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Cat: 563671 Rel: 10 Mar 15 • View all Synth modules
 
Planar vector joystick / quad panner synth module, 14HP wide
Notes: This has to be one of the most fun modules we have ever played with! With just a few audio and CV sources and some inter dependencies (i.e use the Joystick CV to simultaneously modify the signals being processed by the VCAs) you quickly get highly complex sounds that you can easily control and play with.

This input is also very useful when coordinated with a CV recorder. You can record the modulation from the X, Y outputs and then turn the joystick off (see switch at top left) and playback the modulation into the X and Y input.

This will allow you to recreate a complex quad panning or vector mixing jam.

REVERSIBLE! The module will ship with a second faceplate that is designed to mounted upside down (so joystick is at the bottom) and there are jumpers on the back of the module so you can coordinate the reversed orientation of the joystick. This is to facilitate use in a skiff.
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 1 in stock $300.37
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Cat: 658624 Rel: 18 Aug 17 • View all Synth modules
 
Bass & drum synthesiser voice module - 14HP
Notes: The Entity Bass Drum is a complete and versatile synthesizer voice geared for designing a huge array of bass drum, percussive and synth sounds. Finally, a truly deep tool for creating analog bass drum, bass lines and other percussive effects is here!

The design consists of a high fidelity resonant filter, 2 stage slope generator (rise/fall) with independent slope shaping, a high fidelity VCA and discrete transistor saturation circuitry. Every parameter on the Entity Bass drum is voltage controllable.

By applying a trigger of any length and at least 2V amplitude, we excite the resonant filter to produce a percussive sine wave. The pitch control tunes the output with a range of 8Hz to around 2.2KHz. Both higher and lower levels are achievable using the FM input for modulation etc. The internal filter will track 3-4 octaves reliably and the tracking device is temperature compensated.

The slope generator (ENV) can be switched into the circuit via the 3 way switch below the FM LVL control. This control is a bipolar attenuator which affects the level of the slope generator and/or external modulator that affects the pitch of the output.
The 3 way switch selects FM, FM+ENV or just ENV as a mod source.

The rise/fall envelope is a two stage function generator. The controls provide slope timing from 1ms to about a minute. To the right of these controls is the shaping section where logarithmic, linear and exponential slope shapes are selected independently for the two envelope stages.

The envelope is designed to re-trigger at a set point. This allows for changing dynamics to occur to pitch and amplitude when the slope times are greater than the output transient time. For instance the sound can vary between any number of triggers that fire before the envelope set point is reached. Setting the slope time fast enough (below roughly 1 o'clock) provides for nominal operation. Settings will vary depending on trigger and ring decay timing.

The envelope can also be used exclusively or in a more complex patch via a direct +ENV output. Additionally, a novel DUCK output provides a means to control external VCAs - to work like slow compressors. DUCK is an inverted and positively offset version of the +ENV out. This keeps VCAs open when the envelope is off and effectively 'ducks' the VCA when the envelope fires. Of course, mod sources for these outputs are not limited to VCAs...

BODY is a subtle, yet novel control. This control simulates the tightness of a drum head. All the way tight, we get a softer and somewhat muted sound, to the right we achieve a more flabby sound. The middle region is the sweet spot for a nearly perfect resonant drum. BODY can have a greater effect depending on the other parameters and can be very useful for fine tuning the sound in a mix and designing original drum sounds.

RING controls the resonant decay time. Both short and plucky and an infinite ring are obtainable. The filter is tuned so that it will always resonate a little, even when RING control is all the way down.

Before the output section, we have the discrete transistor saturation. We like this because of the vintage low end distortion from overdriven class-A discrete amplifiers. This one is tuned a bit more aggressively and just a touch is necessary to add some bite. However, you can go over the top and get brutal if you so desire... ;-)
The saturator will overdrive the output stage for more of a hard clipping effect that can be tuned out by adjusting the output level control without sacrificing signal amplitude - its a hot signal by intention.

The OUTPUT section is a parallel signal processor design. The OUTPUT control blends the nominal output with a secondary input (or nothing) depending on the 2 way switch setting below the control and/or whether an external signal is patched into the AMP CV input. In 'AMP' mode, the OUTPUT control works like a volume control. If a signal is active on the AMP CV input, the control will blend between the nominal output and the CV control level. Similarly, in 'ENV' mode we get the same blending action using the internal envelope.

The VCA can also be accessed directly via the A-MIX input. This allows you to use the output section as a standalone VCA (modulated via the envelope or not) or to mix other sounds with the Entity. Feedback patching is a possibility using a stackable or mult to feed the output into the A-MIX input. This produces a juicy distortion effect of a different flavour, you may like it.

The filter can be used independently or in combination with the nominal output via the F-MIX input. This input is used as an aux trigger input that is sensitive to pulse/trigger width. As the effect is less dramatic than the main trigger, dynamic rhythms are achievable using both inputs and creative triggering.
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 2 in stock $300.37
Cat: 745924 Rel: 19 Sep 19 • View all Synth modules
 
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
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 1 in stock $301.40
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Cat: 745929 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
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 1 in stock $301.40
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Cat: 745931 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $301.40
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Cat: 743810 Rel: 08 Nov 18 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 1 in stock $302.37
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coming soon $302.44
Cat: 673542 Rel: 23 Feb 18 • View all Synth modules
 
Analogue multi-tap phaser - black faceplate
Notes: Mega-Phase 12 is an analogue stereo phaser with beefy, very vocal sound. The module is based on the effect pedal Small Stone developed by Electro Harmonix. In contrast to the classic, here you don't have four, but up to twelve stages at hand. The resonance can be picked up from different points in the signal path. Thanks to several inputs and outputs, it is possible to patch a second, external feedback loop with additional effects. Without a doubt the most flexible phaser module on the market.
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 2 in stock $302.44
Cat: 677589 Rel: 15 Oct 18 • View all Synth modules
 
Organic wavetable oscillator featuring scanned synthesis - 16HP
Notes: Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.

The wavetables are dynamically generated from a set of "objects" tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modelling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments.

To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.
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 1 in stock $303.47
Cat: 688313 Rel: 13 Jul 18 • View all PA speakers
 
Stage-ready personal PA with compact & lightweight design
Notes: As a LIVE musician, public presenter, or anyone else who's had to ensure their audience can hear them clearly, you've almost certainly run into the shortcomings of most portable live sound speaker systems. They're either too big and heavy to easily transport and set up, or they're small but don't offer the power, sound quality, and reliability you need for your most confident performances.

Push those concerns aside. Mackie's new FreePlay LIVE is the perfect personal PA for anyone who needs a lightweight and great-sounding solution for music performance and speech presentations with plenty of power on tap. It can run on either AC or battery power, with the built-in high-capacity rechargeable battery offering up to 15 hours of rich, powerful sound.

FreePlay LIVE is flexible, with inputs for your microphone, guitar, keyboard, or playback device. You can also stream music wirelessly from any Bluetooth enabled device. Plus, with the FreePlay Connect app, you get mobile freedom to control everything from levels to EQ for amazing sound in any situation and wirelessly link to a second FreePlay Series Bluetooth speaker for music playback.

So get ready to rock that coffeehouse. To host that open jam on the beach. To give that presentation to the sales team, or to lead that rally in the park. FreePlay LIVE gives you the freedom to be confident with your sound no matter where you go or what you do.
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 2 in stock $304.21
Cat: 718618 Rel: 25 Jun 19 • View all Studio monitors
 
High-resolution compact studio monitor
Notes: IK's iLoud Micro Monitors stunned an industry. Producers and engineers at every level marvelled at the performance coming from such a small setup, so IK challenged our team to push its concept even further - to design a new compact speaker to rival 5", 6" and even 8" monitors.

The result is iLoud MTM, and it changes everything about the sound, accuracy and convenience of reference monitors in today's modern studio.

Once you hear iLoud MTM, you'll find it hard to ever go back to traditional big-box speakers.

Reference-class, ultra-linear response:

The first job of any studio monitor is to deliver accurate, un-coloured sound so you can trust your mixing decisions will translate across multiple playback systems. iLoud MTM uses the most advanced DSP techniques to provide total control over the speakers' performance, delivering results simply not obtainable with traditional analogue designs.

Highs are neutral and defined, mids are clear and balanced, and lows are as balanced as ever. You can mix for hours with no ear fatigue, and the work you create will translate better than ever. And of course, it's loud, with 100W RMS total power per speaker and 103dB SPL maximum sound pressure, delivering the proven volume the iLoud brand is known for.

Extended low-end to rival larger systems:

iLoud Micro Monitor wowed the world with the bass performance it delivered from a 3" speaker that "defied physics". But iLoud MTM offers even more, with even bass response down to an astonishing 40Hz ideal for modern music styles.

iLoud MTM debuts IK's new patent-pending Physical Response Linearization (PRL) system, that uses a precise model of the enclosure's design, construction and materials, combined with electro-mechanical measurements of the real units, to correct the system's performance in real time. The result is a stunningly "firm," balanced and defined low end, to surpass the sound of speakers even twice iLoud MTM's size.

Deep bass is solid and firm - you won't believe sound like this comes from a monitor so small.

A new phase in accurate sound reproduction:

Most conventional studio monitors, even high-end designs, suffer from skewed phase response caused by traditional, phase-shifting crossovers and driver/enclosure phase alterations. The end result is an unfocused stereo image, blurry transients, and overall lack of detail. iLoud MTM leverages IK's two decades of DSP experience to offer a true phase-coherent response across the useful frequency spectrum, for unbelievably realistic, natural sound like you've never heard.

You'll hear instruments and dialogue as if it's happening live, discover more detail in your tracks than ever before, and stop wasting hours trying to EQ away issues with your mixes that were never really there. This linear-phase response is rarely found in speakers even several times iLoud MTM's price, and has to be heard to be appreciated.

Symmetrical MTM design for superior imaging and precision:

iLoud MTM uses a midrange-tweeter-midrange symmetrical design, with a pair of 3.5" high performance woofers and one 1" high definition, back-chamber loaded tweeter, which provides ultra precise, defined, point source sound that can't be achieved by traditional 2-way systems at close distances. This means an even more natural, life-like sound, where the speakers "disappear" and you can focus on the music. It also minimizes the ear fatigue caused by traditional 2- or 3-way designs, where different frequencies arrive at your ear at different times. So you can mix longer, with less effort.

iLoud MTM's design also offers exceptional sound dispersion, enhancing the transparency and neutrality of what you hear.

Instantly adjust to any room environment:

Today's studios can be anywhere, from acoustician-designed spaces to a spare bedroom. Too many speaker manufacturers keep designing for ideal acoustic environments, ideal positioning and large listening distances. But many musicians simply don't have that luxury.

iLoud MTM offers built-in acoustic self-calibration via the included ARC reference microphone, to automatically adjust the frequency response to its placement. Just set up the monitors, put the microphone in your preferred listening position, press a button and you'll instantly have a custom calibration for the sweet spot of your listening environment.

Digitally-controlled for precision audio:

iLoud MTM uses audiophile-grade high resolution algorithms and the top-of-the line A/D converters to carefully manage cross-overs, filtering, time alignment, equalization, dynamics control and auto-calibration. Totally DSP-controlled and precision time-aligned, iLoud MTM also manages the off-axis response to manage the effects of room reverberations.

***NOW INCLUDES FREE T-RACKS METERING SUITE UPON REGISTRATION WITH IK MULTIMEDIA***
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 6 in stock $305.66
Cat: 714259 Rel: 17 Jan 19 • View all Audio & MIDI interfaces
 
Premium audio interface with advanced guitar tone shaping
Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.
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 3 in stock $305.66
Cat: 745784 Rel: 09 Sep 19 • View all Synth modules
 
Analogue sequencer for CV's & trigger/gates
Notes: The Doepfer A-155 has two CV rows, each with selectable voltage range, glide and sample & hold options. Three trigger rows and a one gate row. Logic inputs for clock, reset, start and stop. It's even possible to insert external signals per step instead, overriding the CV generated by the 2nd row's potentiometer. The A-155's functions can be expanded by the A-154 Sequencer Controller, as it's an entire control unit with step number limitation, voltage controllable clock generator, variable gate length and a number of playback modes.

Features of the analogue rows (knobs):

- 8 potentiometers (knobs)
- Lower row: Scale (knob), voltage output range 0 ... ~ +6,5V
- Upper row: 1V/2V/4V (octave range switch for exact VCO control), voltage output ranges 0 ...1.0V / 0 ...2.0V / 0 ...4.0V
- Glide time (knob), same as portamento or slew limiter
- Glide Control (control input for switching glide on/off)
- S&H Control (control input for internal S&H, works like A-148)
- Pre Glide/S&H-Out (analogue output before S&H and glide unit, especially required when external audio signals are used as inputs of the lower row)
- Post Glide/S&H-Out (analogue output after S&H and glide unit)
- Lower row: external inputs for the 8 steps (switched jack sockets), control signals or audio signals may be used as inputs (allowed voltage range -5V...+12V), the knobs of the lower row are working in this case as attenuators

Features of the trigger rows (switches):

- 4 Trigger/Gate tracks with 2 rows of switches
- Toggle switches of 1-0-1 type (with middle position), which can be used to send a trigger/gate to the track above or below or to send no trigger/gate (middle position)
- 3 trigger rows (i.e. short pulse for each step set, pulse width corresponds to the pulse width of the clock/step input signal)
- 1 gate row (i.e. a high signal is applied during the length of the step set)

Control inputs and buttons:

- Step (defines the tempo of the sequence, same as clock or trigger input)
- Reset (resets all rows to step 1)
- Start (starts the sequence at the momentary position)
- Stop (stops the sequence at the momentary position)

Step and Reset are compatible to the MIDI interface A-190, i.e. in combination with the A-190 the A-155 may be synchronized via MIDI. The quantizing module A-156 can be used to quantize the infinite analogue voltages coming from A-155 into discrete semitone steps (multiples of 1/12V). Without MIDI interface e.g. a LFO rectangle output can be used to define the tempo of the sequence.

The sequencer controller A-154 adds a lot of new functions to the A-155 (e.g. voltage controlled addressing, forward/backward/pendulum/random mode, voltage control of first and last step, voltage controlled clock and gate length, step skipping, combination of several A-155 in parallel/serial mode and many more).
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 1 in stock $306.59
Cat: 671743 Rel: 18 Dec 17 • View all Synth modules
 
Gritty & aggressive Eurorack 10HP voice module
Notes: Manis Iteritas is a Eurorack 10HP voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.
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 1 in stock $306.60
Cat: 674881 Rel: 06 Feb 18 • View all Music production software
 
Complete range of features from Ableton Live 10 Suite, including new instruments, plug-ins & workflow enhancements
Notes: Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features-everything you need to make any kind of music.

Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live's Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

Sketch, tweak and experiment:
In Live's Session View you can freely mix and match musical ideas without the constraints of a timeline. Getting ideas down is lightning fast, and it's the ideal place for improvisation. You can play MIDI and audio loops of different lengths in any combination, without ever stopping the music.

Get into the details:
The Arrangement View is where you can organize music along a timeline. Put musical parts in place and build sections of your song. Get into the details without losing sight of your musical goals-whether you're developing an initial idea or arranging a full track. Or you can record everything you do in the Session View into the Arrangement to improvise your way to a finished song.

Get your ideas into Live:
Whatever shape inspiration takes, Live gives you the means to seize it. Record hardware synths, software plugins, drum machines, guitars or any audio from the real world. You can now Capture MIDI notes after you've played them, turning your most spontaneous ideas (and accidents) into music. And there's Live's audio-to-MIDI features, which let you turn drum breaks, and melody or harmony parts into MIDI patterns that you can edit and reuse with your own sounds.

Use any sounds, at any tempo:
One of the things that makes creating with Live so fluid is the ability to change the tempo and timing of any audio, in real-time, without stopping the music. We call this warping. Use warping to mix and match loops from a variety of tempos, fix timing errors in recorded performances, or radically reshape any audio into new sound design directions.

Build your sound with Live's instruments:
Live's native devices are the foundation of sound design in Live, including wavetable, FM and physical modelling synthesis. Flexible synthesis architectures with intuitive interfaces make deep programming more accessible. And you get more out of your samples with Live's pair of sampling instruments, thanks to built-in slicing and warping capabilities, multi-sampled playback and much more.

Effects for shaping ideas, designing sounds and finishing music:
Live comes with the devices you need for sparking ideas and shaping your sound. Use Live's MIDI effects for creative manipulation of your compositions. Or use Live's audio effects to get the sound you're looking for: clean up your mix with precision tools, or make a creative mess with analog-modelled noise, distortion and saturation.

Connect, extend and customize:
Live is software without limits. Although it comes with everything you need out of the box, you can adapt it to suit your own unique needs and extend it to the world around you. From add-on Packs to your own custom devices via Max, Live can be tweaked to do almost anything you can imagine.

Perform with Live:
Live provides the perfect environment for on-stage improvisation and hands-on play with your music. You can adapt and customize the way Live works to fit your performance, not the other way around.

The hub for your performance:
Use Live to pull your show together. Control external hardware, integrate outboard effects or mixing desks. Improvise on your own, resample sounds in real-time, or process audio played by others. If you're playing with multiple music applications, our technology Link can keep multiple devices in perfect time over the same network.

What's new in Live 10:
Create bolder sounds with Live's new devices. Stay in the flow with a multitude of workflow improvements. Do even more away from the computer with Push. Build your sound with a curated library. And get the unlimited potential of Max for Live, seamlessly built in.

Create with new devices:
Meet Wavetable, Echo, Drum Buss and Pedal: new devices that mean colourful new sounds are possible with Live's instruments and effects.

Stay in the flow:
You'll find improvements to Live that help you stay in the flow at every stage of your creative process, whether you're getting ideas down, organizing your setup or editing the details of your music.

Do even more from Push:
Live 10 brings new functionality and new high-res visualizations to Push. Now you'll spend even less time with the computer-whether you're composing ideas, editing MIDI or shaping and mixing sounds.
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 1 in stock $307.52
Cat: 601493 Rel: 22 Apr 16 • View all Synth modules
 
Eight output, modular control panel - 14HP wide
Notes: Highly configurable Control, Modulation, Triggering and Pattern module. 8 simultaneous Outputs and 12, individually assignable, Output types.

Output and Modulation types include Pulses, Gates, LFOs, Digital Noise, Loopable S&H modes and a collection of Arpeggios and Rhythmic Loops.

Tempo-sync for all Outputs is provided by the on-board Clock or
an External Clock Input with Tempo ranges from 20 to 270 BPM.

Outputs can be set to any Clock Division or Multiple from 1/16th
of a Beat to 16 Bars and can be Offset up to 360 Degrees.

Intuitive interface allows user-definable control over knob and parameter behavior to match the preferences of individual users.

For audio, please visit: http://www.abstractdata.biz/products/eurorack/3x/ade32/?tab=audio
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 3 in stock $307.64
Cat: 749415 Rel: 22 Oct 18 • View all DJ mixers
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


- Classic rotary mixer with 5 input channels for DJs
- Vintage ALPS potentiometers (Blue Velvet RK27)
- High-grade components ensure long life and excellent sound quality
- Gain control, cue button and source selector per channel
- 10 line inputs, 3 of which switchable phono/line
- DJ microphone channel with separate level control and 2-band EQ
- Prefader listening to input channels and the master output via adjustable headphones output, with cue mix/split function
- Master, booth and balance control
- Record output, switchable pre/post
- FX send/return for external FX unit
- Rack installation: 2 U
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 1 in stock $307.92
Cat: 558043 Rel: 25 Feb 15 • View all Subwoofers
 
Seatback tactile bass system with new optimised tactile transducers for improved accuracy and power efficiency
Notes: Accurate, immersive, and portable - the SubPac S2 is the latest addition to our line of revolutionary tactile audio systems that have quickly become essential tools for music production and enjoyment from the top studios in LA and London, to basement apartments and bedrooms worldwide. Not just for musicians and producers, the SubPac adds real depth, connection and enjoyment to whatever you play through it - your music and media comes to life with the added dimension of physical bass. Imagine standing in front of a beautifully tuned club system and feeling the bass - this is the experience the SubPac delivers, all without any external noise.

Building on the success of the original SubPac S1, our engineering team has taken a radical approach in redesigning the S2. Featuring an all-new ergonomic design with a flexible strapping solution for your chair, improved materials inside and out, newly optimized tactile transducers, improved battery life and the addition of Bluetooth 4.0 A2DP streaming for casual listening, the SubPac S2 is the most powerful and accurate seated tactile bass solution on the planet. Feeling is believing!
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 2 in stock $308.33
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Cat: 395777 Rel: 16 Jun 10 • View all Synthesisers
 
True synthesiser with analog modelling tone generator & 128 programs for immediate use - includes a full range of effects
Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.
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 2 in stock $309.32
Cat: 624114 Rel: 11 Oct 16 • View all Handheld recorders
 
Road-ready, studio-quality 192Khz/24bit compatible linear PCM recorder
Notes: TASCAM's top-of-the-line Handheld Digital Recorder, the DR-100mkIII boasts a signal-to-noise ratio exceeding 100dB, delivering the best audio performance in the history of TASCAM portable stereo recorders. Designed to meet the needs of the most demanding audio designers and engineers, this new model combines robust reliability, an updated user interface and studio quality sonic performance to deliver a truly breath-taking audio experience.

The DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. The DR-100mkIII uses two independent AK4558 ADC converters. By eliminating interference between left and right channels, signal-to-noise ratio is maximized and audio fidelity is improved. In addition, each of those AD converters can work in a Dual ADC mode. The two AD converters work in tandem then combine their results for a 109dB S/N ratio, beating the (already excellent) 102dB S/N ratio achieved when recording in standard mode. Note: As the S/N ratio when recording exceeds the S/N ratio of the entire circuit, data recorded in dual mono ADC mode will be limited to a 102dB S/N ratio when played back on the DR-100mkIII. This does not affect the S/N ratio of the actual file, which is maintained at 109dB S/N.

The XLR/TRS inputs, used to connect external mics, deliver the highest sound quality and lowest noise of any TASCAM Handheld Digital Recorder. HDDA (High Definition Discrete Architecture) mic preamps are also included to maintain a pristine audio signal path throughout. The TASCAM DR-100mkIII is a newly designed microphone housing for the directional mics is based on exhaustive research of previous TASCAM handheld recorders and achieves the perfect marriage of protection and performance. Similarly, the omnidirectional stereo microphone setup features a sound pressure level tolerance of 125dB SPL - able to withstand virtually any audio environment.

The TASCAM DR-100mkIII supports high definition recording at both 96kHz/24bit and 192kHz/24, ensuring that remote recordings achieve the same sonic fidelity as their studio-born counterparts. With a dual battery structure that features a built-in high-capacity lithium-ion battery as well as with hot-swappable AA batteries, operation is possible for extended periods of time and is ready to go when you are. Additionally, the DR-100mkIII can be rapidly charged by connecting an AC adapter and even support USB Bus power from an external battery pack commonly used to charge mobile phones and tablets.

TASCAM's exclusive Dual Level Recording function simultaneously records a secondary backup file at a lower gain level than the primary recording. This safety file, recorded at a 12db lower level protects your recording session from unexpected volume spikes and accidental overload. Marrying light weight with long-term reliability, the TASCAM DR-100mkIII's tough aluminium body ensures many years of trouble-free use. The precision of the built-in clock is crucial when digital recordings made on what device are to be used in conjunction with materials recorded on other devices, such as when combining digital audio and video assets. To ensure stability, the DR-100mkIII utilizes the same Temperature-Compensated Crystal Oscillator (TCXO) used in professional studio master recorders. Moreover, the TCXO is not affected by the temperature of the environment, critical for a portable device which must maintain its precision in support of high-quality recording.

Used in a variety of combinations, depending upon the selected function, the DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. When working on location, decisions must be made quickly and efficiently, and an intuitive and consistent User Interface is critical. By gathering feedback from users of the original DR-100 and the mkII, we have been able to add a variety of usability enhancements designed to streamline workflow and help audio professionals achieve success quickly and efficiently.

The user interface has been designed to maximize visual confirmation, and includes a large LCD screen (double the size of the screen on the DR-100mkII), dedicated status LEDs for features such as record levels and status and easy-to-read legends on the casework. Dedicated hardware controls have been implemented for the most commonly accessed features to enable quick, positive operation in the field. Dual format recording function allows simultaneous recording of both uncompressed WAV(BWF) and MP3 files. This provides the user with instant access to both the original, full resolution master file and a compressed MP3 file (with a much smaller file size) for easy emailing or posting to social media sites.
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 1 in stock $309.43
Cat: 690936 Rel: 18 Apr 19 • View all Synth modules
 
Dual-channel drum sample module - 14HP
Notes: Performance oriented Sample Drum brings you two independent drum sounds or loops with plenty of manual and CV controlled parameters. Samples are stored on the microSD card, and OLED screen makes working with samples instant and easy.

Sample Drum allows you to slice up loops directly in your modular system and rearrange them to taste. For processing, there are tuning functions (including 1 v/octave pitch tracking) and virtual VCAs plus AD envelopes. Thanks to the module's dual-channel concept, two loops can be combined. It is also possible to load one-shot samples instead of entire rhythms, of course. A total of six CV inputs guarantees lively results.

Sample Drum is composed of two identical audio players. WAV files (including cue points) are fed to the module via a micro SD card. Loops can be cut into several sections using the Data, Start and End potentiometers. The resulting slices may be played back in any order imaginable. A tune control allows real-time pitch changes. Additionally, there is a virtual VCA plus AD envelope per slice. - But that's not all! There are three CV inputs per channel, which can be routed to any parameters. It is even possible to play sounds according to the 1 v / octave standard. Results are emitted via one output per player.
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 6 in stock $309.71
Zoom H6 Handy Recorder With Cubase LE 6 Audio Production Software & 2GB SD Card (portable digital recorder + audio production software)
Cat: 495822 Rel: 05 Aug 13 • View all Handheld recorders
 
Portable digital recorder with world's first interchangeable mic system
Notes: The new Zoom H6 is a 6 input, 2 output handheld recorder, which can record up to 24bit, 96KHz audio. Zoom already has a good track record of producing high quality handheld audio recorders with their previous H4n and H2n devices.

The H6's real stand out feature is its all new interchangeable capsule system. The H6 ships with two different capsules - an XY coincident pair and a mid side mic, for continuously variable stereo width. There are also two extra attachments that can be purchased separately: an XLR/TRS Input, which offers two more inputs for external mics, and a shotgun mic.

There are four XLR / TRS combi inputs on the body of the H6, so adding the XLR/TRS Input option would allow six external microphone to be used, which could be very useful in location recording situations.

The H6 is battery powered and Zoom claim over 20 hours of operation is possible on a single set of four AA batteries.
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 1 in stock $310.19
Cat: 705246 Rel: 08 Nov 18 • View all Synth modules
 
Lo-fi oscillator featuring low-frequency basses, metallic drones & scratchy digital timbres
Notes: Ataraxic Iteritas is a 10HP voice based on the original Ataraxic Translatron but beefed up with loads more features and tonal controls. AI starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AI.
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 1 in stock $310.75
Cat: 633762 Rel: 05 Jan 17 • View all Synth modules
 
CV sequencer with eight channels, each containing up to 16 steps
Notes: 8 independent 16-stage CV sequencers packed with performance features and presets makes the Voltage Block the ultimate CV tool. Create quantized or unquantized sequences for each output, record your modulation changes, tie sequences together, mute on the fly, randomize your outputs and so much more. The Voltage Block can be used stand-alone or pairs well with Varigate 4 and especially Varigate 8+ to share clocking and preset save/recall. All in 20hp.
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 8 in stock $310.75
Cat: 743518 Rel: 01 Jan 90 • View all DJ equipment cases
 
***B-STOCK: Box opened, product unused***
Notes: When you hit the road, you want the best protection for your gear. Lightweight, durable and custom-made for your DJM-450 and XDJ-700, the FLT-450SYS is the safest way to get your DJ equipment from A to B. Plus it includes a removable cable cover that gives you easy access to your cables and connectors.
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 1 in stock $310.76
Cat: 720842 Rel: 01 Jan 90 • View all DJ lighting
 
***B-STOCK: Box opened, product unused***
Notes: Perform intuitive lighting patterns designed in Rekordbox DJ on all DMX512-supported lighting fixtures using our RB-DMX1 dedicated interface. Create and save multiple configurations in Lighting mode, then use this convertor to quickly interface your PC or Mac to DMX fixtures from a wide variety of manufacturers. Easily reconfigure the designs to suit the size of the venue or theme of the event.

Use automatically generated illuminations created by an algorithm that detects the phrases in tracks, or seamlessly customise the patterns to suit your preference. Coming complete with a license key for our DJ performance software, Rekordbox DJ, you can sync lighting sequences straight out of the box.

Compact, robust chassis:
Take the RB-DMX1 out on the road with confidence. The unit is compact and portable, yet highly robust in its seamless aluminium casing with extended edges that protect the terminals.

What's in the box:
The RB-DMX1 comes bundled with a license key for our professional DJ performance application, Rekordbox DJ, allowing you to create visuals straight out of the box. Bring your creations to the booth by connecting to DMX512-supported fixtures using the interface.

Lighting mode:
Added to Rekordbox DJ, Lighting mode lets you easily sync lights and music. Dramatically reduce pre-show prep with the automatically-generated patterns and then quickly customise them on the fly by choosing from a range of presets.

Easily connect:
Quickly connect to and control compatible DMX512 fixtures via a USB cable.
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 1 in stock $310.76
Cat: 733645 Rel: 29 May 19 • View all Synth modules
 
Complex oscillation module - 22HP
Notes: The Noisy Oscillator module is an oscillator that mixes two signals: a 'regular' wave (sawtooth/square/triangle) and a 'tonal noisy' wave. This adds a special noisy layer over the sound, that adds 'air', grit or dirt, depending on the combinations you make. The MOD parameter acts on the noisy waveforms:

- Sonar Noise: a white noise filtered by a resonant bandpass filter, with 1V/oct tracking of the filter frequency. The MOD parameter controls the resonance.
- Wind Noise: white noise filtered by a comb filter, with 1V/oct tracking of the base frequency (delay). The MOD parameter controls a 6dB/oct hipass filter.
- Arcade Noise: LFSR noise source as can be found on the SID soundchips (Commodore) or Sega Arcade games. The MOD parameter controls again a 6dB/oct hipass filter.

The noisy wave can be set equal, or 1 or 2 octaves above the regular wave.

The module has two voices, with their own set of CV and output connectors. This can be used to play in a full 2-voice polyphony, or in a 2-voice unison. The outputs can be separate, using both output connectors, or mixed, using only the connector of the second voice.

Next to the 1V/oct pitch CV, the module offers CV control over pitch (FM), the MOD parameter and the sound level:

- FM CV: pitch control normalled to 0V, attenuated with the FM knob (+ and -). This allows for Frequency Modulation up to the lower audio range. It's of course a digital module, so higher frequencies can start inducing aliasing and digital artefacts.
- MOD CV: CV control for the MOD parameter, normalled to 0V and attenuated with the CV AMT knob (+ and -).
- LEVEL CV: CV control for the sound volume, normalled to 7.5V. With this CV control you can omit an external VCA stage if you want.

The CV signals of the second voice (upper row of connectors) are always normalled to the signal of the first voice (lower row), so you can use a single LFO for some FM vibrato or tremolo on both voices, for example. Only the V/oct connector of the second voice is normalled to the first voice with an extra addition of a fixed voltage that can be set using a trimmer at the backside of the module. This way you can use the 2 voices to play in unison with a fixed pitch separation you can set on the backside.
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 3 in stock $310.76
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quote 733645
Cat: 622118 Rel: 20 Oct 16 • View all DJ turntables
 
High quality direct drive turntable with USB interface
Notes: Drawing on our heritage in making high-quality decks, the PLX-500 inherits the layout of the PLX-1000 professional turntable and produces warm, clear analogue sound. The high-torque deck is ideal for scratching and comes with everything you need including a cartridge, stylus and slipmat, and its USB out means you can easily make high-quality digital recordings of your vinyl collection in our free rekordbox software. You can use the PLX-500 and the rekordbox dvs Plus Pack to play and scratch digital files when you combine them with a compatible DJM mixer and the RB-VS1-K Control Vinyl. And you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match your set-up or the design of your home.

High-quality analogue vinyl sound:
The PLX-500 series inherits design features from the PLX-1000 professional turntable to produce the high-quality sound you expect from vinyl. The shortest possible audio routing from the stylus to the outputs reduces distortion, and the phono and line outputs mean you can connect directly to your sound system or powered speakers to enjoy warm sound.

Easy digital recording:
An in-built USB output means you can record your vinyl collection to high-quality digital WAV files by simply connecting the PLX-500 to your PC or Mac. Digitising your tracks is easy using our free rekordbox application and, once they're in your rekordbox collection, you can play them using the PLX-500 and a rekordbox dvs set-up, or on a DDJ controller, or on CDJs via USB. You can also enjoy them on your mobile devices whenever you want.

Using its audio analysis technology, rekordbox detects the silence between tracks and creates a separate file in your collection for each one, so you can just press play and record a whole album from an analogue source to individual tracks without resetting the recording in between songs. After you've finished recording you can name and tag all your new tracks.

How to record your vinyl to high-quality digital files:
- Connect the PLX-500 to your computer with a USB cable.
- Open our free rekordbox application (version 4.2.1).
- Click the record button in the software and it enters Record Standby mode.
- Press play on the PLX-500. rekordbox begins recording when the music starts and ends when the track finishes. If you're recording several tracks, they will be automatically recorded separately.
- When you've finished your recording session, press stop. A window opens in rekordbox where you can enter information for each track including name and artist. The tracks then appear in your rekordbox collection and you can search for them by name, artist etc.

High-torque direct drive turntable for DJ performances and rekordbox dvs:
The high-torque, direct drive PLX-500 is ideal for mixing and scratching on. You can also combine it with the rekordbox dvs Plus Pack to play and perform with your digital files when using a compatible DJM mixer and the RB-VS1-K Control Vinyl (available separately).

Dust cover with record sleeve stand:
You can enjoy the vinyl sound of your records and their artwork at the same time thanks to the dust cover that incorporates a stand for displaying record sleeves when open.

Layout inherited from the PLX-1000 professional turntable:
The PLX-500 inherits its slick design from the professional PLX-1000 turntable and you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match the colour of your gear or the interior of your home.

How to use rekordbox dvs:
Buy the RB-VS1-K Control Vinyl from a Pioneer DJ authorised dealer .Visit rekordbox.com to download the latest version of rekordbox for free, then buy rekordbox dj (€139) and rekordbox dvs (€129) licence keys. Alternatively you can subscribe to rekordbox dj for €9.90 per month and get rekordbox dvs as part of your subscription plan. Find out more about rekordbox dvs.
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 3 in stock $310.76
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quote 622118
Cat: 622119 Rel: 16 Sep 16 • View all DJ turntables
 
High quality direct drive turntable with USB interface
Notes: Drawing on our heritage in making high-quality decks, the PLX-500 inherits the layout of the PLX-1000 professional turntable and produces warm, clear analogue sound. The high-torque deck is ideal for scratching and comes with everything you need including a cartridge, stylus and slipmat, and its USB out means you can easily make high-quality digital recordings of your vinyl collection in our free rekordbox software. You can use the PLX-500 and the rekordbox dvs Plus Pack to play and scratch digital files when you combine them with a compatible DJM mixer and the RB-VS1-K Control Vinyl. And you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match your set-up or the design of your home.

High-quality analogue vinyl sound
The PLX-500 series inherits design features from the PLX-1000 professional turntable to produce the high-quality sound you expect from vinyl. The shortest possible audio routing from the stylus to the outputs reduces distortion, and the phono and line outputs mean you can connect directly to your sound system or powered speakers to enjoy warm sound.

Easy digital recording
An in-built USB output means you can record your vinyl collection to high-quality digital WAV files by simply connecting the PLX-500 to your PC or Mac. Digitising your tracks is easy using our free rekordbox application and, once they're in your rekordbox collection, you can play them using the PLX-500 and a rekordbox dvs set-up, or on a DDJ controller, or on CDJs via USB. You can also enjoy them on your mobile devices whenever you want.

Using its audio analysis technology, rekordbox detects the silence between tracks and creates a separate file in your collection for each one, so you can just press play and record a whole album from an analogue source to individual tracks without resetting the recording in between songs. After you've finished recording you can name and tag all your new tracks.

How to record your vinyl to high-quality digital files:
- Connect the PLX-500 to your computer with a USB cable.
- Open our free rekordbox application (version 4.2.1).
- Click the record button in the software and it enters Record Standby mode.
- Press play on the PLX-500. rekordbox begins recording when the music starts and ends when the track finishes. If you're recording several tracks, they will be automatically recorded separately.
- When you've finished your recording session, press stop. A window opens in rekordbox where you can enter information for each track including name and artist. The tracks then appear in your rekordbox collection and you can search for them by name, artist etc.

High-torque direct drive turntable for DJ performances and rekordbox dvs
The high-torque, direct drive PLX-500 is ideal for mixing and scratching on. You can also combine it with the rekordbox dvs Plus Pack to play and perform with your digital files when using a compatible DJM mixer and the RB-VS1-K Control Vinyl (available separately).

Dust cover with record sleeve stand
You can enjoy the vinyl sound of your records and their artwork at the same time thanks to the dust cover that incorporates a stand for displaying record sleeves when open.

Layout inherited from the PLX-1000 professional turntable
The PLX-500 inherits its slick design from the professional PLX-1000 turntable and you can choose between the black (PLX-500-K) and white (PLX-500-W) versions to match the colour of your gear or the interior of your home.

How to use rekordbox dvs:
Buy the RB-VS1-K Control Vinyl from a Pioneer DJ authorised dealer .Visit rekordbox.com to download the latest version of rekordbox for free, then buy rekordbox dj (€139) and rekordbox dvs (€129) licence keys. Alternatively you can subscribe to rekordbox dj for €9.90 per month and get rekordbox dvs as part of your subscription plan. Find out more about rekordbox dvs.
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 2 in stock $310.76
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quote 622119
Cat: 624463 Rel: 16 Sep 16 • View all Synth modules
 
Chord Polyphonic Oscillator Module
 2 in stock $310.76
Cat: 642661 Rel: 03 May 17 • View all DJ mixers
 
2-channel mixer with built-in USB soundcard, Magvel crossfader & sound colour FX filter
Notes: The DJM-250MK2 has inherited some of the professional features of the popular DJM-900NXS2, such as the Magvel crossfader and Sound Colour FX filter. Straightforward controls, a clear layout, and dedicated 3-band isolators let you scratch and mix instinctively.

The dithering technology on this mixer results in warm, high-quality audio from both analogue and digital sources. Plus, its built-in sound card lets you connect the mixer to your PC/Mac and use Rekordbox DJ to perform with CDJs. Or hook up the DJM-250MK2 to turntables and use Rekordbox DVS in combination with our control vinyl to scratch and mix with digital files stored on your computer.

Clear Layout & Magvel faders:
The clear layout of the DJM-250MK2's lower half gives you freedom to perform complicated scratch techniques. Our robust Magvel Faders ensure smooth control over long-term use. 2 metal shafts support the fader knobs, while the contact-free magnetic system is designed to endure millions of movements.

Smooth Mixing:
Precise, fluid mixes are a breeze using the mixer's channel faders, and the 3-band isolators give precision across the highs, mids and lows. You can use them to totally eliminate each frequency range when you turn the knob all the way to the left.

Flagship Filter FX:
Each channel comes with its own dedicated Sound Colour FX filter, a feature inherited from the DJM-900NXS2 mixer. Simply turn the knob on each channel to apply the filter, Twist the parameter knob for texture, playing with resonance and tension.

Built in USB Sound Card:
Connect the DJM-250MK2 to your PC/Mac using a single USB cable. The USB connection supports sound input and output, so you can record your mixes to your computer's hard drive.

Rekordbox DJ bundled:
You get a free Rekordbox DJ licence key bundled with this mixer. Simply activate your licence key for our DJ software, connect to your computer via USB, and start DJing.

Rekordbox DVS bundled:
You also get a free licence key for Rekordbox DVS included in the box for low-latency scratching with CDJs and XDJs. Or play and scratch with tracks from your Rekordbox library using analogue turntables and the Control Vinyl (sold separately).


High Quality sound:
Hear the true, high-quality sound of your tracks whether you're playing from digital or analogue sound sources thanks to the mixer's dithering technology.

Two headphone outputs:
The DJM-250MK2 lets you plug both an 14-inch stereo jack and 3.5-mm mini jack. Pick your size or attach 2 headphones when playing back-to-back.

Flexible connectivity:
The XLR terminal and RCAs deliver premium sound quality on all connections. And the signal GND terminal easily attaches ground wires from analogue turntables.
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 3 in stock $310.76
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quote 642661
Cat: 644208 Rel: 06 Apr 17 • View all Synth modules
 
High density octal linear VCA module - 18HP
Notes: VC8 is a high density VCA module designed to give you a large number of VCAs with CV level and OFFSET control, along with optional VCA controlled dual sub-mix capability.

The VC8 combines eight high-class VCAs with linear characteristics in one module. Each channel offers a modulation input plus attenuator, a bipolar offset potentiometer and a level LED. Routing options enable the user to create sub-mixes of four channels.
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 1 in stock $310.76
Cat: 743514 Rel: 01 Jan 90 • View all Studio mixers
 
***B-STOCK: Box opened, product unused***
Notes: Designed for permanent installation, the TASCAM MZ-372 offers versatile routing, mixing, and control of multiple audio sources in an attractive easy-to-operate 3U package. For maximum flexibility, source content can include music, spoken word (microphone), turntable, and more - all easily controlled via familiar sliders and assignment controls.

Flexible I/O:

The MZ-372 allows multiple audio sources (19 total) to be mixed, muted, and routed to two (2) redundant outputs, controlled by familiar volume sliders and assignment buttons. Input signals can be inserted via six (6) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs, and six (6) XLR inputs for a total of twelve (12) sets of RCA-type inputs and six (6) XLR inputs. In addition, channels 2/3/4 can be set to accommodate phono-level signals for use with a turntable. Lastly, and located conveniently on the front panel, one additional XLR input is available driving a studio quality mic preamp and ducking circuit for easy voiceover and announcement work.

Multiple Zone Outputs:

Twin outputs each feature a combination of balanced XLR or RCA unbalanced connectors for easy integration into virtually any audio system. This flexibility allows combinations of microphones, CD/DVD/Blu-ray players, instruments - or any other audio source - to be selected or muted, and sent simultaneously to the dual outputs, each with its own volume control. Finally, the convenient "talkover" function will automatically lower any mixed channel source, so the microphone connected to the front panel can easily be can be heard in whichever zones you choose.

Easy, Immediate Control:

Familiar volume sliders, switches/buttons, EQ knobs, and mute buttons make the MZ-372 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event or music performance capturing easy. The Booth outputs provide another stereo feed with independent control for additional monitoring.
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 1 in stock $310.76
Cat: 659963 Rel: 21 Sep 17 • View all Synthesisers
 
Synthesiser based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - grey edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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Cat: 743521 Rel: 01 Jan 90 • View all Synth modules
 
***B-STOCK: Box opened, product unused***
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $310.76
Cat: 743522 Rel: 01 Jan 90 • View all Studio monitors
 
2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer & 1" dome tweeter - white
Notes: Channelling the spirit of the legendary Yamaha NS10 nearfield speakers, the HS5I monitors offer exceptional detail and clarity with a superb flat response.

This edition of the best-selling HS5 Monitor Speaker includes built-in mounting points, making it compatible with two optional bracket types for wall and ceiling mounting - offering the flexibility needed for a wider range of sonic environments.

Highly Efficient Transducers:

The HS Series features newly developed transducers that achieve astonishingly smooth response over a wide bandwidth. These transducers utilise an advanced magnetic field design that regulates the flow of magnetic response to provide seamless, natural sonic transitions. Every component's materials and design have undergone an extensive cycle of development, re-examination and optimisation resulting in staggering gains in signal reproduction accuracy across the audio spectrum.

Low Resonance Enclosure Design:

The enclosures are constructed from a specific dense and resilient MDF with a damped acoustic response perfectly matched to reference monitoring. Drawing from over a century of acoustic piano making, Yamaha have employed a traditional 3-way metered-joint technique. Common to architectural design, this construction firmly anchors the corners of the enclosure to dramatically improve durability and eliminate unwanted resonance.

Wide Range of Applications:

The 'I' Editions of the HS Series feature flexible mounting options that help bring a stylish aesthetic and classic HS sound to a more diverse range of installed applications.
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Arturia V Collection 6 Software (boxed) (virtual instrument software)
Cat: 672790 Rel: 21 Dec 17 • View all VST instruments & samplers
 
Ultimate collection of vintage keyboards & synthesisers, comprising of 21 virtual instruments
Notes: The ultimate synth, organ, piano, and performance keyboard anthology. 21 seminal instruments, supercharged, and at your command.

Bringing together over 100 years of landmark keyboard instruments in one software package, the sounds behind every hit, every genre, and every musical movement are now at your fingertips. Painstakingly recreated in beautiful detail, every single instrument in V Collection 6 will blow you away.

Using advanced technologies, easy-to-use graphical interfaces, and a strong focus on presets by working with some of the world's best sound designers, V Collection 6 will give you the inspiration you've always dreamed of.

Whichever instruments you use you can be sure of one thing: Arturia paid tribute to the original machine, built upon this legacy, and added a new generation of features opening new possibilities to the contemporary musician.

Fabulous Four:

Pooling together the combined knowledge, talent, and musical vision of many of the world's finest sound designers, your new instruments will sing straight out of the box.

Buchla Easel V:

Don Buchla's leftfield analog synth from 1973, the Music Easel changed the way people created sounds with performance-focused parameters, putting the focus on the artistry of being a recording artist. Perfect for exploring alternative sound design, creating ambient, widescreen textures, and unfamiliar sequences. Taking Buchla's experimental vision one step further, Arturia have incorporated Gravity, a physics-based synth engine into their software recreation, letting you take music where no one has gone before.

DX7 V:

The Yamaha DX-7 needs no introduction, and its legacy is felt in charts around the world to this day. If you've ever listened to the radio, watched a film, or owned any 80s records, you'll have heard the DX-7. Notoriously tricky to program, Arturia's recreation simplifies the process by vastly improving the interface, and expands its synth capabilities with a mod matrix, customizable envelopes, extra waveforms, a 2nd LFO, effects, sequencer, arpeggiator, and more.

CMI V:

Known as the mother of all samplers, and a groundbreaking additive synth, the Fairlight CMI truly redefined pop music production following its release in 1979. Arturia's recreation builds on the features of the original by providing 10 multitimbral, polyphonic slots to design your sound, real-time waveform shaping, effects, a sequencer, and even a brand new "Spectral" synth that can scan and mix sections of audio, letting you create your own wavetable synth sounds.

Clavinet V:

Arguably the most famous, influential electric keyboard of all time, the legacy of the Clavinet is everywhere. Released by Hohner in the mid-60s, its funky, energetic tone gave life to myriad genres over the decades. From disco to R&B, prog rock to pure, unadulterated pop, the percussive, soulful sound of this legendary performance keyboard is reborn in Clavinet V. Arturia's physically modelled recreation lets you dig deeper into the instrument, changing the physical properties of the instrument, and adding classic amp and effects combos into the mix.

Developments:

V Collection 6 not only includes new instruments, but features major updates to the other included instruments. That equates to a complete collection of 21 vastly different yet powerful tools to craft your next audible masterpiece.
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 1 in stock $310.76
Cat: 704118 Rel: 11 Jan 19 • View all Filters
 
Nexus for effects pedals & Eurorack effects modules
Notes: Are your effects chains suffering from radioactive decay? The Transmutron allows you to combine pedals (and Eurorack effects) within its sonic reactor to create new and exciting compounds! Different results can be achieved using one of three modes: Fission (crossover filter), Fusion (crossfader), and Fallout (resonant wide-notch filter).

In the primary mode, Fission, the signal from your guitar, bass, synth, or drum machine is split into separate frequency bands, sent simultaneously to different effects, and then recombined to a single output (or two separate outputs). The Splitpoint parameter can be controlled manually or with an expression pedal, and simultaneously injected with a control voltage (CV) source for extremely dynamic reactions!

In Fusion mode, the Splitpoint instead acts as a pre-FX level crossfader, rather than splitting the signal into separate bands. This allows for less extreme blends, especially when modulating. In the third mode, Fallout, a resonant wide-notch filter is applied to both pre-FX channel signals, cutting a hole and creating a phasing-wah effect when using an expression pedal or LFO to sweep the Splitpoint back and forth.

To further shape the signals sent to your effects, the Transmutron is equipped with dedicated hi and low cut filters. In Fission and Fallout modes, the cutoff frequencies of these filters also define the end-to-end sweepable range of the Splitpoint parameter and its centre frequency. The filters have selectable slopes of 12, 24, or 48 db/oct, which also affects the crossover filter, and greatly enhances the resonance of the wide-notch filter. If further separation of the parallel FX channels is needed, a dedicated phase switch is on-hand.

Both FX channels have two sets of sends and returns: 1/4-in for guitar pedals and line-level effects, and 3.5mm for Eurorack level processing. For each channel, the 1/4-in and 3.5mm FX loops can be used simultaneously, as they are in series (3.5mm then 1/4-in). The FX sends are half-normalled so they can be used as buffered copies without affecting the returns. Additionally, the 3.5mm FX loops for each channel can be independently switched to pedal/line-level using internal dip switches, which allows for seamless integration with the Boredbrain Patchulator 8000.

How complex the reaction is up to you! From simple tone shaping using only a couple effects, to interconnected combinations of pedals and Eurorack modulation madness, the Transmutron is just the tool you need to reactivate your effects!
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 3 in stock $310.76
Cat: 662216 Rel: 04 Oct 17 • View all DJ headphones
 
Flagship professional over-ear DJ headphones - silver
Notes: Stay on top of your game with the HDJ-X10, designed with input from professional DJs to serve you in every circumstance, from festivals to clubs. The HDJ-X10s are the world's first DJ headphones1 to produce high-resolution sound ranging from 5 Hz to 40 kHz, allowing you to hear frequencies other DJ headphones can't reproduce. Make an even deeper connection to the music.

The polyurethane leather ear pads and headband cushion are resistant to deterioration thanks to the use of nano coating2, so you can easily wipe off sweat and dirt.

The HDJ-X headphones are designed to be flexible. Their swivel mechanism allows you to wear them comfortably, whichever way you prefer, for long periods of time. Don't worry about bumps and knocks during transport as these DJ headphones can handle severe conditions and heavy use. They even cleared the US Military Standard Shock test.

High-quality audio design:
The HDJ-X10s are the world's first DJ headphones to produce high-resolution sound ranging from 5 Hz to 40 kHz, allowing you to hear frequencies other DJ headphones can't reproduce.

Rigorously tested:
Even on the road, your headphones will handle severe conditions and heavy use. Durable metal is used in the moving parts, enabling a strong construction that cleared even the US Military Standard Shock test.

Nano coating:
The polyurethane leather ear pads and headband cushion on the HDJ-X10 headphones are resistant to deterioration thanks to the use of nano coating, a world first for DJ headphones, so you can easily wipe off sweat and dirt.

Comfortable fit:
These headphones are comfortable to use no matter how you wear them. The housing design reduces pressure on your head, while its outside texture enhances grip. To help you find the perfect fit, they also feature a flexible, durable headband and a flexible swivel.

Solid, refined design:
All the HDJ-X headphones feature a refined look and durable construction. Choose from black or silver versions to complete your desired look.
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Cat: 632730 Rel: 14 Nov 16 • View all Audio & MIDI interfaces
 
10-in/14-out desktop USB audio interface with high performance Burr Brown converters
Notes: INCLUDES 500 POUNDS WORTH OF PLUG-INS AND CREATIVE SOFTWARE:

When you buy any Audient product you will also receive over 500 pounds worth of plug-ins and creative software with ARC - Audient's creative hub. Included in this offer is Eventide's Ultrachannel and Ultrareverb plugins (350 pounds), Steinberg's Cubase LE and Cubasis LE2 (for iOS), 10 free masters for automated mastering service LANDR (120 pounds) and 2 free courses and a 20 pounds voucher for online audio educators Producertech.

***OPEN TO NEW AND EXISTING CUSTOMERS***

***ALL YOU HAVE TO DO IS REGISTER YOUR PRODUCT AND TAKE ADVANTAGE OF THESE GREAT OFFERS FOR FREE!***

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD22, you're always guaranteed the same world class Audient sound.

Brilliance on the inside enables brilliance on the outside:
iD22 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Grows with your needs:
iD22 is more than just a two in, six out interface. As your system grows iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via an eight-channel mic pre such as our ASP880.

You can't unhear quality:
During iD22's development we discussed ways in which we could showcase iD22's versatility in a variety of genres. We were so confident you could make a release quality recording with iD22 we decided to get out in the field and record three different artists varying in style. Listen to the result for yourself...

Integrate your outboard:
Two fully balanced insert points enable you to bring your outboard gear in from the cold and prior to conversion. Insert your favourite compressors or EQs and start creating vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.

Customise your control surface:
iD22 has a range of incredibly flexible console style monitor control functions such as mono, polarity, dim, cut, speaker select, talkback & cue mix monitoring. We know how important it is to focus on the music and to make tracking as simple as possible we added three programmable function keys. No more time spent searching for software controlled features, just assign the monitoring functions you need to the three hardware function keys and allow the creativity to flow. Real hardware control at your fingertips!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD22 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Discover just how simple it can be:
We understand the need to keep things simple and iD22's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD22 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD22 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD22 will stand up to countless late nights in the studio and days on the road.
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FORTHCOMING
Norah Jones (Deluxe Edition)
Cat: AAPPNJBOX 33. Rel: 30 Sep 19
 
Jazz
coming soon $311.79
FORTHCOMING
Box Set
Box Set (5xCD box)
Cat: ???. Rel: 07 Oct 19
 
Ambient/Drone
coming soon $311.79
Cat: 690948 Rel: 19 Sep 18 • View all Synth modules
 
Synth voice module for ultimate acid basslines - 14HP
Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.
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Cat: 548432 Rel: 18 Sep 14 • View all MIDI controllers
 
MIDI foot controller featuring 10 foot pads with smart sensor technology
Notes: SoftStep is a leap forward in the evolution of MIDI foot controllers. 10 pads equipped with Smart Sensor technology each send up to 6 unique messages in 3 dimensions for unparalleled control.

SoftStep Basic Editor is an easy way to program presets taking advantage of the most commonly requested sources and messages.

SoftStep Advanced Editor allows you to take full advantage of the power and flexibility of the SoftStep. More fully featured than the Basic Editor, the Advanced Editor is for users who want to get the very most out of their SoftStep.

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Cat: 738777 Rel: 29 Jul 19 • View all Synth module accessories
 
6U 104HP black Eurorack case
Notes: Supplied with an incorporated power supply fixed on the left side of the box.

Sides are made of 5mm thick Plexiglas.

The frame is made of aluminium with a sanded black finish for less scratches.

Rails are black.

- 104HP
- Depth of the box: 6cm
- Depth of the box along the 5HP of the power supply: 4cm
- Power consumption: +12V : 1.5A ; -12V : 1A ; +5V : 0.5A
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Cat: 620696 Rel: 10 Aug 16 • View all Synth modules
 
Analog compressor and tone shaper synth module in Eurorack format - 18HP wide
Notes: Analog coloring compressor module:

- 100% analog signal path and sidechain feedforward compressor
- Unique (log based RMS) detector
- Output routed through a specially selected Edcor transformer with highly desirable saturation qualities.
- Three carefully designed analog circuits to impose specific character on the output signal:
- TUBE adds non-linear distortion providing second order harmonics
- TAPE adds symmetrical distortion providing both even and odd harmonics
- XFRM modifies the transformer feedback circuit, giving a boost to low bass content
- All three color circuits can be engaged in any combination to react differently based on the input drive level and makeup gain
- Sidechain routed through a voltage controllable SVF filter with LP, BP and HP modes. A trimmer on the PCB allows you to adjust Q. This filter can be used independently of the rest of the module.
- External sidechain input allows triggering of the compressor with external sources.
- Link IN/OUT allows two Jellysquashers to be chained together for stereo operation.
- Full CV control of sidechain cutoff, threshold, ratio, attack time, release time, and makeup gain.
- Wet/Dry control allows for "New York" style compression where there is a blend of the dry and compressed output signal.
- LED bargraph with selectable display modes to view the signal level in VU or the gain reduction in dB.
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 2 in stock $311.79
Cat: 641954 Rel: 28 Feb 17 • View all Synth modules
 
Comb oscillator, VOSIM, summation synthesis & phase modulation with adjustible waveform & wave folder
Notes: Loquelic Iteritas is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control. It creates a huge variety of sounds parameterized by four tone and two pitch controls.

It has had glowing reviews from Surgeon and Surachai, and I am personally very excited about this module!

It has a simple interface, with 3 different synthesis algorithms allied to a number of different controls / CV inputs which have different effects, depending on which mode you choose. Simply hook up a number of modulation sources to the 4 inputs and start wiggling!

Rev.2 now features an additional sync input.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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FORTHCOMING
Mackie Pro FX12 v3 Mixer With Built In Effects, USB Recording Interface & Software Bundle
coming soon $311.79
Cat: 525484 Rel: 02 Jul 14 • View all DJ mixers
 
Professional 4 channel DJ mixer with internal sound card, packaged with DJ software
Notes: The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format.

This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n' play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer.

Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls.

The main mix output and mic input are on professional standard balanced XLR's, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters.

Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory.

Xone:23C comes with Mixvibes Cross LE Software, providing DVS control (requires reconfiguration of internal jumpers) and plug n'play mapping for Xone:K series controllers.

96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer.

X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control.

At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and 'mild to wild' resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system.

Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching.

Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control.
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Cat: 660467 Rel: 24 Jan 18 • View all Synth modules
 
Frequency Shifter/Ring Modulator/Phase Shifter with wavetable modulation - 14HP
Notes: The E560 is a triple-mode effects module: a thru-zero frequency shifter, a phaser, and a ring modulator. What sets the E560 apart from other DSP effect modules is the unique carrier wave morphing feature. Traditional frequency shifters and phasers use sine waves as the carrier/modulator, but the E560 has eight different carrier waves that can be continuously cross-faded to create never-before heard soundscapes. The eight carrier waves are specifically selected to give the widest sonic palette, from simple frequency shifts, to 64-note "pattern sequences," to extreme harmonic content.

There are three operating modes available: Shift, RM, and Phase.

SHIFT is a frequency shifter that can shift thru-zero with two simultaneous outputs (down and up). Like traditional frequency shifters, a sine carrier will generate a smooth shift but the E560's seven other waves will generate a vast array of harmonic content and even patterns of evolving timbral shift.

RM is a standard ring modulator (4-quadrant multiplying VCA) with a twist: the two outputs are always forced into quadrature (90 degree phase shift). The eight carriers can produce everything from tremolo effects to gating to high degrees of distortion.

PHASE is an E560 exclusive mode. The audio input is applied to an eight-stage all-pass network. The two audio outputs are in quadrature, but in turn phase shifted from 0 to 360 degrees relative to the input. Not only that, the "vector" the phase shift follows is the data in the carrier wavetable. The phase shifting can be linear (saw wave), traditional (triangle), or bouncing all over the place (64-random phase waveform).

Not only do you have full control over the chosen effect, but also the Wet/Dry mix, and applying either positive or phase-inverted (negative) feedback, this introduces peaking at certain harmonics or cancellation of those harmonics. Applying a slow LFO to the feedback CV can produce a wide range of constantly changing spectral content.

There are four CVs available to control the E560 in real-time. All four of the panel controls have a corresponding CV input, so that you can "turn" all 4 knobs at once by applying 4 CVs.

The E560 is another unique DSP-based module that has no equal in the modular world, in any format. If you're stuck in a musical rut and looking for a new module with a wide range of sounds, the E560 might be exactly what you're looking for.
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 2 in stock $312.83
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