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Cat: 739126 Rel: 16 Jul 19 • View all Synth modules
 
Expanded take on Mutable Instruments' famous Clouds granular texture synthesiser - black faceplate, 34HP
Notes: Clouds, the granular synthesis module from Mutable Instruments, was discontinued in 2017. Supercell brings back Clouds in a more accessible 34 hp form factor, offering an improved user interface and several additional features:

- Each of the Blend parameters (Feedback, Panning, Mix, and Space) have dedicated knobs with their own CV inputs and inverting attenuators (attenuverters).

- The inputs and outputs now have mute switches, stereo VCAs, and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- A stereo output gain control has been added, providing an additional +6 dB of gain to compensate for low output levels when using certain parameter combinations.

- The complex process of changing the sampling time and managing presets has been simplified with dedicated switches and status LEDs.

- Extensive modulation options for all parameters including direct patching of external CV, distribution of one CV to all parameters via the AUX input, or an internal smooth random CV that is normalized to any unpatched inputs when AUX is also unpatched. The attenuverters control the modulation depth in all three cases. As of firmware v1.01 the internal modulation rate can be adjusted within a range of 1 to 100 Hz.

- The inputs and outputs now include stereo VCAs and separate VU meters. The knobs act as offset controls when their respective VCA inputs are patched.

- Pitch is now controlled by two separate inputs: the V/Oct input is exponential and the Pitch input is linear. When both inputs are used, their voltages are summed.

- A manual Trig switch (for capturing individual grains) has been added, in addition to the Trig input that was present on Clouds.

All other features of the original Clouds remain intact, including access to the alternate modes. Thanks to Olivier Gillet for making the original Clouds hardware and firmware available under open-source licenses. Third-party firmware such as Parasites (by Matthias Puech) and Beat Repeat (by Julius Kammerl) will be supported in future firmware updates after the initial release of the module.
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 3 in stock $473.24
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Cat: 745932 Rel: 19 Sep 19 • View all Synth modules
 
Dual sine-sawtooth generator based on Model 158 from the Buchla 100 series
Notes: The Model 158 is a dual oscillator created out of an entirely discrete transistor core. It consists of two independent and identical sides each with a front panel tuning knob, a frequency modulation input and attenuator, and a knob to fade smoothly between saw and sine waves. The RED PANEL model 158 is based off of the original "A" variant of the 158 oscillator.

The 158 was one of the very first voltage controlled oscillators ever produced. As such it contains many particular quirks/rawness of this first generation of synthesis. The exponential scaling of the oscillator is far from accurate, there is no temperature compensation, quick changes in pitch produce a slewing effect, and the saw waveform only vaguely resembles a saw wave through part of its range. It is as accurate a recreation as we believe is possible with the components available today. We performed hundreds of listening tests to find suitable replacements for obsolete transistors, and hand select multiple transistors on each individual unit to ensure that they have the proper sound.
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 3 in stock $473.25
The Complete Island Recordings: Collector's Edition (numbered limited 180 gram vinyl 12xLP box in lighter style rigid box + slipmat)
Cat: 536025 2. Rel: 25 Sep 15
 
Classics/Ska
  1. Chant Down Babylon
  2. Buffalo Solider
  3. Jump Nyabinghi
  4. Mix Up, Mix Up
  5. Give Thanks & Praises
  6. Blackman Redemption
  7. Trench Town
  8. Stiff Necked Fools
  9. I Know
  10. Rastaman Live Up!
  11. Coming In From he Cold
  12. Real Situation
  13. Bad Card
  14. We & Dem
  15. Work
  16. Zion Train
  17. Pimper's Paradise
  18. Could You Be Loved
  19. Forever Loving Jah
  20. Redemption Song
  21. So Much Trouble In The World
  22. Zimbabwe
  23. Top Rankin'
  24. Babylon System
  25. Survival
  26. Africa Unite
  27. One Drop
  28. Ride NAtty Ride
  29. Ambush In The Night
  30. Wake Up & Live
  31. Easy Skanking
  32. Kaya
  33. Is This Love
  34. Sun Is Shining
  35. Satisfy My Soul
  36. She's Gone
  37. Misty Morning
  38. Crisis
  39. Running Away
  40. Time Will Tell
  41. Positive Vibration
  42. Punk Reggae Party
  43. Exodus
  44. Stir It Up
  45. Rat Race
  46. Concrete Jungle
  47. Kinky Reggae
  48. Lively Up Yourself
  49. Rebel Music
  50. War
  51. No More Trouble
  52. Is This Love
  53. Heathen
  54. Jamming
  55. Natural Mystic
  56. So Much Things To Say
  57. Guiltiness
  58. The Heathen
  59. Exodus
  60. Jamming
  61. Waiting In Vain
  62. Turn Your Lights Down Low
  63. Three Little Birds
  64. One Love/People Get Ready
  65. Positive Vibration
  66. Roots, Rock, Reggae
  67. Johnny Was
  68. Cry To Me
  69. Want More
  70. Crazy Baldhead
  71. Who The Cap Fit
  72. Night Shift
  73. War
  74. Rat Race
  75. Trenchtown Rock
  76. Burnin' & Lootin'
  77. Them Belly Full
  78. Lively Up Yourself
  79. No Woman, No Cry
  80. I Shot The Sheriff
  81. Get Up, Stand Up
  82. Lively Up Yourself
  83. No Woman, No Cry
  84. Them Belly Full (But We Hungry)
  85. Rebel Music (3 O'Clock Roadblock)
  86. So Jah Seh
  87. Natty Dread
  88. Bend Down Low
  89. Talkin' Blues
  90. Revolution
  91. Get Up, Stand Up
  92. Hallelujah Time
  93. I Shot The Sheriff
  94. Burnin' & Looton'
  95. Put It On
  96. Small Axe
  97. Pass It On
  98. Duppy Conqueror
  99. One Foundation
  100. Rasta Man Chant
  101. Concrete Jungle
  102. Slave Driver
  103. 400 Years
  104. Stop That Train
  105. Baby We've Got A Date (Rock It Baby)
  106. Stir It Up
  107. Kinky Reggae
  108. No More Trouble
  109. Midnight Ravers
 in stock $473.25
Cat: 681328 Rel: 15 Jun 18 • View all Preamplifiers
 
2-channel microphone preamplifier with discrete, transformer-coupled circuitry
Notes: The TransX two channel microphone preamplifier features a new low noise discrete transformer coupled high performance preamplification circuit. Building upon the quality and success of great sounding products like the Pro MPA II and the Pro VLA II, ART engineers set out to develop the next generation of professional microphone preamplifier to complement our tube-based preamps. The TransX sets a new standard for quality and value. Professional features and spectacular tone are what make the TransX a world-class microphone preamplifier.
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 2 in stock $473.25
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Cat: 635347 Rel: 05 Jan 17 • View all Synth modules
 
Production sequencer synth module in Eurorack format
Notes: Sequencer 1 is a top-of-the-line x0x-flavored Eurorack sequencer, for controlling up to four voices at once.

With Micro SD card storage and software updates, backing up and updating are as easy as dragging and dropping. Four banks of 16 patterns (each up to 64 steps) plus follow actions for pattern chaining make live performance a breeze. Front-panel one-push access to all commonly-used features means no menu diving, no rote memorization of hex codes, and no confusion. 1V/Oct, Hz/V and gate/inverse gate/S-Trig outputs mean it'll drive both modern Eurorack and vintage analog synths. The three tempo-synced LFOs with 30+ waveshapes are worth the price of admission alone.

In short, Sequencer 1 is, we feel, an incredibly useful production sequencer, in both the studio and on stage, and the feature list will only get longer, with a clear roadmap of updates and additions, and all the programming knowledge and experience that Audio Damage can bring to bear on this, our flagship product.
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 1 in stock $473.25
Cat: 695328 Rel: 09 Nov 18 • View all Studio monitors
 
Pair of 8-ohm, 2-way passive nearfield monitors, designed in conjunction with Chris Lord Alge
Notes: Designed in conjunction with the expertise of mixer Chris Lord Alge, the CLA10 studio monitors are the faithful modern reproduction of the most iconic studio monitor of the last 30 years. Mix with the studio monitors that truly define "the sound of hits".

CLA10 is Avantone Pro's keenly reworked take on the classic Yamaha NS10M design known from recording studios around the world. The speaker's role is to highlight shortcomings from any mix to appropriate the sound for consumer listening devices such as TVs, radios and in-ear headphones.

The CLA10s are not the easiest of speakers to listen to. They provide a mid-heavy, almost fatiguing sound with limited bass shelving and can, at times, sound clinical to the point of chilliness. However, the benefits of mixing with CLA10s for engineers who stick with them are bountiful, such that if a mix can be made to sound pleasing on this speaker it is almost guaranteed to translate well whatever system the track is played on thereafter.

Avantone Pro took every measure in the design of the CLA10 to physically and sonically match the frequency response, resonance and power of the classic NS10M. The tweeter dome uses the same phenolic resin doping technique to match the original performance curve, whereas the woofer is composed of the same original pulp - sourced from the same original manufacturer. Crossover network capacitors are also set at the same value, and the MDF chassis matches the resonance of the original NS10 exactly.

To ensure uniformity across each new CLA10, Avantone opted for a machine-pressed technique for the AV10LHF woofer (in place of the lapped seam design). Also, whilst the capacitors have been carefully matched, higher quality components for the crossover have been selected for increased life. The speaker's banana plugs have also been upgraded to ensure extra stability and longer-term guarantee.
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 5 in stock $473.25
FORTHCOMING
Erica Synths Pico System III Analogue Modular System (Eurorack version) Erica Synths Pico System III Analogue Modular System (Eurorack version) Erica Synths Pico System III Analogue Modular System (Eurorack version) Erica Synths Pico System III Analogue Modular System (Eurorack version) Erica Synths Pico System III Analogue Modular System (Eurorack version)
Cat: 749524 Rel: 01 Nov 19 • View all Synth modules
 
Compact modular system with full analogue design - Eurorack version
Notes: Pico System III brings modular synthesis back to the basics - the system has multi functional (instead of single-function, like Pico Drums or Pico Trigger in the Pico System II) analogue modules and is intended to encourage creativity in modular patching.

The system has 31 inputs and 20 outputs (master output is duplicated) + 7 switches; if you have enough patch cables at your disposal, you can patch the system in 121000931215044250740178662400 or 1.21x1029 variations (we ignored the possibility to adjust potentiometers here). Even though only 0,0001% of all patches will sound more-less enjoyable, you and all your future generations can spend a lifetime only patching the Pico System III.

Voice-cards with preset patches set it apart from other eurorack systems - they allow user to change patches instantly and radically, which makes the system well suited for experimental live performances. The system comes with 5 great sounding "factory preset" voicecards, and 5 DIY voicecards that are empty and users can develop their own patches. More voicecards will be available from the Erica Synths shop.

Eurorack module includes: 1 Hosa stackable cable, ribbon power cable, 5 factory preset & 5 DIY voice-cards, user manual and patch note sheets.
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coming soon $474.29
Cat: 708102 Rel: 18 Apr 19 • View all Synth modules
 
14 band inductor based fixed filter bank - silver, 30HP
Notes: This 30HP wide module features twelve fixed frequency, inductor based bandpass filters, set at half octave interval spacing and covering from 125 Hz through to 5.8kHz. It also features low pass and high pass shelf filters, again they are fixed frequency and both are active inductor based circuits. It has a vintage pedigree that harks back to the original and highly sought after 914 Fixed Filter bank from the 1960's Moog 900 series modular synthesiser system, however we have brought this design up to date and made it compact enough to fit into skiff friendly Eurorack cases by using gyrator based active inductors, and have added some other very useful features too - the bands are split alternatively to left and right channels, each having their own individual output, and there is also an inbuilt Voltage Controlled cross-fader that allows panning between the left and right banks, with a mix of all bands available in the central position.

In addition, we have a second cross fader that can mix between the dry incoming signal, or an external signal fed into input 2, and this is cross-faded against the wet MIX Output - this allows Voltage Controlled crossfading from wet to dry signals, or between wet and external signals - and the level of each can be adjusted using the Input 1 and Input 2 level controls.

A further addition is the feedback control, this is similar in design to the resonance control on a regular VCF, but because of the multiple fixed filters topology it is rather different in operation - it would normally be added in small amounts to thicken up the sound, however we have allowed the feedback to traverse to quite extreme settings for howling feedback and even soft clipped self-oscillation, especially for the noise merchants out there...

Using L/C inductor topology bandpass circuits rather than the usual Sallen Key R/C active bandpass filters does give a slightly different sound and this is part of the magic of the original 914 filterbank, as the LC based circuit exhibits less phase shift against frequency that the more common Sallen Key R/C based bandpass filters that are used in many Modular synths.

Many people often wrongly assume that a fixed filter bank is exactly the same as a graphic equaliser - however this is certainly not the case, if all of the controls of a graphic EQ are set to centre then a flat frequency response is expected and the output will sound very similar, or identical to the input - this does not happen with a fixed filter bank, the frequency response rises and falls as it passes between each stage (but to a lesser extent than if the filters are all set to maximum output), so it acts as a soft slope comb filter, and the resulting output sounds very different from the input signal. Also, with all of the individual filters turned to zero there will be no output at all.
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 1 in stock $475.34
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Cat: 676104 Rel: 28 Jun 18 • View all Audio & MIDI interfaces
 
20in/24out audio interface featuring 4 class A mic preamplifiers
Notes: Inspired by our 20 years of expertise in analogue hardware design, iD44 is Audient's most powerful audio interface yet. Featuring four Audient console mic pres, class-leading converters, ADAT expandability and more, iD44 delivers the audio performance of an Audient console on your desktop, giving you the professional sound you deserve.

iD44 features four Class-A console mic pres, the same discrete circuit design found in Audient's renowned recording console the ASP8024-HE and throughout their product range. Designed to deliver ultra- low noise and low distortion, the Audient mic pre will provide an accurate reproduction of your source, along with enough analogue warmth to add a bit of character, making it the go to mic pre for any project.

Hear your audio more accurately than ever with iD44's all new high performance AD/DA converter technology. Next generation converters have been designed to deliver optimised dynamic range, ensuring you hear the most honest and natural translation of your recording. Hear subtle detail, make better mix decisions and experience remarkable clarity from the moment you press play.

As well as offering you 4 channels of mic pre, iD44 has two harmonically rich JFET D.I inputs designed to replicate the input stage of a classic valve amplifier. Simply plug in your guitar, bass or synth whenever inspiration strikes and start recording instantly.

Two fully balanced insert points enable you to integrate your outboard gear prior to conversion, letting you quickly insert your favourite compressors, vintage mic pres or EQs. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard analogue line level sources. Whether you're creating vocal chains or processing stems iD44 gives you the flexibility you need.

Comfort, clarity, confidence - Two Independent Headphone Outputs:

Get the most out of your headphones and your artist with iD44's advanced headphone amp technology. Whether you're tracking an artist or working on a mix, iD44's two stereo headphone amps have been designed to provide enough power for your headphones to perform to their highest potential. Set up two separate cue mixes through iD44s independent stereo outputs, each driven by their own DAC - giving you incredible depth and accuracy at all times.

Console Style Monitor Control - The Power of Simplicity:

Taking inspiration from our heritage in analogue console design, iD44 features a range of flexible monitor control functions including dedicated talkback, cut and dim buttons along with polarity, mono, speaker select and cue mix monitoring.

All monitoring functions can be assigned to three programmable function buttons. No more time spent searching for software controlled features or scrolling through menus, just assign the monitoring functions you need and quickly take control of your session. Real hardware control at your fingertips.

Software you can rely on:

iD44's all new mix focused software the iD Mixer has been designed with simplicity and elegance in mind. Create up to four stereo artist cue mixes, name and customise channels, save layout presets, assign hardware function buttons, quickly setup advanced routing, use presets in standalone mode and more. Tightly integrating hardware and software, the iD Mixer makes the recording process easy giving you total control and reliability where you need it most.

Communication is key:

iD44's new dedicated talkback technology enables you to utilize any audio source connected to your computer such as a built in or USB microphone as your talkback mic, freeing up valuable mic pres while offering an effective talkback solution no matter where you are.

Hardware for your software:

With a touch of a button iD44's volume encoder becomes a virtual scroll wheel, enabling you to take control of your DAW, plug-in parameters and more - just like you're adjusting a piece of hardware. Quickly dial in settings, adjust faders or even write in automation without spending hours staring at a screen.

USB connection:

iD44 comes with both a standard USB cable and a USB Type-C cable enabling you to connect to any USB compatible Mac or PC supporting USB 2.0 or above.

Quality deserves protection:

Unlike many interfaces on the market iD44 has an all-metal construction, meaning it will stand up to those countless late nights in the studio and days on the road. From its hand finished aluminium knobs to its high grade component selection, iD44 matches professional sound with precision engineering and the end result is stunning.
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 2 in stock $477.46
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Cat: 725952 Rel: 25 Mar 19 • View all Synth modules
 
Two flexible mixers & function generator in one module - 18HP
Notes: The Control Voltage Processor from Verbos Electronics GmbH is a suite of control voltage processing possibilities divided into 3 sections in a slim 18HP package. The lower 2 sections are DC coupled mixers that allow mixing, inverting, offsetting, scaling, multiplying, dividing, crossfading or a combination of these functions. The top section is a voltage controlled slewing processor with independent control of Positive and Negative slew rate, with some unique tricks. The Positive and Negative slew, or Rise and Fall rates if you like, have reversing attenuators. The slopes can be blended from linear to RC curves (starting all slides fast and ending slow, like a proper "East Coast" Portamento) without a change in speed. It can be triggered like an AD envelope and has a Gate out that goes high when the CV out is below 100mV. Of course it can loop by patching the Gate out to the Trigger in. The Bounce control adds a unique flare of overshoot to CV changes, a bit like the effect of stopping a tape reel from turning and then letting it go. The combination of multiple voltage processors offers the user the functions of analogue computer.
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 1 in stock $478.52
Cat: 485057 Rel: 15 Mar 13 • View all Effects pedals
 
Professional studio-quality reverb, features 12 x signature reverb combination effects
Notes: Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and special effects in such a compact and affordable package.

The Space features 12 of Eventide's signature reverb combination effects culled from the H8000FW and the Eclipse V4 along with some startling new magic. The Space includes 100 x presets, including presets crafted by Flood and Alan Moulder (The Killers, Nine Inch Nails, Smashing Pumpkins, My Bloody Valentine, 30 Seconds to Mars, PJ Harvey and Them Crooked Vultures), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Richard Devine (sound designer, synthesist, performer, remixer), Vernon Reid (Living Colour), Amedeo Pace (Blonde Redhead), Alex Somers and Jonsi Birgisson (Jonsi and Alex, Sigur Ros), Amadeo Pace (Blonde Redhead) and John Agnello (Patti Smith, Sonic Youth, Dinosaur Jr., and Kurt Vile). These unique effects, previously available only in Eventide rack processors, are now available in a compact, roadworthy package. Never before has there been a more dazzling collection of reverb algorithms combined with delays, pitch shifting, tremolo, modulation, and spatial effects in such a compact and affordable package.

12 of Eventide's signature Reverb Combo Algorithms:
Room
Plate
Spring
Hall
Reverse
Shimmer
ModEchoVerb
DualVerb
Blackhole
MangledVerb
TremoloVerb
DynaVerb.

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 1 in stock $479.52
Cat: 655881 Rel: 08 Aug 17 • View all Synth modules
 
Self-contained synth voice module inspired by the ARP 2600
Notes: TONESTAR 8106, an ARP 2600-inspired complete synth voice, infuses Tim Caswell's "Jupiter to Juno" filter alchemy - a 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module - into our Tonestar 2600 platform; this chirpy yet full-bodied 8106 model is also fully #OutsToOuts modular featuring 27 pots - one more that the 2600 model for the high-pass filter, 6 switches - one less, sacrificing resonance modulation for that high-pass filtering, and 21 jacks. If the Tonestar 8106 thins somewhat with resonance excess, route the triangle wave 'round the VCF with the "NO VCF" switch setting, and keep this juicy reimagining of the Roland IR3109 module boomin' and gloomin'.

27 Knobbed and "Shafted" Potentiometers:
VCO: RANGE, PM MAN, LFO, PORTA, MOD (ENV), TRIANGLE, SAW, SQUARE, SUB, TUNE; Noise: LEVEL; VCF: FREQ, RES, KBYD, DRIVE, HPF, ENV, MOD (LFO); LFO: AMNT (OSC), RATE; ENVs: (ADSR) ATTACK, DECAY, SUSTAIN, RELEASE, (AR) ATTACK, RELEASE; VCA: FEEDBACK (filter/VCA), VOLUME

6 Switches:
VCO: OCT (up/null/down); FREQ/PW (frequency/null/pulse width); NO VCF (VCF/null/no VCF); VCF: TRIANGLE/SQUARE (triangle/null/square); ENVs: HOLD, MSTR (hold/null/master); VCA: IN/MIX

21 Jacks:
VCO: TRIANGLE, SAWTOOTH, SQUARE, MIX, 1V/O, MOD IN; NOISE: NOISE (white); LFO: DEPTH, TRIANGLE, SQUARE, SPEED; VCF: EXT IN, FIL OUT, MOD IN; ENVs: MOD IN, ADSR OUT, AR OUT, GATE IN; VCA: IN/MIX, VCA IN, OUTPUT

- PCB Mounting Scheme: Through-hole
- Filter: A 6db/oct hi-pass filter followed by a recreation of the Roland IR3109 module, which is a 4 pole, 24 db/oct voltage controlled lowpass filter with voltage controlled resonance. 3 dual OTAs with similar topology to the BA662 used in the Jupiter 8 (and the IR3109 module) were employed, 1 amp for the hi-pass filter, 4 (with added buffers) for the low-pass, and 1 for the resonance. This filter takes a wide range of input signals, and tracks control voltage extremely well. Tap points are available for 6db, 12db, and 18db/oct. Although the topology is similar to the 4072, the tonality, especially when over driven, is distinct.
- Size: 32hp
- Depth: 35mm including connectors
- Power Usage: 130mA, 80mA (+12 / -12)
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 1 in stock $482.72
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Cat: 660628 Rel: 05 Dec 17 • View all DJ controllers
 
Professional 2 channel standalone stereo DJ controller with built-in 16-step sequencer & TR-Kit drum sounds
Notes: DJing meets 808 and 909. Serato controller from Roland with features inspired by their classic drum machines. Four-deck, two-channel design with sequencer and drum kits based on the classics TR-808, 909, 707 and 606.

Supplier notes:
The Roland DJ-505 is a two-channel, four-deck Serato DJ controller that blends the advanced performance capabilities of Serato DJ with the legendary sounds and sequencing of Roland's TR-808, TR-909, TR-606, and TR-707 drum machines. The DJ-505 gives you the tools to move beyond mixing music to creating beats and rhythms on the fly that sync to your Serato DJ tracks, enabling the creation of unique transitions, live remixes, beefed-up classic tracks, or your own original music.

The DJ-505 is a two-channel, four-deck Serato DJ controller packed with features, and the complete Serato Tool Kit is included as well. Its portability, coupled with a pro-grade build and advanced feature set, makes the DJ-505 ideal for mobile applications, club DJing, live performance, and production purposes alike. The built-in 24-bit/48 kHz audio interface and high-end Roland audio conversion for Master and Booth outputs ensure faithful reproduction of audio sources and clear, powerful sound. Balanced XLR outputs let you connect directly to a professional PA system, and you can monitor your mix via the Booth Outs as well as separate 1/4-inch and 1/8-inch Phones jacks. You also have a 1/4-inch TS mic input to add vocals or external instruments to your performance setup. Dedicated Serato DJ controls allow quick creation and triggering of hot cues, loops, TR sounds, sequencer patterns, and samples, plus switching between four Serato decks with the Deck Select button. Use the channel filters or Serato FX (accessible via three FX Select buttons per deck) to finesse blends or accentuate scratches.

The Roland Drum Machine Legacy in a DJ Controller:

From the TR-909's unmistakable hi-hats to the foundation-shaking boom of the TR-808, Roland TR drum machines have defined the sound of entire genres of modern music, from hip-hop, house, techno, and electro in the '80s and '90s right up to the trap music sound of today. Using Roland's patented ACB (Analog Circuit Behaviour) technology, the DJ-505 faithfully recreates the original sound and character of these classic machines, giving you the ability to program and create rhythm tracks using the same sound palette as the world's foremost musical icons.

Included in the DJ-505 are Bass Drum, Snare Drum, Closed Hat, Open Hat, Tom, Rim, Clap, and Ride sounds from the TR-808, TR-909, TR-606, and TR-707, providing a wide range of options to create layered drum sounds and evolving sequences. The DJ-505 also lets you fine-tune your TR drum sounds and samples using Level, Attack, Decay, and Tune knobs, and easily build sequences with the famous step-based TR-S pad interface.

Road-Ready Remixing On the Go:

The DJ-505 gives you the tools to not only mix, but also create new music and rhythmic elements on the fly to truly transform the musical dynamic and energy of your performance. From the simple addition of a booming 808 kick drum to a classic track to programming your own beat combined with an acapella, the DJ-505 makes blending multiple musical elements easy and instinctive. Light and portable with road-ready durability, the DJ-505 combines the best hardware performance and sound quality in its class with new possibilities for creative DJs and performing producers.

Scratch Friendly:

The DJ-505's large, low-latency platters provide responsive, lag-free performance that allows for the same style of scratches executed on turntables, and the illuminated outer rings on the jog wheels indicate the status of each deck at a glance. Plus, the DJ-505's platters have brushed aluminium top plates just like the DJ-808 and DJ-202 controllers, providing both great feel and rugged durability.

Remix, Produce, Perform:

The DJ-505's rich feature set and deep Serato DJ integration empower new creative possibilities for the budding DJ/producer, allowing for remixing, production, and performance all in one compact unit. Use the 16-step sequencer to program drum patterns with sounds from the TR drums or Serato Sampler, and then sync the beats to your Serato DJ tracks to create unique transitions, live remixes, beefed-up classic tracks, or original music. Engage Inst-Rec mode for on-the-fly, real-time sampler sequencing, or use Serato Sampler's advanced capabilities to layer and sync multiple audio tracks or loops within the eight sampler slots. Finally, the DJ-505 includes a MIDI output to accurately sync your external MIDI devices and instruments to the TR-S sequencer.
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 1 in stock $482.73
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Korg Wavedrum Global Dynamic Percussion Synthesizer (percussion synthesizer/drum pad)
Cat: 480951 Rel: 22 Mar 13 • View all Electronic drums
 
Percussion synthesiser and drum pad
Notes: The new Wavedrum Global Edition represents the next and most powerful evolution in the Wavedrum family. It boasts the largest palette of cutting-edge sounds of any Wavedrum to date; with sought-after percussion sounds from around the world, a major boost in the quality of each sound, and dramatic improvements in usability.

In 2009, Korg unveiled Wavedrum WD-X, a revival of the original Wavedrum that debuted in 1994. The reimagined '09 Wavedrum had a stunning impact as a performance tool that brought new expressive power to musicians-from users of the original Wavedrum to forward-looking percussionists. Subsequent models included Wavedrum Oriental with its added Arabic sounds, Wavedrum Mini with its unique sensor clip, as well as limited edition color models, and the instrument's unbounded potential has continued to accelerate the spread of Wavedrum mania throughout the world.

https://www.youtube.com/watch?feature=player_embedded&v=6mGdyboJndE
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 1 in stock $483.79
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Cat: 693439 Rel: 01 Jan 90 • View all DJ turntables
 
Professional high torque turntable system
Notes: The RP-4000 MK2 is a solid DJ turntable for advanced users. The new MK2 version comes with several improvements, including a newly developed top panel and reworked metallic buttons with enhanced feel as well as a variety of functions.

The precision-engineered die-cast platter is accelerated by a powerful motor with a high-torque direct drive of more than 1.8 kg/cm. The precise motor control with 3 speeds (33 1/3, 45 & 78 rpm) allows for the RP-4000 MK2 to play back any record. The pitch section with a selectable range of +/-8% and +/-16%, respectively, is suitable for the finest pitch adjustments.

The RP-4000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Via the universal connection for pick-up systems (SME) a large number of pick-up systems can be connected.

The new deep black metallic top panel construction is equipped with metallic buttons for start/stop, platter speed, pitch control, reverse function and tempo reset. The improved touch upon hit offers a clear haptic feedback. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.
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 1 in stock $483.79
Cat: 480940 Rel: 21 May 13 • View all Synthesisers
 
Classic Korg MS20 recreated in miniature size
Notes: Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.
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 1 in stock $484.17
Cat: 449453 Rel: 07 Mar 12 • View all Theremins
 
Fully assembled theremin in ash cabinet, can also be used as a stand-alone CV controller
Notes: The Etherwave Plus has all the great features and tone of Moog's standard Etherwave theremin.

The Etherwave Plus makes it an ideal controller and performance instrument.

The CV outputs control signals are proportional to the pitch and volume of the Theremin's audio signal. Connect to the pitch and volume CV inputs of a Little Phatty, Voyager or other analog synthesizer for a completely new way to play your synth. These CV signals are not limited to pitch and volume control. Route them to any CV destination and create a new world of expression. Control anything from the cutoff frequency of a Moog Ladder Filter or the LFO Amount on a Moogerfooger Ring Modulator to the stereo panning on a Minimoog Voyager.

http://www.youtube.com/watch?v=IGBBQ1rsy0o
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 1 in stock $490.59
Cat: 745786 Rel: 09 Sep 19 • View all Synth modules
 
52HP 8-channel, 16-step-button Eurorack step sequencer with breakout modules
Notes: A-157 is a trigger sequencer subsystem that generates eight trigger signals controlled by a 8x16 LED/button matrix (some customers call it "Miniature Schaltwerk" as it is based on the same matrix as the no longer available Schaltwerk).
The subsystem contains three modules:

A-157-1: 8 x 16 LED/button matrix and function addressing buttons/LEDs
A-157-2: Trigger Output module
A-157-3: Control Inputs module

The LED/button matrix module A-157-1 is the core of the subsystem. It is used to set or reset the trigger event on each of the 16 steps of each of the 8 rows. In addition the buttons and LEDs of the matrix are used for other functions too (like setting the first and last step of each row or addressing the preset memory).

The Trigger Output module A-157-2 outputs the 8 trigger signals and has an LED display for each trigger available.

The Control Inputs module A-157-3 has manual controls and trigger inputs available for the basic control functions start, stop, reset and clock. In addition four functions inputs are available which will be used in future firmware versions to assign these inputs to special functions (e.g. shifting a row left or right by means of an external gate/trigger signal or a second set of start, stop, reset and clock for individual rows).
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 1 in stock $494.33
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Cat: 638949 Rel: 31 Jul 17 • View all Synth modules
 
Experimental sampler module - record, slice & rearrange audio material
Notes: The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Width: 20hp
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V

***MG137 Firmware Update:

Change Log

1. Improves Vari-Speed response for slow modulation rates.

2. Improves SD Card file format for more compatibility with software .wav file formats.

3. Doubles total record time per Reel.

Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.

If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.

Read and Write times will be MUCH longer when you have a Full 2.9 minute reel. So for example, if you decided to erase a 5 second Splice in the middle of a 2.9 minute reel it will take twice as long as before because the MG must re-write the entire 2.9 minute reel. Of course all of this is happening in the background and should not cause too much hassle. Still when that SHIFT button is flashing it is best to not perform more SD Card actions.

For most granular processing Splices of 10 seconds or less are recommended.

So why even bother increasing record time to 2.9 minutes? Well it allows for storing even more Splices on a Reel and it also makes it possible to record long portions of a patch for later arranging within your DAW. You could potentially capture a patch, including modulations of a shorter Splice (say 10 seconds), retrieve the sound from the SD Card and compile into a larger work using your DAW.

4. Increased max number of Splices to 300.
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 1 in stock $494.33
Cat: 751438 Rel: 10 Mar 15 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time
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 1 in stock $496.13
Cat: 730907 • View all Studio mixers
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The RODECaster Pro is the world's first fully integrated podcast production studio. Whether you are just starting out, or are a seasoned broadcast professional, the RODECaster Pro Podcast Production Studio is all you will ever need.

Connect and record:

The 4 high-quality microphone channels are able to power studio condenser microphones as well as conventional dynamic microphones. You can quickly connect microphones for you and your guests with automatic level setting and one-touch recording to a microSD card. You can literally be recording your first podcast within minutes of taking the RODECaster Pro out of the box.

Sound Effects and Jingles:

The RODECaster Pro comes with eight programmable sound effects pads, for instant triggering of sound effects, music, jingles, applause and ads - perfect for giving your podcast that professional quality. You can record audio direct to the programmable pads from any input, or simply "drag and drop" files from your computer using the supplied software. You can even select your favourite colours for the pad illumination.

Phone calls:

Have a remote guest you want to interview? Simply connect your phone to the RODECaster Pro via Bluetooth or with a TRRS cable. The RODECaster Pro automatically provides "mix-minus" audio to prevent echo being heard by the caller, without the need to purchase dedicated and costly hardware. Telephone interviews with a remote guest never sounded so good!

Class A Servo-biased Preamps:

The RODECaster Pro's pristine preamps and outputs feature Class A circuitry, as found in broadcast consoles that cost hundreds of thousands of dollars. The Class A preamps provide a much cleaner gain structure with lower levels of distortion. The result is an incredibly clean, low-noise signal. The Preamps are also servo-biased, keeping distortion levels low. Your signal is broadcast-pure.

APHEX on board:

Your pristine signal can also be enhanced with the legendary patented audio processors, APHEX Aural Exciter and APHEX Big Bottom. These have been incorporated in the audio processing section of the RODECaster Pro, and your sound will have that rich, warm tone only found in professional studios. The RODECaster Pro also features multistage dynamics, such as compression, limiting, de-essing and noise-gating.

Recording options

The RODECaster Pro operates as a standalone unit straight out of the box, recording direct to a microSD card. You can be up and running in minutes. The RODECaster Pro can also connect to your computer via USB, as it is a USB audio interface. This means you can record your podcast to your favourite recording software.

The RODECaster Pro is also able to seamlessly stream a live show - today's radio!
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 1 in stock $497.42
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