic revision from long-serving Newcastle experimentalists Zoviet France, who turn an untitled Panasonic production into a ghostly trip through hypnotic, minimalist techno territory - all unearthly aural textures, drifting synth sounds and hazy, locked-in drums. Over on side B there's a pair of rare remix outings from the sadly departed Bryn Jones AKA Muslimgauze. He first wraps vocal sounds and twisted electronics around a raw analogue techno groove, before offering up one of his impeccable experimental ambient dub workouts. Of the two, this is undoubtedly the most mesmerising.
… Read morePlayed by: Eddie C
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Review: Burial drops his latest two-tracker on XL, two chaotic breakbeat balancing acts firmly rooted in rushy UK 'ardkore and day-glo 80s freestyle respectively. The A is a nail-biting, cavernous tweak out, which Burial pipes out into the darkest, most paranoid corners of the rave, exhuming frazzled dancers and inducing a queasy euphoria that any seasoned hedonists will recognise all too well. 'Boy Sent From Above', on the other hand seems to chart the passage of an obsessive, icy winter graff mission, with tinny drum machines, saccharine squarewave arpeggio hooks and spraycan samples harking back to the heyday of B-Boy electro, Miami freestyle and NYC breaking with devastating efficacy, albeit seen through Burial's unmistakeable misty-eyed LDN gauze; chrome and black over day-glo. Dreamfear marks yet another welcome switch up in Burial's artistic direction, and makes for one of the most evocative, moving and transporting entries in his much pored-over catalogue.
… Read more in stock $11.91
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Review: Given the uniqueness of his madcap and mind-altering trademark sound, the release of any new album from Tom Jenkinson AKA Squarepusher is big news. Given that his last new full-length landed four years ago, the arrival of Dostrotime has got an awful lot of experimentalists in a bit of a lather. Like many albums that have surfaced in the last couple of years, it was apparently inspired by the "novel, eerie, sublime silence of lockdown", with the title being a reference to "how time passed differently". Quite how this plays out within the music itself is open to interpretation; for the most part, what's on offer is prime Squarepusher - all distorted, full-throttle acid lines, mutilated experimental D&B beats, analogue electronics and rasping, strobe-lit nods to raves,
… Read more in stock $12.95
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Cat: DUSTCD 120. Rel: 05 Apr 24
Experimental/Electronic
Review: Originally released in 2005, Silenced captures the essence of The Black Dog's enigmatic allure, transporting listeners to otherworldly realms with its lush, tuneful compositions and angular genius. Each track on the album is a testament to the group's unparalleled ability to surprise and entrance, evoking a sense of both unease and beauty. For fans of The Black Dog, Silenced serves as a welcome treat, while also serving as an entry point for those new to the group's mesmerising soundscapes. Definitelt one of their best full length albums yet to date.
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Cat: 677863 0. Rel: 26 Sep 18
Broken Beat/Nu Jazz
Review: Back in 2016, legendary Afrobeat drummer Tony Allen approached techno pioneer Jeff Mills with the idea of working together. A series of live gigs and off-the-radar studio sessions followed, with the first fruits of their joint efforts finally appearing on this must-have 10". As you'd expect, the duo's collaborative work combines Allen's traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills' work. The result is a quartet of cuts that could arguably be described as retro-futurist Afro-tech - all delay-laden beats, basslines and organs subtly sparring with gentle acid lines, Motor City electronics, beguiling deep space textures and shimmering, 31st century motifs. It's arguably Allen's stylistic contributions that dominate, but that's no bad thing.
… Read morePlayed by: Mourad Sliti, Mukatsuku Records Chart, 7 Samurai Tom Wieland freesoulinc, JEM/Joe Europe, Owain Kimber (Owain K), AfroBase (Radio Chart), RUSTAM OSPANOFF., Thatmanmonkz (Shadeleaf Music), Rouchos (Andreas Marouchos), Flash Atkins, Per Bojsen-Moller, Sol Power All-Stars, Juno Recommends Broken Beat Nu Jazz, Galletas Calientes, Andrea passenger, NICOLA CONTE, Giorgio Luceri, DoubtingThomas, NEI a.k.a. Cosmic Monkey, DJ Kobayashi, Cervo (Banana Hill)
… Read more in stock $10.87
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VARIOUS
Cat: SR 461. Rel: 05 Apr 24
Experimental/Electronic
in stock $12.42
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Nothing To Declare (gatefold clear vinyl LP + MP3 download code in spot-varnished sleeve)
Cat: HDBLP 062. Rel: 18 Aug 22
Hip Hop/R&B
Review: 700 Bliss are DJ Haram and Moor Mother, and together they've come together to deliver a guttural take on noise rap. Packed to the brim with fuzz, like gravel clogging a phone line, Haram and Moor's vocal deliveries are clownish and playful, and hear back like mere fragments of thought, pushing against the notion of a sustained narrative. Lafawndah, Muqata'a, Alli Logout and M. Tellez all feature on various vocal and production appearances, while techno is even ticked off on a few Afro-diasporic dance music forays ('Anthology'). A postmodern revisionist history of dance music in LP form.
… Read morePlayed by: Alexis Le-Tan, Juno Recommends Hip Hop/R&B
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VARIOUS
Cat: SR 462. Rel: 05 Apr 24
Experimental/Electronic
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Review: The third full-length studio album from Singaporean singer-songwriter-producer Nat Cmiel (aka yeule) released to rave reviews earlier this September, following an ethereal rollout with singles 'dazies', 'ghosts' and 'inferno' showcasing exactly what yeule excels at: worldbuilding. 'softscars' is now the 3rd instalment in one of the most exciting album runs in modern alt-pop, shifting away from the glitchy, electronic ambience of predecessor 'Glitch Princess', moving in a more rock-centric, brighter direction. This isn't to say the album doesn't have its soul-crushing moments, opening track 'x w x' closes with a defiant scream of frustration, whilst the drums, guitar and synths fight each other for dominance - bottoming out into a gentle outro sequence. The calm after the storm. We could go on about this album for hours, as a yeule fan it feels so fresh but so perfect with it's oscillating directness in delivery. Whereas 'Glitch Princess' felt like travelling through a clastrophobia-inducing tunnel at time, 'softscars' is that moment you burst out of the tunnel and are hit with a huge green vista. It's my album of the year but, hey, what do I know?
… Read more! low stock $10.87
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Bob STANLEY / PETE WIGGS / VARIOUS
Fell From The Sun: Downtempo & After Hours 1990-91 (unmixed CD)
Cat: CDCHD 1596. Rel: 30 Jun 22
Rock
Soul Family Sensation - "I Don't Even Know If I Should Call You Baby" (Marshall Jefferson Symphony mix)
Review: Ace Records continue their series of compilations from Saint Etienne's Bob Stanley and Pete Wiggs, tapping into unique niches of British music culture under titles like English Weather and The Tears Of Technology to arrive at this latest joint, Fell From The Sun. This is a specific trip into the downtempo, after hours sounds prevalent in 1990-1991, as the acid house wave broke and Balearic selector ethics seeped into studio practice. The selections are absolutely on point, from The Orb's majestic remix of Primal Scream's 'Higher Than The Sun' to Saint Etienne's own moody roller, 'Speedwell'. It's bouncy and boundlessly optimistic as well as being supremely chill, absolutely of its time but still ringing with an eternal charm that feels ready for a revival. Let this compilation be your guide.
… Read morePlayed by: Marco Gallerani
in stock $11.38
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Cat: AMB 9322CD. Rel: 06 Jul 18
Experimental/Electronic
Review: In line with the timely reappraisal of all things R&S related, the resurgent Apollo have seen the opportunity to bring one of their most celebrated records back for another round on CD. Aphex Twin's ambient recordings mature magnificently with age, sounding ever richer and more emotive as the rest of electronic music continues to play catch up all around. From the gentle breakbeats of "Xtal" to the aquatic techno lure of "Tha", the airy rave of "Pulsewidth" to the heartwrenching composition of "Ageispolis", every track is a perennial example of how far ambient techno could reach even back then. It's just that no-one quite had the arm-span of Richard D. James.
… Read more in stock $10.87
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Review: The first anyone heard from Robert Fleck was an early drop on Well Street back in 2018, and it's been quiet since then. Anyone following Well Street knows it's a hot tip for upfront artists in the fractured fissures of the UK underground, and Fleck makes a welcome return to prove the point. There's a lot of different touchstones you could point to on this release, from nimble-footed broken beat and a whiff of nu jazz orchestration, not to mention a bass music sensibility and an appreciation for deeper strains of UK techno. But more than all that, Fleck merges his unique spread of influences into something fresh and unique, comfortably slipping between conventional genre markings with the kind of flair we've come to expect from Well Street.
… Read more in stock $10.35
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Review: Last year Burial and the Bug joined forces as Flame 1, delivering an in-demand EP on the latter's Pressure label featuring two sizable slabs of industrial strength soundsystem science. Here they return as Flame 2, once again offering up a pair of weighty dancefloor excursions. A-side "Dive" is a loud and claustrophobic affair, as the duo wraps dystopian dub bass and sparse, mutilated post-drill rhythms in layers of apocalyptic aural textures and mind-altering dub techno style processed noise. Flipside "Rain" is arguably more suitable for dancefloor plays and sees the esteemed twosome combine pulverizing sub-bass heaviness with dancehall style drums that come smothered in mind-melting effects and paranoia-inducing aural smoke.
… Read morePlayed by: Alexis Le-Tan, Juno Recommends Bass
in stock $10.10
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The Entire City (Special Edition) (silver vinyl LP + photo print in spot-varnished sleeve)
Cat: AGMR 051LP. Rel: 27 May 22
Experimental/Electronic
Played by: Juno Recommends Experimental
in stock $13.98
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Silver Streams (transparent orange vinyl LP limited to 300 copies)
Cat: PLANT43 008LP. Rel: 06 Mar 23
Ambient/Drone
Review: Perhaps slightly better known for his dancefloor-enlivening electro productions, this is actually the third full length ambient album from UK producer Emile Facey under the Plant43 moniker. He's been writing and storing up atmospheric synthesiser experiments alongside his dancefloor oriented output since his last ambient LP The Countless Stones released in 2020, and the eight tracks here are meditative, ethereal affairs, Facey carving out a beautiful set of vivid emotions out of crystal clear pure sounds and arpeggios rolling like gentle waves lapping at a shore. Imagine classic Tangerine Dream combined with the balance and poise of Global Communication and you're getting close.
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Played by: Juno Recommends Ambient/Drone
in stock $14.49
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Review: Composer, sound designer, musician, artist. Vienna-based Ulrich Troyer has a number of strings to his bow, all of which have played into a world-building process deeply rooted in dub and sound system culture. Releases on the likes of Deep Midi Musik are a good reference point for newcomers. Here, though, we're in less structured and formalised places, with two pieces - well, one and a bit - of abstraction waiting for you to get lost in. 'Track 1' certainly comes with the kind of low reverberations and effects that call to mind huge speaker stacks in smoke-filled places. But it's also kind of deconstructed journey, it harmonises distorted beats and rhythms with beautiful melodic motifs in a way that's as innovative and beguiling as it is instantly pleasing. Flip it to find something we won't even bother trying to define, a celebration of the remnants of that opening arrangement, perhaps.
… Read more in stock $10.35
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Review: Few bands have sidestepped expectations as cannily as Mount Kimbie. Initially a duo but now expanded into a quartet, the British band has previously excelled in mixing, matching and fusing a wide range of experimental and left of centre electronic music influences. On The Sunset Violet, their first full-length as a quartet, they've shifted sonically once more, leaning into their indie-rock influences on a set recorded in California. The latter aspect - and the impact of being surrounded by sunshine and desert - is reflected in the warmth and haziness of the sound, which draws on the layered vocals and guitars of vintage shoegaze while also reaching for more familiar aspects of the band's previous experimental electronic sounds (for proof, check the ghostly musical vision that is King Krule collaboration 'Boxing').
… Read more in stock $10.87
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Review: Frequent Jeremy Greenspan and Morgan Geist collaborator Jessy Lanza was hailed as a future star on the release of her 2013 debut album, Pull My Hair Back. That album projected her as some kind of New York freestyle chanteuse dragged kicking and screaming into the 21st century, backed by an all-electronic band fascinated with the potential of future R&B and left-of-centre synth-pop. This belated follow-up, which was once again produced in cahoots with Jeremy Greenspan, is even better. Colourful, vibrant and attractive, the ten songs are truthful to their '80s NYC inspirations, but smartly avoid the pitfalls of such blatant retro-futurism. In other words, it's a superb collection of future R&B and pop gems.
… Read morePlayed by: Juno Recommends Experimental
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Review: Apart from having one of the best and most singular names in electronic dance music, The Future Sound Of London have been one of the pillars of modern UK dance music, pushing through a mixture of house, techno, and breaks since the early 1990s - and, in fact, some of their tunes like "Papua New Guinea" are still getting regular play time in clubs today. While they have released a huge amount of music over the last 25 years, they've got an equally vast amount of unreleased gold in their treasure chest, a collection of tracks that have seen the light of day thanks to the present Archived series. This week it's time for the series' eighth instalment, another twelve unmissable bundles of electronic delight. However, this is a lot more than just a compilation, and the tunes work their fine mixture of melodies, breaks and electronic beats into a sublime collection of sounds. If you're into vast and explorative music with a cutting-edge, you needn't look any further.
… Read morePlayed by: Alex Font
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Review: Back in 2016, Martin Jenkins unveiled the first instalment of a "loose trilogy" of vaguely conceptual albums for the Ghost Box label. Entangled Routes is the third and final part of this trilogy and lands two years after its predecessor, Hollow Earth. Though not expressly acknowledged within the music, Jenkins' inspiration this time round was apparently "mycorrhizal networks" - subterranean networks of funghi that transfer water, carbon and other minerals and nutrients to the roots of plants. Musically, what's on offer is intoxicating and far-sighted, with Jenkins mixing up trippy ambient psychedelia with modular-rich, melodious electronica, throbbing, arpeggio-driven dancefloor cuts and what would once have been called IDM. As usual, the album is full of great ideas, beautifully executed, and sequenced in such a way as to provide a genuine aural journey.
… Read more in stock $13.21
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Review: The high class Melodies International reissue label co-run by Floating Points and Elliot Bernard is back with the seance in its Melodies Record Club series. This time it is blistering club DJ Ben UFO who gets his pick after Four Tet had his go earlier in the year. The two tunes he pick have long been staples in his set either though on the surface of it neither are typical club tunes. They have never before been available on vinyl for that reason but we're glad they are now. 'Drums' is off Laurie Spiegel's 1980 experimental album The Expanding Universe and is all oscillating synths and computer generated percussion while Olof Dreijer from the Swedish band the Knife offers 'Echoes From Mamori' on the flip, a more tropical and whimsical cut of new age licked house made from arpeggios and frog samples.
… Read morePlayed by: Alexis Le-Tan, Rocco Universal, Piers Harrison, DJ ROCCA, Juno Recommends International, Zukas
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Review: It's arriving a little late, given the Summer Solstice was late-June, but when an electronic compilation is as strong as this you can forgive the little things. Fittingly, this is a very UK sounding affair, with some tracks almost feeling like Bob Moog has walked into a maypole dance in some strange corner of the British Isles where detectives go missing. On the whole, though, things are much deeper and cosmic, which is where the whole celestial link clearly comes from.
To call it all ambient would be pretty reductive, but the label is useful for much of what's here. In actual fact the collection spans strange downtempo broken beats ('And They Named Him When The Sun Stands Still'), building grooves ('Throbbing Motor Lifeforms'), hypnotic drone ('All of Us Under The Sun') and atmospheric ethereality ('Heralding the Dawn').
… Read moreTo call it all ambient would be pretty reductive, but the label is useful for much of what's here. In actual fact the collection spans strange downtempo broken beats ('And They Named Him When The Sun Stands Still'), building grooves ('Throbbing Motor Lifeforms'), hypnotic drone ('All of Us Under The Sun') and atmospheric ethereality ('Heralding the Dawn').
in stock $10.75
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Played by: Kaoru Inoue
in stock $13.98
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Review: A collaborative new single by sampletronic master Kieran Hebden (aka. Four Tet) and guitarist and composer William Tyler, two acclaimed musicians and both longstanding friends. Part of a recent spewing-forth of Hebden-adjacent material to hit the shelves after the artist's oft-reported-upon "agent of chaos" phase, these two tracks, pressed to a furtive 12", provide a neat counterpoint to that assessment. Rather than a pair of riddim bangers, the record flaunts Hebden's signature electronic textures and Tyler's guitar into a hypnotic, nominally dark soundwhirl, reminiscent of the earliest days of Text, but with a unique edge - a sonic corner never quite scoured before by either artist.
… Read more in stock $13.46
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Review: The hype machine may have kicked into overdrive at the announcement of a new Aphex Twin EP, but after all there's a reason we all get so excited. Richard D. James is just a rare sort of artist - one who can wrench untold depth, detail and feeling from the oddest of angles and still keep it rave-ready in the process. It's been a while since we had some new material from the Cornish wonder, but now he's gifting us four fresh slabs of braindance par excellence which bristle with his distinctive touch. Those subtle microtonal shifts in the melodies, the particular flair with which the drums are dissected, the overall head-spinning tapestry of the whole thing - no one does it quite like Aphex, and this CD single gives you his considerable skills in the highest definition.
… Read more in stock $10.87
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Review: Belgian label nacht and The Pilotwings (Louis & Guillaume) present a compilation of works created in the STELPLAATS venue in Leuven, early 2022. In November 2021, right before the second Covid lockdown. Guillaume and Louis were invited by the nacht crew in Leuven to play their first dj-set together since the start of the pandemic. At the time, the nacht crew had just received the first physical release on their brand new imprint, and the team was eager to get the record out into the world. For the second release, however, everything was possible. Before the show, somewhere between the obligatory nasal swab and the third drink, the idea of an unusual collaboration sprouted. Leuven Works compiles five tracks that flowed out of the sessions in STELPLAATS and is a testament to the week that Louis and Guillaume had under the STELPLAATS roof. During their stay, the blood brothers got looked after with love by the nacht team, who provided homemade pizzas and a well-stocked fridge full of Duvels, allowing The Pilotwings to truly root into the Leuven soil and enrich the local landscape with their colourful presence.
… Read morePlayed by: Alexis Le-Tan
in stock $12.95
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Review: While Ben Frost's work has long been marked out by deft-touch dark ambient, experimental instincts and clandestine aural textures, he's always thrown in surprise excursions and drawn on musical inspirations that other like-minded producers would fear to embrace. This latter characteristic comes to the fore on Scope Neglect, his first solo set for six years. Remarkably, it utilises the moodiness, weight and ten-ton guitar licks of metal - played by Car Bombs guitarist Greg Kubacki and bass-slinger Liam Andrews of My Disco fame - as a starting point. Frost naturally puts these through the sonic wringer, combining them with his own skittish, IDM-influenced beats, dark ambient soundscapes and razor-sharp electronics. The results are unusual, impressive and emphatically enjoyable, sitting somewhere between timeless electronica, Nine Inch Nails and experimental metal.
… Read more in stock $10.87
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Played by: Kaoru Inoue
in stock $12.95
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Review: Given her stratospheric rise in recent years, it's something of a surprise to find Dust is Laurel Halo's first album since 2013. It's the Michigan native's third full-length excursion and was apparently recorded over a two-year period at the EMPAC performing arts centre in upstate New York. Interestingly, it's even more difficult to pigeonhole than her previous sets, with Halo and collaborators - including Lafawandah, Michael Salu, Maxmillion Dunbar and experimental percussionist Eli Keszler - gleefully fusing elements of wonky electronica, skewed R&B, drowsy synth-pop, neo-classical, humid Balearica, creepy jazz and off-kilter ambience. In other words, it's a hugely vibrant and entertaining set that's more than worthy of your hard-earned cash.
… Read morePlayed by: Jock Club
in stock $13.98
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in stock $10.10
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Transient Communications (heavyweight vinyl 12" + photo print)
Cat: DUMMY 001. Rel: 21 Jul 22
Experimental/Electronic
Played by: GK Machine, Tom Drew
in stock $12.95
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Review: Back in the early-to-mid 1990s, Robert Fripp collaborated with numerous ambient house-era electronic artists, including the Orb (see the largely forgotten FFWD>> album) and The Grid, who invited the long-time Brian Eno collaborator to recording sessions back in 1992. While some of the latter material made it onto their '90s albums, much of Fripp's work - dreamy guitar textures, drone works and other electronic experiments -was left in their archive. Leviathan is based around these unissued recordings, with Dave Ball and Richard Norris adding their own new sounds to create a string of beautiful, meditative, and picturesque ambient compositions that sit somewhere between their own ambient works, Norris's recent modular electronic explorations, and the forementioned FFWD>> project.
… Read more in stock $12.63
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in stock $11.91
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Review: Melodies International is a real favourite label here at Juno HQ, headed up famously by Floating Points and finds including Mafalda. The third volume of their Melodies record Club is as good as anything the label has put out to date: it features a trio of jazz cuts selected by the one and only Hunee. First is Digital Justice's 'Theme From "It's All Gone Pearshaped"', a 13 minute live jam packed with synth action. On the flip is a spiritual piece from harpist Dorothy Ashby and Frantz Tuernal's 'Koultans'. Says Hunee, "these three distinct pieces of music tap into different layers of my memory."
… Read more in stock $11.60
