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Notes: A High quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180 degree 5 pin DIN plug.

Notes: The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.

Notes: A high quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable comes with low loss conductors and global shielding ensure a clean data stream. It is terminated at each end with a 180- 5-pin DIN plug.

Notes: High quality MIDI cables for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180- 5-pin DIN plug.

Notes: The new Headphone-Case II can hold any common foldable and non-foldable DJ or studio headphones and now features a mesh pocket for USB flash drives.

Fits:

Sennheiser HD-25, Sennheiser HD-8, Sennheiser HD-7, V-Moda Crossfade, Pioneer HDJ-700R, Pioneer HDJ-1500K, Pioneer HD-2000, Ortofon O2, AIAIAI TMA-2, AIAIAI Studio, Technics HP-1200 /1210, Technics RP DH 1200, Shure SRH 40 /20, Beats by Dr. Dre Mixr, Beats by Dr. Dre Studio, Nocs NS900, Reloop RHP 30, Reloop RHP 20, Reloop RP-15, Ultrasone DJ-1 Pro, etc.

Basics:

Lightweight Durashock molded EVA foam and polyester exterior shell
Zip-compartment for USB flash drives
Including carrying handle and adjustable + detachable shoulder strap

Specifications:

Outer dimensions: 18 x 20 x 9 cm
Inner dimensions: 17 x 19 x 8 cm
Weight: 0,3 kg
Colour: black/black

Notes: The Kenton Thru-5 is a high quality MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. It is powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-region power supply

Notes: The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.

Notes: This pack of 6 guitar audio patch leads from Chord is designed for connecting effects processors, sound modules, pedals etc. in coloured insulation. They are terminated at each end with a right angled 6.3mm jack plug.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade twin cable comprises an insulated pure copper core and global shielding.

The durable PVC sheath has a soft texture to avoid knotting. Terminated at each end with a pair of 6.3mm mono jack plugs.

Notes: Soundlab 2 x 6.35 mm Mono Jack Plug to 3.5 mm Stereo Jack Plug Lead

Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises an insulated pure copper core and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 6.3mm stereo (TRS) jack plug and at the other end with a male XLR connector.

Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)

Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 3.5mm stereo (TRS) jack and at the other end with a 6.3mm stereo (TRS) jack plug.

Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: 1/4" TRS to 1/4" TRS

This snake is designed to interconnect pro audio gear with balanced phone jacks. It is ideal for use with mixing consoles and patch bays. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TRS to 1/4" TRS

Notes: High quality audio leads for exceptional sound quality and reliability. Twinned high grade cable comprises 2 insulated pure copper cores and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling.

Terminated at one end with a 6.3mm stereo (TRS) jack and at the other end with 2 x 6.3mm mono jack plugs.

Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult

Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter

Notes: This cable is designed to connect gear with XLR outputs to gear with XLR inputs. It is ideal for use in touring and other live-sound applications.

Hosa cables are built with the hard-working, hard-touring musician or audio professional in mind. Hosa cables are exceedingly popular, due in part to their reputation as being one of the most affordable and high-quality cable lines in the business. Hosa cables have also received praise for their durability and excellent performance. When it comes to audio cable design, Hosa keeps a steady eye on the basics, and you can hear this attention to detail in their sound. To make your next music experience extraordinary, pick up a Hosa cable today.

Notes: Another update for WMD's clever dual VCA, this time a little bigger to give more control. Digital control of CV and attenuation gives lots of creative options. Third time's a charm.

Supplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Features

Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds

Specifications

Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling

Notes: A metal professional standard floor microphone stand with boom arm that is adjustable for height, angle and extension. The product features tripod style foldaway legs and has a remarkable stability when in use. The Boom arm extends 760mm.

Notes: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

Notes: The Chord cable lead is the high quality audio lead for exceptional sound quality and reliability. The high grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Each end is terminated with a pro-quality 6.3mm stereo (TRS) jack plug.

Notes: Balanced microphone/audio lead terminated at one end with an XLR socket and at the other end with an XLR plug.

Notes: Classic closed-back headphones in a low-impedance version designed to play nicely with outputs on phones, laptops and interfaces. One of the best all-round options for production.

Supplier's notes:
The Beyerdynamic DT 770 Headphones 80 Ohm are closed back dynamic headphones that use the same comfortable, sound isolating design as the 250 Ohm studio version, but with a lower resistance for general purpose and mobile applications. Because of the lower resistance, the DT 770 Pro 80 Ohm headphones are louder and work on low power devices such as smart phones, MP3 player, laptops and bus powered interfaces. Therefore, if you are working in a loud environment or using a battery operated device, the Beyerdynamic DT 770Pro 80 Ohm headphones make the perfect choice of headphone.

When out and about, you really need to block as much ambient noise out as possible and a lot of headphones do this by clamping the ear-pads as tightly to your ears as possible and using materials that absorb a lot of sound. This produces two unwanted issues; discomfort, after prolonged use; and a loss of audio quality as sound being generated by the driver is absorbed by the cup. The DT 700 Pro series avoids this by using a clever bass reflex system and a large circumaural cup design with velour pads. Of course the real technology is in the transducer itself, which produces a nominal frequency response of 5Hz to 35kHz and a nominal SPL of 96dB, an exceptional performance.

Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 3.5mm stereo (TRS) jack and at the other end with a 6.3mm stereo (TRS) jack plug.

Notes: High quality audio leads for exceptional sound quality and reliability. High grade cable comprises 2 insulated pure copper cores and global shielding. The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling. Terminated at one end with a 3.5mm stereo (TRS) jack and at the other end with a 6.3mm stereo (TRS) jack plug.

Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.

Notes: The WoggleBug music synthesizer module is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!

Features:
Complete Complex Random Voltage system, no external modules necessary
Two VCOs, Phase Lock Loop, Lag Processor, Clock, Burst Generator and Sample & Hold
Generates 7 Random Signals simultaneously: Smooth VCO, Woggle VCO, Ring Mod, Stepped, Smooth, Woggle, Burst
Generates voltage controlled Master Clock
External inputs for S&H (Heart IN) and Ring-Mod (Influence)
Disturb button adds performance element
Wonderful for modulating the Morphagene and DPO

Specifications:
Width: 10hp
Max Depth (incl. power cable): 32mm
Power: 50mA@ +12V; 40mA @ -12V

Notes: A compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain.

The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.

Notes: 1/4" TS to 1/4" TS

This snake is designed to interconnect pro audio gear with unbalanced phone jacks. It is ideal for use with mixing consoles and patch bays. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TS to 1/4" TS

Notes: 1/4" TS to 1/4" TS

This snake is designed to interconnect pro audio gear with unbalanced phone jacks. It is ideal for use with mixing consoles and patch bays. Features include:

- Nickel-plated plugs for rugged durability and efficient signal transfer
- Oxygen-Free Copper (OFC) conductors for enhanced signal clarity
- OFC spiral shields for effective EMI and RFI rejection and flexibility

Connectors: 1/4" TS to 1/4" TS

Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.

Notes: When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.

Notes: High quality audio leads for exceptional sound quality and reliability. Twinned high grade cable comprises 2 insulated pure copper cores and global shielding.

The durable PVC sheath has a soft texture and is reinforced with cotton cord to avoid tangling.

Terminated at one end with a 6.3mm stereo (TRS) jack and at the other end with 2 x RCA phono connectors.

Notes: Total Mixing Performance in a Small Package:

MIDImix is a portable compact high-performance mixer that has the unique ability to control your Digital Audio Workstation (DAW) with the press of a single button, giving all musicians and producers complete, uncomplicated mastery over mixing and processing of their digital music creations on the go.

Until now, you had to build and layer your mixes at the performance site first, then transfer that mix at a later time to your DAW for post-mix processing and manipulation. What a pain. This is not the way you'd like to do it, because of the time lag between constructing the initial mix and then not being able to work on it until later in your DAW. This meant you only had a limited ability to create the exact mix you wanted in real time.

The On-Site Mixing Problem Solved:

Akai Professional's portable MIDImix solves this problem completely. With Akai Professional's famous build quality and cutting-edge engineering, it combines a high-performance mixer with 8 individual line faders and a master fader, 24 control knobs arranged 3 per channel and 1 to 1 mapping with Ableton Live (Ableton Live Lite is included). You can send all the mixer's settings to their DAW with a single press of a button, for unprecedented management and precise control over your DAW's functionality. This is great - it means that you can mix and modify/manipulate your projects concurrently in real time, giving you a much wider array of creative options as a result of the far greater creative flexibility afforded by MIDImix.

Nothing Else Like It:

Up until now, there was just no solution for musicians and producers who needed a compact, easily portable way to mix and process their projects on site. But MIDImix is the best solution for portable mixing on the go. MIDImix offers an intuitive, familiar mixer layout, solid connectivity with the most popular DAWs, and legendary Akai Professional quality. MIDImix is exactly what you need to do great mixes and professional processing on site - at the same time.

Notes: The 'S.B.G' is a compact utility module intended for the interfacing of guitar effect pedals with your eurorack modular system.

It provides both attenuation and amplification of audio signals for level matching together with a crossfade control to conveniently adjust the wet/dry mix of a processed signal. The module also offers regulation of outgoing CV signals for safer use of pedal expression inputs.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~30ma
Size: 4 HP
Depth: 22mm (including power header)

Notes: 'O/A/x2' is a dual channel attenuverter with each channel also including a bipolar voltage offset and LED monitoring. The module is primarily intended for fine grain flexible 'editing' of control signals (i.e changing the phase, level and DC offset of an LFO signal) but also has uses with audio signals such as attenuation, inversion and mixing.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~50ma
Size: 4 HP
Depth: 32mm (including power header)

Notes: The Korg NanoKontrol2 slim-line USB control surface fits perfectly in front of your laptop computer or desktop keyboard, offering impressive control while conserving valuable set-up space.

The Korg NanoKontrol2 controller provides knobs, switches and faders. It is perfect for controlling any DAW computer based DAW or numerous types of other music production software.

In a body proportioned to fit perfectly in front of your laptop computer, the Korg NanoKontrol2 provides 8 channels of the controllers you need to control your music software. It also features a dedicated transport control section. Many software titles are supported, dramatically reducing the need to make complicated connection settings. 1 knob, 1 fader and 3 switches are provided for each of the 8 channels, respectively assigned to pan, volume and solo/mute/record. In addition, there's also a marker button, making it easy to assign marks at important points in your song for more efficient recording and song production.

Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.

Notes: The white 1.2m heavy duty 4 core screened 5-pin MIDI plug to 5 pin MIDI plug is designed to use with most MIDI products such as keyboards, lighting controllers etc..