Search dance music

Notes: Flexible Eurorack signal paths under gate or trigger control: that is the basic principle behind Route 4. Consisting of a pair of complementary routing sections, it grants access to a new level of signal routing options.

The module's top section is a 4-to-1 router. Any of the four signal inputs may be selected to be mixed into the section's output, as determined by the control inputs.

Control can either be gate or latch driveniin the latter case, the signal inputs are toggled on and off by received trigger pulses. Meanwhile, the solo/multi switch determines whether the inputs are exclusive, or if multiple may be active at the same time.

With each input socket biased by a +1 V precision voltage source when left unused, gate or trigger controlled transposition of pitch sequences becomes a breeze.

On the bottom, the 1-to-4 router provides the same feature set, with a single input being routed to up to four outputs and normalisation between the sections adding some patching convenience.

All signal paths are designed for use with any Eurorack signals, whether they be control voltages, audio or gate streams. Visual feedback is provided by 10 responsive LEDs, continually displaying the status of the routers.

With Route 4, an 8 HP super-flexible analogue mixing and routing powerhouse has arrived to fuel your patching imagination. The ability to redirect signals within a modular system on the fly, with an unparalleled level of control, is sure to excite even the most seasoned patcher.

8 HP | +12: 35 mA, -12: 20 mA

Notes: SINGOLI is a 7 channels DC coupled active combiner with an analogue transient detector output.

All the inputs I are equipped with LED meters and a dedicated attenuating potentiometer.

O will give you the combined mixed output.

T is an additional transient detector out that will fire only when a certain threshold is detected from the sum of all the inputs.

The toggle switch activates or deactivate the internal connection to Tutto&Sempre when the two modules are paired together thanks to the included JST cable.

Features

DC coupled mixer with 7 inputs and individual attenuators.
Intensity sensitive LED meters on all the inputs.
Analogue transient detector output.
Toggle switch to activate / deactivate its normalization to Tutto&Sempre.
"Whatever" power connector a.k.a. don't mind the polarity.

Technical Specs

Width: 6HP
Depth: 25mm
15mA +12V
10mA -12V

Notes: Arkan

Dual Voltage Polarizer

You may have heard this before: "You can never have enough VCAs". A voltage polarizer (also known as a bipolar VCA or a 4-quadrant multiplier) is often viewed as the VCA better suited for CV. As it can be used as a unipolar VCA and it allows you to invert a signal when it is modulated with a negative voltage. Resulting in interesting movements in your modulations.

What sets Arkan apart from other voltage polarizers is the curvature control, a feature usually only seen in unipolar VCAs. By taking a different approach to the classic voltage polarizer circuitry, Malstrom have devised a unique solution that provides a new way to shape your audio and CV. The non-linearity of the polarizer also makes Arkan really good at reaching silence when presented with a 0V CV signal.

At audio rate, Arkan acts as a ring-modulator with four controls to change timbres.

Boosting adds odd harmonics (symmetrical distortion), while offsetting adds even harmonics (asymmetrical distortion). The modulation curve changes ring modulation sharpness, and modulation strength determines the carrier dominance.

Two identical channels with carefully selected features will make Arkan your go-to modulation control hub. Arkan is especially useful for common utility duties such as mixing, scaling, inverting and offsetting. As well as CV modulation, feedback patching, and waveshaping. All this makes Arkan a very versatile tool that will certainly have a place in your patch!

Features (per channel)

- Input attenuation with inverter switch gives you more precision and range, with voltage inversion and quick silencing.
- Bias input with attenuverter control to offset your input signal or mix/invert another signal.
- CV input with curvature control allows you to shape the polarizer and improve its 0V attenuation.
- CV modulation control to fade in the modulator, allowing you to determine the amount of modulation.
- Voltage gain and polarity led indicators showing you exactly what is happening under the radar.
- Output normalled internally and externally (to other Arkans) to easily mix signals.

Additional features

Optional signal boost (x4 / +12dB) via switch on the PCB to increase voltages when needed.
5V or 10V voltage reference selection for bias voltage and CV input range to adjust Arkan to your system.

Dimensions
- 8HP.
- 28mm, Skiff-friendly.

Power consumption
- 90mA @ +12V.
- 85mA @ -12V.

I/O specs

- All inputs DC coupled.
- All inputs handle audio signals.
- All inputs have 100k input impedance. - All inputs have +-10V Input range.
- CV range +-5V or +-10V.
- Bias Voltage range +-5V or +-10V.
- Boost gain x1 or x4.
- All inputs are overvoltage protected.
- Keyed power header.
- Reverse power protection.

Notes: The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP

Notes: The Morphor VCF Multimode is an intuitive, no nonsense 8HP fully analogue filter module. Featuring a dedicated lowpass and highpass filter core.

To shape the sound exactly the way you want, both filter sections have a cutoff frequency control over the whole audible frequency range through a knob and bipolar CV jack. Additionally, resonance control and a switchable pole selection are available.

The second output acts as both a bandpass and highpass output, depending on the position of the BP/HP mixing knob. Combining all these features results in an easy-to-use but flexible module to perform your unique filter needs.

Weight: 110 g
Dimensions: 128.5 × 40.6 × 40 mm
Width: 8 HP

Notes: Simple to look at but deceptively powerful, Dreadbox's Telepathy is a full analogue synth in a small module, featuring VCO, low-pass and high-pass filters, LFO, envelopes and VCA.

Supplier's Notes:
Telepathy is a full voice analogue synthesizer module with deep modulation options due to its multi-destination LFO and Envelope. From Bass to Lead sounds, to drums and drones, Telepathy has broad and versatile sound design capabilities. It has a Full Analogue path (Typhon VCO, 4-pole low pass / 2-pole high pass filters, analogue VCA) that is digitally controlled for more precision over its parameters, resulting in a warm, present and distinct Dreadbox sound.

With lots of useful and musical features integrated into a compact size (10hp), and its skiff friendly design, Telepathy is a great addition to small or large Eurorack systems.

Features:

1x Analogue Oscillator with saw, square, -1 oct square sub and noise, plus PW control for square, level for noise and waveshape
Automatic tuning for the oscillator and fine tune
Analogue 24db Resonant Low pass filter with Oscillator FM and Noise FM and 6db High pass filter
Analogue VCA
1x LFO with Free/Key/Track/BPM/BPM Key modes, Fade in, Triangle/Saw/Ramp/Square/Random waveforms, that is mapped to various parameters
2x Envelopes, one dedicated to the VCA with Velocity control and one loopable for Low pass Filter, Pitch and PW
CV in patch that can be mapped to all the basic parameters in parallel with dedicated amount for each parameter
MIDI in/out+through
CC in/out, Program Change in/out
Multitimbral Chaining functionality via MIDI up to 8 modules 16 presets
10HP

Notes: CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

Notes: Great value from this versatile percussion module, built around a noise generator and four linked envelope generators, each with its own VCA. Generate hi-hats, envelopes, shape drums or create modulation sequences.

Supplier's Notes:
Ricochet is a compact, fully analogue module featuring four interconnected decay envelopes, each with its own VCA and an integrated noise generator.

The module's design is inspired by the way skipping stones bounce on the water, creating a versatile tool for crafting percussive sounds.

The exponential envelopes are specifically designed to generate dynamic percussive tones. The unique linking function connects the end of one envelope's decay to the trigger of the next, enabling the subsequent envelope to activate once the previous one ends. This innovative feature allows you to create ratcheted envelope.

A front-panel trimmer lets you adjust the threshold for triggering subsequent envelopes, while a rear header enables connecting two Ricochet modules together, or linking the last envelope to the first. This feature transform the Ricochet to a weird sequencer where the steps length depend of the decay times.

Since Ricochet is fully analogic, trig inputs are velocity-sensitive, responding to a standard gates but also allowing attenuation to modify the envelope's velocity (you can play with the dynamic of your sound by attenuating the trigg input. Ricochet is also perfect to play with drum pads).

Each VCA features a gain control that can be pushed to achieve subtle saturation.

All envelopes and VCAs have separate outputs, but there are also mixed audio and envelope outputs. When an individual output is connected, it is removed from the mix. The decay modulation inputs are normalized between each other.

Last but not least, an analogue noise generator is normalised to the first input, so you can use ricochet on it's own to create hi hat kind of sounds

Main features:

- Fully analogue design so everything is responsive to the amplitude
- Unique linked envelopes feature
- Compact 4 envelopes 4 VCAs module
- Linkable to a second ricochet or looping back the last envelope to the first one

Some applications:

- Envelope generator
- Drum shaper
- Hi-hat
- Clap envelope shaper( with short ratcheted envelopes)
- Envelope sequencer
- Trigg delay
- Burst generator

Technical details:

- Fully Analogue design
- 14hp
- Skiff friendly
- Reverse power protection

Notes: Psychosis is a high quality true stereo - 6 channel mixer eurorack module, that has the unique ability to pan an input signal, from left to right with a single control.

It is equipped with a set of 4 stereo effects - reverb, delay, chorus and flanger, all trimmed for the modular levels.

This module is an easy gateway into mixing multiple signals as the last part in your signal chain.

10HP.

Notes: Module A-147-4V is a dual voltage controlled LFO (Low Frequency Oscillator). Each LFO has the five waveforms triangle, sine, rising and falling sawtooth, as well as rectangle available. The rectangle output features manually adjustable pulsewidth and pulsewidth modulation by means of an external control voltage. The core waveform is triangle. The other waveforms are derived from triangle by means of waveform converters. The frequency of each LFO can be adjusted manually and modulated by means of an external control voltage with associated attenuator and polarity switch. By means of a jumper the basic frequency range of each LFO can selected: about 0.02 Hz (~ 50 seconds) ... 2.5kHz or about 0.0017 Hz(~ 600 seconds) ... 220Hz. That way each LFO can be used also as a VCO with a max. frequency of about 2.5kHz. Each LFO features a reset input which can be used to reset the triangle signal.

The module has these controls and in/outputs available:

Control F : manual control of the frequency, for each LFO the frequency range can be selected by means of a jumper from two values (see technical notes)
frequency coverage of control F in the high frequency range: about 0.075 Hz (~ 13 seconds) ... 1,4kHz
frequency coverage of control F in the low frequency range: about 0.007 Hz (~ 140 seconds) ... 125Hz
Control CV: attenuator for the signal applied to the CV socket, by means of a jumper a small positive voltage can be applied to the switching contact of the /CV/ socket, as long as no patch cable is connected to /CV/ socket the CV control then works as fine control for the frequency
Switch CV Pol.: polarity switch for the signal applied to the socket /CV/
Control PW/PM: combined control for manual and CV control of the rectangle pulsewidth:
when no patch cable is connected to socket /P/ the control is used to adjust the pulsewidth (PW) manually
when a patch cable is connected to socket /P/ the control works as attenuator for the external CV signal with a basic pulsewidth of 50:50.
Socket /CV/: frequency control voltage input, in the factory the module is adjusted so that the sensitivity of this input is exactly 1V/octave when the CV control is fully CW.
Socket /R/: reset input, according to the associated jumper the reset input is edge triggered or level controlled (see technical notes for details)
Socket /P/: pulsewidth control voltage input
Sockets with waveform symbol: output of the waveform in question (triangle, sine, rising and falling sawtooth, rectangle)
The output voltage ranges are about -5V ... +5V (10Vpp), except the rectangle output
For the rectangle output one can choose by means of a jumper if the range is about -5V ... +5V or 0...+10V.
LED: visual control of the LFO (triangle)
The inputs of the module are labelled with white characters on black background (in the text included into two slashes). The outputs are labelled with black characters.

Technical notes and special features:

The basic frequency range of each LFO can be selected by means of a jumper. The settings correspond to two different capacitor values for the VCO circuit. The relation between the two ranges is about 1:11. When the upper range is selected frequencies from about 0.02 Hz up to 2.5kHz can be generated. For the lower range the values are about 0.0017 Hz ... 220Hz. To obtain these full frequency ranges external control voltages are required. With the frequency control F only the frequencies mentioned above are possible.

Apart from that the range for the manual control F can be reduced to obtain a finer resolution. For this a jumper has to be removed. The range of control F is then reduced to about 1:4.5 only.

In the factory the starting voltage of the triangle output after a reset is adjusted to 0V, i.e. the triangle starts from 0V with the rising slope after a reset. By means of a trimming potentiometer the starting voltage can be adjusted to another value (e.g. to -5V).

Another jumper is used to set the reset behaviour to edge triggered or level controlled. When set to edge triggered the rising edge of reset signal is used for the reset (independent of the duration of the "high" state of the reset signal). When set to level controlled the triangle output remains at the starting voltage as long as the reset signal is "high". Only when the reset signal turns "low" the triangle starts.

Power consumption: 80mA at +12 V and 70mA at -12 V
Depth: 45mm
HP : 8

Review: Made and released way back in 1958, Somethin' Else is a classic jazz album by the American alto saxophonist Cannonball Adderley, notably his only ever album for the esteemed Blue Note label. It famously hears Adderley enlist the help of trumpeter Miles Davis as one of its sidemen, and this was an ongoing relationship that later paved the way for popular jazz as a whole; without Somethin' Else, we wouldn't have Kind Of Blue, for which Adderley would contribute his sax playing just a year later. Though it is a testament to the unity of two great core musicians, we also hear the piano stylings of Hank Jones, bassist Sam Jones and drummer Art Blakey.

Notes: Room #40

Marshall Mojo in a Box

Heavily inspired by the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Over the years, Tsakalis have had many different types of Marshall amps on their workbench, some for repairs and others for customisation. Being huge fans of the sound of these classic amplifiers, Tsakalis decided to try and capture its mojo - the true essence of the soul of this sound - and carefully place it in a little box. Thus the Room #40 was born!

Using JFET technology, Tsakalis tried to stay loyal to the tone and feel of the following legendary Marshall amps: the non master volume series PLEXI Super Lead (1959/1987) & Super Bass (1992) and the master volume series JMP & JCM800 (2203/2204).

Tsakalis emphasized on emulating the compression and sag coming from the power amp section, when these amps are pushed to the edge, while at the same time giving access to two famous mods, mod #39 (PLEXI) and mod #34 (JMP & JCM800).

Finally, the Presence control was incorporated to make the sound adjustable to any circumstance, regardless of whether you are plugged into the front of an amp that may or may not have a bright cap or even straight to a power amp.

Product Height (cm): 5.600
Product Width (cm): 7.300
Product Depth (cm): 12.300
Product Weight (kg) 0.314

Box Height (cm): 6.500
Box Width (cm): 0.300
Box Depth (cm): 14.800
Boxed Weight (kg): 0.385

Notes: Experience - Fuzz Octave

Experience is a unique Fuzz & Octave up pedal that was designed to revive the sounds of the 60's and 70's with a modern touch.

It features 2 stand-alone channels in series (fuzz and octave) which can be used individually or together, offering a wide range of dirty goodness!

The Octave channel produces a classic and easy to manipulate octave up effect, sitar & harmonica like sounds, enhancing your tone with ringing octaves and micro-phonic feedback at the end of every note. It features separate volume and tone controls for a wide range of colours.

The fuzz channel is based on the Jordan Boss Tone fuzz circuit and is capable of producing a wide range of tones. From mild and creamy overdrive and classic fuzzy tones, all the way to heavily distorted goodness with sub octaves, similar to trombone and analogue synth! It is equipped with 2 vintage silicon transistors with FET clipping for richness and detail and four controls (gain, volume, tone and damage) with which you can adjust the type of distortion.

Combining the 2 channels is where the real Experience begins! Create your signature sound exploring the Experience's endless tonal capabilities!

Unleash your creativity and let the Experience do the rest...

Product Height (cm): 5.400
Product Width (cm): 10.200
Product Depth (cm): 12.400
Product Weight (kg): 0.360

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.445

Notes: Galactic - Multi Modulation

With the Galactic, Tsakalis wanted to create a unique modulation pedal which, lets you combine effects and blend them in a way that brings new textures to your sonic arsenal and creates potential for exploration!

The Galactic has five basic modulation effects - Phaser, Univibe, Vibrato, Rotary Speaker and Flanger - and made it possible for you to use them separately or in pairs, blending them together via a Blend control creating interesting effects from 3D chorus to many other spacey and yet to be named soundscapes. Find your sweet spot for each pair and discover an unexplored Galaxy of sounds and inspiration!

Three expression input jacks let you control the Speed and Depth of the effects, as well as how you choose to Blend them, making your live performance easier and letting you experiment even on stage!

Use the Galactic modulation to enrich your music with the sounds of the unknown!

Product Height (cm): 5.200
Product Width (cm): 12.700
Product Depth (cm): 9.900
Product Weight (kg): 0.369

Box Height (cm): 6.000
Box Width (cm): 1.000
Box Depth (cm): 14.800
Boxed Weight (kg): 0.448

Notes: This is an exact hardware replica of the Mutable Instruments Ripples module.

Width: 8hp
12V: 35mA
-12V: 35mA

Notes: ADDAC712 is a dual channel discrete gain staging amplifier, based on a famous discrete preamp board from the 70's used in some legendary equipment.

What was eye-catching was the character of its clipping and resulting saturation/distortion.

The module can be used with modular signals to add a distortion/fuzz character or as a preamp for an external source such as a line source, keyboard, guitar...

It's also a great side companion for our ADDAC711 Balanced Inputs.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of amplification is set by the [GAIN] control, the maximum amount of amplification can be set by the user using the [MAX GAIN] trimmer.

Up to +/-5.5v the incoming signal will keep it's integrity, beyond this point saturation will start to increase.

At approx. +/-6v a hard clipping will start to occur, this clipping also has a particular quality that at extreme levels it drifts the audio 0v bias reference, moving it upwards which results are similar to a Gate effect.

In the middle, an x2 opamp based output gain stage with a clipping led, which monitors the clipping at the output, and an [OUTPUT] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input and Output for both channels (Left input is normalled into Right input).

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V

Notes: ADDAC714 is a dual channel soft clipping module.

Diode based passive clipping acts as a "brick wall" limiter with a fixed knee given by the inherent diode physics. A passive RC low pass circuit adds a 3.3KHz -3db low pass filter which sculpts the overall tone while also adding further character to the effect.

At the top an On/Off [BYPASS] switch routes the signal into the Effect (Up: Active) or to the bottom output gain stage (Down: Bypassed).

The amount of clipping is set by the [GAIN] control, it mostly works as a threshold control for how much clipping will be applied.
As more clipping is applied the signal's amplitude will also decrease, to compensate for this we set up a gain compensation stage to keep the output amplitude balanced across the Gain range.

Symmetry chooses between bipolar clipping or positive clipping, this relates to the harmonics generated, bipolar for odd and even harmonics (up position) and unipolar for odd harmonics only (down position).

At the second stage, an opamp based x2 output gain with a clipping led, which monitors the clipping at the output, and an [Output] control to set the output volume.

Having the top and middle gain stages provides flexibility allowing the user to completely distort the signal on the top stage and tame it's output level with the second stage.

At the bottom, Input jacks for both channels (Left input is normalled into Right input) and output jacks

Tech Specs:
6HP
4 cm deep
40mA +12V
40mA -12V40mA +12V
40mA -12V

Notes: AGOGO is a pack of 8 vactrol low pass gates in an open design configuration.

Why:

To bongo.
To enhance and enrich a weak audio source.
To create sub-mixes of up to 8 inputs.
To send a single source to many outputs and modulate each one of them individually.

With:

Multiple fixed waveforms - use the individual LPGs as a CV scanner.
Stereo sources - control them with a single CV input.
EOC pulses and triggers - this is where it gets percussive.
Slow modulations - take advantage of those vactrols and their natural decay.

How:

"I", the inputs row is normalized from top to bottom.

An input inserted in the first socket will be copied unaltered to the next one.

If a jack is plugged in it will break the normalization.

"V" is for control voltages and they cascade the same way as the inputs following to natural decay of the vactrol response. All the LPGs can be opened simultaneously with a single CV source. Combining the features of both "I" and "V" rows you can control a signal with 8 different CVs or 8 different sources with the same CV.

"O" stands for outputs. They act as an active mixer letting you combine up to 8 signals. As in the previous two rows, the connection can be interrupted in any given point to create sub mixes or individual outputs.

Since Jolin are actively summing copies of the original input, each LPG stage will add saturation to the final out. Thanks to the open design path and normalizations this is just an additional feature: all the LPGs can still be used individually or in multiple combinations for multichannel effects or other creative application. More AGOGOs can be chained together thanks to headers on the back to multiplicate the number of inputs/outputs.

Dimensions:

6 HP
28 mm deep

Current Draw:

150 mA +12V
90 mA -12V

Notes: Designed to help beginner DJs learn how to mix and scratch, the second-generation Inpulse 300 controller offers great value, with improved jog wheels and performance pads. Includes the excellent Serato DJ Lite software.

Supplier's Notes:
Start mixing easily and reveal your DJing skills with Hercules DJ Control Inpulse 300 MK2 and its unique BEATMATCH GUIDE feature. Building on the success of DJ Control Inpulse 300, you can now enjoy the new DJ Control Inpulse 300 MK2 version compatible with Serato. Sporting a new look that's more modern, more comfortable and more readable, you can learn to mix and make progress quickly thanks to the controller's 16 pads and 8 modes. Scratch more easily with slimmer, smoother touch-detecting jog wheels. DJControl Inpulse 300 MK2 is the most full-featured controller to help you learn how to mix with Serato.

Key points:- Serato DJ Lite and DJUCED software included, and compatible with Serato DJ Pro- The Beatmatch Guide lets you manually adjust tracks thanks to the built-in light guides- Improved jog wheels help you scratch more easily: better rotation and an enlarged detection zone- Mix using tracks stored on your computer, or from music streaming services (Beatport ADVANCED, Beatsource, SoundCloud GO+ or TIDAL)- With DJUCED, the IMA (Intelligent Music Assistant) lets you quickly and easily prepare your mixes by suggesting the best-suited tracks- Master the fundamentals of DJing with the Hercules DJ Academy- Perfect your mixes using different effects, modes and 16 pads.

HERCULES is a division of the Guillemot Corporation S.A. Group. A designer and manufacturer of interactive entertainment hardware since 1984, Hercules has always put its passion for music right at the heart of its strategy and innovations. Hercules completed a total brand refresh in 2018, offering even more innovative, higher-performance solutions for learning how to DJ - making it fun and easy for everyone to understand and master all of the techniques required for mixing. In 2021, Hercules launched an easy-to-use, full-featured solution for mixing with a smartphone. For more information, please contact the customer service team (support.hercules.com)

Power supply USB

Mix Easy, Become a DJ

Learn the fundamentals of mixing and become a DJ with DJControl Inpulse 300 MK2. This controller features both the Serato DJ Lite and DJUCED software, and will accompany you throughout your learning journey thanks to its many helpful features.- The Beatmatch Guide helps you learn how to manually cue up tracks by looking at the LED arrows, and sync tracks together.- Scratch more easily thanks to improved jog wheels: better rotation and an enlarged detection zone.- Learn all the basics of DJing, thanks to great tips from pros in the DJ Academy video tutorials.

Enable the Beatmatch Guide feature

Enable the Beatmatch Guide supported by both DJUCED and Serato DJ Lite, to learn how to manually cue up tracks. You can disable this feature once you've mastered the moves you need to make.

Mix easily

Follow the TEMPO arrows to adjust tracks' BPM, and the BEAT ALIG Narrows to sync tracks together.

Learn to scratch

Scratch more easily thanks to improved jog wheels: better rotation and an enlarged detection zone.

Premium look

Enjoy a more readable and more comfortable controller that lets you mix under the best conditions.

Serato software

DJControl Inpulse 300 MK2 includes the Serato DJ Lite software and offers the Beatmatch Guide feature. It's compatible with Serato DJ Pro, so that you can enjoy the maximum number of features.

DJUCED software

DJControl Inpulse 300 MK2 includes the DJUCED software, plus its built-in DJ Academy. It also includes the ENERGY feature, allowing you to control your party's energy level: this handy coloured light-based feature helps you choose the best-suited upcoming track in relation to the one that you're currently playing.

DJ Academy

Discover the DJ Academy in the DJUCED software. You'll also find extremely helpful video tutorials on the Hercules DJ YouTube channel.

IMA (Intelligent Music Assistant)

Enable the Assistant to launch Prepare mode in Serato DJ Lite. In DJUCED, the Intelligent Music Assistant (IMA) gives you great suggestions for the best upcoming tracks from your music library, and also in Beatport ADVANCED.

Technical description:

Product weight : 4.0 lb / 1.8 kg
Product dimensions: (W x D x H) 18.9 x 11.3 x 2.0 inches / 480 x 286 x 52 mm
Product name: DJControl Inpulse 300 MK2Color Black Master output for speakers 2 x RCA
Headphones output: 1/8" / 3.5 mm stereo mini-jack
Diameter of touch-detecting jog wheels 5.5 inches / 140 mm

Technical specifications

Dimensions/weight
Body dimensions: 18.9 x 11.3 x 2.0" / 480 x 286 x 52 mm
Weight: 4.0 lb / 1.8 kg
Diameter of jog wheels: 5.5" / 140 mm

Built-in audio
Master output (speakers): 2 x RCA
Headphones output: 1/8" / 3.5 mm stereo mini-jack
Audio resolution: 44.1 kHz / 24-bit

Controls
Mixing controls (centre section)
Per deck: 1 filter knob, 3 EQ knobs, 1 gain knob, 1 volume fader, 1 VU meter
General: 1 crossfader, master volume knob, headphones volume knob, master VU meter
Other controls per deck
- Play/Pause, Cue, Shift, Sync, jog wheel with touch detection
- 8 pads × 8 modes (Hot Cue, Roll, Slicer...)
- FX rack with button + 2 knobs (depth and beat)
- Slip, Quantize, AutoLoop, Loop In / Out buttons

Browsing controls
Rotary encoder + 2 Load buttons + Assistant button

Beatmatch Guide
Tempo guide: light guide alongside each tempo fader
Beat Align guide: light guide underneath each jog wheel
IMA (Intelligent Music Assistant) With DJUCED
Assistant: suggests upcoming tracks to be played from your music library based on musical key, BPM...
Energy: lets you set the mood for your party and choose the energy level - from blue (lower energy) to red (higher energy: good for dancing)
Assistant in Beatport and Beatsource: suggests tracks from these music streaming services

Software
Serato DJ Lite
DJUCED version 5
System requirements
Operating system: Windowsr 10 / macOSr 10.15 or higher
Intel Core i3 / AMD Ryzen / Apple M1 or better + 4 GB RAM or more

Box contents:
DJ Control Inpulse 300 MK2
Braided USB cable
DJUCED and Serato DJ Lite
Warranty information

Notes: Esquivel is Bocuma's homage to space-age pop. This is a voltage controlled filter in a 14HP Eurorack, around a diode ladder topology. It is capable of switching between the 3 classic states: low-pass (LPF), high-pass (HPF) and band-pass (Band Pass).

Control cut-off, resonance and two inputs for CV. Likewise, a mixer for 3 signals was added at the input, giving it the possibility of mixing 3 different waveforms to obtain more harmonic-enriched signals and to maximize the sonic possibilities of its resonance.

Specs:

14HP
+12V > 12mA -12V > 12mA

Review: This triple pack box set from Craft Recordings takes a look at legendary jazz saxophonist Sonny Rollins and his run for Lester Koenig's revered Los Angeles label Go West. As well as presenting seminal albums Way Out West and Sonny Rollins and the Contemporary Leaders in full, this collection also presents six additional alternative takes from both album sessions, allowing listeners to hear the development of such iconic recordings as 'Come, Gone'. With additional liner notes from noted music historian Ashley Kahn and an interview with Rollins from 2021, this is an authoritative look at a true legend in the legacy of jazz.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.

Notes: Profile Streaming Set

USB-C microphone with cardioid condenser capsule, integrated features, and boom arm for enhanced Podcasting and Streaming applications.

The Profile USB Microphone is where performance meets accessibility. Featuring a cardioid condenser capsule, this USB-C powered microphone puts audio quality and design above all else.

Created for Podcasting and Streaming, the Profile has three fundamental controls; Gain Control to adjust the level of the microphone, Mix Control to balance the microphone with your device audio, and Volume Control to set your head phone monitoring level.

The Profile features an adjustable tilt function with a self-locking joint so you can aim the mic directly towards the sound source. Depending on your needs, the Profile includes either a table stand for compact convenience or a boom arm for optimal positioning.

Plug-and-play simplicity

Setting up a podcast session or live stream can be overwhelming but capturing pristine audio doesn't have to be. With the Profile, one simple connection is all you need to achieve the sound you're looking for. Powered by USB-C, the Profile puts audio quality and ease-of-use first without the need for an interface or complex software. Your device will automatically recognize the Profile, truly making it a plug-and-play experience.

The sound you're looking for

If you're just getting started or you're a seasoned pro looking to simplify your setup, the Profile delivers a natural, warm sound that accentuates the body and presence of the human voice. Built around a German engineered capsule, this cardioid condenser microphone provides a sound that will impress both you and your audience, right out of the box. And to ensure you're getting the best sound the multi-function LED ring turns from green to orange to indicate when your signal is too hot.

Control at your fingertips

Software has its place... but the ability to control your sound with the twist of a dial makes all the difference when you're in the moment. Gain Control allows you to adjust the sensitivity of the microphone, effectively setting the level for your session. Mix Control allows you to balance the levels between your microphone and your device audio so you can monitor what matters to you. The dedicated Volume Control gives you quick access to easily adjust your headphone level while a soft-touch mute button allows you to silence your microphone discreetly.

Form and function

Quality audio is all about microphone placement. The Profile Streaming Set features a boom arm with a sleek and modern design, ideal for on-camera applications. Integrated cable management and an included 3 m USB-C cable provide flexibility with positioning and help to remove clutter from your workspace. For best results, place the Profile within 15 cm (6 in) of the sound source to ensure clarity and warmth in your sound.

Features

Powered by USB-C (macOS/iPadOS/Windows/Android)
Adjustable tilt function (self-locking joint for optimal positioning)
Mute button (with LED ring to indicate when engaged)
Gain control (with LED ring to indicate power and audio clipping)
Mix control (for balancing microphone and device level)
3.5 mm headphone output (for audio monitoring)
Headphone volume control (for adjusting the volume of the headphone)
Cardioid capsule (for off-axis rejection of sound)
Robust metal housing and premium finish
3-point self-locking boom arm (with cable management and adjustable desk clamp)


Delivery includes

Profile USB Microphone
Boom Arm
USB-C Cable (3 m)
Mic pouch
Quick guide
Safety Guide with manufacturer's declarations

System requirements

Windows: 10.0 or later
macOS: 10.15 or later
Android: 9.0 or later
iPadOS*: 14 or later
(* Compatible with USB-C enabled Apple devices)

Specifications

Overall device

Operating temperature: 0 -C to +40 -C (32 -F to 104 -F)
Storage: -20 -C to +70 -C (-4 -F to 158 -F)
10 to 95 %, non-condensing
Dimensions Microphone: O 50 x 152 mm
Boom arm: 780 mm (horizontal reach)
Connectors: USB Type-C (USB 2.0 Full-Speed), 3.5 mm TRS
Cable length 3 m (Profile Streaming Set)
Power supply: 5 V $, max. 200 mA

Weight

Microphone: 350 g
Boom arm: 820 g

Microphone
Transducer principle: Pre-polarized condenser microphone
Pick-up pattern: Cardioid
Sensitivity at max. gain
Sensitivity at min. gain
-10 dBFS at 80 dB SPL
-50 dBFS at 80 dB SPL
Max SPL
Min. gain
Max. gain
125 dB SPL
85 dB SPL
Frequency range: 20 to 20,000 Hz
Equivalent noise level
Min. gain
Max. gain
34 dB(A) SPL
28 dB(A) SPL
Sampling rates 44.1, 48 kHz
Sampling resolution 16, 24 Bit

Headphone output

Connector 3.5 mm TRS
Min. output impedance 16 O
Frequency range: 20 to 18,500 Hz
OS Interoperability
Windows 10.0 or higher
macOS 10.15 or higher
Android 9.0 or higher
iPadOS * 14 or higher (* Compatible with USB-C enabled Apple devices)

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.

Notes: Great value from this compact eight-channel mixer featuring built-in Alesis effects. Bluetooth and USB in/out give added versatility, allowing you to mix just about any sound source.

Supplier's Notes:
Easy-to-Use Analogue Audio Mixing with Built-in Effects from Alesis

The Alto Professional TrueMix 800 FX is a portable audio mixer with built-in DSP effects that delivers all the essential features you need for home recording, livestreaming, podcasting, or performing. The TrueMix 800 FX features 16 effects including chorus, flange and an assortment of high-quality delays and reverbs. There's also a convenient Bluetooth channel for easily streaming from your personal devices. A unique feature to the TrueMix Series, the Bluetooth channel also supports feedback-free phone pairing by utilizing mix-minus technology. There are eight analogue inputs with high-headroom circuitry for minimal noise and clipping in your signal. The four Mic Input Channels offer XLR inputs that are great for connecting dynamic mics or condenser mics with 48v phantom power. These channels also have balanced 14" line inputs for connecting instruments and other line-level signals. There are also two Stereo Input Channels, each with dual balanced 14" TRS inputs. These inputs are perfect for your line level audio sources. All channels feature a two-band EQ with colour coded knobs that make it easy to dial in your perfect sound while operating in low-light situations. There are even extra knob caps included so you can fully customize the look of your TrueMix 800 FX. Connecting the TrueMix 800 FX to your computer is also lightning fast, with plug and play connectivity on Windows and macOS. The TrueMix 800 FX is a feature-packed compact audio mixer that's perfect for using on-the-go.

Flexible Output Routing

Whether you're recording a podcast, livestreaming online, or making music at home, being able to hear yourself and easily route audio is essential. The TrueMix 800 FX features a variety of output and routing options to handle any scenario. There are four headphone outputs, each with their own volume control knob. If you need to send your audio signals to another destination like an external monitor or effects unit, each channel is equipped with a send knob so you can always dial in the perfect mix. For recording, the USB output sends a copy of the main outputs to your computer, or you can connect the 2-Track in/out to an external recorder which can also be sent directly to the headphones. The TrueMix 800 FX delivers everything you need to take full control of your audio routing in any situation.

Product Features:

TrueMix 800 FX Features
USB I/O for audio playback and stereo recording
Dedicated bluetooth channel with mix-minus return for feedback-free phone pairing
Four headphone outputs with independent volume control
16 built-in Alesis multi-fx with dedicated return channel
1/4" Main, Tape, and AUX outputs
Four mic input channels with phantom power and balanced line inputs
Two stereo input channels with balanced 1/4" TRS jacks
Two-band EQ on all channels
2-track inputs w/ assignable routing: main mix or headphone out
Eight-segment LED VU meter for precise level monitoring
Extra knob caps included in the box for added customization

Technical Specifications

Frequency Response All inputs: 20 Hz - 22 kHz (i1 dB)

THD+N (Total Harmonic Distortion)
All inputs: < 0.005% (@ 4 dBu, 1 kHz)

Gain Range Mic inputs (Channels 1-2): 0 - 50 dB Line inputs (Channels 1-2): 15 dBu - 35 dBu Line inputs (Channels 3-6): -20 dBu - +20 dBu

Max Voltage Gain
70 dB (MIC INPUT to MAIN MIX OUTPUT)
80 dB (MIC INPUT to CTRL ROOM / PHONES OUPTUT)
60 dB (MIC INPUT to MON SEND)

SNR (Signal-to-Noise ratio)
All inputs: > 110 dBu

Crossover Frequency
Adjacent inputs: < -80 dB @ 1 kHz
Inputs to outputs: < -75 dB @ 1 kHz (stereo L/R, Channels 1-2, panned hard left or right)

Phantom Power: +45 ~ +49V with switch control

Impedance
Mic inputs: 3.9 kO
All other inputs: > 10 kO
Aux outputs: 1 kO
All outputs: 120 O

Equalization High:
+/-15 dB @ 12 kHz
Low: +/-15 dB @ 80 Hz

Bluetooth
Profile: A2DP
Module: Bluetooth 5.0
Operating Frequency: 2402 MHz - 2480 MHz
Range: 100 ft. / 30.5 m

Connectors
(6) 1/4" (6.35 mm) TRS outputs
(6) 1/4" (6.35 mm) TRS stereo L/R inputs
(4) 1/4" (6.35 mm) TRS headphone outputs
(4) 1/4" (6.35 mm) TRS mono inputs
(1) Standard RCA L/R input
(1) Standard RCA L/R output
(4) XLR inputs
(1) USB type-B input
(1) DC power input

Controls
(1) Power switch
(15) volume control knobs (1 per input, 1 return, 1 EFX return, 1 2-track/USB in, 4 headphone outs, 1 Bluetooth, 1 main)
(6) Stereo pan control knobs (1 per input)

(6) Mon volume control knobs (1 per input)
(6) EQ Low control knobs (1 per input)
(6) EQ Hi control knobs (1 per input)
(6) Gain control knobs (1 per input)
(4) Buttons (1-EFX mute, 1 Bluetooth, 2 Source Select)
(1) Horizontal sliding switch

Indicators
(1) Power LE
(6) Peak LEDs
(1) Phantom LED
(16) Main Out Meter LEDs
(1) Bluetooth LED

Power Connection: DC Voltage: 18V, 1.2A Consumption: 18W

Notes: Lush analogue EQ switchable between tilt and Baxandall high-shelf configurations.

Perform a variety of mixing and sound design duties ranging from subtle brightness and clarity adjustments to low-end rumble removal, boosted low-pass filtering and sweep EQ.

In the default tilt mode, turning the control knob clockwise simultaneously boosts treble and cuts bass. Turning anti-clockwise boosts bass and cuts treble. These boosts and cuts are pivoted around the mid-range. With the control knob at 12 o'clock the frequency response is neutral.

With Baxandall high-shelf mode enabled, turning the control knob clockwise past 12 o'clock introduces and gentle high-shelf EQ weighted around the upper mid-range. Turning the control knob anti-clockwise results in a wide high-shelf cut with subtle bass and mid-range adjustments.

Patching the channels in series allows for radical sound shaping and band-pass responses. Each channel provides up to +/- 8db of low and high-frequency gain control, summing into a low noise output stage. Hot input signals over 15vpp are saturated by active Zener diode clipping.

Features

Precise voltage control of EQ tilt and shelf
Seamless switching between EQ modes
High-quality components used throughout

Specifications

Intellijel 1U format
Width 18HP
Depth 32mm
Power requirements ~60mA +12V/~58mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: The BETA-V from SolidGoldFX is a Bass Preamp pedal that kicks! This latest incarnation of SGFX's top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today's modern bass amplification.

Yes, we all know the convenience of a lightweight "sub 10 lbs" bass head that pumps out 500 watts and a neo cab that doesn't require a roadie crew or chiropractor is great, but there is something extremely satisfying in the way that big, old Ampeg-style tube setups compress, clip and round out your signal. However, with the BETA-V you can finally have the best of both worlds - bone-shaking mojo-packed dirt, all wrapped up in modern and easy to use convenience.

Solid Gold FX's classic Beta bass architecture has been reworked and expanded, delivering a wider range of tones. The low-pass filter now has 2 settings for bumped or scooped-mids as well as a centre bypass setting for a more transparent experience. Plus, the Drive control has been reworked for lower gain applications or hotter basses.

Most importantly, the BETA-V sports an active 2-band post gain EQ allowing you to boost or cut your highs and lows with a flat response in the centre. Dialling in anything from punchy overdriven Lemmy tones to the fattest, deepest soul shaking dub is only a few knob twists away. Complete with top-mounted jacks, soft touch true bypass switching and 9-18 V DC operations, the BETA-V is a true thump machine, ready to rock your world.

Notes: Designed with versatility in mind, MapVolt is a dual-channel Universal Voltage Processor built for flexibility in handling audio and CV signals.

With only 6hp, Mapvolt is a multipurpose tool for voltage-controlled scaling, inverting, offsetting, subtracting, and mixing functions.

Each channel of MapVolt can operate in either Polarizer or Attenuator mode, allowing manual control via knobs or CV signals. In Polarizer mode, it functions as a Voltage Controlled Attenuator-Inverter, granting control over signal level and polarity. Additionally, it can be used as a Four-Quadrant Multiplier or Ring Modulator for audio signals, with the processor input serving as the carrier signal and the polarizer's CV input acting as the modulator.

In Attenuator mode, MapVolt operates as a VCA, providing control over signal levels. Its VCA CV input range of +5/-5 makes it well-suited for amplitude modulation (AM) with other +/-5V waveforms.

MapVolt is equipped with dedicated Voltage Offset knobs for each channel, which can be controlled via CV. If no input is patched into the Processor input channel, the Voltage Offset knobs can be used as Offset Generators.

With its dedicated mixing stage, MapVolt enables the combination of both channels into a shared output. Furthermore, if one of the processor channels is inverted, it allows for the subtraction of one signal from the other.

Dimensions
6 HP
33 mm deep

Current Draw
65 mA +12V
65 mA -12V

Notes: Dual channel analogue overdrive with real tube-like compression featuring 3 clipping options with carefully hand picked germanium diodes, smooth and sensitive to picking strength.

3 different gain levels from clear boost with a touch of dirt to high gain overdrive, full EQ with air control to manipulate the presence of your pickups, a MOSFET boost circuit lets you push your amp into natural breakup.

Order toggle switch to add volume or an extra gain stage.
Side A: BB style circuit with bass, air, treble, drive and volume control
Ge, Si and LED asymm clipping toggle
3 level gain toggle.
Side B: MOSFET boost +20dB with level control
A > B or B > A stack order toggle
Top mounted jacks

Notes: True bypass studio-grade compressor in small form factor offering full control of your overall tone. OTA based parallel compression with variable output current, input voltage controlling a carefully designed envelope circuit. Optimized for low noise operation.

Analogue compressor with OTA topology
Controls: Ratio, Threshold, Release, Attack, Brite (high cut), Level (compressed signal), Blend
Soft switch with relay bypass, momentary & latching operation
Top mounted jacks

Notes: Seeking to unapologetically tear apart the definition of a chorus pedal, Old Blood Noise Endeavors have created the BL-82 Chorus. An ode to delay time, this is a device with a variable clock control to shift between recognizable shimmering chorus and chaotic modulated delays.

Two delay lines, modulated by opposite synchronized LFOs, are combined in parallel and the timing of the delay lines, as well as the speed and depth of the LFOs, are all determined by one tactile slider. This allows you to instantly open up the modulated floodgates on the fly and go from well-known waves, to deeply unknown oceans of sound.

BL-82 is a chorus pedal, technically. It creates a swirling shimmery sound somewhere between chorus and flanger from a mono instrument signal. Its two delay lines are stretchable, and that's where the pedal's genre blurs from chorus into modulated delay into trailing pitch bending uncertainty.

The control set for BL-82 is dead simple. A Clock slider sets the timing of the entire system. The sample rate that determines signal fidelity, the centre delay time and the speed of the delay modulation are all affected as the slider slides. The interface is rounded out with feedback, volume, and mix add to an immediate experience that breaks open the boundaries of what it means to be a chorus and allows you to further craft the undulations of this mesmerizing device.

Notes: Everything sounds better with compression - whether you need a bit of extra pressure for your drum sounds or just that extra touch to make your modular mix more nimble and tight, the Erica Synths Stereo Compressor will make your live performances a joy. The module is optimized for percussion sounds and will be a great addition to any Erica Synths Drum module rig. The Stereo sidechain can be used to animate melodic layers on the beat and to truly bring your Basslines to life.

Features

THAT chip-based stereo compressor
DC coupled sidechain
Gain, Threshold and Compression Amount (Ratio) settings
Stereo Link for level detectors
Bypass switch
8 segment output level VU meter

Specs

Audio input level -5...+5V
Threshold -40dB to +10dB
Makeup gain -12dB to +12dB
Ratio 1:1 to 8
Power consumption +60mA, -22mA
Module width 10HP
Module depth 35mm

INPUT LVL; Adjust the input signal level to your taste
GAIN; This knob adjusts the makeup gain of the compressor
THRESHOLD; Set the compressor threshold
COMP. AMT;This knob adjusts the compression ratio
STEREO LINK; Sending hard-panned or significantly different audio levels on the left and right channels into the audio inputs may result in undesired left-right panning on the output of the compressor, because the level detectors on each channel will ensure a different amount of compression. With the STEREO LINK switch on, the level detectors on both channels are merged and the min/max function is engaged. This ensures equal compression on both channels.
PROCESS; The bypass switch allows for turning off the compressor instantly
8 SEGMENT VU METER; 8 segment VU meter gives a visual reference of the output signal
IN L / IN R; These are the L and R audio inputs
OUT L / OUT R; These are the L and R outputs of the module
SIDE IN L / SIDE IN R; These are L and R sidechain inputs. You can process each channel individually
SIDE OUT L / SIDEOUT R; These are the sidechain signal outputs - they are buffered copies of the sidechain inputs

Notes: Simple, powerful and high-quality voice recording solution, ideal for interviews, videography and podcasting. Clip on the lavalier microphone and record directly into the tiny battery-powered unit in high-quality 32-bit float resolution.

Supplier's Notes:
Small Appearance, Big Impact.

Videographers love the Tascam DR-10L Pro portable recorder with clip-on microphone as an easy and unobtrusive solution for capturing audio for video. Combining the clip-on convenience of a lavalier microphone with an ultra-compact portable recorder, this form factor solves many of the problems content creators often face. It's a superior solution for busy events such as weddings and on-location film shoots.

While traditional wireless microphone systems can pose workflow concerns, the rock-solid performance of a Tascam wired lavalier recorder is proven and assured. Simple plug-and-go operation also makes the DR-10L Pro an easy backup system for your typical voice recording setup.

The DR-10L Pro's 32-bit float recording technology lets you capture a whisper, a scream and everything in between with impeccable fidelity, ultra-low noise and no need to fine-tune gain levels. Support for wireless timecode sync with Atomos products, the ability to wirelessly control up to five recorders from the app*, plus long battery life and generous storage capacity make the DR-10L Pro ideal for professional applications.

*optional AK-BT1 required for app control and wireless timecode sync

Ultra-compact and lightweight, the DR-10L Pro is the perfect solution when stealth is a priority. Fitting in the palm of your hand and weighing just 65 grams, this recorder is easy to hide at film shoots, weddings, stage performances, and other projects where invisibility is crucial.

The included belt clip attaches easily and securely to clothing, allowing you to capture great audio without compromising your talent.

Using the DR-10L Pro's standard 32-bit float recording mode, two analogue-to-digital converters (ADCs) capture sound over an enormous dynamic range without distortion or excessive noise. This means that videographers can avoid having to discard recordings due to poor levels. With 32-bit float resolution, there's no need to adjust input gain levels, so you can set up faster and be confident that you're recording excellent audio in every situation.

The included TM-10L microphone captures clear, detailed audio while handling high sound pressure levels without distortion, making it the perfect lav mic for 32-bit float recording with the the DR-10L Pro.

Whether you're recording people at a wedding reception, a busy convention or a lengthy ceremony, the DR-10L Pro is ready for service as long as you are. There's no need to worry about changing batteries during recording: the DR-10L Pro personal recorder runs on just two AAA batteries for up to 24.5 hours*.

In addition, files are saved on the microSD card approximately every 20 seconds during recording to minimise the risk of data loss due to unexpected power cuts.

*Lithium batteries

With the optional AK-BT1 Bluetooth dongle, up to five DR-10L Pro recorders can be controlled wirelessly from iOS, iPadOS and Android devices using the free DR-10L Pro CONNECT app. The app allows videographers to check device status*, view the recorded waveforms in real time and create up to five presets. A preset can be applied to a single recorder or to all controlled units at once. You can also use the app to name devices for easy identification, for example "Bride", "Groom", and so on.

With the optional AK-BT1 Bluetooth dongle, the DR-10L Pro is ready to wirelessly synchronise timecode with supported Atomos products. Timecode allows videographers to perfectly align audio with video, even when there is no audio on the camera.

Timecode is critical for videographers when dealing with multi-camera video shoots, saving valuable time in post-production.

*Audio monitoring via app is not supported

Whether you're in a dark environment or outdoors in the sun, the DR-10L Pro's highly visible OLED display lets you confirm settings at a glance.

You can check your battery level, recording status, and input levels directly from the display, and all advanced functions are just a few button presses away.

The DR-10L Pro lavalier recorder has a headphones output for easy monitoring. You can listen to the input before or during recording, and also check the quality of your recordings immediately without having to first transfer them to a computer.

The DR-10L Pro comes bundled with a free version of RX Elements, a groundbreaking audio repair and noise reduction tool from iZotope. RX Elements gives videographers powerful audio restoration capabilities that need to be heard to be believed, from seamlessly removing coughs and background noise to reducing wind roar and ambient noise. Live video shoots for weddings, on-location interviews, and documentaries can present countless post-production challenges, and RX Elements gives videographers the tools they need to overcome them.

Specifications

Storage media and file formats

Recording media: microSD card (64 MB - 2 GB), microSDHC card (4-32 GB), microSDXC card (64-512 GB)

Recording and playback formats:
WAV: mono/poly (BWF format), 44.1/48 kHz, 16-bit, 24-bit, 32-bit float
MP3: 44.1/48 kHz, 128/192 kbit/s (recording) 32-320 kbit/s (playback)

Analogue audio inputs and outputs
Microphone input: 3.5-mm mini TRS jack (with screw lock)
Maximum input level: -11 dBu
Gain range: 7.5-38 dB
Input impedance: +/-2 kO
Included microphone: TM-10L
Sensitivity: -42 dBV/Pa
Maximum sound pressure level: 115 dB SPL
Supply voltage: 2.3 V
Analogue output (Headphones jack): 3.5-mm mini stereo jack (dual mono audio output)
Maximum output power: 10 mW + 10 mW (THD =0.1 %, 32 O)

Audio performance
Frequency response (input to recorded data): 20 Hz - 20 kHz, +0/-1 dB
Distortion: 0.01 % (1 kHz, input level -21 dBV)
Dynamic range: +/-105 dB

Power supply and other specifications

Power supply
2 AAA batteries (alkaline, NiMH or lithium rechargeable, sold separately)
USB bus power from a computer

Power consumption (batteries): 0.3 W (maximum)
Current consumption (USB bus power): 0.1 A (maximum)
Dimensions (W × H × D): 53 mm × 51 mm × 21 mm (excluding protrusions)
Weight@ 65 g (with batteries), 43 g (without batteries)
Permissible operating temperature range: 0-40 -C

Battery operation time
Conditions: WAV recording at 48 kHz, 32-bit float, mic connected, headphones not connected, limiter off, mono file, continuous operation, in hours:minutes (JEITA CP-2905)
Alkaline battery (Evolta)
16:30: No Bluetooth connection
16:00: Bluetooth connection

NiMH battery (Eneloop)
11:30: No Bluetooth connection
10:30: Bluetooth connection

Lithium battery (Energizer Ultimate Lithium)

24:30: No Bluetooth connection
23:00: Bluetooth connection

Note: Operation times may vary depending on the recording media being used. Reduced battery life when using headphones.

Notes: Introducing a limited edition re-release of this iconic electronic instrument in a modular format.

This limited edition of 75 units is a tribute to the pioneering work of Dutch musician and instrument maker Michel Waiswisz (1949 - 2008), who first invented the Cracklebox with Geert Hamelberg in the late 1960s.

The Cracklebox was a small, handheld device designed as a way to explore new sonic territories. It was one of the first electronic musical instruments to use circuit bending techniques in the creation of electronic music. It allowed musicians to manipulate and control electronic circuits in real-time, creating a wide range of unique and experimental sounds. He used a circuit from a toy piano as the basis for the instrument, and then added a series of touch-sensitive pads that were connected to the circuit. When a player touched one of the pads, the circuit would be completed, producing a crackling sound.

The Cracklebox was probably the first commercially available portable self-powered alternative 'keyboard' analogue electronic instrument with inbuilt loudspeaker.

In the 1970s about 4000 Crackleboxes were built and sold by STEIM in Amsterdam.

Nowadays many people refer to the The Cracklebox as the archetype of 'glitch' or 'circuit bending'.

In the decades since its invention, the Cracklebox has continued to be an important and influential instrument in the world of electronic music. It is still in use today, and is considered a classic example of the potential of electronic music to create unique and innovative sounds.

This Eurorack recreation includes a 9v battery, swappable through the front panel, this allows to isolate the current flowing through the user's fingers from the Eurorack frame PSU, protecting the user from undesired electrical shocks. The internal speaker has been removed, a transformer has been used instead to isolate the output signal.

The output generated can be used as an audio, as a gate or a cv signal, when using it as a cv source, due to the specific qualities of the signal, users may want to send it through other modules as slews, sample and holds, quantizers to tame/control it's peculiar cv output.

Controls:

- The module features an on/off switch to turn off the 9v battery (remember to turn it off when you turn off your Eurorack system).
- A Power Starve knob, reduces the 9v voltage feeding the circuitry changing it's overall timbre/pitch
- An Output Gain knob to control the output volume.
- A Boost switch to add more presence to the signal.

Tech Specs:

12HP
5.5 cm deep
20mA +12V
20mA -12V
9v battery required

Notes: The MMI Maxima is the final word in MMI technology. Beautiful gold patterns form gradients of touch sensitive surface areas, each connected to an input/output. Drag, rub, pinch or tap your fingers across to form connections, and create evocative and unique performances. Utilize the various pattern densities and shapes in your performance, or create installations with whatever conductive material is to hand.

Operation is easy: simply plug any audio, LFO, CV, trigger, gate, offset or clock into any of the inputs on the front panel, and connect one or several outputs to destinations in your system. The symbols near the sockets correspond to the shapes on the panel, and all that remains is for you to form the connection between the desired symbols with your hand, or any other conductive object you may have. Connect multiple at the same time to achieve liquid, gradual mixing, evolving rhythmic patterns, mixed LFOs and more. Furthermore, touch the pressure plates more firmly or in more dense areas to form stronger connections - in practice, this means a signal will pass with more or less intensity, based on the pressure you apply.

There are countless possibilities here: the shapes make it easy to memorize your patch, and the many inputs and outputs allow for enormous creativity. Eight inputs and one output? No problem. Maybe you want eight outputs sharing one input? Also no problem. Why not patch in an offset voltage, and then use the pressure sensitivity to sweep a filter with the offset patched into the filter resonance CV control? Or maybe create volume swells by patching audio into a VCA, or even an effect, for reverb or delay swells. Maybe you want to create chords, crescendos or chaotic and swiftly changing drum patterns?

Although practice helps, there are no rules for playing the MMI Maxima. Use it upside down or downside up, rack it, tape it to your body or drill it into your guitar and use it with the expression input on your pedals (yes, this is actually possible. Seriously.) With no external power needed, it makes an excellent performance companion for any system, big or small, modular, semi-modular or even not-modular-at-all.

Intended as a controller for musicians and non-musicians alike, the purpose of the MMI Maxima is to put emphasis on your performance and expression, rather than your competence at the ivory keys or dexterity at a drum pad. Let your hands, slices of pickled cucumber or other conductive everyday objects do the talking, through a combination of clever patching and expressive play - with the MMI Maxima, you have a performance tool unlike any other at your disposal.

The MMI Maxima comes in a custom case, and does not require external power to operate. Enjoy the Maxima either as a standalone controller, or rack it in your system if you desire.

Dimensions
30 HP
30 mm deep

Current Draw
Module does not draw current

Notes: The Herzlich 4x4 Switched Passive Matrix Mixer is a fresh dose of hot old school synth flavor right into your signal chain - inspired by the Buchla and Synthi matrix mixers of yore, the Herzlich 4x4 Passive Switched Matrix Mixer will give you all the joys of an old school matrix mixer, and none of the pesky conveniences of a modern one!

Looking for a super clean, powered matrix mixer that will treat your signals with velvet gloves and behave with mind-numbingly boring predictability? Then you've taken a wrong turn, and instead of finding the pristine tedium you sought, you have uncovered a sleeping beast, an uncut diamond the size of a bell pepper and an all-red rainbow all in one. No power needed, and a super slim profile for even the shallowest skiff user.

The Switched Passive Matrix Mixer will set your heart ablaze with its glorious commitment to happy accidents and unapologetic jank. With absolutely no electronics to rein in the monster that resides in its circuitry, you will be delighted and shocked as you turn the knobs and click the switches, to find channels that bleed gently into each other, pots that alter channels other than their own, and switches that may take your desire to open and close them as suggestions rather than commands.

You'll think you've fallen asleep in the pale glow of your DAW and awoken to a nightmare at first, but very soon, you will discover it is a creative dream. Step into the shoes of the composers of yesteryear, and discover how your unintended accidents mixing CV or audio turn into beautiful and unexpected compositions. Find beauty in the strange interconnectedness of the switches and pots, as you try to brave and tame them. Reach synth transcendence with the psychedelic potential of passive matrix mixing, and open your heart to the multitudes of possibilities contained with the power of 70s circuit design.

Dimensions
20 HP
22 mm deep

Current Draw
Module does not draw current

Notes: Amnis is a shift register with a few tricks up its sleeves. It can be used as a generative sequencer for gates and CV, as a tunable digital noise source, as a random gate and CV generator, as the center of a chaotic system and more.

It needs two input signals to start doing its thing. A Clock and some Data. Data can be pretty much any signals. From these two signals Amnis will generate 8 gate outputs, always on the clock. From these gate outputs, it will generate 3 staircase CVs and a slewed CV. With 8 gates and 4 CV outputs it can be the heart of any patch.

Amnis has an XOR input for linear feedback. A shift register with linear feedback is the core of the Rungler, the chaotic core in Rob Hordijk's Benjolin and Blippoo Box. With Amnis you can recreate these type of behaviors with any oscillators you have on hands.

Amnis is compatible with the Turing Machine expanders thanks to its expansion port at the back.

Due to popular demand for a 3U shift register, Amnis replaces (and expands on) Ruissellement, which was the 1U version of this module.

Notes: Bleeding Hearts Eurorack Modular Device

(Random Sequencer, Rhythm Generator, Destroyer, and Filter)

The Bleeding Hearts is a device that starves, bit crushes, splatters, and filters audio sources like no other. Feeding a gate signal to the Bleeding Hearts enables a whole new world of strange and random analog-generated movement. Each position of the 8-step sequencer can bleed into each other and interact with the destruction effect, creating gated and filtered splatters, glitches, and crunches that move to the beat of your patch.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

20hp, 42mm deep.

Notes: The Z2040 is TipTop Audio's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP
Depth: 42mm
Power: +12V 20ma / -12V 20ma

Notes: Lush analogue EQ switchable between tilt and Baxandall high-shelf configurations.

Perform a variety of mixing and sound design duties ranging from subtle brightness and clarity adjustments to low-end rumble removal, boosted low-pass filtering and sweep EQ.

In the default tilt mode, turning the control knob clockwise simultaneously boosts treble and cuts bass. Turning anti-clockwise boosts bass and cuts treble. These boosts and cuts are pivoted around the mid-range. With the control knob at 12 o'clock the frequency response is neutral.

With Baxandall high-shelf mode enabled, turning the control knob clockwise past 12 o'clock introduces and gentle high-shelf EQ weighted around the upper mid-range. Turning the control knob anti-clockwise results in a wide high-shelf cut with subtle bass and mid-range adjustments.

Patching the channels in series allows for radical sound shaping and band-pass responses. Each channel provides up to +/- 8db of low and high-frequency gain control, summing into a low noise output stage. Hot input signals over 15vpp are saturated by active Zener diode clipping.

Features

Precise voltage control of EQ tilt and shelf
Seamless switching between EQ modes
High-quality components used throughout

Specifications

Intellijel 1U format
Width: 18HP
Depth: 32mm
Power requirements: ~60mA +12V/~58mA -12V
Control voltage range: 0-8V
Impedance Input: 100K / Output 1K

Notes: Transpos lets you transpose three CV channel with a single source.

Adder:

The voltage of each CV input can be varied by plus or minus two octaves depending on the switch and the potentiometer of each channel. Transpos uses precision regulators: for example if we increase by a fifth with the switch on "+" we reduce it by a fifth when we pass on "-".

Transposer:

The 1V/o CV input will influence each of the three channels. By turning the CV potentiometer you can globally increase or decrease the transposition of the three channels at the same time.

Dimensions
8 HP
40 mm deep

Current Draw
70 mA +12V
70 mA -12V
0 mA 5V