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MachineRoom Filth Analogue Transistor Ladder Filter Module (distortion/filter/VCA module)
Cat: 983127
Analogue low pass or high pass 12dB or 24dB transistor ladder filter module - 10HP
Notes: The basis of the module is a version of the transistor ladder with low-end compensation at resonance, to which Machineroom have added aggressive Overload and linear VCA. Thanks to three audio inputs, FILTH can work with polyphonic patches, if you add Trilobite (or another triple osc) and ADSR to it, you will get a paraphonic synthesizer. 2 VCA inputs in the classic case allow you to use loudness envelope and voltage offset (for example, velocity) at the same time, but there are many more options for their application.
Works in LP/HP and 12/24 db modes
In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.
Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.
Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.
10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
… Read moreWorks in LP/HP and 12/24 db modes
In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.
Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.
Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.
10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $237.21
(No payment required now - pay when released)
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MachineRoom 204D Dual Analogue VCF Module (dual/stereo/filter module)
Cat: 983136
Dual analogue voltage-controlled low-pass filter module - 10HP
Notes: MachineRoom 204D Dual VCF is a dual voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequencies pass through.
Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.
Filter has separate controls for both sections, but can be used for stereo operations as well.
4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
… Read moreBased on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.
Filter has separate controls for both sections, but can be used for stereo operations as well.
4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $237.21
(No payment required now - pay when released)
FORTHCOMING
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Feedback VCZIII A VCO Premium Voltage Controlled Oscillator Module (oscillator/waveshaper module)
Cat: 1004970 Rel: 31 May 24
Voltage controlled oscillator module - 12HP
Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.
The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
… Read moreThe VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $215.55
(No payment required now - pay when released)
FORTHCOMING
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Feedback VCZIII B Premium Voltage Controlled Oscillator Module (oscillator/waveshaper module)
Cat: 1004971 Rel: 31 May 24
Voltage controlled oscillator module - 12HP
Notes: The VCZIII voltage controlled oscillator modules are our latest creation and are based on the VCOs of one of the most revered analogue instruments, the famous British pin matrix synth released in 1969.
The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
… Read moreThe VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH BOURNS MULTITURN FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $215.55
(No payment required now - pay when released)
FORTHCOMING
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Frequency Central Dark Star Synthesiser Voice Module (modular synthesiser)
Cat: 1014673 Rel: 31 Jul 24
Compact full synthesiser voice module - 16HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jul 24 $278.46
(No payment required now - pay when released)
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Cosmotronic Messor Stereo Compressor & Transient Shaper Module (silver) (dynamics/dual/stereo/envelope follower/expander/VCA module)
Cat: 995681 Rel: 30 Apr 24
Stereo compressor & transient shaper module - 8HP
Notes: Messor is an analogue stereo compressor with lots of tricks up its sleeve, in only 8HP.
From squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.
At its core it's a VCA based feed-forward compressor with a low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope. This starts with a a switchable high-pass / low-pass filter, before going into a precision envelope follower, controlled by familiar parameters: the attack, release, threshold, ratio and makeup gain.
The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.
Being modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.
The gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.
There's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.
Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.
Dimensions
8 HP
25 mm deep
Current Draw
45 mA +12V
26 mA -12V
… Read moreFrom squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.
At its core it's a VCA based feed-forward compressor with a low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope. This starts with a a switchable high-pass / low-pass filter, before going into a precision envelope follower, controlled by familiar parameters: the attack, release, threshold, ratio and makeup gain.
The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.
Being modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.
The gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.
There's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.
Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.
Dimensions
8 HP
25 mm deep
Current Draw
45 mA +12V
26 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 24 $211.42
(No payment required now - pay when released)
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Dnipro qTone Dual Channel Voltage Quantizer Module (dual/stereo/quantizer module)
Cat: 1006240 Rel: 30 Jun 24
2-channel voltage quantizer module - 6HP
Notes: qTone is a module that precisely transforms any kind of voltages into musical notes. Take the LFO, a Random source, or the Sequencer outputs, send them through the quantizer to your oscillator or synth voice, and enjoy perfectly tuned melodies.
It has a bank of 16 user-defined scales that can be easily edited, and automatically saved into memory. qTone saves every change into EEPROM so you can be sure to get back to the last state after power on.
Both channels can work independently with their own scale each, or with a common scale as well. Aside from the Scale, it is possible to set Glide, Offset, and Transpose parameters. The Glide parameter performs a smooth portamento between quantized notes. Offset shifts an input CV up or down, which works as an offset before quantizing, while the Transpose parameter shifts a scale after quantizing by semitones.
The 2 CV inputs are freely routable to any parameter in the CV menu. qTone works with unipolar or bipolar signals, in the range from -5 to +5 volts.
Technical details
6 hp
45 mA +12V
22mA -12V
0 mA 5V
42 mm deep
CV input voltage ranges: +5-5v, 0v+5v
CV output voltage ranges: +5-5v, 0v+5v
… Read moreIt has a bank of 16 user-defined scales that can be easily edited, and automatically saved into memory. qTone saves every change into EEPROM so you can be sure to get back to the last state after power on.
Both channels can work independently with their own scale each, or with a common scale as well. Aside from the Scale, it is possible to set Glide, Offset, and Transpose parameters. The Glide parameter performs a smooth portamento between quantized notes. Offset shifts an input CV up or down, which works as an offset before quantizing, while the Transpose parameter shifts a scale after quantizing by semitones.
The 2 CV inputs are freely routable to any parameter in the CV menu. qTone works with unipolar or bipolar signals, in the range from -5 to +5 volts.
Technical details
6 hp
45 mA +12V
22mA -12V
0 mA 5V
42 mm deep
CV input voltage ranges: +5-5v, 0v+5v
CV output voltage ranges: +5-5v, 0v+5v
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $214.51
(No payment required now - pay when released)
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Rides In The Storm QSQ 8-Channel Sequencer & MIDI/CV Interface Module (sequencer/clock generator/CV modulation/digital/function generator/MIDI/slew limiter/tuner module)
Cat: 1000356 Rel: 30 Jun 24
8-channel sequencer & MIDI & CV interface module - 26HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $287.74
(No payment required now - pay when released)
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Winterbloom Neptune Resonant Diode Ladder Filter Module (filter module)
Cat: 1000562 Rel: 31 May 24
Resonant diode ladder filter module - 12HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $215.55
(No payment required now - pay when released)
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Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963504
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.
This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
… Read moreThis module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $266.08
(No payment required now - pay when released)
FORTHCOMING
Related products...
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (silver) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963505
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.
This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
… Read moreThis module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $266.08
(No payment required now - pay when released)
FORTHCOMING
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ADDAC System ADDAC507 Random Bezier Waves Module (modular synthesiser)
Cat: 1007269 Rel: 30 Jun 24
Random Bezier waves module - 10HP
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $294.96
(No payment required now - pay when released)
FORTHCOMING
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Mystic Circuits ANA 2 Analogue Logic Module (modular synthesiser)
Cat: 1010939 Rel: 30 Jun 24
Analogue logic module
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $211.42
(No payment required now - pay when released)
People also bought...
ALM Pamela's PRO Workout Clocking Modulator Module (clock generator/clock modulator/function generator/LFO/sequencer/digital/quantizer/random synth module)
Cat: 911097 Rel: 18 Nov 22
'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system.
Notes: 'Pamela's PRO Workout' is a compact programmable clocked modulation source for your Eurorack modular system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.
Each output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.
Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.
Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!
Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.
… Read moreEach output can provide everything from simple clocked triggers, complex rhythmic waveforms, quantised melodic patterns to random chaos with direct and assignable CV control over numerous parameters. These features together with a quick and easy to use interface provide almost limitless synced modulation possibilities in a tiny space.
Building on the original 'Pamela's Workout' & 'Pamela's NEW Workout' the evolved 'PRO' Pam maintains the precursor's form factor and intuitive workflow but improves and adds many new features with upgraded hardware, more CV inputs, a new full colour hi res display and rewritten software adding many new enhancements like micro grid timings and cross output modulations.
Through optional expander modules more CV input and outputs can be added with support for external non euro equipment through Midi and Din Sync outputs. Please enjoy your next generation PRO workout!
Size: 8HP
Power: +12v 60ma / -12v 10ma
Depth: 32mm (approx with power header)
Outputs: 0-5v buffered low impedance. 12 bit res. 3.8khz max update freq.
Inputs: CV 0v-5v / Clock, Run - rising edge 700mV min.
More than 10 in stock $266.07
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quote 911097
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Klavis Grainity Digitally-Controlled Full-Analogue Path Granular & Multi-Mode VCF Module (silver) (B-STOCK) (filter/phase shifter/pitch shifter module)
Cat: 1013256 Rel: 01 Jan 90
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***
A unique analogue take on granular synthesis, inspired by Yannis Xenakis, the Grainity pairs a granular filter with a multimode filter to create new textures and harmonics.
Supplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.
While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.
The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.
A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.
What is the Grainity
Granular?
The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.
This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.
Technology wise ...
In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.
The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.
What the Grainity is not
Technology wise ...
Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.
Sound wise ...
Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.
The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.
Dimensions
10 HP
21 mm deep
Current Draw
101 mA +12V
59 mA -12V
… Read moreA unique analogue take on granular synthesis, inspired by Yannis Xenakis, the Grainity pairs a granular filter with a multimode filter to create new textures and harmonics.
Supplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.
While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.
The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.
A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.
What is the Grainity
Granular?
The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.
This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.
Technology wise ...
In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.
The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.
What the Grainity is not
Technology wise ...
Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.
Sound wise ...
Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.
The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.
Dimensions
10 HP
21 mm deep
Current Draw
101 mA +12V
59 mA -12V
out of stock $241.33
People also bought...
Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module (B-STOCK) (mixer/preamp module)
Cat: 1013224 Rel: 01 Jan 90
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***
A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.
Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.
Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.
The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.
While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.
Buchla 207t Features
Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more
Eurorack module
28hp wide
… Read moreA characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.
Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.
Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.
The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.
While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.
Buchla 207t Features
Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more
Eurorack module
28hp wide
1 in stock $222.56
People also bought...
Make Noise DXG Dual Stereo Low Pass Gate & Mixer Module (dual/strereo/low pass gate/mixer module)
Cat: 992443 Rel: 29 Jan 24
Dual stereo low pass gate & mixer module - 8HP
Notes: The Dual Stereo Gate (DXG) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon, and other stereo modules by Make Noise or others.
Unique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analogue and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years.
In the past, Make Noise produced the Dynamix module and Dynamics circuit in the 0-COAST, both of which are vactrolless LPGs; however, the DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system.
As on all of Make Noise's low pass gates, the DXG's Control parameter is used to set both the amplitude and the frequency content of the sound that passes through it. The control parameter tends to open faster than it closes, imparting a subtle decay phase onto any envelope shape that is used to modulate it.
Unlike previous low pass gates made by Make Noise, all the DXG's inputs and outputs are stereo. Each set of inputs is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc.
Features
- Make Noise's first Stereo Low Pass Gate
- Vactrol-free design for classic Low Pass Gate sounds, but with the balance and consistency needed for true Stereo
- Fully Stereo i/o for easy integration into a Stereo-equipped modular synthesizer
- All Left inputs normalled for easy use with Mono signals
- STRIKE Input allows use of Gate signal to trigger Low Pass Gate circuit, creating "plucking" or "pinging" sound from any Gate
- Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes
- Part of a decentralized mix console integrated throughout the system along with X-PAN, Optomix, XOH, etc.
- Pairs well with XPO, QPAS, Morphagene, Mimeophon, Spectraphon etc.
Width: 8hp
Power:
74mA @ +12V
86mA @ -12V
Module Depth (incl power cable): 43mm
… Read moreUnique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analogue and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years.
In the past, Make Noise produced the Dynamix module and Dynamics circuit in the 0-COAST, both of which are vactrolless LPGs; however, the DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system.
As on all of Make Noise's low pass gates, the DXG's Control parameter is used to set both the amplitude and the frequency content of the sound that passes through it. The control parameter tends to open faster than it closes, imparting a subtle decay phase onto any envelope shape that is used to modulate it.
Unlike previous low pass gates made by Make Noise, all the DXG's inputs and outputs are stereo. Each set of inputs is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc.
Features
- Make Noise's first Stereo Low Pass Gate
- Vactrol-free design for classic Low Pass Gate sounds, but with the balance and consistency needed for true Stereo
- Fully Stereo i/o for easy integration into a Stereo-equipped modular synthesizer
- All Left inputs normalled for easy use with Mono signals
- STRIKE Input allows use of Gate signal to trigger Low Pass Gate circuit, creating "plucking" or "pinging" sound from any Gate
- Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes
- Part of a decentralized mix console integrated throughout the system along with X-PAN, Optomix, XOH, etc.
- Pairs well with XPO, QPAS, Morphagene, Mimeophon, Spectraphon etc.
Width: 8hp
Power:
74mA @ +12V
86mA @ -12V
Module Depth (incl power cable): 43mm
4 in stock $204.19
Click for better price!
or call +44 20 7424 1960
quote 992443
quote 992443
People also bought...
ALM MFX Stereo Multi-Effects Processor Module (delay/digital/distortion/dual/stereo/dynamics/effect/tuner/utility synth module)
Cat: 867407 Rel: 04 Mar 22
The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.
Notes: The MFX is a compact 6HP Eurorack stereo digital audio multi effects processor.
It offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.
Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.
The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.
Effect Program List
Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.
Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.
Crumbular Echo
More experimental granular style echo.
Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.
Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.
Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.
Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.
TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.
Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.
TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.
2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.
Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.
Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.
Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.
Utilities
Simple oscilloscope and VCO tuner.
Technical Specifications
Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing
… Read moreIt offers 14 different full featured effects programs plus a number of metering utilities.
Inspired by ALM's favourite classic hardware effects processors, the MFX incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical Eurorack effects module.
Reshape sounds with the distortion and dynamics engines. Bend time, space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, frequency shifter, and range of ensemble effects. Fracture sounds with the one of a kind granular and glitch engines. Check signals and tune oscillators with various utilities.
The MFX user interface is designed to be familiar, quick and easy to use. Each program contains a wide range of controllable parameters both directly editable or freely assigned to CV or clocked control. Additionally, each program includes factory presets as well as the ability to store and recall user presets. All states are preserved across power cycles.
Effect Program List
Digi-PCM Echo
Feature rich digital delay taking inspiration from early prime time rack delay units with added modern features.
Tape-Tech Echo
Tape style delay with a digital pitch shifter bolted on.
Crumbular Echo
More experimental granular style echo.
Ursa Minor Echoverb
Emulation of the classic Ursa Major 'Space station' providing more delays and reverb type effects.
Pocket PL8 Reverb
Emulation of very early digital style reverbs with a dense metallic sound.
Almicon Reverb
Emulation of 80s studio style reverb great for bright rooms and vast synthetic spaces.
Quaidra Reverb
Emulation of a popular 90s rack reverb. Excels at creating airy, atmospheric reverbs.
TY-50 Compressor
Flexible modern compressor great for adding punch, smoothing transients or as a clean mix bus compressor.
Transient Shaper
Fast acting dynamics processor for reshaping the attack and release envelope of any sound.
TH-30 Distortion
A versatile distortion program with distortion types ranging from analog style saturation to intense digital wavefolding.
2051 Bit Corrupter
Real-time audio buffer designed to imitate malfunctioning digital audio equipment.
Modulating Panner
Clock-syncable mono or stereo auto-pan with an additional scan mode that cross fades between 2 input signals. Use for VCA, Panner, crossfader, tremolo type effects.
Ring + Freq Modulator
Pair of classic modulation effects in stereo, tailored towards otherworldly and dissonant sounds.
Ensembles Ensemble
Simulation of classic chorus and ensemble effects. An added digital pitch shifter takes the effect beyond traditional chorus circuits.
Utilities
Simple oscilloscope and VCO tuner.
Technical Specifications
Supply: +12V 50mA Max / -12v 15mA
Size: 6 HP
Depth: 32mm
16 Bit / 44.1Khz Stereo processing
6 in stock $245.45
People also bought...
WMD C4RBN 4/2 Pole State Variable Filter Module (filter/waveshaper/distortion synth module)
Cat: 784084 Rel: 31 Jul 20
4/2 pole state variable filter module - 4HP.
Notes: C4RBN is a 4/2-pole state variable filter with input saturation, output wavefolding and more. It offers a wide range of characters, from nice and clean filter sounds to screaming, squeaky, sounds.
An innovative input saturation circuit and the output wavefolder of WMD's classic SYNCHRODYNE filter bring great sonic flexibility.
Features:
3 independent 2 pole outputs for High Pass, Low Pass, and Bandpass
Inverting Attenuator (attenuverter) for FM allows for positive and negative CV control over the cutoff frequency
Independent 4 Pole output with switchable frequency response
Input Saturation with 3 switchable levels and CV input for additional fine control
PING circuit generates a fast decay envelope emulating the response of a vactrol
Output wavefolder for extra bite and screaming character
Resonance with self oscillation
Temperature compensated 1V/Oct tracking.
Performance focused control scheme allows for on-the-fly changes of filter types with intention
Power consumption: 92mA at +12V and 82mA at -12V
Depth: 38mm
HP : 4
… Read moreAn innovative input saturation circuit and the output wavefolder of WMD's classic SYNCHRODYNE filter bring great sonic flexibility.
Features:
3 independent 2 pole outputs for High Pass, Low Pass, and Bandpass
Inverting Attenuator (attenuverter) for FM allows for positive and negative CV control over the cutoff frequency
Independent 4 Pole output with switchable frequency response
Input Saturation with 3 switchable levels and CV input for additional fine control
PING circuit generates a fast decay envelope emulating the response of a vactrol
Output wavefolder for extra bite and screaming character
Resonance with self oscillation
Temperature compensated 1V/Oct tracking.
Performance focused control scheme allows for on-the-fly changes of filter types with intention
Power consumption: 92mA at +12V and 82mA at -12V
Depth: 38mm
HP : 4
out of stock $232.04
People also bought...
ALM MCFx2 Dual Multi-Mode Filter Module (dual/stereo/filter synth module)
Cat: 860268 Rel: 14 Jan 22
The MCFx2 is a state variable ‘MCF’ filter made double.
Notes: The MCFx2 is ALM's state variable 'MCF' filter made double. It features 2 identical classic analog 3 pole state variable filter cores each with Low, High and Band Pass (or Notch) outputs. Direct and voltage control is provided for both filter cut offs and resonance. Switches allow the filters to function as one, with the 'Feed' switch internally routing audio from one filter to the other in series and the 'Link' switch linking the cut off controls for both filter cores. MCFx2 expands on the great sounding MCF filter to offer both serial and parallel functionality for stereo operation, dual peak, tighter slopes and other complex filtering set ups.
FREQUENCY CONTROLS
Sets the base frequency for the filter cut offs. The v/oct and frequency inputs are added to these.
RESONANCE CONTROL
Sets the level of resonant peaks atop the cut off frequencies. The resonance can get particularly aggressive going into self oscillation with the control past 12 o'clock.
OUTPUTS
Each filter output is 3 pole with an 18dB/oct slope.
Low - low pass filter outputs. Passes frequencies below the cut off.
High - high pass filter outputs. Passes frequencies above the cut off.
BP/Notch - band pass or notch filter outputs. Jumpers on the rear of the module select one or the other for each filter.
Passes frequencies within (BP) or outside (Notch) a narrow region around cut off frequency.
LINK BUTTON
Links the left cut off to parallel control both filters. The right controls will now set the max range of the right core. Both filters will track together when the right cut off is fully clockwise.
FEED BUTTON
Routes the output of the left filter core to the input of the right (unless patched), with the desired output filter type selected via jumper at the rear of the module.
FREQ INPUTS AND ATTENUATORS
Control voltage inputs here are combined with knob offsets to set the final cut off. Attenuversion control allows for both attenuation and inversion of the CV. Expects approx. -5V - 5V input.
RES INPUTS AND ATTENUATORS
Attenuated control voltage inputs here are combined with knob offsets to set the final resonance.
Expects approx. -5V - 5V input.
AUDIO INPUT 'In'
Signal inputs to the filter cores for processing.
Input sources may need to be attenuated, filter will drive from hotter input levels.
The Left input is normalised to the right (unless 'Feed' is enabled).
… Read moreFREQUENCY CONTROLS
Sets the base frequency for the filter cut offs. The v/oct and frequency inputs are added to these.
RESONANCE CONTROL
Sets the level of resonant peaks atop the cut off frequencies. The resonance can get particularly aggressive going into self oscillation with the control past 12 o'clock.
OUTPUTS
Each filter output is 3 pole with an 18dB/oct slope.
Low - low pass filter outputs. Passes frequencies below the cut off.
High - high pass filter outputs. Passes frequencies above the cut off.
BP/Notch - band pass or notch filter outputs. Jumpers on the rear of the module select one or the other for each filter.
Passes frequencies within (BP) or outside (Notch) a narrow region around cut off frequency.
LINK BUTTON
Links the left cut off to parallel control both filters. The right controls will now set the max range of the right core. Both filters will track together when the right cut off is fully clockwise.
FEED BUTTON
Routes the output of the left filter core to the input of the right (unless patched), with the desired output filter type selected via jumper at the rear of the module.
FREQ INPUTS AND ATTENUATORS
Control voltage inputs here are combined with knob offsets to set the final cut off. Attenuversion control allows for both attenuation and inversion of the CV. Expects approx. -5V - 5V input.
RES INPUTS AND ATTENUATORS
Attenuated control voltage inputs here are combined with knob offsets to set the final resonance.
Expects approx. -5V - 5V input.
AUDIO INPUT 'In'
Signal inputs to the filter cores for processing.
Input sources may need to be attenuated, filter will drive from hotter input levels.
The Left input is normalised to the right (unless 'Feed' is enabled).
4 in stock $224.82
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ALM Tyso Daiko Dual 12-Bit Digital Wavetable Drum Voice Module (drum/dual/stereo module)
Cat: 848748 Rel: 06 Oct 21
Dual 12-bit digital wavetable drum voice module - 14HP
Notes: The successor to Dinky's Taiko, Tyso Daiko is a 12-bit dual digital drum voice, with built-in analogue tilt EQ and wavefolder, plus extensive CV control. Intuitive, powerful and versatile.
Supplier's Notes:
The 'Tyso Daiko' is a dual 12-bit digital wavetable drum voice with full voltage control and an analogue EQ output path.
The twin voices are independently triggered and output, but share pitch, envelope and other parameters of a swept wavetable oscillator. One voice is output through a voltage controlled analogue tilt EQ emphasising upper or lower frequencies.
The other voice is output through a digital wavefolder which adds increasing timbral complexity (to noise).
Both voices respond independently to an accent input and the first voice is able to be 'choked' . A surface control allows for fine control of additional transients from a click to a slow attack. Full voltage control including a V/Oct pitch input makes the Daiko an expressive and wide ranging drum module with extremely wide pallet of sounds with lots of modulation possibilities.
The Daiko succeeds the original Dinky with the same spirit but much improved control, new features and new wavetables.
Technical Specifications
Supply: +12V 70mA Max / -12v 35mA
Size: 14 HP
Depth: 32mm
… Read moreSupplier's Notes:
The 'Tyso Daiko' is a dual 12-bit digital wavetable drum voice with full voltage control and an analogue EQ output path.
The twin voices are independently triggered and output, but share pitch, envelope and other parameters of a swept wavetable oscillator. One voice is output through a voltage controlled analogue tilt EQ emphasising upper or lower frequencies.
The other voice is output through a digital wavefolder which adds increasing timbral complexity (to noise).
Both voices respond independently to an accent input and the first voice is able to be 'choked' . A surface control allows for fine control of additional transients from a click to a slow attack. Full voltage control including a V/Oct pitch input makes the Daiko an expressive and wide ranging drum module with extremely wide pallet of sounds with lots of modulation possibilities.
The Daiko succeeds the original Dinky with the same spirit but much improved control, new features and new wavetables.
Technical Specifications
Supply: +12V 70mA Max / -12v 35mA
Size: 14 HP
Depth: 32mm
2 in stock $286.70
Click for better price!
or call +44 20 7424 1960
quote 848748
quote 848748
People also bought...
Happy Nerding FX AID Pro Multiple Audio Effects Module (silver) (delay/digital/distortion/dual/stereo/dynamics/effectpitch shifter/reverb synth module)
Cat: 881047 Rel: 28 Jul 22
The FX AID Pro is a multiple audio effects synth module.
Notes: FX AID Pro:
OLED screen shows current effect's number, name and its three parameters
200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro
Instant switching of the effects or seek then activate option
Stereo input level control
SRR input can also be routed to parameters 1-3 or effect selection
Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection
Manual control of the Sample Rate with one click for default position
10 user storable presets with handy indicator lines for each stored parameter
Screensaver with 1, 10, 30, 60 minutes options
Easy update by playing wav file, level indicator for proper volumes matching
… Read moreOLED screen shows current effect's number, name and its three parameters
200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro
Instant switching of the effects or seek then activate option
Stereo input level control
SRR input can also be routed to parameters 1-3 or effect selection
Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection
Manual control of the Sample Rate with one click for default position
10 user storable presets with handy indicator lines for each stored parameter
Screensaver with 1, 10, 30, 60 minutes options
Easy update by playing wav file, level indicator for proper volumes matching
out of stock $280.51
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4ms Ensemble Unified Polyphonic Voice Of 16 Complex Oscillators Module (digital/oscillator synth module)
Cat: 762166 Rel: 18 May 20
polyphonic oscillator module
Notes: Seriously potent polyphonic voice built around 16 sine-based oscillators. Capable of a huge range of tones thanks to FM, phase distortion and wavefolding. Another cracker from a consistently reliable brand.
Supplier's notes:
The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.
The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.
30 factory-programmed, user-writeable scales organized in three groups:
12TET: all notes quantized to equal temperament, repeating over octaves
Octave: unquantized notes, repeating over octaves
Free: unquantized notes, repeating over the interval between the lowest and highest note
16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header
Power consumption
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)
Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V
Gate inputs
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings
… Read moreSupplier's notes:
The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.
The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.
30 factory-programmed, user-writeable scales organized in three groups:
12TET: all notes quantized to equal temperament, repeating over octaves
Octave: unquantized notes, repeating over octaves
Free: unquantized notes, repeating over the interval between the lowest and highest note
16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header
Power consumption
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)
Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V
Gate inputs
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings
out of stock $281.54
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ALM Quaid Megaslope 5-Stage Envelope LFO & Step Sequencer Module (silver) (CV modulation/envelope generator/LFO/sequencer/slew limiter synth module)
Cat: 688775 Rel: 31 Jan 19
Flexible five stage function generator - 19HP
Notes: The 'Quaid Megaslope' is a five stage function generator or modulator which operates in one of 3 modes; a multistage 'CZ' or 'Juno' style complex envelope, a super flexible LFO and a step sequencer with per step programmable slew or slides.
Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.
The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
… Read moreEach mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage feature voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle.
The Quaid Megaslope is designed to be fun, flexible and intuitive to use.
1 in stock $234.10
Click for better price!
or call +44 20 7424 1960
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Xaoc Devices Zadar 1973 Quadruple Envelope Generator Module (CV modulation/digital/envelope generator/function generator/LFO/quad synth module)
Cat: 689804 Rel: 03 Sep 18
Innovative quad envelope - 10HP
Notes: Zadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesising a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. These starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms.
Operating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
… Read moreOperating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.
out of stock $293.92
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AJH Synth Ring SM Ring Mod Sub Bass Mixer Module (black) (distortion/mixer/ring modulator/waveshaper synth module)
Cat: 625079 Rel: 22 Sep 16
Ring SM Ring Mod Sub Bass Mixer Module
2 in stock $249.57
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WMD Digital VCA MKIII Dual Zero-Crossing VCA & Polariser Module (polariser/ring modulator/sample & hold/VCA module)
Cat: 1008017 Rel: 27 Mar 24
Dual digital VCA module with zero crossing detection, polarisation, noise, sample & hold - 8HP
Notes: Another update for WMD's clever dual VCA, this time a little bigger to give more control. Digital control of CV and attenuation gives lots of creative options. Third time's a charm.
Supplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.
The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.
The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.
Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.
Features
Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds
Specifications
Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling
… Read moreSupplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.
The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.
The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.
Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.
Features
Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds
Specifications
Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling
1 in stock $232.04
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Noise Engineering Lapsus Os 4-Channel Attenuverter/Attenuator Module (black) (attenuator/controller/multiple/utility synth module)
Cat: 836849 Rel: 18 Aug 21
Quad-channel attenuverter/attenuator and offset with faders
Notes: Performance-focussed four-channel attenuverter and offset module, with built-in voltage generator for 0-5v or i5v voltages. Simple but effective.
Supplier's Notes:
Lapsus Os is a four channel attenuator/attenuverter and offset. Designed with performance in mind, each channel can be set to either attenuate or attenuate/invert an incoming signal, adjust offset of an incoming signal, or with nothing patched to its input, generate a 0-5v or i5v offset. Switches on the back of the module invert the fader behavior, allowing for the module to be mounted in either direction, for further customization and ease of use.
Etymology
Lapsus -- from latin lapsus : 'sliding' Os -- from latin os 'bones'
"Translation: Dancing Corpse"
Interface
Faders 1-4: The main controls of LO. The LEDs in the faders show the CV that is being passed through. When in attenuverter mode, the LED will be off at 0, allowing each fader to easily be set near 0.
Offset inputs 1-4 (+): Sending a signal to these inputs adds an offset to the input, controlled by the fader and the mode switch.
Outputs: Each channel has a pair of identical outputs. If nothing is sent to either input of a channel, an offset will be generated and output here, useful for controlling parameters on other modules with a single fader.
Uni/Bi Switches 1-4: In the Unipolar position (left), the corresponding channel attenuates the input signal. In the Bipolar position (right), the upper half of the corresponding channel fader attenuates the input signal, the lower half of the fader inverts and attenuates the signal.
Attenuating/attenuverting inputs 1-4 (x): Sending a signal to these inputs attenuates/attenuverts the signal, depending on the position of the channel fader and switch.
Rear-board switches: Below, in red. Inverts the corresponding channel, allowing for creative mounting in either direction. Note that each channel must be switched independently to fully reverse the functionality.
Patch Tutorial
Patch 1: Set a channel switch to the left position and patch the outputs to CV inputs on another module (for instance, Loquelic Iteritas). The fader becomes an easy-to-use controller for those parameters. Patch the rest of the LO channels to other parameters in your system to create an expressive and intuitive interface.
Patch 2: Patch a CV signal (such as an LFO) into the attenuverting input of a channel. Set the channel switch to the right position, and patch the output to a bipolar CV input in your system. Tweak the fader to attenuvert and dial in the perfect amount of modulation on the fly.
Patch 3: In a case with four voices route each LO channel to the decay control for each voice. Use for centralized control over voicing.
Size: 10HP Eurorack
Depth .8 Inches
Power 2x5 Eurorack
+12 mA 60 mA
-12 mA 50 mA
Inputs: i10v
Outputs (without voltage applied):
Unipolar: 0-5v
Bipolar: i5v
… Read moreSupplier's Notes:
Lapsus Os is a four channel attenuator/attenuverter and offset. Designed with performance in mind, each channel can be set to either attenuate or attenuate/invert an incoming signal, adjust offset of an incoming signal, or with nothing patched to its input, generate a 0-5v or i5v offset. Switches on the back of the module invert the fader behavior, allowing for the module to be mounted in either direction, for further customization and ease of use.
Etymology
Lapsus -- from latin lapsus : 'sliding' Os -- from latin os 'bones'
"Translation: Dancing Corpse"
Interface
Faders 1-4: The main controls of LO. The LEDs in the faders show the CV that is being passed through. When in attenuverter mode, the LED will be off at 0, allowing each fader to easily be set near 0.
Offset inputs 1-4 (+): Sending a signal to these inputs adds an offset to the input, controlled by the fader and the mode switch.
Outputs: Each channel has a pair of identical outputs. If nothing is sent to either input of a channel, an offset will be generated and output here, useful for controlling parameters on other modules with a single fader.
Uni/Bi Switches 1-4: In the Unipolar position (left), the corresponding channel attenuates the input signal. In the Bipolar position (right), the upper half of the corresponding channel fader attenuates the input signal, the lower half of the fader inverts and attenuates the signal.
Attenuating/attenuverting inputs 1-4 (x): Sending a signal to these inputs attenuates/attenuverts the signal, depending on the position of the channel fader and switch.
Rear-board switches: Below, in red. Inverts the corresponding channel, allowing for creative mounting in either direction. Note that each channel must be switched independently to fully reverse the functionality.
Patch Tutorial
Patch 1: Set a channel switch to the left position and patch the outputs to CV inputs on another module (for instance, Loquelic Iteritas). The fader becomes an easy-to-use controller for those parameters. Patch the rest of the LO channels to other parameters in your system to create an expressive and intuitive interface.
Patch 2: Patch a CV signal (such as an LFO) into the attenuverting input of a channel. Set the channel switch to the right position, and patch the output to a bipolar CV input in your system. Tweak the fader to attenuvert and dial in the perfect amount of modulation on the fly.
Patch 3: In a case with four voices route each LO channel to the decay control for each voice. Use for centralized control over voicing.
Size: 10HP Eurorack
Depth .8 Inches
Power 2x5 Eurorack
+12 mA 60 mA
-12 mA 50 mA
Inputs: i10v
Outputs (without voltage applied):
Unipolar: 0-5v
Bipolar: i5v
out of stock $204.19
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Xaoc Devices Koszalin 1964 Stereo VC Frequency Shifter Module (effect/digital synth module)
Cat: 880020 Rel: 08 Jul 22
Koszalin is a full stereo frequency shifter (2 ins / 4 outs) offering both quasi-exponential and linear frequency change of up to +/-5kHz as well as full stereo feedback under voltage control.
Notes: Gorgeous stereo implementation of the classic frequency shifter sound, moving from tonal harmonics to atonal disharmony effortlessly. Separate outputs for down and up shifts, plus plenty of CV control.
Supplier's Notes:
Koszalin is a full stereo frequency shifter with two inputs and four outputs. If offers simultaneous exponential and linear through-zero control of the amount of frequency shift in 3 carefully scaled ranges (up to +/- 5kHz). Frequency shifting results in linear translation of signal spectrum producing all kinds of atonal sounds. It should not be confused with frequency scaling, also known as pitch shifting. Several stereo feedback topologies are offered with additional density control besides feedback depth, which results in spectacular stereo barberpole effects.
Through-zero modulation allows for using Koszalin's input as an FM operator. Koszalin is a digital module with a DSP behind an analog interface.
Main features:
full stereo frequency shifting
3 shift ranges: +/- 50Hz / 500Hz / 5kHz
exponential and linear through-zero inputs
internal feedback under voltage control.
10HP
12V: 140mA / -12V: 30mA
… Read moreSupplier's Notes:
Koszalin is a full stereo frequency shifter with two inputs and four outputs. If offers simultaneous exponential and linear through-zero control of the amount of frequency shift in 3 carefully scaled ranges (up to +/- 5kHz). Frequency shifting results in linear translation of signal spectrum producing all kinds of atonal sounds. It should not be confused with frequency scaling, also known as pitch shifting. Several stereo feedback topologies are offered with additional density control besides feedback depth, which results in spectacular stereo barberpole effects.
Through-zero modulation allows for using Koszalin's input as an FM operator. Koszalin is a digital module with a DSP behind an analog interface.
Main features:
full stereo frequency shifting
3 shift ranges: +/- 50Hz / 500Hz / 5kHz
exponential and linear through-zero inputs
internal feedback under voltage control.
10HP
12V: 140mA / -12V: 30mA
2 in stock $294.96
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ALM Mega-Tang 4-Channel Linear VCA & Stereo Mixer Module (dual/stereo/mixer/VCA synth module)
Cat: 914301 Rel: 05 Dec 22
A 4-channel linear VCA and stereo mixer providing per input control over level, effect send, pan and muting.
Notes: The 'MEGA-TANG' is a 4-channel linear VCA and stereo mixer providing per input control over level, effect send, pan and muting. Designed for live use in mind with a simple & compact layout, the 'MEGA-TANG' builds on the clean and transparent sounding Tangle Quartet VCA by adding a stereo mix output, effect sends (mono send with a stereo return) which pair great with the MFX, manual panning, soft mute buttons with LED indicators and an expansion port for future expandability.
Individual VCA outputs are available which remove the channel from the main mix (useful for cueing and monitoring). All signals are Euro level and bar the effects return, DC coupled for CV use as well as audio.
Technical Specifications
Power: +12V 125ma -12V 125ma
Size: 16HP
Depth: 32mm
Attenuation: approx -70db
… Read moreIndividual VCA outputs are available which remove the channel from the main mix (useful for cueing and monitoring). All signals are Euro level and bar the effects return, DC coupled for CV use as well as audio.
Technical Specifications
Power: +12V 125ma -12V 125ma
Size: 16HP
Depth: 32mm
Attenuation: approx -70db
3 in stock $245.45
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Xaoc Devices Batumi II 1974 Quadruple Low Frequency Oscillator Module (digital/LFO/oscillator/quad/random/clock generator/CV modulation module)
Cat: 979276 Rel: 13 Feb 24
Quadruple low frequency oscillator module - 10HP
Notes: An updated version of the excellent Batumi quad LFO, version II introduces performance updates plus compatibility with the new Poti II expander. Original Poti I breakout functions are now included in the Batumi II.
Supplier's Notes:
Xaoc Devices presents Batumi II - a greatly improved and enhanced new iteration of the modern day classic that is/was the original Batumi, preserving its layout and form factor. The premise remains the same: four LFO's with individual outputs for sine, assign and rectangle waves. The channels can operate independently or they can be linked - phase shifted, divided or multiplied (new mode alert) with regard to the first channel. Multiple major and minor improvements have been implemented, e.g. when synced to an external clock source, each channel's frequency slider selects a clock division for that channel's outputs.
Xaoc Devices have managed to incorporate the features of the original expander into Batumi II (sync mode switching and assign waveform selection) without changing the size of the module which opened up new possibilities for the new optional expander. The Poti II expander for Batumi II adds multi destination inputs for sine wavefolding, assign output waveform selection or rectangle pulse modulation with the destination set for each channel independently. Poti II also features frequency input attenuation as well as sine and assign output attenuation. All adjustments may be performed separately for each individual channel or for all channels simultaneously.
The Batumi II software has been rewritten from scratch to ensure best performance. The hardware has also been updated to allow for V/oct tracking and stable operation up to audio rates (more powerful CPU, precise, wideband converters, antialiased waveforms).
-4 LFO's
- redesigned from scratch - both the hardware and software
- new waveforms for the assign output (including random)
- new frequency multiplication mode
- all features of the Poti expander incorporated into the main module
- very wide frequency range well into audio rate
- 1V/oct tracking = so can be used as 4 VCO's
- in the Phase/Divide/Mult modes the random waves at the ASGN output follow the values available in the master/A channel
- 10HP
- +90/-50mA
… Read moreSupplier's Notes:
Xaoc Devices presents Batumi II - a greatly improved and enhanced new iteration of the modern day classic that is/was the original Batumi, preserving its layout and form factor. The premise remains the same: four LFO's with individual outputs for sine, assign and rectangle waves. The channels can operate independently or they can be linked - phase shifted, divided or multiplied (new mode alert) with regard to the first channel. Multiple major and minor improvements have been implemented, e.g. when synced to an external clock source, each channel's frequency slider selects a clock division for that channel's outputs.
Xaoc Devices have managed to incorporate the features of the original expander into Batumi II (sync mode switching and assign waveform selection) without changing the size of the module which opened up new possibilities for the new optional expander. The Poti II expander for Batumi II adds multi destination inputs for sine wavefolding, assign output waveform selection or rectangle pulse modulation with the destination set for each channel independently. Poti II also features frequency input attenuation as well as sine and assign output attenuation. All adjustments may be performed separately for each individual channel or for all channels simultaneously.
The Batumi II software has been rewritten from scratch to ensure best performance. The hardware has also been updated to allow for V/oct tracking and stable operation up to audio rates (more powerful CPU, precise, wideband converters, antialiased waveforms).
-4 LFO's
- redesigned from scratch - both the hardware and software
- new waveforms for the assign output (including random)
- new frequency multiplication mode
- all features of the Poti expander incorporated into the main module
- very wide frequency range well into audio rate
- 1V/oct tracking = so can be used as 4 VCO's
- in the Phase/Divide/Mult modes the random waves at the ASGN output follow the values available in the master/A channel
- 10HP
- +90/-50mA
out of stock $267.11
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4ms Ensemble Unified Polyphonic Voice Of 16 Complex Oscillators Module (black) (digital/oscillator synth module)
Cat: 818209 Rel: 16 Apr 21
Eurorack digital/oscilllator module
Notes: The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.
The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.
Electrical and Mechanical Specifications:
16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header
Power consumption:
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)
Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V
Gate inputs:
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings
… Read moreThe Ensemble Oscillator is designed by Matthias Puech and 4ms Company.
Electrical and Mechanical Specifications:
16HP Eurorack format module
0.98" (25mm) maximum depth (including power cable)
10-pin to 16-pin Eurorack power header
Power consumption:
+12V: 114mA maximum
-12V: 45mA maximum
+5V: 0mA (not used)
Audio outputs
Frequency range: 0Hz (DC) - 20kHz
Typical amplitude: 10Vpp
Maximum amplitude: 18.5Vpp
1V/oct inputs (Root and Pitch)
Voltage range: -2V to +6V (8 octave range)
Factory calibrated to 1.00V/oct
Per-jack user-calibration allows from 0.7V/oct to 1.3V/oct
CV inputs (other than 1V/oct)
Voltage range: -5V to +5V
Gate inputs:
Trigger threshold: 2.5V
User memory (non-volatile)
Scale slots: 30
Shift feature settings
1V/oct calibration settings
2 in stock $281.54
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After Later Audio uO_C Micro Ornament & Crime Polymorphic CV Generator Module Module (digital/LFO/quantizer/random/sequencer/utility/envelope generator module)
Cat: 805541 Rel: 14 Jan 21
Polymorphic CV generator module - 8HP
Notes: uO_C
This is a new build of Micro Ornament & Crime, a variant of the popular Ornament & Crime designed by mxmxmx. The firmware is Stock by default.
The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.
… Read moreThis is a new build of Micro Ornament & Crime, a variant of the popular Ornament & Crime designed by mxmxmx. The firmware is Stock by default.
The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module. Eurorack power cable included.
out of stock $224.82
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Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black) (digital/LFO/oscillator/dual/stereo/noise/quantizer/ring modulator/random synth module)
Cat: 951618 Rel: 26 Feb 24
Voltage-controlled dual VCO, LFO and random module - 8HP.
Notes: Two oscillators independently set as VCO, LFO, or random generator
This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)
Features in VCO mode:
V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter
Features in LFO mode:
Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module
Dimensions
8 HP
21 mm deep
Current Draw
52 mA +12V
17 mA -12V
0 mA 5V
… Read moreThis new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)
Features in VCO mode:
V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter
Features in LFO mode:
Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module
Dimensions
8 HP
21 mm deep
Current Draw
52 mA +12V
17 mA -12V
0 mA 5V
out of stock $231.01
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Klavis Grainity Digitally-Controlled Full-Analogue Path Granular & Multi-Mode VCF Module (silver) (filter/phase shifter/pitch shifter module)
Cat: 934965 Rel: 19 Dec 23
Digitally-controlled full-analogue path granular & multi-mode VCF module in 10HP.
Notes: A unique analogue take on granular synthesis, inspired by Yannis Xenakis, the Grainity pairs a granular filter with a multimode filter to create new textures and harmonics.
Supplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.
While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.
The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.
A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.
What is the Grainity
Granular?
The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.
This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.
Technology wise ...
In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.
The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.
What the Grainity is not
Technology wise ...
Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.
Sound wise ...
Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.
The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.
Dimensions
10 HP
21 mm deep
Current Draw
101 mA +12V
59 mA -12V
… Read moreSupplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.
While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.
The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.
A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.
What is the Grainity
Granular?
The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.
This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.
Technology wise ...
In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.
The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.
What the Grainity is not
Technology wise ...
Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.
Sound wise ...
Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.
The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.
Dimensions
10 HP
21 mm deep
Current Draw
101 mA +12V
59 mA -12V
5 in stock $255.76
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After Later Audio Currents Tidal Modulator Module (envelope generator/LFO synth module)
Cat: 920672 Rel: 17 Jan 23
Full size version of Mutable Instruments Tides V2 (2020).
Notes: Full size version of Mutable Instruments Tides V2 (2020). It retains all of the original functionality of the full size version, both software and hardware. Its core is a triangle function generator and waveshaper that can be used as an LFO, oscillator, AD-style envelope generator (EG), and AR-style EG.
Based on open source designs by Emilie Gillet under Creative Commons (CC-BY-SA) license.
Width: 14hp
12V: 50mA
-12V: 20mA
… Read moreBased on open source designs by Emilie Gillet under Creative Commons (CC-BY-SA) license.
Width: 14hp
12V: 50mA
-12V: 20mA
out of stock $204.19
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Make Noise Richter Wogglebug Random Voltage Generator Module (random/clock generator/oscillator/ring modulator/sample & hold/slew limiter module)
Cat: 557451 Rel: 19 Dec 14
Random voltage generator module - 10HP
Notes: The WoggleBug music synthesizer module is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the "smooth" and "stepped" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 "Source of Uncertainty," expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!
Features:
Complete Complex Random Voltage system, no external modules necessary
Two VCOs, Phase Lock Loop, Lag Processor, Clock, Burst Generator and Sample & Hold
Generates 7 Random Signals simultaneously: Smooth VCO, Woggle VCO, Ring Mod, Stepped, Smooth, Woggle, Burst
Generates voltage controlled Master Clock
External inputs for S&H (Heart IN) and Ring-Mod (Influence)
Disturb button adds performance element
Wonderful for modulating the Morphagene and DPO
Specifications:
Width: 10hp
Max Depth (incl. power cable): 32mm
Power: 50mA@ +12V; 40mA @ -12V
… Read moreFeatures:
Complete Complex Random Voltage system, no external modules necessary
Two VCOs, Phase Lock Loop, Lag Processor, Clock, Burst Generator and Sample & Hold
Generates 7 Random Signals simultaneously: Smooth VCO, Woggle VCO, Ring Mod, Stepped, Smooth, Woggle, Burst
Generates voltage controlled Master Clock
External inputs for S&H (Heart IN) and Ring-Mod (Influence)
Disturb button adds performance element
Wonderful for modulating the Morphagene and DPO
Specifications:
Width: 10hp
Max Depth (incl. power cable): 32mm
Power: 50mA@ +12V; 40mA @ -12V
2 in stock $225.86
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Intellijel Scales Dual Channel Note Quantizer & Sequencer Module (digital/quantizer/sample & hold/sequencer synth module)
Cat: 718062 Rel: 18 Feb 19
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.
Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.
Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.
Shift:
Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.
You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.
Sequence:
Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
… Read moreScales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.
Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.
Shift:
Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.
You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.
Sequence:
Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
6 in stock $266.07
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Barullo Ciobra Distortion & Feedback Module (distortion/effect/filter/mixer/VCA/waveshaper synth module)
Cat: 816509 Rel: 09 Apr 21
A voltage controlled sound processor based on distortion and feedback to sculp and create new tones, from soft lo-fi vibes or destroyed madness to self oscillation.
Notes: Distortion and feedback meet voltage control for creative sound processing versatility. Controllable subtlety as well as extreme scuzz thanks to clever control setup.
Supplier's Notes:
Ciobra is a voltage controlled sound processor based on distortion and feedback to sculp and create new tones, from soft lo-fi vibes or destroyed madness to self oscillation.
It's the right tool to break up your signal and add harmonics to your bass, push your drums over the limit, feedback thru your favorite fx to create a new layer or just control how that sound sits better on the mix with the built in VCA and eq.
Specifications:
Fully analog, circuit based on opamps and OTA circuits.
Low shelf cutoff frecuency: 80hz
High shelf cutoff frecuency: 1Khz
35 mA +12V
25 mA -12V
0 mA 5V
30 mm deep
… Read moreSupplier's Notes:
Ciobra is a voltage controlled sound processor based on distortion and feedback to sculp and create new tones, from soft lo-fi vibes or destroyed madness to self oscillation.
It's the right tool to break up your signal and add harmonics to your bass, push your drums over the limit, feedback thru your favorite fx to create a new layer or just control how that sound sits better on the mix with the built in VCA and eq.
Specifications:
Fully analog, circuit based on opamps and OTA circuits.
Low shelf cutoff frecuency: 80hz
High shelf cutoff frecuency: 1Khz
35 mA +12V
25 mA -12V
0 mA 5V
30 mm deep
out of stock $217.61
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Tesseract Modular Sweet Sixteen Mk2 MIDI/i2C/CV Controller Module (attenuater/controller/MIDI synth module)
Cat: 797258 Rel: 08 Dec 20
Synth module
Notes: Eurorack version of the 16n Faderbank, offering 16 CV inputs and 16 outputs, each corresponding to a fader. MIDI in and out allows you to configure the module in myriad ways.
Supplier's Notes:
This module is a eurorack version of the 16n Faderbank, implemented with 16 CV inputs and some other smart add ons. Almost everything is in the front panel.
This new version is oriented for firmware tweaks and future expansions, still being fully compatible with the 16n and the previous Sweet Sixteen.
Changes from previous versions:
Function push button
Function led
Expansion header in the back
i2C pull-up switchable with jumpers (aux pcb not required)
Mate black & gold panel with brass nuts
There are 16 channels, which can be used as:
Midi controller
Manual CV generator (0 to 8v range)
Attenuator
CV to Midi CC
i2C controller
CV to i2C data
The Midi CC number and channels can be different for the TRS jack and the USB port. The firmware has been tweaked to allow also Pitch Bend, which is pretty handy because you can get much better resolution through Midi (from min to max values Midi CCs have 128 steps and Pitch Bend has a resolution of 16.384 steps).
The voltage generated by every fader is up to 8v, which is good enough to control eurorack modules (like wide open/close the cutoff frequency of a filter etc).
In the midi CC messages, 0 volts will correspond to a value of 0, and 8 volts to a value of 127. But the CV to Midi can handle also negative voltages, for such task there are 4 slide switches (1 for every 4 faders) that swaps the internal voltage reference in a way that, when activated, 0 volts will be the middle position of the midi controller, -4 volts the minimum value and +4 volts the maximum. Those switches only affect the Midi/i2C outs, CV outs won't be affected by them in any way.
If you plug in a bigger voltage source (like a -5v+5v LFO or a 10v envelope) the fader will work as attenuator, so you'll be able to adapt how that signal affects the Midi CC out, covering the whole Midi CC range, saturating the waveform or just affecting it briefly.
Panel USB port is type B, which seems to be stronger than mini or micro ones.
i2C could connect directly to an ER-301, monome Ansible or a monome Teletype.
The Teensy can be powered via the internal regulator or the +5v eurorack rail (selectable via a switch on the back).
The partial kit comes with all SMD populated, so only through hole components requires soldering work.
size: 24 HP
92 mA +12V
86 mA -12V
… Read moreSupplier's Notes:
This module is a eurorack version of the 16n Faderbank, implemented with 16 CV inputs and some other smart add ons. Almost everything is in the front panel.
This new version is oriented for firmware tweaks and future expansions, still being fully compatible with the 16n and the previous Sweet Sixteen.
Changes from previous versions:
Function push button
Function led
Expansion header in the back
i2C pull-up switchable with jumpers (aux pcb not required)
Mate black & gold panel with brass nuts
There are 16 channels, which can be used as:
Midi controller
Manual CV generator (0 to 8v range)
Attenuator
CV to Midi CC
i2C controller
CV to i2C data
The Midi CC number and channels can be different for the TRS jack and the USB port. The firmware has been tweaked to allow also Pitch Bend, which is pretty handy because you can get much better resolution through Midi (from min to max values Midi CCs have 128 steps and Pitch Bend has a resolution of 16.384 steps).
The voltage generated by every fader is up to 8v, which is good enough to control eurorack modules (like wide open/close the cutoff frequency of a filter etc).
In the midi CC messages, 0 volts will correspond to a value of 0, and 8 volts to a value of 127. But the CV to Midi can handle also negative voltages, for such task there are 4 slide switches (1 for every 4 faders) that swaps the internal voltage reference in a way that, when activated, 0 volts will be the middle position of the midi controller, -4 volts the minimum value and +4 volts the maximum. Those switches only affect the Midi/i2C outs, CV outs won't be affected by them in any way.
If you plug in a bigger voltage source (like a -5v+5v LFO or a 10v envelope) the fader will work as attenuator, so you'll be able to adapt how that signal affects the Midi CC out, covering the whole Midi CC range, saturating the waveform or just affecting it briefly.
Panel USB port is type B, which seems to be stronger than mini or micro ones.
i2C could connect directly to an ER-301, monome Ansible or a monome Teletype.
The Teensy can be powered via the internal regulator or the +5v eurorack rail (selectable via a switch on the back).
The partial kit comes with all SMD populated, so only through hole components requires soldering work.
size: 24 HP
92 mA +12V
86 mA -12V
out of stock $239.27
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Erica Synths Black VCO2 Analogue Voltage Controlled Oscillator Module (LFO/oscillator/waveshaper module)
Cat: 799541 Rel: 23 Nov 20
Analogue VCO module with built in SAW waveshaper & two modulation LFOs - 12HP
Notes: Erica Synths Black VCO2 is an analogue VCO with built in SAW waveshaper and two modulation LFOs.
Features
Simultaneous sine, triangle, saw and pulse wave outputs
-1 octave suboscillator
Highly accurate and stable tracking across 8 octaves
Saw waveshaper with manual and CV control
Manually adjustable and CV controlled pulse width
Exponential/Linear FM input with an attenuator
2 built-in modulation LFOs
Synchronization input
Octave switch - 7 octaves
Skiff-friendly design
Erica Synths Black VCO2 is all analogue, highly accurate and stable VCO with four simultaneous waveform outputs, one octave down suboscillator and some unique features. Unlike harsh, logic divider based sub-oscillators, Black VCO2 transistor-based suboscillator generates distinct, rounded squarewave. Furthermore, the Black VCO2 has built in SAW waveshaper and two modulation LFOs. Together with Black VCO Expander - waveform mixer you get massive analogue sound source with plenty of patch points for modular use.
Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest quality components are used, all inputs and outputs are protected against undesired over-voltage. Erica Black Series consist of range of modules that are needed to put together entire synth.
Technical specifications:
Audio output amplitude: 10Vptp
Octave range: C0 - C8
Panel width: 12HP
Module depth: 35mm
Power consumption: 71mA@+12V, 62mA@-12V
Power consumption w. Expander: 102mA@+12V, 87mA@-12V
… Read moreFeatures
Simultaneous sine, triangle, saw and pulse wave outputs
-1 octave suboscillator
Highly accurate and stable tracking across 8 octaves
Saw waveshaper with manual and CV control
Manually adjustable and CV controlled pulse width
Exponential/Linear FM input with an attenuator
2 built-in modulation LFOs
Synchronization input
Octave switch - 7 octaves
Skiff-friendly design
Erica Synths Black VCO2 is all analogue, highly accurate and stable VCO with four simultaneous waveform outputs, one octave down suboscillator and some unique features. Unlike harsh, logic divider based sub-oscillators, Black VCO2 transistor-based suboscillator generates distinct, rounded squarewave. Furthermore, the Black VCO2 has built in SAW waveshaper and two modulation LFOs. Together with Black VCO Expander - waveform mixer you get massive analogue sound source with plenty of patch points for modular use.
Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest quality components are used, all inputs and outputs are protected against undesired over-voltage. Erica Black Series consist of range of modules that are needed to put together entire synth.
Technical specifications:
Audio output amplitude: 10Vptp
Octave range: C0 - C8
Panel width: 12HP
Module depth: 35mm
Power consumption: 71mA@+12V, 62mA@-12V
Power consumption w. Expander: 102mA@+12V, 87mA@-12V
1 in stock $235.13
Click for better price!
or call +44 20 7424 1960
quote 799541
quote 799541
People also bought...
Michigan Synth Works Pachinko Random Sampler Module (black) (random/clock generator/clock modulator/quanitzer/sequencer synth module)
Cat: 802216 Rel: 26 Feb 21
Random sampler module
Notes: 12HP version of Marbles Random Sampler
Fully calibrated
… Read moreFully calibrated
1 in stock $202.14
Click for better price!
or call +44 20 7424 1960
quote 802216
quote 802216
People also bought...
After Later Audio Beehive Plaits Redesigned Module (drum/noise/oscillator/synth voice/digital synth module)
Cat: 805370 Rel: 28 Jan 21
Macro oscillator module
Notes: Third-party clone of the open-source Mutable Instruments Plaits oscillator/sound source. All the same functionality in a compact 8hp format with full-size knobs for the key functions.
Supplier's Notes:
Functionally identical clone of the Mutable Instruments Plaits. Beehive strikes a nice balance between size, reducing 12hp down to 8hp, and playability by offering full size knobs for the four main functions. Beehive also retains the same depth of the original module at 25mm. This module uses After Later's new aluminum knobs which have a nice non-slip texture and allow for more finger space over the standard 1900H Davies knobs.
… Read moreSupplier's Notes:
Functionally identical clone of the Mutable Instruments Plaits. Beehive strikes a nice balance between size, reducing 12hp down to 8hp, and playability by offering full size knobs for the four main functions. Beehive also retains the same depth of the original module at 25mm. This module uses After Later's new aluminum knobs which have a nice non-slip texture and allow for more finger space over the standard 1900H Davies knobs.
1 in stock $202.14
Click for better price!
or call +44 20 7424 1960
quote 805370
quote 805370
People also bought...
After Later Audio Monsoon Clouds Redesigned Module (delay/digital/effect/pitch shifter/sampling synth module)
Cat: 805454 Rel: 14 Jan 21
Texture analogue synthesiser
Notes: This is a new build of a Monsoon, which is a variation of Mutable Instruments Clouds with separate CV and controls for the 4 "blend" functions. The 4 LEDs on the sliders indicate incoming control voltage for the 4 main parameters. The button which was used to select blend parameters now simply switches what the 4 LEDs display (audio input monitoring or monitoring the 4 blend amounts.) Parasites 2.01 firmware is loaded by default. Alternative firmware can be loaded by request.
The module is fully assembled, tested, and calibrated. Eurorack power cable is included.
Width: 12HP
Depth: 22mm
Height: 3U
Power Consumption: +12V:120mA -12V:10mA
… Read moreThe module is fully assembled, tested, and calibrated. Eurorack power cable is included.
Width: 12HP
Depth: 22mm
Height: 3U
Power Consumption: +12V:120mA -12V:10mA
2 in stock $220.70
Click for better price!
or call +44 20 7424 1960
quote 805454
quote 805454
People also bought...
After Later Audio Pachinko Marbles Redesigned Module (clock generator/clock modulator/quantizer/random/sequencer synth module)
Cat: 805525 Rel: 14 Jan 21
Random sampler module/rebuild of Mutable Instruments Marbles
Notes: This is a brand new build of a JakPlugg designed Pachinko, which is a micro version of Mutable Instruments Marbles. It retains all of the functionality of the original but takes up less space (12HP) than the original Marbles (18HP).
The module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module.
The panel is a custom black After Later Audio panel that offers metallic gold accents.
The module comes with a power cable and a 1 year warranty.
… Read moreThe module is fully assembled, tested, and calibrated. The calibration is done with a 6.5 digit multimeter, itself recently calibrated, to ensure you get the highest accuracy from your module.
The panel is a custom black After Later Audio panel that offers metallic gold accents.
The module comes with a power cable and a 1 year warranty.
1 in stock $234.10
Click for better price!
or call +44 20 7424 1960
quote 805525
quote 805525
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After Later Audio Typhoon Clouds/Monsoon/Microcell Redesign Module (effect/pitch shifter/reverb/sampling/VCA/delay synth module)
Cat: 805536 Rel: 14 Jan 21
Analogue texture synthesiser/rebuild of Mutable Instruments Clouds
Notes: This is where Storm and Monsoon meet to create the latest improvements on the original Clouds design. With Typhoon you get all of the features of Storm combined with sliders and layout of Monsoon in 16hp. Typhoon runs the SuperParasites firmware, so no more having to swap between Parasites and Kammerl firmware options. Some of the notable features are:
Dedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)
All eight modes from Parasites and Kammerl
Stereo VCAs
input/output mutes
Exponential and linear pitch controls
Universal CV routing and random CV signals
Comes with an exclusive black and gold panel, power cable and one year warranty.
… Read moreDedicated blend controls for Feedback, Panning, Mix, and Reverb (similar to Monsoon)
All eight modes from Parasites and Kammerl
Stereo VCAs
input/output mutes
Exponential and linear pitch controls
Universal CV routing and random CV signals
Comes with an exclusive black and gold panel, power cable and one year warranty.
2 in stock $245.45
Click for better price!
or call +44 20 7424 1960
quote 805536
quote 805536
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Klavis Quadigy Quad Programmable Envelope Generator Module (silver) (envelope generator/LFO/quad synth module)
Cat: 767380 Rel: 16 Apr 20
envelope generator module
Notes: Clever dual-mode envelope generator, designed to combine studio functionality with a safety net for live performance. Dial in a patch then switch to live mode for tweaking without losing control.
Supplier's notes:
The Quadigy is a complex envelope generator focused on live play. The goal is to allow the user setting up rich, interactive and dynamically evolving envelopes without the risk of breaking up a subtle and intricate patch once on stage. This is achieved by offering two main modes, one where full control is available and a Live mode where only the settings that are sensible using on stage are accessible.
… Read moreSupplier's notes:
The Quadigy is a complex envelope generator focused on live play. The goal is to allow the user setting up rich, interactive and dynamically evolving envelopes without the risk of breaking up a subtle and intricate patch once on stage. This is achieved by offering two main modes, one where full control is available and a Live mode where only the settings that are sensible using on stage are accessible.
out of stock $255.76
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AJH Synth Wave Swarm Dual 6 Stage Wave Animators Module (black) (dual/stereo/effect/waveshaper synth module)
Cat: 688824 Rel: 01 Aug 18
Analogue waveform animator & dual channel device - black, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.
Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.
The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.
A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.
It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
… Read moreEach channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.
The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.
A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.
It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
1 in stock $267.11
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Koma Elektronik Field Kit FX Multi-Effects Processor Module (white) (delay/effect/filter/mixer/reverb/sequencer synth module)
Cat: 689032 Rel: 19 Jun 18
Electroacoustic workstation - Eurorack version
Notes: This new device is a powerful new CV controlled effects unit for your electronic music setup and pairs extremely well with the KOMA Field Kit.
- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator
All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.
The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
… Read more- Looper
- Frequency Shifter
- Sample Rate Reducer/Bitcrusher
- Digital Delay
- Analogue Spring Reverb
- 4 Channel VCA Mixer
- 4 Step Mini Sequencer
- Envelope Generator
All of this, combined with the new 4 Channel CV Interface which allows you to route four CV signals throughout the device, means an incredible control over sound and timbre and a great addition to your mobile performance rig.
The Field Kit FX is built up from 7 separate functional blocks all focused on mangling and changing incoming audio and CV signals. They are designed to operate together as a coherent addition to our Field Kit Electroacoustic Workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.
1 in stock $280.85
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ALM Akemie's Taiko FM Synthesis Drum Voice Module (drum/synth voice synth module)
Cat: 628650 Rel: 17 Oct 16
Complete drum voice featuring algorithm selection, operator release envelopes, ratios, waveforms & feedback
Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.
Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.
The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.
The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.
The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
… Read moreSupplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.
The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.
The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.
The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
4 in stock $287.73
