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Notes: The 4-channel iNUKE NU4-6000 power amplifier packs 6,000 Watts (4 x 1,600 Watts @ 2 Ohms; 2 x 3,000 Watts @ 4 Ohms) into exceptionally lightweight (12 lbs/5.5 kg) and rack mountable packages. Now you can run your stereo full-range mains plus two separate monitor mixes with this one exceptionally lightweight, rack mountable powerhouse. Or, you may want to operate your subwoofers in Bridge mode (3,000 Watts) and run you mid/high packs in mono Bi-amp mode (2 x 1,500 Watts).

The highly versatile iNUKE NU4-6000 gives you options, and lots of them. And because the NU4-6000 is so much more efficient than conventional designs, it runs cooler and doesn't require the massive heat sinks and heavy toroid transformers typically associated with its conventional counterparts. Thanks to our "Zero-Attack" limiters, which offer maximum output level with exceptionally-reliable overload protection, you can run the NU4-6000 full-out for hours on-end. Our revolutionary high density Class-D technology, combined with ultra-efficient, switch-mode power supplies, ensures this feather-light powerhouse will drive your rig effortlessly for many years to come.

Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment.

The front panel controls and indicators provide your system's vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Clip LEDs to indicate when the signal is distorted and you need to reduce the input signal.

Just as elegant as the front, the rear panel is home to the combo XLR and 14 " TRS Input connectors, making the iNUKE compatible with virtually any source, balanced or unbalanced. Professional twist lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers. The rear panel is also where you'll find the switches that enable the NU4-6000 amp to run in your choice of dual mono, stereo or mono bridge mode.

The NU4-6000 features a built-in 3-way Crossover, which is selectable as: Full-Range mode, where the output is sent unfiltered to your loudspeakers; LF mode, which sends the low-frequency content (<100 Hz) to passive subwoofers, or HF mode, where the high-frequency content (>100 Hz) is channelled to your full-range loudspeakers.

Sporting massive output ratings, lightweight Class-D technology, an equally lightweight price tag - and all the amenities a professional audio engineer could ask for - the iNUKE NU4-6000 power amplifier is a serious amp for your most demanding applications.

Notes: The ULTRADRIVE PRO DCX2496 is the answer to making your venue sound like it was tuned by the pros. Over the past years the DCX2496 has become an industry standard and several hundred thousand units have been employed in high-end touring as well as install applications. The DCX2496 is the perfect way to manage a multi-speaker sound system in any sized venue - from cinema to sanctuary to concert hall. Featuring 2 inputs, 6 outputs and 24-bit/96 kHz high-end AD/DA converters, this state-of-the-art processor will take your system to the next level and beyond.

Superb Connectivity and Impeccable Sound Quality:

Start with the DCX2496's analog inputs (one suitable as a digital stereo AES/EBU input) and 6 analog outputs - you get maximum flexibility in just one rack space. Superb high-end Cirrus Logic* 24-bit/96 kHz A/D - D/A converters give you ultimate signal integrity - and an extremely-broad dynamic range of 120 dB!

Huge Processing Power:

Speaker protection and processing are the cornerstones for any speaker management system. The DCX2496 features precise dynamic EQs for level-dependent equalization, plus extremely musical parametric EQs that can be applied to all I/O for high-precision signal sculpting. 6 outputs with individual crossover filters, including your choice of Butterworth, Bessel and Linkwitz-Riley designs, each with selectable roll-off characteristics from 6 to 48 dB/octave - perfect for optimizing any 2, 3, or 4-way system. Finally, our "Zero"-attack limiters provide the ultimate in loudspeaker protection on all output channels.

Limitless Control:

In addition to the plethora of EQ filter and crossover options, the DCX2496 offers adjustable delays for all I/O, allowing you to either manually, or automatically correct for room temperature, phase and arrival time differences in order to perfectly configure your delay-line speakers. A PCMCIA slot is provided for storing up to 60 user-defined presets internally, or optionally via your PC for instant recall when moving between multiple venues. The DCX2496 gives you the rock-solid solution for great sound - show after show!

Incredible Sound and Protection Every Time:

The ULTRADRIVE PRO's sleek design, with its high-power 32-bit Analog Device Sharc DSP, ultra-high resolution AKMr 24-bit/96kHz AD & DA converters and maximum processing power provide outstanding audio performance, helping you get the most out of your sound system - no matter where the gig takes you!

Notes: Typically excellent stuff from Blue Lantern Modules. Proper versatile VCO that also goes slow enough to handle LFO duties, with a wealth of FM, sync and modulation options plus sub-osc output.

Supplier's notes:
This product produces continuous wave forms that can be used as an LFO or audio rate VCO. There are 11 possible wave form outputs. This is a discrete, triangle core design based on the Bergfotron 'Advanced' VCO. This particular version uses a VCA based exponential converter for the core 1v per octave converter.

11 Wave Form Outputs: Ramp, Double Saw x2 Frequency, Sine with Level Out, Triangle, Saw, Even Harmonic, Pulse with PWM, Falling Stairs, Folded Triangloid, Pulse Train, Sub Generated Pulse Output (Divider)

Model: BLM Lunar Modulation Lab VCO
Analog Oscillator, LFO,VCO
Width: 18hp
Current: +91mA,-61mA

Notes: 3-speed full manual turntable with quartz-controlled, direct drive, high-torque motor.

- Selectable quartz-controlled pitch lock
- Quick start
- Adjustable start/stop time
- 2 large start/pause buttons
- Reverse run
- Plug-in LED target lamp
- Adjustable anti-skating
- Tone arm height adjustable
- Shock-absorbing and adjustable feet
- Switchable phono/line output
- Extremely resonance-free due to optimally combined components
- Platter and motor are directly connected for highest stability
- Recessed connections for easy case mounting
- Includes slipmat and RCA cable
- Does not include dust cover and pick-up system

Notes: Alter is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 1. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y).
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input
- Mono input is made stereo within the DSP and outputs to both left and right channels
- Stereo outputs for right and left channels

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 1 are as follows:
1 - long delay
2 - tight, notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion multi-filter
6 - pitch delay
7 - stutter glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

Notes: Alter 2 is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 2. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and filter as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects.
(note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y.)
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 2 are as follows:
1 - Analogue delay
2 - Reverb with infinite capture and LP + HP filters
3 - Choral reverb
4 - Palindrome reverse delay - backward/forward repeat
5 - Time stretch
6 - Pitch shift (notated semi-tones)
7 - Time stretch glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

Notes: MS20 based Filter with Modulation and Multiple Delay features

Description:

8bits loop delay
Based on vintage ehx16 seconds delay
Modulation with 8 waveforms
Ms20 low pass VCF
Extra Dub Delay in filter feedback
Reverse , slow and hold/infinite
Up to 64 seconds delay time

Size: 26 HP

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Stylish and compact speakers with powerful 200-watt amplifier built in. Impressive 50 Hz - 20 kHz frequency response courtesy of 5.25-inch kevlar woofer and 1-inch silk dome tweeter.

Supplier's Notes:
Satisfy your craving for powerful, full-impact sound with YU6. Armed with a formidable Class D amplifier pumping out 200-Watt peak power, YU6 will have you questioning what it really means to be loud. Its 5.25-inch Kevlarr drivers and 1-inch silk dome tweeters inject detailed sound into every square inch of living space, evoking emotions that can only be expressed with an ear-to-ear grin.

High-performance materials. Exceptional sound.
YU6's 1-inch tweeters are made from silk to deliver a high-frequency range that is bright and refined. Their dome shape improves sound dispersion to ensure your ears capture every sound, regardless of where you are in the room.

Unmatched connectivity.
Inspired by an equal appreciation for digital and analog, YU6 gives you the freedom to enjoy all your devices. Connect a turntable via a built-in phono preamp, transmit high fidelity audio from your computer or TV with Optical TOSLINK, or sit back and enjoy your newly curated playlist with Bluetooth 4.0. With five inputs and a subwoofer output, YU6 brings all your sound to life.

Throw on your favorite record.
YU6 comes equipped with a built-in phono preamp, allowing you to easily connect any vintage or modern-day turntable. Toggle between line-level and phono with a simple flip of a switch, and reduce noise using the provided ground terminal.

Play tunes from the palm of your hand.
Featuring integrated Bluetooth 4.0 with Qualcommr aptX technology, YU6 lets you stream high-quality audio directly from any Bluetooth-enabled device. Sit back and enjoy your carefully curated playlist from anywhere in the room.

Upgrade your desktop setup.
Take your desktop setup to the next level by connecting YU6 to your computer via the RCA, AUX or Optical TOSLINK inputs.

To reduce vibration and improve soundstaging, use YU6 with SP6HD desktop speaker stands.

Bring your movies to life.
Enhance any cinematic experience with high-fidelity sound by connecting YU6 to your TV via one of two optical TOSLINK inputs.

To ensure your speakers remain stable and properly positioned, place them on SP floor stands.

Take control of your sound.
Packed with functionality, the YU series remote makes listening to audio more convenient. Quickly switch between sources, tune your sound to fit your space, and control playback while streaming via Bluetooth.

Never miss a beat.
Automatic standby and power-up mode conserves power when you're away and continues playback when your music starts playing.

Use the provided USB charging port to conveniently power your phone, smart home or casting device directly through your speakers.

DRIVERS
1" Silk Dome Tweeters
5.25" Kevlarr Drivers

AUDIO
Class D Amplifier
200W Peak Power (100 Watts Total RMS)
Frequency Response: 50 Hz - 20 kHz

INPUTS
3.5mm mini-jack AUX
RCA with Phono Switch
2 x Optical (TOSLINK)
Bluetooth 4.0 with Qualcommr aptX

OUTPUTS
Subwoofer
USB Charge 5V 1A

WHAT'S IN THE BOX
Remote with Batteries
Power Cord
Speaker Wire (16")
3.5mm Auxiliary Cable (6.5")
8 x Rubber Feet
Manual

WEIGHTS & MEASUREMENTS
Dimensions (each speaker):
6.9" W x 8.1" D x 10.7" H (17.5 x 20.5 x 27.2 cm)
Net Weight (active): 11.4 lb (5.2 kg)
Net Weight (passive): 8.7 lb (4.0 kg)
1/4"-20 Threaded Mounting Hole

Notes: Tone is a quad, voltage controlled filter with low pass and band pass outputs. Its four channel architecture enables the intuitive patching of shimmering, polyphonic textures. The 24dB slope provides a warm, buttery character. Self oscillation allows each channel to double as a sine wave oscillator with v/oct tracking across four octaves. Cascade OTA topology. A perfect match for the Chord.

Notes: Unearth the Walrus Audio Silt Harmonic Fuzz, a collaborative creation with tube expert Jim Hagerman.

Wielding an internal pre-amp tube, the Silt is a two-in-one fuzz that creates massively rich fuzz tones perfect for chords and rhythmic parts or with the press of a switch, adds uniquely harmonic overtones to the signal before hitting the tube. Crafted specifically for those seeking a harmonically rich fuzz experience, the Silt boasts an analogue circuit with the distinctive warmth of a 12AU7 tube as its drive section, letting you explore a unique and wild sonic landscape.

Main Features:

1. 12AU7 Tube Drive

The Silt's 12AU7 tube section drives the warm, bone-rattling fuzz. We unearthed this sonic fossil to encase your sound in an amber warmth, while still providing the grit, growl, and harmonically complex textures that only a tube-driven fuzz can provide.

2. Harmonic Mode

Harmonic Mode acts as a frequency doubler before the drive section of the pedal. This produces crispy, octave-like sounds, lending a unique edge to your lead tones. Try this with your guitar tone knob rolled off.

3. Contour Control for Precision Tone Sculpting

Refine your fuzz tones with the precision of the Contour control to achieve a wide spectrum of timbres.

Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage, like uncovering layers of sonic strata. Especially helpful when switching between different styles of pickups. Whether you're chasing searing leads or wooley rhythm, the Silt adapts to your style with roaring precision.

4. Designed for Operation at 9v-12v for Plenty of Gain

Supercharge your fuzz experience by operating the Silt anywhere between 9v and 12v. Running the pedal at 12v will give you an extra gain boost, letting you push the primal boundaries of fuzz to deliver the searing tones you've been searching for.

5. True Bypass Circuit

Maintain the integrity of your original tone with the relay bypass circuit. When disengaged, the Silt ensures your signal remains pure, allowing your guitar's natural voice to shine through undisturbed.

Controls:

Volume: Control the output volume level of the pedal.
Tone: Sculpt your output tone with a lowpass/highpass tilt tone control.
Gain: Control the input gain into the fuzz circuit, from subtle, distortion-like crunch to full-throttle fuzz.
Contour: Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage.
Bypass Switch: Enable or disable the effect with the relay bypass switch, preserving your original signal when the Silt is not in use.
Harmonic Switch: Activate or deactivate the frequency doubler circuit before the clipping stages, infusing your sounds with octave-like textures for a unique sonic edge.

Notes: Listen to your mixes reproduced with lifelike realism! The Erisr Pro 6's symmetric design and consistent acoustic centre provides superior phase alignment between components to deliver a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns, making them ideally suited for immersive Dolby Atmos rooms and stereo mix environments alike.

The Eris Pro 6's coaxial design provides a single acoustic point source that creates a natural listening experience, revealing the subtlest nuances in your recordings, while providing a three-dimensional soundstage, detailed transient response, and lifelike sonic reproduction. Combined with a punchy low-end that defies its compact size, the Eris Pro 6 provides a superior listening experience for both home studios and professional mix rooms.

A 1.25-inch, ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 6.5-inch, woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 140 watts of power allows the Eris Pro 6 to reach down to an astonishing 35 Hz, while a finely detailed transient response and stunning dynamics deliver a natural and less fatiguing experience.

Acoustic tuning controls and a three-way Acoustic Space tuning lets you accurately configure the Eris Pro 6 for your room. Flexible input options enable connection to almost any line-level source, from mixers to audio interfaces and more. Provisions for wall and ceiling mounts make it easy to integrate Eris Pro 6 monitors into any stereo or multi-channel system.

Features

Single point-source coaxial design for wider sweet spot and better phase alignment
6.5-inch, woven-composite, low-frequency driver
1.25-inch, silk-dome, high-frequency driver
140W, Class AB amplification
35 Hz to 20 kHz frequency response
103 dB SPL (Peak, @ 1 meter)
Acoustic Tuning Controls: Acoustic Space (Flat, -2 dB, -4 dB), High Frequency (+/-6 dB, centre 10 kHz, continuously variable), Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable), Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
XLR and 14-inch TRS balanced and RCA unbalanced rear-panel stereo inputs
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Wall and ceiling mountable

Inspired design for inspiring results.

Placing the high-frequency driver in the centre of the low-frequency driver increases clarity, widens stereo imaging, and produces an incredibly even mid-range. Vocal clarity, the attack of a snare, and guitar presence shine through, allowing you to quickly and accurately place them in a mix and get the results you desire faster than ever before.

Symmetric response.

The Erisr Pro 6's coaxial design provide a symmetrical dispersion resulting in a crisper stereo image, greater soundstage depth, and superior separation between components in a complex mix.

Set up your studio monitors for your room.

Acoustic Tuning controls ensure you'll get the flattest frequency response possible in your mix environment. You get Low Cut, Mid, and High controls, as well as 3-way Acoustic Space tuning that allows you to easily compensate for the sonic consequences of speaker placement against a wall or in a corner.

Electronics
Voltage: 220-240V UK
Wattage: 140 Watts

Input impedance: 10 k?

Speakers

Crossover frequency: 3.2 kHz

Performance

Peak SPL: 106 dB (@ 1 meter)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)

Audio switches:

Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Measurements

Dimensions: 11.40 x 9.40 x 11.20 in

Product depth: 11.19" (28.4 cm)
Product height: 11.4" (29 cm)
Product width: 9.45" (24 cm)

Notes: Shape 40 is the most compact studio monitor in the Focal Professional line, and the perfect solution for nearfield monitoring. These monitors can be used from 23" away (60cm), and they have astonishingly extended low end frequency response. Whether you have a room of less than 107ft2 (10m2), or an installation where compactness is paramount, Shape 40 is the perfect solution.

The three monitors are all made in France and integrate five innovations to maximise acoustic transparency. Designed to meet the needs of nearfield monitoring, Shape monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms.

These innovations provide remarkable acoustic transparency. These new work tools distinguish themselves through the wide and extremely precise stereo image. The bass register is articulated and controlled. The lower mid-range and mid-range benefit from extreme neutrality, and without any masking effects, making equalisation of these essential registers much easier. Finally, the new tweeter is what's at the source of the very high definition. It efficiently reveals any hissing, and it's also very precise in the very high end.

Review: Brace yourselves, we potentially have some rather worrying news. It has been 25 years since 'I Should Coco' was unveiled to the world, debut album from Gaz Coombes and Co. If you remember when that happened then there's a good chance you're now reflecting, or trying to remember everything (anything?) you've done in the meantime.

The band in question - Supergrass - hope some of that involves some of the contents on this expansive box set. Or not - in many ways it's more fun to use this as a discovery tool. A mammoth six LPs, 13 CDs, 7" single ('Caught By The Fuzz / Richard III 2020 Remixes'), book, colour poster and selection of badges are offered, allowing you to get fully immersed in the kaleidoscopic world of these psychedelic-tinged alternative rock dons. A good place to be, considering the planet's current dystopian path.

Notes: Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, the next generation Behringer Xenyx QX2442 USB mixer can handle your live gigs and provide the state of the art tools to make stunning, professional quality recordings. This mixer also features dedicated wireless ready integration for our new ULM Series USB microphones, making them the first of their kind in the industry. Along with their built in USB/audio interfaces, one knob mono channel compressors and Klark Teknik FX engines, the Xenyx QX2442 USB mixer comes with all the recording and editing software you'll need to turn your computer into a complete, high performance recording studio.

Designed by the world renowned Klark Teknik engineering team, the high end FX processors feature 32 studio grade presets with dual addressable parameters, tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild!

All Xenyx mixers have one thing in common; great sounding, high headroom Xenyx mic preamps. These state of the art mic preamps are a tremendous step in the evolution of audio technology and they can easily hold their own, even when compared to expensive, boutique style mic preamps. Xenyx preamps offer a staggering 130dB of dynamic range with a bandwidth that extends from below 10Hz to well above 200KHz. As a result, Xenyx mixers provide such transparent, crystal clear performance that you just might think someone upgraded your microphones while you weren't looking.

The British consoles of the '60s and '70s changed the sound of rock and roll. Without them, the British Invasion might not have even happened. The channel EQ on our Xenyx mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

Modern advancements in technology have put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer? That's where the Xenyx QX2442 comes in. Thanks to the built in, bi directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive. Which brings us to software...

Because you'll want to take full advantage of your Xenyx QX2442 USB mixers' recording and podcasting potential, Behringer have put together a massive software download (available at www.behringer.com) that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plug ins, turning your computer into a complete home based or mobile recording studio.

The QX2442USB with 10 state of the art, Xenyx powered mic inputs, 4 stereo channels, 4 Aux Sends, 4 stereo Aux Returns, plus the easy to use "one knob" compressors on all mono channels. Other features exclusive to the QX2442USB are: 4 subgroups for mixing flexibility; L/R Main Inserts (the ideal path for connecting graphic equalizers or compressor/limiters); and 8 each Direct Outs and Sub Outs for analog recording purposes. Enjoy the freedom of wireless mic functionality, thanks to the built in ULM receiver port. No task is too big or too small for the Xenyx QX2442 USB!

Notes: The core idea for KALI is that complex and musical sonic patterns/beats can be created naturally by combining a modulated audio source with a time-domain (i.e. a delay) effect, especially if the modulation is synchronized to the effect.

Kali has two major sections to facilitate this.
* 32-bit (Float) 48000khz Stereo Time Domain FX Processor
* 6 x Bipolar 12-bit CV Outs (Approx -7v to 7v*) + 2 x Clocks

The L and R delay times are the main timebase to which everything else is synchronized; the rates of everything else can be adjusted in multiples of this time, both independently and (with the lfo rate knob) all at once.

** Not factory calibrated, digital fine tuning available.

Specs

Kali is built around an Electrosmith Daisy Patch Submodule, an embedded development platform (STM32 H7 @ 480mhz) with a high fidelity PCM3060 codec.

Audio input/output is 48000khz @ 24-bit, internally 32-bit (floating point). Input gain (on PCM3060 itself) can be adjusted from -100db to +20db.

Because of the generous SDRAM on the Daisy Patch Submodule, these delay lines have a maximum time of roughly 150 seconds per channel (we cap it at 10 seconds in most modes as that has proven to be a good generally useful range, but this maximum can be changed).

CV outputs are all 12-bit, and lowpassed to mitigate aliasing. Output range is -7v to 7v, most LFO modes can be toggled between bipolar and unipolar output. Currently their sample rate is once per block of audio, or 500hz.

Synchronization
Sync in by pulse/trigger or TRS MIDI In (A or B, thx to lpzwmodules).
Pulse sync out x2

FX Modes
* Synchronized basic/ping-pong delay.
* Chorus.
* Numerous granular delays / dumb harmonizers.
* Distortion (Waveshaping, Diode, Wavefolding, Saturation, Modulo) -> Delay.
* Basic delay w/ external feedback loop (Mono: L in -> L out -> Ext Loop -> R in -> R out).
* "Freeze" button - loops slices of the delay buffer.
* Master reverb (ReverbSc from daisysp)

LFO Modes
Modulators synchronized to multiples of main delay time.
* Basic LFO: Sine, Tri, Saw, Ramp, Pulse & Polyblep Tri, Saw, Pulse.
* Sample & Hold
* Track & Hold
* Random Reset (Basic LFO Shapes)
* Random Shape
* Glacier (Basic LFO Shapes, speed / 100).
* Jitter (Basic LFO Shapes w/ random phase distortion)
* Clocks (More pulse clock out)
* Constant (Sends constant voltage out)

Panel design by nkurence: https://nkurence.com/

Notes: Stereo oscillator with wavemorphing, folding, and PM

"We may have just gotten the perfect Noise Engineering oscillator - in the most compact package possible." -- CDM Blog

Sinc Legio is a simple oscillator with some tricks up its proverbial sleeve. If you need some basic waveforms, Sinc has you covered - and it makes it easy to spice up those waveforms with phase modulation, wavefolding, or hard sync. Sinc pairs well with other oscillators in your system, too: hard-sync and stereo PM inputs make complex sounds easy to patch. Combine broad-ranging timbral parameters with a vintage-inspired chorus, and you're well on your way to stereo sound-design heaven in just 6 HP.

Sinc's multiple algorithms give a world of timbral possibility at the flip of a switch. Phase modulation, plucky FM, and bright and heavy modulation await. And on top of that, Noise Engineering have added a wavefolder to it. Shape and fold to your heart's content in Fold mode.

Not only is Sinc an incredible oscillator on its own, it's also part of the Legio platform. Use the included USB cable to connect to the Customer Portal and swap the firmware to any other Legio firmware, completely free, at any time. Let that sinc in!

6HP Eurorack
+12v: 140mA
-12v: 22mA
Sinc - from Latin: "treasure"

Legio - from Latin: "legion, army"

"A lot of treasure"

Notes: Stereo oscillator with wavemorphing, folding, and PM

"We may have just gotten the perfect Noise Engineering oscillator - in the most compact package possible." -- CDM Blog

Sinc Legio is a simple oscillator with some tricks up its proverbial sleeve. If you need some basic waveforms, Sinc has you covered - and it makes it easy to spice up those waveforms with phase modulation, wavefolding, or hard sync. Sinc pairs well with other oscillators in your system, too: hard-sync and stereo PM inputs make complex sounds easy to patch. Combine broad-ranging timbral parameters with a vintage-inspired chorus, and you're well on your way to stereo sound-design heaven in just 6 HP.

Sinc's multiple algorithms give a world of timbral possibility at the flip of a switch. Phase modulation, plucky FM, and bright and heavy modulation await. And on top of that, Noise Engineering have added a wavefolder to it. Shape and fold to your heart's content in Fold mode.

Not only is Sinc an incredible oscillator on its own, it's also part of the Legio platform. Use the included USB cable to connect to the Customer Portal and swap the firmware to any other Legio firmware, completely free, at any time. Let that sinc in!

Review: ***B-STOCK: Box damaged, product unused & in perfect condition***

- Small tear to corner of product box + damage to outer packaging (both pictured)

Notes: ***B-STOCK: Box opened, product in perfect working order***


The MC4000 is an exciting addition to Denon DJ's distinguished line of professional DJ products. Featuring a sleek new design and inviting appearance, the MC4000 continues Denon DJ's reputation for innovative features, dependability, unrivaled sound quality and peerless value.

The MC4000 is a 2-deck Serato DJ controller for the professional entertainer wrapping in-demand audio manipulation tools in a robust steel chassis for rugged durability. In addition to precision touch-activated jog wheels, performers get access to dedicated hot cue and sample pads for on-the-fly creativity.

Long-throw 100mm pitch faders and an intuitive control layout deliver natural operation when balancing complex set elements. A particularly useful featureiand virtually unheard of at the MC4000's modest price pointiis Balanced Booth Outputs, which feeds the program signal to a set of local monitor speakers near the DJ, with the ability to adjust the Booth level independent of the main level.

When you're driving a high-performance car on a twisty mountain road, the last thing you want is to have your concentration broken by having to search for awkwardly-placed controls. Same thing with your controller: When the action is hot and you're in the groove, you want the controller to be an extension of your thoughts and intentions. The MC4000 puts a special emphasis on usability, where everything is located and spaced for optimum workflow. Unlike competitive units, there is no confusing, dense multi-functionality hiding in frustrating fashion beneath each pad.

On the contrary, the pads are directly accessible, grouped into logical, intuitive groups. Hot Cues, Loops and Sampler controls in specific, dedicated locations invite frequent, error-free use. Gone are the days of having to remember which ambiguous mode switch to push in order to activate the function you need at that immediate instant.

The MC4000 includes Serato DJ Intro and is user-upgradable to full Serato DJ. It's also compatible with Traktor 2, Algoriddim djay Pro and Virtual DJ 8, as well as any other DJ application that supports MIDI mapping. This enables the DJ to use their use their favorite programs and customize their performance according to their personal style and the requirements of the situation.

With a well-deserved reputation for their emphasis on sound quality, Denon DJ includes a premium 24-bit audio output path for noticeably clearer mixes. Denon DJ's highly regarded dual microphone inputs are complemented by a studio-grade echo effect, and "ducking" featureieffortlessly moving vocals to the top of the mix without riding faders.

In addition, each microphone input has its own 2-band LF/HF EQ, for exact sound customization. In keeping with Denon Professional's superlative sound heritage, the microphone pre-amps boast truly low-distortion, low noise, high headroom sound characteristics, making the MC4000 especially well-suited to applications where the ultimate musical sound quality is of paramount importance, such as weddings, Mitzvahs, etc.

Denon DJ's Controller line has always represented premium features for discerning DJs. The MC4000 punches well above its weight by including the tools that professional DJs need to drive a memorable event. The layout, solid construction, portability, audio quality, the multiple inputs and outputsiit all adds up to a spot-on performance for the demanding mobile entertainer.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Updated version of Xaoc's Moskwa sequencer module includes customisable gate/trigger sections, independent randomisation sections, built-in quantiser, slew limiter and preset storage.

Supplier's Notes:
XAOC Devices Moskwa II - compact feature-packed sequencer with preset memory and trigger patterns.

Designed with live performance in mind, Moskwa II takes inspiration from vintage analog sequencers and greatly expands on their functionality surpassing our original Moskwa rotosequencer, while retaining the same size, basic panel structure, and operation principles.

At the core of the module is an 8-step CV sequencer and a parallel 8-step gate/trigger sequencer. But there's more, much more. Besides these basic functions, Moskwa II offers more unique, advanced features like eight independent programmable gate/trigger pattern generators (one for each step of the sequence). You can treat them like sequencers within the sequencer offering another eight microsteps for each main sequence step. This allows for programming complex gate/trigger rhythmic patterns (e.g. step repeat, additional pauses, microshifting or swing effect).

Moskwa II features two independent randomization sections that give the user advanced control over the optional chaotic/random change of various sequence parameters (e.g. step order, slew and trigger probability and more). A programmable custom trigger sequence can be up to 256 steps long! Topping it all off, Moskwa II can store eight presets to be loaded at any time. All these functions allow Moskwa II to generate sequences much longer and much more complex than those produced by traditional 8-step sequencers.

Compared to the first Moskwa, Xaoc have also added a transport button for manual starting/stopping of the sequence, range control for CV output, and a flexible quantizer. Two Moskwa II units can be joined for chained operation doubling the number of available steps and preset slots. Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Specifications:

- 20hp, skiff friendly
- current draw: +40mA at +12V, 0mA at -12V

Notes: Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don't see on a flanger every day.

Built upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that's sure to tickle your third ear.

Controls:
1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.

2. Rate: Controls the speed of the LFO as well as the rise time in Trigger Up mode and fall time in Trigger Down mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate & Tap toggle switch.

3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.

4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.

5. Activate Footswitch: The activate switch features our Flexi-Switch technology! This relay-based true-bypass switch allows for momentary or latching operation.

6. Feedback: Regeneration control for the modulated signal.

7. Rate & Tap Toggle Switch: Normal (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to Slow (left position), the tempo you tap is divided for a slower sweep. When set to Fast (right position), the tempo you tap is multiplied and delivers a faster sweep.

8. Modify: The behavior of this control depends upon which mode you're using:

Classic: Tone control for the modulated signal. Clockwise cuts the low end and allows the high frequencies to pass through. Counterclockwise cuts the high end and allows bass frequencies to pass through.

Through-Zero: Delay time for the unmodulated dry signal. This controls where in the LFO cycle the through-zero point occurs, which is where you'll hear the most drastic cancellation.

Barber Pole Up: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Barber Pole Down: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Trigger Up: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Trigger Down: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Step: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

Random: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

9. Tap / Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.

10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you're allowed to re-write them if you want. We don't mind.

11. Mode Rotary Switch: Selects between Pyramids' eight flanger modes

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

To use with multiple output transformer-balanced isolated pedal-specific power supplies, Pyramids' may be powered from two outlets combined using a current-doubling cable. DO NOT USE A VOLTAGE-DOUBLING CABLE BECAUSE THAT WILL SEND 18V TO PYRAMIDS AND FRY IT LIKE AN OVEREASY EGG AT A GREAZY SPOON DINER.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 460 mA
Input Impedance: 1 MO
Output Impedance: 100 O

Notes: The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Notes: Vice Virga is an 8-input, 8-output sequential/addressable switch with a plethora of features and extensive patchability.

Vice Virga can be configured as a single 8-channel switch, two 4-channel switches, or four 2-channel switches.

Equal parts automated patch arranger and performance tool, Vice Virga has loads of switching control options. Whether you want to chain sequencers, swap outputs on an oscillator, remix a trigger pattern, or mix up every connection in a patch just to see what happens, Vice Virga can do it.

Notes: Delay and granular sampling combine to create unique ambience effects, creative reverbs and glitchy chaos. Hugely versatile pedal with five contrasting programs.

Supplier's Notes:
In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analogue Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Notes: A classic mixer the Citronic CDM10:4 has always been the choice of the working DJ, with a simple layout that is packed with all the features you need.

The MKV version comes with connectivity through USB and an additional auxiliary input on the top panel for external sound sources such as MP3 player.

Notes: Crucible is a drum module that specializes in metallic sounds and cymbals and tries to recreate them as realistically as possible.

By using classic digital synthesis blocks such as delay and digital filters, Crucible can synthesise sounds in real time that resemble thinly struck pieces of metal.

Size, Pitch, Tone and Deform give the user the parameters to shape their cymbal as they wish. The Excite control allows the user to change their attack, completely altering Crucible's response. Finally, you can choose where the exciter touches the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell".

All of this adds up to a lively and dynamic module that completely mimics the feel of playing a real cymbal.

Features:

Realistic sound!
Position-dependent trigger input. Strike the rim, the centre or the bell of the cymbal.
3 model types: Cymbal, Cracked Cymbal and Curved Plate
Audio input for experimental effects
Separate pitch and size controls for maximum realism
Choke input for perfectly timed hits
Proprietary synthesis model with digital filters and delays

Power consumption: 63mA at +12V and 17mA at -12V

Depth: 38mm

HP : 8

Notes: This is Version 2 of this module, updated in order to be skiff friendly.

With the ADDAC102 FM Radio you'll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator- the static picks up all kinds of great electromagnetic interference.

It provides controls like tune, volume and seek (all of them controllable through CV input) and there's two outputs for stereo sound.

Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: Product is a full featured modular synthesiser which you can use without patching. Or you can use it as the heart of your modular system. Each component part is fully modular, but also features pre-patched normalised signal paths for fast set up of new and exciting sounds.

Product is a combination of three individual Frequency Central modules:

- XVCO TWO
- Raging Bull 3.0 VCF/VCA
- System X Envelope

Plus:

- Onboard LFO for PWM and FM
- Onboard noise source

Product features a motherboard on which all pots, switches and sockets are mounted, this is also where the pre-patched normalising happens. So the onboard LFO is available for both FM and PWM of the VCO. The three VCO waveforms are available at the three VCF signal inputs. 1V/oct input, LFO and ADSR are available at the three VCF signal inputs. By some cunning switching, the VCA can be operated by either ADSR or gate input, alternatively it can be set to drone position. Also available are signal outputs from the LFO and noise generator. All pre-patched connections can be broken simply by inserting a jack into the relevant socket.

To simplify the build process for DIYers, there are three daughterboards that plug into the Product motherboard: VCO daughterboard, VCF/VCA daughterboard, and ADSR/noise daughterboard. First you can build and calibrate the VCO daughterboard, plug it into the Product motherboard, get it running and have some fun with it. Then build the VCF/VCA daughterboard, and add it to you expanding modular synthesiser. Finally build the ADSR/noise daughterboard, and your synth is complete.

Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

A Wealth of Outputs:

The SERIES 208i provides eight individual analogue outputs for versatile monitoring (up to four stereo pairs of monitor speakers) and surround audio (up to 7.1) for video production.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.

Notes: Samson's Expedition XP106w Rechargeable Battery Powered Wireless PA is packed with incredible features, including Bluetooth connectivity and a built-in 4-channel mixer. It also comes complete with a USB digital wireless system for delivering impromptu performances and professional presentations in any environment. Such versatility, combined with clean, crisp audio, makes the XP106w an all-in-one solution for classrooms, conferences, tour groups, parties, as well as a variety of outdoor applications.

Ensuring pristine, full range sound, the XP106w features a 6" woofer and a 1" high frequency driver. A lightweight, 100-watt Class D amplifier, perfectly matched to its drivers for high efficiency and low current draw, powers the XP106w. The unit's rechargeable battery also increases the system's portability, allowing for up to 20 hours of continuous use wherever great sound is needed.

At the core of the XP106 is the included Stage XPD1 USB Digital Wireless System (license free 2.4GHz operating band), which features a wireless receiver built into a USB stick and a handheld dynamic microphone transmitter with Samson's Q6 mic capsule. With a 100' operating range (environment dependent), the Stage XPD1 frees presenters and performers from the constraints of cables when using the XP106w. Combining the Stage XPD1 with the PA's 20 hours of battery life and Bluetooth connectivity makes the XP106w a completely wireless portable PA solution.

The XP106w's 4-channel mixer features multiple input options with separate level controls, including an XLR-1/4" combo channel (microphones and other Mic/Line level devices), a 1/4" channel (guitars and other line level devices), an 1/8" channel (MP3 players, keyboards, etc.), a USB Wireless channel for use with the Stage XPD1 system and a Bluetooth channel to wirelessly stream music from your smartphone, tablet or laptop. The XP106w also has a Line Out to cascade multiple systems together and expand your sound, as well as a Music/Speech switch for optimizing output EQ for speech or music playback.

The XP106w is perfect for teachers, professors, instructors and lecturers alike. The included Stage XPD1 wireless system allows educators to make dynamic presentations and captivate audiences. In addition, the system's 100 watts of power is able to fill medium to large classrooms with exceptional sound, while its lightweight design, convenient top carry handle and 20 hours of battery life make the XP106w ideal for tour guides and mobile lecturers.

Whether you're at a backyard party, company picnic or just relaxing by the pool, the XP106w delivers a brilliant outdoor music listening experience. Pair the XP106w with your smartphone or tablet via Bluetooth and DJ the party while in the midst of all the fun. Use the wireless system to make speeches, toasts and other announcements commemorating a festive occasion with family and friends. And with a 20-hour battery, you can keep the party going well into the night.

With the XP106w, your voice will command any boardroom podium with authority. From PowerPoint presentations and product demonstrations to company meetings and corporate events, the XP106w gives you the powerful, full range sound to convey your ideas in a clear, concise matter. Speakers can take advantage of the wireless system or the system's 1/8" stereo Aux input can be used to amplify the sound of your MP3 player or computer presentation. And the XP106w is fast and easy to set up, allowing you to get right down to business.

When it comes to live music, the XP106w is ideal for small venues such as coffee houses and studio spaces. Beyond the included wireless system delivering sparkling vocal performances to the XP106w, the system's onboard mixer lets you bring guitars, keyboards and other instruments into the mix. The XP106w is also great for karaoke events. Use the Bluetooth and USB Wireless/microphone channels simultaneously to create a night of karaoke fun you'll never forget.

Perfectly fit for fitness applications, the XP106w can easily provide the power and performance needed to run small yoga classes and dance studios. The XP106w also excels in front of higher intensity exercise methods, including outdoor aerobics, Zumba and CrossFit. Use the Bluetooth or 1/8" stereo Aux (MP3 player) channels to engage your favorite workout playlists, or pick up the wireless mic to provide you class with words of encouragement and motivation.

High quality components, versatile features, convenient portability and Samson's commitment to premium sound makes Samson's Expedition XP106w a consummate single system solution for a wide range of public address applications.

Notes: The Random Voltage Event Generator (RVG) is a faithful replica of the vintage EMS Random Voltage Generator. It produces random voltages which vary smoothly or in a step-wise manner. Random timing pulses are also available. The rate of change of all outputs is voltage controllable over a wide range.

Just like the original RVG it uses four unijunction transistors - three of them are configured as ramp and hold generators and the fourth is an LFO. It produces two separate random voltages but also the clock time between pulses can be randomised.

The module offers some extra features: it is possible to add a bias voltage to either of the random voltage outputs, and also add slew to Voltage 1. There is a CV control of the LFO frequency and clock speed as well as CV control of the Time variance.

The internal LFO can be tapped thanks to dedicated outputs for both sawtooth and triangle waveforms, and the waveform shape follows the time variance. The internal clock can be started using an external gate or with the help of the manual trigger button that works when the clock is stopped.

The TR-IN input allows an external clock to be used instead of the internal LFO. There is also a gate output, the gate length changes in proportion with the time variance, and the duty cycle of the gate can be varied from 1% to 99%.

*limited edition!

Module Width: 14hp

Module Depth: 26mm (Including power lead)

Current Usage: 95mA Positive, 70mA Negative

Notes: Polydactyl Versio is Noise Engineering's take on a multiband dynamics processor. Polydactyl Versio is equally at home on single-instrument timbral processing and on end-of-chain gloss. Taking inspiration from Noise Engineering's Librae Legio, Polydactyl Versio applies a unique and transparent algorithm across three bands for maximal dynamic impact. Add in a multiband saturation knob and noise gate, throw in a limiter, and you have a processor that gives ultimate control of color and dynamics.

Polydactyl Versio is part of the Versio family: this platform module can be transformed into a completely different effect by loading a growing number of alternate firmwares, completely free! Plus, with open-source support and documentation at LibDaisy, you can write your own firmware. Grab a Polydactyl Versio and process your signal into submission or total rebellion with three separate bands, saturation, limiting, and noise gating.

Size and power:
10 HP
+12v: 125ma
-12v: 10ma
+5v: 0ma

Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.

Notes: With the Zomo Flightcase D-Live-4 NSE, you can expand your DJ gear with a reliable partner that securely accommodates and stylishly showcases your Denon DJ SC Live 4 DJ controller. This high-quality flight case stands out for its robustness and elegance and belongs to the trendy NSE Series - Night Style Edition, which is renowned for its unique aesthetics and durability.

The Flightcase D-Live-4 NSE is the perfect shield for your DJ controller, whether you're traveling by car or air. These resilient cases are ready to face any challenge and protect your valuable equipment from the toughest stage conditions.

The flight case is made from 9mm thick laminated plywood, providing extra stability. This material safeguards against impacts and scratches, effortlessly withstanding the demands of touring. The sturdy construction is further enhanced by robust ball corners and specially reinforced, black lacquered aluminum profiles that ensure long-lasting durability while adding an attractive appearance to the case.

The Zomo Flightcase D-Live-4 NSE is incredibly user-friendly. The lid and front panel can be quickly and easily removed before each gig, even with the DJ controller still inside the case. This allows you to be ready for action at any time and focus entirely on your performance.

Not only does the Zomo Flightcase excel in practicality, but it also boasts an impressive visual appeal. Its elegant NSE Edition in black is a true eye-catcher that commands attention and emphasizes your professionalism. The case features convenient butterfly latches for secure handling, allowing for easy opening and closing of the lid.

You can rely on its high durability and optimal fit, ensuring your DJ controller receives the placement it deserves-secure, protected, and stylish.

Zomo Flightcase D-Live-4 NSE Features

Perfect fit: Custom-made for the Denon SC Live 4, the Zomo Flightcase D-Live-4 NSE provides optimal protection and a snug fit, keeping your DJ controller safe and well-protected.
Premium construction: Crafted from laminated 9mm plywood, the flight case offers a robust and durable structure that withstands both impacts and scratches.
Additional protection through interior padding: Soft interior padding safeguards your DJ controller from damage and unwanted influences, providing a secure and protected storage space.
Quick and easy access: The lid and front panel of the flight case can be quickly and easily removed, even with the DJ device still inside the case. This is ideal for fast access before and after performances.
Elegant and eye-catching design: With its sleek design in the black NSE Edition, the Zomo Flightcase captures attention and highlights your professionalism as a DJ.
Sturdy butterfly latches: These ensure a secure closure of the flight case while remaining easy to use. They also provide the option to attach an optional lock for additional security.
Transport-friendly: Integrated handles make the flight case easy and comfortable to transport.
Long lifespan: The flight case's sturdy ball corners offer additional protection against impacts and vibrations, contributing to its extended lifespan.

Technical Specifications

Compatible devices: 1x Denon DJ SC Live 4
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 13.7 kg
Exterior dimensions: 716 (width) x 501 (depth) x 206 (height) mm

Notes: This is a development platform optimized for the Eurorack electronic enthusiast.

Power sources:
-12V, +12V
-3/10V, +3/10V

Ships with: 1M Ribbon Cable and 55cm standoff Spacers for desktop operation, screws and nylon washers

Mechanical Specs:
Width: 36 HP
Depth: 3.5cm (i1.375 inches) with or without Arduino installed, Depth increases if using arduino shields.

Notes: Pigtronix Echolution 2 represents a unique marriage of analog tone shaping and DSP processing designed to deliver the ultimate delay pedal experience. Echolution 2 achieves the ambient richness of the finest tape echo units by using 100% analog Class-A, discrete transistor limiters as well as non-linear tape emulator stages and filters to massage the audio coming through the delay line. Fully capable of handling instrument and line level sound sources, the Echolution 2 delivers low-noise, high-headroom delay processing with any amp, mixer or DAW rig.

Echolution 2 uses a 24-bit, variable clock, multi-tap delay line where both the read and write heads are simultaneously modulated by a multi-waveform LFO. Changing the delay time results in the smooth pitch bending of an analog delay system but with a Pigtronix twist that allows drastic delay time changes to create musically related octave intervals. The resulting echoes are then processed through an array of filters and special effects, which can be manipulated via assignable expression pedal routing as well as envelope control for each knob. Every feature and algorithm on the E2 can be run simultaneously, in any combination, and all functions of the Echolution 2 are MIDI controllable.

Accessing and navigating the vast palette of sounds available within the Echolution 2 is easy. Since the pedal is completely programmable, any sound that has been designed using the Echolution 2 or Echolution 2 Deluxe pedal can be saved to the unit itself and exported for sharing with friends and other musicians. A dedicated PC/MAC application handles preset management as well as firmware upgrades and also provides Echolution 2 users with real time access to the sounds and advanced editing functionality of the Echolution 2 Deluxe.

*UK 3-pin power adapter included*

Notes: ***B-STOCK: Box opened, product in perfect working order***


Another cracker from Xaoc, the Timiszoara is a take on digital multi-effects with stereo in and out, an intuitive interface and CV control of effect parameters. Big power with 176 factory programs.

Supplier's Notes:
Timiszoara is a stereo, Eurorack compatible, voltage-controlled multi-effect signal processor based on the popular Spin Semiconductor FV-1 DSP chip. It features a full stereo signal path with two adjustable audio inputs, two outputs, and a stereo voltage-controlled wet/dry mixer. In addition, there is a microSD memory card slot on the front panel that allows for loading factory and custom effects without any restrictions or copyright protection, which means you can use many effects available on the Internet and even create your own.

Effect programs are organized in banks of 8 and can be selected using a rotary encoder, as well as CV and trigger signals. Timiszoara features a crisp OLED screen that displays the program parameters and its name. It also facilitates navigating the list of banks. Up to three parameters per effect can be controlled from the front panel with illuminated slider potentiometers and dedicated CV inputs.

Xaoc Devices have prepared quite a few banks of algorithms (176 in total) that cover most effects needs: delays, reverbs, filters, modulation effects (such as choruses and flangers), pitch shifters, and, of course, shimmers (no multi-effects unit would be complete without its share of those). However, Xaoc Devices wanted to ensure that users had access to some more adventurous programs, so some special banks have been created to allow you to take a walk on the wild side.

For detailed description, please refer to the manual.

Technical details:

10hp, skiff friendly
Current draw: +120/-45 mA
Reverse power protection

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: The MIDI Solutions R8 8 output MIDI controlled Relay Array contains eight relays which can be programmed to open or close in response to MIDI events.

Event types are programmable and include:

Note

Control Change

Program Change

System Exclusive

Fast reed relays are used for a response time of less than 2ms. Relay contacts are rated at 500mA. Contacts are made available via connections at the tip and sleeve of 1/4" mono phone jacks. When switching inductive loads be aware of precautions that must be taken to avoid back EMF problems.

The R8 is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This can be done easily with the Programming Tools software for the F8 and R8. Once programmed, the R8's settings are retained even after power is removed. The R8 can be reprogrammed with new settings as often as needed.

The R8 is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

weight: 4.4 lbs.
dimensions: 19" x 6.5" x 1.75"

Notes: Crafted with the breakthrough design philosophy behind the acclaimed Katana guitar amp series, the Katana-110 Bass delivers premium sound and advanced features perfectly tuned for the needs of serious bassists. Three unique amp characters and onboard BOSS effects provide a wide range of tones, backed by a stage-ready, 110-watt class AB power amp, custom 10-inch woofer, and tweeter with on/off switch. And with comprehensive EQ, flexible connectivity, and more, the Katana-110 Bass is ready to take on any playing situation, from stage to studio to everyday practice at home.

Refined Tone And Authoritative Power

The Katana-110 Bass brings you high-performance amplification fuelled by decades of BOSS knowledge and expertise. Armed with 110 watts of time-tested class AB power, this gig-ready amp provides big volume, punch, and presence and smooth, natural drive as you turn up the gain. Three unique preamp types are also available-each with a powerful three-way Shape switch to fine-tune the character-so you'll always have the perfect sound for any style or genre.

Vintage-A classic tube voice with organic tone and natural drive.
Flat-Smooth, clear, and dynamic tone with rich harmonic character.
Modern-Quick dynamic response with extended bass range.

Command The Stage

With its custom-designed speaker system and rock-solid combo cabinet, the Katana-110 Bass produces a commanding voice to drive your band in any musical situation. The fundamental tone of the 10-inch woofer is complemented with a tweeter for high-frequency definition that's ideal for slap and other modern playing styles. Our efficient bi-amp design delivers clear and balanced sound, and the tweeter can be turned off with a panel switch for a more traditional bass tone if desired.

Four Independent Effects Sections

The Katana series is famous for its onboard BOSS effects, and the Katana-110 Bass is no exception. Dedicated comp/limiter and drive sections provide core processing, while FX1 and FX2 offer a treasure trove of options from the BOSS bass effects library, from standards like chorus and flanger to octave, bass synth, and more. The FX2 section also includes delay and reverb, and over 60 total effect types are available for loading via the BOSS Tone Studio editor.

Precision Sound-Crafting Tools

With the intuitive panel controls on the Katana-110 Bass, you can quickly refine your tone in detail. The studio-inspired Blend section lets you mix in some dry signal, which you can pre-shape from the panel with three customizable settings for the optimum tonal fusion. A comprehensive four-band EQ is also on hand, complete with three selectable frequency centres in the low-mid and high-mid bands.

Rich Performance Versatility

The flexible Katana-110 Bass is your perfect partner for any live gig. Six Tone Setting memories are available for storing and recalling the sounds you create, including preamp type, EQ, Blend, and effect settings. You can switch memories from the panel and go even further with optional footswitches, an expression pedal, and the GA-FC Foot Controller. There's also a balanced XLR output for connecting to a house PA, along with a switch to select between direct, pre, or post signals.

Recording And Practice Powerhouse

The Katana-110 Bass is equally suited for studio recording and home playing. The compact footprint takes up minimal space, and the variable Power Control lets you dial up cranked-amp tones at family-friendly volume levels. A headphones/recording jack provides a direct output with effects and mic'd cab emulation with three Air Feel settings, while USB lets you interface with computer production software and track with great tone.

Specifications
Output Power: 60 W continuous (RMS), 110 W peak
Nominal Input Level: INPUT: -10 dBu (1 M ohm), POWER AMP IN: -10 dBu (20 k ohms), AUX IN: -10 dBu (20 k ohms), RETURN IN: -10 dBu (100 k ohm)
Speaker:
WOOFER: 25 cm (10 inches) x 1
TWEETER: x 1
Controls: POWER switch, MASTER VOLUME knob, POWER CONTROL switch (STANDBY, 1 W, MAX), TWEETER button

[INPUT EFX]: COMP button, DRIVE button, COMP knob, DRIVE knob

[AMPLIFIER]: PAD button, SHAPE button, TYPE knob (VINTAGE, FLAT, MODERN), GAIN knob, VOLUME knob

[BLEND]: BLEND button, DRY LEVEL knob

[EQUALIZER]: LOW MID button, HIGH MID button, BASS knob, LOW MID knob, HIGH MID knob, TREBLE knob

[EFFECTS]: FX1 button, FX2 button, TAP button, FX1 knob, FX2 knob

[TONE SETTING]: CH1 button, CH2 button, CH3 button, PANEL button

[BALANCED OUT]: GND LIFT switch (OFF, ON), SELECT (POST, PRE, DIRECT)
Indicators: COMP, DRIVE, PAD, SHAPE, BLEND, LOW MID, HIGH MID, FX1, FX2, TAP, CH1, CH2, CH3, PANEL, TWEETER

Connectors:
INPUT jack: 1/4-inch phone type
POWER AMP IN jack: 1/4-inch phone type
BALANCED OUT jack: 1/4-inch phone type
SEND jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
REC OUT/PHONES jack: Stereo 1/4-inch phone type
EXP PEDAL/CTL CH1/CH2 jack: 1/4-inch TRS phone type
GA-FC jack: 1/4-inch TRS phone type
AUX IN jack: Stereo miniature phone type
USB port: USB B type
BLUETOOTH ADAPTOR SLOT: Bluetooth Audio MIDI Dual Adaptor
AC IN jack
Power Consumption: 77 W
Accessories: Owner's manual, Power cord, GA-FC sticker

Options (sold separately): Footswitch: BOSS FS-5L, BOSS FS-6, BOSS FS-7
Expression pedal: Roland EV-5, BOSS EV-30, BOSS FV-500L, BOSS FV-500H
GA FOOT CONTROLLER (GA-FC)
Bluetooth Audio MIDI Dual Adaptor (Model BT-DUAL)

Size & weight
Width: 470 mm / 18-9/16 inches
Depth: 300 mm / 11-13/16 inches
Height: 500 mm / 19-11/16 inches
Weight: 16.8 kg / 37 lbs 0.6 oz

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


A clever combo of kick drum synthesis, sidechain compression and digital reverb, Kickain allows you to generate rhythm tracks and work on your stereo mix simultaneously. Clever approach to mixdowns in Eurorack.

Supplier's Notes:
Introducing Kickain. The perfect pairing of a 909 inspired kick drum and side chain compressor. Designed to work in tandem as a single easy to control module, Kickain will revolutionise your side chain workflow, making it a breeze to tame the very heartbeat of your music, intelligently managing low frequency artefacts and removing any clashing frequencies or overlapping transients. The end result will leave you speechless, producing a cleaner, tighter mastering standard mix featuring the most powerful kick drum on the planet.

Spectral Compression

As well as the regular side chain effect of ducking the volume around the kick drum, Kickain also features two spectral compressor modes that intelligently eq the incoming mix to fit around the triggered drum sound, adjusting it continuously 1000s of times a second. The effect has to be heard to be believed, optimising the loudness of your kick without any intrusive 'pumping' on the overall mix. Tracks sound tighter and richer in the bottom end, whilst the kick is always punching through.

Tune to the Room

As with all Knobula products our focus is on performance, so we've given you the essential controls you need to design a kick that fits your tune, your room or your sound system without diving into menus or clicking encoders. The controls allow you to quickly create kicks for a whole host of genres and tempos as well as protect your ears and speakers. And if that's not enough there is a Send/Return option for further processing.

Reverb

Featuring 24bit stereo digital reverb, linked to the decay envelope, you can add subtle room effects or big 10 second bass drops at the twist of a single knob.

Dimensions:
12 HP
32 mm deep

Current Draw
80 mA +12V
80 mA -12V
0 mA 5V

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.

Notes: ***BB-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Designed specifically for dance music, the Mandrake is Malstrom's solution to all your kick drum needs. Versatile, expressive and punchy as hell, this analogue module delivers pure dance floor power.

Supplier's Notes:
A kick drum lays down the foundation of your track, the root of your beat. You need the low end to create a pumping motion and the high end to cut through the mix. All this while maintaining spectral room for other sounds. So it can be quite an undertaking to get right.

Which is why Malstrom have developed Mandrake. A kick drum synthesizer that targets kick drum sounds for Dance, House and Techno music. Inspired by physical models, DAW drum synthesis and sound mixing techniques. It divides the sound into a "Hit" and "Body", with sound shaping possibilities for both sections.

Mandrake's "Hit" is a resonating filter which is saturated to have a square-like shape. It generates a short pulse that can be tuned and attenuated. Which results in a short click that will cut through the mix when and where you need it.

Mandrake's "Body" is made up from another resonating filter. Its wave is slightly saturated and filtered to resemble the harmonics of a drum. More saturation can be added in the form of uneven harmonics to create harsher tones. The result is then sent to a damping circuit that is used to tame the sound. Finally the body can resonate which leads to more liquid sounding drums, or specific frequency boosts. All of the body's parameters are connected which makes it super fun and playable!

A few more functions allow Mandrake to be adaptable to different situations. Two shapes with different harmonic content and volume decay shape. An envelope output to provide a normal or ducking envelope to further sculpt your sound, or to side chain other sounds. An accent or volume CV input to provide two volume control options. And a clean-up switch which adds a high-pass at 25Hz to remove the rumble, a spectral dip at 300Hz to make the kick sound less "boxy".

Mandrake is not another 808 or 909 clone; its analogue circuitry is entirely built from scratch to create an original sound. Also nothing more than a great kick; ranges to get into detail, and useful kick drum sounds throughout its settings!

Features

- "Hit" and "Body" sections to sculpt the most important parts of a kick drum.
- Hit-timbre and Hit-volume controls to shape sound of the transient.
- Body saturation, resonance, decay and damping controls provide a varied sound palette.
- Clear pitch control section that is carefully scaled to match a kick drum.
- Two VCA shapes that provide different flavours.
- Ducking or normal Envelope output to further sculpt and modulate.
- Accent or VCA CV input switch to match your sequencing method.
- Clean-up switch to remove rumble and decrease "boxiness".

Dimensions
- 14HP.
- 25mm, Skiff-friendly.

Power consumption
- 130mA @ +12V.
- 120mA @ -12V.

I/O specs
- All inputs DC coupled.
- All inputs handle audio signals.
- All inputs have 100k input impedance. - All inputs have +-10V Input range.
- All inputs are overvoltage protected.
- Trigger inputs trigger at 3.3V.
- Temperature compensated V/Oct Input.
- Envelope Output 0-5V voltage range.
- Audio Output +-5V voltage range.
- Keyed power header.
- Reverse power protection.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Another clever one from Knobula, this chord-based sequencer/arpeggiator adds versatile harmonic options to your creative process. Pair it with the Poly Cinematic module for best results.

Supplier's Notes:
Generate extraordinary chords without using a keyboard.

Chord Pilot introduces a whole new take on the task of chord creation and performance offering 192 chord memories, a strummer, an arpeggiator and an 8 step chord progression sequencer, all in one compact 12hp package.

Knobula have thrown away the music theory rule book and instead offer a module that encourages the curious mind to discover alternative musical pathways, whether for generative patches or for EDM riffs.

To generate a new chord, Chord Pilot uses a series of controls that alter the width and spread of 'fingers' over a virtual keyboard before conforming them into a variety of musical moods from the pure and harmonious to the terrifying and cacaphonic.

Like all Knobula products, Chord Pilot has been designed primarily with performance in mind, to inpsire by experimentation, to lose yourself in the moment, and to occassionaly generate impossibly hard to play super chords.

With the ability to store and transfer chords in sets of eight, Chord Pilot makes a great companion module for Poly Cinematic, but it is equally at home serving any poly synth with a midi input.

Discover Chord Pilot, your guide, navigator and explorer to a whole new universe of musical harmony, and beyond.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Top-of-the-range audiophile cartridge from Britain's oldest cartridge company. Beautifully revealing sound with quiet background and replaceable Gyger-S stylus included.

Supplier notes:
The 1042 is a record cartridge for the audiophile who demands the ultimate sonic performance from their system, together with the convenience of a user replaceable stylus. The extended groove contact of its Gyger-S diamond gives the 1042 unsurpassed resolution of the fine groove modulations, producing an exceptionally detailed, smooth and musical sound.

Notes: When Empress released the original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we've now added a fully variable sidechain high pass filter, and a two position 'tone + colour' circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 10Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"

Notes: With Mantis, Tiptop took their years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis is beautiful and the color contrast between legs and body gives it its identity. Legs are offered in 4 different colors so anyone can find the right look.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow...

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

The Dual Mantis Studio Brackets pair lets you connect two Mantis together in a robust and elegant solution. This setup is fixed and is recommend mainly for studio use. The brackets are cut precisely by laser from a sturdy metal and then coated twice for a nice smooth finish that matches the Mantis light gray color. They come with sixteen screws and special washers that help hold the screw in place during assembly and keep a tiny gap between the brackets and the Mantis. Installation is fairly simple and takes about 30 minutes to complete.

***UPDATE - MAY 2021 ***
As of May 2021, all Mantis cases shipped have a small update to the design. The connector for SyncBus is no longer included. This connector was never used as Tiptop didn't develop the cable for it, and the connector is no longer in production by the manufacturer so it was removed. The Mantis still has the same power supply and functions as before.

Notes: With Mantis, Tiptop took their years of experience with Eurorack to create a low-cost case that makes the Eurorack modular synthesizer look, work, and feel like a professional instrument. Mantis is an instrument that is at home on stage, touring, or in the center of the studio.

Mantis has two rows of 104HP for you to rack your modules. It comes fully powered and assembled, just drop in your modules and play.

Using its sophisticated leg mechanism, you can set it to three different positions: 0, 45, and 90 degrees.

Power Power and more Power! With Mantis, say bye-bye to the tedious, never-ending calculation of current consumption for the i12V power. Mantis comes with a juicy Zeus power supply that delivers plenty of power both now and for the future.

Mantis is beautiful and the color contrast between legs and body gives it its identity. Legs are offered in 4 different colors so anyone can find the right look.

Mantis comes with real Z-Rails made according to Eurorack enclosure standards. No sliding nuts or wrong spacing! It also has keyed power connectors to help protect your modules from damage from plugging the power in in reverse.

Using the optional bracket accessory Mantis can be doubled up to 416HP! Multiply your Mantis and watch your studio setup grow...

Weighing only 3kg/6.5lb, Mantis is so light, traveling has never been so relaxed.

The Dual Mantis Studio Brackets pair lets you connect two Mantis together in a robust and elegant solution. This setup is fixed and is recommend mainly for studio use. The brackets are cut precisely by laser from a sturdy metal and then coated twice for a nice smooth finish that matches the Mantis light gray color. They come with sixteen screws and special washers that help hold the screw in place during assembly and keep a tiny gap between the brackets and the Mantis. Installation is fairly simple and takes about 30 minutes to complete.

***UPDATE - MAY 2021 ***
As of May 2021, all Mantis cases shipped have a small update to the design. The connector for SyncBus is no longer included. This connector was never used as Tiptop didn't develop the cable for it, and the connector is no longer in production by the manufacturer so it was removed. The Mantis still has the same power supply and functions as before.

Notes: Clever sequential signal processing from Joranalogue, capable of a range of functions including toggling signal muter/attenuator, clock divider, rotating shift register or programmable voltage bank.

Supplier's Notes:
Sequencers, sequential switches, counters, analogue shift registers... Modular synthesisers provide a wealth of creative sequential functions for controlling and processing signals. Choosing which of these to include in a system can be a bewildering task.

Except when you don't have to choose. Step 8 represents a new type of modular building block: a sequential tracking/sampling register, which can be configured to provide any of these functions, and many more.

At its heart lies an analogue 1-to-8 signal switch feeding an octet of high-stability track/sample-and-hold stages. Each of these has its own analogue output with an attenuation slider, in addition to a gate output. LEDs visualise the status of each stage in real time. The switch can be controlled sequentially using the built-in 8-step counter, or addressed directly by an analogue control voltage (CV).

Numerous advanced circuit techniques are used to avoid the issues that often plague analogue switching and memory modules. The result: totally transparent signal paths with low noise, distortion and voltage 'droop', yet high bandwidth and precision.

Add to this the ability to 'mute' the inactive stages, pause the counter, reset it, change its direction or even shift the stages on each step, and the possibilities quickly become near-endless. A scanning output takes things even further, particularly making sequencer or addressed voltage source use easy and intuitive.

For those who are feeling adventurous, there are always more applications to try: configurable voltage mapper, hocketing controller, clock divider, graphic waveshaper, multi-output analogue downsampler... Discover a new world of sequential synthesis with Step 8.

16 HP
+12: 110 mA, -12: 45 mA