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Cat: 740146 Rel: 14 Nov 16 • View all Audio & MIDI interfaces
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD22, you're always guaranteed the same world class Audient sound.

Brilliance on the inside enables brilliance on the outside:
iD22 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Grows with your needs:
iD22 is more than just a two in, six out interface. As your system grows iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via an eight-channel mic pre such as our ASP880.

You can't unhear quality:
During iD22's development we discussed ways in which we could showcase iD22's versatility in a variety of genres. We were so confident you could make a release quality recording with iD22 we decided to get out in the field and record three different artists varying in style. Listen to the result for yourself...

Integrate your outboard:
Two fully balanced insert points enable you to bring your outboard gear in from the cold and prior to conversion. Insert your favourite compressors or EQs and start creating vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.

Customise your control surface:
iD22 has a range of incredibly flexible console style monitor control functions such as mono, polarity, dim, cut, speaker select, talkback & cue mix monitoring. We know how important it is to focus on the music and to make tracking as simple as possible we added three programmable function keys. No more time spent searching for software controlled features, just assign the monitoring functions you need to the three hardware function keys and allow the creativity to flow. Real hardware control at your fingertips!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD22 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Discover just how simple it can be:
We understand the need to keep things simple and iD22's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD22 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD22 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD22 will stand up to countless late nights in the studio and days on the road.
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 2 in stock $300.32
Cat: 559943 Rel: 21 Mar 14 • View all
 
B-STOCK: Box opened, product in perfect condition
Notes: ***B-STOCK: Box opened, product in perfect condition***

Combine a Class A microphone preamp and classic optical compressor with Aphex's patented Aural Exciter and Big Bottom processors into an easy to use channel strip and you've got everything you need to get a fully sculpted signal. Project Channel is flexible enough for any situation.

Project Channel is an extremely high quality channel strip, designed with ease of use in mind. The front panel is streamlined and very approachable. The included optical compressor features a single-knob ratio control. Using it and the 10-segment gain reduction meter, it's very easy to keep the dynamic range of the signal under control. The Aural Exciter brings the essence of an instrument or voice out to the front, making it easy to hear in a mix, while the Big Bottom processor adds punch to your low end in a way that no EQ can. The S/PDIF digital output and dBFS output meter make it extremely easy to get a proper digital signal to an audio interface for recording. The front panel sample rate button allows for easy selection of sample rates from 44.1kHz to 96kHz. Analog outputs are also provided for use with outboard A/D converters or with analog mixers. The front panel instrument input allows for great sounding direct recordings of bass and guitar, and automatically overrides the rear panel XLR mic input, allowing the user to keep a mic plugged in.

While you may find similar products with more features, you'll be hard pressed to find a similar product that sounds better.

Class A Preamp: Ultra-wide bandwidth, maximum gain and headroom, inspired by classic British and American recording consoles
Optical Compressor: Uses Aphex's proprietary optical element for speed adjustability from compression to leveling
Aural Exciter: Patented technology for increased presence and clarity with improved detail and intelligibility
Big Bottom: Patented technology for deeper and more resonant bass with little or no increase in peak output
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out of stock $301.52
Cat: 619258 Rel: 05 Jul 16 • View all Synth module accessories
 
84HP Eurorack case with rugged aluminium construction and wooden side panels
Notes: Durable Eurorack case with super-clean, high capacity power supply:
From studio production to live performance, Eurorack-based modular synthesis has exploded in popularity around the world. For portability, protection, and usability, a quality case and power supply is an essential part of every modular synth rig. With the SYR-E84, Roland introduces its first Eurorack case, which integrates a durable, lightweight design and a super-clean power supply with high capacity for today's power-hungry modules. The SYR-E84 fits AIRA modular electronic instruments such as the SYSTEM-1m, BITRAZER, DEMORA, TORCIDO, SCOOPER, and SYSTEM-500, as well as standard Eurorack modules from other manufacturers.

Featuring a rugged black aluminium enclosure and wood side panels, the SYR-E84 offers top-level looks and performance for modular synth starters and seasoned pros alike. Specially designed for modular instruments, the high-capacity DC supply provides stable, low-noise power that meets Roland's discriminating quality standards, delivering clean and reliable operation you can count on. The versatile case can be used in flat, angled, or vertical positions to meet any working situation, and offers easy stacking capabilities for expanding your setup in the future.
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 1 in stock $301.61
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Cat: 675765 Rel: 13 Apr 18 • View all Synth module accessories
 
176 HP all-inclusive Eurorack case with 5 HP power module & Arturia Link system
Notes: RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution.

RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminium chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command centre the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply.

When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, Arturia developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders.

Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes a formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions.

With RackBrute 6U, even the most headstrong modules fall into line.

The RackBrute 6U fully takes advantage of the Link System, and it's not alone. You'll also find the Arturia Link on the more compact RackBrute 3U, as well as the self-contained MiniBrute 2 and MiniBrute 2S synthesizers. What solution will you go for? Will your field of operations be fully based on Eurorack, or the powerful force of analog monosynth flagship supported by a fleet of complementary modules?
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 2 in stock $301.78
Cat: 739182 Rel: 22 Apr 16 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Highly configurable Control, Modulation, Triggering and Pattern module. 8 simultaneous Outputs and 12, individually assignable, Output types.

Output and Modulation types include Pulses, Gates, LFOs, Digital Noise, Loopable S&H modes and a collection of Arpeggios and Rhythmic Loops.

Tempo-sync for all Outputs is provided by the on-board Clock or
an External Clock Input with Tempo ranges from 20 to 270 BPM.

Outputs can be set to any Clock Division or Multiple from 1/16th
of a Beat to 16 Bars and can be Offset up to 360 Degrees.

Intuitive interface allows user-definable control over knob and parameter behavior to match the preferences of individual users.

For audio, please visit: http://www.abstractdata.biz/products/eurorack/3x/ade32/?tab=audio
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out of stock $301.84
Cat: 581798 Rel: 04 Jan 16 • View all Synth modules
 
Dual envelope generator & low frequency oscillator (LFO) eurorack module - 16HP wide
Notes: Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

The 540 Dual Envelope Generator and LFO (low frequency oscillator) is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output.

Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.
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 1 in stock $302.43
Cat: 581796 Rel: 04 Jul 16 • View all Synth modules
 
Dual Voltage Controlled Amplifier (VCA) synth module - 16HP wide
Notes: Dual VCA:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

530 Dual VCA:
The 530 Dual VCA (voltage controlled Amplifier) features two independent voltage controlled amplifiers for controlling the loudness of audio signals. Each VCA has three sliders for an audio input mixer, three sliders to mix CV inputs, and a selector switch for linear or exponential response modes.
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out of stock $302.58
Cat: 502924 Rel: 24 Sep 13 • View all Studio mixers
 
14 channel studio mixer with boutique quality Onyx preamps
Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs
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out of stock $303.43
Cat: 690787 Rel: 31 May 18 • View all Synth modules
 
Powerful, hand-wired tube distortion module featuring American military grade low-noise tubes
Notes: Strakal Orsel is a powerful, hand-wired tube distortion module. As known from other Touell Skouarn circuits, all sockets and control elements have Breton names. (Except for the audio input and output, which are marked with arrows.)

Triodenn (switch) - Here, you can choose between pentode and triode operation for the left tube. Thus, this switch varies the basic sound character.

Boukl Retroaktin (switch/knob) - The switch activates the feedback path. With the potentiometer, you can vary the feedback intensity. High values lead to screaming self-oscillation. At low settings, signals are nicely thickened.

Gounid (knob) - This potentiometer is used for determining the level between the first and the second tube stage.

Ampled (knob) - For setting the degree of distortion. How hardcore would you like your sound to be?

Enklas Modulan (socket) - CV input for influencing the feedback respectively volume. (It works even without the feedback being active.)

Without an input signal, but with wide open feedback, the Strakal Orsel can be used as a beefy effect oscillator. Using its CV input, the pitch can be varied. There is no accurate pitch tracking according to the standard 1 v/octave, though. If you now deactivate the feedback and dial in the right volume and distortion settings, you can enjoy the Orsel's noise floor in its purest form. In other words, the module will emit charming tube noise. Operation as a crude VCA is possible as well.

The following tubes are compatible with the Strakal Orsel:

- 6J1P
- 5654
- 6AK5
- EF95

The Strakal Orsel offered here is equipped with American military grade low-noise tubes, type 5654. This one sounds better than the 6J1P and offer higher gain.

Power consumption: 5 mA at +12 V, 5 mA at -12 V and 350 mA at +5 V

HP: 12
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 1 in stock $303.77
Cat: 596644 Rel: 18 Dec 15 • View all Synth modules
 
Physical modelling synthesis Eurorack synth module - 14HP wide
Notes: Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids' models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.

Three families of vibrating structures are simulated by the module, with CV control over their parameters:

- Strings, membranes and tubes as modelled by Elements' resonator section (modal synthesis).
- Strings coupled together and vibrating in sympathy, with controllable intervals between them.
- Strings with a variable amount of inharmonicity.

Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.

*For audio demo, please visit - http://mutable-instruments.net/modules/rings
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 3 in stock $303.77
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Cat: 521297 Rel: 01 Jan 90 • View all Studio mixers
 
8-channel power mixer with effects - bundled with a 1/4" jack wiring loom
Notes: Live performances are more than just a job, they are an experience for the performers, the audience and for the sound engineer. The EMPIRE TMX series was engineered to precise specifications to deliver the kind of performance you demand, while giving you everything you need to create an unforgettable experience. The EMPIRE TMX80DFX is part of the TMX line, which also includes the TMX200DFX, TMX160DFX and TMX120DFX.

The TMX80DFX may be small but it's loaded with just what you need including 14 x total inputs comprised of 4 x XLR jacks with phantom power, 8 x line jacks and stereo RCA. These low-noise channels are your best friend when connecting instruments, mics, or even your iPod for playing between sets. Even better, each mono and stereo channel has its own 3-shelf EQ, so you can dial in every nuance you need in seconds. in addition, there is a full 9-band stereo EQ. A/D and D/A conversion is performed with 24-bit precision. Easy-to-view knobs with incredibly smooth movement help to make mixing feel like playing a fine instrument.

The TMX80DFX's on-board Alesis digital effects processor provides pristine 24-bit, ultra-clean digital effects you, and the audience, won't soon forget. Effects include Echo, Echo+Verb, Tremolo, Plate, Chorus, Vocal, Rotary, Small Room, Flange Verb, Large Hall. 100 Presets are included, leaving you plenty of options for coloring the mix.

The TMX80DFX comes standard with the ability to deliver ultra-clean power at 2 x 350W (4 Ohms) or 2 x 180W (8 Ohms). These aren't peak rating either, this is pure continuous power. In short, it's a workhorse. Fortunately, all that power isn't as heavy as you might expect. Weighing in at just under 11 pounds, the TMX80DFX is a clear winner in the power-to-weight class.

Whether you need just 8 channels, a full 20 or anything in-between, the Alto Professional EMPIRE TMX series has something to help you create an unforgettable experience every time.
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out of stock $303.79
Cat: 503409 Rel: 22 Aug 13 • View all Studio monitors
 
Compact active monitor system with 5" woofers and 3/4" tweeters
Notes: The compact new Fostex PM0.5d is a successor of the to the popular PM0.5n.

Driven by new high efficiency 35W (LF) and 23W (HF) high efficiency digital amplifier and with completely re-designed woofer and tweeter drivers, this attractive bookshelf speaker is set to be every bit as successful as its predecessor.
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out of stock $304.86
Cat: 674410 Rel: 28 Jun 18 • View all Vocal microphones
 
Low mass, 2.5-micron aluminium ribbon microphone with bidirectional pickup pattern
Notes: Samson's VR88 Velocity Ribbon Microphone combines traditional ribbon technology with the precision and versatility of advanced active electronics. It's perfect for capturing warm, natural audio in a variety of live and studio applications, such as miking vocals, acoustic instruments, electric guitars and even overhead miking drums.

The VR88 features a low mass, 2.5-micron aluminium ribbon suspended within an intense neodymium field, producing a warm and natural response that is silky smooth from top to bottom. The microphone is equipped with a bidirectional (figure-8) pickup pattern with excellent off-axis rejection. The VR88's FET amplifier and transformer provide the high output and stabilized source impedance necessary for compatibility with any mic preamplifier. In addition, The VR88 produces a smooth, extended frequency response and is capable of handling high SPLs of up to 137dB, making it an excellent choice for miking vocals, acoustic instruments and even electric guitars.

The quality of the VR88 compares to the most highly regarded classic ribbon microphones found in top recording studios. For this reason, its rugged die cast constructed body, as well as a shockmount, comes in a protective carry case.

With a sharp new look and superior sound reproduction, the VR88 Velocity Ribbon Microphone represents Samson's commitment to bringing you the very best microphones.
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 1 in stock $304.86
Arturia V Collection 6 Software (boxed) (virtual instrument software)
Cat: 672790 Rel: 21 Dec 17 • View all VST instruments & samplers
 
Ultimate collection of vintage keyboards & synthesisers, comprising of 21 virtual instruments
Notes: The ultimate synth, organ, piano, and performance keyboard anthology. 21 seminal instruments, supercharged, and at your command.

Bringing together over 100 years of landmark keyboard instruments in one software package, the sounds behind every hit, every genre, and every musical movement are now at your fingertips. Painstakingly recreated in beautiful detail, every single instrument in V Collection 6 will blow you away.

Using advanced technologies, easy-to-use graphical interfaces, and a strong focus on presets by working with some of the world's best sound designers, V Collection 6 will give you the inspiration you've always dreamed of.

Whichever instruments you use you can be sure of one thing: Arturia paid tribute to the original machine, built upon this legacy, and added a new generation of features opening new possibilities to the contemporary musician.

Fabulous Four:

Pooling together the combined knowledge, talent, and musical vision of many of the world's finest sound designers, your new instruments will sing straight out of the box.

Buchla Easel V:

Don Buchla's leftfield analog synth from 1973, the Music Easel changed the way people created sounds with performance-focused parameters, putting the focus on the artistry of being a recording artist. Perfect for exploring alternative sound design, creating ambient, widescreen textures, and unfamiliar sequences. Taking Buchla's experimental vision one step further, Arturia have incorporated Gravity, a physics-based synth engine into their software recreation, letting you take music where no one has gone before.

DX7 V:

The Yamaha DX-7 needs no introduction, and its legacy is felt in charts around the world to this day. If you've ever listened to the radio, watched a film, or owned any 80s records, you'll have heard the DX-7. Notoriously tricky to program, Arturia's recreation simplifies the process by vastly improving the interface, and expands its synth capabilities with a mod matrix, customizable envelopes, extra waveforms, a 2nd LFO, effects, sequencer, arpeggiator, and more.

CMI V:

Known as the mother of all samplers, and a groundbreaking additive synth, the Fairlight CMI truly redefined pop music production following its release in 1979. Arturia's recreation builds on the features of the original by providing 10 multitimbral, polyphonic slots to design your sound, real-time waveform shaping, effects, a sequencer, and even a brand new "Spectral" synth that can scan and mix sections of audio, letting you create your own wavetable synth sounds.

Clavinet V:

Arguably the most famous, influential electric keyboard of all time, the legacy of the Clavinet is everywhere. Released by Hohner in the mid-60s, its funky, energetic tone gave life to myriad genres over the decades. From disco to R&B, prog rock to pure, unadulterated pop, the percussive, soulful sound of this legendary performance keyboard is reborn in Clavinet V. Arturia's physically modelled recreation lets you dig deeper into the instrument, changing the physical properties of the instrument, and adding classic amp and effects combos into the mix.

Developments:

V Collection 6 not only includes new instruments, but features major updates to the other included instruments. That equates to a complete collection of 21 vastly different yet powerful tools to craft your next audible masterpiece.
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 1 in stock $304.86
Cat: 641952 Rel: 28 Feb 17 • View all Synth modules
 
Dynamically generated wavetable oscillator using multiple orthogonal functions
Notes: Cursus Iteritas is an oscillator that works from a dynamically generated wavetable. It gives the user spectral-like controls over three different modes based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets, and Walsh mode, using the Walsh transform. Cursus Iteritas parametrizes a wide variety of sounds, but because the sounds are all based on orthogonal functions, it has a musical tone structure and can produce an extremely wide variety of harmonic sounds.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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out of stock $304.86
Cat: 707842 Rel: 22 Oct 18 • View all DJ mixers
 
Professional stereo mixer for clubs & mobile PA applications
Notes: The CM-5300 is a high-grade stereo mixer with an extensive feature set for clubs and numerous mobile PA applications. The 3 microphone channels have a one-knob compressor, adjustable talkover function and a 3-band EQ. the 5 stereo channels come with gain controls, individual VU meters, 3-band kill EQs, 100mm dual-rail faders and assignable crossfader. Channel 1 can be used for FOH signals, channel 6 features a 3.5mm AUX input. The stereo and mono output sections have their own level meters, trimmers for adjusting the maximum output level and electronically balanced XLR connectors. In addition, a subwoofer output with built-in active crossover is provided. The mixer can be used as a table-top unit or installed in a rack.
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 1 in stock $304.86
Cat: 747034 Rel: 18 Apr 19 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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out of stock $305.06
Cat: 562299 Rel: 06 Feb 15 • View all MIDI controllers
 
USB MIDI controller featuring 9 rotry knobs, 9 buttons and a joystick, perfect for use with Ableton, Traktor etc
Notes: Perfect for use with Ableton Live and Traktor, the Killamix-Mini is a compact USB controller housed in a sturdy brushed aluminium case with solid aluminium knobs. It is the perfect companion to your laptop, whether you are using a sequencer, DJ-ing or VJ-ing, just plug in the USB cable and go. Despite having only 9 knobs, 9 buttons and a joystick, the Killamix-Mini can in effect be 144 knobs,144 buttons and a joystick.

By pressing a single knob you can select any MIDI transmit channel from 1 to 9, or, with a combination of two knobs, select the remaining channels 10 to 16. When you select a new MIDI channel, the current values of the knobs for that channel are stored so that they can be restored when you next select this channel, thus avoiding any parameter jump difficulties typical of units with traditional knobs and faders.

When the values are restored, the LED rings around the knobs indicate their new positions.
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 1 in stock $305.91
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Cat: 660457 Rel: 29 Aug 17 • View all Synth modules
 
10HP Eurorack module generating warm, lush chorus & vibrato effects
Notes: An instant classic just like the pedal with sparkly compression sweeping through lush dreamy chorus to the hypnotic vibrato of low-fidelity warped vinyl-like goodness.

Controls are:

- Knobs and CV ins for Compression/LoFi vibrato mix, Speed, Depth, and Dry-Wet
- Three selectable wave shapes and CV in for modulation control

This module was designed to emulate the sounds and textures of the Lo-Fi Loop Junky in real time, but it goes far beyond that. Click it on and mix your sparkly clear compressed signal with the smashed, lo-fidelity warbled signal and listen to it become a luscious emulsification that can be blended to the most perfect depth. Achieve new haunting chorus sounds and pulsating vibrato. Unusual and fun, you've never heard anything quite like it.
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 1 in stock $305.91
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QTX
Cat: 670632 Rel: 05 Jan 18 • View all PA speakers
 
Portable PA set comprising a main active unit & passive satellite speaker
Notes: The main unit has a media player with options for playback from USB stick, SD card, Bluetooth or a slot fed disc player for CD and DVD. A pair of UHF handheld microphones are included in addition to 2 inputs for wired microphones with a built-in echo effect for vocalists and a VCV control enables mic priority over music. Operated from mains power or the internal rechargeable battery, the main unit also powers the passive satellite cabinet. Line input, output and composite video output offer easy connection to other equipment for expanded AV systems. A comprehensive multi-functional system for leisure, teaching and performances.

In the box:

- PAV8 main unit
- 8" satellite speaker
- 2 x UHF handheld microphones
- 4 x AA batteries
- IR remote control
- 1 x speaker jack cable
- Securing strap
- 15Vdc 3A power supply & IEC lead(s)
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out of stock $306.76
Cat: 553426 Rel: 15 May 15 • View all Synth modules
 
Quad modulation engine synth module with internal clock generator
Notes: fourMulator is a digital quad LFO-module for euro rack compatible modular synthesizer and sound processing systems. Due to its ability to synchronize the modulators (LFOs) to each other or to an overall clock-reference, fourMulator is capable generating complex and rhythmic modulation structures.

Modulators (LFOs)

Each modulator offers six wave forms: ascending and descending saw tooth, square, triangle, sine and random (sample & hold) with a frequency range between 0.05Hz (20 seconds) to approx. 100Hz. Each modulator offers wave form and trigger outputs, the latter sending an impulse with every new start of the selected wave form. Reset- and CV-inputs allow external parameter manipulation - from other modules or from other modulators of the fourMulator itself.

Synchronization

All four modulators work independently. However, they can be synchronized with each other. Each modulator can be individually synchronized to the left neighboring module or to a clock-reference.

Two or more synchronized modulators always oscillate at the same frequency. However, a synchronized modulator can be phase-shifted by up to 180° (a half-cycle) to the clock-reference. This allows easy creation of counter-rotating modulations. More complex modulations can be achieved using the CV-input to manipulate phase-shift.

With active clock-synchronization, the corresponding modulators oscillate in reference to a common clock-signal, but use individual clock-dividing factors. Again, advanced possibilities result from being able to manipulate clock-division through the modules' CV-inputs.

Both forms of synchronization can be combined. With one modulator being synchronized to a clock signal, it may as well serve as reference to the right neighboring modulator.

CLOCK Generator (CLK)

fourMulator integrates an internal clock generator. Its tempo can be assigned using a tap-tempo-button or by using an external clock-reference.
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out of stock $306.98
Cat: 707885 Rel: 02 Jan 19 • View all Synth modules
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synthesizer for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: The envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: The envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: The envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Two outputs jacks are available: the mono OUT jack on the back panel and the STEREO jack on the front panel, useful for listening with headphones and for separate channel output.
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out of stock $306.98
Cat: 718780 Rel: 01 May 19 • View all Earphones
 
Dynamic in-ear monitoring headphones with studio sound - black
Notes: The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It's miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours.

More punch, more transparency, more control:

The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix.

Next-generation dynamic drivers:

The result of intensive development work: a single dynamic high-performance driver - with a diaphragm measuring only 7mm in diameter - covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible.

It's not just the sound that fits your ear...

...The IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.
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out of stock $306.99
Cat: 694965 Rel: 25 Jul 18 • View all MIDI keyboards
 
61 note 2nd generation synth-action keyboard with performance controls designed to improve your workflow
Notes: Panorama T6 is the first controller to deliver Nektar-level instrument plugin control in any VST/AU compatible DAW. Load patches directly from the keyboard and start controlling parameters immediately, with every change instantly visible on the LED display. Control any instrument plugin with one of the many included maps or customize and create your own. Discover new performance tools like the powerful chord, hold and note repeat functions. Tweak repeat parameters, plugin parameters and record it all in your DAW.

2nd Gen Panorama Keybed:
Panorama T6 features a 2nd generation Panorama synth-action keybed. Dampened and carefully balanced across the keyboard with medium tension, which means the activation force required is in the middle of the range established for professional keyboards. Five velocity curves shift the emphasis from soft to hard, giving enough choice to cater for any playing style. A fixed option enables velocity values to be set by controls, including the wheels.

Beats on tap:
Designed with finger drumming in mind, Panorama T6's 8 large velocity and pressure sensitive pads are the perfect tool for beat creation. Triggering at an extremely low threshold, they will capture ghost notes and flams as easily as you can play them. If the factory settings are not expressive enough for you, it's even possible to calibrate each pad individually for optimum performance.

Each pad can be assigned any MIDI note number or MIDI CC message for use as MIDI trigger or toggle buttons - and assigning sounds couldn't be easier: Activate Pad Learn, select a pad, play the required note or drum sound on the keyboard and assignment is done. A Pad Bank Button left to the pads gives you access to another 8 pads, for a total of 16 pads within a pad map. 8 such pad maps are available for recall at any time.

Key and pad repeat:
Located just above the wheels are the Key Repeat and Pad Repeat buttons. Press to activate the repeat function and notes will be repeated at the set rate. Change the rate in real-time from 1/4 - 1/96 note values, change the tempo, add some swing and set an accent interval.

Repeat settings for pads and keys are independent of each other, so one can be set for the drum beat and the other for an instrumentation part. The Repeat's trigger mode can be set to repeat from the point of playing a note or to sync with the beat. Clock source can either be internal or external MIDI clock.

Access all areas:
Nine 30mm faders, 8 assignable LED buttons and 8 encoders are at the centre of the T-series' control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products.

When used with Nektar DAW integration or Nektarine, the controls provide flexible pre-mapped DAW- or plugin-control, giving you deep tactile control right from the hardware. The DAW integration files also contain automatic catch-up and soft-takeover functions to avoid parameter jumping when you switch between devices.

Instant feedback:
The custom LCD display provides crisp and clear feedback for all your settings: Here is where you select Panorama's different modes, access global parameters and navigate your software. With DAW Integration and Nektarine, you will even see your software's mixer and plugin parameters right there.

The 4 soft buttons below the display will change their function according to the selected menu for fast access. The 4 mode buttons to the right of the display allow you to change from internal mode to DAW or plugin control at the touch of a button. The Multi button is reserved for Nektarine.

Bitwig 8-track included:
Bitwig 8-Track is included with every Panorama T6. So you can start producing, performing, and designing sounds like a pro from day one. Bitwig 8-Track gives you access to over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package', a highly versatile handpicked selection of loops, clips and samples, is also included to help you get started. So put all that together and you have a powerful sketchpad for your musical ideas featuring the acclaimed workflow of Bitwig Studio.

***Now includes DAW integration support for PreSonus Studio One***
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 1 in stock $306.99
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quote 694965
Cat: 726277 Rel: 11 Jul 18 • View all Subwoofers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The wearable M2X is perfect for listening to your favourite music, monitoring the low end in the DJ booth without hurting your ears, or for making your on-the-move listening experiences much more immersive. Upgrades (from the M2) include: Increased dynamic range which gives a more open, accurate and natural representation of your music especially for acoustic genres, lower total harmonic distortion which guarantees a better definition even at higher levels, and a huge 7+ hours of battery use time.
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out of stock $307.09
Cat: 646642 Rel: 11 Dec 15 • View all Subwoofers
 
B-STOCK: Box slightly damaged, product in perfect working order
Notes: ***B-STOCK: Box slightly damaged, product in perfect working order***


Used in studios around the world and championed by industry leaders, Subpac's patent-pending technology combines their new proprietary tactile transducers and vibrotactile membranes with a fully redesigned form factor to bring you the next generation of SubPac, the M2.

Powerful and accurate bass and sub bass monitoring in a wearable form factor that is quiet to the outside world.
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out of stock $307.10
Cat: 541556 Rel: 19 Jul 14 • View all PA speakers
 
1000W high-definition portable powered loudspeaker
Notes: A compact powerhouse, the all-new SRM350 delivers the unparalleled ease-of-use, professional sound quality and indestructible portability that made the original a live sound legend. Now, packed with 1000W of power, truly useful sound-enhancing DSP and setup-friendly audio tools, the SRM350 is the most compact, high-output SRM ever designed.

The SRM350 features modern tools like application-specific speaker modes and an automatic feedback destroyer each with a single-button interface that gets you optimized performance in just seconds. And with the integrated 2-channel mixer, you can easily mix multiple sources.

Only the Mackie SRM350 delivers proven performance, huge power and unmatched sound quality in such an indestructibly portable design.
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 2 in stock $307.11
Cat: 714259 Rel: 17 Jan 19 • View all Audio & MIDI interfaces
 
Premium audio interface with advanced guitar tone shaping
Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.
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 2 in stock $307.87
Cat: 650235 Rel: 12 May 17 • View all Synth modules
 
Chord generator, arpeggiator & quantizer module in Eurorack format - 12HP
Notes: The Chord Machine 2 is composed of a chord generator, an arpeggiator and a quantizer. The module creates up to five voices out of one incoming CV signal. They can be spread over a range of eight octaves. 42 preset plus 16 user chords with up to four voices are available for musical experiments. Additionally, they can be switched between first, second and third inversion. All in all, users get access to 232 chords, which are playable within 54 preset and 15 user scales. Transpositions can be done via a CV input.

The fifth voice of the Chord Machine 2 is meant for arpeggios, which can run in several directions and octave ranges. Alternatively, this channel is usable as a quantizer. Setups can be saved in extensive song lists.

Current consumption: ca. + 140mA / - 20mA
Size: Euro rack format 3U / 12HP 60,2x128,5mm
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out of stock $308.05
Cat: 636540 Rel: 10 Jan 17 • View all Drum machines
 
Drum Machine modelled after the classic Roland CR-78 with 21st century transistor technology
Notes: The TT-78, from Cyclone Analogic, is the next step in their collection of classic reproductions of iconic drum machines. The TT-78 is modelled after the classic CR-78 drum machine from Roland, produced in 1978. The TT-78 contains all the modern upgrades one would expect, while also being housed in a sleek shell, similar to the TT-303 and TT-606. It has the same intuitive sequencing functions as the previous Cyclone Analogic unit, but with a completely different sound palette, using sounds like Bongos, Congas, Maracas, and Guiro. There are seven individual outputs, providing independent jacks for most of the sounds. It also comes complete with MIDI In, Out and Thru, for synchronizing the TT-78 with all one's other gear.

*Supplied with Euro two pin to UK three pin adapter*
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 1 in stock $308.05
Cat: 688721 Rel: 17 May 19 • View all Synthesisers
 
Analog synthesiser with 32 full-size keys, 3340 VCO with 4 simultaneous waveforms, VCF, Novamod FM sources, 32-step sequencer, arpeggiator & live performance kit
Notes: The 1980s and '90s spawned a new "wave" of synth performers including Devo, The Chemical Brothers, The Prodigy, The Crystal Method and a host of others, all empowered by the sound of a simple strap-on instrument that let keyboardists steal the spotlight away from their guitar-wielding bandmates. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-101-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analogue signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-101-BU is sure to become your favourite keyboard.

True to the Original:

Great care has been taken in engineering the MS-101-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-101-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

Big, Fat Tones:

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-101-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

Versatile Oscillator:

MS-101-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

Versatile VCF:

The very heart of MS-101-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-101-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

The Envelope, Please:

MS-101-BU's Envelope generator features 4 ADSR (Attack, Decay, Sustain and Release) faders that help you craft incredible sounds, and utilizes a 3-position switch for Gate, Gate + Trigger and LFO. When applied to the Voltage Control Amplifier (VCA), the ADSR envelope is used to control the level of the note being played over time. When applied to the VCF, the ADSR envelope is used to control the cut-off frequency of the filter for each note played over time. In addition, the ADSR envelope can also be used to affect the VCO pulse width modulation.

Onboard Sequencer & Arpeggiator:

MS-101-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-101-BU are fun, mesmerizing and totally addictive...

Own the Stage:

When you're ready to strut your stuff and get a little centre stage time, the MS-101-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level. Why should singers and guitar players get all the limelight - carve out a little of your own!

Modulate Me to the Max!

In addition to the great sound-sculpting features already mentioned, the MS-101-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-101-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip.
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out of stock $308.05
Cat: 633417 Rel: 28 Nov 16 • View all Drum machines
 
Analogue drum processor featuring additional sequencer & expanded option set
Notes: Inspired by the Roland TR-606 Drumatix, the Cyclone Analogic TT-606 Drum Drone is an analogue drum processor featuring an additional sequencer and expanded option set. The TT-606 has individual outputs for each instrument, MIDI In/Out & Thru, headphone jack and an amplifier send.

The instruments included are bass drum, snare, low & high toms, cymbal, open & closed hi-hats, rim-shot and clap. A fixed parameter can be adjusted for each sound using the instrument selection switch whilst the sequencer is running. The parameters for each sound are as follows: Bass drum - Pitch, Snare drum - Snappy, Low & High Toms - Pitch, Cymbal - Decay, Open Hi-Hat - Decay, Close Hi-Hat - Pitch, Rim Shot - Decay and Clap - Mix Noise. Furthermore each track has access to an additional ACCENT track, FLAM track and ROLL track.

*Supplied with Euro two pin to UK three pin adapter*
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out of stock $308.05
Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter
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out of stock $308.06
Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter
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out of stock $308.06
Cat: 624463 Rel: 16 Sep 16 • View all Synth modules
 
Chord Polyphonic Oscillator Module
 2 in stock $308.06
Music For Installations (Super Deluxe Edition) (limited numbered 6xCD box + 64 page book + inserts + MP3 download code)
UMC
Cat: 671323 6. Rel: 08 May 18
Ambient/Drone
  1. Kazakhstan
  2. The Ritan Bells
  3. Five Light Paintings
  4. Flower Bells
  5. 77 Million Paintings
  6. Atmospheric Lightness
  7. Chamber Lightness
  8. I Dormienti
  9. Kites I
  10. Kites II
  11. Kites III
  12. Needle Click
  13. Light Legs
  14. Flora & Fauna/Gleise 581d
  15. New Moons
  16. Vanadium
  17. All The Stars Were Out
  18. Hopeful Timean Intersect
  19. Worl Without Wind
  20. Delightful Universe (Seen From Above)
  21. Unnoticed Planet
  22. Liquidambar
  23. Sour Evening (Comple Heaven 3)
  24. Surbahar Sleeping Music
out of stock $308.34
Cat: 752033 Rel: 28 Mar 18 • View all Vinyl cleaning
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Everyone with a collection of vinyl records knows how important it is to keep them clean. Every use exposes them to environmental impurities that accumulate over time, resulting in a build-up of dirt inside the record grooves that can negatively impact the playing cartridge's lifespan and the overall sound performance of a vinyl hi-fi system. This dirt often consists of both organic and man-made residues that combine to "grate" at the record wall when a stylus is in the groove. The VC-S MK II removes these impurities in a quick, efficient and cost-effective way to extend the life of your records, and bring greater musical enjoyment to your hi-fi experience.

The VC-S MK II has been designed to build on the international success of Pro-Ject's first Record Cleaning Machine (RCM), the VC-S. Though it still retains aspects of the original design, improvements around the arm, motor, clamp and chassis in the MK II further enhance both the unit's performance and the ease of use.

The VC-S MK II boasts the same specially selected vacuum technology as the original model, meaning a record side can be dried in as little as two rotations; but the motor has been replaced with a new low-noise type that still delivers the torque and speed required for quick operation. The new motor is also still capable of dual-directional rotation, for deeper cleaning of the record groove.

Elsewhere, the VC-S chassis now has printed (rather than stickered) labels for a sleeker, more professional finish. Similarly, the new long-life brush with plastic handle gets deep into the record groove for optimal cleaning performance. The re-designed stainless steel clamp makes an even more reliable fastening to the platter spindle, while the rubber layer on the inside of the clamp continues to keep record labels safe and dry. Finally, the improved plastic flange with additional internal sealing ensures a smooth adjustment of the vacuum arm, while retaining the highest possible suction performance.

Otherwise, the overall design of the VC-S is retained in the MK II. The clamp avoids the need for a platter, which could potentially bring dirt into contact with a clean record surface; and the vacuum arm is robust and mechanically stable with no spring mechanisms.

The VC-S MK II In Use:

Operation of the VC-S MK II record cleaner is effortlessly simple. First, apply a small amount of cleaning fluid to the record surface using the supplied applicator bottle and set the new, quiet motor spinning. Then use the supplied goats' hair brush to spread the fluid across the record surface, optionally changing the motor direction to ensure the entire groove is covered. Finally, set the vacuum arm over the record and turn the suction on. Within a few rotations (in both directions), the record side will be cleaned and dry, ready for playing like new.

The accumulated solution that's sucked through the vacuum is filtered away from the built-in electronics and stored in a 2.5 litre waste container. The fluid level gauge on the side of the VC-S chassis indicates when the tank is nearly full, and discharging the waste liquid is effortlessly simple with the supplied funnel.

The VC-S MK II is supplied with Pro-Ject's improved cleaning solution, Wash-IT. Wash-IT does not contain alcohol, which can harm record surfaces. Instead it contains only high-purity components, which are 100% eco-friendly, non-toxic and non-flammable. It's also designed to evaporate without leaving any residue on the record surface after drying. After mixing with distilled or demineralised water, one litre of Wash-IT can be used to clean up-to 1,500 records.

The VC-S MK II is supplied with all the accessories you need to get started, including 100ml of Wash-IT. Separate accessories, including an optional dust cover, a 7" record cleaning kit and various sizes of Wash-IT cleaning solution, are also available.
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out of stock $308.56
Cat: 751166 Rel: 28 Mar 18 • View all Vinyl cleaning
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Everyone with a collection of vinyl records knows how important it is to keep them clean. Every use exposes them to environmental impurities that accumulate over time, resulting in a build-up of dirt inside the record grooves that can negatively impact the playing cartridge's lifespan and the overall sound performance of a vinyl hi-fi system. This dirt often consists of both organic and man-made residues that combine to "grate" at the record wall when a stylus is in the groove. The VC-S MK II removes these impurities in a quick, efficient and cost-effective way to extend the life of your records, and bring greater musical enjoyment to your hi-fi experience.

The VC-S MK II has been designed to build on the international success of Pro-Ject's first Record Cleaning Machine (RCM), the VC-S. Though it still retains aspects of the original design, improvements around the arm, motor, clamp and chassis in the MK II further enhance both the unit's performance and the ease of use.

The VC-S MK II boasts the same specially selected vacuum technology as the original model, meaning a record side can be dried in as little as two rotations; but the motor has been replaced with a new low-noise type that still delivers the torque and speed required for quick operation. The new motor is also still capable of dual-directional rotation, for deeper cleaning of the record groove.

Elsewhere, the VC-S chassis now has printed (rather than stickered) labels for a sleeker, more professional finish. Similarly, the new long-life brush with plastic handle gets deep into the record groove for optimal cleaning performance. The re-designed stainless steel clamp makes an even more reliable fastening to the platter spindle, while the rubber layer on the inside of the clamp continues to keep record labels safe and dry. Finally, the improved plastic flange with additional internal sealing ensures a smooth adjustment of the vacuum arm, while retaining the highest possible suction performance.

Otherwise, the overall design of the VC-S is retained in the MK II. The clamp avoids the need for a platter, which could potentially bring dirt into contact with a clean record surface; and the vacuum arm is robust and mechanically stable with no spring mechanisms.

The VC-S MK II In Use:

Operation of the VC-S MK II record cleaner is effortlessly simple. First, apply a small amount of cleaning fluid to the record surface using the supplied applicator bottle and set the new, quiet motor spinning. Then use the supplied goats' hair brush to spread the fluid across the record surface, optionally changing the motor direction to ensure the entire groove is covered. Finally, set the vacuum arm over the record and turn the suction on. Within a few rotations (in both directions), the record side will be cleaned and dry, ready for playing like new.

The accumulated solution that's sucked through the vacuum is filtered away from the built-in electronics and stored in a 2.5 litre waste container. The fluid level gauge on the side of the VC-S chassis indicates when the tank is nearly full, and discharging the waste liquid is effortlessly simple with the supplied funnel.

The VC-S MK II is supplied with Pro-Ject's improved cleaning solution, Wash-IT. Wash-IT does not contain alcohol, which can harm record surfaces. Instead it contains only high-purity components, which are 100% eco-friendly, non-toxic and non-flammable. It's also designed to evaporate without leaving any residue on the record surface after drying. After mixing with distilled or demineralised water, one litre of Wash-IT can be used to clean up-to 1,500 records.

The VC-S MK II is supplied with all the accessories you need to get started, including 100ml of Wash-IT. Separate accessories, including an optional dust cover, a 7" record cleaning kit and various sizes of Wash-IT cleaning solution, are also available.
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out of stock $308.56
Sailin Shoes (gatefold limited numbered 180 gram vinyl LP)
Cat: MOFY 1307. Rel: 01 Jan 90
Rock
  1. Easy To Slip
  2. Cold, Cold, Cold
  3. Trouble
  4. Tripe Face Boogie
  5. Willin'
  6. A Apolitical Blues
  7. Sailin' Shoes
  8. Teenage Nervous Breakdown
  9. Got No Shadow
  10. Cat Fever
  11. Texas Rose Cafe
out of stock $309.12
Cat: 561644 Rel: 14 May 15 • View all Wireless microphones
 
Digital wireless system for film makers with 128-bit encryption & a range of up to 100m - lavalier microphone included
Notes: RODELink represents the next generation of digital wireless systems. Using a series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RODELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone.

The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions.

The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RODE's omnidirectional Lavalier microphone is included in the kit to provide the highest possible audio reproduction quality.
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out of stock $309.12
Cat: 590436 Rel: 10 Nov 15 • View all Synth modules
 
Percussion synth module with all three of the TR-909's original tom-tom circuits - 16HP wide
Notes: Introducing the TOMS909, the warmth of the classic all-analog punchy tomtoms from the TR-909 drum machine further expanding your Tiptop modular music production system.

The TOMS909 contains all three of the TR-909's original Low, Mid and High tom-tom circuits adapted for use in the Eurorack modular synthesizer format. The module was tested to sound like a fresh machine coming off the assembly line back in the 80's. To add flavour to the beast, TipTop Audio have extended each tom's arming range so it's easier to dial soft bass drums on the lower ends and high-pitched toms on the other. In addition, all three toms are voltage controlled, letting you play the tom's pitch with CV sequencers like the Z8000, reshape .e tuning with envelopes and LF0's, and create new metallic sounding percussive sounds using audio rate frequency modulation of the internal analog oscillators.

The toms circuitry is made up of 9 triangle oscillators and a stack of filters, VCA's, and envelopes which, in total, took about half of the space on the original 909's circuit board. Utilising the latest in electronic design technology tipTop Audio have managed to squeeze this enormous circuit consisting of more than 450(!) components, into an area only 16HP wide. It is a beautiful board with hundreds of tiny, shiny components, its a little analog jewel.

Each tom includes a trigger and accent input with accent level control, manual tune, voltage-control tune input with attenuator, and independent audio out. In addition, a MIX out is available that sums all three toms together. On each gate input TipTop Audio have designed a dual pulse-shaper circuit so you can trigger your TOMS909 with Trigger/Gate signals from sequencers or any other pulse/clock sources.
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out of stock $309.12
Cat: 695405 Rel: 05 Oct 18 • View all Synth modules
 
Versatile analogue synth & sound maker
Notes: No compromise has been made with the construction of Treadstone. Cheaper options in parts have not been used.

- Full rugged steel/aluminium case; no plastic mouldings
- Good quality smooth, fully sealed against dust
- Good quality knobs with spun aluminium caps
- High grade double sided circuit board
- Analogue discrete VCO, analogue SSM style 24db filter
- High Quality 16bit DAC for MIDI-CV conversion Stable MIDI to CV
- MIDI converter
- MIDI loop sequencer
- LFO, Noise, Sub Osc, EG, PWM, lofi digital echo
- Analogue voice and modulation circuits
- Stable analogue oscillator
- Designed, built, tested and assembled in the UK
- True retro analogue voice and modulation circuits used in the synth element to give an authentic retro

Analogue Oscillator:
The VCO is very analogue and uses discrete components and op-amps. One oscillator, yet still sounds big - using PWM and Sub Osc creates a full warm and deep sound.

Analogue Low Frequency Oscillator:
The LFO has triangle and square wave modulation signals.

Analogue Filter:
Treadstone uses a four pole 24bB per octave multimode filter. The filter is a re-issue of the classic SSM2044, as used in many classic synths such as the Korg Poly 6, Monopoly, Emulator, SP1200.

Analogue Mixer:
Audio signals such as the VCO, Noise, external audio are all routed to the VCF via an analogue mixer.

Analogue Amplifier:
The VCA can be set so it is always 'open'. This allows Treadstone to be used as an effects processor.

Analogue Envelope:
The EG features ATTACK, SUSTAIN, and combined DECAY/RELEASE. It's not really true to say it is an ASR envelope, it really is an ADSR - Decay and Release are both controlled by the same control. Saving space with little compromise in flexibility. It's possible to drone or auto-repeat the envelope also.

Modulation:
Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' style sounds.
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out of stock $309.13
Cat: 658624 Rel: 18 Aug 17 • View all Synth modules
 
Bass & drum synthesiser voice module - 14HP
Notes: The Entity Bass Drum is a complete and versatile synthesizer voice geared for designing a huge array of bass drum, percussive and synth sounds. Finally, a truly deep tool for creating analog bass drum, bass lines and other percussive effects is here!

The design consists of a high fidelity resonant filter, 2 stage slope generator (rise/fall) with independent slope shaping, a high fidelity VCA and discrete transistor saturation circuitry. Every parameter on the Entity Bass drum is voltage controllable.

By applying a trigger of any length and at least 2V amplitude, we excite the resonant filter to produce a percussive sine wave. The pitch control tunes the output with a range of 8Hz to around 2.2KHz. Both higher and lower levels are achievable using the FM input for modulation etc. The internal filter will track 3-4 octaves reliably and the tracking device is temperature compensated.

The slope generator (ENV) can be switched into the circuit via the 3 way switch below the FM LVL control. This control is a bipolar attenuator which affects the level of the slope generator and/or external modulator that affects the pitch of the output.
The 3 way switch selects FM, FM+ENV or just ENV as a mod source.

The rise/fall envelope is a two stage function generator. The controls provide slope timing from 1ms to about a minute. To the right of these controls is the shaping section where logarithmic, linear and exponential slope shapes are selected independently for the two envelope stages.

The envelope is designed to re-trigger at a set point. This allows for changing dynamics to occur to pitch and amplitude when the slope times are greater than the output transient time. For instance the sound can vary between any number of triggers that fire before the envelope set point is reached. Setting the slope time fast enough (below roughly 1 o'clock) provides for nominal operation. Settings will vary depending on trigger and ring decay timing.

The envelope can also be used exclusively or in a more complex patch via a direct +ENV output. Additionally, a novel DUCK output provides a means to control external VCAs - to work like slow compressors. DUCK is an inverted and positively offset version of the +ENV out. This keeps VCAs open when the envelope is off and effectively 'ducks' the VCA when the envelope fires. Of course, mod sources for these outputs are not limited to VCAs...

BODY is a subtle, yet novel control. This control simulates the tightness of a drum head. All the way tight, we get a softer and somewhat muted sound, to the right we achieve a more flabby sound. The middle region is the sweet spot for a nearly perfect resonant drum. BODY can have a greater effect depending on the other parameters and can be very useful for fine tuning the sound in a mix and designing original drum sounds.

RING controls the resonant decay time. Both short and plucky and an infinite ring are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

Before the output section, we have the discrete transistor saturation. We like this because of the vintage low end distortion from overdriven class-A discrete amplifiers. This one is tuned a bit more aggressively and just a touch is necessary to add some bite. However, you can go over the top and get brutal if you so desire... ;-)
The saturator will overdrive the output stage for more of a hard clipping effect that can be tuned out by adjusting the output level control without sacrificing signal amplitude - its a hot signal by intention.

The OUTPUT section is a parallel signal processor design. The OUTPUT control blends the nominal output with a secondary input (or nothing) depending on the 2 way switch setting below the control and/or whether an external signal is patched into the AMP CV input. In 'AMP' mode, the OUTPUT control works like a volume control. If a signal is active on the AMP CV input, the control will blend between the nominal output and the CV control level. Similarly, in 'ENV' mode we get the same blending action using the internal envelope.

The VCA can also be accessed directly via the A-MIX input. This allows you to use the output section as a standalone VCA (modulated via the envelope or not) or to mix other sounds with the Entity. Feedback patching is a possibility using a stackable or mult to feed the output into the A-MIX input. This produces a juicy distortion effect of a different flavour, you may like it.

The filter can be used independently or in combination with the nominal output via the F-MIX input. This input is used as an aux trigger input that is sensitive to pulse/trigger width. As the effect is less dramatic than the main trigger, dynamic rhythms are achievable using both inputs and creative triggering.
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 2 in stock $309.13
Cat: 668376 • View all PA speakers
 
Active vocal monitor/vocal processor featuring a high-quality 150W speaker & studio-grade effects
Notes: Every great vocal performance includes effects. Every. Single. One.

But, you shouldn't need an engineering degree and a pile of complicated equipment to make your songs sound great. Right?

SingThing combines pro quality vocal effects, instrument connections, a powerful speaker, a mic and all the cables you need to get going right away.

Better Than Basic:
SingThing has all the vocal effects you need to create any sound you can imagine. From pop to rock, country to R&B and beyond, SingThing has got you covered.

Harmonize:
Adding harmony to your music just got easy. Connect your guitar, keyboard or music player and SingThing selects the right harmony parts automatically!

Strum Along:
Most acoustic guitar pickups tend to sound boxy with an unnatural "quack" to their tone. SingThing once again comes to the rescue with BodyRez. It gives your acoustic guitar a much enhanced, natural tone to make it sound fantastic!

Homemade Jam:
Looping allows you to capture elements of your performance and then jam along with them. It's great for both live performance and songwriting. Plus, SingThing recognizes the tempo of your first loop and sets the Echo tempo automatically.

Dive In:
SingThing includes more than 200 song and artist-inspired presets covering a wide range of musical genres. Plus, there are nearly 1000 more available for free download via our VoiceSupport 2 program. Want to create something completely original? Any of the presets can easily be edited, renamed, and saved quickly.

Where's My Remote Control?
The included MP-75 microphone's Mic Control button lets you to remotely control your SingThing effects and looping functions, freeing you to move around. And if your performance involves playing guitar or keyboards, you can use a SWITCH-3 or SWITCH-6 (available separately) for extended control with a simple tap of your toe!

Go Live:
From practice to performance, SingThing is the only tool you'll need. Whether it's the local pub, your favourite coffee shop or even a friend's back yard, SingThing is as gig ready as you are.
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out of stock $309.13
The Complete Early Years: Limited Collectors Edition (8xCD box set + 7 x mini CD singles + 7" + family tree poster + 84 page photo book + 300 page collectors guide all housed in a War-Pig/Snaggletooth head replica)
Cat: 533080 4. Rel: 29 Nov 12
 
Metal
  1. Motorhead (album version)
  2. Vibrator (album version)
  3. Lost Johnny (album version)
  4. Iron Horse/Born To Lose (album version)
  5. White Line Fever (album version)
  6. Keep Us On The Road (album version)
  7. The Watcher
  8. The Train Kept A Rollin (album version)
  9. Beer Drinkers & Hell Raisers
  10. On Parole
  11. Instro
  12. I'm Your Witchdoctor
  13. Overkill
  14. Stay Clean
  15. (I Won't) Pay Your Price
  16. I'll Be Your Sister
  17. Capricorn
  18. No Class
  19. Damage Case
  20. Tear Ya Down
  21. Metropolis
  22. Limb From Limb
  23. Louie Louie
  24. Tear Ya Down
  25. Dead Men Tell No Tales
  26. Lawman (album version)
  27. Sweet Revenge (album version)
  28. Sharpshooter (album version)
  29. Poison (album version)
  30. Stone Dead Forever (album version)
  31. All The Aces (album version)
  32. Step Down (album version)
  33. Talking Head (album version)
  34. Bomber (album version)
  35. Leaving Here (live)
  36. Stone Dead Forever (live)
  37. Dead Men Tell No Tales (live)
  38. Too Late Too Late (live)
  39. Ace Of Spades
  40. Love Me Like A Reptile
  41. Shoot You In The Back
  42. Live To Win
  43. Fast & Loose
  44. (We Are) The Roadcrew
  45. Fire Fire
  46. Jailbait
  47. Dance
  48. Bite The Bullet
  49. The Chase Is Better Than The Catch
  50. The Hammer
  51. Please Don't Touch (live)
  52. Emergency (live)
  53. Girlschool - "Bomber" (live)
  54. Ace Of Spades (live)
  55. Stay Clean (live)
  56. Metropolis (live)
  57. The Hammer (live)
  58. Iron Horse/Born To Lose (live)
  59. No Class (live)
  60. Overkill (live)
  61. (We Are) The Road Crew (live)
  62. Capricorn (live)
  63. Bomber (live)
  64. Motorhead (live)
  65. Iron Fist
  66. Heart Of Stone
  67. I'm The Doctor (album version)
  68. Go To Hell (album version)
  69. Loser (album version)
  70. Sex & Outrage (album version)
  71. America (album version)
  72. Shut It Down (album version)
  73. Speedfreak
  74. (Don't Let 'Em) Grind Ya Down (album version)
  75. (Don't Need) Religion (album version)
  76. Bang To Rights (album version)
  77. Stand By Your Man
  78. No Class
  79. Masterplan (album version)
  80. Back At The Funny Farm
  81. Shine
  82. Dancing On Your Grave (album version)
  83. Rock It (album version)
  84. One Track Mind (album version)
  85. Another Perfect Day (album version)
  86. Marching Off To War (album version)
  87. I Got Mine
  88. Tales Of Glory (album version)
  89. Die You Bastard (album version)
  90. Turn You Round Again (album version)
  91. Shine
  92. Hoochie Coochie Man (live at Manchester Apollo 10th June 1983)
  93. (Don't Need) Religion (live at Manchester Apollo 10th June 1983)
  94. Ace Of Spades (live)
  95. Motorhead (live)
  96. Jailbait
  97. Stay Clean
  98. Too Late Too Late (album version)
  99. Killed By Death
  100. Bomber
  101. Iron Fist
  102. Shine
  103. Dancing On Your Grave (album version)
  104. Metropolis (album version)
  105. Snaggletooth (album version)
  106. Overkill
  107. Please Don't Touch
  108. Stone Dead Forever (album version)
  109. Like A Nightmare
  110. Emergency
  111. Steal Your Face (album version)
  112. Louie Louie
  113. No Class (album version)
  114. Iron Horse (album version)
  115. (We Are) The Roadcrew (album version)
  116. Leaving Here (live)
  117. Locomotive (album version)
  118. Under The Knife (12" single version)
  119. Under The Knife
  120. Masterplan (album version)
  121. No Class (album version)
  122. Stand By Your Man (album version)
  123. Killed By Death
  124. Under The Knife (12" single version)
  125. Under The Knife
  126. Leaving Here
  127. White Line Fever
out of stock $310.19
Cat: 608281 Rel: 31 Mar 15 • View all Effects pedals
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Pigtronix Infinity is the world's most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity Looper from Pigtronix sets a new world standard for latency-free looping. Our state-of-the-art looping platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be configured in several ways. On top of superior speed and a unique, performance friendly feature set, Infinity Looper sounds downright incredible thanks to its discreet analog limiter stages, transparent analog pass-through and 24 bit / 48 kHz HD recording engine.

Infinity's innovative "SYNC MULTI" mode provides a multiplier function allowing the length of Loop 2 to be 1, 2, 3, 4 or 6 times the length of Loop 1. The two loops can also be run out of sync or even in SERIES, for verse / chorus song structures. Ninja style input split mode assigns Input 1 to Loop 1 and Input 2 to Loop 2, effectively allowing performers to record and overdub separate instruments on separate loops, into isolated amps simultaneously.

The Pigtronix Infinity also provides a long awaited AUX Loop output intended to send looped audio to stage monitors. This is especially helpful for drummers to hear and stay in time. An expression pedal jack for Loop Volume allows hands-free control of the overall audio output. We thought of everything and kept only the F.A.T

MIDI input for beat clock sync causes loop start and stop points to obey Pro Tools or any other DAW / sequencer that outputs MIDI. The Infinity's USB access allows you to transfer your music to a computer at full 24bit, 48kHz resolution for further mixing, mastering or immediate publication. We have also implemented audio upload with automatic format conversion, allowing you to upload virtually any digital audio file onto the Infinity Looper.

THE MUST-HAVE PIGTRONIX pedal for any musician. The Infinity Looper will inspire compositional depth and engaging performances; it is the ultimate practice and performance tool for every style of music.

*UK 3-pin power adapter included*
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out of stock $310.19
Cat: 738274 Rel: 19 Jun 18 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument. The SYSTEM-500 is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan.

Classic System. New Format:

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesiser. Each module is completely analogue and has been designed for maximum compatibility with the world of contemporary synthesiser and effects modules. The SYSTEM-500 is a compact, powerful system that opens vast possibilities for sound design and musical exploration.

SYSTEM-500 505 VCF:

Inject the sound of the Roland SH-5's revered filter section into your modular rig. The Roland SH-5 is one of the most sought after monosynths in history. Its dual architecture was deep and sounded massive. It also happened to have one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to "favourite filter ever" territory for many. In stark contrast to the traditional Ladder filter design, the SH-5's filter maintained its bass response with a meaty resonance growl. With the SYS-505, Roland and Malekko have brought this highly-coveted filter, in all its sonic glory, to the Eurorack format. With switchable outputs, built-in VCAs, and CV control of cut-off, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.
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out of stock $310.19
Cat: 745931 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $310.19
Click for better price!
quote 745931
Cat: 516368 Rel: 01 Jan 90 • View all Studio mixers
 
Premium 14-channel compact analog mic/line mixer with 6 studio-grade XDR2 preamps and FREE mixer bag
Notes: The Mackie 1402-VLZ3 is ideal for home and project studios. With its good looks, ergonomic carry handle and upgraded electronics, the Mackie 1402-VLZ3 just redefines the term perfection.

The new XDR2 (extended dynamic range) second-generation mic preamps are better than ever, offering incredibly low noise 60 dB of available gain per channel, meaning the 1402-VLZ3 can handle inputs ranging from a whisper to a scream. It can even handle hot line-level signals up to +22 dB without any added coloration. You simply won't find preamps this good on any other mixer in this price range.

The Mackie VLZ3 can also take the knocks and bumps of on the road transport with its seriously tough exterior design and sealed rotary controls.
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out of stock $310.19
Cat: 516371 Rel: 01 Jan 90 • View all Studio mixers
 
Premium 14 channel compact analog mic/line mixer with 6 studio-grade XDR2 preamps and FREE rackmount bracket set
Notes: The Mackie 1402-VLZ3 is ideal for home and project studios. With its good looks, ergonomic carry handle and upgraded electronics, the Mackie 1402-VLZ3 just redefines the term perfection.

The new XDR2 (extended dynamic range) second-generation mic preamps are better than ever, offering incredibly low noise 60 dB of available gain per channel, meaning the 1402-VLZ3 can handle inputs ranging from a whisper to a scream. It can even handle hot line-level signals up to +22 dB without any added coloration. You simply won't find preamps this good on any other mixer in this price range.

The Mackie VLZ3 can also take the knocks and bumps of on the road transport with its seriously tough exterior design and sealed rotary controls.
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out of stock $310.19
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