Review: The hardest-working man in West London is back! By now we've become accustomed to Kaidi Tatham offering up regular doses of soul and jazz-funk-fired dancefloor goodness, but even by his high standards "You Find That I Got It" is something special. Warm, woozy, groovy and full of intricate musical details - brief synth solos, subtle orchestration and so on - the A-side title track is a wonderfully sunny slice of instrumental boogie-soul. Tatham's world-renowned keys playing comes to the fore on the organic broken beat/jazz-funk fusion of "Mjuvi", a flipside cut that's almost as good as the exceptional title track.
Review: In 2009, two years after the original version appeared on Somi's debut album "Red Soil In My Eyes", Joaquin "Joe" Claussell and Brian Bacchus joined forces as Soul Feast to remix Fela Kuti cover "African Lady". A decade on, Claussell has decided to reissue the package's most potent and percussive moment, the layered "Drum Dub" on a tasty seven-inch single. While there are key elements of Somi's original version present - the killer bassline, some delay-laden horns and fleeting glimpses of guitar - the mix is dominated by layered Afro-house percussion. This time round, the mix comes backed with an "Acapella EFXS" version, which contains all of Somi's superb vocal and is closer in tone to the duo's 2009 club mix. Like the A-side, it's superb.
Review: Previously, French producer Gary Gritness has carved a niche as a creator of hard-wired revivalist electro and boogie, delivering slightly more eclectic - but wholeheartedly electronic - albums for Hypercolour and others. His latest project is a little different. It sees him join forces with two musician friends to deliver an album of radical new (mostly electronic) interpretations of Don Cherry's jazz-fusion works. All seven tracks were recorded live in the studio using a mixture of dusty drum machines, synthesizers, percussion, acoustic instrumentation (Spanish guitar, saxophone) and the musicians' own voices. The results are superb, delivering intergalactic and often wonderfully out-there covers of Cherry compositions that sound like they were beamed down from some far-off tech-jazz galaxy.