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Cat: 746361 Rel: 16 Sep 19
 
multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
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 1 in stock $195.70
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quote 746361
MFB
Cat: 695618 Rel: 16 Sep 19
 
Analogue VCA with built-in oscilloscope
Notes: The Visual VCA is a voltage controlled, analogue amplifier module with additional waveform display. The signal amplification can be regulated via the two CV inputs. CV1 is usually controlled by the envelope. A special feature is CV2, because this input can only be used in conjunction with CV1 and is normally used for modulation effects. The integrated oscilloscope represents the waveform of the input signal and has a resolution of 128 x 64 pixels. With the interval controller you can set the sampling frequency.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $85.95
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quote 695618
FORTHCOMING
Intellijel Dual VCA 1U Stereo Linear Voltage Controlled Amplifier Module
coming soon $109.76
FORTHCOMING
Intellijel Duatt 1U Module
Cat: 747516
coming soon $72.47
FORTHCOMING
Intelijel FSR 1U Module
Cat: 747522
coming soon $76.63
FORTHCOMING
Intellijel Quadrax Module
Cat: 747527
coming soon TBA
FORTHCOMING
Intellijel Qx Quadrax Expander Module
coming soon TBA
FORTHCOMING
Intellijel Tete Module
Cat: 747529
coming soon TBA
Cat: 747621 Rel: 20 Sep 19
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 2 in stock $263.01
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quote 747621
MFB
Cat: 695604 Rel: 16 Sep 19
 
MFB-522/Tanzbar style analogue bass drum module
Notes: The Bass-522 module is based on the 522 circuit and offers a punchy attack, long decay and wider pitch range. Adjustable noise and pitch envelope have also been added.

The sound can be triggered by Gate, M-Bus and signals like piezo pickups, dynamic mics and drum pads. The Sense parameter decides the sensibility and dynamic of attack, amplitude. decay and pitch.

The following parameters are available and can be controlled by CV:

TONE dampens the attack transient.
DECAY sets the release time of the amplitude.
TUNE defines the basic pitch from around 35 to 70 Hz.
PITCH controls the amount of pitch envelope.
NOISE mixes the noise floor (no CV control).

The module offers the new developed M-Bus connector which means you can you control everything via MIDI/CV interface or the new MFB SEQ-01 Pro Drum Sequencer without additional patching. The following addresses are supported:

Trigger with Velocity - MIDI Note #35 or #36 (switchable) and controller values for Tone, Decay, Tube, Pitch and Noise Decay.

The module has a width of 8HP (40mm).
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 5 in stock $88.02
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quote 695604
MFB
Cat: 695619 Rel: 16 Sep 19
 
Analogue 24db lowpass filter - 8HP
Notes: The 24dB VCF SSI is a voltage controlled analogue low pass filter module with the new SSI2144 chip. In addition, it has a 12dB output that works either as a low pass or bandpass (+/- 12dB). There are two inputs, one with attenuator. Another CV input with attenuator is available for the cut-off frequency. The resonance is controlled either via a controller or via another CV input with attenuator.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $76.63
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quote 695619
MFB
Cat: 695605 Rel: 16 Sep 19
 
Analogue synth module composed of three drum voices - 12HP
Notes: The module CB/RS/MA-522 is an enhanced circuit previously used in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY and TUNE via CV-signals from Envelopes, LFOs and Step Sequencers.

The unit can be triggered by different signals. Besides sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Cowbell in detail:
DECAY adjusts the decay time.
TUNE sets the cowbells frequency.
The functions of Rimshot in detail:
DECAY adjusts the decay time.
TUNE calibrates the frequency.
The Maracas owns a DECAY who sets the release time.
The modul provides the new developed M-Bus connection. Midi signals can control following destinations:
Trigger Cowbell MIDI Note #41, MIDI CC for Tune = 21, Decay = 37
Trigger Rimshot MIDI Note #37, MIDI CC, Tune = 19, Decay = 35
Trigger Maracas MIDI Note #70, MIDI CC, Decay = 46

The module has a width of 12 HP (60mm).
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 1 in stock $107.69
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quote 695605
MFB Digital Delay Module (synth module)
MFB
Cat: 695614 Rel: 16 Sep 19
 
CV controllable digital delay with delay time from 2ms to 4000ms
Notes: The Digital Delay Module is a CV controllable digital echo with delay times of about 2 ms to 4 seconds.

The circuit comes from the MEGAZWERG has been improved in some points.

The audio signal is connected to the "In" socket and is connected to the "Out" socket again, depending on the Mix knob (left Original, right the Delayed). The signal can be limited with the "In" control. The LED indicates an overload.

The delay time is set with the Time slider and can be modulated via the CV Time input.

With the switch "Freeze" or with a positive voltage at the "Freeze In" the input signal can be frozen.

If the "Time" control is set to max. is equal to the input voltage at CV Time about 1V/oct and the range is 4 octaves.

With the "Range" control the delay can be roughly changed in time steps. The Feedback slider adjusts the amount of signal feedback. Using the FB Send and FB Return jacks, the feedback signal can be tapped separately, routed to another module or external effects unit, and fed back into the delay.

The module is compatible in design and bus power supply to the Doepfer A-100 modular system.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 5 in stock $117.01
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quote 695614
MFB
Cat: 695615 Rel: 16 Sep 19
 
Classic envelope generator - 8HP
Notes: The ADSR module is a voltage-controlled envelope generator. Normally, the characteristic is logarithmic, but a linear part can be added. With the help of the loop button, the envelope can also be used as an LFO, then Attack and Decay determine the frequency that goes far beyond 100 Hz. Another special feature is the CV inputs for Attack, Decay and Release. This can be used e.g. control or modulate the times externally. In addition to the normal output, there is an inverted output in parallel.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $77.66
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quote 695615
MFB
Cat: 695610 Rel: 16 Sep 19
 
Stereo drum mixer - 12HP
Notes: The DRUM-99 module is an audio-mixer that has been designed for the modules of the MFB-DRUM series but also for usage with other manufacturer's modules. When using multiple drum-modules in a modular system, the following processing stages like filters or VCAs often lack enough audio inputs. To route a complete drum-set through a filter, a separate mixer like the DRUM-99 comes handy.

DRUM-99 offers five monaural inputs with individual level control. Tiny trim-controls are used to set the channel panorama position for the internal stereo-bus.

A fixed level stereo-input can accommodate the signal of one or more additional DRUM-99 modules. These inputs can also be used with the DRUM-06 module (Tom Tom) that also offers a stereo-output.

All five mono signals and the stereo-input are routed to the stereo-output that can be connected to two VCAs, filters or other sound manipulating devices. The output may also be used to connect the DRUM-99 to a mixing-console or audio-interface.

The stereo-output is designed for a possible summing with additional stereo-outputs.

The module has a width of 12 HP (60mm).
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 2 in stock $71.45
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quote 695610
MFB
Cat: 695617 Rel: 16 Sep 19
 
Analogue VCO, switchable to DCO
Notes: The VCO/DCO is a voltage controlled analogue oscillator module. This can also be used as a DCO, eliminating the need for heating and temperature sensitivity. All functions except for the FM input are also available with the DCO. Sawtooth, triangle, rectangle and pulse are available as waveforms, with soft switching between the individual waveforms. This can also be done with a control voltage, so you have additional PWM modulation.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $94.23
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quote 695617
MFB VC LFO Module (synth module)
MFB
Cat: 695621 Rel: 16 Sep 19
 
Voltage controlled LFO, switchable to oneshot mode
Notes: The module VC LFO accommodates a slowly oscillating oscillator, which is primarily used for modulations. It has five waveforms, CV input with attenuator and a control range from 10 seconds to 100 Hz. In addition, the LFO has its own reset input, over which the waveform is restarted. If you set the speed accordingly and have a separate reset pulse, you can synchronize the LFO with a sequencer. The following waveforms are available: rising sawtooth, triangle, falling sawtooth, rectangle and sample & hold.

The output voltages are maximum +/- 5 volts. The module has a width of 8 HP (40mm).
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 4 in stock $76.63
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quote 695621
MFB
Cat: 695607 Rel: 16 Sep 19
 
Clap module based on circuit designs of the MFB-522 & Tanzbar Lite
Notes: The Clap-522 Modul contains an enhanced circuit of the MFB-522 and Tanzbar Lite. You can edit and modulate the sound in a wide range.

As modular concept you have the possibility to control the parameter PUSE, SNAP, ATTACK, DECAY and FILTER via CV-signals from Envelopes, LFOs and Step Sequencers.

The parameters are in detail:

PULSE is the amount of claps between 1 and 7.
ATTACK sets the noise level between the clap repetitions.
DECAY controls the release of the noisy reverb.
FILTER defines the colour of the noise floor.
WIDE edits the gap between the single claps.

Beside sequencer generated analogue and digital trigger-signals, drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic trigger also changes the volume of the clap.

The module provides the new developed M-Bus connection. MIDI signals can control following destinations:

Trigger MIDI Note #39 or #82, switchable, with Velocity. Controller values for Wide, Attack, Decay and Filter.

The module has a width of 8 HP (40mm).
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 1 in stock $90.09
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quote 695607
MFB
Cat: 695608 Rel: 16 Sep 19
 
Analogue synth module composed of three drum voices - 12HP
Notes: The module TT/CO/CL 522 is an enhanced circuit was used before in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY, TUNE and PITCH (only Tom/Conga) via CV-signals from Envelopes, LFOs and Step Sequencers. The unit can be triggered by different signals.

Beside sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Tom/Conga in detail:

DECAY adjusts the decay time up to one second.
TUNE sets the frequency of the TOM from 80 to 150 Hz (CONGA 120 to 200 Hz).
PITCH controls the duration and intensity of the pitch envelope.
ATTACK sets the click transient of the Tom/Conga.

To switch between Tom and Conga, a trigger impulse is needed.

For the CLAVE, DECAY adjusts the decay time. TUNE calibrates the CLAVE between 800 and 1500 Hz.

The module has a wide of 12 HP (60 mm).
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 3 in stock $107.69
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quote 695608
MFB
Cat: 695609 Rel: 16 Sep 19
 
Analogue module composed of three drum voices - 12HP
Notes: The OH/HH/CY module is based upon the cymbal and hihat sound-circuit of the MFB-522 drum-computer, slightly modified and expanded.

The module was developed as a modular component. Therefore, the parameters decay for cymbal and open-hihat and tone can also be controlled by CV-sources like envelopes, LFOs, step-sequencers. Manual adjustment is available for the parameter tune that affects both cymbal and hihat as well as for the closed-hihat's decay.

Triggering open-hihat, closed-hihat and cymbal of the module is possible through various signal types. Besides sequencer generated analogue and digital trigger-signals, drum-pads, piezo and dynamic microphones may also be used. Here, the controls allow individual adjustment of the input sensitivity. Dynamic triggering will not only affect the sound's volume but also attack and sound length slightly. The functions in detail:

HIHAT: The hihat sound is created by several square-oscillators that are fed into a band-pass-filter. Two decay controls allow individual sound-length-adjustments for closed- and open-hihat. In addition, the decay parameter for the open-hihat can be controlled by CV-voltage.

TUNE: Sets the frequency for all square-oscillators simultaneously. Because the cymbal sound accesses the same oscillators, tune also affects this sound.

CYMBAL: The cymbal sound is based upon the same sound source as the hihat, only that it uses two band-pass-filters that individually shape the attack- and decay-phase. However, the decay parameter controls the length of both attack and sound length. This parameter can also be controlled by an external CV-source. Tone sets the balance between the differently filtered signals paths. This parameter is also under CV-control but does not offer an internal attenuator.

A specialty of the cymbal sound is its tone-input. Here, you can connect an external sound source that replaces the internal square-oscillators for the decay phase. The internal oscillators are still in use for the sound's attack-phase.

The module has a width of 12 HP (60 mm).
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 2 in stock $107.69
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quote 695609
Cat: 744065 Rel: 17 Sep 19
 
4 input audio & CV mixer
Notes: Volts Platz has 4 inputs with attenuators. Input 3 is normalled to +ve for positive offsets (up to +8V), input 4 is normalled to -ve for negative offsets (down to -8V).

The first opamp stage now includes a switch to select x1, x2 or x10 amplification. You can take a direct (inverted) output from this stage.

The second opamp features switchable clipping diodes (LEDs) which clip anything above/below +/-5V. So 'normal' Euro signals go through unaffected. Flick the amplification switch and things gets dirty.

Patch a post-VCF signal into input 1. You can then use a combination of offsets at inputs 3 and 4, and CV into input 2 to explore modulated symmetric and asymmetric clipping.

Scale, offset, amplify, clip. Or just use it as a 4 input mixer.
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 1 in stock $85.94
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quote 744065
Cat: 745480 Rel: 19 Sep 19
 
Polivoks-inspired module for Eurorack format - 46HP
Notes: The idea of the Polivoks Mini analogue synthesiser came into mind in 1990, as the junior version of its older brother well known Polivoks full synth. The aim was to develop a way simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flaws of the Polivoks full synth. As the result of this research a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality.

The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $567.44
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quote 745480
Cat: 745617 Rel: 17 Sep 19
 
10HP filter module based on the original parts of a well known Russian Synth
Notes: The Polivoks Filter Module, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone, and brings it to the Eurorack modular format. It provides two CV inputs with individual depth pots for ultimate control over cut-off frequency. One input with sensitivity control and four outputs are available simultaneously - lowpass, bandpass, highpass and notch filter types.

Width: 10HP
Current: 20mA
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 2 in stock $137.71
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quote 745617
Cat: 745924 Rel: 19 Sep 19
 
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
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 1 in stock $300.28
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quote 745924
Cat: 745929 Rel: 19 Sep 19
 
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
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 1 in stock $300.28
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quote 745929
Cat: 745934 Rel: 19 Sep 19
 
Dual attack generator featuring two ASR envelopes with linear voltage curves
Notes: The Model 180 is 100% discrete transistor core dual channel A/D A/H/D function generator (envelope). A trigger or gate signal greater than 2.5v at the "trigger" input causes the output CV to linearly ramp up to its maximum value at a speed set by the "attack time" pot. Once reaching the maximum CV output (set from the factory at 5v but easily adjustable via trimmer) the module will hold at this level for a static duration set by the "note duration" pot, or will hold at its maximum level as long as the trigger input is high. This behaviour is selected with the "controlled internally" vs. "controlled by trigger length" switch. At the end of the "hold" period the CV output will ramp back down to approximately 0v at a rate set by the "decay time" pot.

Like many "west coast" function generators, the envelope cannot be retriggered until the attack phase is complete, allowing for some function as a clock divider etc. The attack, hold, and decay times can be set very fast, and the module can easily create percussive blips as well as longer drawn out envelope shapes.
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 1 in stock $403.83
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quote 745934
Cat: 745931 Rel: 19 Sep 19
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $300.28
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quote 745931
Cat: 745932 Rel: 19 Sep 19
 
Dual sine-sawtooth generator based on Model 158 from the Buchla 100 series
Notes: The Model 158 is a dual oscillator created out of an entirely discrete transistor core. It consists of two independent and identical sides each with a front panel tuning knob, a frequency modulation input and attenuator, and a knob to fade smoothly between saw and sine waves. The RED PANEL model 158 is based off of the original "A" variant of the 158 oscillator.

The 158 was one of the very first voltage controlled oscillators ever produced. As such it contains many particular quirks/rawness of this first generation of synthesis. The exponential scaling of the oscillator is far from accurate, there is no temperature compensation, quick changes in pitch produce a slewing effect, and the saw waveform only vaguely resembles a saw wave through part of its range. It is as accurate a recreation as we believe is possible with the components available today. We performed hundreds of listening tests to find suitable replacements for obsolete transistors, and hand select multiple transistors on each individual unit to ensure that they have the proper sound.
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 3 in stock $507.38
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quote 745932
Cat: 745927 Rel: 19 Sep 19
 
Quad VC Gate - 14HP
Notes: The Model 110 is 4 independent transistor based voltage controlled amplifiers behind one panel. Each VCA (or "gate" in the original terminology) consists of an audio input with an attenuator, a CV input, and 2 outputs. The VCA's are AC coupled - meaning that they will not pass slow (or static) control voltages. The VCA's are calibrated to unity (an input of a 10v peak to peak audio wave, will produce a 10v peak to peak audio wave at output) when 5v is applied to the CV input and the attenuator is at approximately the 3'oclock position.

Notes: Unlike the later (and better known) Model 292, the original low pass gate - the Model 110 is entirely transistor based (rather than vactrol based like the 292), and is much faster.
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 1 in stock $403.83
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quote 745927
Cat: 648928 Rel: 25 May 17
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: 'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 9 in stock $225.73
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quote 648928
Cat: 681306 Rel: 24 Jul 18
 
Multi-algorithm macro oscillator - 12HP
Notes: Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $182.24
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quote 681306
Cat: 621354 Rel: 28 Nov 16
 
Quadruple Low Frequency Oscillator (LFO) synth module in Eurorack format - 10HP wide
Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.
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 6 in stock $237.12
Cat: 685134 Rel: 24 Jul 18
 
Random gate/voltage generator - 18HP
Notes: Marbles is a source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavours of randomness it produces.

The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.

T: The random gate generator

Marbles either follows its own internal clock, or locks onto an adjustable multiplication/division of an external clock (or regular rhythmic pattern). This regular clock is perturbed by a process simulating an musician playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.

From this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).

X: The random voltage generator

This generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.

Complete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centred or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.

An auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!

A feeling of deja-vu:

Marbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.

You are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!
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 3 in stock $236.09
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quote 685134
Cat: 686269 Rel: 27 Apr 18
 
Universal, patch-programmable modulation source - 14HP
Notes: ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 More than 10 in stock $238.15
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quote 686269
Cat: 718920 Rel: 23 Apr 19
 
Expansion module for Zadar - 3HP
Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.
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 4 in stock $53.84
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Cat: 689804 Rel: 03 Sep 18
 
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.

Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
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 1 in stock $268.18
Cat: 687873 Rel: 01 May 18
 
Unique contact microphone & amplifier, based on Tom Whitwell's open-source module - 4HP
Notes: Ears is Mutable Instruments' take on Tom Whitwell's open-source Mikrophonie module - a contact microphone and amplifier.

A large palette of organic, physical sounds can be generated by scratching, tapping, and more generally collecting any kind of acoustic waves surrounding your modular case - even speaker feedback.

With its built-in envelope follower and gate detector, it can also be the gateway between external audio sources and your modular system.

Ears for your modular:

- Built-in contact microphone soldered right under the front panel, turning the panel and your entire case into a microphone.

- Increasingly spaced ridges on the panel, generating sonically interesting pulses or impulse combs when rubbed. Strike, pick or scratch digital resonators like Rings, Elements or the 4ms SMR.

- High-quality amplification stage suitable for external contact microphones, electro-acoustic instruments like guitars, or plain line-level signals.
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 More than 10 in stock $86.97
Cat: 643379 Rel: 13 Sep 17
 
Quad voltage controlled amplifier & cascaded mixer - 12HP wide
Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).
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 5 in stock $183.27
Cat: 648930 Rel: 25 May 17
 
Expander module for Pamela's New Workout - 4HP
Notes: Pexp-1 is an expander module for Pamela's NEW Workout offering additional dedicated fixed clocked outputs.

Extend Pam as a master to clock external gear with a super solid MIDI & Din Sync dedicated clock outputs.

Use extra fixed jack clocked gate outputs to free up Pamela outputs for more exotic modulation duties.

Connects to, and powered by, expander header on rear of Pamela's NEW Workout. Only a single expander is supported at any time.
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 8 in stock $97.33
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quote 648930
Cat: 690936 Rel: 18 Apr 19
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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 4 in stock $308.57
Cat: 737544 Rel: 26 Jun 19
 
All-analogue distortion & lowpass filter - 4HP
Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.
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 5 in stock $127.36
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quote 737544
Cat: 690914 Rel: 26 Jul 18
 
16 output ultra-flexible MIDI to Trigger, Sync, Polyphonic CV, Gate & more
Notes: The Mutant Brain is the central nervous system connecting your modular analogue Eurorack system to MIDI gear, especially for percussion, polyphonic notes and sync duties! It packs 16 Eurorack compatible outputs into a tiny, super affordable 8HP package.

The 4 CV outputs and 12 Gate/Trig outputs are all universally reconfigurable. Triggers, gates, clock divisions and sync signals, polyphonic keyboard playing, velocity, sequencer transport, LFOs - you name it!

Configuring your patch is easy - just assign each output as you like in the Mutant Brain Surgery configuration utility, then send the MIDI SysEx file to the module and forget about it - the Mutant Brain remembers it all for you.

Hexinverter supply a convenient download pack of pre-configured, ready to use Mutant Brain patches for some select sequencing and drum machine devices on the market today, easily turning those sequencers and drum machines into a modular control powerhouse!

Designed with live and studio performance in mind, the Mutant Brain does away with wasted panel space and complex menu-diving interfaces, while freeing you from the limited "auto-learn" type MIDI interface. An auto-learn interface sometimes doesn't play well with the limitless combinations of different gear setups which today's modular performers play live with.
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 4 in stock $147.04
Cat: 731192 Rel: 19 Jun 19
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 More than 10 in stock $206.06
Cat: 728383 Rel: 09 May 19
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 4 in stock $263.01
Cat: 563563 Rel: 10 Mar 15
 
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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 5 in stock $66.79
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Cat: 638949 Rel: 31 Jul 17
 
Experimental sampler module - record, slice & rearrange audio material
Notes: The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Width: 20hp
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V

***MG137 Firmware Update:

Change Log

1. Improves Vari-Speed response for slow modulation rates.

2. Improves SD Card file format for more compatibility with software .wav file formats.

3. Doubles total record time per Reel.

Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.

If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.

Read and Write times will be MUCH longer when you have a Full 2.9 minute reel. So for example, if you decided to erase a 5 second Splice in the middle of a 2.9 minute reel it will take twice as long as before because the MG must re-write the entire 2.9 minute reel. Of course all of this is happening in the background and should not cause too much hassle. Still when that SHIFT button is flashing it is best to not perform more SD Card actions.

For most granular processing Splices of 10 seconds or less are recommended.

So why even bother increasing record time to 2.9 minutes? Well it allows for storing even more Splices on a Reel and it also makes it possible to record long portions of a patch for later arranging within your DAW. You could potentially capture a patch, including modulations of a shorter Splice (say 10 seconds), retrieve the sound from the SD Card and compile into a larger work using your DAW.

4. Increased max number of Splices to 300.
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 5 in stock $485.65
Cat: 643380 Rel: 27 Mar 17
 
Buffered multiple module in 1U
Notes: Dual 1 x 4 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×8 buffered mult.
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 3 in stock $39.87
Cat: 731938 Rel: 10 Jun 19
 
Noise/random generator - 4HP
Notes: Module A-118-2 is the slim version of module A-118-1 and offers essentially the same features as the A-118-1. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-118-1. The module is primarily planned for applications where only limited space is available. The functional difference between A-118-1 and A-118-2 is the additional T&H/S&H unit which is not included in the A-118-1.

The module generates the signals white noise, coloured noise, continuous random voltage and stepped random voltage (derived from the continuous random voltage by means of a S&H/T&H unit).

The noise signal is generated 100% analogue by amplification of the noise of a transistor. White and coloured noise are usually used as audio sources. The random voltages are normally used as control voltages (e.g. for filter frequency or any other voltage controlled parameter).

The A-118-2 gives you the ability to mix the relative amounts of Red (low frequency component) and Blue noise (high frequency component) in the coloured noise output.

For the continuous random voltage the rate of change (Rate) and amplitude (Level) of the random voltage can be adjusted. The continuous random voltage is derived from the coloured noise signal by low pass filtering. Consequently the settings of the controls for the coloured noise (Blue, Red) affect the behaviour of the random voltage! A dual colour LED (red = positive / yellow = negative output voltage) indicates the continuous random voltage.

The continuous random voltage is used as source for the S&H/T&H unit. The type of operation can be set to S&H (sample and hold) or T&H (track and hold). When T&H is chosen the output signal follows the input signal (= continuous random voltage) as long as the Clock input is "high". As soon as the clock signal changes to "low" the last voltage is stored. When S&H is chosen the input signal (= continuous random voltage) is sampled at the rising edge of the Clock signal.

For the Clock signal a "digital" signal (e.g. Clock, Gate, rectangle output of an LFO) is required. It does not work with slowly changing continuous CV signals. Another dual colour LED (red = positive / yellow = negative output voltage) indicates the stepped random voltage.
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 3 in stock $74.55
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quote 731938
Cat: 731949 Rel: 10 Jun 19
 
Quad low frequency oscillator - 4HP
Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.
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 5 in stock $74.55
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quote 731949
Cat: 671564 Rel: 29 Nov 17
 
12dB multi-mode filter with unique classic circuitry, based on the filter from the 70s EDP Wasp synth
Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA
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 7 in stock $80.76
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