Search dance music

Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.

Notes: The Wave is the latest addition to Zomo's popular VS-Rack series. This stylish record rack offers - depending on the thickness of the LPs and stack white - space up to 40 records. Thereby the records can be stacked in 2 different ways in the rack: Either classically between the ribs or also crosswise, so that you can quickly browse through your favorite vinyls.

Like all VS-Rack shelves, the Wave is made of powder-coated steel and convinces not only with its stable and safe stand, but also with its unique look, which makes it an eye-catcher in every living room or studio. The Wave is available in 4 different colors, so that it can fit into any ambience.

Technical data

Weight: 2,5 kg
Dimensions (W x D x H): 300 x 300 x 220 mm
Format: LPs
Capacity: up to 50 pieces
Material: Metal

Notes: The Zomo RS-250 XT LP case satisfies by its modern design and compact construction. By the 30/70 divide the recordcase can be comfortably splitted and the content can be separated in 3 halves. The 2 lockable snap locks can be closed by the including keys to safe the content.


Sheer genius and totally cool! It's ZOMO!

Notes: The SVF is a 4hp 2 pole 12dB State Variable Filter Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It provides Low Pass, Band Pass, and High Pass outs inspired by WASP and Thomas Henry filter topologies. The filter has 2 audio inputs, but channel 2 is jumper selectable between standard audio in or Ping-able operation. The 2019 revision also adds improved cutoff and resonance response and attenuversion through the ACV IN using the above pot. CV IN provides another unattenuated voltage input to modulate the frequency.

At the CV in, +10v will open the filter completely if the cutoff pot is CCW(counter clockwise). With the cutoff knob at noon the filter can be opened with +5v or closed with -5v. CV input at the ACV in is dependent on the CV attenuverter knob.

There are also several jumper selectable modes for max resonance, self oscillation or no oscillation based on the setting of the resonance pot. According to the jumper configuration, the filter is capable of clinical and clean, to juicy and drippy, to low pass gate sounding plonks, to screaming chaotic resonance. When set to self oscillation mode, the filter can produce a sine like wave with no input and a trapezoid like wave in the max resonance jumper setting. In max resonance mode, the filter output can exceed 10Vpp. On the newest version, there is a trimmer on the top pcb to set the lowest cutoff frequency.

The new black and white pcb/panel is reversible meaning, one side is classic (first picture) and the other side is soulless (second picture).

Review: The Flaming Lips' 2002 album Yoshimi Battles the Pink Robots is being reissued as 6CD and 5LP 20th anniversary box sets - with both featuring demos, B-sides, radio sessions and more. Containing a godlike 100 or so tracks on it, it includes lost rarities like 'Psychedelic Hypnotist Daydream (Demo)' and 'The Deterioration Of The Fight Or Flight Response" (B-side Fight Test UK CD 1)' and Flaming Lips fans surely have their work cut out for them. A must for all obsessive collectors of the UK psychers' work, hoping to salvage their most obscure sonic trips - the ones that never came back.

Review: The name 'Ocean Colour Scene' is an amalgamation of the eponymous band's three favourite words. This direct-democratic approach to band-naming should be an example to us all. But what of their music? 'Yesterday Today 1992-1997' compiles the West Midlands band's most eminent songs, which largely fall in the category of Britpop and indie. While commercial success for the group was limited (indeed bands like Oasis, Blur and The Verve were monopolizing the market), that says absolutely nothing about the quality of the music on this retrospective. Quite the contrary, actually; with selections spanning over ten studio albums, songs like 'Sway', 'Talk On' and 'Blue Deep Ocean' sound equally nostalgic and optimistic for a better musical future than now.

Notes: Raising the Bar.

Condenser microphones have become a staple of most studio and broadcasting environments around the world for good reason. Their ability to capture the most subtle nuances of vocal and instrument performances has made them the preferred choice for a majority of studio and broadcast professionals.

The YCM01 is a studio-quality condenser microphone that adopts a cardioid polar pattern for more focused sensitivity, making it ideal for a broad range of applications, from live streaming or gaming voice chat, to remote meetings, and of course, music production. Offered in both black and white versions to adapt to your preferred streaming or recording environment, the stylish iconic design of the YCM01 will add a new level of professionalism to your creative content.

Hone in on your sound

The cardioid polar pattern of our condenser microphone ensures the highest sensitivity to sound directly in front of your mic while substantially reducing ambient noise from the rear and sides.

This allows the YCM01 to capture the distinct tones and timbre of your voice or instrument with stunning accuracy, giving your streaming audio an added quality and performance advantage.

*The YCM01 can also be mounted on a tabletop stand, a standard microphone stand, or a desk arm.

Specifcations

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 130 dB
Dimensions (Microphone Only): (Diameter) 55 x 166 mm ((Diameter) 2.2" x 6.5")
Weight (Microphone Only): 0.4 kg (0.9 lbs)
Included Accessories: Microphone stand adaptor x 1, Microphone pouch x 1, Owner's manual, Technical specifications

Notes: Raising the Bar.

Condenser microphones have become a staple of most studio and broadcasting environments around the world for good reason. Their ability to capture the most subtle nuances of vocal and instrument performances has made them the preferred choice for a majority of studio and broadcast professionals.

The YCM01 is a studio-quality condenser microphone that adopts a cardioid polar pattern for more focused sensitivity, making it ideal for a broad range of applications, from live streaming or gaming voice chat, to remote meetings, and of course, music production. Offered in both black and white versions to adapt to your preferred streaming or recording environment, the stylish iconic design of the YCM01 will add a new level of professionalism to your creative content.

Hone in on your sound

The cardioid polar pattern of our condenser microphone ensures the highest sensitivity to sound directly in front of your mic while substantially reducing ambient noise from the rear and sides.

This allows the YCM01 to capture the distinct tones and timbre of your voice or instrument with stunning accuracy, giving your streaming audio an added quality and performance advantage.

*The YCM01 can also be mounted on a tabletop stand, a standard microphone stand, or a desk arm.

Specifcations

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 130 dB
Dimensions (Microphone Only): (Diameter) 55 x 166 mm ((Diameter) 2.2" x 6.5")
Weight (Microphone Only): 0.4 kg (0.9 lbs)
Included Accessories: Microphone stand adaptor x 1, Microphone pouch x 1, Owner's manual, Technical specifications

Notes: The Yamaha MG Series of mixers feature a design and construction that will handle the standard wear and tear of the active musician. Featuring the steel chassis that is impact resistant and powder coated, this mixer will take any bumps and scratches without it getting damaged or looking old. The sleek design does not compromise any part of the finished product.

A state of the art design allows for convection cooling, meaning your power unit will not overheat your unit after continuous use. Separating the power supply from the analog circuitry inside the mixer allows for near silent background noise, allowing for a serious and high quality output sound. As well as this, the knob placement has been put above the chassis of the console, thus not damaging circuitry underneath should the device ever be dropped or mishandled.

The MG06 includes a number of features that make it stand out above the rest of compact mixers on the market. It has phantom power on the first two channel's class A preamps for any condenser microphones as well as a mono/stereo select button for instant control and flexibility. These two channels also include a 2 band EQ and a high pass filter, allowing a lot of frequency control on such a small mixer.

As well as this, two stereo channels for jack devices make up channels 3 through to 6. Outputs are aplenty on the MG06, featuring stereo jack and XLR outputs, as well as a phones output for monitoring purposes.

Notes: Updated expander module for the Moskwa II sequencer. The Ostankino adds additional connectivity to the Moskwa II, allowing CV control of most parameters, plus extra outputs.

Supplier's Notes:
Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: Creatively inspiring business from Xaoc as usual. The Erfurt is a digital phase accumulator, digital oscillator, binary counter or clock/audio frequency divider. Versatile stuff.

Supplier's Notes:
Xaoc Devices Erfurt is a digital module that may be used as an 8-output clock and audio frequency divider, a bi-directional binary counter, or a component of the Leibniz binary system, i.e. a programmable digital oscillator.

Erfurt features an 8-bit register which holds its current state: an 8-bit number representing digital values from 0 to 255. The state is available at the front panel via eight binary (5V gate) outputs and reflected by the 8 status LEDs. There are three clock inputs: one incrementing the state at each impulse, one decrementing, and one resetting the state to zero. The state may also be changed manually with two buttons.

When operating alone, the state of Erfurt changes by 1 at each impulse from the clock inputs, so that it counts from 0 to 255 in a cycle (modulo 256). This yields the signal frequency divided by 2, 4, 8, etc. up to 128, available at individual bit outputs. Depending on which clock input is used, the clock patterns correspond to the so called mathematical or musical divisions of the rhythm.

With two different clocks patched to the inputs, the counter alternately increases and decreases its state, and ultimately it counts with a rate proportional to the frequency difference between the clocks. A third clock patched to the Reset input may be used to shorten the sequence thus making the cycle incomplete for even more rhythmic diversity.

When there is a Leibniz data source connected at the back (even as simple as Lipsk), the state increases or decreases in larger steps, depending on the data present at the Leibniz bus (eg. the value programmed by the Lipsk buttons). The counter overflows quicker, and produces more complex patterns.

The state of the counter may be used as a phase input to a digital wave table. Connected to other Leibniz modules, Erfurt may play various roles, eg. it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc. Since Erfurt is based on CMOS logic (no CPU!), it can be clocked at very high frequencies (exceeding audio rate), therefore some selection switches are provided for clock pre-scaling.

Dimensions:
6 HP

Current Draw:
25 mA +12V
30 mA -12V
0 mA 5V

Review: Van Halen's third release, Women & Children First, showcases the band coming into their own after their meteoric rice to fame in the late 70s. Originally released in 1980, the album made the top ten and sold over three million copies with little radio play and not even a top 40 song. The album is also ranked #36 in the top 100 Heavy Metal records of all time. Released on limited numbered 180 gram at 45RPM Audiophile SuperVinyl with the UltraDisc One-Step process spread across two records. Mobile Fidelity Sound Lab US's pressing is perhaps the ultimate copy to have for the discerning audiophile.

Notes: The tiny but mighty Eurorack power supply. Winterbloom's love letter to DIYers is perfect for custom cases.

Micronova is a miniature 100x30mm power supply with a big soul. It can provide up to 18W of power for your modules and multiple units can be easily daisy chained to power larger systems.

Despite being adorably small, Micronova provides lots of flexibility for custom case builds. It can be powered through an attached DC barrel jack, screw terminals, or through an optional front entry panel.

Micronova is equipped with two Eurorack power headers that can be expanded using a busboard or flying bus cable.

Micronova also has critical safety features including reverse polarity protection, a resettable polyfuse, and over-current shutdown.

A suitable AC-DC power adapter is required.

A tiny 100mm x 30mm board with M3 mounting holes
Provides +12V @ 1A, -12V @ 300mA, and +5V @ 500mA
Includes two 16-pin Eurorack power headers
Requires a 15V to 20V center positive DC power supply
Multiple units can be daisy chained
Reverse-polarity, over-current, and over-temperature protection

Notes: The Fundamental Tremolo is a classic optical tremolo, giving you that iconic chewy movement. With three wave shapes to select from, you can get sounds from smooth and soothing to glitchy, wild, and crazy.

Use the Rate slider to set how fast or slow the LFO is oscillating. A lower rate gives a gentle wavering texture, while a higher rate gives a rapid pulsating effect.

The Depth slider controls the strength of the tremolo effect. Move the slider to the left for subtle tremolo or to the right for maximum chop.

The Volume slider sets the overall output volume of the pedal.

The slide switch allows you to change between three distinct oscillator waveforms:

Sine: Gradually adds and decreases volume smoothly for a easy and subtle tremolo.
Square: Much more pronounced than sine, square wave has a more on-off pattern.
Random: Uses sample and hold that picks new random values at an interval set by the rate control.

For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.

Notes: For the Fundamental Series, Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three faders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in OKC, OK.

Because vast ambient sounds shouldn't just be for larger pedals with vast price points, the Fundamental Ambient brings expansive pillowy reverb to the Fundamental Series with three atmospheric modes in a compact size. The Fundamental Ambient offers a great entry point into ambient exploration with the tonal integrity to live on a professional's pedalboard but with simplified controls friendly enough for even the newest effect pedal users. With Ambient's three reverb algorithms, you can experiment with deep, dark pad-like sounds to AM Radio-like lo-fi sounds with the flip of a switch.

The Fundamental Ambient provides three different atmospheric reverb algorithms to explore beautifully vast and lush soundscapes with plenty of decay time for pillowy soft pad-like decay.

Modes:

Deep - A dark ambient reverb with an added low octave, perfect for creating murky, cavernous sustain or adding a touch of moody atmosphere.
Lush - A breathy, expansive reverb featuring ultra-long sustain. Perfect for generating silky pads and immersive soundscapes with every note.
Haze - A textured, lo-fi reverb featuring distortion, sample rate reduction, and a resonant bandpass tone control, great for vintage or experimental tones.
Decay: Control the amount of reverb decay time. Left is the minimum and right is the maximum amount of time.
Tone: Shapes the overall tonality of the reverb. On Deep and Lush this controls the cutoff of a synth-style lowpass filter. On Haze this controls the width of a resonant bandpass filter, filtering both high and low end at the right, and allowing more high and low to pass through at the left.
Mix: Control the mix of the effect and the original clean signal. All the way to the left outputs only the fully clean signal, and all the way to the right outputs only the affected Reverb signal.
Slide Switch - The slide switch allows you to change between three distinct Reverb algorithms.

Trails Mode - The Fundamental Ambient Reverb comes with trails mode active by default, to disengage trails mode hold down the bypass stomp switch when applying power to the pedal. Once the LED flashes it indicates that trails mode is turned off. To re-engage trails mode, repeat the process, and wait for the LED to turn dark, indicating that trails mode is back on. With trails mode active, your reverb decay will fade off naturally after turning the pedal off. With trails mode inactive, the decay abruptly cuts off when you turn off the pedal.

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Review: RECOMMENDED
How can heavy metal-ers not get excited about this one? While sporting a pretty serious price tag, this Super Deluxe edition of Black Sabbath's seminal fourth album is certainly one for the collectors, who will delight in the 11 additional studio recordings featured in the huge amount of bonus material here, which include snippets of studio dialogue, false starts and more rough around the edges nuances that bring the work to life.

As for the LP itself, it was something of a landmark moment in the band's journey - shifting the intensity and ferocity up at least three gears and then sticking a brick on the throttle to hold it in place. Perhaps Mojo's take on things puts it best; ""If booze and dope had helped fuel Sabbath's earlier albums, Vol. 4 is their cocaine ... Despite their spiraling addictions, musically Vol. 4 is another ambitious outing". Enough said.

Notes: A simple noise generator and 4 band fixed filter bank.

The noise is normalled to the Filterbank input. The cutoff frequencies are matched to the Bark Filter, so that four bands of the Bark Filter correspond to a band on the Noise & Filter.

It is a small and quick noise source and pairs well with Scan & Pan and Amp & Tone.

HP : 4

Review: Van Halen's sophomore album, Van Halen II, receives the deluxe treatment here with this limited, numbered, 180 gram 45 rpm Audiophile SuperVinyl UltraDisc One-Step 2xLP box set. Originally released in 1979, the album showcases the band's electrifying blend of hard rock and heavy metal, propelled by Eddie Van Halen's revolutionary guitar work and David Lee Roth's charismatic vocals. With classics like 'Dance the Night Away' and 'Beautiful Girls,' the album captures the band at the peak of their powers. Remastered for vinyl with meticulous attention to detail, this deluxe edition offers audiophiles a pristine listening experience, making it a must-have for collectors and fans alike.

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning creative performers. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Pioneer PLX-CRSS12 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Specifications

Colour: Black
Weight: 4,30 kg / 9.46 lbs
Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
Material: Aluminium

Protection:

Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding
Pick & pluck foam
Two side strong butterfly lock
Rubber feet at the bottom for support in standing position

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable access panel

Fits

Pioneer PLX-CRSS12 turntable

Notes: UDG have further fine-tuned already a great design concept of the flight case into one specially for the most discerning DJ/producer.

This flight case is constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They are compact and lightweight yet tough enough to keep your gear safe.

Dimensions

Outer

Width: 49cm
Height: 42.3cm
Depth: 21cm

Inner

Width: 48cm
Height: 16.2cm
Depth: 20cm

Weight: 4.50kg

Notes: UDG have further fined-tuned already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam that consists of two separate layers, each allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for various-sized DJ-controllers and providing the additional option of creating another slot underneath the controller for laptop or cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Cases are designed to keep your gear protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Specifications

Colour: Silver
Weight: 4,55 kg / 10.01 lbs
Outer Dimensions (W x H x D): 49 x 42.3 x 21 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 48 x 41.3 x 20 cm | 18.9 x 16.2 x 7.9 inch
Material: Aluminium
Protection: Corrosion resistant aluminium profiles with strong rounded corners

Fully-lined with high density foam protective padding & foam on lid
Two side strong butterfly lock & solid metal hinges
Rubber feet at the bottom for support in standing

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Pick & pluck foam with two separate layers
Replacement pick & pluck foam is available to purchase
Rear cable access hole with cover

Fits:

Technics SL-1200MK7, SL-1200MK6, SL-1200 MK5, SL-1200 MK4, SL-1200 MK3, SL-1200 MK2, SL-1200GR, SL-1200GAE
Denon VL12 Prime
Pioneer PLX-1000, PLX-500
Reloop RP-8000 MK2, RP-8000 Straight, RP-8000, Reloop RP-1000M, RP-1000 MK2, RP-2000 MK2, RP-2000 USB MK2, RP-4000 MK2, RP-7000, RP-7000 MK2, RP-7000 MK2 GLD, RP-7000 MK2 Silver
Audio Technica LP120-USB, LP120XUSB, LP1240-USBXP, LP1240-USB, LP140XP, LP3, LP5, LP7, LPW40WN
Stanton STR8-150 M2, ST-150 M2, T.52, T.55 USB, T.62 M2, T.92 M2 USB,
Mixars STA, LTA
Vestax PDX-3000, PDX-3000Mix, PDX-3000MKII
Or similar sized turntables