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Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal
Boss OD-200 Hybrid Drive Effects Pedal (distortion effects pedal)
Cat: 996875 Rel: 18 Mar 24
 
Hybrid drive effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analogue/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There's even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current OD-200 system software

Premium Drive Tones with BOSS's Advanced Hybrid Design

The OD-200's next-generation hybrid design seamlessly brings analogue and digital clipping circuits together for the best of all worlds, putting a universe of expressive drive colours under your fingers. Twelve modes offer a variety of premium overdrive, fuzz, and distortion sounds, including a high-gain Brown mode derived from the acclaimed Katana amplifier series. And with the three high-performance "X" drive modes powered by BOSS's cutting-edge MDP tech, you'll experience enhanced definition, clarity, and dynamic response that's perfect for modern playing styles.

Powerful Gain Shaping with Series and Parallel Boosts

While each of the OD-200's 12 main drive modes sound fantastic on their own, you're able to craft tones even further with 15 switchable boost circuits. Placing the boost in series lets you create traditional stacked drive voices, complete with post-gain level to balance with the bypassed sound or kick up the volume for solos. The boost circuit can also be used in parallel with the main mode, enabling side-by-side blending for an unlimited range of unique drive textures.

Kill the Noise and Tighten Your Tone

With its integrated gate circuit, the OD-200 always keeps your signal clear and quiet when you're not playing. The default setting is a great starting point, providing gentle, transparent gating that works well for general playing styles. The decay and threshold controls can also be adjusted for super-fast gate performance when needed, perfect for bringing tightness to heavy modern styles that combine full-throttle gain with precision staccato riffing.

Dial in Sounds Fast

The OD-200 offers a ton of advanced capabilities, but remains as simple to use as any regular distortion stomp. With dedicated controls, you can quickly dial in the gain and overall level for any selected mode, then sculpt the tone with wide-ranging low, mid, and high EQ. There's also a multi-function parameter knob, which changes operation based on the group selected with the panel's parameter switch and LED status indicators.

Save and Recall Your Favourite Setups

The OD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Drive Circuit: Analogue + Digital

Modes:
12 modes
OVERDRIVE, BLUES, SCREAM, CNTR OD, X-DRIVE, DIST, X-DIST, STACK DRIVE, FAT DIST, BROWN, X-METAL, FUZZ

Memory: 127 + Manual
Nominal Input Level: INPUT: -10 dBu
Maximum Input Level: INPUT: +7 dBu
Input Impedance: INPUT: 1 M ohm
Nominal Output Level: OUTPUT: -10 dBu
Maximum Output Level: OUTPUT: +7 dBu (Load Impedance: 220 k ohms or greater)
Output Impedance: OUTPUT: 1 k ohms
Recommended Load Impedance: OUTPUT: 10 k ohms or greater
Bypass: Buffered bypass

Controls: ON/OFF switch, MEMORY/BOOST switch
MODE knob, DRIVE knob, LEVEL knob, PARAM knob, LOW knob, MIDDLE knob, HIGH knob
PARAM button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: PARAM indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT jack, OUTPUT jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 220 mA

Expected Battery Life Under Continuous Use:
Alkaline: Approx. 6 Hours
* These figures will vary depending on the actual conditions of use.

Accessories:

Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight:

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height: (including rubber foot)65 mm / 2-9/16 inches
Weight: 600 g / 1 lb 6 oz
Weight (including battery): 670 g / 1 lb 8 oz
Read more
MRP:$271.61 SAVE 20%
 1 in stock $217.92
Click for better price!
or call +44 20 7424 1960
quote 996875
Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK)
Cat: 1008910 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)
Read more
MRP:$146.33 SAVE 15%
 1 in stock $124.30
Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal
Cat: 996860 Rel: 19 Mar 24
 
Digital delay effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colours from modern digital to classic analogue, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There's also a looper that's always ready to use, plus a selectable carryover function for seamless transitions between memories.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current DD-200 system software

Twelve Modes, Unlimited Sounds

With 12 different modes to choose from, the DD-200 provides nearly any flavour of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analogue echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There's also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colours are just a knob twist away.

Dial in Sounds Fast

The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive.

Save and Recall Your Favourite Setups

The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions.

Deep Real-Time Control

By default, the DD-200's multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers.

Ready-to-Go Looper

Any time you're ready, pressing the DD-200's two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you're able to develop expressive loops with any of the DD-200's rich delay sounds.

DD-200 Delay Modes

Standard-Clear digital delay. PARAM adjusts the delay attack.
Analog-Emulates classic analogue "BBD" delays like the BOSS DM series. PARAM controls character and distortion amount.
Tape-Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
Drum-Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
Shimmer-Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
Tera Echo-Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
Pad Echo-Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
Pattern-Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
Lo-Fi-Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
Dual-Two different delay lines connected in series. PARAM adjusts the time of the second delay.
Reverse-Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
Ducking-Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

*The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Modes: 12 modes
STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/TAP switch
MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob
TAP DIVISION button, MEMORY button

Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA

Expected Battery Life Under Continuous Use
Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
Read more
 1 in stock $240.01
Click for better price!
or call +44 20 7424 1960
quote 996860
Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal
Boss MD-200 Modulation Effects Pedal (modulation effects pedal)
Cat: 996868 Rel: 18 Mar 24
 
Modulation effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different modes provide every mod sound you need and more, and each includes customized controls that unlock deep tone shaping right from the panel. And with the powerful insert function, it's simple to patch in drive pedals and other effects for selectable pre or post processing.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current MD-200 system software.

Twelve Mod Essentials in One Pedal

Compact and mighty, the MD-200 gives you every key mod effect in a minimal footprint. Modern and vintage BOSS chorus effects are included, plus phaser, flanger, rotary, vibrato, and tremolo. Classic vibe and '70s phaser effects are also available, complete with selectable distortion for added versatility. BOSS's famous Slicer delivers lots of cool rhythmic grooves, while the rich Overtone effect dishes up fat octave tones and unique sonic colours. There's a highly adjustable auto wah as well, which can double as a foot wah when an expression pedal is connected.

Dial in Sounds Fast

With the MD-200's simple and direct interface, it's easy to craft inspiring sounds in the heat of the moment. Using dedicated controls, you can quickly dial in rate, depth, and level for any selected mode. You can also tap in the rate with a footswitch while playing, and visually set note subdivisions right from the panel. Going further, three additional parameter knobs dynamically change functions with each mode, providing extended tone shaping with no need to menu dive.

Save and Recall Your Favourite Setups

The MD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. And if you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device.

Instantly Change Effect Order for Optimum Tone

Using the MD-200's insert loop function, you're able to patch external pedals, set the ideal effect order, and save the setting to an onboard memory. For example, you can place a phaser or classic vibe before an external pedal in one memory, a chorus or flanger after in the next, and then switch between them. This is particularly useful with drive pedals, where the signal order can have a dramatic effect on the selected mod sound.

Deep Real-Time Control

By default, the MD-200's multi-function footswitches control bypass, memory scrolling, and tap tempo, but you can easily reassign them to alternate functions as needed. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control various functions from MIDI devices like the ES-8 and ES-5 effects.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes:12 modes; CHORUS, CE-1 CHORUS, FLANGER, PHASER, VINTAGE PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, ROTARY, AUTO WAH, SLICER, OVERTONE
Memory: 127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/TAP switch, MODE knob, RATE knob, DEPTH knob, E. LEVEL knob, PARAM 1 knob, PARAM 2 knob, PARAM 3 knob, TAP DIVISION button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack

USB port: USB micro B-type (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA
Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight
Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot)65 mm 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery)680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
Read more
MRP:$271.61 SAVE 21%
 1 in stock $213.80
Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal
Boss SY-200 Synthesiser Effects Pedal (synthesis effects pedal)
Cat: 996878 Rel: 19 Mar 24
 
Synthesiser effects pedal
Notes: A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms
Read more
MRP:$331.62 SAVE 15%
 1 in stock $281.08
Click for better price!
or call +44 20 7424 1960
quote 996878
Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal
Cat: 972476 Rel: 12 Oct 23
 
Digital delay effects pedal.
Notes: Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$206.34 SAVE 17%
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Boss OC-5 Octave Effects Pedal Boss OC-5 Octave Effects Pedal Boss OC-5 Octave Effects Pedal
Boss OC-5 Octave Effects Pedal (pitch/frequency effects pedal)
Cat: 996380 Rel: 16 Feb 24
 
Octave effects pedal
Notes: The New Standard in Octave Pedals

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

OC-5 Octave Sound Tryout

Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

High-Octane Octave Performance

Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.

Classic Tones with Vintage Mode

Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.

Enhanced Poly Mode

The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.

Extended Range with Octave Up

Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.

Guitar/Bass Switch and Direct Out

The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.

Specifications

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)

Current Draw: 60 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
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 2 in stock $133.70
SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white)
Cat: 958661 Rel: 18 Jul 23
 
A drifting memory station designed to work with meditative states through music.
Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!
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 2 in stock $608.48
Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue)
Cat: 959522 Rel: 28 Jul 23
 
Stereo ambient reverb effects pedal.
Notes: The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.
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 2 in stock $352.66
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quote 959522
Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition)
Cat: 977991 Rel: 20 Nov 23
 
Overdrive effects pedal
Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!
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MRP:$146.33 SAVE 12%
! low stock $129.29
Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal
Cat: 986581 Rel: 02 Jan 24
 
Pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium
Notes: HI POWER is Crazy Tube Circuits' next endeavour in pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium.

It was inspired by the sonic combination of two British tone machines. The almighty Colorsound Power Boost meets the blistering high-headroom Hiwatt amp.

While the combination of these two units directly hints at the gear setup of David Gilmour and especially the gear used on Pink Floyd's album: Wish You Were Here (think the guitar solo sounds of "Shine on you Crazy Diamond", "Have A Cigar") the sonic options are endless.

The orange enclosure silicon transistor circuit (Colorsound Power Boost) can deliver from a transparent clean boost to an all-out fuzz driving a tube amp to sonic bliss. Crazy Tube Circuits set out to clone the original unit featuring the true-to-the-original spec BC184 transistors running on 18V DC (via an internal voltage booster circuit).

The ultra-flexible 2-band Baxandall EQ circuit can add bite and low-end rumble to any setup. Crazy Tube Circuits used a reverse log gain pot (labelled as volume), compared to the linear taper pot found in the original units and acted as an on/off switch, to be able to set the amount of boost/overdrive more precisely. While the earlier units didn't feature a master volume control (only as an aftermarket mod - Pete Cornish made an external unit master volume for David Gilmour's Power Boost) Crazy Tube Circuits chose to include one that is setup in a way so that when it is all the way clockwise it is bypassed. Later versions of the Power Boost had 9V power supply and were renamed as the "Overdriver" due to the lower headroom and their ability to drive the signal earlier. They were offered in a grey enclosure and can be seen in the gear setups of Jeff Beck, Marc Bolan, etc. Crazy Tube Circuits chose to incorporate this version as well with a flip of a toggle switch (PWR-ODR toggle switch).

On the left side of the HI POWER you will find an all-analogue circuit set out to emulate the sound and feel of a Hiwatt amp. Following the path of the famed British tube amplifier, this circuit offers authentic amp tone and feel resembling guitar tones from guitar greats like David Gilmour, Pete Townsend, Jimmy Page, Noel Gallagher to name a few. From the big bold high-headroom clean sounds to the face-melting crunchy tones.

True to the last detail, Crazy Tube Circuits have included the full EQ section along with a presence control located at the negative feedback of the power amp simulation circuit. A headroom toggle switch selects between the high headroom 100w power section provided by a quartet of EL34s (think Hiwat DR103), or the lower headroom and compression provided by a 50W power section with a pair of EL34s when hit hard (think DR504). Similar in operation to the original amps the master volume was designed to produce more gain at higher settings.

Crazy Tube Circuits taken the design a step further by adding a switch to select between input channels of the amplifier. You can select between the full response of the normal channel of the amplifier, the increased presence and tight low end of the bright channel input or the "Gilmour-ish" enhanced frequency response and added gain of those inputs linked together. This follows the modifications that Pete Cornish did to all David Gilmour's Hiwatt amps.

Like their other dual overdrive/amp-in-a-box designs, Crazy Tube Circuits also included a passive effects loop to give you the option to connect your beloved pedals between your booster/overdrive and amp in a box or use the two sections as separate and independent effects when using an external bypass switcher/looper. Gilmour enthusiasts will love to insert their Big Muff, Tube Driver and Phase 90 in there. Note that all pedals inserted in the passive effects loop are still in the signal chain when any or both sections of HI POWER are in bypass.

HI POWER features a power-up bypass/engage pre-set function for the footswitches. That way you can select which state your pedal will go to when you plug the power supply. This function comes in especially handy to people that use remote pedal switchers / loopers as they only set the state of the pedal once and then operate from the controller.

All-analog dual booster/overdrive - amp in a box.
Recreates the tones of the legendary setup used by David Gilmour in the recordings of Pink Floyd's Wish You Were Here album.
Right side: Faithful reproduction of the Colorsound Power Boost/Overdriver circuits with true-to-the-original-spec BC184 transistors.
Controls: gain, bass, treble, master, voicing toggle.
Wide gain range control: from transparent boost to gnarly and fuzzy overdrive.
Two-band (treble & bass) Baxandall EQ.
Master knob sets overall output. Huge amount of dB boost available.
Toggle switch to select between the 18V Power Boost style circuit or the 9V Overdriver style circuit.
Left side: Hiwatt AMP in a box overdrive.
All analog simulation of the preamp and power amp sound and response.
Controls: gain, bass, middle, treble, master, input channel toggle switch, headroom toggle switch.
Gain control: from clean to big bold British crunch/overdrive.
3-band Hiwatt style EQ (bass, middle, treble).
Presence control follows the original design/is located at the negative feedback of the power amp simulation circuit to control the amount of upper mid and high frequencies.
Master knob sets overall output volume. Designed to respond like the original control producing more gain at higher settings.
Input channel toggle switch selects between normal, bright, or linked input channels of the AMP for different voicing and gain levels.
Headroom toggle switch selects between the high headroom and dynamic response of a 100W amp or the lower headroom and compression of a 50W power amp.
Independent operation of the BOOST/OVERDRIVE and AMP sections
Click-less true bypass design via high-quality relays for each section.
2 Footswitches / 2 Status LEDs - one for each effect section.
Power-up bypass/engage preset function for the footswitches.
Top-mounted jacks
Passive series effects loop to connect pedals between the two sections or use them separately as independent effects.
Power Supply: Use only 9V DC, 2.1 mm x 5.5 mm, center negative (not included).
Runs internally at 18V DC (via voltage doubler circuit) for higher headroom and tube-like performance.
Current consumption: 84mA.
British Racing Green die-cast enclosure with color-coded lettering for the control section (orange for BOOST/OVERDRIVE section, white for AMP section).
Dimensions: (W x L x H): 119 x 97 x 53 mm.
Weight: 444 g.
Made in Greece.
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Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 01 Mar 24
 
Space echo effects pedal
Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz
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MRP:$375.83 SAVE 20%
 2 in stock $300.02
Endorphin.es Golden Master Multi-Band Processor Effects Pedal
Cat: 945400 Rel: 19 Oct 23
 
A multi-band processor effects pedal.
Notes: Pedal version of the excellent Golden Master module, featuring multi-band end-of-chain processing with EQ, compression and mid/side stereo widening effects. Ideal for bass or guitar.

Supplier's Notes:
On-stage mastering

Based on Endorphin.es' Golden Master eurorack module and our experience in electronic live music performances, Endorphin.es developed Golden Master - a multiband processor pedal to deliver high pressure audio for live concerts and venues: sound loud without overloading the master limiter.

Multiband processor consists of EQ, compressor and mid-side

24 bit 96 kHz audio I/O with 32 bit internal processing

Stereo enhancer for each of the 3 bands

High impedance inputs, pseudo-balanced outputs: works also as a DI-box on stage

One knob compressor per band along with global threshold allows you to intuitively achieve results

Dedicated expression pedal for master volume control

Two footswitches let you select presets and bypass with your feet
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Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal Dreadbox Psyclop Analogue Dry & Wet Mixer/Attenuator & Booster Effects Pedal
Cat: 1003303 Rel: 28 Feb 24
 
Analogue dry & wet mixer/attenuator & booster effects pedal
Notes: The Dreadbox PSYCLOP is the ultimate modern utility device. It's an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible.

PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.

Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.

To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.

Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.

So all you have to do is plug in and embark on your next thrilling sound design adventure.
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 1 in stock $97.89
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quote 1003303
SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (orange) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (orange) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (orange) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (orange) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (orange) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (orange) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (orange)
Cat: 958654 Rel: 18 Jul 23
 
A drifting memory station designed to work with meditative states through music.
Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!
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Walrus Audio 385 MKII Dynamic Overdrive Effects Pedal (black) Walrus Audio 385 MKII Dynamic Overdrive Effects Pedal (black) Walrus Audio 385 MKII Dynamic Overdrive Effects Pedal (black) Walrus Audio 385 MKII Dynamic Overdrive Effects Pedal (black)
Cat: 974681 Rel: 01 Nov 23
 
Dynamic overdrive effects pedal.
Notes: Inspired by the vintage Bell and Howell 385 Filmosound projector that guitarists have modified and used as guitar amps, Walrus has created a dynamic and responsive overdrive modeled after the projector's tone.

The 385 was developed to have the same simple but effective tone control as it's older relative, but unlike the projector, the 385 breaks up the single tone control and integrates separate, boost and cut bass and treble, allowing the player to get more creative with mid-frequency scoops and bumps allowing for a much wider array of tones to be achieved.

The pedal is internally running at 18v, which helps us nail the same dynamic feel of the amp in a stomp box.

This means it is extremely sensitive to how hard you dig in - just like the amp.

Updated for 2023.

Controls:

Bypass: Soft touch, relay true-bypass. Press the switch to engage/disengage the pedal. LED indicates whether the circuit is engaged or not.
A/B: Soft touch switch. Press to swap between using either A (White) or B (Red) Volume and Gain controls. LED indicates which controls are being used - White for A, Red for B.
Volume A: Controls the overall volume in the A setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain A: Controls the overall gain in the A setting. Turn clockwise for more gain, counterclockwise for less gain.
Volume B: Controls the overall volume in the B setting. Turn clockwise for more volume, counter-clockwise for less volume.
Gain B: Controls the overall gain in the B setting. Turn clockwise for more gain, counterclockwise for less gain.
Treble: Used to adjust the level of the treble frequencies. Turn clockwise to increase the level of the treble frequencies. Turn counter-clockwise to reduce the level of the treble frequencies.
Bass: Used to adjust the level of the bass frequencies. Turn clockwise to increase the level of the bass frequencies. Turn counter-clockwise to reduce the level of the bass frequencies.
385+ Switch: When the switch is down, you are able to achieve classic 385 sounds. Flip the switch up to add an additional gain stage to the input of the pedal, achieving heavier gain sounds and driving the pedal harder.

Specifications

The 385 comes in a matte black finish with yellow and red ink featuring original artwork of a vintage Belle and Howell 385 projector by David Huttner ready to give you the dynamic tone you've been searching for.
The die cast enclosure's exact size is 12.1 x 6.6 x 3.5 cm
Power requirements are 9VDC (100mA minimum). The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended. Power supply not included.
Input: 1/4" TS, Unbalanced, 1M impedance
Output: 1/4" TS, Unbalanced, 10k impedance
True Bypass
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 1 in stock $248.44
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quote 974681
Electro-Harmonix Walking On The Moon Analogue Flanger & Filter Matrix Effects Pedal Electro-Harmonix Walking On The Moon Analogue Flanger & Filter Matrix Effects Pedal Electro-Harmonix Walking On The Moon Analogue Flanger & Filter Matrix Effects Pedal Electro-Harmonix Walking On The Moon Analogue Flanger & Filter Matrix Effects Pedal
Cat: 959596 Rel: 27 Jul 23
 
Andy Summer's flanger effects pedal.
Notes: Celebrating the classic, shimmering flanger sounds of Andy Summers, the EHX Walking on the Moon is a tribute to the tones Andy employed while carving his niche in the early days of playing with the Police. Liquid flange effects that hint toward chorus with extra depth and nuance make Andy's sound one of the most coveted in all of the guitar universe.

"This beautiful shimmering which sort of made the sound more bigger and more glamourous - became a sort of characteristic of my guitar sound - A big part of my guitar sound at that time in The Police was the flange sound which we have here today in this great new pedal." - Andy Summers

The Andy Summers Walking on the Moon is an analogue flanger with a simple but powerful control set of RATE, RANGE, and COLOR. RATE sets the speed of modulation which ranges from slow, smooth filter sweeps to jittering vibrato. RANGE controls how narrow or wide the effect sweeps into the bass frequency range. The COLOR control effects the intensity of the flanger effect from subtle chorusing effects to classic jet woosh sounds. These three controls interact to create a wide breath of modulation effects.

Additionally, the Walking on the Moon includes a FILTER MATRIX which disengages the LFO from the flanger circuit, freezing the flanger giving a fixed filter effect, which can add chime or metallic overtones to your sound without the movement of a traditional modulation pedal. A DRY output allows you to split your dry signal from the effected signal.

Special Artist Edition graphics featuring Andy's signature adorn the chassis and a tribute Walking on the Moon poster with art by Laura Josephson is included with each pedal.

Analogue Flanger / Filter Matrix sounds of Andy Summers
RATE sets modulation speed
RANGE adjusts lower limit of flanger sweep
COLOR controls intensity of flanger effect
Dedicated DRY output
Special Artist Edition Graphics
Includes Walking on the Moon poster design by Laura Josephson
True Bypass
9V Power Supply included (optional 9V battery not included)

Specifications
Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 40mA
Year Released: 2023
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quote 959596
Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (black) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (black) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (black) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (black) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (black)
Cat: 959527 Rel: 28 Jul 23
 
Stereo ambient reverb effects pedal.
Notes: The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.
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 2 in stock $342.14
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quote 959527
Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal Keeley Electronics Muse Driver Andy Timmons Full Range Overdrive Effects Pedal
Cat: 992141 Rel: 23 Jan 24
 
Andy Timmons full range overdrive effects pedal
Notes: The MUSE DRIVER - Andy Timmons Full Range Overdrive is an overdrive workstation that allows you to orchestrate everything from a clean boost to a treble supercharger, a chimey tube-amp overdrive to a square-wave, germanium fuzz generator and more.

This Pedal combines a three-control blues driver circuit with two switches for the voicing of Drive and Tone characteristics. Robert and Andy developed these switches to give players a broad range of drive tones. The Drive toggle engages two germanium diodes for a smoother, slightly compressed drive. Switch to Andy's clipping style for a brighter and more articulate attack.

Every part of the circuit has been optimized for tone and the demanding needs of a recording and touring artist such as Andy Timmons. Simply adding the MUSE DRIVER to your pedalboard will make your rig sound better. This professional grade overdrive can be switched between true-bypass and buffered bypass at any time.

Andy Timmons - Tone Switch

This drive pedal gives you two tone control circuits to choose from. When the Tone Switch is up and in the AT Position the tone control features Andy's preferred voicing and low-end response. Each note in a chord is clear and articulate. If the Tone Switch is down and in the RK Position that features the legendary Phat Boost providing more low-end frequency response, perfect for pushing up vintage or single coil pickups.

Full Range Overdrive - Germanium Toggle Switch

The MUSE DRIVER combines JFET saturation, diode clipping, and op-amp clipping in order to create its harmonically rich tone. Drive Switch UP for AT Clipping - this mode features asymmetrical LED and silicon diode clipping and is Andy's Super AT Mod sound. Drive Switch Down for RK Clipping - now the circuit features two germanium diodes for clipping. This mode can sound a bit like a vintage fuzz pedal with a softer, smoother feel.

Muse Driver - Buffered Bypass or True Bypass

The pedal features our industry leading buffer for noise-free switching. Keeley Electronics have developed a buffer which not only makes your rig sound better, it gives you silent switching with no tone loss. Switch between true-bypass and buffered on the fly. Simply press and hold the foot switch for two seconds and the pedal will switch between true-bypass and buffered bypass! You decide what works best in your rig.

Made In The USA

Keeley Electronics design, engineer, and manufacture the Keeley Electronics/Andy Timmons MUSE DRIVER in Oklahoma City. Everything about the MUSE DRIVER is geared towards the professional musician and their quest for an inspiring tone when performance demands it. From the meticulously built circuit boards to the newly fabricated aluminium enclosure; we make guitar effect pedals like finely crafted musical instruments.
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 2 in stock $210.54
Boss RC-1 Loop Station Effects Pedal Boss RC-1 Loop Station Effects Pedal
Cat: 996011 Rel: 19 Feb 24
 
Loop station effects pedal
Notes: The BOSS RC-1 is Boss' simplest and most user-friendly Loop Station ever, and it's a ton of fun! Since the RC-20 Loop Station was first released in 2001, BOSS has led the way by continually releasing new looping products. Though they've been used and enjoyed by various looping artists and performers, BOSS still pursued an easier and more affordable solution. The RC-1 is a straightforward looper that is easy to operate. Experience the fun of looping when you record, playback, overdub, and undo or redo loops using this compact BOSS stompbox. And of course, the RC-1 retains the BOSS quality and performance that musicians around the world have come to expect and rely on.

On the top panel, there is a new and innovative loop indicator, which consists of a 24-segment LED laid out in a circular pattern. You can quickly and easily determine the current status of the Rec/Overdub/Play modes. With a maximum 12 minutes of stereo recording time, the RC-1 is capable of capturing any extended performance that you can create or imagine! The stereo in/out jacks can be used with stereo effects and amplifiers. Additionally, they allow you to connect stereo instruments, such as synthesizers. Other convenient features include battery and AC power, as well as flexible external footswitching capabilities. The RC-1 is an especially great partner to start enjoying looping!

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Maximum Recording Time: Approximately 12 minutes

Controls: Pedal switch, LEVEL knob
Indicators: CHECK indicator, LOOP indicator

Connectors:
INPUT A (MONO) jack: 1/4-inch phone type, INPUT B jack: 1/4-inch phone type, OUTPUT A (MONO) jack: 1/4-inch phone type, OUTPUT B jack: 1/4-inch phone type, STOP/UNDO jack: 1/4-inch TRS phone type, DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 430 g / 1 lb
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quote 996011
Boss DD-8 Digital Delay Effects Pedal Boss DD-8 Digital Delay Effects Pedal Boss DD-8 Digital Delay Effects Pedal
Cat: 996038 Rel: 29 Feb 24
 
Digital delay effects pedal
Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
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Boss RE-2 Space Echo Effects Pedal Boss RE-2 Space Echo Effects Pedal Boss RE-2 Space Echo Effects Pedal
Cat: 996050 Rel: 19 Feb 24
 
Space echo effects pedal
Notes: Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.

With the RE-2, the authentic sound and behaviour of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint-realized in flawless detail by the company that designed the original.

When tape-based echoes were standard in the music world, the RE-201 was a leader in its class. Equipped with three evenly spaced tape heads and a spring reverb tank, it could produce everything from clean, single delays to dense, rhythmic echoes and ambient washes. The RE-201's appealing sound was influenced by many factors, from the warm compression of magnetic tape saturation to the evolving modulation produced by motor speed fluctuations, friction, and other elements. Last but not least, analogue preamp circuitry was a key ingredient in the Space Echo's rich sonic recipe.

In developing the RE-2 and its big brother, the RE-202, BOSS engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. We carefully analysed several vintage RE-201s, including a pristine original unit from the BOSS and Roland factory archive. Everything that influences the sound has been recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, spring reverb character, and more.

The RE-2 squeezes the complete sonic character of the RE-201 into the classic BOSS compact pedal format. The 11-position mode selector lets you dial in different virtual tape heads with or without spring reverb, and you can balance the echo/reverb blend with independent level knobs. Every behaviour is accurately replicated, such as the gradual pitch change that occurs with Repeat Rate tweaks and the runaway feedback that happens when maxing the Intensity knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

The RE-2 takes the Space Echo experience further with versatile features for today's music. Delay time has been doubled and tap tempo control is supported, and there's a cool Twist function for creating evocative special effects as you perform. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing. Full stereo I/O is available, and it's possible to mute the dry signal for parallel effect setups and studio use. The RE-2 also supports expanded control via external footswitches or an expression pedal, including continuous pedal control of multiple panel functions at once.

Specifications

Modes: 11 modes
Nominal Input Level: INPUT A(MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A(MONO), INPUT B: +7 dBu
Input Impedance: INPUT A(MONO), INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A(MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A(MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A(MONO), OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A(MONO), OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass

Controls: MODE knob, REPEAT RATE knob, WOW & FLUTTER knob, INTENSITY knob, TONE knob, ECHO knob, REVERB knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT A(MONO) jack, INTPUT B jack, OUTPUT A(MONO) jack, OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)
Current Draw: 75 mA

Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: (including battery)450 g / 1 lb
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Boss RV-6 Reverb Effects Pedal Boss RV-6 Reverb Effects Pedal
Boss RV-6 Reverb Effects Pedal (time effects pedal)
Cat: 996376 Rel: 19 Feb 24
 
Reverb effects pedal
Notes: Infinite inspiration, ready to play

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

Simply Great-Sounding Reverbs

Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won't turn your tone to mud. And modern players will love the new Shimmer and Reverb + Delay modes.

Dialled-In Sounds at Your Command

The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy- just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6's sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting.

Analogue Dry Tone and Versatile I/O

While the RV-6's reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analogue as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There's also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.

Reverb Modes

+DELAY - This is reverb combined with delay. The synergistic effect provides rich reverberation.
SHIMMER- This reverb is distinctive for its sparkling high-frequency range. It produces fantasy-like reverberation wrapped in spacious overtones.
DYNAMIC- This reverb automatically sets the depth of the effect according to your performance. It produces deep reverberation without blurring the overall shape of your playing.
ROOM- This reverb simulates the reverberation of a room. It produces warm reverberation.
HALL- This reverb simulates the reverberation of a hall. It produces clear and spacious reverberation.
PLATE- This simulates a plate reverb (a reverb unit that uses the vibration of a metal plate). It produces metallic-sounding reverberation with an extended high-frequency range.
SPRING- This simulates a spring reverb built into a guitar amp.
MODULATE- This reverb adds modulation to hall reverb, producing extremely good-feeling reverberation.

Specifications


Reverb Modes:

8 modes- HALL, PLATE, ROOM, SPRING, MODULATE, +DELAY, SHIMMER, DYNAMIC
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E.LEVEL knob, TONE knob, TIME knob, MODE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors: INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, EXP jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Expression Pedal: BOSS FV-500H, FV-500L, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb
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Boss DS-1 Distortion Effects Pedal Boss DS-1 Distortion Effects Pedal
Boss DS-1 Distortion Effects Pedal (distortion effects pedal)
Cat: 996884 Rel: 15 Feb 24
 
Distortion effects pedal
Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz
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 1 in stock $63.15
Hungry Robot The Collective Complex Fuzz Pedal
Cat: 872177 Rel: 05 May 23
 
The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur.
Notes: The Collective is a brand new fuzz pedal designed by Hungry Robot. The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur. The Collective covers a lot of ground with plenty of external controls as well as over a DOZEN internal parameters to narrow down that perfect fuzz tone. The Collective is a pedal that requires and encourages exploration. The Collective has three fuzz circuits in one box. On top of that there is a 2-band State Variable Filter and a chatotic feedback loop.

Starting at the top of the pedal, the "Conventional" knob is a traditional sounding fuzz. This is meant to balance out the more chaotic fuzz tones and provides a bread-and-butter sound when you need it. The "Low Spectrum" and "High Spectrum" knobs are part of an active State-Variable Filter, similar to the one found on The Lumen. The "Synthetic" knob is a logic based CMOS fuzz that can be described using the words, velcro-ey, synth-ey, gate-ey, and glitch-ey. The "Pristine" knob allows you to blend in your clean signal when you need a bit of pureness to balance out the crazier sounds. On the left is the "Overload" knob. This controls the amount of signal let back through an internal feedback loop. The output of the fuzz is fed back into the input causing self-oscillation and some gnarly textures. Underneath the knob is a dedicated momentary footswitch to activate the feedback loop or you can latch the feedback loop ON by flipping the toggle switch up. On the right is the "Submerge" knob. This is a monophonic sub-octave fuzz. Similar to the "Synthetic" fuzz, this is also CMOS-based, so similar gated, unstable tones. The "Submerge" also has a dedicated momentary footswitch to add in the sub-octave with its own toggle switch that can latch the sub-octave.

Controls

Conventional: Adjusts the volume of the Conventional Fuzz
Synthetic: Adjusts the volume of the Synthetic Fuzz
Pristine: Adjusts the volume of the clean signal.
Overload: Controls how much feedback is looped back into front end when Overload is active.
Latching Toggle Next to Overload: Latches the Overload effect ON when up. When down, the effect is bypassed.
Footswitch Below Overload: Momentary control of Overload effect. Does the opposite of what the Toggle Mode is set to.
Submerge: Amount of Submerge, monophonic sub-octave is sent to the output.
Latching Toggle to Submerge: Latches the Submerge effect ON when up. When down, the effect is bypassed.
Footswitch Below Submerge: Momentary control of Submerge effect. Does the opposite of what the Toggle Mode is set to.
Middle Footswitch: Master Bypass

Technical specifications:

Current Draw: 97 mA
Dimensions: 5.7" x 4.7"
Powering: 9V DC - Negative Center - 2.1mm Barrel
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Walrus Audio Fable Granular Soundscape Generator Effects Pedal Walrus Audio Fable Granular Soundscape Generator Effects Pedal Walrus Audio Fable Granular Soundscape Generator Effects Pedal Walrus Audio Fable Granular Soundscape Generator Effects Pedal
Cat: 933053 Rel: 03 Apr 23
 
Unique soundscapes ranging from smooth ambience to bizarre reverberance to chaotic glitchy swarms.
Notes: Delay and granular sampling combine to create unique ambience effects, creative reverbs and glitchy chaos. Hugely versatile pedal with five contrasting programs.

Supplier's Notes:
In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analogue Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.
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Beetronics FX Seabee Analogue Multi-Chorus Effects Pedal Beetronics FX Seabee Analogue Multi-Chorus Effects Pedal Beetronics FX Seabee Analogue Multi-Chorus Effects Pedal
Cat: 934389 Rel: 03 Apr 23
 
A multi-chorus pedal that delivers the finest analogue bucket brigade chorustones.
Notes: The Seabee is a multi-chorus pedal that delivers the finest analogue bucket brigade chorus tones, but like any Beetronics, it goes a few steps further. By digitally controlling the chorus delay time, the Bees have created Harmochorus - a never-before-heard pitch shifting modulation that can certainly inspire new genres.

Three Chorus modes provide the classic, lush chorus and vibe sounds we all love, with each mode offering the ability to control the effect in different ways. Vary between two different speeds and/or depths, go from zero to full depth intensity, or even increase the chorus delay time for a whole new spectrum of sounds.

Three Harmochorus modes give you a unique and inspiring new approach to the effect. The easiest way to explain it's that, when clean, it sounds like angel bees are accompanying you, and when paired with some buzz, it sounds like a swarm of killer bees producing the most dangerous pitch shifting modulation are after you! You can choose between two different pitches and speeds, a combination of twelve chords and twelve different arpeggio patterns, or simply choose between thousands of random patterns.

No matter which mode you choose, the Seabee will navigate you to inspiring and creative places.

Its simple layout with only three knobs hides a multitude of possibilities with alternate controls, three ramp shapes, tap tempo, a 4-way tone filter, feedback control, and a rate that ranges from very slow to ultra-fast waves, even reaching ring modulator ranges.

There are two stereo output options, 16 onboard presets, full MIDI control, expression in, external tap and 4 input level options so you can process guitar, bass, all kinds of active pickups or synthesizers and still keep the bucket brigade in its sweetest spot?

It's hard to believe that an analogue chorus can be so complete, versatile, unique and intense - all at the same time. But get ready, because Tone Fishing is about to beecome a thing.

Analogue sound path with the finest bucket brigade chorus tones.
3 Chorus modes / 3 Harmochorus modes
Never before heard pitch shifting chorus with arpeggios and random patterns.
Truly expressive ramping gives you musical control.
16 Onboard presets, Tap Tempo, MIDI, Expression and more.
Selectable input level (supports guitar, bass, active pickups, synthesizers and more)
Hand-assembled in Los Angeles, CA.

Packaging Dimensions: 15.2 x 13.7 x 7.6 cm
Weight: 0.49 kg
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Solid Gold FX BETA-V Bass Preamp Effects Pedal With Drive Solid Gold FX BETA-V Bass Preamp Effects Pedal With Drive Solid Gold FX BETA-V Bass Preamp Effects Pedal With Drive
Cat: 935851 Rel: 04 Apr 23
 
Bass preamp effects pedal.
Notes: The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX's top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today's modern bass amplification.

Yes, we all know the convenience of a lightweight "sub 10 lbs" bass head that pumps out 500 watts and a neo cab that doesn't require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, with the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience.

Solid Gold FX's classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a centre bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses.

Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the centre. Dialling in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.
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 2 in stock $192.64
TouellSkouarn Mar Karit Tube Preamp Pedal TouellSkouarn Mar Karit Tube Preamp Pedal
Cat: 938833 Rel: 14 Apr 23
 
A tube pedal preamplifier.
Notes: Mar Karit is a tube pedal preamplifier.

It contains 2 tubes, one NOS EF86 for the preamp section and one 6J1P (6ak5) for the buffer output. It is an all tube Preamp.

It runs on a 9V power supply (center positive) - and operate internally at 35volts. Furthermore, it produces a warm, rich, and full-bodied sound, and can capture both the softest and loudest sounds with great accuracy and clarity.

Pushed a little too far, it can produce pleasing harmonic distortions and warm saturations. The two volume knobs control the level of each stage.

All tube preamp
EF86 and 6J1P
High end components (Nichicon, Panasonic caps, Alpha pots and Switch, Rean Jacks...)
Made in France
True Bypass
9V DC / input power supply positive tip
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TouellSkouarn Kruel Fuzz Effects Pedal TouellSkouarn Kruel Fuzz Effects Pedal
TouellSkouarn Kruel Fuzz Effects Pedal (distortion effects pedal)
Cat: 938837 Rel: 14 Apr 23
 
A fuzz effects pedal.
Notes: Kruel is a Fuzz built with mostly vintage components, around 2 Germanium NPN transistors.

The Pedal is pretty versatile with tone correction and a master volume. Thick and voluptuous tones can be achieved, and it can add warmth, sustain, and character to a guitar's tone... Great for power chords and for guitarists looking to add depth and texture to their playing.

NPN Germanium Colored Fuzz
True Bypass
NOS components
Made in France
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Neural Devices Tempest Analogue Chorus/Vibrato Effects Pedal
Cat: 939079 Rel: 13 Apr 23
 
An analogue chorus and vibrato effects pedal.
Notes: Analogue tones are on the menu with this beautifully designed bucket brigade chorus/vibrato. Warm, organic sound with lots of modulation options and expression pedal input.

Supplier's Notes:
The Tempest features a full analogue pitch shifting circuit designed around a BBD chip

Offers digital control and 4 different RAMP options over Rate, Depth or Blend.

Expression or Ramp are selectable via firmware, and the expression jack can be used for external tap/ramp & engage control.

Lag Control
4 different wave shapes
Tone control
Blend 100% dry CCW, 100% wet CW and rich lush chorus at 50%
Rate, Depth and Blend ramping engine
Tap tempo w/subdivisions
Ramp up, Ramp down, bounce up&down, bounce down/up
EXP or CV input jack to control over ramp parameters
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks
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Neural Devices Chambers Deep Texture Reverb Effects Pedal
Cat: 939081 Rel: 13 Apr 23
 
A deep texture reverb effects pedal.
Notes: Modulated digital reverb with an analogue dry signal path, the clock control lets you adjust the core frequency of the DSP, creating a smooth pitch shift in time, allowing you to create from a sharp traditional plate-like reverb to an underworld cavernous ambience.

Dedicated sustain footswitch to create an infinite modulated ambience, trails option to combine momentary activation and be able to add lush movement at any time.

Soft footswitch bypass latch & momentary
2 Modulation depths (off @ center position) MOD toggle
DSP clock control for deep cavernous textures
Trails toggle
2nd delay line with analog feedback
Pre-delay
Damp control
Infinite sustain footswitch
Top mounted jacks
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MRP:$209.50 SAVE 26%
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Neural Devices Marrow Stereo Multi-Algorithm Delay Effects Pedal
Cat: 939082 Rel: 13 Apr 23
 
A stereo multi-algorithm delay effects pedal.
Notes: Full featured stereo digital delay with an analogue dry signal path, carefully designed algorithms to cover all the delay needs in any genre, from pristine clear echoes and warm repetitions to trembling modulation.

The secondary footswitch options will let you manipulate the most important features while allowing you to play your instrument. Infinite repeats or insta-wobbles are at the tip of your toes.

6 complex delay algorithms: Digital, Analog, Tremelo Delay, Chorus Delay, Chorus +Tremelo, and Filtered Delay
Stereo TRS output (Tip mono)
Soft footswitch bypass latch & momentary.
Tap tempo/RAMP for infinite sustain or modulation via S R M toggle
True Bypass, Buffered or Trails via TB B TR toggle
Tempo divisions
Damp control
Modulation
EXT jack (Tap Tempo & RAMP)
Top mounted jacks
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Neural Devices Gentlemen Analogue Gain Stack Effects Pedal
Cat: 939084 Rel: 13 Apr 23
 
An analogue gain stack effects pedal.
Notes: Dual channel analogue overdrive with real tube-like compression featuring 3 clipping options with carefully hand picked germanium diodes, smooth and sensitive to picking strength.

3 different gain levels from clear boost with a touch of dirt to high gain overdrive, full EQ with air control to manipulate the presence of your pickups, a MOSFET boost circuit lets you push your amp into natural breakup.

Order toggle switch to add volume or an extra gain stage.
Side A: BB style circuit with bass, air, treble, drive and volume control
Ge, Si and LED asymm clipping toggle
3 level gain toggle.
Side B: MOSFET boost +20dB with level control
A > B or B > A stack order toggle
Top mounted jacks
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Neural Devices Emerald OTA Compressor Effects Pedal
Cat: 939087 Rel: 13 Apr 23
 
An operational transconductance amplifier compressor effects pedal.
Notes: True bypass studio-grade compressor in small form factor offering full control of your overall tone. OTA based parallel compression with variable output current, input voltage controlling a carefully designed envelope circuit. Optimized for low noise operation.

Analogue compressor with OTA topology
Controls: Ratio, Threshold, Release, Attack, Brite (high cut), Level (compressed signal), Blend
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks
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Old Blood Noise Endeavors BL-82 Chorus Variable-Clock Effector Effects Pedal Old Blood Noise Endeavors BL-82 Chorus Variable-Clock Effector Effects Pedal Old Blood Noise Endeavors BL-82 Chorus Variable-Clock Effector Effects Pedal Old Blood Noise Endeavors BL-82 Chorus Variable-Clock Effector Effects Pedal
Cat: 934975 Rel: 06 Apr 23
 
A variable-clock effector effects pedal.
Notes: Seeking to unapologetically tear apart the definition of a chorus pedal, Old Blood Noise Endeavors have created the BL-82 Chorus. An ode to delay time, this is a device with a variable clock control to shift between recognizable shimmering chorus and chaotic modulated delays.

Two delay lines, modulated by opposite synchronized LFOs, are combined in parallel and the timing of the delay lines, as well as the speed and depth of the LFOs, are all determined by one tactile slider. This allows you to instantly open up the modulated floodgates on the fly and go from well-known waves, to deeply unknown oceans of sound.

BL-82 is a chorus pedal, technically. It creates a swirling shimmery sound somewhere between chorus and flanger from a mono instrument signal. Its two delay lines are stretchable, and that's where the pedal's genre blurs from chorus into modulated delay into trailing pitch bending uncertainty.

The control set for BL-82 is dead simple. A Clock slider sets the timing of the entire system. The sample rate that determines signal fidelity, the centre delay time and the speed of the delay modulation are all affected as the slider slides. The interface is rounded out with feedback, volume, and mix add to an immediate experience that breaks open the boundaries of what it means to be a chorus and allows you to further craft the undulations of this mesmerizing device.
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Walrus Audio Fundamental Series Overdrive Effects Pedal Walrus Audio Fundamental Series Overdrive Effects Pedal Walrus Audio Fundamental Series Overdrive Effects Pedal
Cat: 939299 Rel: 14 Apr 23
 
Three-mode overdrive effects pedal.
Notes: The Fundamental Drive is a versatile overdrive that allows for a wide range of tones thanks to its three-mode switch. It's the perfect tool at the front of your chain to set the tone for your whole rig.

The Gain slider sets the amount of gain applied to your guitar signal passing through the overdrive circuit.

The Tone slider controls the amount of high-frequency level reduction.

The Volume slider sets the overall output volume of the pedal.

The slide switch allows you to change between 3 distinct flavours of the pedal. Each position has different clipping modes or tone profiles.

Smooth: A classic soft-clipping silicon overdrive. Clean and smooth.

Crunch: Silicon soft clipping with added hard clipping silicon diodes and a slight low-end boost. Crunchy and edgy.

Bright: Silicon soft and hard clipping from the Crunch mode with a pre-clipping low-end cut. Bright and glassy.

For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.
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Walrus Audio Fundamental Series Tremolo Effects Pedal Walrus Audio Fundamental Series Tremolo Effects Pedal Walrus Audio Fundamental Series Tremolo Effects Pedal
Cat: 939305 Rel: 14 Apr 23
 
Classic optical tremolo effects pedal.
Notes: The Fundamental Tremolo is a classic optical tremolo, giving you that iconic chewy movement. With three wave shapes to select from, you can get sounds from smooth and soothing to glitchy, wild, and crazy.

Use the Rate slider to set how fast or slow the LFO is oscillating. A lower rate gives a gentle wavering texture, while a higher rate gives a rapid pulsating effect.

The Depth slider controls the strength of the tremolo effect. Move the slider to the left for subtle tremolo or to the right for maximum chop.

The Volume slider sets the overall output volume of the pedal.

The slide switch allows you to change between three distinct oscillator waveforms:

Sine: Gradually adds and decreases volume smoothly for a easy and subtle tremolo.
Square: Much more pronounced than sine, square wave has a more on-off pattern.
Random: Uses sample and hold that picks new random values at an interval set by the rate control.

For the Fundamental Series, the team at Walrus Audio challenged themselves to design a set of pedals with the tonal integrity that's required to live on a professional's pedalboard, but with simplified controls friendly enough for even the newest effect pedal users. Each Fundamental pedal has three sliders for tweaking the sound and a three-way switch for changing pedal modes. The result is a line of pedals that will keep you covered from your first band practice all the way to a sold-out arena. Designed and assembled at Walrus Audio headquarters in Oklahoma City, USA.
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Electro-Harmonix Hell Melter Advanced Metal Distortion Effects Pedal Electro-Harmonix Hell Melter Advanced Metal Distortion Effects Pedal Electro-Harmonix Hell Melter Advanced Metal Distortion Effects Pedal Electro-Harmonix Hell Melter Advanced Metal Distortion Effects Pedal
Cat: 945648 Rel: 23 May 23
 
Summon cult-classic, high-gain heavy metal tones!
Notes: With its take on the cult-classic, chainsaw distortion pedal, the EHX Hell Melter takes distortion to its extremes. The Hell Melter features expanded controls and tonal capabilities, allowing the already in-your-face sound of the pedal to broaden by switching to more open clipping options and boosting the internal voltage for increased headroom, less compression, and more attack.

Originally designed as the ultimate in high-gain tone, this world-famous distortion circuit is known for the death metal sounds of Sweden's Entombed and the shoegaze wash of My Bloody Valentine. It's even found a home in the rig of David Gilmour!

The EHX Hell Melter's expanded control set includes Gain and Level controls, and a powerful active EQ featuring with parametric mids for improved versatility. The Dry level control allows for blending your input signal for improved low-end when used with a bass or even blending in other distorted tones.

Boost Footswitch engages an input gain boost and volume boost which is internally adjustable. The Normal/Burn switch toggles between the classic chainsaw sound and the more open clipping option.

Classic Heavy Metal circuit with expanded controls
Increased overall output volume
Active EQ controls expansion with parametric MIDS control
Noise gate and dry level control
NORMAL and BURN modes
Footswitchable boost section
Independent distortion and level knobs
9V power supply included

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.75 x 4 x 2.25
Current Draw: 140mA
Year Released: 2023
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MRP:$189.50 SAVE 24%
 1 in stock $143.11
EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition) EarthQuaker Devices Disaster Transport Delay Modulation Machine Effects Pedal (limited edition)
Cat: 944530 Rel: 05 Jun 23
 
An analogue voiced digital delay effects pedal.
Notes: Limited-edition reissue of EarthQuaker's excellent Disaster Transport, lightly updated for 2023. Modulated delay now with reduced noise floor, analogue-style filtering and switchable modulation modes.

Supplier's Notes:
Disaster Transport

Legacy Reissue

The Original Delay Modulation Machine

Limited to 3,500 units worldwide. Behold! The newest incarnation of one of Earthquaker Devices' most beloved pedals ever, the Disaster Transport. For those of you well versed in the pedal's celebrated history, you might notice some differences on this beautifully sparkly box. A new Mod Mode switch allows you to bend or stretch the modulation wave. The new Mod Speed switch offers three rates of modulation, from bizarrely animated gradual climbs and steep drop offs to rapid chorus and intense vibrato.

The delay line has been redesigned to reduce the noise floor and improve the quality of the delay. Plus, it's now filtered to sound more like an analogue delay than any of the previous versions. With knobs to control the Speed, Intensity, Mix, Repeats, and Time; this analogue-voiced digital delay sits perfectly in the background with an evolved ambiance, but can also be dialled in for the dramatic effect of your choosing.

EQD initially set out to recreate the original Disaster Transport pedal in its earliest form, but the OG of EQD, Jamie Stillman, couldn't resist tinkering and improving the whole thing, so you just got upgraded, my friend. In doing so, EQD redesigned the delay line to reduce the noise floor and improve the quality of the delay. The output was boosted with a cleaner mixing section; it's now filtered to sound more like an analogue delay than any of the previous versions.

EQD added a Mod Mode switch that allows you to choose between bending and stretching the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with.

The other difference you probably spotted with your eagle eye is the Mod Speed three-position toggle switch. The Slow setting is excruciatingly slow and can produce bizarrely animated gradual climbs and steep drop offs. The Fast setting can go from a rapid chorus to an intense vibrato, while the Medium setting is the most traditional rate similar to the classic Memory Man circuit with a nice range to it.

The newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.

Controls

1. Speed: Controls the speed of the modulation. The Speed operates in three ranges (Slow/Fast/Medium) selected by the Mod Speed toggle switch. The Disaster Transport uses a Ramp wave for the modulation. You'll find this to be much more intense than most modulated delays. Think of it as a traditional Triangle wave that falls off a cliff in mid-cycle, creating a drastic pitch bend in its wake. Or don't and just think about whatever you want.

2. Intensity: Controls how much the LFO modulates the delay time. More subtle chorus type effects are achieved with less intensity and more intensity will yield wild pitch stretching and bending. The overall modulation style can be made more or less subtle by using the Mod Mode toggle switch to select Bend or Stretch.

3. Mix: Sets the volume level for the delay signal. Hear more of what you just played 30-600ms ago by turning this up.

4. Repeats: Controls the intensity of delay feedback from no repeats at zero to self-oscillation at max. Let the past pile up on you until it implodes.

5. Time: Sets the delay time from around 30ms at zero to 600ms at max. Everyone needs more time; you are offered about 600ms worth.

6. Mod Speed: Three position toggle switch that sets the range in which the Speed operates.

7. Mod Mode: Two position toggle switch to choose the modulation style. Bend is more of a traditional chorus type modulation and Stretch is a wilder pitch stretching modulation.

8. Modulate: This foot-operated switch features Flexi-Switchr Technology and turns the modulation on and off.

9. Activate: This foot-operated switch features Flexi-Switchr Technology and turns the effect on and off.

Tech Specs

Dimensions: 3.65 x 4.65 x 2.25 in. (93 x 118 x 57 mm) with knobs
Current Draw: 35 mA
Input Impedance: 1 MO
Output Impedance: 1 kO

Flexi-Switch Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative centre barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

*** Do not run at higher voltages! ***
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MRP:$198.97 SAVE 12%
 2 in stock $175.60
Mooer Audio Micro Looper II Looper Effects Pedal Mooer Audio Micro Looper II Looper Effects Pedal Mooer Audio Micro Looper II Looper Effects Pedal Mooer Audio Micro Looper II Looper Effects Pedal Mooer Audio Micro Looper II Looper Effects Pedal Mooer Audio Micro Looper II Looper Effects Pedal
Cat: 950204 Rel: 31 Aug 23
 
A powerful and compact loop effects pedal.
Notes: MOOER, a leading music gear company, is proud to announce the release of Micro Looper II, a powerful and compact loop pedal that provides an impressive 480 minutes of recording time spread across three saving banks.

Featuring three saving banks and 16 slots per bank, the Multi-Saving-Slot Micro Looper Pedal offers users up to 480 minutes of recording time, with each slot providing up to 10 minutes. The pedal also includes unlimited recording layers, allowing musicians to easily create complex and layered loops.

With its AUTO REC function, the Micro Looper II automatically starts recording as soon as an input signal is detected, making it easy to capture spontaneous musical ideas without having to press any buttons.

Specifications:

Number of saving slots: 48
Maximum recording capacity of each slot:10 minutes
Sample rate/sample depth: 44.1kHz/24bit
Input: 1/4'' mono audio jack (impedance value: 470k ohm)
Output: 1/4'' mono audio jack (impedance value: 100 ohm)
Power requirements: 9V 120mA, centre negative (it is recommended to use the isolated power supply to avoid unexpected noise)
Dimensions: 93.5(D) × 42 (W) × 52mm (H)
Weight: 157g
Accessories: Owner's manual
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MRP:$105.27 SAVE 25%
 3 in stock $78.43
Hungry Robot The Aether Modulating Delay Effects Pedal
Cat: 912588 Rel: 05 May 23
 
The Aether is a modulating delay pedal.
Notes: The Aether is a modulating delay pedal.

The initial vision for the design of The Aether came shortly after the release of the Wardenclyffe Deluxe. The intention was to take design the philosophies and incorporate tonal characteristics that made the Wardenclyffe so special, but this time as a delay pedal.

At the heart of The Aether is a PT2399, tap tempo delay. It has the standard Echo, Feedback, and Time controls you would expect on any delay, but what makes it special is the Color, Saturation, and Degrade Controls. The Color toggle completely changes the character of the Aether and has two voices: Warm Analog and Bright Tape. The Saturation knob is a gain adjustment that overdrives the delay chip. The Degrade toggle adds lofi textures and artifacts to the delay line. The Degrade toggle removes a very vital section of the delay circuitry that keeps the delay stable with longer delay times. As you increase the delay time, the artifacts become more present and lofi.

The Aether uses a simple, but versatile modulation LFO core inspired by the Wardenclyffe, but with more features. The LFO cores sets it apart from other modulated delays out there. The speed of the modulation core can be set 3 different ways: Rate knob, tap tempo tact switch, and Sync toggle. When the Sync toggle is set to its middle position, the LFO can run at whatever speed you want. When the Sync toggle is in the up position it is synced to the delay time. When the Sync toggle is in the down position, it is synced to delay time, but in half-time for slower evolving moduation. The Shift knob determines the depth of the modulation; this has plenty of range in case you want to get really obscene. The Stray toggle changes the LFO from a typical Sine wave to a Slewed Random waveform. Creative exploration of the modulation section of The Aether is strongly encouraged. The way the delay rate and LFO rate interact with each other can yield very creative results.
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Recovery Shortwave Lo-Fi Radio & Wire Recorder Emulation Effects Pedal Recovery Shortwave Lo-Fi Radio & Wire Recorder Emulation Effects Pedal Recovery Shortwave Lo-Fi Radio & Wire Recorder Emulation Effects Pedal
Cat: 922046 Rel: 03 Apr 23
 
A lo-fi radio and wire recorder emulation effects pedal.
Notes: Shortwave

(Lo-fi Radio and Wire Recorder Emulation)

Inspired by espionage devices used during World War II and the Cold War, Shortwave transforms audio into clandestine operations of the past; Russian number stations, mysterious sounds transmitted by radio, and eerie sounds stored on early portable recorders.

Choose between 2 types of noise and interference, and control it with the Exposure parameter. Velocity and Focus control the amount of pitch stabilization. Shortwave will add an interesting emotional response and atmosphere to dry, simple sounds, or destroy a signal like no other fuzz pedal can.

Hand-wired in Seattle, Washington. Shortwave operates on a standard "Boss" style 9vdc power supply, not included. True bypass switching. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"
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MRP:$203.18 SAVE 17%
 2 in stock $168.44
Zoom G3n Multi-Effects Processor Pedal Zoom G3n Multi-Effects Processor Pedal Zoom G3n Multi-Effects Processor Pedal
Zoom G3n Multi-Effects Processor Pedal (multi-effects processor pedal)
Cat: 630202 Rel: 07 Feb 24
 
Multi-effects processor pedal
Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.
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MRP:$156.86 SAVE 11%
 1 in stock $139.49
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Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal Zoom G3Xn Multi-Effects Processor Pedal With Expression Pedal
Cat: 630205 Rel: 07 Feb 24
 
Multi-effects processor pedal with expression pedal
Notes: If guitar is your passion, you need freedom and flexibility to explore all of its sound possibilities. The Zoom G3n Multi-Effects processor removes any creative barriers in your way.

The G3n is a versatile multi-effects processor that lets you defy genre with the most realistic stompbox, cabinet, and amplifier emulations Zoom has ever created. Its high-quality sound, portable design, 80 second Looper, and intuitive interface make it the perfect addition to your pedalboard. To put it simply, the G3n offers all the sounds and tools you need to improve your tone and sound greater than ever.

Boutique Pedals, Legendary Amps, and Superior Effects:

The G3n is pre-loaded with 70 expertly crafted and assembled DSP effects (68 effects, 1 looper pedal, and 1 rhythm pedal), plus 10 of the most realistic amp/cabinet emulators Zoom have ever created. Zoom have loaded the G3n with essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing. Unique multi-effects such as Seq Filter, Reverse Delay, HD Hall, and OSC Echo are also included.

Create Complex Signal Chains:

Use up to seven effects and amp/cabinet models simultaneously, chained together in any order you like. It's like having hundreds of fully loaded pedalboards all in one compact and easy-to-use device.

Accurate, Realistic Amp and Cabinet Emulation:

Choose from five classic amp models and adjust the sound exactly as you would with the knobs and switches of the real thing - and then pair your amp with one of the five new cabinet emulators to complete the sound. Plus, you can download even more faithfully recreated amp/cabinet combinations such as Fender Bassman, Hi-Watt Custom 100, Mesa Boogie Dual Rectifier Orange Channel, Fender '65 Deluxe Reverb, and Orange Graphic120 - available now with more being released every month.

75 Custom-Crafted Patches and Counting:
Recreate essential guitar tones and pioneer new territory with 75 custom-designed patches created exclusively by Zoom guitarists. Use these patches to emulate the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May or explore something completely brand new.

Fast and Intuitive Editing:

The G3n's switches and knobs give you enhanced control and have the responsive, hands-on feel of a standard stompbox. The G3n combines three LCD displays to show whole effect-chains at a glance, making it easy to add, delete, or change the order of effects quickly. Plus, you can store up to 150 of your custom effects-chains as patches.

Practice and Perform:

There are 68 built-in rhythm patterns included with the G3n, making it the perfect practice rig and enabling "one-man band" performances. An onboard Looper (which can be used with the rhythm patterns) allows you to record and overdub phrases up to 80 seconds long through the effects of your choice. A built-in chromatic tuner lets you bypass the currently selected patch while tuning, or mute the signal altogether.

Inputs and Outputs:

The G3n can be easily integrated into any live performance or studio rig. In addition to a standard guitar input, there's an auxiliary stereo input for connecting smartphones or music players. It also includes a dedicated headphone jack for practice and dual outputs for mono or stereo L/R connection to guitar amps, PA systems, and audio interfaces. The Mic On/Off feature lets you optimize the G3n for use with a real amp and cabinet (Mic Off) as well as optimize for playing through a PA system or recording direct with amp and cabinet emulators (Mic On).

ZOOM Guitar Lab Software:

The free ZOOM Guitar Lab Mac/Windows software enables you to manage your patches and download new effects and amp/cabinet emulators. It includes both a Patch Manager for effects chains and an Effects Manager, with a simple graphic user interface that provides point-and-click control over re-naming or re-ordering your custom patches.
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 1 in stock $156.85
J.Rockett Audio Designs Hot Rubber Monkey V2 Classic Dumble Overdrive Effects Pedal J.Rockett Audio Designs Hot Rubber Monkey V2 Classic Dumble Overdrive Effects Pedal J.Rockett Audio Designs Hot Rubber Monkey V2 Classic Dumble Overdrive Effects Pedal
Cat: 955527 Rel: 07 Jul 23
 
Classic dumble overdrive effects pedal with HRP EQ modulation.
Notes: The HRM V2 is designed to achieve the overdriven sounds of a D style amp with the HRM EQ mod. This EQ mod creates a very low-mid centric throaty sound where the guitar frequencies live. The touch sensitivity and quickness gives the effect of immediacy and cuts through the mix.

For this V2 version J Rockett were able to spend about 2 years living with an actual Dumble Amplifier with the HRM EQ mod, and attention was paid to the subtle nuances to make an even better version than the previous HRM. This pedal, even at lower gain settings, will bloom and feedback making it feel like the real thing. Some very nice NOS parts were that enhance the authenticity of the V2 version and most importantly it makes it fun to play.

One of the great happy accidents is the pedal can achieve some of THE best Tube Screamer sounds you could ask for with more control over the EQ.

Successor of HRM v1 but dramatic improvement when it comes to authenticity and closeness to a real Dumble amplifier.

Based on an ultra-rare, actual (!) Dumble amplifier with HRM mod, distinguishing it from HRM v1, which was based on JRAD's 'Dude V2'.

Developed by J. Rockett after living with the actual Dumble amp for over 2 years, ensuring meticulous craftsmanship.

Exceptional touch sensitivity, quick responsiveness, and ability to cut through the mix.

HRM (Hot Rubber Monkey) is a popular modification by Howard Dumble, adding gain stages and tonal options, enhancing versatility and sonic capabilities.
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Jackson Audio Golden Boy Mini Transparent Overdrive Effects Pedal Jackson Audio Golden Boy Mini Transparent Overdrive Effects Pedal
Cat: 955704 Rel: 31 Jul 23
 
The epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth
Notes: The Golden Boy Mini - the epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth. With its exceptional harmonic detail and abundant headroom, this compact overdrive pedal takes the concept of transparent overdrive to new heights, using a simple and powerful interface.

The Golden Boy Mini is the perfect addition to any guitarist's arsenal, allowing you to shape and enhance your tone in ways you've never imagined. Its transparent nature ensures that your core tone remains intact, while adding a dynamic of warmth, richness, and depth that elevates your playing to new levels.

Its intuitive controls allow you to dial in the perfect blend of overdrive, from subtle grit to soaring, harmonically rich tones. The pedal's wide-ranging gain control ensures that it can adapt to any musical style or genre, whether you're playing delicate fingerpicked melodies or unleashing blistering solos. Pair it with Asymmetrical or Led Clipping and put the final touches with it's 3-band Baxandall-style EQ.

Beyond its exceptional sound, the Golden Boy Mini is built to withstand the rigors of the road. Its rugged construction and top-quality components ensure reliability and durability, making it a reliable companion for both studio sessions and live performances.

Whether you're a seasoned professional or an aspiring guitarist, the Golden Boy Mini will transform your tone and ignite your creativity.

Discover the Golden Boy Mini and unlock the true potential of your guitar tone. Order yours today and witness the power of transparent overdrive like never before. Elevate your sound and embark on a sonic journey with the GOLDEN BOY Mini!
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MRP:$198.97 SAVE 12%
 1 in stock $175.60
SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (zanzibar blue) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (zanzibar blue) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (zanzibar blue) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (zanzibar blue) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (zanzibar blue) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (zanzibar blue) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (zanzibar blue)
Cat: 958659 Rel: 18 Jul 23
 
A drifting memory station designed to work with meditative states through music.
Notes: Limited-edition Zanzibar blue version of Soma's unique memory station, combining looping effects with real-time performance options, allowing you to craft and perform soundscapes while manipulating live sound.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!
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 1 in stock $597.96
Recovery Cutting Room Floor v3 Overdrive & Delay Effects Pedal Recovery Cutting Room Floor v3 Overdrive & Delay Effects Pedal Recovery Cutting Room Floor v3 Overdrive & Delay Effects Pedal
Cat: 943119 Rel: 10 Jul 23
 
An overdrive and delay effects pedal.
Notes: Cutting Room Floor V3 Pedal

(Vintage Reel-to-Reel Tape, Echo, and Stutter)

The Cutting Room Floor has been updated and now has separate controls over the saturation of the input signal and tape delay signal. With this change, it's possible to have any amount of emulated tape saturation on the input signal and an adjustable tape delay level.

Housed in a smaller, compact footprint, the Cutting Room Floor V3 provides beautifully marred saturated tape tone and ethereal repeats. Imagine an abandoned factory with a fluttering tape machine left on infinite replay.

The Cutting Room Floor was designed to emulate the sound and functionality of vintage reel-to-reel tape overdrive and echo. This pedal reaches into the 21st century with characteristics that traverse the world of modulation and delay. Other features include a freeze button that traps a tone while still playing, and expression/CV control for time.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

- 150ma current draw

New in V3:

- Independent control of the tape saturation and tape delay levels

- High-quality knobs with textured grip

- Tape reel design lights up when the pedal is on

- Better layout of the knob placement

- Smaller 125B enclosure (4.77" x 2.6" x 1.39")
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 1 in stock $266.34
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Electro-Harmonix Satisfaction Plus Analogue Fuzz Pedal Electro-Harmonix Satisfaction Plus Analogue Fuzz Pedal Electro-Harmonix Satisfaction Plus Analogue Fuzz Pedal Electro-Harmonix Satisfaction Plus Analogue Fuzz Pedal
Cat: 943919 Rel: 23 May 23
 
Classic fuzz effects pedal reimagined and redefined!
Notes: Expanding on Electro Harmonix's first homage to the tone that launched a thousand riffs, the EHX Satisfaction Plus delivers a wide palette of tones from classic '60s snarl to creamy lead tone to thick, earth-shaking sludge!

Where the original Satisfaction Fuzz circuit was a focused tribute, the Satisfaction Plus Fuzz treats the classic tone to a modern control set that includes a FAT/NORM mode switch, Bias control, and Tone knob. The added FAT mode features a tone that is bigger and warmer than the NORM mode for woolly leads and giant wall-of-thunder riffs. The Tone control is an active tilt-shift EQ that inversely controls both the treble and bass of the fuzz for broad tonal shifting. Set the Bias control to dial in the fuzz character from balanced and open to gated and snarly.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (inches): 4.5 x 2.75 x 2.1
Current Draw: 5mA
Year Released: 2023
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Tags: Fuzz pedal
MRP:$106.33 SAVE 25%
 2 in stock $80.13
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