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Items 8,001 to 8,050 of 11,600 on page 161 of 232
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TC Electronic Hypergravity Mini Compressor Pedal TC Electronic Hypergravity Mini Compressor Pedal
Cat: 652138 • View all Effects pedals
 
Studio grade multi-band compressor pedal with Spectra, TonePrint & Vintage modes
Notes: HyperGravity Compressor is the missing link that will take your tone from good to great. Featuring no less than three amazing compression modes; including a state-of-the-art multiband compressor, a cool vintage compressor, plus endless compression combinations through TonePrint. HyperGravity Compressor is the key to getting that much desired pro tone with even dynamics. Kick it in and be prepared to shine!

Compress Without Compromise:
HyperGravity Compressor's highly advanced multiband dynamics algorithm is the same MD3 compression algorithm that can be found in our studio production masterpiece, System 6000 which has been the preferred dynamics tool for top producers for over 10 years. Its technologically superior engine applies perfectly tailored compression for your highs, mids and lows, and leaves you with an ultra-transparent and in the end, more musical compression than what can be achieved with standard single-band compressors. This lets you go from subtle airy shimmers, to full-on straightjacket tone-holds and anywhere in between, without ever compromising your original tone.

Squeeze Into Some Tight Tones:
Jump straight into those old-school compression tones of yesteryear with HyperGravity Compressor's warm vintage mode. You get all of the squeeze and squash you could ever want, alongside that extra presence associated with those classic stompbox compressors we all know and love. Perfect for percussive country tones, tight funk sounds or sweet Gilmour sustain.

TonePrint - Customized Compression:
With our proprietary TonePrint technology you can finally realize the full potential of your inner compression-geek. The free TonePrint Editor and its wealth of parameters, lets you tailor that fully focused compression tone completely to your liking. But hey, if you'd rather rely on the sonic wisdom of others, then we have a solution for that too. Via the free TonePrint App, you can beam custom-tweaked compression tones made by some of music's finest to the pedal. It's time to unleash those dream tones inside your head!
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out of stock $112.54
2hp Freez Voltage Controlled Locked Looper Module (silver faceplate)
Cat: 652192 Rel: 06 Jun 17 • View all Synth modules
 
Looper module for Eurorack synthesisers - 2HP
Notes: Freez is a voltage controlled locked looper. It captures moments of audio in buffers, where they can be minced and mangled beyond recognition. Once frozen, adjusting size will cause pitch and timbre changes to the locked audio.

Adjusting the sample rate control will distort and decimate the incoming audio as well as warp the time domain of the currently locked buffer. From beat repeat to granular audio buffer, Freez will create new sounds and textures out of any input signal.
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out of stock $119.91
Onmitronic FAD9 USB MIDI Controller Onmitronic FAD9 USB MIDI Controller Onmitronic FAD9 USB MIDI Controller Onmitronic FAD9 USB MIDI Controller Onmitronic FAD9 USB MIDI Controller
Cat: 652269 Rel: 08 Jun 17 • View all MIDI controllers
 
USB MIDI keyboard for creative music production with PC & Mac
Notes: USB MIDI keyboard - perform and compose anytime, anywhere. Super portable format fits laptop bags or backpacks. Works with virtually any audio software. Also suitable for enlarging DJ sets.

- 9 freely assignable rotary controls
- 9 freely assignable faders
- 13 freely assignable buttons
- 6 transport buttons: Play, Stop, Rew, FF, LOOP, REC
- 4 programmable memory banks
- 1 master fader
- USB cable and software editor for PC and Mac included
- Plug & play - USB connection for PC and Mac requires no driver installation
- USB bus powered - no additional power cable needed
- Windows XP, Vista, 7, 8 and Mac OS X 10.3.9 and better
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out of stock $51.54
Omnitronic KEY25 USB MIDI Controller Keyboard Omnitronic KEY25 USB MIDI Controller Keyboard Omnitronic KEY25 USB MIDI Controller Keyboard Omnitronic KEY25 USB MIDI Controller Keyboard Omnitronic KEY25 USB MIDI Controller Keyboard
Cat: 652271 Rel: 08 Jun 17 • View all MIDI keyboards
 
USB MIDI keyboard for creative music production with PC & Mac
Notes: USB MIDI keyboard - perform and compose anytime, anywhere. Super portable format fits laptop bags or backpacks. Works with virtually any audio software. Also suitable for enlarging DJ sets.

- 25 velocity-sensitive mini keyboard keys
- Arpeggiator
- Octave up/down, transpose
- Pitch +/-, modulation
- USB cable and software editor for PC and Mac included
- Plug & play - USB connection for PC and Mac requires no driver installation
- USB bus powered - no additional power cable needed
- Windows XP, Vista, 7 and Mac OS X 10.3.9 and better
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out of stock $47.32
Omnitronic KEY288 USB 25 Mini Key MIDI Controller Keyboard Omnitronic KEY288 USB 25 Mini Key MIDI Controller Keyboard Omnitronic KEY288 USB 25 Mini Key MIDI Controller Keyboard Omnitronic KEY288 USB 25 Mini Key MIDI Controller Keyboard Omnitronic KEY288 USB 25 Mini Key MIDI Controller Keyboard
Cat: 652273 Rel: 09 Jun 17 • View all MIDI keyboards
 
USB MIDI keyboard for creative music production with PC & Mac
Notes: USB MIDI keyboard - perform and compose anytime, anywhere. Super portable format fits laptop bags or backpacks. Works with virtually any audio software. Also suitable for enlarging DJ sets.

- 25 velocity-sensitive mini keyboard keys, velocity curve adjustable
- 12 backlit, velocity-sensitive drum pads can send note, MIDI CC or program change
- 4 freely assignable rotary controls
- 4 freely assignable faders
- Octave up/down, transpose
- Pitch +/-, modulation
- Program change
- 4 programmable memory banks
- USB cable and PC software editor included
- Plug & play - USB connection for PC and Mac requires no driver installation
- USB bus powered - no additional power cable needed
- Windows XP, Vista, 7 and Mac OS X 10.3.9 and better
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out of stock $65.74
Omnitronic PAD12 USB MIDI Pad Controller Omnitronic PAD12 USB MIDI Pad Controller Omnitronic PAD12 USB MIDI Pad Controller Omnitronic PAD12 USB MIDI Pad Controller
Cat: 652277 Rel: 08 Jun 17 • View all MIDI controllers
 
USB MIDI controller for creative music production with PC & Mac
Notes: USB MIDI controller - perform and compose anytime, anywhere. Super portable format fits laptop bags or backpacks. Works with virtually any audio software. Also suitable for enlarging DJ sets.

- 12 backlit, velocity-sensitive drum pads can send note, MIDI CC or program change
- 6 transport buttons: Play, Stop, Rew, FF, LOOP, REC
- 4 programmable memory banks
- 2 freely assignable buttons
- 1 master fader
- USB cable and software editor for PC and Mac included
- Plug & play - USB connection for PC and Mac requires no driver installation
- USB bus powered - no additional power cable needed
- Windows XP, Vista, 7 and Mac OS X 10.3.9 and better
Read more
out of stock $41.02
TC Helicon Talkbox Synth Pedal
Cat: 652506 • View all Effects pedals
 
Intuitive vocal effects pedal with new & classic sounds
Notes: TALKBOX SYNTH offers classic and new sounds to the guitarist's arsenal. From instantly recognizable talkbox "hose-in-the-mouth" sounds to wonderfully electronic "talking robot" effects, imagine yourself commanding attention at jams and gigs. Even when the effect is off, TALKBOX SYNTH can vastly improve your core vocal sound with Adaptive Tone, reverb and pitch correction.

The Right Connections:
Classic talkbox effects have always come through a PA, not a guitar amp, so TALKBOX SYNTH is the ideal way to bridge that gap. The XLR output of TALKBOX SYNTH sends your polished vocal mic output to the PA while also outputting the on-board effects when you hit the foot switch. The guitar input and output circuitry is designed to preserve your precious guitar tone as it passes to your pedals and amplifier.

Guitar to Synth Transformed:
The on-board synthesizer is triggered by your single note guitar playing and can translate your solos and licks into something even a skilled keyboardist would marvel at. The nuances of finger vibrato combined with your vocal expression take your guitar solos and licks from earthbound to mile high in an instant.

Your Personal Sound Tech:
Adaptive EQ (equalization), compression, de-ess, and gate automatically control the timbre and shape of your vocal, ensuring that every note you sing is clean and clear. Because when the crowd can hear what you're singing, they can sing along and there is nothing is better than that!

A Helping Hand:
We're all human and nobody hits every note perfectly. Nobody. With transparent auto-chromatic pitch correction, we nudge your pitch to the nearest semitone. It won't turn a potato into a spaceship, but it can give you a little support when you need it most.

Studio Grade Reverb:
Reverb simulates a physical space, allowing your voice to fit into the music perfectly. Whether it's the ambiance of a small room, or the massive reverberation of a concert hall, TalkBox Synth's vocally tuned reverb always brings out the best in your voice.

Roam Around:
Sometimes it's just not feasible to find a power outlet when you're performing. That doesn't mean you should be without your TalkBox Synth! It can be powered by 4 AA batteries (not included) in addition to the optional 9V adapter.
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out of stock $280.83
TC Electronic M100 Stereo Multi Effects Processor TC Electronic M100 Stereo Multi Effects Processor TC Electronic M100 Stereo Multi Effects Processor TC Electronic M100 Stereo Multi Effects Processor
Cat: 652507 • View all Effects units
 
Multi-effects processor for studio & stage applications with award-winning TC effects
Notes: If you want to add the digital magic that puts the perfect finishing touch on your live or studio sound, tap into the incredible M100. So easy-to-use - the M100 can instantly turn anyone into a digital FX expert!

16 Award-Winning FX Presets:

An incredibly compact multi-effects processor, the M100 features 16 award winning TC electronic presets including studio-grade reverb, delay, chorus, flanger, phaser, rotary speaker, pitch shifter and a variety of stunning multi-effects. An intuitive FX selector allows you to choose from the 16 single or multi-effects that suit your music, while the versatile Parameter and Tap/Select functions give you the ultimate control over a wide range of parameters.

Your Connection to Amazing Sound:

The M100 has two modes of operation - mono or stereo. While the input connectors accept both, balanced and unbalanced 1/4 inch cables, the output features impedance-balanced 1/4 inch TRS connectors. M100's stereo input level control with LED level indication ensures precision adjustment for the optimal signal integrity.

Additional Features and Build Quality:

Dedicated Mix Balance and Output Level controls make it so very easy to quickly dial-in the perfect sound. And if you're using the M100 live, the footswitch connector provides easy on/off switching (footswitch not included). Highest-quality potentiometers, switches with clear status indication and high-resolution 24-bit AD/DA converters ensure exceptional sonic performance.

Small but Mighty:

The M100 is the simple, portable and affordable way to add an exciting new dimension to your sound, one that will instantly elevate your performance to the next level. Find out why musicians, home recording enthusiasts and sound technicians love the M100.
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out of stock $120.96
Electro Harmonix Battalion Bass Preamp & DI Pedal
Cat: 652847 Rel: 05 Jul 17 • View all Effects pedals
 
Preamp & DI pedal for bass guitar with 4-band EQ, MOSFET distortion circuit, compressor & noise gate
Notes: The Battalion Bass Preamp and DI is a compact, flexible pedal that delivers powerful tone shaping capabilities in a rugged pedalboard-friendly package. The Battalion is loaded with features that will appeal to tone conscious bass players and includes a four-band equalizer, fully-featured MOSFET distortion section with three signal path options, a compressor, a noise gate and comprehensive I/O.

The pedal's four-band EQ section includes Bass (below 200Hz), Lo Mid (boost/cut at 280Hz), Hi Mid (Boost/cut at 750Hz) and Treble (boost/cut above 2kHz) controls. Its Distortion section is equipped with Level, Blend, Drive and Tone controls plus a dedicated footswitch. Three signal flow modes determine where the distortion is applied within the signal chain and each delivers unique tonal variations. They are: Pre EQ, where the distortion comes before the EQ. Post EQ, where the distortion comes after the EQ and Dry EQ where only the dry signal mixed in with the Blend control is affected by the EQ.

The Battalion's compressor is engaged via pushbutton and includes a level control and blue LED. The pedal's Gate knob sets the threshold for the noise gate while the -10dB Pad Button lets the pedal accommodate basses with both active and passive pickups.

The Battalion includes a 1/4" input jack , a 1/4" output jack that is headphone ready, 1/4" dry output and a balanced XLR output for use as a DI. The DI features dedicated level, bypass and ground lift controls.

The Battalion features all-analog circuitry and comes with an EHX9.6DC-200mA AC adapter.
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out of stock $143.05
Decksaver Akai MPK261 Dust Cover (smoked clear) Decksaver Akai MPK261 Dust Cover (smoked clear) Decksaver Akai MPK261 Dust Cover (smoked clear)
Decksaver Akai MPK261 Dust Cover (smoked clear) (MIDI keyboard controller dust cover)
Cat: 652860 Rel: 07 Jun 17 • View all Studio Equipment Covers
 
Protective dust cover, custom moulded to fit the Akai MPK261 keyboard controller
Notes: Engineered specifically for the Akai Professional MPK 261 Keyboard Controller. Custom moulded to fit the contours of the MPK 261 whilst leaving USB connections in place, the unit can sit ready for operation. Super durable polycarbonate shell protects delicate keys during transportation and slides straight into a flight case or controller bag for maximum protection. Don't go losing your keys!
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out of stock $86.25
QTX DM18 Dynamic Vocal Microphone With Metal Body & On/Off Switch QTX DM18 Dynamic Vocal Microphone With Metal Body & On/Off Switch QTX DM18 Dynamic Vocal Microphone With Metal Body & On/Off Switch
Cat: 652992 Rel: 02 Jun 17 • View all Vocal Recording Microphones
 
Handheld dynamic microphone
Notes: Handheld vocal microphone with precision-machined metal body and high quality dynamic capsule. Features a built-in On/Off switch, ideal for vocal and karaoke applications.
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out of stock $18.35
Omnitronic GEQ-2150 Rack Mount 2x15 Band Graphic Equaliser Omnitronic GEQ-2150 Rack Mount 2x15 Band Graphic Equaliser Omnitronic GEQ-2150 Rack Mount 2x15 Band Graphic Equaliser Omnitronic GEQ-2150 Rack Mount 2x15 Band Graphic Equaliser
Cat: 653021 Rel: 08 Jun 17 • View all Stereo Graphic Equalisers
 
2-channel 15-band graphic equaliser
Notes: - Short sliding frequency controls with centre click
- EQ gain switchable i6 dB to i12 dB
- Separate level control per channel
- Bypass switch allows instant comparison of the original sound with the equalized sound
- Clip indicator
- Inputs and outputs via 6.3 mm jack sockets and XLR sockets
- Groundlift switch
- Rack installation, 1 U
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MRP:$135.69 SAVE 17%
out of stock $112.54
Omnitronic DYN-220 2-Channel Compressor/Limiter With Noise Gate Omnitronic DYN-220 2-Channel Compressor/Limiter With Noise Gate Omnitronic DYN-220 2-Channel Compressor/Limiter With Noise Gate Omnitronic DYN-220 2-Channel Compressor/Limiter With Noise Gate
Cat: 653022 Rel: 08 Jun 17 • View all Compressors Limiters & Gates
 
2-channel compressor/limiter with noise gate
Notes: - Threshold, ratio and output level control per channel
- Variable gate with threshold control per channel
- Bypass switch allows instant comparison of original sound with processed sound
- Precise 4-digit LED gain reduction meters
- +4 dB/-10 dB selector switch for internal level adjustment
- Inputs and outputs via balanced XLR connectors and 6.3 mm jacks
- Rack installation, 1 U
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out of stock $175.65
M-Audio BX8 D3 Studio Monitor (single) M-Audio BX8 D3 Studio Monitor (single) M-Audio BX8 D3 Studio Monitor (single)
Cat: 651444 Rel: 17 Jul 17 • View all Studio monitors
 
Studio reference monitor with bi-amplified design & 8-inch Kevlar low-frequency driver
Notes: A studio monitor is no ordinary loudspeaker. Unlike a conventional speaker, a true monitor must be unerringly accurate, with a flat frequency response and vanishingly low distortion. It has to tell you, the music producer-dependably and unquestionably-exactly what is or is not in your recording. In a studio-grade monitor speaker, there is no place for the usual list of speaker colorations and limitations prevalent in conventional loudspeakers. Response peaks\dips, uneven polar response, high THD, nasal midrange, bloated mid-bass, and crossover-induced phase incoherence do nothing but undermine the confidence demanded for superior mix performance.

Introducing M-Audio's BX8-D3 monitors-the return of a studio icon and the successor to the industry-renowned BX D2 monitors. Trusted by recording/mix engineers and composers globally, M-Audio's BX monitors guarantee absolute surgical precision and repeatable engineering excellence.

Listen with confidence: with M-Audio's BX8-D3 studio reference monitors, you'll hear everything in lifelike detail, so your mixes and recordings will sound their best!

A monitor's drivers are the heart and soul of its performance. Driving the low-end and midrange, BX8-D3's 8-inch military-grade Kevlar woofers are rigid and lightweight, delivering outstanding transient response whist negating unwanted 'cone breakup'. BX8-D3's treated silk dome tweeter provides the perfect combination of low mass and the absence of audible resonances that plague conventional tweeters. Together, the BX drivers deliver critical detail, nuance and dynamic accuracy, so your mixes have the veracity and transparency you demand.

With M-Audio's BX8-D3, every detail has been meticulously engineered with one goal in mind - to facilitate the freedom to mix with confidence. BX8-D3 monitors have a rear-mounted bass port, meticulously engineered to the exact length and diameter. The result? Deep, defined bass response with maximum bass extension and resolution. When combined with a smoothly-flared port, BX8-D3 monitors markedly reduce the audibly-intrusive air turbulence that results when bass is played back at high sound pressure levels (SPLs). BX8-D3's tweeter is mounted in a custom waveguide for reliably accurate dispersion that eliminates unwanted high-frequency 'scatter', whilst ensuring a soundstage that remains consistently wide and stable. For seamless setup and easy location of the optimum listening position, the BX8-D3's front-mounted positioning LED shines brightly when you're located in the perfect listening spot, for uncompromisingly accurate and reliable critical evaluations. Finally, BX8-D3's iconic design on the front panel M-Audio's famous 'keyhole' shape is more than just an attractive look: This special 'fastenerless' design ensures so there are no driver attachment screw heads to interfere with the sound coming from the drivers.

Efficient and accurate: Driving the BX8-D3 monitors are two Class A/B internal amplifiers that power the woofer and tweeter separately - each optimised for the specific frequency range it handles and engineered to complement the characteristics of its companion driver. A precision-tuned crossover guarantees each driver only handles the frequencies that it produces most efficiently for a sound that is cohesive across the entire frequency spectrum. Play louder with less audible distortion: The BX8-D3 bi-amplified design is a far more efficient and accurate way to power a loudspeaker than using a single full-range amplifier to drive multiple driver elements.

No two listening spaces are the same. Therefore, the BX8-D3 monitors custom tailors your sound to your environment, so you will always experience sonically-true, reassuringly-accurate sound reproduction. Negate problematic bass frequencies and limit the impact of nuisance standing waves thanks to BX8-D3's special Acoustic Space control for precise adjustment of BX8-D3's sound output in line with your studio space.

Whatever your needs, the BX8-D3 Studio monitors guarantee to assimilate into your existing setup with ease. Combining conveniently-located, rear-mounted XLR and 1/4-inch balanced inputs, BX8-D3 connects to virtually all studio equipment including mixers, interfaces, DJ gear and more.

M-Audio's BX8-D3 monitors excel in every way, the rightful successor to the original studio icon. Fusing superb drivers, meticulously engineered enclosures, great-sounding amplifiers, versatile control options and standardized connection facilities, BX8-D3 delivers sound quality you can trust.
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MRP:$157.78 SAVE 17%
 2 in stock $131.61
Prodipe Studio 22+ USB Audio Interface & Mixer Prodipe Studio 22+ USB Audio Interface & Mixer Prodipe Studio 22+ USB Audio Interface & Mixer Prodipe Studio 22+ USB Audio Interface & Mixer
 
USB audio interface for Mac & PC
Notes: The new Prodipe Studio22+ is a first-rate audio interface for Mac and PC. It comes with a USB DAC (digital to analogue converter) and the Prodipe driver, ASIO 2, for near-zero latency (less than 1 millisecond).

It's equipped with combined XLR/Jack input, stereo USB input and output, stereo output for monitoring and separate headphone output.

Included is a high-quality audio chipset for creating recordings that are ultra-smooth and exceptionally warm.

The Studio22+ is also self-contained, so your mics, instruments, monitor speakers and headphones can all be plugged in directly.

Whether you use it for recording, home studio work or live performances, the Studio22+ is absolutely essential for music lovers, amateur musicians and professional musicians.
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out of stock $89.40
IK Multimedia MEMS Microphone For iRig Acoustic Stage Pickup System IK Multimedia MEMS Microphone For iRig Acoustic Stage Pickup System IK Multimedia MEMS Microphone For iRig Acoustic Stage Pickup System IK Multimedia MEMS Microphone For iRig Acoustic Stage Pickup System IK Multimedia MEMS Microphone For iRig Acoustic Stage Pickup System IK Multimedia MEMS Microphone For iRig Acoustic Stage Pickup System
Cat: 654055 Rel: 02 Nov 17 • View all Instrument Microphones
 
iRig Acoustic Stage MEMS microphone
Notes: Spare MEMS microphone for iRig Acoustic Stage. Works only in association with the iRig Acoustic Stage DSP unit.

iRig Acoustic Stage uses an ultra-compact MEMS microphone to capture your acoustic's sound from the soundhole. It can be quickly slid into place in the soundhole of the instrument and easily removed with zero modification to the instrument required. This lets you use iRig Acoustic Stage on all of your acoustic steel string guitars, classical nylon strings guitars and even ukuleles or other stringed instruments with a soundhole.
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out of stock $42.07
IK Multimedia PSU For iLoud Micro Monitor
Cat: 654058 Rel: 02 Nov 17 • View all Power Adapters | Power Cables
 
iLoud Micro Monitor power supply unit
Notes: Power supply unit for iLoud Micro Monitor. Detachable mains cord and UK plug.
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out of stock $51.60
IK Multimedia PSU For iLoud Monitor
Cat: 654060 Rel: 22 Jan 18 • View all Power Adapters | Power Cables
 
iLoud power supply unit
Notes: Power supply unit for iLoud. Detachable mains cord/plug not included.
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out of stock $41.51
IK Multimedia Lightning To Micro USB Cable For iRig Mic Studio iRig Mic HD & iRig Keys Mini
Notes: Lightning to Micro-USB cable for iRig Mic Studio, iRig Mic HD, iRig HD 2 and iRig Keys Mini.

- 150cm / 59"
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out of stock $35.51
IK Multimedia Lightning To Mini DIN Cable For iRig MIDI 2 iRig Pro iRig Pro DUO iRig HD iRig Keys iRig Keys PRO & iRig Pads
Notes: Lightning to Mini-DIN cable for iRig MIDI 2, iRig Pro, iRig Pro Duo, iRig HD, iRig Keys, iRig Keys Pro and iRig Pads.

- 60cm / 23.6"
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out of stock $36.77
IK Multimedia 30 Pin To Micro USB Cable For iRig Mic Studio iRig Mic HD & iRig Keys MINI
Notes: High quality 30-pin to Micro-USB cable for iRig Mic Studio, iRig Mic HD and iRig Keys Mini.

- 150cm / 59"
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out of stock $42.56
IK Multimedia 30 Pin To Mini DIN Cable For iRig MIDI 2 iRig Pro iRig Pro DUO iRig HD iRig Keys iRig Keys PRO & iRig Pads
Notes: High quality 30-pin to Mini-DIN cable for iRig MIDI 2, iRig Pro, iRig Pro Duo, iRig HD, iRig Keys, iRig Keys Pro and iRig Pads.

- 60cm / 23.6"
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out of stock $41.01
IK Multimedia USB To Micro USB Cable For iRig UA iRig Mic Studio iRig Mic HD iRig HD-A iRig Pads & Entire iRig Keys Range
Notes: USB to Micro-USB cable for iRig HD 2, iRig Mic Studio, iRig Mic HD, iRig Mic HD-A, iRig Keys, iRig Keys Pro, iRig Keys Mini, iRig Keys 25, iRig Keys 37, iRig Keys 37 Pro, iRig Pads, iRig UA.

- 150cm / 59"
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out of stock $35.76
IK Multimedia USB To Mini DIN Cable For iRig MIDI 2 iRig Pro iRig Pro DUO iRig HD & iRig HD-A
Notes: USB to Mini-DIN cable for iRig MIDI 2, iRig Pro, iRig Pro Duo, iRig HD, iRig HD-A.

- 60cm / 23.6"
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out of stock $33.40
IK Multimedia Micro USB OTG To Micro USB Cable For iRig UA iRig Mic Studio iRig Mic HD iRig Mic HD-A iRig Pads & Entire iRig Keys Range
Notes: Android Micro-USB-OTG to Micro-USB cable for iRig Mic Studio, iRig Mic HD-A, iRig Mic HD, iRig Keys, iRig Keys Pro, iRig Keys Mini, iRig Keys 25, iRig Keys 37, iRig Keys 37 Pro, iRig Pads, iRig UA.

- 60cm / 23.6"
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out of stock $34.70
IK Multimedia Micro USB OTG To Mini DIN Cable For iRig HD-A/iRig HD/iRig Pro/iRig Pro DUO/iRig MIDI 2
Notes: Android Micro-USB-OTG to Mini-DIN cable for iRig HD-A, iRig HD, iRig Pro, iRig Pro Duo, iRig MIDI 2.

- 60cm / 23.6"
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out of stock $36.81
IK Multimedia iLoud Micro Monitor Speaker Link Cable
Cat: 654075 Rel: 02 Nov 17 • View all Audio Cables & Leads
 
iLoud Micro Monitor link cable
Notes: High quality 4-pin cable for iLoud Micro Monitor.

- 150cm / 59"
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out of stock $42.17
IK Multimedia 2.5mm TRS To 5 Pin DIN MIDI Cable For iRig Pro iRig Pro DUO & iRig MIDI
Notes: High quality 2.5mm / 3/32" TRS to 5-pin DIN MIDI cable for iRig Pro, iRig Pro Duo, Rig MIDI.

- 150cm / 59"
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out of stock $26.29
IK Multimedia 3.5mm TRRS To TRRS Audio Cable For iLoud iRig MIX iRig STOMP & iKlip A/V
Notes: High quality 3.5mm / 1/8" TRRS audio cable for iLoud, iRig MIX, iRig Stomp, iKlip A/V.

- 200cm / 78.7"
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out of stock $26.29
TC Electronic Pipeline Tap Tremolo Pedal TC Electronic Pipeline Tap Tremolo Pedal
Cat: 654451 • View all Effects pedals
 
Innovative tremolo effects pedal with customizable shapes & sequences
Notes: The Pipeline Tap Tremolo takes the vintage warmth that made the tremolo effect so iconic and pairs it with a modern edge for more radical situations.

Pipeline has both soft Vintage sine waves and solid Square blocks available at the flick of a switch and with up to 6 dBs of boost you'll never sound thin or deflated.

The footswitch is tap tempo-enabled for fast tempo adjustments and the Subdivision knob lets you splice the tempo into seven inspiring rhythmic accents.

And last but not least - it's TonePrint-enabled, giving you an endless array of possibilities in a little box that won't put a ding in your board.

Custom Carved Barrels:

The Custom mode lets you program your own subdivision pattern.

Using the free TonePrint Editor, you can sequence up to 4 bars of different subdivisions for a copacetic quilt of tremolo chunks.

It could be two bars of 8th notes, third bar is 16th notes, and the fourth bar is 32nd notes. Or the other way around!

Release your inner dubstep demon or practice your robo-vocabulary for the technological singularity!

Tap Tempo and Drop In:

With tap tempo and a versatile subdivision knob, you have all of your rhythmic proclivities on board and easy to get. We loaded the tap function into the standard footswitch so it won't eat too much pedalboard space.

Just hold down the footswitch for two seconds, light turns green, and you can tap the tempo you want.

After that, use the Subdivision knob to give your tremolo the right rhythmic stutter, befitting the situation.

Trim the Surf with TonePrint:

Using the mini toggle switch you can unlock a wealth of chilled-out TonePrints from our local tribe of tone surfers.

Using TonePrint Editor will fold out the Pipeline like a toolbox of tremolo.

For example, you can mix two different tremolo pulses for super gnarly and eccentric curve shapes.
Each pulse can have its own individual shape, speed and phase.

This makes it possible to emulate the classic light bulb based opto-tremolos, like the Shin Ei Univibe, with its "double dip"-shaped waves.
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out of stock $205.09
Electro Harmonix Tone Corset Analog Compressor Pedal
Cat: 654453 Rel: 05 Jul 17 • View all Effects pedals
 
Four-knob analog compressor featuring Sustain, Attack & Blend controls
Notes: Electro-Harmonix introduces the Tone Corset analog compressor, a compact OTA (Operational Transconductance Amplifier) compressor with an organic quality that works especially well with guitar.

The Tone Corset's four-knob design provides excellent control and gives the user the ability to precisely shape their instrument's dynamics. Compression effects ranging from subtle to extreme and all points in between are possible.

The pedal's Sustain knob controls the amount of compression applied to the guitar signal. The Attack knob adjusts how quickly the compressor recovers. As Attack is turned clockwise the pedal's response is slower and more initial pick attack comes thru. The Blend knobs adjusts the mix of the dry and compressed signals. By blending both the player can achieve a sound where the dry signal allows the natural pick attack to come thru while the compressed side turns up the volume as the note decays. Volume adjusts the overall output level of the effect. A Pad switch pads down the input signal to prevent undesirable distortion when the pedal is used with high output humbuckers, bass guitar, etc.

The Tone Corset features True Bypass switching to ensure maximum signal path integrity and comes with a 9 Volt battery.
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out of stock $89.40
Rycote Overcovers Adv Lavalier Wind Covers & Stickies (25 Stickies Adv 23mm Round & 5 re-useable white 26mm fur covers)
Cat: 647992 Rel: 08 May 17 • View all Recording Studio Microphone Accessories
 
Adhesive pads & covers for use with Lavalier microphones in windy conditions
Notes: Overcovers have been specifically designed for use with small personal microphones in windy outdoor conditions.

Using stickies to affix the Lavalier Mic onto the skin or on top of clothing, Overcovers also include a fur Windjammer (Furry) to be adjusted on top of the Lavalier microphone for excellent wind-noise protection.
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out of stock $18.42
Rycote Overcovers Adv Lavalier Wind Covers & Stickies (25 Stickies Adv 23mm Round & 5 re-useable black 26mm fur covers)
Cat: 647989 Rel: 08 May 17 • View all Recording Studio Microphone Accessories
 
Adhesive pads & covers for use with Lavalier microphones in windy conditions
Notes: Overcovers have been specifically designed for use with small personal microphones in windy outdoor conditions.

Using stickies to affix the Lavalier Mic onto the skin or on top of clothing, Overcovers also include a fur Windjammer (Furry) to be adjusted on top of the Lavalier microphone for excellent wind-noise protection.
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out of stock $18.19
Rycote Overcovers Adv Lavalier Wind Covers & Stickies (25 Stickies Adv 23mm Round & 5 re-useable beige 26mm fur covers)
Cat: 647991 Rel: 08 May 17 • View all Recording Studio Microphone Accessories
 
Adhesive pads & covers for use with Lavalier microphones in windy conditions
Notes: Overcovers have been specifically designed for use with small personal microphones in windy outdoor conditions.

Using stickies to affix the Lavalier Mic onto the skin or on top of clothing, Overcovers also include a fur Windjammer (Furry) to be adjusted on top of the Lavalier microphone for excellent wind-noise protection.
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out of stock $16.45
Sequential Prophet Rev 2 16 Voice Polyphonic Analogue Synthesizer Sequential Prophet Rev 2 16 Voice Polyphonic Analogue Synthesizer Sequential Prophet Rev 2 16 Voice Polyphonic Analogue Synthesizer Sequential Prophet Rev 2 16 Voice Polyphonic Analogue Synthesizer Sequential Prophet Rev 2 16 Voice Polyphonic Analogue Synthesizer Sequential Prophet Rev 2 16 Voice Polyphonic Analogue Synthesizer
Cat: 638832 Rel: 19 Jun 17 • View all Synthesisers
 
16-voice, 61-key analog synthesiser with dual DCOs, sub-oscillator & 2/4-pole resonant lowpass Curtis filters
Notes: A Modern Classic Reinvented:
The Prophet REV2 is Sequential's reimagining of his Prophet '08 poly synth - a modern classic that has appeared on countless recordings and stages since its debut in 2007. As Sequential put it, "The Prophet REV2 is the realization of our effort to enhance and improve everything we could about the original design - all at a more accessible price."

The Prophet REV2 retains all of the key features of the Prophet '08 and expands on them. It has twice the polyphony, twice the mod matrix, waveshape modulation on all waveforms, digital effects per layer in stacked or split voice mode, a polyphonic step sequencer per layer, and more. The result is a true analog powerhouse.

Best of all, you can download any of the many existing libraries of Prophet '08 sounds and they will not only sound identical, but can be enhanced with the new features.

16-Voice Polyphony:
With 16 voices to play with, you have the freedom to allocate them as you wish. Play two-fisted chords, stack two 8-voice sounds for massive, complex textures, or split the keyboard into two completely separate 8-voice instruments.

Bold Sound:
The Prophet REV2 gets its bold, punchy sound from its 2/4 pole, low-pass, resonant Curtis filters per voice. These are the same filters used not only in the Prophet '08, but in many classic instruments of the 70's and 80's. A separate Audio Mod control adds additional harmonic complexity and movement.

Waveshape Modulation:
A powerful new feature unique to the Prophet REV2 is waveshape modulation. You can now vary the "pulse width" of any of the four waveforms (sawtooth, saw+tri, triangle, square). Using the Shape Mod control, you can manually dial in a desired waveshape width or use an LFO or other mod source for continuously shifting timbre. Even single-oscillator sounds take on new depth and dimension. The tonal possibilities are vast.

Effects Per Layer:
The effects section provides reverb, delays (standard and BBD), chorus, phase shifter, ring modulation, and distortion. In stacked or split voice mode, you can apply a different effect to each layer. Effects parameters can be modulated through the Mod Matrix.

Extended Mod Matrix:
Also present from its predecessor is an easy-to-assign Mod Matrix, now twice as big, with 8 individual slots and many more sources/destinations. It's a veritable sound designer's playground.

Poly Step Sequencing:
The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create a different sequence for each layer when you are working in stacked or split voice mode, making it a powerful tool for composition or performance. The sequencer also functions as a modulation source in gated mode, allowing you to create up to 4 different 16-step sequences for complex modulation. Sequences allow ties and rests, and can sync to an external MIDI clock. The arpeggiator features note repeats, re-latching, and can be synced to external MIDI clock, as well.

Per-Knob Programmability:
The knob-per-function front panel offers instant access to Prophet REV2 functions. Included are 512 permanent factory programs and 512 rewritable user programs.

Eminently Playable:
All of this polyphonic power is packed into a five-octave, premium-quality, semi-weighted keyboard with velocity and channel aftertouch. Other road-worthy features include an integrated power supply, USB support, and a crisp OLED display, making the Prophet REV2 an ideal instrument for gigging or recording, and an analog powerhouse like no other.
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out of stock $1,688.19
Hexinverter Mutant Rimshot Module
Hexinverter Mutant Rimshot Module (eurorack drum/filter module)
Cat: 655314 Rel: 31 Jul 17 • View all Synth modules
 
Analogue rimshot/clave generator with external input.
Notes: The Mutant Rimshot is an analog rimshot and clave percussion synthesis module inspired by analog drum machines of the past. Like the other Mutant Drums, the Rimshot is capable of going above and beyond vanilla sounds. Expressive CV options, an external input and a multi-mode analog filter let you create unique percussion sounds in your modular synthesizer.

Rimshot or clave - take your pick:
- Triple-oscillator analog rimshot core inspired by the legendary 909
- Three modes of percussion synthesis: rimshot HI (classic), rimshot LO and clave (CLV)
- Voltage control of one of the oscillators' pitch
- External input to the filter lets you blend in other signal sources - wavetables and noise make for interesting percussion!
- Rimshot DRIVE control acts as a volume and overdrive control for the rimshot generator

Coupled to an analog multi-mode filter:
- Bandpass, highpass and lowpass modes
- Self-oscillation of the filter plays nicely when mixed in with the rimshot generator
- Resonance clipping enabled by default. Feature can be disabled with a switch on the back of the module
- Voltage controlled cutoff
- Adjustable resonance

Modulation options sculpt the shape of your percussion:
- Eurorack-compatible control voltage inputs (0 to 5V for full modulation) with bipolar attenuverters
- A practical analog trigger circuit allows activation of the Rimshot from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant Rimshot.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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out of stock $184.07
Hexinverter Mutant BD9 Noire Module
Hexinverter Mutant BD9 Noire Module (eurorack drum/synth voice module)
Cat: 655315 Rel: 31 Jul 17 • View all Synth modules
 
909-inspired analog bass/kick-drum with sub-oscillator and built-in overdrive
Notes: Not just another clone or continuation of the 808-esque, acid-style kicks of the Mutant Bassdrum - the Mutant BD9 seeks to explore uncharted bassdrum territory by having an integrated sub-oscillator for maximal auditory obliteration.

Parametric bassdrum synthesis offers creative control of the core sound:
- The primary analog VCO offers classic 909-esque sinusoidal bassdrums, but can also be switched to generate a square wave bassdrum
- The PITCH of the VCO spans several octaves, from about 30Hz to 240Hz, and can be modulated with voltage control
- A novel PITCH DECAY circuit allows you to adjust the duration and AMOUNT of the pitch-modulation envelope applied to the bassdrum, from short blips to exaggerated tom-like sweeps
- The AMPLITUDE DECAY allows adjustment of the length of the bassdrum, from short punchy kicks to massive booms. This parameter is voltage-controlled with a snappy CV response time, allowing you to modulate the duration of your kicks per step.
- The CLICK generator is responsible for the attack intensity of the BD9. A fair amount of circuitry goes into creating this subtle punch at the beginning of the kick. The level of this effect is adjustable up to a fairly dramatic extremity.
- The overall timbre of the BD9 varies with the DRIVE control from warm, analog bassdrums at low settings to speaker-shattering overdriven sounds at high settings. Output levels are modular-level signals, unlike many classic line-level percussive devices.

Still not heavy enough? Try the sub-oscillator:
- A square wave sub-oscillator derived from the primary oscillator's pitch can be mixed in (manually and with voltage control) to the BD9. The effect can be subtle deepness or extreme timbre changes.
- A jumper on the back of the module allows you to select between the sub-osc being a raw square wave or having some of the high frequency components removed with a lowpass filter.
- At high OUTPUT DRIVE and SUB LVL combinations, the sub-oscillator can be modulated with CV to saturate the BD9 output in evolving ways.
- The SUB OCT can be set to 0, -1 or -2 octaves down from the primary oscillator. A drop of 0 means that you can mix an equal-pitch square wave with a sinusoidal primary wave.

Designed for the contemporary modular synthesizer:
- Plenty of Eurorack-compatible control voltage inputs with bipolar attenuverters allow synthesis of dynamic percussion
- A practical analog trigger circuit allows activation of the BD9 from many signal sources (anything with a positive-going edge lasting 2ms or longer). Most electronic drum pads can also directly trigger the Mutant BD9.
- An accent input accepts analog voltage control (0 to 5V will fully modulate the volume from low to high)
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out of stock $240.87
Hexinverter Mutant Snare Noire Module
Hexinverter Mutant Snare Noire Module (eurorack drum/noise module)
Cat: 655329 Rel: 31 Jul 17 • View all Synth modules
 
Analogue snare synthesis reminiscent of the 808, with external input.
Notes: From classic electro snares to warping, alien percussion, the Mutant Snare is a radical departure from the static sounds of the 808!

MIX and DRIVE:
- MIX lets you blend between the SHELL and SNAPPY tones that make up the overall snare drum
- Turn up the DRIVE to get overdriven snare tones with intense harmonics. The purple LED indicates when the snare begins to overdrive
- Like the other Mutant Drums, signal levels have been normalized for modular level input and output (up to 20Vpp)

SHELL synthesizes the drum skins:
- Analog bridged-t sinewave oscillators, for those organic-sounding tones we've come to love from the 808
- TONE control blends between the two sinewaves of different frequency
- SHELL PITCH lets you tune one of the sine waves, to change the pitch of your snare drum

SNAPPY adds some noise to the snare:
- An analog white noise generator feeds the SNAPPY circuit
- An external input lets you patch any sound source you like into the SNAPPY generator
- Voltage control of SNAPPY decay
- SNAPPY feeds into an analog selectable high-pass or band-pass filter
- Voltage control of filter cutoff frequency
- When nothing is plugged into the cutoff CV input, the SNAPPY envelope OR the adjustable sinewave from the SHELL generator normalize through the CV attenuverter for cutoff CV. A jumper on the back of the module allows you to select which of these internal modulation signals are routed here
- Filter has three resonance settings: classic 808 (low resonance), high resonance, and self oscillation
- Bipolar attenuators (aka: 'attenuverters') on CV inputs
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out of stock $240.87
Hexinverter Mutant Hot Glue Module
Hexinverter Mutant Hot Glue Module (eurorack dynamics/effect/mixer module)
Cat: 655331 Rel: 31 Jul 17 • View all Synth modules
 
Analogue bus mixer with hi-fi compressor, distortion and send/return.
Notes: The Mutant Hot Glue is a powerful bus mixer for analog effects chain design. The included high quality analog compressor offers series or parallel compression, and a sidechain input, making it well suited for drum processing. The voltage controlled distortion is based on the batteryACID: IDOW Edition design, but improved for better signal fidelity and performance. It can be used in its default position, normalized to the effects send, or like every other part of the module, broken out and used elsewhere in your modular system.

By default, the 4 channel mixer's output conveniently feeds into the compressor's input, giving access to easy New York style parallel compression by way of the compressor blend control. The dedicated output and mixer bypass switch for channel A allow you to easily use it as a sidechain source for the compressor. An effects send and return allow you to create complex effects routings within your modular system. With the number of excellent DSP and other effects modules on the market today, this makes it easy to combine modules to great effect, all within the Eurorack modular domain.
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out of stock $351.31
Hexinverter Mutant Machine Dynamic Analog Percussion Synthesis Engine Module
Cat: 655333 Rel: 31 Jul 17 • View all Synth modules
 
Dynamic & versatile analog percussion engine - 29HP
Notes: The Mutant Machine is a dynamic analog instrument capable of generating a wide palette of sounds, ranging from various forms of analog percussion to complex drones and oscillations. To achieve this, the Machine features two synthesis sections which are summed together at the final output: MEMBRANE and SNAPPY. Like the other Mutant Drums, the MEMBRANE and SNAPPY circuits began their mutation as classic analog percussion techniques and have been reimagined for 21st century modular synthesis.

The MEMBRANE forms the main body of the sound by way of two analog VCOs, and the SNAPPY section further adds to the timbre by contributing noisy elements to the mix. A noisy CLICK which occurs at the beginning of the SNAPPY sound can have its volume adjusted independent of the main decaying SNAPPY texture.

The waveforms which make up the MEMBRANE can be selected manually by button press, or the WAVESCANNER can be used to automatically scan through the available analog waveforms. By modulating the frequency through which waves are scanned, unique, complex sounds are created.

Experimentation is encouraged by the many modulation inputs and outputs available to you. The Machine features 8 CV and gate inputs for modulation as well as two external audio inputs, for bringing other modules into the Machine's core. There are many audio outputs for maximum versatility, allowing you to use the Machine to create drones and alien timbres for use elsewhere in the modular analog system.
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out of stock $419.68
Hexinverter Mutant Clap Module
Hexinverter Mutant Clap Module (eurorack drum/noise/oscillator/synth voice module)
Cat: 655334 Rel: 31 Jul 17 • View all Synth modules
 
Feature-rich 909-inspired hand clap w/ noise oscillator and external input
Notes: Just like the other Mutant Drums, the Clap is a highly versatile module. It is actually a voltage controlled LFSR noise oscillator as well as a powerful percussion synthesis engine!

- Pitch control of noise generator means you can create everything from vanilla 909 claps to broken, chiptune-like alien sounds
- Doubles as a voltage controlled, Commodore64-sounding noise VCO via the NOISE output and PITCH CV input
- SUSTAIN control lets you crank up the clap's sustain and use the module as an abstract synth voice with external inputs!
- External input allows you to synthesise claps from virtually any sound source you plug in
- Built in internal reverb effect derived from clap tone
- Reverb decay forms the decay of the clap sound, and is fully voltage controllable from short reverb "snaps" to long, whooshing tails!
- You can select between internal and external noise sources as the source for the reverb sound generation, opening up really interesting sounds
- DRIVE control lets you dial in anything from clean to extremely overdriven sounds
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out of stock $240.87
Hexinverter Mutant Hihats Noire Module
Hexinverter Mutant Hihats Noire Module (eurorack drum/dynamics/effect/mixer/utility module)
Cat: 655335 Rel: 31 Jul 17 • View all Synth modules
 
Dual hihats with flexible external input, inspired by the 808.
Notes: A classic electro percussion synthesis design reborn as something completely different. Hexinverter wanted to recreate a classic hihat synthesis design as something new and exciting, so they took the super electro 808 circuit and transformed it into a powerful creative tool for modular synthesis!

Featuring:

- Analogue hihat circuitry capable of synthesising vanilla TR-808 open and closed hihat sounds (simultaneously)
- External audio input lets you synthesise hihats from virtually any sound source (Jupiter Storm, vcNOIZ, etc.)
- Lo-fidelity original VCAs replaced by OTA-based modern VCAs
- VCA DRIVE control for each hihat allows you to dial in anything from soft metallic hihats to extremely overdriven, crunchy hihats
- Exclusive switch lets you select how the two hihats (open/closed) interact with each other when triggered at the same time
- Cutoff frequency control for internal resonant bandpass filter
- Resonant filter can be switched on/off
- Modular level mutual accent input (0-5V CV)
- Trigger input accepts almost anything as a trigger signal
- Non-invasive analogue optocouplers used for voltage control, thus, completely vintage sounds can still be had if that's what you're after!
- Completely redesigned, hi-fi signal chain spares no expense by replacing cheap transistor amplifiers with low noise op-amp and OTA equivalents
- You can dial in super hot, modular level output levels (up to 20Vp-p!)
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out of stock $222.99
Hexinverter Mutant Bassdrum Module
Hexinverter Mutant Bassdrum Module (eurorack drum module)
Cat: 655336 Rel: 31 Jul 17 • View all Synth modules
 
808-inspired analog bassdrum synthesizer with distorted (CV-able) and clean outputs.
Notes: Like all modules in the "Mutant Drums" series, the bassdrum takes a reverend circuitry and mutates it. In this case it is an 808 BD expanded by a pitch parameter, voltage control of pitch and decay as well as a proper voltage controlled distortion you can use independently for other sounds like a synth lead.

The Tone potentiometer controls, as in the original 808, the timbre of the bassdrum. The decay parameter allows for generating snappy short to very long bassdrums and goes up to self-oscillation. The range of the pitch parameter is very wide, it ranges from sub audio to frequencies suitable for tom sounds. The pitch can be voltage controlled in addition; although the input is not 1V/octave you can still play basslines easily.

The bassdrum is played after having received an impulse at the Trig input. Accenting the sound is possible due to the accent input. An LED indicates when the bassdrum is played.

The bass drum sound is internally routed to the distortion input and is available in its distorted version at the Dist output. As there's an audio input as well, you can distort any sound you desire. Both input level and amount of distortion are adjustable, the latter one is voltage controllable. Distortion activity is visualized with an LED.
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out of stock $222.99
Hexinverter Red Dragon Soviet Topology Four Pole Morphing Low Pass Filter Module
Cat: 655338 Rel: 31 Jul 17 • View all Synth modules
 
4-pole morphing low-pass filter module with unique Soviet-era filter core design - 12HP
Notes: The Red Dragon is a 24dB/oct 4-pole low-pass filter realised with a unique Soviet-era filter core. The curious filter structure of the Red Dragon favours character over precision; sure to impart colourful tone in your source material.

During the 1980's, a Russian electronics designer realised that one could build a musical filter using a fairly unconventional method. Unlike most other filter topologies, this method did not use capacitors to employ an RC time constant in its core filter stages. Instead, the internal properties of a programmable amplifier chip are modulated by a special "programming" input found on these devices. One of the modified properties is bandwidth of the amplifier. Changing this particular attribute over time effectively limits the frequencies that can pass through the amplifier, resulting in filtering!

Because attributes other than bandwidth are also changing at the same time, this filter stage has instabilities at certain frequencies along the audible spectrum, resulting in colourful distortions and a character all of its own. The resonance's character is especially profound, resulting in bubbly and sometimes screeching sci-fi tones. The Red Dragon achieves a 24dB/oct resonant low-pass response by cascading four of these stages. What's more, you can morph between the two pole extremes (6dB and 24dB) to change the slope of the filter on the fly, either manually or through voltage control.
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out of stock $219.84
Hexinverter Jupiter Storm Module
Hexinverter Jupiter Storm Module (eurorack drum/noise/oscillator module)
Cat: 655339 Rel: 31 Jul 17 • View all Synth modules
 
Cosmic noise oscillator (VCO)
Notes: Jupiter Storm is a cosmic noise oscillator. It creates sounds that can only be described as out of this world! Where it differs entirely from other pure white noise generators (such as vcNOIZ) is in the algorithm used to produce the sound. Jupiter Storm has a tonal character very much of its own.

Jupiter Storm generates its sound from three square wave oscillators, interacting with one another in a unique algorithm. Some of the sounds possible are reminiscent of the sound of an AM radio being blasted with noise from the cosmos. This creates noise with significant harmonic content and unique timbres!

With the Noise Core Disruptor engaged, part of the noise core is creatively abused in order to generate insane sonic textures.

Voltage control inputs for all three square waves which energize the noise core are available as well as a CV input that addresses all three oscillators at once. In this way, very dynamic sounds can be achieved with complex modulation routing. For example, you can apply a taste of LFO modulation to all three oscillators, while modulating a select oscillator simultaneously on its own with something more drastic.

No microcontrollers are present in the design of this analog module.
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out of stock $208.25
Hexinverter Galilean Moons Module
Hexinverter Galilean Moons Module (eurorack digital/envelope generator/function generator/synth voice/VCA/dual & stereo module)
Cat: 655340 Rel: 31 Jul 17 • View all Synth modules
 
Dual VCAs + super snappy function generators (envelopes, LFOs, etc.)
Notes: Galilean Moons is a dual amplitude transmutator. It transmutates the amplitude of incoming signals through the use of voltage controlled envelopes and VCAs. It is designed primarily to create voltage controlled percussive sounds when fed with a sound source (in particular, its sister module, Jupiter Storm), but can be used for all sorts of other tasks in your modular system as well as to generate typical synth sounds.

Galilean Moons features two "Moons". Each Moon is composed of a voltage controlled attack/decay envelope with its own dedicated low-distortion linear VCA. Each envelope can also act as attack/sustain/release or can go into LFO/automatic looping mode with the flick of a switch.

Galilean Moons will normalise its VCA inputs to a Jupiter Storm cosmic noise oscillator through a simple expansion cable at the back, but it can also function standalone in any modular system. Of course, the new Jupiter Storm noise output, "XOR", which is activated by connecting a Galilean Moons to your Jupiter Storm, will not function without a Jupiter Storm. This is the only feature which requires a Jupiter Storm to be connected.

The XOR noise output sounds similar to (but not exactly like) Jupiter Storm with the Noise Core Disruptor is engaged. This allows you to get more flavours of noise from Jupiter Storm, expanding its versatility.

The VCAs and voltage controlled envelopes can each be used on their own in your system when you don't want to use them the way they are internally linked together. Plugging a signal into any of the respective jacks will break the internal connections and let you use the components on their own. You can use the linear, DC-coupled VCAs to control DC signals in your system when not using the module for its intended use, for example.
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out of stock $256.64
Hexinverter VCNO Discrete Voltage Controlled Multiple Output Noise Oscillator Module
Cat: 655341 Rel: 01 Aug 17 • View all Synth modules
 
Discrete voltage controlled noise oscillator with multiple outputs
Notes: VCNO is a noise oscillator, capable of producing full spectrum white noise. But that's where its similarity to other noise generators stops. VCNO can be used like a VCO - you can modulate the pitch over CV and use its multiple outputs simultaneously, each with a distinct sonic character. Its method of generating noise is similar to that used in early computer sound chips, except it has been implemented here using discrete logic, without the use of software or microcontrollers.

Featuring:

Discrete Noise Algorithm:
- LFSR (Linear Feedback Shift Register) algorithm implemented using discrete analog parts and logic ICs - no software or microcontrollers
- PITCH generator capable of frequencies up to half a megahertz. This results in a spectrum of noise which reaches far beyond that of human-hearing
- NOISE is the main LFSR output. With the pitch knob turned fully clockwise this will output pure white noise. As you turn the pitch down, the noise evolves into crunchy noise, reminiscent of vintage video game sounds
- GATE is a DC-coupled output. This is perfect for supplying random triggers in your system

Three Unique Alternative Outputs:
- Each of the three alternative outputs are completely different circuits - SCREECH, SIZZLE AND TEAR have their own unique sonic characteristics
- SCREECH features a dark, howling overtone to the main NOISE output
- SIZZLE features a related control, which takes the output from pure white noise when turned fully clockwise to a vinyl-like crackle when turned anti-clockwise
- TEAR sounds like the noise generator is broken and tearing itself apart
- All outputs work simultaneously, and are simultaneously affected by the pitch knob or CV

PITCH Input:
- The frequency of VCNO can be modulated via CV - just patch any CV signal into this jack
- A bipolar attenuverter lets you find the right level and polarity for your CV signal
- A switch on the back lets you select either logarithmic or linear response at the CV input jack

CLOCK Input:
- Applying a clock signal here bypasses the internal PITCH frequency generator. You can apply a clock from a trigger sequencer to create a pseudorandom drum trigger pattern synced to the rest of your drums
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out of stock $180.91
Xaoc Devices Praga 1967 Voltage Controlled Mixing Console Module (silver)
Xaoc Devices Praga 1967 Voltage Controlled Mixing Console Module (silver) (mixer/panning/VCA/dual/stereo/quad synth module)
Cat: 655355 Rel: 29 Jun 17 • View all Synth modules
 
Voltage controlled four channel stereo mixer module
Notes: The module is built around high quality VCA chips from THAT Corp, as well as low noise opamps. It offers clickless muting and equal loudness panning. The distinct feature is that voltage control is dynamically compressed should it yield clipping when pushed too hard. Also, in both modes the attenuators offer full closing of the corresponding channel, regardless of being controlled by the CV, or not. The VCAs fully open (0dB gain) at CV=8V in Env mode and CV=5V in LFO mode. All the input and output signal levels are Eurorack levels.

Multiple Praga units can be chained thanks to dedicated headers on the back. The mixed stereo sum of each unit in the chain is added to the mixing bus of all units downstream.

A dedicated Hrad expander will offer master volume control, gate inputs for channels muting/unmuting, headphone amplifier, and voltage control over aux sends.
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 1 in stock $418.62
IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone IK Multimedia ARC 2.5 Advanced Room Correction System With MEMS Measurement Microphone
Cat: 655445 Rel: 02 Nov 17 • View all Measurement Microphones
 
DAW-based acoustic room correction plug-in with measurement microphone & software
Notes: Tune your studio to perfection with the world's most effective room correction system - now with a new, highly accurate MEMS measurement mic.

ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.

With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!

A new professional MEMS microphone:

ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC's correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.

In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.

Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to "professional abuse" and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.

As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.

Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.

Trust your ears:

ARC simply takes your room "out of the mix." Now you can explore your creativity and mix with confidence.

ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.

Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room's sound, than the music being reproduced.

A break-through affordable solution for acoustic room correction:

Traditionally studio acoustics can be improved with acoustic treatments - but these are generally very expensive and require professional installation - which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.

ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.

Do you really need ARC if your room is already treated?

With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement - but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
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out of stock $163.23
IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more) IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more) IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more) IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more) IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more) IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more) IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more) IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more) IK Multimedia ARC System 2.5 Crossgrade With MEMS Measurement Microphone (crossgrade from any previously purchased IK product priced at €99.99+VAT or more)
Cat: 655447 Rel: 25 Sep 17 • View all Measurement Microphones
 
DAW-based acoustic room correction plug-in with measurement microphone & software
Notes: CROSSGRADE from any previously purchased IK product of value €99.99+VAT or more - includes MEMS Measurement Microphone.

Tune your studio to perfection with the world's most effective room correction system - now with a new, highly accurate MEMS measurement mic.

ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.

With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!

A new professional MEMS microphone:

ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC's correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.

In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.

Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to "professional abuse" and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.

As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.

Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.

Trust your ears:

ARC simply takes your room "out of the mix." Now you can explore your creativity and mix with confidence.

ARC employs Audyssey MultEQ XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.

Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room's sound, than the music being reproduced.

A break-through affordable solution for acoustic room correction:

Traditionally studio acoustics can be improved with acoustic treatments - but these are generally very expensive and require professional installation - which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.

ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.

Do you really need ARC if your room is already treated?

With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement - but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
Read more
out of stock $155.67
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