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EarPeace Music Pro HI-Fi Hearing Protection (16dB/20dB/24dB filters) (earplugs)

Cat: 980064 • View all DJ Earplugs | DJ Hearing Protection

Earplugs supplied with 16dB, 20dB & 24dB filters

Notes: Elevate your music experience

Enhanced sound

EarPeace's PRO filter functions as a primary eardrum. The first layer grabs the sound signature then delivers crisp and clear sound clarity at a safer volume. Choose between a 16dB, 20dB or 24dB Filter.

Patented comfort

Patented Contour Earplugs moulds to the shape of your ear canal creating a complete seal for a perfect fit. Hypoallergenic & reusable. So comfortable you'll forget your wearing them.

Everyday carry

Be ready for anything. Perfect for any loud environment such as concerts, festivals, bars, sporting events, travel, and commuting. Helps reduce noise sensitivity and provides peace and quiet for studying, focusing, and meditation.

~~MRP:$41.49~~ SAVE 18%
coming soon $33.97

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EarPeace Music Hi-Fi Hearing Protection (17dB/20dB/26dB filters) (earplugs)

EarPeace

Cat: 980073 • View all DJ Earplugs | DJ Hearing Protection

Earplugs supplied with 17dB, 20dB & 26dB filters

Notes: Hearing protection for your best music experience

Clear sound

3 Sets of Filters in Medium(17dB), High (20dB) & Max (26dB) protection. Delivers exceptional sound quality while lowering harmful noise.

Proven comfort

Ultra-soft, hypoallergenic, reusable silicone earplugs designed to be worn for hours. Nearly invisible in your ear.

Everyday carry

Be ready for anything. Dual-chamber, milled aluminium carrying case conveniently clips to keys or bag for easy carry and access.

Trusted

A leader in the industry for over 10+ years and a trusted provider for brands, bands, and festivals like NPR Music, Rock & Roll Hall of Fame, Phish, Red Bull, Movement, Zildjian, Ultra, 9:30 Club, and more!

~~MRP:$31.12~~ SAVE 20%
coming soon $24.88

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Eventide Omnipressor 2830Au Dynamics Effects Processor (audio compressor)

Eventide

Cat: 980301 • View all Compressors Limiters & Gates

Dynamics effects processor unit

Notes: In 1973, Eventide Clockworks introduced the Omnipressor, the first studio product to encourage the use of dynamics for special effects. It joined the Instant Phaserr in studios worldwide, with the Instant Flanger following shortly after. All were used on countless recordings and are now considered truly classic products. Unlike the Phaser and Flanger, the Omnipressor, with its still-unique dynamic reversal, infinite compression, variable gating and separate "side chain," was discontinued a few years later. It had become difficult to obtain some exclusive parts and even more difficult to explain it to an industry that was much less sophisticated than it is today.

Omnipressor was the first dynamics effects processor of any kind, suddenly making possible a new, wide range of dynamics effects unlike anything that had come before it. Originally invented by Eventide's founder, Richard Factor (and later redesigned for production by Jon Paul), the Omnipressor made a host of dynamic effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the 'side chain' and foretold techniques that today we take for granted like 'look ahead' processing. One of Eventide's first customers was Brian May, the lead guitarist of Queen.

Eventide now announces the golden-anniversary Omnipressor Model 2830*Au. The original handdrawn schematics were in the Eventide archives, and the new model is a faithful replica designed with the same circuitry and the same sound as the original 2830.

The new *Au model features the ability to link multiple units and is fitted with input and output audio transformers, which were a costly option on the original. Other improvements include a universal power supply and a back-lit meter, as well as more convenient TRS/XLR connectors replace the original terminal strip.

Specifications

Analogue Audio I/O

XLR and 1/4" Line In
XLR and 1/4" Line Out
XLR and 1/4" Side Chain In
XLR and 1/4" Side Chain Out
1/4" Link In
1/4" Link Out

Physical

Size

Inches: 3.5h x 19w x 8.9d
Metric: 8.9h x 48.3w x 31.7d
Weight
14 pounds (6.4kg) net

What's in the box:

Omnipressor
US-type IEC power cord
Omnipressor poster
Omnipressor manual
Eventide sticker
Eventide guitar pick

coming soon $2,072.26

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Doepfer A-100 Basic System 3 Full Analogue Modular System (LC6v case with PSU) (analogue modular synthesiser)

Doepfer

Cat: 982339 • View all Synthesisers

Full analogue modular system

Notes: The new basic system 3 from Doepfer is a return to Dieter Doepfer's original vision of analogue modular synthesis. Modules can be connected via front panel audio and CV connectors and used in infinite combinations. The Basic System 3 is an easily accessible and well-structured system that can be used by enthusiasts and beginners alike. It can be used as a base for exploring sound synthesis and electronic sounds, or as a supplement to delve deeper into different types of synthesis. For example, it is possible to create 4-part paraphonic patches or create complex sounds using the ring modulator. Percussion and drum sounds can also be created in a variety of ways alongside the classic synth sounds. The system's two filters can also be set to self-resonance to provide additional sound sources. The Waveshaper can be used to modify simple sounds and change their overall timbre. As each user's personal requirements are different, blank panels are installed that can be replaced with modules. This means there is no need to buy a new cabinet.

The following modules are included in the basic system 3:

1x A-108 6/12/24/48dB Low Pass Filter
2x A-110-1 Standard VCO
1x A-118 Noise / Random
1x A-121-2 Multimode Filter
1x A-131 VCA exponential
1x A-132-3 Dual linear/exponential VCA
1x A-137-1 Wave Multiplier I
1x A-138j Inverting/Interrupting Mixer (Janus Mixer)
1x A-138b Mixer logarithm.
1x A-138s Mini Stereo Mixer
1x A-140 ADSR Envelope Generator
1x A-140-2 Dual Mini-ADSR
1x A-147-4 Dual VCLFO
1x A-151 Quad Sequential Switch
1x A-160-2 Clock Divider II
1x A-171-2 VC Slew Processor / Generator
2x A-180-2 Multiples 1
1x A-184-1 Ring Modulator/S+H/T+H/Slew Limiter
5x Blind Panel 4HP

The following Patch cables are included:

5x A-100C15 Cable 15cm yellow
10x A-100C30 Cable 30cm black
15x A-100C50 Cable 50cm grey
5x A-100C80 Cable 80cm red

coming soon $2,654.11

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MachineRoom Filth Analogue Transistor Ladder Filter Module (distortion/filter/VCA module)

MachineRoom

Cat: 983127 • View all Synth modules

Analogue low pass or high pass 12dB or 24dB transistor ladder filter module - 10HP

Notes: The basis of the module is a version of the transistor ladder with low-end compensation at resonance, to which Machineroom have added aggressive Overload and linear VCA. Thanks to three audio inputs, FILTH can work with polyphonic patches, if you add Trilobite (or another triple osc) and ADSR to it, you will get a paraphonic synthesizer. 2 VCA inputs in the classic case allow you to use loudness envelope and voltage offset (for example, velocity) at the same time, but there are many more options for their application.

Works in LP/HP and 12/24 db modes

In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.

Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.

Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.

10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine

coming soon $238.55

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MachineRoom Trilobite Triple Analogue Saw-Core Oscillator Module (LFO/noise/oscillator module)

MachineRoom

Cat: 983133 • View all Synth modules

Triple analogue saw-core oscillator module - 26HP

Notes: TRILOBITE is a triple oscillator analogue module inspired by the original Moog schematics and made with thru-hole components only.

The module features:

- 4 octave ranges
- 3 waveforms (triangle, square, saw),
- UNISON (FINE) control with a range of +/- 12 semi-tones
- Independent LIN FM and PWM inputs with attenuators
- White noise source

Independent audio output is provided for each oscillator. A mixed output is also present featuring a level control.

We are recommended to use independent audio outputs to avoid distortion, in this case MiX output works as WHITE NOISE source with attenuator.

V/oct input of the first oscillator is normalled to all 3 oscillators, so OSC2 and OSC3 would track it too, however, connecting other signals to the other V/oct inputs make each input independent.

The minimum frequency of each oscillator is as low as 3Hz which makes it possible to use them as LFO.

Each oscillator tracks up to 9 octaves.

V/Oct range: 0-10 V

NB: Trilobite as is a full analogue module so should be allowed 5-7 minutes to warm up before use.

* 26HP
* skiff-friendly (25mm depth)
* 200 mA +12V
* 180 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine

coming soon $357.82

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MachineRoom 204D Dual Analogue VCF Module (dual/stereo/filter module)

MachineRoom

Cat: 983136 • View all Synth modules

Dual analogue voltage-controlled low-pass filter module - 10HP

Notes: MachineRoom 204D Dual VCF is a dual voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequencies pass through.

Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.

Filter has separate controls for both sections, but can be used for stereo operations as well.

4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine

coming soon $238.55

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MachineRoom 204D Analogue VCF Module (filter/mixer module)

MachineRoom

Cat: 983140 • View all Synth modules

Analogue voltage-controlled filter module - 10HP

Notes: MachineRoom PRODIGY 204D VCF is a voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequences pass through.

Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.

Works as passive 2-channel mixer with attenuators as well
3 cv inputs allows complex cut off modulation
Thru-hole components only
Skiff-friendly, 30mm deep
10HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine

coming soon $162.83

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MachineRoom Prodigy Dual Analogue VCO Module (LFO/oscillator/dual/stereo module)

MachineRoom

Cat: 983141 • View all Synth modules

Dual analogue voltage-controlled oscillator module - 20HP

Notes: MachineRoom PRODIGY DUAL VCO is an analogue dual oscillator based on the legendary Moog Prodigy synth schematics. MachineRoom improved Bob's design by incorporating ICs with better thermal stability, increased the range of secondary oscillator, and also added cross-modulation possibility. As usual for this limited run of full-analogue handmade modules, MachineRoom used only thru-hole components.

The module features 3 octave registers and 3 waveforms per oscillator.

OSC1 generates SAW, SQUARE, and TRIANGLE waves with 8, 16, 32 octave registers.
OSC2 generates SAW, PULSE, and TRIANGLE waves with 4, 8, 16 octave registers.

Unlike the original version, PRODIGY DUAL VCO allows switching OSC2 to the LFO mode to modulate OSC1 or other parameters (LFO range is from 0.1 Hz to 8.6 kHz). Precise pitch tracking is up to 7 octaves.

PITCH control has a range of +/- of 1.5 octaves with a central point (to have the ability to quickly return to the initial frequency with precision). The rise/fall time of the GLIDE/SLEW is up to 5 seconds

HARD SYNC switch allows syncing the phase and frequency of oscillators.
LINEAR FM input has a built-in attenuator.

OSC2 UNISON control has a range of +/- 7 semi-tones (increase/decrease relative to the Detune central point).
OSC2 V/Oct Tracking switch activates or disables the OSC2's LFO mode. When disabled, OSC2 stops v/oct tracking, and the UNISON knob becomes a control for the LFO frequency.
OSC1 - OSC2 FM switch enables OSC2 as an OSC1 modulator.

When HARD SYNC is switched ON, Pitch/Sync knob controls the phase of oscillators.

The output level of each oscillator is about 3.5V which allows passive mixing. PRODIGY DUAL VCO is analogue so should be allowed 5-7 minutes to warm up before use.

Skiff-friendly design.

Thru-hole components only

20HP / 35mm deep

Current consumption:
+12V - 125 mA
-12V - 105 mA
+5V - 0 mA

Hand-built in Kyiv, Ukraine

coming soon $324.63

(No payment required now - pay when released)

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Big Fudge 10" Vinyl Record Polypropylene Outer Sleeves (pack of 20) (10" vinyl record sleeves)

Big Fudge

Cat: 1000467 • View all Vinyl sleeves

10" vinyl record polypropylene outer sleeves

Notes: 20-Pack of 10 Inch LP Vinyl Outer Sleeves
Durable and Wrinkle Free
Clear and Made of High Density Polypropylene
3mm Thick
Fits Most Gatefolds and Double LPs

coming soon $12.43

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Big Fudge 7" Vinyl Record Polypropylene Outer & Paper Inner Sleeve Bundle (25 outer & 25 inner sleeves) (7" vinyl record sleeves)

Big Fudge

Cat: 1000519 • View all Vinyl sleeves

7" vinyl record polypropylene outer & paper inner sleeve bundle

Notes: Whether we're talking cleaning or storage, it's important to maintain your vinyl collection in unmarred, scratch-free condition. But running around stocking up on supplies is time-consuming and takes you away from what you would rather be doing: listening to tunes. That's why Big Fudge are excited to offer vinyl album sleeves and inner LP sleeves in a single package. Keep your vinyl in mint condition at a reasonable price.

Get 25 Crystal-Clear Outer Sleeves: Show Off Your Album Art

These outer sleeves fit all 7" records, including most double albums and gatefolds, with less excess than other vinyl sleeves, which allows just enough room to breathe. Big Fudge use 3mil, crystal-clear polypropylene so that the album artwork is easy to see and the albums don't stick together.

Get 25 Acid-Free Inner Sleeves: Protect Your Vinyl

The custom rounded corners on these inner LP sleeves allow you to slide them into and out of even the most loved covers with ease, while the specially placed external seams allow you to slide vinyl in and out without snagging.

coming soon $16.90

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Black Lion Revolution 6x6 USB-C Audio Interface & Master Clock (6x6 USB audio interface)

Black Lion Audio

Cat: 976053 • View all Audio interfaces

A master clock, standalone DAC & ADC and 6-in/6-out USB audio interface

Notes: Beyond what you expect from an audio interface.

The Revolution 6×6 is an all-purpose studio dynamo that can serve as a master clock, a standalone DAC and ADC, a master clock, and a 6-in, 6-out class-compliant USB interface with audio quality worthy of the Revolution name. Enjoy world-class clocking and low-noise conversion while tracking to the included Studio One Artist. Use the USB OTG connection to sample audio from your phone or tablet... or send audio from your laptop to your mobile device and stream your performance live online. Sync your other hardware devices via Black Lion's proprietary Macro-MMC clocking - all while treating your music with the highest audio quality imaginable.

Audio interfaces don't sound better than this.

Revolution 6×6 is a class-compliant, bus-powered USB audio interface with industry-leading signal quality based on Black Lion's years of experience in audio interface modification. Record anything thanks to balanced XLR, line-level, and instrument-level input options. Connect pro studio monitors or use its two plenty-loud, crystal-clear, mono-summable headphone outputs with direct monitoring mix control. Integrate external gear via the S/PDIF connection and USB OTG.

Rarified tech found in Revolution 6×6 includes the Macro-MMC clock for maximum converter quality, yielding reduced jitter and enhanced harmonics for a glossy, airy top-end you won't hear in lesser interfaces. Proprietary PG-i filtering technology and highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination. And for the best possible capture and playback, Revolution 6×6 sports the most cutting edge, high-end ICs and Vishay, Nichicon, and Wima capacitors throughout with all internal gain-staging optimized for the best possible signal-to-noise ratio. Last but not least, all analogue I/O is fully decoupled and balanced - right to the very core of the converter!

Standalone mode for DAC and ADC use.

Not every studio task requires a computer. The Revolution 6×6's DAC, word clock, and D/A conversion features can all be used without a computer; just press and hold the "Standalone" button. Hook up your media player via S/PDIF and enjoy good old-fashioned hi-fi listening with good new-fashioned hi-fi conversion, or add two additional output channels from another audio interface or digital mixer.

Many MPCs, synths, and guitar processors also have S/PDIF, which will often deliver better sound than using their onboard converters.

For recording, connect any guitar processor with a S/PDIF output and enjoy high-quality D/A conversion of your custom guitar tones. You can even connect Revolution 6×6 to your computer over USB for hi-fi listening by bypassing the questionable converters in your old laptop. Use S/PDIF to add two channels to an audio interface or digital mixer, all synchronized by the same master clock over BNC.

As a standalone A/D converter, you'll add two superior channels of Black Lion-converted audio over S/PDIF to your existing recording setup - and you won't have to buy an ADAT expander.

Get mobile with USB On-The-Go.

USB On-the-Go connectivity gives the Revolution 6×6 2-in, 2-out connectivity with Android and Apple mobile devices. It's perfect for livestreamers and mobile musicians who record to or stream from phones and tablets. Connect two USB devices to the Revolution 6×6 simultaneously and send audio to and from either. Sample from your phone to your laptop, or livestream an iPad performance from your phone... the possibilities are endless!

Shocking clocking.

The Macro-MMC (Master Music Clock) in Revolution 6×6 was developed from Black Lion's experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces. Macro-MMC ensures the best possible performance from its converters, but also allows you to connect external gear via the BNC connections for maximum sync and ultra-low jitter - meaning any devices synced via Macro-MMC are communicating as accurately as possible to minimize the phase distortions that can muddy your high-end and dull your transients.

If you've already invested in a clock you like, that's fine - the Revolution 6×6 graciously accepts clock in.

All the software tools you need, included.

The Revolution Software Suite covers all of your software needs so you can start creating from day one. You'll record straight into the award-winning Studio One Artist, of course... and we've also included select plugins from Izotope, Psychic Modulation, Brainworx, and Lindell:

PreSonus Studio One Artist: Recording and music production DAW

Izotope Elements Suite: Nectar, Neutron, Ozone and RX for tone-shaping, mastering, and repair

Platform: macOS (class compliant), Windows 10+ (driver)
Input Impedance: 2KO mic, 15KO line
Gain Range: 59dB
Frequency Response: 20Hz - 20KHz +/- 0.25dB
THD + N: 0.01% (Min Gain)
Dynamic Range: 112dB (A-Weighted)
Crosstalk: < 100dB
Output Impedance: 47O (balanced)
Dimensions: 330 x 305 x 152mm, 2.72kg

coming soon $600.52

(No payment required now - pay when released)

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Out Of Space: How UK Cities Shaped Rave Culture by Jim Ottewill (revised & expanded edition) (book)

Velocity Press

Cat: 1010030 Rel: 19 Apr 24 • View all Music books

Jim Ottewill’s exploration of UK club culture and the urban landscapes that have housed it returns in a newly remixed form.

Notes: Jim Ottewill's exploration of UK club culture and the urban landscapes that have housed it returns in a newly remixed form. This extended version features a new chapter exploring hidden histories and untold stories within Birmingham's nocturnal scene to provide more insights into the past, present and future of electronic music culture.

est. release 19 Apr 24 $15.55

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J Jazz: Free & Modern Jazz From Japan 1954-1988 by Tony Higgins & Mike Peden (hardback book + CD)

BBE

Cat: 1010008 Rel: 31 May 24 • View all Music books

A remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era

Notes: BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music’s acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.

This is the first time a book of this type has been has been published outside of Japan and the first anywhere of this size and scale. It is a unique collection of over 500 albums of free and modern jazz recorded and released in Japan during a period of radical transformation and constant reinvention. An era that saw Japan return from the ravages of World War Two to become a global economic power and emerge as both a technological leader and an international cultural force.

Through a unique gallery of albums, J Jazz charts the development of jazz in Japan from the first stirrings of the modern jazz scene in the mid to late 1950s and on through the hard bop and modal jazz of the 1960s. It steers the reader into the radical directions of the 1970s when free jazz, fusion, post-bop, and jazz-funk opened up a growing number of Japanese jazz artists to a new global audience before consolidating in the mid to late 1980s with a musical scene that laid the path for the contemporary jazz generation to follow.

Over 500 full-colour sleeves from many of the leading names in Japanese jazz sit alongside rare and private pressings that tell a story of constant change and musical exploration. J Jazz includes profiles of several leading record labels such as East Wind, Frasco, King Records, and Nippon Columbia as well as critical independents such as Three Blind Mice, ALM, and Aketa’s Disk. J Jazz includes interviews with celebrated jazz photographer Tadayuki Naito, and pianist Tohru Aizawa, bandleader on the totemic spiritual jazz album, Tachibana Vol 1, as well as free-jazz record collector and jazz musician Mats Gustafsson.

The book also features a chapter on albums by non-Japanese artists that only received a Japanese release, with collectible, rare, and obscure releases by figures such as Herbie Hancock, Miles Davis, Mal Waldron, Steve Lacy, and Art Blakey. J Jazz includes Japanese jazz charts from some of the world’s leading jazz DJs including Gilles Peterson, Toshio Matsuura, Paul Murphy, and Shuya and Yoshihiro Okino. Among the specialist content is a feature on obi strips by record dealer and Japanese jazz expert, Yusuke Ogawa, plus a special article on Japanese Blue Note albums.

Across its 300-plus pages, J Jazz includes a detailed introduction contextualising the music, tracing the story of Japan’s fascination with jazz back before the war. It also features biographical information on many of the key artists involved in shaping the post- war Japanese jazz scene including Sadao Watanabe, Toshiko Akiyoshi, Masabumi Kikuchi, Masahiko Togashi, Terumasa Hino, Yosuke Yamashita, Fumio Itabashi, Masayuki Takayanagi, Takeo Moriyama, Isao Suzuki, and many more.

est. release 31 May 24 $108.89

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Rides In The Storm SED-SCM Discrete Voltage Controlled Oscillator Module (envelope generator/external/filter/LFO/noise/oscillator/synth voice/VCA module)

Rides In The Storm Modules

Cat: 942310 Rel: 31 May 24 • View all Synth modules

Discrete VCOs module in 36HP.

Notes: Discrete VCOs with three Subs, SYNC, Wavefolder, discrete VCA and VCF, Dual analog LFO (one also usable as VCO) into audio rate with Keytracking, huge Mixer section, Ring mod, Glide and Patchfield.

Power consumption: TBA

Rackspace: 36HP

est. release 31 May 24 $517.54

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Feedback VCZIII A Base Voltage Controlled Oscillator Module (oscillator/waveshaper module)

Feedback Modules

Cat: 1004975 Rel: 31 May 24 • View all Synth modules

Voltage controlled oscillator module - 12HP

Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analog instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH NORMAL FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA

est. release 31 May 24 $181.50

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CatSynth Slimline Passive Multiple Module (multiple module)

CatSynth

Cat: 1009295 Rel: 30 Jun 24 • View all Synth modules

Passive multiple module - 2HP

Notes: Expand the connectivity options in your Eurorack system with the versatile 2HP Eurorack compatible Passive Multiple. This compact module is an indispensable helper when it comes to efficiently distributing signals within your modular setup. With its intelligent design and two normalized channels, it offers a flexible solution for a wide range of patch requirements.

Space-saving design

With its slim design of only 2HP, the Passive Multiple fits seamlessly into any Eurorack system without taking up much space.

Flexible Signal Distribution

Thanks to the two normalised channels, this module can be used either as a 2x 1->3 multiple for distributing a signal to up to three targets, or as a 1x 1->6 multiple to send a signal to up to six targets. This flexibility makes it a true all-rounder for your patch environment.

Optimized for gate and trigger

The module is specially designed for the distribution of gates and triggers. It allows you to route a signal unchanged to multiple outputs, which is ideal for complex signal paths.

Limited CV signal suitability

Although the passive multiple can also be used for CV signals, it is only suitable to a limited extent due to its passive design. For precise voltage distribution, especially with pitch CV, we recommend using a buffered multiple to avoid signal loss and inaccuracies.

Dimensions
2 HP
14 mm deep

Current Draw
Module does not draw current

est. release 30 Jun 24 $21.77

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CatSynth Slimline Clock Divider Module (clock modulator module)

CatSynth

Cat: 1009331 Rel: 30 Jun 24 • View all Synth modules

Clock divider module - 2HP

Notes: Bring the rhythm of your dreams to life with the 2HP wide Eurorack compatible Clock Divider. This compact but powerful module has been carefully designed to control your rhythmic arrangements with precision and flexibility. Whether you want to create complex rhythmic patterns or just sync your Eurorack modules, our Clock Divider is the perfect solution for any synth lover.

Space-saving design

With its narrow width of only 2HP, this clock divider fits seamlessly into any Eurorack setup without taking up a lot of space.

Versatile partial ratios

Equipped with four outputs for 1:2, 1:4, 1:8 and 1:16 ratios, this module offers you a wide range of rhythmic possibilities. From simple halvings to complex rhythmic structures, you can structure your sounds exactly the way you want them to.

Intuitive visualization

Each of the four outputs, as well as the input clock, are equipped with an LED that gives you immediate visual feedback. This feature makes it easier for you to grasp and adjust the rhythmic structure of your performance or track at a glance.

Reset Input

The handy reset input allows you to reset the divider cycle at any time. This is especially useful for controlling your rhythmic patterns in real-time and ensuring that your setup is always in sync, no matter how complex your arrangements are.

est. release 30 Jun 24 $33.70

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Feedback VCZIII A VCO Premium Voltage Controlled Oscillator Module (oscillator/waveshaper module)

Feedback Modules

Cat: 1004970 Rel: 31 May 24 • View all Synth modules

Voltage controlled oscillator module - 12HP

Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.

Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA

est. release 31 May 24 $216.77

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Feedback VCZIII B Premium Voltage Controlled Oscillator Module (oscillator/waveshaper module)

Feedback Modules

Cat: 1004971 Rel: 31 May 24 • View all Synth modules

Voltage controlled oscillator module - 12HP

Notes: The VCZIII voltage controlled oscillator modules are our latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.

The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.

There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.

Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.

THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.

Tech specs:

- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA

est. release 31 May 24 $216.77

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PWM Mantis 37-Key Duophonic Hybrid Analogue Synthesiser (hybrid analogue synthesiser)

PWM

Cat: 944640 Rel: 30 Apr 24 • View all Synthesisers

A unique duophonic hybrid-analogue synthesiser with dual filter, patches and full USB-C MIDI Control.

Notes: Mantis is a unique, duophonic hybrid synthesizer that was co-developed by the late Chris Huggett (of EDP Wasp, OScar & more fame) and is dubbed as a spiritual successor to the OSCar, sporting precision digital oscillators, dual state variable filters and more.

Mantis is a premium synthesizer, sporting a high quality 37-note velocity and pressure sensitive keybed, SSI2164 IC's for the VCF's and VCA's, custom high performance processors for the oscillators coupled with a pristine analogue signal path, which features a twice amplified gain structure for maximum clipping capabilities plus lush stereo digital FX.

The modulation capabilities are vast with:
Two unique ADSR's that feature "sustain fall" that allows you to create a drop before release...even while a key is held for greater sound design possibilities. The envelopes can also be set to cycle.
Two tempo-syncable LFO's with four waves, fade in and fade out parameters and a seriously wide operating range.
Ring modulation available at the mixer
And a unique modulation routing controller with 6 choices of modulation parameters, 6 choices of modulation sources and scale control, which used to scale the effect of the modulation.

In development over the last period of his life Chris threw everything into Mantis. Although incomplete when he sadly passed away in 2020, he handed the project over to Paul of PWM to carry on and continue the project.

PWM, with the support of Chris' estate, think this synthesiser deserves to be born into the world for everyone to enjoy!

PWM MANTIS Key Features:
Hybrid-Analogue Synthesiser, powerful digital oscillators with dual analogue filters
With Mathematically Generated Oscillators with a Pure Analogue Signal Path
A Modernised Design Architecture based on the WASP with an OSCar style filter designed by the late, great Chris Huggett
Duophonic - Two Fully Independent Voices each with 2 Oscillators plus Sub-Oscillator per voice
Dual Filters - Multi-Mode State Variable VCF's with Overdrive per voice that can be combined in Series or Parallel with Width Control
Keyboard - 37-Note Full-Size Semi-Weighted Keybed with Aftertouch plus Joystick
Fully featured Keyboard, Joystick and USB-MIDI Control for Easy Integration with any Studio or Live Environment

est. release 30 Apr 24 $1,399.14

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Decksaver Native Instruments Traktor X1 MK3 Dust Cover (DJ controller dust cover)

Decksaver

Cat: 1009625 Rel: 30 Jun 24 • View all Decksavers + DJ equipment covers

Dust cover designed to fit the Natiive Instruments Traktor X1 MK3

Notes: TBC

est. release 30 Jun 24 $31.10

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DJ Tech Tools Chroma Cap Pack Pro (neon orange, 12x 90º Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro) (DJ controller/DJ mixer knobs)

DJ Tech Tools

Cat: 1009605 Rel: 30 Jun 24 • View all DJ Accessories

Pack of 12x 90º Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro, neon orange

Notes: "Transform your musical experience with Chroma Caps - vibrant, tactile, colored knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90 degree Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits
"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

est. release 30 Jun 24 $62.22

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Mackie DLZ Creator XS Compact Adaptive Digital Studio Mixer (digital studio mixer)

Mackie

Cat: 1001844 Rel: 31 May 24 • View all Studio mixers

Compact adaptive digital studio mixer

Notes: Introducing the podcast mixer that adapts to you.

The DLZ Creator XS compact adaptive digital mixer for podcasting and streaming enables you to get the results you want-faster than ever.

Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator XS transforms the on-screen controls to meet your creative style or skill level-without compromising processing power or sound quality.

Three versatile modes

DLZ Creator XS features the same DSP processing power and features of the larger DLZ creator model, now in a compact design that doesn't sacrifice on capability.

Easy

A no-fuss user interface that offers the fastest path to recording your first podcast. For those who want to get great results without menu-diving.

Enhanced

Expanded control over your sound and mix. For those who want some customization without an overwhelming number of options.

Pro

Total control and fully customizable. For those who know what they want, and how to get it.

Built-in smarts

More than a digital mixer

DLZ creator XS is designed to help you become a better content producer.

Mix Agent is your personal audio assistant that guides you through setup and sound check, so in a few button presses you'll be recording.

AutoMix manages levels for up to four mics so everyone can be heard-even when they speak at the same time-which is a big help when you're busy hosting a show with multiple guests or hosts.

Using Mix Minus with your Bluetoothr-connected smartphone lets you add a caller into the mix with no audible echo when they speak.

Ins and outs of producing

2 PC Setup with NDI

Using an Ethernet cable, connect DLZ Creator XS to your router - the same router connected to your computer. Install the NDI Tools software, and DLZ Creator XS becomes an audio input and output on your NDI network.

Record/stream to computer, SD card

DLZ Creator XS is more than a podcast mixer or audio interface. Use it to record or stream multitrack audio to a computer via USB-C or an NDI connection, or straight to SD card for a truly self-contained setup.

All the power of a DLZ creator in a compact format

Connect up to 2 microphones and 3 external devices-including a smartphone-using analogue, Bluetooth, or USB.

The ins and outs of producing

A professional studio mixer for your desktop

DLZ Creator XS harnesses decades of Mackie expertise, making every detail count for your productions. From Onyx80 preamps that make even low-output mics sound both loud and pristine, to customized headphone mixes for each of your guests, DLZ Creator XS gives you the benefits of a professional studio mixer without the steep learning curve.

Ready for what's next

A portable and versatile podcasting interface

As a content creator, you know that flexibility is key. No matter how you like to create, the DLZ Creator XS podcast mixer supports you every step of the way. Record or stream to a computer via USB-C, or skip the computer and record full multitrack audio to an SD card for a truly self-contained setup.

Mackie knows creators

For decades, Mackie has provided musicians, DJs, and multimedia producers with the tools to create. From bedroom studios to the world's biggest festivals, Mackie mixers are literally everywhere. DLZ Creator XS puts all our knowledge into a new design for the next generation of creators.

Tech Specs

DLZ Control Modes, DLZ Mix Agent and Auto Mix technologies
7" high-resolution full-color touch display with anti-glare coating
2 discrete XLR/TRS combo inputs
Stereo channel with dual 1/4" TRS inputs
Stereo channel with 1/8" TRS connection
Stereo bi-directional Bluetooth channel
14x4 USB-C audio interface to Mac/PC
Record to MicroSD or USB Flash Drive
Professional audio processing (3-band parametric EQ, Noise gate, De-Esser, Compressor, Atomizer Reverb, Chronotronic Delay)
Fun and interactive voice-changing FX
Customizable pads for triggering samples, turning FX on/off, and executing commands (fade, duck, etc.)
Onyx80 mic preamps with up to 80dB gain
4 dynamically color-coded rotary encoders
5 potentiometers with dynamic LED level indication
Backlit mute, solo, and nav buttons
2 independent headphone outputs
Support for 9 languages
Pong? (yes, you can Pong on DLZ on your down time)

est. release 31 May 24 $484.35

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Beyerdynamic DT770 Pro X Closed-Back Studio Headphones (Century edition) (studio headphones)

Beyerdynamic

Cat: 1012321 Rel: 31 Jul 24 • View all Studio headphones

Notes: *** Pre order for 19th April release date ***

est. release 31 Jul 24 $206.39

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A Mirror Of Dreams: The Progressive Rock Revival 1981 To 1983 by Andrew Wild (book)

Kingmaker Publishing

Cat: 1006427 Rel: 21 Jun 24 • View all Music books

For A Mirror Of Dreams, Wild has interviewed no fewer than 85 musicians and other participants in the early 1980s progressive rock scene

Notes: Kingmaker Publishing, run by Big Big Train founder Gregory Spawton and Prog magazine journalist/Big Big Train manager Nick Shilton, is delighted to announce the publication of its latest book. A Mirror Of Dreams - The Progressive Rock Revival 1981 To 1983 by Andrew Wild.

Following Kingmaker's two highly acclaimed books on Genesis (Genesis: 1967 to 1975 - The Peter Gabriel Years and Genesis: 1975 to 2021 - The Phil Collins Years) and several other successful publications (including the autobiography of Marillion keyboardist Mark Kelly, Marillion, Misadventures & Marathons), A Mirror Of Dreams is the first of two books by Wild which provide the definitive account of the intertwined stories of the six bands which led the progressive rock revival: Marillion, IQ, Pallas, Pendragon, Solstice and Twelfth Night.

For A Mirror Of Dreams, Wild interviewed no fewer than 85 musicians and other participants in the early 1980s progressive rock scene. These interviews included most of the members of all the aforementioned bands as well as Abel Ganz, Airbridge, Comedy Of Errors, Electric Gypsy, Galahad, Haze, It Bites, Jadis, Janysium, Lahost, The Lens, Liaison, Multi Story, No-Man, Pride Of Passion, Quasar, Tamarisk, Trilogy and Twice Bitten. Additionally Wild spoke with key non-musical figures such as veteran Aylesbury Friars promoter David Stopps, former Marillion manager John Arnison and Nigel Hutchings, the former manager of the legendary Marquee Club in London.

Edited by Spawton and with a 2,000 word foreword by Prog magazine editor Jerry Ewing, the book features over 200 photographs and illustrations, many of which have either been previously unpublished or are very rare.

Spawton comments: "This is a book which I have long wanted to see written. It's the story of how, in the early 1980s, a number of rock bands ignored the naysayers and fashioned a second coming for the much-maligned and misunderstood genre of progressive rock."

est. release 21 Jun 24 $23.85

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CatSynth Slimline 4-Channel Mixer Module (mixer module)

CatSynth

Cat: 1009318 Rel: 30 Jun 24 • View all Synth modules

4-channel mixer module - 2HP

Notes: Bring your Eurorack performances to life with the 2HP wide 4Ch mixer, perfect for mixing signals in your modular system. This compact yet powerful module is a must-have for anyone who wants to design their soundscapes with precision and flexibility. Whether you want to mix audio, CVs, or both, our 4Ch mixer gives you the freedom to fully unleash your creativity.

Space-saving design

With its slim design of only 2HP, this blender fits seamlessly into any Eurorack setup without taking up much space.

Four Channels

Equipped with four independent inputs, this mixer allows you to mix a variety of signals at the same time. Perfect for complex sound structures and experimenting with multi-layered soundscapes.

Intuitive operation

Each of the four channels has its own volume control, allowing you to quickly and easily adjust the mixing ratio. This way, you always have full control over your audio.

Flexibility of use

Although compact, this blender is incredibly versatile. It can be used for both audio and CV signals, making it a versatile tool for all kinds of musical experiments.

High sound quality

Despite its small size, the mixer offers excellent sound quality with no audible loss or distortion, so you can be sure that your music will sound exactly as you intended.

est. release 30 Jun 24 $38.37

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CatSynth Slimline Dual Voltage Controlled Analogue Switch Module (switch module)

CatSynth

Cat: 1009335 Rel: 30 Jun 24 • View all Synth modules

Dual voltage controlled analogue switch module - 2HP

Notes: Unlock the endless possibilities of modular signal path control with the revolutionary 2HP wide Dual Voltage Controlled Analog Switch, which can be seamlessly integrated into any Eurorack system. This compact but powerful module is the perfect solution for those who want to control their signal chains with maximum precision and flexibility, without compromising on quality or space.

Dual-channel design

With two independent, voltage-controlled switches in one module, you can maximize your creative possibilities without sacrificing valuable space. Route, sync or share signals with unprecedented simplicity.

Voltage Control

Each channel responds to control voltages, allowing you to dynamically switch between signal paths. This allows for responsive and vivid interaction with your sound, ideal for complex patches and performances.

Compact Efficiency

At just 2HP, this module packs incredible functionality that adds versatile switching options to your Eurorack configuration without losing track.

Intuitive operation

Despite its advanced features, the Dual Voltage Controlled Analogue Switch remains intuitive to use. The clear layout and labeling of the controls make it easy to focus on what's important: your creativity.

Perfect for experimental setups

Whether you're performing live, recording in the studio, or just experimenting with new signal paths, this dual switch opens up new dimensions of sound manipulation. It's the ideal tool to add a new level of dynamic control to your Eurorack system.

est. release 30 Jun 24 $49.01

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CatSynth Slimline Precision Rectifier Module (waveshaper module)

CatSynth

Cat: 1009343 Rel: 30 Jun 24 • View all Synth modules

Precision rectifier module - 2HP

Notes: Tap into the world of precise signal processing with the 2HP Eurorack-compatible Precision Rectifier. This compact but powerful module is a must-have for anyone who wants to modify their audio signals with the utmost precision. Not only does it provide rectified solid wave, but it also provides dedicated outputs for the positive half-wave as well as the inverted negative half-wave of the input signal. Perfect for experimental sound designers and creative synth users.

Compact format

At just 2HP, this Precision Rectifier offers a powerful feature extension for your Eurorack system without taking up a lot of space.

Versatile signal processing

Get access to rectified full wave to fully modify your input signal, ideal for dynamic effects and creative signal paths.

Dedicated Half-Wave Outputs

In addition to full-wave rectification, the module offers separate outputs for the positive half-wave and the inverted negative half-wave. This special feature allows you to play with the original character of the input signal and create unique sound textures.

Precise signal processing

The Precision Rectifier is designed for the highest level of accuracy, so you can count on clear and precise signal processing, no matter how complex your requirements are.

est. release 30 Jun 24 $40.71

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CatSynth Slimline Slew Limiter Module (slew limiter module)

CatSynth

Cat: 1009348 Rel: 30 Jun 24 • View all Synth modules

Slew limiter module - 2HP

Notes: Dive into the world of subtle tone modulation with the revolutionary 2HP Eurorack compatible Slew Limiter. This compact but powerful module is the secret weapon in your synth setup to create smooth transitions between your sounds, giving you the opportunity to expand your musical expression in a unique way.

With its slim design of only 2HP, the Slew Limiter fits seamlessly into any Eurorack system without taking up valuable space.

Create smooth transitions between notes or modulate CV signals to create organic, vibrant effects such as portamento/glide, or complex modulated patches.

Adjustable rise and fall times give you complete control over the speed of signal changes, from instant jumps to smooth, slow transitions. Versatile uses: Whether for smoothing control voltages, creating legato effects for monophonic melodies or for creative sound design - this slew limiter is a true all-rounder.

Thanks to its clean layout and simple controls, you can make the settings you want instantly, making it ideal for live performances and studio sessions.

CV control via rise/fall

A unique feature is the ability to control rise and fall times via external CV signals, allowing you to dynamically react to your performance or patch.

Shape Control

The Shape slider allows you to fine-tune transitions over a wide area. Whether it's a slow exponential increase, linear transitions, or a subtle adjustment through the logarithmic characteristic, it's all at the service of the music

est. release 30 Jun 24 $41.48

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Blue Lantern Modules Hats Analogue High Hats Module (drum/oscillator module)

Blue Lantern Modules

Cat: 980377 • View all Synth modules

Analogue hi-hats module - 8HP

Notes: This is a self contained analogue high hat module. This is a Transistor based VCA design. It is influenced by the DR110 drum machine. The original circuit used 4 oscillators to make the metallic audio sound. I added the original 4 oscillator, and an extra 6 oscillator circuit. The 6 oscillator version is doing a double XOR ringmod (internally). You select that by switch.

The 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.

Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.

The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.

There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.

There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.

Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.

This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.

Features

-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.

Why get this module over the Shimm module, or other high hats modules?

-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.

Dimensions
8 HP
32 mm deep

Current Draw
21 mA +12V
13 mA -12V

coming soon $112.01

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Yoyaku We Love Vinyl 12" Vinyl Record Slipmat (single) (silpmat)

Yoyaku France

Cat: 981912 Rel: 26 Apr 24 • View all Slipmats

12" slipmat

Notes: We Love Vinyl - 12" slipmat

est. release 26 Apr 24 $14.26

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Folktek Alter 1 Effects Processor Module (delay/effect/filter/reverb/dual/stereo module)

Folktek

Cat: 983092 • View all Synth modules

Effects processor module - 16HP

Notes: Alter is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 1. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y).
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input
- Mono input is made stereo within the DSP and outputs to both left and right channels
- Stereo outputs for right and left channels

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 1 are as follows:
1 - long delay
2 - tight, notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion multi-filter
6 - pitch delay
7 - stutter glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

coming soon $301.82

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Folktek Alter 2 Effects Processor Module (delay/effect/filter/pitch shifter/reverb module)

Folktek

Cat: 983094 • View all Synth modules

Effects processor module - 16HP

Notes: Alter 2 is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 2. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and filter as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects.
(note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y.)
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 2 are as follows:
1 - Analogue delay
2 - Reverb with infinite capture and LP + HP filters
3 - Choral reverb
4 - Palindrome reverse delay - backward/forward repeat
5 - Time stretch
6 - Pitch shift (notated semi-tones)
7 - Time stretch glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

coming soon $301.82

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Folktek Alter X Multi-Effects Pedal (multi-effects pedal)

Folktek

Cat: 983098 • View all Effects pedals

Multi-effects pedal

Notes: Alter X is the pedal version of Alter 1 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.

Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.

These pedals accept guitar, line or eurorack levels.

The enclosure is very thick, gold plated PCB (it's very, very tough).

Included power is standard for most pedals (2.1mm, -tip)

Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.

Control

- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.

Ins and outs

- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
-Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

1 - long delay
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch

Specs

- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)

coming soon $351.60

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Folktek Alter Y Multi-Effects Pedal (multi-effects pedal)

Folktek

Cat: 983099 • View all Effects pedals

Multi-effects pedal

Notes: Alter Y is the pedal version of Alter 2 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.

Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.

These pedals accept guitar, line or eurorack levels.

The enclosure is very thick, gold plated PCB (it's very, very tough).

Included power is standard for most pedals (2.1mm, -tip)

Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.

Control

- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Filter all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.

Ins and outs

- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

1 - analogue delay
2 - reverb with infinite capture and LP + HP filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones)
7 - time stretch glitch

Specs

- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)

coming soon $351.60

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Folktek Resonant Garden Electronic-Acoustic Hybrid Instrument (hybrid synthesiser)

Folktek

Cat: 983105 • View all Synthesisers

Electronic-acoustic hybrid instrument

Notes: The Resonant Garden is an electronic-acoustic hybrid instrument designed to create anything from beats and oddities to dense soundscapes.

The garden utilizes three Alter circuits each equipped with a mic pre-amp, and 4 sprout (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and affected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations.

Monolithic vs Discrete

A Monolithic version of the Resonant garden consists of a single faceplate for the entire instrument.

A Discrete version of the Resonant garden consists of 7 faceplates, three for each Alter module and four for the sprouts. The discrete version allows for individual sprout and Alter modules to be moved around or substituted with other modules. Keep in mind the power and audio distribution system is designed for the configuration shown here, but can easily be hand wired with standard cables (sold separately). The maximum depth for modules in the garden box is 33mm.

Effects

There are two Alter 1 units and one Alter 2 unit. Each Alter 1 has seven DSP effects which are selected by touching the copper hexagon:

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch

Alter 2 has the following effects:

1 - analogue delay
2 - reverb with infinite capture and lp + hp filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones
7 - time stretch glitch

Control

On each of the Alter sections, the following is present:
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Acoustics

Each garden panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Routing

1/8" stereo inputs with separate level/gain control for right and left channels. These level controls can also act as mute as they can take the signal to 0. They can also add gain to a quiet signal.
In its natural state, each Alter utilizes the garden panel acoustics and each Alter outputs its own signal. By plugging in to the left input of any Alter, the mic amp is bypassed. This means that the signal can be chained from one alter to another, utilizing the single final output. This chain of effects can result in an incredibly broad range of sound.
- use all effects in parallel (3 sets of stereo output)
- use two in series and one in parallel (2 sets of stereo output)
- use all in series (single stereo output)
- peak level indicator for clipping levels at the input

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument we ship.

Included
- Power Supply: 12v positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Printed manual
- Four (4) black 6" (15cm) 3.5mm TS mono patch cables
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables

Dimensions
- 76 HP Total Width, Sprouts: 7 HP, Alters: 16HP
- Mounting Rails are 406.16mm long

coming soon $1,208.30

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Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor (hybrid synthesiser/audio effect processor)

Folktek

Cat: 983110 • View all Synthesisers

Acoustic electronic synthesiser & audio effect processor

Notes: Acoustic Electronic "synthesiser" and external audio effect processor with CV control. Little sister of the Resonant Garden.

The Nano Garden is an acoustic-electronic hybrid designed to create anything from beats and oddities to dense soundscapes. From its inception in 2006, the original garden has gone through many changes and refinements: micro garden, luminist garden and illuminist garden and finally this latest and likely final version of what is essentially an expanded micro garden.

The Nano Garden essentially utilizes a single Alter circuit with 7 effects selected specifically for this instrument. Each is also equipped with a mic pre-amp, and 2 garden (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and effected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations. Aside from the internal mic, the nano can be used to process external signals with any of the internal effects as well.

Effects

There is a single Alter in the Nano which has seven different DSP effects, selected by touching the copper hexagon. The effect list is different than either Alter 1 or 2 - these are selected specifically for the Nano (this selection is subject to change):

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - choral reverb
5 - palindrome reverse delay - backward/forward repeat
6 - pitch delay
7 - time stretch/glitch

Control

- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or cv input is visualized on the control panel.

Acoustics

Each sprout panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.

Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument Folktek ship.

Included

- Power Supply: 12V positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables

coming soon $553.85

(No payment required now - pay when released)

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CatSynth Slimline Voltage Controlled Amplifier Module (VCA module)

CatSynth

Cat: 1009352 Rel: 30 Jun 24 • View all Synth modules

Voltage controlled amplifier module - 2HP

Notes: Expand your Eurorack system with the 2HP wide VCA, which offers maximum sound control despite its minimalist size. This highly flexible Voltage Controlled Amplifier is the perfect addition to any modular setup, designed to add depth, dynamics, and nuanced expressiveness to your sounds. Whether you're a seasoned modular enthusiast or a newcomer to the world of synthetic sound shaping, this VCA will impress you with its performance and versatility.

Ultra-compact design

With a width of only 2HP, this VCA fits seamlessly into any Eurorack setup and optimizes the available space for maximum creativity.

A standout feature of this VCA is the ability to manually switch between a linear and a logarithmic characteristic. This feature allows you to fine-tune the VCA to meet the needs of your sound design, from smooth, smooth fades to dramatic, exponential changes.

Use the VCA for a wide range of applications, from simple volume control to shaping dynamic amplitude modulations. Its flexibility makes it the ideal tool for experimental sound research as well as classic synthesizer sounds.

Intuitive operation

Despite its advanced features, the VCA remains intuitive to use. Switching between characteristics is straightforward, so you can focus on experimenting with your sounds.

Perfect for any setup

Whether you're in the studio or on stage, this VCA is a must-have for anyone looking to expand their sonic palette and refine control over their sounds. Its robust construction and reliable performance make it a trustworthy partner for all musical endeavors.

est. release 30 Jun 24 $55.24

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Zoom MS-70CDR+ Multi-Effects Pedal (modulation/time/dynamics/filter effects pedal)

Zoom Corporation

Cat: 1010032 Rel: 30 Jun 24 • View all Effects pedals

Chorus, delay, reverb, dyanmics & filter effects pedal

Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs

The Zoom MS-70CDR+: Your New Modulation Station

The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.

A Deep Dive into Chorus, Delays, Reverbs & More

Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.

Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.

Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.

Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.

Expanded Controls

The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.

Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.

Next Generation Circuitry

Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.

Everything's Better in Stereo.

The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.

Soundscapes Are Key

For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.

Change Patches With MIDI

With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.

Enhanced Navigation

Cross Key Switches

The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.

Control Knobs

Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.

Colour Coded LCD Screen

The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.

Sturdy Build

The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.

Power Options

The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.

Tune-Up

The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.

Handy Guitar Lab

With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.

Technical Specifications

Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD

Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB

Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu

Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)

USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.

Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V

est. release 30 Jun 24 $181.50

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Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)

Patching Panda

Cat: 963504 • View all Synth modules

4x VCA-decay & mute group module - 16HP.

Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V

coming soon $267.59

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Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (silver) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)

Patching Panda

Cat: 963505 • View all Synth modules

4x VCA-decay & mute group module - 16HP.

Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V

coming soon $267.59

(No payment required now - pay when released)

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UDG Creator Native Instruments Traktor X1 MK3 Case (DJ controller case)

UDG

Cat: 991987 Rel: 30 Apr 24 • View all DJ Equipment Cases

Case designed to fit the Native Instruments Traktor X1 MK3

Notes: A Digital DJ/ Producer looking for a professional, durable case solution for your NI Traktor X1 MK3? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior, this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the NI Traktor X1 MK3, this case is perfect for the travelling DJ/ Producer that needs to protect their equipment.

Features

Fits to NI Traktor X1 MK3
Cover main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Protective egg-crate foam prevent damage from vibrations & shocks
Black soft fleece interior
Heavy duty handle
Easy grip zipper pulls

Dimensions

Outer

Width: 33.8cm/13.3"
Height: 14.4cm/5.7"
Depth: 6.8cm/2.7"

Weight: 0.43kg/0.95lbs

Tags: DJ controller cases

est. release 30 Apr 24 $36.29

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UDG Ultimate Pick Foam Pioneer DJ PLX-CRSS12 Flightcase (DJ turntable flightcase)

UDG

Cat: 992007 Rel: 30 Apr 24 • View all DJ Equipment Hard Cases

Flightcase designed to fit the Pioneer DJ PLX-CRSS12

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning creative performers. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Pioneer PLX-CRSS12 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Case Pioneer PLX-CRSS12 is designed to keep your Pioneer PLX-CRSS12 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Specifications

Colour: Black
Weight: 4,30 kg / 9.46 lbs
Outer Dimensions (W x H x D): 49.0 x 42.3 x 21.0 cm | 19.3 x 16.6 x 8.3 inch
Inner Dimensions (W x H x D): 47.0 x 40.5 x 18.8 cm | 18.5 x 15.9 x 7.4 inch
Material: Aluminium

Protection:

Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding
Pick & pluck foam
Two side strong butterfly lock
Rubber feet at the bottom for support in standing position

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Removable access panel

Fits

Pioneer PLX-CRSS12 turntable

Tags: DJ flight cases

est. release 30 Apr 24 $142.61

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ADDAC System ADDAC309 CV To Expression Module (attenuator/controller/CV modulation/effect/expression/external/utility module)

ADDAC System

Cat: 992144 Rel: 30 Apr 24 • View all Synth modules

CV to expression module - 4HP

Notes: ADDAC309 CV to Expression allows a simple and straight forward connection between modular and effect pedals that features expression pedal TRS inputs.

Instead of using an expression pedal into the effects pedal the user can use this module in between a CV source and the Effects pedal to be controlled.

This is a great way to control the available parameters on the effects pedals straight from a CV source.

ADDAC309 features 2 channels each with a CV Input with attenuator and a 1/4" jack output.

This is a passive module, the power needed for operation is taken from the pedal power instead of the modular frame, this allows for perfect matching of the pedal's operating voltage which can range from 3.3v to 9v.

Tech Specs:
4HP
3,5cm deep
Passive module

Tags: Controller module

est. release 30 Apr 24 $64.31

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Torso Electronics T-1 16-Track Algorithmic Sequencer (white) (audio sequencer)

Torso Electronics

Cat: 992910 Rel: 30 Jun 24 • View all Sequencers

16-track algorithmic sequencer

Notes: Not your average sequencer

A 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music. In short, this is a fundamental rethinking of the sequencer as a modern, fun and inspiring instrument

This machine speaks music

Enter a creative dialogue with T-1, and let its musical algorithms spark your creative process, or bring it on stage to perform your musical ideas live and spice them up with variations created on-the-fly

It's your instrument

The T-1 can be customized to suit your music. In fact, it is many instruments in one: Each of the T-1's 16 tracks can be set up in one of three modes.

Note: Compose rhythms and melodies from scratch with creative musical algorithms, and tweak them to your desire with detailed step editing.

CC: Take absolute control over sound design with 16 CC knobs and add automation via random modulation and step editing

FX: Create real-time midi fx to expand and transform your musical ideas. Connect a midi keyboard for hands on live performance

Connect to everything

The signal flow of any modern studio is a complex web of analog, digital and wireless signals and keeping your instruments connected and in sync can be a drain for your creativity. The T-1 solves this by communicating via MIDI, USB, analog CV and gates, Ableton Link and Wi-Fi connections with all of your gear.

Musical structure in a knob

Sculpt the timing, tonality and overall structure of your music in the same intuitive way you would a parameter on a synthesizer: By the twist of a knob. The T-1 lets you dial in any rhythm in a manner of seconds with euclidean rhythms.

Want to surprise your audience and even yourself? Add a bit of random modulation or change the probability of a step being played or not. Try the T-1 style looping random modulator

Tangible visuals

What you see is what you get: at every touch of a knob or push of a button, 16 RGB buttons show you the state of the instrument while offering up a quick way to jump to a new setting in real-time

Performing is composing

The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter.

Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music making process is a constantly evolving flow

Technical specifications

Sequencer
Euclidean rhythm generator (w. step editing)
Advanced note repeater / arpeggiator
Melody generator
7 musical scales + 1 user scale per track
Harmonic pitch control
Random modulation on every parameter

Tracks
16 tracks per pattern
16 MIDI channels
Polyphony on every track

Storage
Auto-save
16 patterns per bank
16 banks

User interface
18 endless rotary encoders with push
23 RGB backlit silicone keypads

Physical
Matte black aluminium casing
Dimensions: L:304, W:114, H:39mm ?(11.9", 4.5", 1.5")
Weight: 815g (1.8 lbs)

In the box
1 x T-1
1 x USB cable
1 x MIDI adapter (type A)

Connectivity
USB C (midi/power)
MIDI in / out / thru (TRS type A)
CV & gate i/o
Ableton Link (WiFi)

est. release 30 Jun 24 $507.17

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Torso Electronics S-4 4-Track Sculpting Sampler (audio sampler)

Torso Electronics

Cat: 992942 Rel: 31 May 24 • View all Samplers

4-track sculpting sampler

Notes: Explore malleable sound. Mold, carve, bend.

The S-4 is a sculpting sampler designed to capture and transform sounds. Merging tape-era workflows with cutting-edge technology, the S-4 redefines sound mangling by providing a futuristic platform for crafting unique soundscapes and compositions, using samples and real-time audio processing.

S-4 is a tool made for sonic explorers. It has four parallel stereo tracks, each with an audio engine featuring a chain of audio devices including samplers, live granular processing, morphing resonators, and a range of audio effects. A novel modulation system allows anything and everything to be modulated with four modulators per track. Capture sounds on the fly with the onboard microphone and stereo line input, or load samples from the 4GB internal flash storage.

Use cases

The S-4 is a versatile powerhouse, capable of serving as an effects processor, transformative sound designer, tape machine, live looper, classic sample player, or textural synthesizer.

Tape machine

Capture your surroundings. Use S-4 as a transformative four-track tape machine.

Effect processor

Manipulate live audio, and add colour and textures to your beats, melodies, and sounds

Midi controlled sampler

Hook up a MIDI keyboard or sequencer and use S-4 as a powerful textural synthesizer and sample player.

Audio engine

Push the creative boundaries and transform audio into uncharted depths. S-4 has four parallel stereo tracks, each of which contains a chain of five audio devices tailored to cover specific sonic areas and applications. Create everything from glittering textures to broken soundscapes or evolving synth sounds.

Together, the devices form a playful toolbox for sculpting sample material and live audio.

Material

Stereo tape and sample players with live audio and looping capabilities.

Granular

Live granular processing with time-warping and pitch-shifting algorithms.

Filter

Morphing resonator: 48-band tuned filter bank with animation, tonal control, and classic filter functions.

Colour

Collection of destructive effects including bit crushing, drive, and compression.

Space

Combined reverb and delay with pitch-shifting and shimmer.

Modulation system

Animate and bring life to any parameter using the rich and unique modulation system. Each track has four configurable modulators that can be mapped to any parameter with unlimited mapping destinations. It is even possible to do cross-modulation between modulators. Choose between a range of different modulators from complex LFOs, and generative sequencers to envelopes.

Capture your surroundings

Utilize the built-in microphone to record sounds, sample and loop your external gear with the stereo line input, resample the internal tracks, or effortlessly load samples from the S-4's flash memory or an external drive.

Versatile powerhouse

The S-4 is designed with durable RGB buttons offering tactile feedback and a high-quality 3.5-inch LCD display ensuring all the visual feedback you need. It features USB connectivity for seamless connection to class-compliant devices and effortless file transfers to and from your laptop. Moreover, it can function as an audio interface when you require a simplified setup. You can also expand the number of inputs and outputs by connecting a class-compliant external USB interface.

Technical specifications

Audio engine features

4 parallel stereo audio tracks
Tape player with live looping capabilities
Polyphonic sample player
Live granular processing with time-warping and pitch-shifting algorithms
Morphing resonator (48-band filter bank)
Bit crushing, drive, and compression
Combined reverb and delay with pitch-shifting and shimmer

Modulation features

4 modulators per track
Modulate any parameter of the audio engine
Modulator types:
- Complex LFOs
- Generative sequencing tools
- Envelopes

Hardware

Quad-core 1.5 GHz processor
4 GB flash memory (sample pool)
24-bit / 48 kHz stereo audio in and out

I/O

2 line-inputs
2 line-outputs
Built-in microphone
Stereo headphone output
MIDI in/out
Analog sync in/out
USB-C

Miscellaneous

WiFi - Ableton Link
Class-compliant USB audio interface
Expandable number of inputs/outputs with class-compliant USB interfaces

User Interface

High-resolution LCD colour display, 3.5 inch
21 tactile RGB buttons
9 high-quality endless encoders

Physical

Matte black aluminium casing
Dimensions: 242 x 156 x 39 mm (9.5" x 6.1" x 1.5")
Weight: 820g (1.8 lbs)

est. release 31 May 24 $793.43

(No payment required now - pay when released)

FORTHCOMING

Related products...

Maggot Brain Magazine #15 (magazine)

Maggot Brain

Cat: 994595 • View all Music Magazines

This cover feature is a career-spanning piece by Tamara Palmer on Bjork, with a terrifically gorgeous cover image by Marly Beyer

Notes: -BJORK: This cover feature is a career-spanning piece by Tamara Palmer on Iceland's most noted export since the foundation of their parliament in 930, with a terrifically gorgeous cover image by Marly Beyer. -MARCELLUS HALL delivers a 30-plus page excerpt from a graphic novel about life in indie-rock in the early 1990s that's stunning and lyrical.

-Hot on the heels of their world tour, it's an engaging photo essay from Detroit's premier music photographer Doug Coombe on the return of garage punk heroes BE YOUR OWN PET. -Mike Turner spends serious time with BMX champion CHELSEA WOLFE, right when she might be suspended from competition for being trans. -Ana Gavrilovska digs deep into the work of up-and-coming multimedia artist WAYNE PHOENIX. -Uncharacterizable instrumental musicians PENGUIN CAFE are back (under the direction of originator Simon Jeffes' son Arthur Jeffes) and Kurt Reighley is writing beautifully on them. (Their first two records for Eno's label are The Shit.) Cassette tape reviews; Lucy Sante delivers a tribute to the olden days of mp3 blogs.

Mimi Lipson weighs in on cats versus dogs in her advice column; Andy Beta talks of Annea Lockwood in the Icons column; the reissue of the issue is a box set of Pauline Anna Strom, by Michelle Dove; Fred Thomas on "why Sonic Youth's most underrated record deserves a second look" (guess which one it is!); an overview of reissue label Mesh Key for a new column on the people who run labels and stuff like that. In the new column Tracked (on music supervisors) Martin Douglas talks to Tiffany Anders, and it's largely about her work on RESERVATION DOGS! Then there's the column PHYSICAL GRAFFITI by editor McGonigal, an epic look at dozens of recent LP releases plus a few books (that's right, it's a bona fide multi-page record review column), plus the debut of Maggot Brain's food column with a disastrous visit to the Russian Tea Room courtesy of noted genius QUINTRON.

coming soon $16.34

(No payment required now - pay when released)

FORTHCOMING

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ADDAC System ADDAC508 Swell Physics Module (CV modulation/quad module)

ADDAC System

Cat: 993830 Rel: 30 Apr 24 • View all Synth modules

A CV generator based on the simulation of a physical system, ocean swells

Notes: Following ADDAC's ADDC503 Marble Physics here is a new simulation of a physical system. This time, imagine a small area in the middle of the ocean, in this area we place 4 equally spaced buoys anchored to the bottom in such a system that we can control the spacing between the buoys. Imagine we can control the elements and agitate the waters at will which in turn will make the buoys move up and down as the water surface moves.

Finally imagine the buoys would wirelessly transmit their absolute height directly to your module outputs where they would be mapped to a voltage signal.

ADDAC use a Gerstner Wave as the motor behind the two-dimensional wave generation. In fluid dynamics a Gerstner Wave is described as "a progressive wave of permanent form on the surface of an incompressible fluid of infinite depth". Gerstner waves are often used in computer graphics to simulate any type of water surface, if you've seen any animation film or computer game with water surfaces in it most probably it features a Gerstner wave generating it.

Tech Specs:

10HP
4.5cm deep

70mA +12V
40mA -12V

est. release 30 Apr 24 $341.23

(No payment required now - pay when released)

FORTHCOMING

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Korg Modwave Module 60-Voice Polyphonic Wavetable Synthesiser (digital desktop synthesiser)

Korg

Cat: 995048 Rel: 30 Apr 24 • View all Synthesisers

60-voice polyphonic wavetable desktop synthesiser

Notes: All the features of the Modwave MkII in a compact 4U 19" desktop/rackmount package. Modwave builds on the legacy of Korg's DW-8000 and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

Like Modwave MkII, the Modwave Module provides an astonishing 60 stereo voices of polyphony - almost double the original Modwave's 32, and an unprecedented number for a wavetable synth at any price. The new 4U rack-mount enclosure has the same controls as the keyboard models, yet is easily transportable and fits neatly into any studio or desktop production system.

Responding to user requests, Korg have updated all LFOs with options for free running, delayed start, and retriggering. Korg have also added a pre/post switch for reverb sends, new modulation sources, and more.

The Modwave Module is fully compatible with the sounds and samples of the original Modwave, Modwave Mk II, and Modwave Native software, as well as many third-party libraries. MIDI 2.0 Property Exchange and Polyphonic Aftertouch Support

With the latest software updates, all models of Modwave, hardware and software, now support MIDI 2.0 Property Exchange and easy access to Polyphonic Aftertouch - making them excellent companions to the Korg Keystage controller.

Rack-Mount and Desktop

The Modwave Module is cleverly designed for both desktop and rack-mount use. The panel is redesigned to fit into a standard 19" width, and the rear jack panel is recessed to allow easy access to cables even with gear mounted directly above. With desktop setups, brackets offer a choice of panel angles: flatter for performing standing up, or more upright for working while seated in your studio.

Specifications

Maximum Polyphony: 60 stereo voices
Dimensions (W x D x H): 483 x 172 x 107 mm / 19.02 x 6.77 x 4.21 inch
Weight: 1.7 kg / 3.75 lbs.
Accessories: AC adapter
Sound generating system: modwave synthesis engine

Modulation

Controllers: Mod Wheel, Pitch Wheel, Kaoss Physics, 4x Mod Knobs

Other Sources

4x Envelopes, 5x LFOs, 2x Mod Processors, 2x Key Track, Seq Lanes A-D, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch and Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs +

Destinations: Most parameters can be modulated, including parameters of individual Motion Sequence Steps: Depending on Motion Sequence length, there can be more than 1,000 potential modulation targets per Program.

Effects

Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper

Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah

Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo

Master Reverb: Early Reflections, Overb

Master EQ: 4-band parametric EQ

General

Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V, 2500mA)
Power consumption: 5 W

est. release 30 Apr 24 $724.98

(No payment required now - pay when released)

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