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Items 1 to 42 of 42 on page 1 of 1
Cat: 747621 Rel: 20 Sep 19
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 5 in stock $240.81
Cat: 751442 Rel: 17 Sep 19
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

TOPOGRAF is a drum sequencer with three tracks, that works with a "topographic" principle; it contains a number of drum patterns arranged in a "virtual map"; and with two knobs MAP X and MAP Y you can set a position in this map. With one knob per channel the density is defined; and a CHAOS knob brings some randomness into the whole process. All in all, a few knobs for a lot of drum patterns you probably wouldn't make this way by yourself - a nice source of inspiration and also great for playing live.

TOPOGRAF is the AE modular version of the Grids module by Mutable Instruments. It is 100% identical to Grids.
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 1 in stock $71.65
Cat: 743610 Rel: 23 Sep 19
Complex quad multimode filter - 20HP
Notes: Mad dual-channel filter with two peaks per channel. Chain the sides together for complex filter curves, process stereo sounds or even turn up the resonance for four self-resonating peaks.

Supplier notes:
The Stereo Dipole is a Quad Multi-Mode VCF featuring single, dual and quad peak filter outputs.

Designed to be clean or characterful, the Stereo Dipole is not intended on achieving any one type of sound. From clean frequency-based panning to complex phasing and formant synthesis and over-driven squelchy bass lines, Stereo Dipole offers an environment which is simple enough to use, while providing the versatility to push your sounds into unknown territory...

Comprised of two identical filter sections that can be used independently via the dedicated Resonance (RES), Primary Cutoff (FREQ) and Secondary Cutoff (SPREAD) controls as well as in tandem via the STEREO FREQ and STEREO RES controls in the centre of the module.

Both the Left and Right Channels feature Single Peak POLE and Dual Peak DIPOLE outputs.

High Pass, Low Pass and Band Pass outputs are individually selected via the switches, situated above POLE and DIPOLE.

The Dual Peak DIPOLE output can be routed either in Series or Parallel with the main POLE VCF while maintaining all possible configurations of the Selected Filter Types.

Series and Parallel combinations will provide capabilities such as 24dB/OCT HP/BP/LP, Variable Width Band Pass and Notch as well as other obscure filter combinations.

FREQ controls the Cutoff of both the Primary and Secondary VCF while SPREAD is used to Match (centre position) or Offset the Secondary Cutoff Frequency by +/-5 octaves..

DIPOLE AB is a Quad Peak Monophonic Output, sharing the same Routing and Topology combinations of the four VCF cores.

The A input (LEFT) provides Normalization into the B input (RIGHT), allowing for a stereo image to be created from any monophonic signal source. All four A/B outputs can be utilized in stereo for more complex stereo filtering applications.

Pre-Filter Input DRIVE Control on each channel will push the input signal into heavy soft-clipping and saturation; adding Harmonic Content and increased low end for the VCFs to bite into. A Sine Wave can be over-driven enough to be useful with pleasing results.

RESONANCE may be nuanced or pushed all the way into Self-Oscillation across the entire bandwidth of 20+ Octaves.

All VCF cores Track 1V/OCT and Temperature Compensated.

The Stereo Dipole can fully function as a Single, Dual and Quad Sine Wave VCO/LFO.

The Series Routing configuration allows for additional tonal oscillation capabilities via the DIPOLE and DIPOLE AB outputs.

In addition to the A, B and Stereo 1V/OCT Inputs, the SPREAD CV Inputs may also be used as direct and accurate 1V/OCT control of the Secondary Peak on each channel.

Individual and Stereo Control Voltage inputs including Attenuators for STEREO RES, RES A/B and STEREO FREQ as well as Polarizing Attenuators for each Channel's FM CV input.
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 4 in stock $398.49
Cat: 743613 Rel: 23 Sep 19
Clean/character auto compressor & distortion - 4HP
Notes: Autodyne is a 4hp auto-compressor/distortion featuring a multi-mode side chain filter and NY style parallel compression blend control.

Ratio, Threshold and Gain are all built into a single, simple to use COMP control. Compression gets more extreme as this control is swept past centre position. Setting below centre offers more subtle/typical compression.

Autodyne Automatically Responds to Transients, will glue a mix with ease and dial in the perfect feeling of the program material you feed into it.

GAIN CONTROL to trim the final output gain or offer up some extremely brutal distortion, whichever you prefer.

Switchable Side Chain Filter is provided along with a triple slope high pass filter, in order to retain lower frequency content and unwanted over-compression by removing them from the Side Chain. Input signal is normalized into the Side Chain or an external signal may be utilized via the Side Chain Input.

Parallel Compression BLEND Control mixes the unaffected input signal with the compressed output for even further control of your sound. Compression may be bypassed simply by sweeping this control to minimum position.

Controls are simple enough to match in tandem for dual unit, stereo operation, if desired.

Audiophile grade discrete components and Burr-Brown op amps used throughout.
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 1 in stock $192.23
Cat: 745934 Rel: 19 Sep 19
Dual attack generator featuring two ASR envelopes with linear voltage curves
Notes: The Model 180 is 100% discrete transistor core dual channel A/D A/H/D function generator (envelope). A trigger or gate signal greater than 2.5v at the "trigger" input causes the output CV to linearly ramp up to its maximum value at a speed set by the "attack time" pot. Once reaching the maximum CV output (set from the factory at 5v but easily adjustable via trimmer) the module will hold at this level for a static duration set by the "note duration" pot, or will hold at its maximum level as long as the trigger input is high. This behaviour is selected with the "controlled internally" vs. "controlled by trigger length" switch. At the end of the "hold" period the CV output will ramp back down to approximately 0v at a rate set by the "decay time" pot.

Like many "west coast" function generators, the envelope cannot be retriggered until the attack phase is complete, allowing for some function as a clock divider etc. The attack, hold, and decay times can be set very fast, and the module can easily create percussive blips as well as longer drawn out envelope shapes.
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 1 in stock $421.16
Cat: 745932 Rel: 19 Sep 19
Dual sine-sawtooth generator based on Model 158 from the Buchla 100 series
Notes: The Model 158 is a dual oscillator created out of an entirely discrete transistor core. It consists of two independent and identical sides each with a front panel tuning knob, a frequency modulation input and attenuator, and a knob to fade smoothly between saw and sine waves. The RED PANEL model 158 is based off of the original "A" variant of the 158 oscillator.

The 158 was one of the very first voltage controlled oscillators ever produced. As such it contains many particular quirks/rawness of this first generation of synthesis. The exponential scaling of the oscillator is far from accurate, there is no temperature compensation, quick changes in pitch produce a slewing effect, and the saw waveform only vaguely resembles a saw wave through part of its range. It is as accurate a recreation as we believe is possible with the components available today. We performed hundreds of listening tests to find suitable replacements for obsolete transistors, and hand select multiple transistors on each individual unit to ensure that they have the proper sound.
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 3 in stock $484.88
Cat: 745929 Rel: 19 Sep 19
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
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 1 in stock $313.17
Cat: 745931 Rel: 19 Sep 19
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $313.17
Cat: 745927 Rel: 19 Sep 19
Quad VC Gate - 14HP
Notes: The Model 110 is 4 independent transistor based voltage controlled amplifiers behind one panel. Each VCA (or "gate" in the original terminology) consists of an audio input with an attenuator, a CV input, and 2 outputs. The VCA's are AC coupled - meaning that they will not pass slow (or static) control voltages. The VCA's are calibrated to unity (an input of a 10v peak to peak audio wave, will produce a 10v peak to peak audio wave at output) when 5v is applied to the CV input and the attenuator is at approximately the 3'oclock position.

Notes: Unlike the later (and better known) Model 292, the original low pass gate - the Model 110 is entirely transistor based (rather than vactrol based like the 292), and is much faster.
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 1 in stock $421.16
Cat: 745924 Rel: 19 Sep 19
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
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 1 in stock $313.17
Cat: 740273 Rel: 02 Oct 19
32 step sequencer with fractal-like pattern generation
Notes: If we're honest we don't really understand fractals. Something to do with maths, apparently. But that doesn't really matter because we do understand this sequencer module, which is ideal for randomly twisting and morphing sequences.

Supplier notes:
Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

At its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.

Bring your sequencing to life with Bloom.
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MRP:$413.39 SAVE 17%
 5 in stock $344.49
Cat: 746361 Rel: 16 Sep 19
Multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
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 1 in stock $205.17
Cat: 739889 Rel: 02 Oct 19
Four-channel precision adder, buffered mult, and transposition tool
Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.
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 3 in stock $255.94
Cat: 752820 Rel: 17 Oct 19
Comb oscillator, VOSIM, summation synthesis & phase modulation with adjustible waveform & wave folder
Notes: Loquelic Iteritas is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control. It creates a huge variety of sounds parameterized by four tone and two pitch controls.

It has had glowing reviews from Surgeon and Surachai, and I am personally very excited about this module!

It has a simple interface, with 3 different synthesis algorithms allied to a number of different controls / CV inputs which have different effects, depending on which mode you choose. Simply hook up a number of modulation sources to the 4 inputs and start wiggling!

Rev.2 now features an additional sync input.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 1 in stock $354.20
Cat: 731184 Rel: 02 Oct 19
5U version of the Ataraxic Iteritas
Notes: Ataraxic Iteritas Magnus is an extension of the first Eurorack module, the Ataraxic Translatron. AIM starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AIM. Ataraxic Iteritas Magnus is the 5U version of the Ataraxic Iteritas. Guaranteed to make the fax machine jealous on an even bigger scale.
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 1 in stock $448.17
Cat: 695618 Rel: 16 Sep 19
Analogue VCA with built-in oscilloscope
Notes: The Visual VCA is a voltage controlled, analogue amplifier module with additional waveform display. The signal amplification can be regulated via the two CV inputs. CV1 is usually controlled by the envelope. A special feature is CV2, because this input can only be used in conjunction with CV1 and is normally used for modulation effects. The integrated oscilloscope represents the waveform of the input signal and has a resolution of 128 x 64 pixels. With the interval controller you can set the sampling frequency.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $89.63
Cat: 695617 Rel: 16 Sep 19
Analogue VCO, switchable to DCO
Notes: The VCO/DCO is a voltage controlled analogue oscillator module. This can also be used as a DCO, eliminating the need for heating and temperature sensitivity. All functions except for the FM input are also available with the DCO. Sawtooth, triangle, rectangle and pulse are available as waveforms, with soft switching between the individual waveforms. This can also be done with a control voltage, so you have additional PWM modulation.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $98.27
MFB VC LFO Module (synth module)
Cat: 695621 Rel: 16 Sep 19
Voltage controlled LFO, switchable to oneshot mode
Notes: The module VC LFO accommodates a slowly oscillating oscillator, which is primarily used for modulations. It has five waveforms, CV input with attenuator and a control range from 10 seconds to 100 Hz. In addition, the LFO has its own reset input, over which the waveform is restarted. If you set the speed accordingly and have a separate reset pulse, you can synchronize the LFO with a sequencer. The following waveforms are available: rising sawtooth, triangle, falling sawtooth, rectangle and sample & hold.

The output voltages are maximum +/- 5 volts. The module has a width of 8 HP (40mm).
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 4 in stock $73.43
Cat: 695608 Rel: 16 Sep 19
Analogue synth module composed of three drum voices - 12HP
Notes: The module TT/CO/CL 522 is an enhanced circuit was used before in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY, TUNE and PITCH (only Tom/Conga) via CV-signals from Envelopes, LFOs and Step Sequencers. The unit can be triggered by different signals.

Beside sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Tom/Conga in detail:

DECAY adjusts the decay time up to one second.
TUNE sets the frequency of the TOM from 80 to 150 Hz (CONGA 120 to 200 Hz).
PITCH controls the duration and intensity of the pitch envelope.
ATTACK sets the click transient of the Tom/Conga.

To switch between Tom and Conga, a trigger impulse is needed.

For the CLAVE, DECAY adjusts the decay time. TUNE calibrates the CLAVE between 800 and 1500 Hz.

The module has a wide of 12 HP (60 mm).
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 2 in stock $106.91
Cat: 695609 Rel: 16 Sep 19
Analogue module composed of three drum voices - 12HP
Notes: The OH/HH/CY module is based upon the cymbal and hihat sound-circuit of the MFB-522 drum-computer, slightly modified and expanded.

The module was developed as a modular component. Therefore, the parameters decay for cymbal and open-hihat and tone can also be controlled by CV-sources like envelopes, LFOs, step-sequencers. Manual adjustment is available for the parameter tune that affects both cymbal and hihat as well as for the closed-hihat's decay.

Triggering open-hihat, closed-hihat and cymbal of the module is possible through various signal types. Besides sequencer generated analogue and digital trigger-signals, drum-pads, piezo and dynamic microphones may also be used. Here, the controls allow individual adjustment of the input sensitivity. Dynamic triggering will not only affect the sound's volume but also attack and sound length slightly. The functions in detail:

HIHAT: The hihat sound is created by several square-oscillators that are fed into a band-pass-filter. Two decay controls allow individual sound-length-adjustments for closed- and open-hihat. In addition, the decay parameter for the open-hihat can be controlled by CV-voltage.

TUNE: Sets the frequency for all square-oscillators simultaneously. Because the cymbal sound accesses the same oscillators, tune also affects this sound.

CYMBAL: The cymbal sound is based upon the same sound source as the hihat, only that it uses two band-pass-filters that individually shape the attack- and decay-phase. However, the decay parameter controls the length of both attack and sound length. This parameter can also be controlled by an external CV-source. Tone sets the balance between the differently filtered signals paths. This parameter is also under CV-control but does not offer an internal attenuator.

A specialty of the cymbal sound is its tone-input. Here, you can connect an external sound source that replaces the internal square-oscillators for the decay phase. The internal oscillators are still in use for the sound's attack-phase.

The module has a width of 12 HP (60 mm).
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 1 in stock $112.31
Cat: 695615 Rel: 16 Sep 19
Classic envelope generator - 8HP
Notes: The ADSR module is a voltage-controlled envelope generator. Normally, the characteristic is logarithmic, but a linear part can be added. With the help of the loop button, the envelope can also be used as an LFO, then Attack and Decay determine the frequency that goes far beyond 100 Hz. Another special feature is the CV inputs for Attack, Decay and Release. This can be used e.g. control or modulate the times externally. In addition to the normal output, there is an inverted output in parallel.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $80.99
Cat: 695610 Rel: 16 Sep 19
Stereo drum mixer - 12HP
Notes: The DRUM-99 module is an audio-mixer that has been designed for the modules of the MFB-DRUM series but also for usage with other manufacturer's modules. When using multiple drum-modules in a modular system, the following processing stages like filters or VCAs often lack enough audio inputs. To route a complete drum-set through a filter, a separate mixer like the DRUM-99 comes handy.

DRUM-99 offers five monaural inputs with individual level control. Tiny trim-controls are used to set the channel panorama position for the internal stereo-bus.

A fixed level stereo-input can accommodate the signal of one or more additional DRUM-99 modules. These inputs can also be used with the DRUM-06 module (Tom Tom) that also offers a stereo-output.

All five mono signals and the stereo-input are routed to the stereo-output that can be connected to two VCAs, filters or other sound manipulating devices. The output may also be used to connect the DRUM-99 to a mixing-console or audio-interface.

The stereo-output is designed for a possible summing with additional stereo-outputs.

The module has a width of 12 HP (60mm).
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 1 in stock $74.51
MFB Digital Delay Module (synth module)
Cat: 695614 Rel: 16 Sep 19
CV controllable digital delay with delay time from 2ms to 4000ms
Notes: The Digital Delay Module is a CV controllable digital echo with delay times of about 2 ms to 4 seconds.

The circuit comes from the MEGAZWERG has been improved in some points.

The audio signal is connected to the "In" socket and is connected to the "Out" socket again, depending on the Mix knob (left Original, right the Delayed). The signal can be limited with the "In" control. The LED indicates an overload.

The delay time is set with the Time slider and can be modulated via the CV Time input.

With the switch "Freeze" or with a positive voltage at the "Freeze In" the input signal can be frozen.

If the "Time" control is set to max. is equal to the input voltage at CV Time about 1V/oct and the range is 4 octaves.

With the "Range" control the delay can be roughly changed in time steps. The Feedback slider adjusts the amount of signal feedback. Using the FB Send and FB Return jacks, the feedback signal can be tapped separately, routed to another module or external effects unit, and fed back into the delay.

The module is compatible in design and bus power supply to the Doepfer A-100 modular system.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 4 in stock $122.03
Cat: 695607 Rel: 16 Sep 19
Clap module based on circuit designs of the MFB-522 & Tanzbar Lite
Notes: The Clap-522 Modul contains an enhanced circuit of the MFB-522 and Tanzbar Lite. You can edit and modulate the sound in a wide range.

As modular concept you have the possibility to control the parameter PUSE, SNAP, ATTACK, DECAY and FILTER via CV-signals from Envelopes, LFOs and Step Sequencers.

The parameters are in detail:

PULSE is the amount of claps between 1 and 7.
ATTACK sets the noise level between the clap repetitions.
DECAY controls the release of the noisy reverb.
FILTER defines the colour of the noise floor.
WIDE edits the gap between the single claps.

Beside sequencer generated analogue and digital trigger-signals, drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic trigger also changes the volume of the clap.

The module provides the new developed M-Bus connection. MIDI signals can control following destinations:

Trigger MIDI Note #39 or #82, switchable, with Velocity. Controller values for Wide, Attack, Decay and Filter.

The module has a width of 8 HP (40mm).
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 1 in stock $93.95
Cat: 695605 Rel: 16 Sep 19
Analogue synth module composed of three drum voices - 12HP
Notes: The module CB/RS/MA-522 is an enhanced circuit previously used in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY and TUNE via CV-signals from Envelopes, LFOs and Step Sequencers.

The unit can be triggered by different signals. Besides sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Cowbell in detail:
DECAY adjusts the decay time.
TUNE sets the cowbells frequency.
The functions of Rimshot in detail:
DECAY adjusts the decay time.
TUNE calibrates the frequency.
The Maracas owns a DECAY who sets the release time.
The modul provides the new developed M-Bus connection. Midi signals can control following destinations:
Trigger Cowbell MIDI Note #41, MIDI CC for Tune = 21, Decay = 37
Trigger Rimshot MIDI Note #37, MIDI CC, Tune = 19, Decay = 35
Trigger Maracas MIDI Note #70, MIDI CC, Decay = 46

The module has a width of 12 HP (60mm).
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 1 in stock $112.31
Cat: 695604 Rel: 16 Sep 19
MFB-522/Tanzbar style analogue bass drum module
Notes: The Bass-522 module is based on the 522 circuit and offers a punchy attack, long decay and wider pitch range. Adjustable noise and pitch envelope have also been added.

The sound can be triggered by Gate, M-Bus and signals like piezo pickups, dynamic mics and drum pads. The Sense parameter decides the sensibility and dynamic of attack, amplitude. decay and pitch.

The following parameters are available and can be controlled by CV:

TONE dampens the attack transient.
DECAY sets the release time of the amplitude.
TUNE defines the basic pitch from around 35 to 70 Hz.
PITCH controls the amount of pitch envelope.
NOISE mixes the noise floor (no CV control).

The module offers the new developed M-Bus connector which means you can you control everything via MIDI/CV interface or the new MFB SEQ-01 Pro Drum Sequencer without additional patching. The following addresses are supported:

Trigger with Velocity - MIDI Note #35 or #36 (switchable) and controller values for Tone, Decay, Tube, Pitch and Noise Decay.

The module has a width of 8HP (40mm).
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 4 in stock $85.31
Cat: 695619 Rel: 16 Sep 19
Analogue 24db lowpass filter - 8HP
Notes: The 24dB VCF SSI is a voltage controlled analogue low pass filter module with the new SSI2144 chip. In addition, it has a 12dB output that works either as a low pass or bandpass (+/- 12dB). There are two inputs, one with attenuator. Another CV input with attenuator is available for the cut-off frequency. The resonance is controlled either via a controller or via another CV input with attenuator.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $73.42
Cat: 744065 Rel: 17 Sep 19
4 input audio & CV mixer
Notes: Volts Platz has 4 inputs with attenuators. Input 3 is normalled to +ve for positive offsets (up to +8V), input 4 is normalled to -ve for negative offsets (down to -8V).

The first opamp stage now includes a switch to select x1, x2 or x10 amplification. You can take a direct (inverted) output from this stage.

The second opamp features switchable clipping diodes (LEDs) which clip anything above/below +/-5V. So 'normal' Euro signals go through unaffected. Flick the amplification switch and things gets dirty.

Patch a post-VCF signal into input 1. You can then use a combination of offsets at inputs 3 and 4, and CV into input 2 to explore modulated symmetric and asymmetric clipping.

Scale, offset, amplify, clip. Or just use it as a 4 input mixer.
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 1 in stock $89.62
Cat: 746964 Rel: 17 Sep 19
Synth module featuring two separate voltage processors
Notes: The upper voltage processor features four inputs which are mixed and inverted at the output. Inputs 2 and 4 have their own attenuator. Input 2 is normalised to a positive fixed voltage source, which may be attenuated, and appears inverted at the output, useful for applying negative offsets.

The lower voltage processor features two inputs which are mixed and inverted at the output. Input 2 has its own attenuator. Input 2 is normalised to a negative fixed voltage, which may be attenuated, and appears inverted at the output, useful for applying positive offsets.
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 1 in stock $89.63
Cat: 731214 Rel: 15 Oct 19
4-channel sequencer - 36HP
Notes: USTA is a 4×4 tracks sequencer for voltages and gates with variable stage duration, designed to quickly see and edit multiple voltage relationships in real time.

Variable stage duration means that every single stage duration can be individually set in relation to the clock, instead of being constrained to a one-to-one ratio (i.e. one stage per every clock impulse).

4×4 tracks means that every stage can store and generate up to four separate voltages (two CVs and two gates), and that up to four independent stage sequences can be arranged into as many different tracks.

Its architecture is based on an array of 16 'Stages' which form a 'Pattern'; 16 patterns form a 'Track', and four tracks form a 'Project'. Within each track, each stage can provide two gates and two CVs, and a wide set of options is available to define and modify the value of each output ('Layers') and the way it is played ('Colours').

Every Stage is related to a dedicated stepped encoder for quick and intuitive editing, and all the 16 encoders are arranged in an oval layout with a circular playhead. Every encoder is surrounded by a ring of 16 LEDs and a RGB led, to provide a visual feedback of the current setting of that step basing on the layer you are working on (like raw CV, quantized CV, length, gate...) and the way it should play depending on the RGB colour.
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 1 in stock $710.59
Cat: 744602 Rel: 02 Oct 19
Dual signal/audio crossmixer
Notes: The "CROSSMIX" module contains two independent crossfaders with two inputs to one output and is designed for audio or CV sources in the voltage range +-5v (Audio Modular Level).

In addition, the 4 inputs can be switched separately to +6db audio (for external line level sources) using the slide switch on the rear panel.

The two crossmix controls can be recorded. The recording time per channel is more than one minute. The playback speed can be adjusted in playback.

The recorded track is played back once when the Play button is pressed briefly (one shot) or in the loop when the button is pressed a little longer.

Both crossfaders have a separate reset input as well as a separate CV input (+-5V ) for controlling the mix e.g. by an LFO.

The track data remains permanently stored (battery buffered memory).
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 1 in stock $194.39
Cat: 744601 Rel: 23 Sep 19
Compact three-channel mixer - 6HP
Notes: The "AUTOMIX" module is a compact three-channel mixer for audio or CV sources in the voltage range +-5v (audio modular level).

The mix level of each track can be adjusted and recorded with the track control. The recording time per track is more than one minute. The playback speed is also adjustable.

The recorded track is played back once when the Play button is pressed briefly (one shot) or when the Loop button is pressed a little longer.

In addition, the 3 inputs can be switched separately to +6db audio (for external line level sources) using the slide switch on the rear panel.

All three tracks have a common reset input. The track data remains permanently stored (battery buffered memory).
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 1 in stock $194.39
Cat: 749524 Rel: 16 Oct 19
Compact modular system with full analogue design - Eurorack version
Notes: Pico System III brings modular synthesis back to the basics - the system has multi functional (instead of single-function, like Pico Drums or Pico Trigger in the Pico System II) analogue modules and is intended to encourage creativity in modular patching.

The system has 31 inputs and 20 outputs (master output is duplicated) + 7 switches; if you have enough patch cables at your disposal, you can patch the system in 121000931215044250740178662400 or 1.21x1029 variations (we ignored the possibility to adjust potentiometers here). Even though only 0,0001% of all patches will sound more-less enjoyable, you and all your future generations can spend a lifetime only patching the Pico System III.

Voice-cards with preset patches set it apart from other eurorack systems - they allow user to change patches instantly and radically, which makes the system well suited for experimental live performances. The system comes with 5 great sounding "factory preset" voicecards, and 5 DIY voicecards that are empty and users can develop their own patches. More voicecards will be available from the Erica Synths shop.

Eurorack module includes: 1 Hosa stackable cable, ribbon power cable, 5 factory preset & 5 DIY voice-cards, user manual and patch note sheets.
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 5 in stock $485.95
Cat: 732852 Rel: 27 Sep 19
Ring modulator with internal oscillator
Notes: Erica Pico Ring is a balanced modulator (quadrant multiplier) circuit to create bell-like, metallic or robotic sounds. It has built-in sine-wave modulation oscillator for more versatility.
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 1 in stock $98.26
Cat: 732843 Rel: 08 Oct 19
Vactrol based low pass gate - 3HP
Notes: Erica Pico LPG is our take on classical Don Buchla LPG designs. We use vactrols in the circuit for that signature sound, and we added some more features, like configurable resonance and built-in decay envelope.
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 1 in stock $118.78
Cat: 734886 Rel: 15 Oct 19
Stereo filter with voltage controlled resonance - 6HP
Notes: Versatile stereo digital filter based on Endorphin's Grand Terminal module. CV-controlled cutoff, resonance and separate high-pass filter. Simple but effective.

Supplier notes:
The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end
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 3 in stock $180.34
Cat: 734891 Rel: 15 Oct 19
Portable 2HP power module for compact skiff cases with dual passive mults
Notes: The power module from Endorphin.es is a module for the power supply of smaller modular systems such as skiff cases up to 104 TE width. The module consumes DC power between 12 and 20 volts from an external power supply unit. Voltages of up to +1000 mA and -700 mA are output, also depending on how strong the connected power supply is. In addition, there are two passive multiples.
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 2 in stock $117.70
Cat: 734884 Rel: 15 Oct 19
6HP VCO with auto-tuning & octave shift
Notes: The Endorphin.es Godspeed is sort of the single oscillator version of the famous Furthrrr Generator. From its big brother it takes over the digital Thru-Zero core and the legendary wavefolder. But it also has new features like a sub-oscillator output and an immensely practical autotune function.

Especially for people starting with a modular system this oscillator is highly recommended. On 6HP it delivers all the features (and more) needed for diving into the depths of West-Coast-Synthesis!
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 4 in stock $253.77
Cat: 745480 Rel: 19 Sep 19
Polivoks-inspired module for Eurorack format - 46HP
Notes: The idea of the Polivoks Mini analogue synthesiser came into mind in 1990, as the junior version of its older brother well known Polivoks full synth. The aim was to develop a way simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flaws of the Polivoks full synth. As the result of this research a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality.

The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
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 1 in stock $591.78
Cat: 745617 Rel: 17 Sep 19
10HP filter module based on the original parts of a well known Russian Synth
Notes: The Polivoks Filter Module, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone, and brings it to the Eurorack modular format. It provides two CV inputs with individual depth pots for ultimate control over cut-off frequency. One input with sensitivity control and four outputs are available simultaneously - lowpass, bandpass, highpass and notch filter types.

Width: 10HP
Current: 20mA
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 2 in stock $143.62
Cat: 727389 Rel: 02 Oct 19
Digital oscillator module with sub output & wavefolding - black
Notes: Sine is a harmonically pure VCO with two distinct outputs.

The primary output contains a perfect sine wave with a wide frequency range and pristine volt per octave tracking. The Sub output features two sine tones that can be blended together to achieve a mix of one octave below, or a fifth above the primary output's frequency.

In addition, both outputs have an internal wavefolder that adds harmonic content to the signal allowing for spectrally complex tones within a single module. Keep your tones pure (or not!) with Sine.
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 2 in stock $149.02
Cat: 727385 Rel: 02 Oct 19
High fidelity audio processor focused on granular synthesis
Notes: 2hp Grain is a high-fidelity audio processor focused on granular synthesis. It's capable of generating granular clouds, microsound phrases, and unique textures that are derived from any input signal. The Density control sets the rate of granularization applied to the input signal and sets its position within the buffer. The Mix control sets the balance between live input and the granular audio stream for dialling in the perfect combination of sounds. In addition, there is a frequency control and associated v/oct input allowing for pitch accurate sequencing of grains. Particle patching has never been smaller with Grain.
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 1 in stock $157.66
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