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Notes: Harness the Sound of Failure with Data Bender.

Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The 96kHz, 24-bit audio buffer can hold over a minute of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.

Circuit bent digital audio buffer

Skipping CDs, software bugs, old tape machine, scratched records

96kHz sample rate, 24-bit depth for high fidelity audio with over a minute of stereo sampling time

Stereo IO

Tech Specs:

Width: 14HP

Depth: 28mm

Power: 58 mA +12V, 60 mA -12V, 0 mA 5V

Color: Silver

Notes: Jürgen Haible's legendary redesign of the Tau "The Pipe" Phaser has now (and for the first time ever) been adapted to Eurorack format. The 2021 version is a new, skiff-friedly design. It includes some additions and modifications compared to the original Haible version like Extended CV control: -1V/Oct and an attenuverting CV input.

Some details of the Haible TAU Pipe phaser module:

Faithful adaption of Jürgen Haible's design
Uses crazy caps for sonic performance.
Eurorack (3U) format, 18 hp
Skiff-friendly: < 30mm deep
Power: appr. 45mA @ +12V and 40mA @ -12V

Notes: Glitchy business with this digital module based on the sound of scratched CDs, buggy software and failing hardware. Stereo in and out with up to five minutes sampling time.

Supplier's Notes:
Data Bender is a circuit bent digital audio buffer. It is inspired by the ways in which audio equipment can fail. The sounds of skipping CDs, software bugs, and defective tape machine playback are all accessible. The audio buffer can hold up to five minutes of stereo audio, providing a sonic canvas capable of infinite surprises and discovery.

Notes: Perfect for use with Ableton Live and Traktor, the Killamix-Mini is a compact USB controller housed in a sturdy brushed aluminium case with solid aluminium knobs. It is the perfect companion to your laptop, whether you are using a sequencer, DJ-ing or VJ-ing, just plug in the USB cable and go. Despite having only 9 knobs, 9 buttons and a joystick, the Killamix-Mini can in effect be 144 knobs,144 buttons and a joystick.

By pressing a single knob you can select any MIDI transmit channel from 1 to 9, or, with a combination of two knobs, select the remaining channels 10 to 16. When you select a new MIDI channel, the current values of the knobs for that channel are stored so that they can be restored when you next select this channel, thus avoiding any parameter jump difficulties typical of units with traditional knobs and faders.

When the values are restored, the LED rings around the knobs indicate their new positions.

Notes: The Theremini is a reimagination of one of the oldest electronic musical instruments, and Bob Moog's first love - the Theremin. Its design fuses the experience of playing an instrument you don't actually touch, with a powerful sound engine derived from Moog's award winning synthesizer, Animoog. The Theremini guarantees immediate success to anyone at any skill level or physical ability, while also providing new ways to experiment with music, education, and gestural control.

Assistive pitch correction allows each player to adjust the instrument's level of playing difficulty. When activated the Theremini will play every note in a selected scale perfectly, making it impossible to play a wrong note. As the assistive pitch correction is decreased, more expressive control of pitch and vibrato becomes possible. When deactivated, the Theremini will perform as a traditional Theremin and there is absolutely no pitch correction.

A built-in tuner supplies real-time visual feedback of each note as it is played, as well as its proximity to perfection. This is useful for correcting a user's playing position, and for educating younger players about pitch and scales.

The Presets section of the Theremini allows you to select from 32 wave or wavetable-based presets, store a selected scale, set and recall a specified playing range, and specify settings for the included stereo delay and more.

Recessed in the top of the Theremini is a compact speaker perfect for private rehearsal and quick setup anywhere. Silent rehearsal is also possible via the front panel headphone jack. Simply plug in ear-buds or headphones and the built-in speaker becomes silent.

For live performance and gestural control, the rear panel of the Theremini features stereo line level audio outputs, a Pitch CV output with selectable range, and a mini USB jack for MIDI connectivity to the free Theremini Mac / Windows software editor and Theremini iPad editor.

Specifications

Pitch detection: Heterodyning analogue oscillator
Synthesis engine: Animoog-derived wavetable
Presets: 32
Display: 128 x 64 pixel backlit LCD
Internal speaker: 2-inch, full-range
Headphone jack: 1/8" (3.5mm) TRS headphone jack
Audio outputs: 1/4"TS Mono/Stereo; Line Level

Notes: Intended for serious personal studios and professional music-production environments, the Erisr Pro Sub 10 helps you take charge of the low-frequency foundation of your mix. An ideal companion to Eris Pro- and Eris Studio-series reference monitors, the Eris Pro Sub 10 complements full-range monitors without overshadowing them and extends the reach of your full-range system's low end with a natural sound.

Powerful and musical, the PreSonusr Eris Pro Sub 10 active, front-firing studio subwoofer is designed to deliver fast and accurate transient response, extending low frequencies down to 20 Hz, allowing you to hear the full-spectrum range of your mix. Driven by 170W (RMS) Class AB amplification, the Eris Pro Sub 10's 10-inch, glass-composite, low-frequency driver delivers tight, responsive sub-bass, thanks to its lightweight and rigid cone. This design provides lower distortion than other materials for sub-bass reproduction that's as coherent and clear as your full-range monitors.

Extensive user controls include input gain, continuously variable lowpass filter for creating a seamless crossover transition, and a switchable highpass filter that removes content below 80 Hz from the full-range signal sent to the monitors. A continuously variable lowpass filter (50 Hz to 130 Hz) allows you to create a seamless crossover transition between the full-range studio monitors and subwoofer for the most accurate listening environment possible.

Features

10-inch, front-firing, glass-composite, low-frequency transducer
Front-firing, bass-reflex acoustic port
Continuously variable lowpass filter (50 Hz to 130 Hz) sets the upper frequency reproduced by the subwoofer
Switchable highpass filter removes frequency content below 80 Hz from the full-range subwoofer outputs to the main monitors
Momentary footswitch (included) bypasses the subwoofer, highpass filter, and Sub Out
Input gain control (-30 dB to +6 dB, continuously variable), polarity invert switch, and ground-lift switch
170 watt (RMS), Class AB amplification for up to 113 dB SPL, with a frequency response of 20 to 200 Hz
Left and right, balanced XLR and 14-inch TRS and unbalanced RCA main inputs
Left and right balanced XLR and 14-inch TRS outputs and XLR subwoofer output for connecting a second Eris Pro Sub 10

Versatile connectivity

Erisr Pro Sub 10 subwoofers provide the connections needed to act as the central hub for a basic monitoring setup, including left and right balanced XLR and 14-inch TRS and unbalanced RCA main inputs. Connect full-range monitors with left and right balanced XLR or 14-inch TRS outputs. An XLR subwoofer output lets you connect a second Pro Sub 10.

Seamless system integration

The Erisr Pro Sub 10 integrates seamlessly with your full-range monitors. A variable lowpass filter sets the upper (crossover) frequency reproduced by the subwoofer. A switchable highpass filter on the full-range outputs helps avoid frequency cancellation and reinforcement in the subwoofer's upper range, while a polarity-invert function ensures your system is in phase. A momentary footswitch (included) makes it easy to compare your mix with or without sub-bass frequencies.

Electronics
Voltage: 220-240V UK
Wattage: 250W Peak, 170W RMS

Performance
Peak SPL: 113 dB (@ 1 Meter)

Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Input Gain Range: -30 to +6 dB Low Pass Filter Control: 50 Hz to 130 Hz
Audio switches: Polarity Switch: 0 degrees or 180 degrees Ground Lift Switch: On/Off High Pass Filter Switch: On/Off Bypass Footswitch: On/Off
Monitor inputs: 2- Balanced XLR, 2- Balanced 1/4" TRS, 2- Unbalanced RCA
Power amplifier type: Class AB

Dimensions: 15.70 x 12.60 x 16.00 in
Weight: 37.00 lbs
Depth: 16" (40.6 cm)
Height: 15.75" (40 cm)
Width: 12.6" (32 cm)

Accessories
1-Button Footswitch Included

Notes: Osc 1 and 3 - Bytebeat oscillators

Generates sound based on equations converted to analog signals , there are sixteen equations selected by Up and Down switches. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0 , A1 and A2 , fourth pot Sample Rate controls pitch and speed of the oscillation. There's an Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules .

Hold toggle switches select between fast decay, long decay and hold mode, for the touch trigger input. There are CV inputs for pitch on these two oscillators

Osc 2 and 4 -Wavetable oscillators

Digital oscillators, touch controlled or gate controlled by gate jacks, pitch is controlled by pitch pot, modulation by LFO A or LFO B and cv inputs.

A0 pot selects waveform, A1 pot morphs between two waveforms.

There are individual output jacks.

LFO 1 and 2

Low frequency oscillator routed to MOD inputs for oscillators 2 and 4, also to modulation input for delay section, selectable by toggle switch , RATE and WAVEFORM shape
pots.

Dimensions
36 HP

Current Draw
200 mA +12V

Notes: The Studio 1824c 192 kHz USB-C audio interface is ideal for producers interested in recording full bands, including multi-channel drums. It records up to 18 simultaneous inputs and features 8 XMAX Class A mic preamps, as well as MIDI I/O. Its 20 outputs offer flexible routing with zero-latency DSP-based monitor mixing and control-room integration with included Studio One Artist music production software and UC Surface control software.

World-class recording software included:

Seamlessly integrated with the included PreSonus UC Surface control software for macOS, Windows, iPad, and Android tablet and Studio One Artist music production software, the Studio 1824c audio interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment - including powerful extensions for Studio One like the CTC-1 Console Shaper and Presence XT Editor.

Take the tour:

The Studio 1824c audio interface features USB-C computer connectivity and records up to 18 simultaneous inputs, including two combo mic and switchable line/instrument inputs and six mic/line inputs, all with XMAX mic preamps and +48V phantom power. Digital inputs include eight channels of ADAT Optical I/O (four channels at 96 kHz) and stereo S/PDIF I/O. In addition to the main L/R outputs, you get eight DC-coupled line-level outputs that can send control voltages. You also get two headphone outputs. A built-in MIDI interface enables connection to a keyboard, sound module, or control surface.

Superior sound:

The Studio 1824c audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output and PreSonus' professional-grade XMAX mic preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Designed for producers who need more:

With ample connectivity, onboard monitor mixing, pristine mic preamps, and up to a 192 kHz sample rate, the Studio 1824c audio interface will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824c's integration with Studio One and remote control with UC Surface provide a complete and thoroughly professional recording studio.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.

Notes: UDG have further finetuned what was already a great design concept for a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensure longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Set Pioneer CDJ-3000/A9 Black Plus (Laptop Shelf + Wheels) also features built-in corner wheels with high quality in-line skate bearings for convenient transport and heavy-duty, spring-loaded handles for a secured lift & load. In addition, there is an extra notebook shelf included for your notebook, mouse and/or any other devices such as effect processor and interfaces.

UDG Ultimate Flight Case Set Pioneer CDJ-3000/A9 Black Plus (Laptop Shelf + Wheels) not only transports your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Colour: Black
Weight: 25,00 kg / 55 lbs
Outer Dimensions (W x H x D): 116.7 x 53.8 x 21.9 cm | 45.9 x 21.2 x 8.6 inch
Inner Dimensions (W x H x D): PLAYER COMPARTMENT: 33.2 x 42.4 x 8.7 cm | 13.1 x 16.7 x 3.4 inch
MIXER COMPARTMENT: 40.9 x 42.4 x 8.7 cm | 16.1 x 16.7 x 3.4 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover
Removable front access panel
Built-in corner wheels with high quality in-line skate bearings
Adjustable laptop shelf
Fits: 1 x Pioneer DJM-A9 and 2 x CDJ-3000 and CDJ/DJM models or any 12"-mixer/ CD-player models from Allen & Heath, Denon, Rane, Reloop etc. + 1 x Laptop + Accessories

Notes: VastWave is a complex analogue Oscillator with advanced waveshaping capabilities that invites new textural and harmonic exploration beyond subtractive synthesis principles.

Crossfading between harmonically rich folded waveforms and waveforms with Odd/Even harmonics, the VastWave waveshaper expands on the Principal Oscillator heritage, bringing an additional set of waveforms with Odd and Even harmonics and a pulse waveform derived from the Waveshaper's Final output stage.

Furthermore the linear FM input has a dedicated VCA for external FM amplitude modulation and an on board linear Glide delivers a more musical approach to this classic feature.

Features:

Voltage controlled complex waveshaping.
Triangle core.
FM input with voltage controlled amplitude for FM amplitude modulation.
On board linear Glide.
Voltage controlled Pulse-width modulation for Pulse and Final Pls waveforms.
Modern temperature and tuning stability.
High Frequency (VCO) or Low Frequency (LFO) operation.
External Timbre input with sine wave normalization if no external source is patched.
Attenuator/inverter knobs on all voltage controlled inputs.
Inverted or double Sawthooth waveform (selectable by jumper).


Specs:

Width: 16HP
Depth: 33mm
Power consumption: ###mA +12 / ###mA -12
Eurorack Format
Doepfer power connection

Notes: Desmodus's Aggressive Reverb/Delay Counterpart.

Not quite a reverb, not quite a delay, it's Desmodus's more aggressive clocked counterpart. More distortion, more in-your-face atmospheres, and synced delays for creating your tails in a whole new way. Use Electus Versio as a spacey clocked delay, as a reverb that starts with some synced echoes, or as a completely new way to create evolving spaces.

Notes: For the truly wild

Psycho multimode filter with an ultra-sleek, laser-etched enclosure. Its medical-grade IC chip creates a hyper-precise filter that sounds like no other. With high pass, bandpass, and low pass modes, as well as two types of screaming resonance, the Evil Filter is ready to saw any sound into pieces - or just be the most insane wah you've ever heard. The Evil Filter's two fuzzes take signals into a much more twisted dimension, creating a blooming compression that's perfect for ripping solos and walls of noise alike. Push it past the limit into octaves up, down, and snarling wavefolding sounds. Using the CV/Expression input, you can also control the filter cutoff frequency with an expression pedal or synthesizer.

Controls

Filter Freq: Cutoff frequency of the filter. Numbers shown are in Hz.
Filter Output: Volume of the filter section of the pedal.
Filter Selector: Selects between the different filter types - Low Pass Symbol Low Pass, Band Pass Symbol Band Pass, and High Pass Symbol High Pass.
Filter Resonance: Sets the resonance of the filter in conjunction with the Resonance Switch. WARNING: Will self oscillate at high levels!
Resonance Switch: Sets the range of the Filter Resonance knob between Normal and High.
Fuzz Output: Volume of the fuzz section of the pedal.
Fuzz Type Switch: Choose between two different fuzzes - Low Gain Fuzz Symbol lower for a cleaner, more driving fuzz, High Gain Fuzz Symbol higher for a blasted out, blooming, insane fuzz.
EXP/CV Input: Plug in CV control (~0-3.0v) or an expression pedal for external control of the Filter Freq knob. The Filter Freq knob sets the range for the EXP/CV input.

Specifications

Dimensions: 7.75" x 4.72" x 2.4" (including hardware).
Weight: 25 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 21 mA.

Notes: High-end amps and effects from vintage to modern with advanced flexibility

With the new GT-100 Version 2.0 update, BOSS' high-end multi-effects processor is now even more powerful than before, adding a host of great new features to its already formidable arsenal. Two new amp types are included, along with cutting-edge MDP effects, an acoustic guitar simulator, and an improved rotary effect. A convenient Guitar-to-MIDI function is on board as well, letting you connect to a computer to play soft synths and input MIDI note using your normal guitar. The GT-100's USB audio capabilities have been expanded too, providing greater flexibility for re-amping applications. And with the BOSS TONE STUDIO software, you can now edit GT-100 patches from a friendly graphical interface on your computer.

Advanced COSM Amps: Beyond Vintage

With its next-generation COSM processor, the GT-100 ushers in a new era of expression and sonic capabilities. Recreating the meticulous details of vintage amps and how they behave, the GT-100 excels in not only cloning classic amps, but in creating a new world of unimagined tones as well. The Amp Customize function lets you mutate classic amps beyond reality to construct completely new, unimagined sounds!

Simple and Intuitive User Interface

The GT-100's unique dual-LCD and eight-knob user interface provides fast access and intuitive control. There are no menus to navigate; every function is instantly available. The tone-customizing functionality has been improved as well-all patches, amps, and overdrives/distortions can be created from scratch and/or customized with the friendly graphical Tone Grid.

New Tonal Possibilities with the Accel Pedal

A new dimension of expression is available with the Accel pedal, which enables control of multiple parameters simultaneously, as well as time-variant effects such as Feedbacker, S-Bend, Twist, and more. Experiment with creative combinations of parameters and bring dynamic new sounds to your performances by interacting in real time with this cool pedal.

A/B Channel Divider Function

Another notable feature in the GT-100 is the versatile A/B Channel Divider. This lets you assign different amps and effects to each channel, either for blending together or switching between them with a footswitch. Going even further, you also have the ability to switch channels by playing strength or frequency range. With each channel capable of driving its own effects and amps settings, the range of tones gets wider and wilder! You can assign smooth, mild lead tones to the mid-to-high pitches, for example, and heavy, cutting tones to the lower notes-the tonal possibilities are endless.

Edit and Organize Sounds with BOSS TONE STUDIO

Available as a free download for Mac or Windows, BOSS TONE STUDIO gives you an intuitive graphical interface for creating and editing GT-100* effects patches from your computer via USB. The software also makes it easy to organize and archive patches, and to load them as needed for different gigs and recording sessions. If your computer has Internet access, BOSS TONE STUDIO provides an integrated connection to the BOSS TONE CENTRAL website, where you can preview and download free gig-ready patches created by top guitar pros directly into the GT-100.

*GT-100 Version 2.0 software is required for compatibility with BOSS TONE STUDIO.

BOSS TONE CENTRAL: Your Web Home for Free Patches, Instructional Vids, Artist Tips, and More

BOSS TONE CENTRAL is the ultimate destination for all players that use BOSS products. Evolving to include a growing selection of BOSS gear, this site gives you access to lots of premium content, including demo videos and free patches created by famous guitarists, touring pros, and session players.

Specs

AD Conversion: 24 bits + AF method

*AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (S/N) ratio of the A/D and D/A converters.
DA Conversion: 24 bits
Sampling Rate: 44.1 kHz
Program Memories: 400: 200 (User) + 200 (Preset)

Effect Type:

COMP, PREAMP(*1), OD/DS(*2), EQ, FX1/FX2(*3), DELAY, CHORUS, REVERB, PEDAL FX, NS1/NS2, ACCEL FX

*1 PREAMP
NATURAL CLEAN, FULL RANGE, COMBO CRUNCH, STACK CRUNCH, HiGAIN STACK, POWER DRIVE, EXTREME LEAD, CORE METAL, JC-120, CLEAN TWIN, PRO CRUNCH, TWEED, DELUXE CRUNCH, VO DRIVE, VO LEAD, MATCH DRIVE, BG LEAD, BG DRIVE, MS1959 I, MS1959 I+II, R-FIER VINTAGE, R-FIER MODERN, T-AMP LEAD, SLDN, 5150 DRIVE, BGNR UB METAL*, ORNG ROCK REVERB*, CUSTOM

*2 OD/DS

MID BOOST, CLEAN BOOST, TREBLE BOOST, CRUNCH, NATURAL OD, WARM OD, FAT DS, LEAD DS, METAL DS, OCT FUZZ, A-DIST*, BLUES OD, OD-1, T-SCREAM, TURBO OD, DIST, RAT, GUV DS, DST+, METAL ZONE, '60S FUZZ, MUFF FACE, CUSTOM

*3 FX1/FX2

T.WAH, AUTO WAH, SUB WAH, ADV. COMP, LIMITER, SUB OD/DS, GRAPHIC EQ, PARA EQ, TONE MODIFY, GUITAR SIM., AC.GUITAR SIM*, SLOW GEAR, DEFRETTER, WAVE SYNTH, SITAR SIM., OCTAVE, PITCH SHIFTER, HARMONIST, OVERTONE*, SOUND HOLD, AC. PROCESSOR, PHASER, FLANGER, TREMOLO, ROTARY1, ROTARY2*, UNI-V, PAN, SLICER, VIBRATO, RING MOD., HUMANIZER, 2X2 CHORUS, SUB DELAY, TERA ECHO*

*Newly Added Features (Version 2.0)
A-DIST is available in OD/DS and in SUB OD/DS of FX2.
OVERTONE and TERA ECHO are only available in FX2.

Nominal Input Level
INPUT: -10 dBu
RETURN: -10 dBu
AUX IN: -20 dBu

Input Impedance
INPUT: 1 M ohm
RETURN: 100 k ohms
AUX IN: 47 k ohms

Nominal Output Level
OUTPUT: -10 dBu/+4 dBu
SEND: -10 dBu

Output Impedance
OUTPUT: 2 k ohms
SEND: 2 k ohms

Dynamic Range: 100 dB or greater (IHF-A)
Displays: Graphic LCD (132 x 64 dots, backlit LCD) x 2

Connectors
INPUT jack (1/4-inch phone type)
AUX IN jack (Stereo miniature phone type)
OUTPUT L/MONO, R jacks (1/4-inch phone type)
PHONES jack (Stereo 1/4-inch phone type)
EXT LOOP jacks (SEND, RETURN; 1/4-inch phone type)
AMP CONTROL jack (1/4-inch phone type)
SUB CTL1, 2/SUB EXP jack (1/4-inch TRS phone type)
USB port
MIDI connectors (IN, OUT)
DC IN jack

Power Supply: DC 9 V
Current Draw: 600 mA

Accessories:
AC adaptor(PSB-1U + AC Cord Set)
USB Cap
Owner's Manual

Options (sold separately)

Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500L/500H, EV-30, Roland EV-5
AC adaptor (PSB-1U)

*When purchasing an AC adaptor, be sure to specify the adaptor (from the list that follows) that is designed for the region in which it will be used, and the voltage supplied there.
(PSB-120/PSB-120TW/PSB-230EU/PSB-230UK/PSB-240A)

Size & weight

Width: 542 mm / 21-3/8 inches
Depth: 271 mm / 10-11/16 inches
Height: 80 mm / 3-3/16 inches
Weight: 4.8 kg / 10 lbs. 10 oz.

Notes: Desmodus's Aggressive Reverb/Delay Counterpart.

Not quite a reverb, not quite a delay, it's Desmodus's more aggressive clocked counterpart. More distortion, more in-your-face atmospheres, and synced delays for creating your tails in a whole new way. Use Electus Versio as a spacey clocked delay, as a reverb that starts with some synced echoes, or as a completely new way to create evolving spaces.

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Incus Iteritas Alia

FM-based wave-mangling additive voice for synthetic percussion and instruments on a swappable oscillator platform

Incus Iteritas Alia is a new member of the Iteritas family, hammering big and bold sounds into your patches. Incus started as a percussion voice, and evolved into so much more: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analogue-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

IIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform.

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Ataraxic Iteritas Alia

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on our 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Flagship model in IK's Uno Synth range, the Pro X adds extra synth power to the three-oscillator analogue design, with plenty of hands-on control and sequencing power.

Supplier's Notes:
Freedom of sound

Paraphonic dual filter analogue synthesiser

Embark on a liberating sonic adventure with UNO Synth PRO X, a powerful analogue synthesizer that'll ignite your creativity and elevate your music to new dimensions. Prepare to be inspired as you explore a world of infinite possibilities, where technology meets the timeless allure of analogue warmth.

Get creative

Featuring three discrete wave-morphing oscillators, the UNO Synth PRO X invites you to explore a vast sonic landscape. Unleash your imagination with PWM, sync, FM, and ring modulation capabilities: Your sonic palette knows no bounds.

Unrivalled sound sculpting

Discover a new realm of sonic possibilities with the UNO Synth PRO X's dual-filter design, combining classic OTA and SSI-chip-based filters. Immerse yourself in the moment as you weave intricate textures and shape your sound to perfection. Dive deeper into sonic exploration with the 16-slot modulation matrix enabling you to create intricate and evolving textures.

Sound connection

Take complete control over your music with over 30 hands-on controls, providing immediate access to your sound-shaping tools. With USB, MIDI, CV and Gate in/out options, integrating the UNO Synth PRO X into your setup is effortless.

4 kinds of effects

With 10 studio-quality FX in three slots and an analogue drive, your music will further come to life with warmth and character.

3 effects slots + analogue drive
Vintage chorus and uni-vibe
5 different delays
Hall, plate and shimmer reverbs

From sequencing to arranging

Unleash your creative potential, easily creating complex ever-evolving sequences. Try the 10-mode arpeggiator, equipped with a pattern designer to bring your melodies to life. New horizons are just around the corner with the Bassline mode, along with legato, mono and paraphonic modes, offering unprecedented expression of your musical ideas.

Advanced paraphonic 64-step sequencer
Per-step parameter recording with up to 48 parameters
Sequence randomizer that follows the scale you select
Parameter automation per step and real-time
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono and paraphonic modes

Seamless DAW integration

With 256 user-editable presets the UNO Synth PRO X is a playground for sonic fun and exploration. Effortlessly sculpt save and recall your own custom sounds recapturing every moment of your creativity. And with the included Editor/Librarian software providing seamless control from your Mac or PC anything becomes possible. The Editor works as both a standalone application and as a plug-in inside your favourite DAW. This means you can program and play the UNO Synth PRO X just like a virtual instrument.

Designed for portability
The UNO Synth PRO X is not only a fun sound-design partner but also the perfect musical companion on the go, adapting to any environment. From backpack to mainstage, new sonic destinations will always be within reach.
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs

Custom travel bag available

Whether you're a seasoned sound designer or on the way to becoming one, UNO Synth PRO X is here to travel physically and sonically wherever you go.

UNO Synth PRO X Specifications

Sound generation
3 discrete wave-morphing oscillators
3 super-fast envelopes with loop and retrigger options
PWM, sync, FM and ring modulation
Dual-filter design, OTA and SSI-chip based
12 studio-quality FX in 3 slots + analogue drive

Performance tools
Advanced paraphonic 64-step sequencer
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono, paraphonic
Audio input to filters and FXs or pass-through

Complete controls
Over 30 hands-on controls
16-slot modulation matrix
256 user editable presets
USB / MIDI / CV / Gate in/out
Backlight control and onboard factory preset restore
Advanced software control for Mac/PC

Ready for travel
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs
Editor/Librarian included
Optional gig bag available

Dimensions
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 800 g, 1.76 lb
Power: iRig PSU-3A (included) or USB (5V/1.5A, 7.5W or above)

Package includes
UNO Synth PRO X
1x USB-C to USB-C Cable - 60 cm, 23.6 in.
Power Supply Unit
Quick start guide
Registration card

NOTE: USB power has inherent ground noise, so when connecting the UNO Synth directly to your computer via USB, you may hear more noise and interference than when the synth is connected to a USB wall charger or running via batteries. With the direct computer connection, you can reduce the USB ground noise and other interference by either using a USB isolator or a custom TRS cable into a balanced input on your preamp or audio interface where the ground is not connected at the balanced input side.

UNO Synth Pro Editor Compatibility

Computers
64-bit application. Requires a 64 bit CPU and Operating System.

Macr (64-bits)
Minimal: macOS 10.15 or later.

Windowsr (64-bits)
Minimal: Windows 8 or late

Notes: A fresh take on granular processing with this stereo DSP module. Grain delay, texturising and freezing with plenty of hands-on control and modulation via CV, gates and triggers. Versatile.

Supplier's Notes:
Melotus Versio is a stereo texturizer that uses granular processing to transform and reshape sound.

Designed to be played by hand or manipulated within a patch, Melotus is everything from a grain delay to a completely transformative texturizer with grain control and manipulation of triggering, direction, and randomness.

Filter audio with a lowpass/highpass combo filter that adds haunting shimmers and subharmonics. Freeze grains by hand or with triggers and gates, or clock them to create rhythmic effects.

Plus, Melotus Versio is part of the Versio DSP platform: transform it into a completely different effect by loading a growing number of alternate firmwares, completely free - or develop your own firmware with our open-source documentation.

Notes: Befaco's unique GameBoy-based effects module allows you to change effects by swapping cartridges, all with CV control over key parameters. Effects include Skuara's harsh fuzz, Instruo's micro phaser and much more.

Supplier's Notes:
A crazy idea with the support of a bunch of crazy people.

A Multi FX module based on game carts!

FxBoy is a multi-FX module designed in collaboration with several talented manufacturers.

This is an effect unit with CV control over the parameters and Dry/wet control, with a Built-in CV controllable four bands EQ.

Each effect is physically hosted in a hot-swappable game cart and designed by a different manufacturer: Touell Skouarn with Skuara a harsh fuzz with overdrive, Instruo with micro Phaser, a two-flavoured Phaser, Feedback modules with a vintage Flanger, XOR with FX-Girl, a digital double effect module: Delay + Granularizer, Making sound machines with an analogue Wave folder, Tesseract with a bit crusher and Befaco Trash distortion!

What have these crazy people put in their cartridges?

Trash

Trash is a harmonic distortion that combines both clipping and folding flavours. Modes A and B will select between aggressive and more aggressive flavours!

Flanger

Analogue Wavefolder

Eskuara

AVMA
AVMA by Tesseract Modular is a bipolar VCA with one switchable wavefolder stage followed by an analogue frequency reducer. The VCA gain is x2, it can be used with i5V oscillator signals at the CV input for ring modulation effect.
Micro Phaser

Three cascaded all-pass filters, a built-in LFO and a saturator in the feedback path.

The purpose for this cartridge is to completely f&%k your phase up!

Instruo - We make sounds with the things that we make to make sounds with.

Technical Specifications

CV control over all parameters and Dry/wet
CV controllable four-band EQ, routable post or pre-effect.
Hot swap for all carts.
Selector for two different flavours of each cart.
Open specifications to design your own carts

Specs

Current needs: +12V: 125mA, -12V: 100mA, 5v: 0mA
Width: 12 HP
Depth: 35 mm (including power connector)
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: Pro features at a good price with this excellent four-deck controller. Large jog wheels, full four-channel mixer section, performance pads and much more. Designed for software including Serato.

Supplier's Notes:
With full audio control over 4 DJ software decks, toggle FX, and professional inputs and outputs, the NS4FX is a feature-packed DJ controller that unleashes the full creative mixing potential of event, club, and livestreaming DJs!

Mix Like an Artist

With full audio control over 4 independent channels, DJs can mix tracks, samples, loops, and more from up to 4 DJ software decks at once.

The 4 channels of the NS4FX each feature dedicated premium-quality volume faders, 3-band EQ, and large high pass/low pass Filter knobs.

Crossfader assignment switches on the front panel allow each channel to be assigned to side A or side B of the crossfader, or can be set to bypass the crossfader altogether. This ultimate flexibility is perfect for crafting artistic mixes on a livestream, creating exciting build-ups in the club, or preparing multiple songs in advance at events.

Sound Like a Pro with Premium Inputs and Outputs

The NS4FX boasts an impressive array of connectivity options, making it the perfect solution for mobile and event DJs as well as club jocks and livestreaming mixmasters. The balanced XLR main outputs deliver high-quality 24-bit audio, ensuring that event guests are always treated to an incredible, immersive dancefloor experience. The additional RCA booth output with dedicated control is perfect for sending audio to a personal monitor speaker or to an additional zone or area of a larger sound system. For events or gigs that call for more than one microphone for MCing or formal announcements, the NS4FX features 2 independent 1/4" microphone inputs with dedicated volume and tone controls. The Mic 1 input can be easily switch to an Auxiliary option to allow audio from a smartphone or external media device to be played through the RCA inputs on the back of the controller. Livestreamers that regularly feature guests or play external audio from other sources will certainly appreciate the audio freedom that the Numark NS4FX provides.

High-Quality, Performance-Focused Decks

The NS4FX is packed with all the pro DJ features needed for exceptional performances. The high-quality, touch-sensitive jog wheels are expertly calibrated for precision mixing and scratching. The centre of the wheels features a vibrant LED display that shows track position, BPM, pitch range, and time. The Layer button on each deck allows each side to toggle control quickly between multiple decks, making it easy to layer and mix up to 4 tracks at the same time. The long pitch sliders on each deck with selectable range offer ultra-precise control over tempo when mixing, and the Pitch Bend buttons allow for fine adjustments for perfectly aligned mixes. The 16 Performance Pads offer limitless mixing possibilities with selectable pad modes including Cue, Auto Loop, Fader Cuts, and Sampler (additional pad modes can be unlocked with Serato DJ Pro).

Professional DJ Looping and Effects Control

A dedicated loop section with multipliers on each deck grants quick access and control over seamless loops to extend mixes or craft custom transitions. To add additional flavour and creativity, the interactive FX section features 6 quick-launch software effects that are triggered by using the sturdy and fun paddle toggle switches. The FX area also provides full hardware control over the wet/dry mix and beat division to help DJs craft artistic and expressive performances.

Serato DJ Pro Ready

The Numark NS4FX comes with Serato DJ Lite software, allowing DJs to start mixing with 2 channels right away. Since the NS4FX is fully mapped and ready for Serato DJ Pro, DJs can upgrade to a full-featured, 4-channel mixing experience whenever they'd like!

Specifications

Outputs: 2 XLR balanced outputs, 1 RCA stereo output, 1 1/4" (6.35 mm) TRS headphone output 1 1/8" (3.5 mm) TRS headphone output
Inputs:, 1 RCA stereo input, 2 1/4" (6.35 mm) TS microphone inputs
Power: Via power adapter, DC 12 V, 2.0 A
Audio: 44.1 kHz, 24-bit
Dimensions (width x depth x height): 23.5" x 10.8" x 2.4" / 59.7 x 27.4 x 6.1 cm
Weight: 6.6lbs/3.0kg

Notes: A clever approach to VCOs here. Three unevenly phased sawtooth signals are blended to create phase cancellations and unorthodox harmonics. Simple but deep.

Supplier's Notes:
Explore the sonic space of phase cancellation! Phase cancellation shapes the characteristics of all acoustic instruments. It forms the basis of chorus and phaser effects. It gives vibrancy to detuned oscillators. The vibrant sound of pulse width modulation or the roaring sound of animated supersaws are a small part of a much larger sonic space that the Triphase Oscillator is built to discover.

The Triphase Oscillator produces three different sawtooth waves at the exact same pitch but with independent phase control. These are blended in a bipolar CP3-type mixer, giving a rich waveform at the output. By blending in a wave with a positive polarity, you reinforce in-phase harmonics; by blending a wave with a negative polarity, you reduce in-phase harmonics. The phase differences between the waves distribute the harmonics from in-phase to out-of-phase. The result is a comb-filter effect, like the effect produced by an acoustic reflection, with notches and peaks spaced evenly throughout the frequency range. Conventional pulse width modulation can be obtained by blending two sawtooth waves with equal but opposite polarity. Supersaw-like behavior can be obtained by using phase CV with the same polarity for all three waves. But many other interesting spaces can be reached. For example, by setting the phases correctly you can cancel out the first harmonic and get a saw an octave higher, or cancel both the first and the second harmonic, giving you a saw an octave and a fifth above the fundamental frequency. Modulation then brings back these canceled harmonics.

The Triphase Oscillator is completely analog, built around a sawtooth core that is functionally stable and accurate but sonically alive. It has linear FM on all three waves, and an excellent hard sync that can create shredding harmonic sweeps. The CP3 type mixer gives good distortion at higher levels, allowing you to blend three 5-volt-peak waves without worrying about headroom. All CV functions at audio rate. With an LFO driving the phases, it can easily replace the classic analog three oscillator setup, and in this configuration it's one of the fattest things you have ever heard. But the Triphase oscillator is much more than a thickener, and can just as easily produce thin reedy sounds or subtly shifting harmonic drones.

Specs

Size - 18HP
Depth - 25mm
Power Consumption
+12V 50mA
-12V 50mA

Tuning Range
1.2Hz-61kHz

Tuning Accuracy
~8 octaves

Output Range (Individual)
-5V-+5V peak

Output Range (Mix)
-8V-+8V peak

Notes: Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit

Notes: Mûmack is built from a temperature-stabilized analog source producing the three classic waveforms: triangle, saw, rectangle. This basic signal can be altered or enriched in several ways, which can be combined with each other, and associated with one VCA per mode.

Peak Compressor:
In the central position the signal is not modified. Turning the potentiometer to the right or to the left will compress the signal positively or negatively. It is this signal that will then feed Usual, Mûm and Hack. An LFO is dedicated to the compressor, controllable in speed and amplitude. A CV input with attenuator can also control the compressor.

USUAL:
The three waveforms are freely mixable, a CV input and a potentiometer can change the shape of the rectangle wave (PWM). The compressor intervening upstream, it can strongly influence the final form and the amplitude of USUAL. This produces complex analog waveforms, moving in time with the LFO or the CV input. The linear potentiometer makes it possible to mix the signal with the others, and to dose the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

MÛM:
The Waveform potentiometer move the waveform of Mûm continuously from a attenuated triangle to a more pronounced triangle, then to a sinusoid and finally to a square wave. An LFO allows you to add a vibrato adjustable in speed and amplitude. The linear potentiometer makes it possible to mix the signal with the others, and to dose the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

HACK:
Mûm's signal is taken up in a Wavefolder + compressor. Depending on the settings of the Peak compressor, and the three LFOs, we obtain complex, moving, organic waveforms. Again the linear potentiometer allows to mix the signal with the others, and to adjust the volume of the direct output. The rotary potentiometer acts as an attenuator for the VCA input.

ALL:
The three channel (Usual, Mûm, Hack) are mixed and brought together in a single output. The output volume is adjustable and a CV input with attenuator works like a VCA.

MIXER & VCA
The voltages produced by Mûmack, as is the case with many analog VCOs, can be high. The mixer allows them to be attenuated if necessary. Each of the three channels, and the product of the three, can be controlled by the VCA, with attenuator. The VCA is designed to add distortion at high values. The mixer is exponential for more subtle adjustments in low values.

Dimensions
30 HP
40 mm deep

Current Draw
155 mA +12V
155 mA -12V
0 mA 5V

Notes: The MP 200 is a unique cartridge. It manages to provide an amazingly rich and warm mid range for jazz and vocals while still providing the detail and dynamics across the spectrum. It's not just another "warm sounding" cartridge.

Specifications

Type: Moving magnet (Permalloy)
Cantilever: High-strength Boron
Stylus type: Superfine elliptical diamond
Weight: 6.5 g
Output voltage @ 1kHz,5cm/sec: 4mV
Frequency response: 20Hz-23kHz
Channel balance @ 1kHz: > 1.5dB
Channel separation @ 1kHz: > 25dB
Recommended loading: 47k ohms
Dynamic compliance: 7.2 x 10-6 cm/dyne
Static compliance: 20 x 10-6 cm/dyne
Tracking force range: 1.5 - 2.0 g
Break-in period: 30 hours
Stylus replacement: Nagaoka JN-P200

Notes: Audiophile Circuits League serve up the premium goodies with this hybrid quad VCA/mixer. Four high-quality exponential VCAs with built-in summing and individual outs.

Supplier's Notes:
The ACL VC AMP MIX is a high quality quad exponential VCA with three summed outputs.

The module allows to create a mix of up to four audio sources to three different sums. Available outputs are the sum of channel 1+3, the sum of channel 2+4 and sum of all channels 1+2+3+4. Of course all 4 individual VCA outputs are available as well. It includes an aux input, which will be added unity gain to the sum of all outputs 1+2+3+4 for cascading purposes.

The module can be combined with ACL- RCVS-4 and/or ACL- FCVS-4 CV Source to form a 4 channel voltage controlled mixer very conveniently.

HP : 12

Notes: An affordable taste of the legendary Solid State Logic sound, an iconic name in high-end recording consoles. The SSL 12 offers four analogue inputs and four analogue outputs plus eight-channel ADAT digital expansion and two stereo headphone outs which can also be used as line outs.

Supplier notes:
Class-leading performance, in the studio and on the road

The Solid State Logic SSL 12 is the perfect audio interface for producers and engineers who demand uncompromising performance and versatility from a desktop device. SSL 12 is capable of being both a studio centrepiece and a portable production hub to take with you on the road. Four SSL-designed mic pre-amps with uncompromising low-noise and high gain performance, Legacy 4K analogue enhancement for adding that signature SSL colour, class-leading dynamic range from premium-quality converters, comprehensive monitoring section, ADAT expandability, talkback mic, flexible headphone outputs and an intuitive console-style software mixer. SSL 12 just set a new bar for what you can expect from a unit that is entirely USB-powered.

Big studio features, small desktop footprint

SSL 12 is loaded with an extraordinary amount of professional studio features normally reserved for high-end rackmount interfaces. For tracking, the ADAT connectivity, together with the on-board talkback mic and an incredibly powerful cue mixer (that allows you to create up to 4 independent near-zero latency performer mixes) will handle the most demanding of recording sessions. For mixing, alternative monitor switching and assignable front panel control room functions puts everything you need at your fingertips. For production, USB Loopback, MIDI I/O and DC-coupled outputs for CV control of synths and FX equip you with a serious toolkit to keep the creativity flowing. To top it all off, the ever-expanding SSL Production Pack (packed with a selection of must-have virtual instruments, plug-ins, samples and DAWs) helps to bring your productions to life.

SSL Studio Quality and Know-How

For over 50 years, SSL have been designing cutting-edge mixing consoles and hardware processors, as used by the world's most recognised artists and recording studios. Over that time, their reputation as a world-leading manufacturer of professional audio equipment has centred around a constant pursuit of audio excellence and technical innovation, accomplished through streamlining production workflows and advanced studio ergonomics. SSL 12 takes the 'traditional' desktop audio interface where it's never been before with an incredible array of features in a compact footprint that delivers outstanding audio quality. Featuring the familiar Alps pots, Neutrik connectors and an attractive brushed aluminium front panel, SSL 12 is built to last whether you're using it in the studio or on location.

Real Analogue Enhancement Inspired By The SSL 4000-Series (4K) Console

SSL has a history of innovation in analogue electronics and console design. Whether it be the sound of the classic '242' and '292' EQ circuits, the punch of the legendary SSL Bus Compressor or the incredible bandwidth and sonic accuracy of the ground-breaking SuperAnalogue designed mic amps and consoles, SSL are always moving forward with analogue. Legacy 4K is an all-analogue enhancement effect, inspired by the character of an SSL 4000-series console (often referred to as '4K'). It distils two essential characteristics of the 4K sound into a single circuit. The first thing engaging the Legacy 4K circuit will do is to introduce a forward, yet musical sounding high frequency EQ boost, helping to add some excitement to your vocal or instrument. Secondly, it'll add some subtle analogue distortion with finely tuned harmonic content, helping bolster any sound with more edge and personality.

Notes: Tiptop Audio's Z-DSP is a cartridge-based open source digital sound processing and effects generating platform for your modular synthesizer. Lush audio processing, greater stereo depth and a unique set of digital synthesis is what the Z-DSP is all about.

The Z-DSP has a stereo digital sound processor with 24-bit sampling, 15kHz of bandwidth, voltage-controlled parameters of stereo feedback, program switching, DSP parameters, equal power crossfading dry/wet mixing, as well as sequential program control switching and a clear display - all in Eurorack format. A dedicated clocking input for the DSP chip does wonders to passing sound by bending the algorithms in an unexpected way, a hardware technique computer plugins can't do and is unique to the Z-DSP.

In a recent update, the Z-DSP (NS) got an all new design of its analogue circuitry, contributing to a lower noise signal path, clearer sound of the entire frequency range, lower distortion and better immunity to noise emitted by other modules sharing the same power supply. A new analogue dry/wet circuit has been implemented to remove the 3db gain drop when the mix knob passes through the centre of the dial making the use of this function more practical in a live application. A reverse polarity protection has been added as well. The new front-panel matches Tiptop's colourful design, and a single printed circuit board and surface mount technology improve reliability during production and use. The powerful Z-DSP engine remains the same as the original Z-DSP module and all cards are compatible across both versions.

An assortment of interchangeable cards, programmed by Tiptop Audio and specialists like Valhalla DSP, provide a wide range of boutique effects algorithms such as Halls of Valhalla, Time Fabric, Clocked Delays and Grain De Folie. Tiptop Audio also offers blank Z-DSP cartridges and a development tool called NumberZ for developers, students and power users who want to design their own effects and cards with the FV-1 DSP chip programming language. Blank cards can be loaded using programs that are freely available for non-commercial use and can be found in the modular community through online forums. With each card swap, the Z-DSP takes on new effect algorithms, changing like a digital chameleon and bringing colourful digital effects processing to your Eurorack setup.

The Z-DSP comes included with 2 cards: Halls of Valhalla and Dragonfly Delay MKII.

Notes: Freaky stereo digital delay from the Eurorack gods at Make Noise. Typically creative stuff, packed full of interesting features for creating complex echoes, modulating sounds and generating loops.

Supplier notes:
The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.

The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.

Notes: Dark Light is a dual reverb featuring both Dark Star and Sunlight. With all the routing options you could want, including separate stereo, parallel mono, and series mono, Dark Light takes Dark Star’s dark pitch shifted, delayed, and bit crushed reverb voices and Sunlight’s bright modulated, comb filtered, and bandpassed reverb voices and combines them into one massive sound to take your time and drift away in. Each pedal maintains its core sound and control set, then expands from there.

Additional Controls

Wet and Dry volumes for each side (replacing the previous Mix control)

Spread to set the stereo spread, allowing Dark Star and Sunlight to blend into each other’s outputs

Hold switch to create indefinite reverb trails while the pedal is engaged

Hold toggle to choose between holding Dark Star, Sunlight, or both

Exp jack to control any combination of Ctrl 1, Ctrl 2, Decay, Decay, Rate, Depth, or Input with an external expression controller

Independent In and Out routing for each pedal, with automatic parallel mono when plugging into only one

Soft-touch Bypass footswitches for true bypass and minimal switch noise

Requires 9V DC center negative 2.1mm jack power supply capable of 150mA (not included).

The art of Dark Light is by Jon Carling.

Notes: Gross, gritty, and dark industrial-strength voice on a swappable oscillator platform. Pangolin approved.

Manis Iteritas Alia is a voice based on the architecture of Basimilus. It was designed to be grittier and more aggressive by using only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis Iteritas Alia is fantastic for leads, basslines, drums, darkness, detuned swarminess, or pure mayhem. Plus, MIA's dedicated envelope output is a great modulation source for the rest of your patch.

MIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

A portion of the proceeds of every Manis Iteritas Alia sold goes to pangolin conservation.

Width: 10HP
Depth: 22mm

Notes: Noise's 'simple' take on delay is anything but simple. Three-tap stereo design with wave folding, DJ-style filtering and extensive CV control. Versatile and characterful.

Supplier's Notes:
Delay. Fold. Pitch shift. Doom. Repeat repeat.

Yester Versio is the long-awaited answer to the request for a simple delay on the Versio platform. Yester Versio is a three-tap delay designed to be straightforward and easy to control. It's perfect to help glue together almost any patch, with just enough character to stand out if that's what you want.

Yester Versio comes with controls over panning, delay feedback, and delay time, but Noise Engineering didn't stop there. The Time control interacts with the Even/Triplet/Dotted switch, allowing for flexible delay syncing. These also work with the Tap button and jack input, making it easy to sync Yester to the rest of your patch and create interesting rhythms.

Use the DJ-style filter to shape your delays. Add flavor with Chorus, a bipolar control that adds a bit of clean pitch shifting or LFO-modulated effects. Turn up Fold for some gentle saturation, then gritty wavefolding, and at the top of the knob, to add in chaotic suboctaves for a bit of doom.

And of course, because it is a Versio, almost everything can be CV controlled.

Yester Versio is the delay you will keep coming back to...back to...back to...

YV is part of Noise Engineering's Versio stereo DSP platform. A simple USB connection will allow you to update to a variety of effects firmwares. Open-source support is available through libDaisy, which allows you to write your own firmware!

Notes: Delay. Fold. Pitch shift. Doom. Repeat repeat.

Yester Versio is the long-awaited answer to the request for a simple delay on the Versio platform. Yester Versio is a three-tap delay designed to be straightforward and easy to control. It's perfect to help glue together almost any patch, with just enough character to stand out if that's what you want.

Yester Versio comes with controls over panning, delay feedback, and delay time, but Noise Engineering didn't stop there. The Time control interacts with the Even/Triplet/Dotted switch, allowing for flexible delay syncing. These also work with the Tap button and jack input, making it easy to sync Yester to the rest of your patch and create interesting rhythms.

Use the DJ-style filter to shape your delays. Add flavor with Chorus, a bipolar control that adds a bit of clean pitch shifting or LFO-modulated effects. Turn up Fold for some gentle saturation, then gritty wavefolding, and at the top of the knob, to add in chaotic suboctaves for a bit of doom.
And of course, because it is a Versio, almost everything can be CV controlled.

Yester Versio is the delay you will keep coming back to...back to...back to...

YV is part of our Versio stereo DSP platform. A simple USB connection will allow you to update to a variety of effects firmwares. Open-source support is available through libDaisy, which allows you to write your own firmware!

Notes: Universal drum synthesizer with roots in the analog world on a swappable oscillator platform

Basimilus Iteritas Alia is a parameterized digital drum voice with its roots in the analogue world. At its heart, the BIA is a simple six-oscillator additive and FM synthesizer with waveform, harmonic spread, and envelope controls. An adjustable noise oscillator and an extreme take on a wavefolder round out its synthesis abilities. Its straightforward controls make sound design fun and performable: create sub-shaking kicks, snares, hats, and unique drum hits with just a few tweaks.

BIA is a classic percussion module but you'll be blown away by how much more it can do. Use it for leads, basslines, or build a whole drum kit with some external CV. Plus, the envelope output means you can use the BIA for shaping and modulating other parts of your patch.

Basimilus Iteritas Alia is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Hybrid additive phase-modulation voice on a swappable oscillator platform

Debel Iteritas Alia is a hybrid additive phase-modulation voice inspired by classic and experimental synth sounds from across the decades. Three synthesis algorithms range from classic FM plucks and basses to all-out additive anarchy. DIA features a two-parameter envelope with a huge range of shapes and timing, making it easy to dial in the exact sound you want. With CV over every parameter, a dedicated envelope output, and an absolutely massive timbral range, Debel Iteritas Alia is a powerhouse synth voice in a compact package.

DIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

Notes: Gross, gritty, and dark industrial-strength voice on a swappable oscillator platform. Pangolin approved.

Manis Iteritas Alia is a voice based on the architecture of Basimilus. It was designed to be grittier and more aggressive by using only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis Iteritas Alia is fantastic for leads, basslines, drums, darkness, detuned swarminess, or pure mayhem. Plus, MIA's dedicated envelope output is a great modulation source for the rest of your patch.

MIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal to check out any other Alia firmware, free of charge, any time.

A portion of the proceeds of every Manis Iteritas Alia sold goes to pangolin conservation.

Width: 10HP
Depth: 22mm

Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.
The new special edition HS5 MP Set includes two HS5 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Up to eight voices of digitally synthesised drums, percussion and synth sounds from this versatile module, featuring virtual analogue models as well as FM and wavetable options.

Supplier's Notes:
Flame "Fire" percussion synth module

The module is a full 8-way polyphonic drum and percussion synthesizer. It offers different digital synthesis algorithms, which can be distributed over 8 channels. The sound engine delivers virtual analog sounds as well as different digital percussion sounds, which are generated with FM, wavetable or virtual analog synthesis. It is also possible to create sim- ple monophonic bass or synthesizer voices.

During development, particular attention was paid to direct and simple usability with regard to live operation. The hardware essentially consists of two parts (which are deli- vered together). On the one hand there is the basic module with all controls, the display, connections for MIDI, 2x CV inputs and 5 audio outputs.

There is also a separate XFIRE I/O extension with sockets for the 16 analog trigger/gate/CV inputs and 3 additional audio outputs. Both modules are connected via a 60cm long ribbon cable. In this way, the XFIRE module can be installed anywhere else in the rack. The base module is therefore only 22TE wide and can also work alone without the extension as a MIDI expander.

A maximum of 8 audio outputs are available. A stereo pair (outputs 7+8), plus 6 additio- nal individual direct outputs. All outputs are freely configurable. Two pages with settings for panorama and volume are available for the stereo main out.

There is a gate/trigger input and a configurable CV input for each channel. Two additio- nal programmable CV inputs can be used for further controls. Regardless of the analog connection, the module offers full MIDI functionality. Two MIDI inputs and a MIDI output/softthru allow integration into an external MIDI setup. The firmware can be upda- ted via MIDI Sysex. The created KIT data can also be saved or exchanged.

Notes: The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Quality direct drive motor and precision-engineered die-cast platter:

Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.

Statically balanced S-shaped tone arm:

The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.

Newly developed top panel and sturdy housing design:

The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: Centred around an advanced 16-track sequencer where all tracks run independently, OP-Z makes individual track speed and track length possible. In addition to this, it's possible to add unique step behaviours to every one of the 16 steps: a feature we call step components. Think of this as dual layer sequencing where the first layer is a traditional 16 step sequencer, while the second layer adds variation per cycle, note variation, micro sequencing, direction, parameter changes, re-trig's and much more, all on just one single step. In theory, it's possible to create a complete song by programming only the 1st step of the 16, using multiple step components to create endless variations, a technique recommended for experts and engineers only. Seriously, in some situations it's actually almost impossible to predict the complete length of a sequence. So, we created a special component for those situations named 'catch up', that forces a track to exit at a certain step to stay in sync. In total, there are 14 components sorted into 3 groups: triggers, note variations and specials.

All 14 components have 10 values and behaviour programs. The product of all this is that you have 140 ways to alter just one single step. Probably more than most people can handle. And to make step composing really intuitive and super-fast, all keys are backlit with multi-colour LED's with instant machine feedback, a must-have for poorly lit club gigs and late-night-in-bed composing. Actually, the print on the unit itself is made with a special glow-in-the dark-paint. A pretty cool 'world's first' for synthesizers.

Bring your own screen:

OP-Z is a completely stand-alone synthesizer and composer, ready to be used at anytime and anywhere, but for those of you who need that extra injection of vibrant graphics, interactive user interface and awesome synced animations to feel inspired, we introduce the concept of BYOS - bring your own screen. You already have the phone with that gorgeous retina display in your pocket, right? Just download the OP-Z app, pair the two devices and you are all set. Add cellular connectivity, WiFi and powerful graphics processing to that, and the concept certainly makes sense. All this tech when connected to the OP-Z adds several unique features - like using the phone's camera, snapping a series of photos and arranging them to a beat, creating a synchronised music video 'a-la-minute'.

We support Dropbox on IOS as well, so transfer of your custom artwork on to your IOS device will be instant and without cables. To eliminate any latency between image and sound, we ported the OP-Z sound engine to run simultaneously on your IOS device. Something we call 'dual domain synthesis'.

Photomatic:

Snap a series of photos and sequence them to a beat. Compose a song and create a completely synchronised music video 'a-la-minute'. The included photomatic feature is just pure instant fun.

Custom graphics:

By adding any artwork or a photo to your IOS device camera roll or to a Dropbox folder, you can create high quality custom graphics, patterns, colour palettes or stop motion videos. Anything can be animated in pace with your music.

Create your own world:

OP-Z is tailor made for unity 3D, the world's most popular multi-platform game engine. Chosen because of its intuitive workflow and excellent VR support. A dedicated OP-Z toolkit for unity will be available at launch that opens up the entire machine.

Full unity 3D integration:

Teenage engineering have worked closely with Keijiro Takahashi and the unity Tokyo studio to fully integrate OP-Z with the unity game engine. As Keijiro-san is both a full time software evangelist at unity and a renowned VJ at night, we have had access to a selection of Keijiro-san's personally developed tools and shaders which deliver stunning 3D graphics that run at full speed on iPhone or iPad. Keijiro-san's tool-set and real life experience in performances with motion graphics have been invaluable in making OP-Zan inspiring live tool for moving images in sync with music. The weakest point of VJ-ing has always been the creation of content. By exposing the inner control data of the OP-Z and linking it to unity, users can create anything within unity, build the project and just drop the build to a Dropbox folder. Customizing every single polygon in a performance.

If it don't have tape, it's not OP:

The new tape feature is probably one of the coolest sonic features of the OP-Z. Imagine a short snippet of tape secretly recording everything that is programmed in the sequencer - all in real-time. And with its own dedicated track it's possible to sequence the tape, trig the in-point, length and speed. OP-Z will come with a range of tape reels with unique character and functions. Scrub, scratch, wind-up and mess-up!

Notes: The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a unique interface designed for live performance. It excels at transforming the simplest audio (a drone, a percussive sound) into complex rhythmic structures, meshes of organic textures, lush harmonic mille-feuilles, liquid and resonant effects.

Have you ever got tired of the monotonous repetitions that your standard delay pedal/module produced? Have you ever wished for a more complex rhythmic structure than just decaying repetition? If yes, you have come to the right place: the Tapographic Delay is an advanced effect that lets you handle repetition in a completely novel way. It is to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control, tactile input) is to a simple clock. With the TD, you interactively define the rhythm that the repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, and sequence your own arrangements of delays. In a sense, the TD is the converse of the classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70's: you don't play the guitar, you play the tape loop!

The Tapographic Delay is an expressive experimental instrument meant to be played in real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Push it to its limits!

Notes: Specially tuned for bass sounds, the Minilogue returns in this new format. Same great analogue synth architecture, updated to create a low-end monster.

Supplier's Notes:
Minilogue Bass is the evolution of the iconic Korg Minilogue into an all-analogue bass powerhouse.

An expandable poly-synth that retains the hands-on control and immersive playability of the original, Minilogue Bass drops deep, dark, thunderous low-end for cutting production-ready bass.

Production-ready bass

Minilogue Bass includes patches optimized by professional bass and synth programmers, ready to drop into your track or performance. But that's just the beginning - everything can be customised- the analogue possibilities are virtually endless.

All 100 preset patches are exclusive to Minilogue Bass, and can be further expanded with an additional 100 user programs for a total of 200 slots.
Powerfully analogue

The thickness, presence, and immense sonic palette provided by Minilogue Bass is due to an all-analogue signal path. It has two VCOs, a VCF, two EGs, a VCA and an LFO, while retaining the hands on control and unique wave shaping through oscillator harmonics from Minilogue.

Minilogue Bass includes cross modulation, oscillator sync, and a ring modulator, alongside a high pass filter delay to further expand your sound creation possibilities.

Eight voice modes

Minilogue Bass is a four-voice poly synth, with eight voice modes for broad versatility. Alongside POLY and CHORD modes, DUO stacks two voices in unison, UNISON works as a 4 part mono synth, MONO is monophonic but with a sub-oscillator playing an octave lower, DELAY plays 3 voices in sequence after the first, ARP is a 4 voice arpeggiator, and SIDE CHAIN lowers the volume of previously played notes.

16-step sequencing

Minilogue Bass offers powerful and intuitive sequencing possibilities. The 16-step polyphonic sequencer also captures the motion of up to four real-time controls, and can be overdubbed or step-sequenced, alongside the ability to change the root position of the playback by playing a key.

Overview

Sound visualisation

Minilogue Bass has an OLED oscilloscope that shows you the waveform as you sculpt your sound.

Sound librarian

The Minilogue Bass Sound Librarian allows for easy organisation of programs inside your synth, and can also save the entire library to a computer. It even gives the ability to load any existing Minilogue patches alongside factory and bonus libraries from Korg.

Solid looks

The sand-blasted 2mm aluminium front panel on Minilogue Bass features an edgy appearance, which is emphasised by the inverted black and red keys. A red-coloured wood rear panel further adds to a unique appearance.

Minilogue bass is also roadworthy - with metal shaft chassis-mounted potentiometers and rubber coated knobs complementing its powerful and dynamic sound creation possibilities.

In sync

Alongside MIDI and USB, Minilogue Bass has a sync connector for effortless connectivity with Volcas, Electribes and SQ-1 sequencer.

Specifications

Keyboard: 37-keys (Slim-key, velocity sensitive)
Sound Generation: Analog synthesis
Maximum Polyphony: 4 voices
Program

200 programs (100 Presets / 100 Users)
Each program includes voice mode and sequence data settings
Up to eight favorite programs can be registered
Voice Modes: 8 modes (Poly, Duo, Unison, Mono, Chord, Delay, Arp, Side Chain) -
VOICE MODE DEPTH can vary different parameters in each mode

Main Synthesis Parameter
VCO1: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2: Octave, Wave (Saw, Triangle, Square), Pitch, Shape
VCO2 MODULATION: Cross Mod Depth, Pitch EG Int, Sync, Ring
MIXER: VCO1, VCO2, Noise
FILTER: Cutoff, Resonance, EG Int, Filter Type (2-Pole, 4-Pole), Keytrack, Velocity
AMP EG: Attack, Decay, Sustain, Release
EG: Attack, Decay, Sustain, Release
LFO: Wave (Saw, Triangle, Square), EG Mod (Int, Rate, Off), Rate, Int, Target (Pitch, Shape, Cutoff)
DELAY: Hi Pass Cutoff, Time, Feedback, Output Routing (Post Filter, Pre Filter, Bypass)

Sequencer
16-step polyphonic sequencer
Motion sequence can be used on up to four parameters

Controls
41 dedicated panel controls deliver immediate parameter access
A slider can control different parameters for each program

Display: Real-time OLED oscilloscope provides visual feedback of parameter changes
Connectors: Headphones (6.3mm stereo phone jack), Output (6.3mm monaural phone jack), Audio In (6.3mm monaural phone jack), Sync In (3.5mm monaural mini jack), Sync Out (3.5mm monaural mini jack), MIDI In, MIDI Out, USB Type B
Power Supply: AC adapter (DC9V)
Power Consumption: 8 W
Dimensions (W x D x H): 500 x 300 x 85 mm / 19.69" x 11.81" x 3.35"
Weight: 2.8 kg / 6.17 lbs.
Included Items: AC adapter

Notes: Proper creative stuff with this one. Lush, characterful stereo reverb with CV control, distortion, pitchshifting, a freeze button and more. Oh, and it's got user-customisable DSP firmware for good measure.

Supplier's Notes:
Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.

Notes: Second-generation version of the 'noodler' device from Conductive Labs, the NDLR v2 aims to simplify music theory and unlock creative ideas, making it easy to create and perform arpeggios, drones, chords and other patterns. Hook up to your synths and software over MIDI, USB or analogue clock.

Supplier's notes:

Conductive Labs have turned complex music theory into a killer synthesizer jamming MIDI controller. With four parts that can play up to 8 synths, you can make fantastic electronic music, such as soundscapes, electronica, ambient, electro, or techno to name a few. Whether noodling in your music space after work or jamming with friends, The NDLR can take your music to amazing places!

Press one of the seven chord buttons, and the two arpeggiators and drone follow the chord notes while your polyphonic synth sings with pads.

There are start and stop buttons for each of the four parts, and a button to start/stop all parts. And there's a "panic" button to stop all MIDI notes.

A colour LCD screen shows you everything that's going on. A very flat menu structure keeps menu diving to a minimum.

Pick a key, a mode and control the BPM of The NDLR's MIDI clock.

With two sets of 5 pin DIN MIDI inputs and outputs, and four USB MIDI virtual ports you have lots of ways to connect your MIDI devices. There is also CV clock in and out connectors to sync with your Korg Volcas, modular or semi modular synths.

It works with MIDI hardware synths, and your DAW or tablet, if that's your thing.

Once you master the basics, dive into the 8x modulation matrix. It lets you animate most of The NDLR's parameters. You can even send LFOs to your MIDI gear.

The NDLR includes a Pattern editor to make arp and modulation patterns, a rhythm editor and now a Chord Sequencer too! Once you have your perfect piece, you can save your patches.

What's new in The NDLR (v2)?
By popular demand, a soft-power button has added. The NDLR (v2) is powder coated with a black faceplate and beautiful red base. And the internals were modified for a new, faster microcontroller. The feature set remains the same, though there are some surprises waiting to be discovered in the menus. So far, new features are being back ported to the original The NDLR via firmware updates, as long as it does not require the faster processor.

The Four Parts


The PAD part is a polyphonic chord player for getting beautiful PADs out of your favourite poly synth. Like all of the other parts, the PAD plays notes based on the selected global chord. When you press a chord button the notes stay on until you press the next chord or stop the part, so you can twist knobs on your synths or play a lead part on guitar. Change or modulate the chord octave position, note range, spread, and strum.

A really cool feature of the PAD part is the "Interleaved Poly-Chain". When enabled, this will send the chord notes to up to 4 MIDI channels in a round robin fashion. Really great for ethereal evolving patches on a multi-timbral synth, or for turning multiple mono-synths into a poly synth! Six voices from 2 Volca FMs? Sure!

There are two "Motifs" which are extremely versatile sequenced arpeggiators. Select a pattern for each one and press Play! Independently tweak on clock division, pattern length, octave position and more. You can create your own patterns with the onboard pattern editor, and add rhythm with the onboard Rhythm editor. The motifs play the notes contained in the currently selected chord, so you don't need to pick notes on a keyboard. The NDLR supports a 10 to 300 BPM clock so play as fast or slow as you like, or use an external clock source.

The Drone part can play a single continuous note like a traditional drone does... or choose from various retrigging options, such as having the note retrigger on a chord change, the down beat, every beat, up beat, etc. You can also choose to add a 3rd and/or 5th note to the root note for a polyphonic drone. Or have the drone play a thundering kick drum if you want to.

Hardware

Requirements:

USB Power Supply not included; The NDLR (v2) runs on 5V DC, 140mA. The original is 90mA.
The NDLR comes with a 6 foot USB cable. You can purchase longer or shorter cables as needed, with USB A to USB B connectors. Users of newer Macs may need to purchase a USB B to USB C cable or use an adapter.
MIDI Synthesizer(s); The NDLR is a MIDI playing device, it doesn't make any sound on its own, it sends MIDI messages to your MIDI sound modules. It can play most anything with MIDI input including vintage synths, modern synths, mono and polyphonic synths, software synthesizers, on an iPad, PC, stand-alone or VSTs in a DAW. Note that some vintage synths or synths with poor MIDI implementations may be prone to getting stuck notes. Use the Panic button on The NDLR when needed.
To connect many synths, and for the best MIDI timing we recommend using an active, 1 input to 4 or more outputs MIDI thru device or MIDI router, such as the MRCC.
The NDLR has rich velocity controls if your synths support velocity, not all do.
The NDLR can be controlled with an external MIDI controller or sequencer. See The NDLR Setup Examples in The NDLR User Manual for details.

Physical Layout:
Dims: Size 9"W x 6.3"L x 2.8?H (22.8 x 16 x 7.1cm)
Color LCD Screen 1.8" (128×160)
8 Rotary Encoders w/ switch
7 Chord Buttons (degree / type)
4 Play/Pause Buttons (PAD, Drone, Motif 1, Motif 2)
Motif 1 or Motif 2 Select
Global Play/Stop Button
Shift & Menu Buttons
Recessed Firmware Update Button (upgrades via USB)

Physical Input/Output:
2x MIDI 5-Pin Inputs
2x MIDI 5-Pin Outputs
1x USB w/ 4 Virtual USB MIDI I/O ports + Power
1x Clock Out 1/8th inch jack
1x Clock In 1/8th inch jack
Limited Warranty:
The NDLR comes with a limited warranty to the original owner for 1 year (or the minimum time required by law in your country) from the time you received it.
Consumables, such as the USB cable and accessories have a 90 day limited warranty.

MIDI

MIDI-in Options:
Connect a MIDI keyboard or sequencer and The NDLR selectable transpose MIDI channel to transpose from the key of "C" to the current NDLR key & mode.
Use a MIDI keyboard or sequencer to select chords. Choose The NDLR "Control-In" MIDI channel. The white keys map to chord degrees I-VII. Optionally black keys map to the chord type. Sonority is automatic based on key & mode.
Most features of The NDLR can be controlled by inbound CC messages.
All notes and CCs pass thru except for The NDLR control channel.
With 2 MIDI 5 pin and 4 USB MIDI in and outs, The NDLR is a MIDI merger and a MIDI splitter. See the manual for details.
MIDI-out Options:
Selectable Drone MIDI-out channel (Off, Pad, 1-16). Pad choice means same as Pad channel.
Selectable Pad MIDI-out channel (1-16). Poly-chains play on next successive MIDI-out channel(s). Example: Pad MIDI-out ch = 4. Polychain = 1 - all pad notes on ch 4. Polychain = 2 - every two notes plays on channels 4/5. Polychain = 4 - every 4 notes plays on channels 4/5/6/7. If you are playing 6 notes with Polychain = 2, note1->ch4, note2->ch5, note3->ch4, note4->ch5, note5->ch4, etc.
Selectable Motif 1 MIDI-out port and channel.
Selectable Motif 2 MIDI-out port and channel.
MIDI out ports are USB 1 thru 4, and 5 pin din MIDI A and MIDI B.

Notes: *** Complimentary warranty on this product for 5 years if purchased from Juno- UK warranty only***

This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.

Notes: Latest mid-range DJ controller from NI, designed specifically for the brand's Traktor software. Four-channel setup at a very reasonable price, featuring most of the key features of the more expensive S4.

Supplier's notes:
Layer tracks. Go back-to-back. Hook up a mic and an MC. Keep a wildcard up your sleeve and drop it when the dancefloor needs it: TRAKTOR KONTROL S3 has everything you need to DJ across four decks. Step up your sets, and play with total freedom.

FOUR DECKS, AT YOUR FINGERTIPS:

At the heart of the TRAKTOR KONTROL S3 is the four-channel mixer, with full-length faders, EQ, cueing, and Mixer FX control over each deck. Juggle Hotcues, samples, and loops with eight RGB pads on each deck. When it's time to take things further, switch decks and keep on-track with the jog wheel light rings.

FROM SCRATCHES TO SPINBACKS:

When it's time to get your mix on, there's plenty of jog wheel to go around. Touch-sensitive and super smooth, they're not just for nudging and stalling, but feel great for scratch workouts too. RGB light rings let you know which deck is playing at a glance, and warn you when you're almost out of track.

FROM SCRATCHES TO SPINBACKS:

When it's time to get your mix on, there's plenty of jog wheel to go around. Touch-sensitive and super smooth, they're not just for nudging and stalling, but feel great for scratch workouts too. RGB light rings let you know which deck is playing at a glance, and warn you when you're almost out of track.

RE-EDIT, REWORK, REINVENT:

Fire off samples, loop drum patterns, chop in vocal cuts, or even work your own productions into the mix if that's your thing. Loop any part of a track and assign it to a pad, or skip to any part of your track using Hotcues. TRAKTOR PRO's beatsync means you'll never lose the groove.

MIXER FX ONE-TOUCH DANCEFLOOR TRIPS:

Cut the kick and open a reverb, or chop things up with a dotted delay - Mixer FX are one-touch effects on each channel, great for building energy, shaping your sound, or just going wild. Choose from eight effects and three filters, and assign them to the dedicated slots on the mixer for quick access.

TRAKTOR PRO 3:

TRAKTOR KONTROL S3 comes paired with the full version of TRAKTOR PRO 3 - packed with expressive features and re-edit tools for truly unique, performative mixing.

DJ EVERYWHERE WITH iOS:

Grab a portable speaker, hook up an iPad, and take your S3 on the road with TRAKTOR DJ 2 - mix with two channels on a streamlined interface, and dig through a bottomless record crate with SoundCloud Go+ integration.

HIGH-FIDELITY, BETTER CONNECTED:

Set up and spin with punchy, pro-grade XLR and RCA main outputs with a huge dynamic range, as well as a 1/4" TRS booth output, and 3.5 / 6.3 mm headphone outputs. For hooking up a vocalist or MC, there's a dedicated combo XLR input on board, as well as an additional RCA input for mixing with external audio.