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Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal Nux Optima Air Acoustic Simulator & IR Loader Pedal
NUX
Cat: 778748 Rel: 10 Sep 20
 
Acoustic guitar simulator/IR loader pedal
Notes: Excellent value from this uniquely versatile pedal. Load or record acoustic guitar impulse responses and apply them to your electric guitar, transforming the tone and sound.

Supplier's Notes:

The Optima Air pedal is a programmable digital modelling acoustic guitar simulator for electric players. Plug in your electric guitar and morph it into any of 15 internal acoustic guitar models at will. An Impulse Response (IR) loader enables you to capture the tone profile of your favourite acoustic guitar and store it as a model that can be played from your electric guitar. To enhance the acoustic tone, the Optima Air is furnished with a foot-switchable studio quality preamp with 3-band EQ and a digital reverb section to generate ambience. The Optima Air also has an audio streaming USB interface providing, which can be used as a recording device and the USB can be used for remote editing via software which is downloadable for PC or Mac computer. Inputs and outputs include standard jack in and out, a D.I. XLR output, send/return effects loop, headphone output and aux line input for a myriad of connection possibilities. Optima Air is the acoustic guitar in a pedal for electric players either on stage or in the studio.

Power supply: 9Vdc, 500mA, negative centre (not supplied)
Sampling format: 24-bit, 48-kHz
Internal programmes: 15 models, 9 preset patches
DI output: XLR
USB computer interface: Micro USB port

The box for this item contains :

Optima Air pedal
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quote 778748
Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal
Cat: 783089 Rel: 10 Sep 20
 
Chorus/vibrato/flanger pedal
Notes: The Nebulus brings guitarists high quality chorus, flanger and vibrato effects in a really compact 4.5 by 3.5 inch pedal. To increase the tone range even further 3 variations on each effect are available for a total of 9 tweak-able modes. All this flexibility is easy to access via a preset system capable of storing up to 8 different presets.

The chorus mode offers a lush and warm sounding chorus, a fluid and dreamy multi-chorus, and a unique tremolo'ed chorus. The flanger setting has a classic tape flange, a 70's negative feedback type flanger, and the elusive thru-zero flange. Lastly, but certainly not least, are the vibrato sub-modes which include a standard vibrato, a classic vibe sound, and a rotating speaker effect.

Each mode includes a special switch which allows the guitarist to really tweak crucial settings and it also offers some bonus features like the ability to add compression to vibrato mode, for example. For further fine tuning, a tone switch is available offering warm, clean, and bright voicings to the effect.

This true bypass pedal offers the uncompromising sound quality that guitarists have learned to expect from Empress pedals in an incredibly small box. With chorus, flanger and vibrato all only one touch away, this pedal is an incredible value.

Specifications:
Input Impedance: 1Meg
Output Impedance: 1K
Frequency Response (-3dB) - 8Hz - 18.5kHz
Input Headroom: +10.8dBu
Output Headroom: +10.2dBu
Distortion: 0.40%
Signal to Noise: 102.7dB
Power Input Voltage: 9 - 12 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption : ~300mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1 lb
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MRP:$406.85 SAVE 22%
 1 in stock $316.43
Empress Effects Buffer + Stereo Pedal Empress Effects Buffer + Stereo Pedal Empress Effects Buffer + Stereo Pedal Empress Effects Buffer + Stereo Pedal Empress Effects Buffer + Stereo Pedal
Cat: 782957 Rel: 10 Sep 20
 
I/O interface pedal
Notes: The Empress Buffer+ Stereo was designed to be the complete I/O interface for your pedalboard, all while maintaining the highest fidelity of your guitars' signal.

Signal loss due to long. un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the Buffer+ Stereo is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

All the features of the Buffer+ have been incorporated such as the foot-switchable boost, input padding, noise filters, and variable input loading, as well as a ton of additional features such as input metering and clip level indicators, AB/AY switching, external switch control, and of course full stereo in/out connectivity.

On top of all that, 12 different operating modes have been added, each with its own unique signal routing to provide maximum versatility and adaptability to just about any rig you can throw at it. Whether you're connecting stereo effects out to stereo amps, parallel mono effects chains, dual instruments to switch between, or effects in front of your amp as well as the fx loop, the Buffer+ Stereo has got you covered.

Input Impedance 1: 10kO - 1MO
Input Impedance 2: 1MO
Output Impedance 1: 47O
Output Impedance 2: 600O
Frequency Response: (-3dB): 20Hz - 38kHz
THD: 0.02%
Noise: -104dB
Input Voltage: 9VDC
Required Current: 150mA
Power Input Connector: 2.1mm Barrel Connector
Height (enclosure only): 1.5"
Height (including controls): 2"
Length: 4.5"
Width: 3.5"
Weight: 12.5oz
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quote 782957
Empress Effects Fuzz Pedal Empress Effects Fuzz Pedal Empress Effects Fuzz Pedal Empress Effects Fuzz Pedal
Cat: 783034 Rel: 10 Sep 20
 
Fuzz pedal
Notes: This classic sounding fuzz offers smooth, rich sustain with great note definition. A tighter low end makes it ideal for full chords as well as sustaining single notes.

The Empress fuzz is true bypass and has gain control, two bands of EQ and output control to fully tailor your sound.

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Empress Effects Phaser Pedal Empress Effects Phaser Pedal Empress Effects Phaser Pedal Empress Effects Phaser Pedal Empress Effects Phaser Pedal
Cat: 783098 Rel: 10 Sep 20
 
Phaser pedal
Notes: Redefining the phaser effect from the ground up, Empress Effects has created a phaser pedal unlike anything else on the market. Employing a unique VCA based design, the Empress Phaser Pedal offers unparalleled signal-to-noise ratio. Choose between 2 stage, 4 stage or an Empress exclusive 3 stage mode; all controllable via tap tempo sweeping through an impressive set of 8 waveforms.

The Empress Phaser Pedal is the next generation in the evolution of digitally-controlled analog technology. It features an all-analog signal path but is controlled by a microprocessor, allowing it to maintain all its character and analog flavor while adding a ton of possibilities for control and adaptability. Sure, it does the classic jet sounds, super funky auto-wah and ring modulators, as well as having vibrato and Univibe sounds on tap. But what really sets the Empress Phaser Pedal apart are the auto modes: envelope following, audio-triggered sweeps, rhythms and direct control are just a few of the settings found on the Empress Phaser Pedal.

It also offers unsurpassed connectivity by featuring expression pedal control as well as accepting control voltage, external tap, external audio control and MIDI. All of this comes in a rock solid die cast aluminum enclosure with true bypass keeping things clean.

Specifications:

Power Input Voltage: 9 - 18 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption : ~120mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1 lb
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MRP:$477.89 SAVE 19%
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quote 783098
Empress Effects Reverb Pedal Empress Effects Reverb Pedal Empress Effects Reverb Pedal Empress Effects Reverb Pedal
Cat: 783099 Rel: 10 Sep 20
 
Reverb pedal
Notes: Realistic simulations of spaces, as well as never-before-heard surreal ambiances are represented with stunning sound quality. Sporting stereo ins and outs, a small footprint and all the controls at your finger-tips, it strikes the perfect balance of control and ease of use, avoiding laborious menus. Presets, the versatile control port, and MIDI open up a world of possibilities for live performances. Whether you're looking for a classic spring, realistic room or new sonic flavors to expand your creativity, this pedal delivers. And....it's got a beer mode!

The pedal has 12 algorithm types, some include multiple variations. For example, vintage and studio plate, dark and bright springs. Also, as more algorithms get added you can update your pedal via the SD Card. It's the pedal that keeps on giving.

Pristine sounding classic hall, plate, spring and room sounds that rival or surpass studio units costing many times more.

A complete palette of tweak-able ambient sounds that offer the creative player so much territory to explore and make their own.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Many algorithms have infinite hold settings or the ability to tap in delay time.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your reverb works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control port control(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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quote 783099
Empress Effects Tremolo2 Pedal Empress Effects Tremolo2 Pedal Empress Effects Tremolo2 Pedal Empress Effects Tremolo2 Pedal
Cat: 783105 Rel: 10 Sep 20
 
Tremolo
Notes: The Empress Tremolo2 is an original design built from the ground up to include innovative features without sacrificing tone. The audio signal path is analog, but the tremolo effect is controlled digitally via opto technology.

Tap tempo, selectable waveforms, a choice of 8 rhythms and a full preset system capable of storing up to 8 presets are all at your fingertips. The control port allows control over the Tremolo2 via external tap tempo, expression pedal, contro l voltage and MIDI, making the tremolo2 more powerful than ever!

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Empress Effects Distortion Pedal Empress Effects Distortion Pedal Empress Effects Distortion Pedal Empress Effects Distortion Pedal
Cat: 782987 Rel: 10 Sep 20
 
Distortion pedal
Notes: From mild to crunch to lead, the empress distortion does it all. This true bypass pedal offers three flavors of distortion while retaining a super tight low end and naturally compressing like a high gain amp.

The mild setting offers gentle break-up that cleans up with your volume knob. The crunch setting is tight, with good bite. The lead setting offers high gain with lots of sustain.

Gain control, two bands of EQ and output control allow you to tweak the sound to taste.

Input Impedance: 300k
Output Impedance: 5k
Frequency Response (-3dB): 20Hz - 12kHz
Power Input Voltage: 9V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 35mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 4.5"
Width: 2.5"
Weight: 0.5 lbs
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MRP:$206.66 SAVE 26%
 1 in stock $152.84
Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal
Cat: 783082 Rel: 10 Sep 20
 
Fuzz/overdrive/distortion pedal
Notes: The idea of blending amps together has been a studio trick used on countless recordings over the years. Being able to blend the strengths of certain amplifiers and have other amps fill in the weaknesses produces a richer, better balanced sound. Up until now, the only way to repoduce this live was to haul a few amps around with you on the road. After a few gigs of doing that, a lot of players end up compromising tone for the ease of carrying 1 amp around with them. This is where the multidrive shines.

The multidrive allows you to blend Overdrive, Distortion and Fuzz together, creating a full and rich array of tones that would not be available otherwise. Let the sustain of fuzz, the bite of distortion and the clarity and note definition of overdrive all work together! It's like having an overdrive pedal, a fuzz pedal, and a distortion pedal, all in one box.

Specifications:
Power Input Voltage: 9 - 18 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 180mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
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quote 783082
Empress Effects Heavy High Gain Distortion Pedal Empress Effects Heavy High Gain Distortion Pedal Empress Effects Heavy High Gain Distortion Pedal Empress Effects Heavy High Gain Distortion Pedal
Cat: 783043 Rel: 10 Sep 20
 
High gain distortion pedal
Notes: In this aptly named box you'll find a huge range of killer high gain tones. From crisp, mid-driven 80's metal, to scooped, modern down-tuned brutality, this little box of sonic mayhem does it all. The two independent channels can be voiced similarly so that one channel can be used as a solo boost, or they can be voiced entirely differently by using the mid range control in conjunction with the 3 position mid frequency select switch. Add in separate weight controls to shape the low end response of each channel, and a global hi/low eq section that allows you to fine tune your particular amp and cab combination, and you've got a serious tool to create a supremely heavy sounding rig.

On top of all this, there's an extremely responsive and hassle free noise gate that will ensure dead silent operation with even the most obscene amounts of gain added.

Input Impedance: 1M
Output Impedance: 510 Ohm
Frequency Response (-3dB): 35Hz - 17kHz
Power Input Voltage: 9 - 12 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 200mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1lbs
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MRP:$406.85 SAVE 18%
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quote 783043
Fulltone Supa-Trem Jr Amp-Style Opto Tremolo Pedal With Boost Fulltone Supa-Trem Jr Amp-Style Opto Tremolo Pedal With Boost
Cat: 782881 Rel: 11 Sep 20
 
Tremolo pedal
Notes: The logical progression to the beloved Supa-Trem1 is here!

It's a much, much smaller than the ST-1 at only 3.9" wide x 4" deep, and more intelligent version of the epic Supa-Trem1. Sporting True-Bypass,Tap-Tempo, external Tap jack, Half/Double hold feature, up to 15dB boost, true Square, Sine, and the natural heartbeat-like Warble wave-forms! It also can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Don't forget, just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!

3 switchable waveforms:
Square, (modified) Sine, and (heartbeat-like) Warble wave-forms. Digital Brain (for the oscillator only) with 100% analog signal path. Unlike the ST-1, the Jr can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!
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MRP:$238.95 SAVE 29%
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Maxon OD-820 Overdrive Pro Vintage Series Pedal
Cat: 783422 Rel: 11 Sep 20
 
Overdrive pedal
Notes: With plenty of gain, a super-musical tone circuit and a transparency rarely found in a pedal, the OD820 takes Maxon's legendary 808 circuit and launches it into the 21st century.

The OD820's voltage doubling circuit adds gain, girth and grit without desecrating your existing tone. Imagine the classic 808 sound with more output, more bottom and more drive and you've pretty much summed up the 820's sound.

The circuit's additional headroom gives your playing a fluid, effortless feel: Notes jump off the fretboard with a noticeable yet controlled sustain. Though capable of heavier-than-usual overdrive, the OD820's dynamic response is amazing and the pedal cleans up beautifully by rolling back your guitar's volume control.

The dual-ganged Drive pot blends clean and dirty tones, creating stunning clean solo boosts at lower settings and a buttery, light overdrive at high noon. Max it out for a full-bodied overdrive that's saucy and saturated while still retaining clarity and openness.

The Maxon OD820 - the quest for the ultimate overdrive ends here.

The OD820 shares many similarities with the fabled Klon Centaur, but at a fraction of the cost.

*Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is recommended.

TECH TALK:
The OD820 circuit is basically a hot-rodded 808 with a few special tricks. After a JFET input buffer, the signal is sent a dual-gang Drive pot where it is split between a clean gain stage and the overdrive stage. As the Drive knob is turned up, more signal is sent to the overdrive stage while the drive of this stage is also turned up. If the Drive knob is turned down, more signal is sent to the clean gain stage and the drive of the overdrive stage is turned down. At 12 o'clock on the Drive knob, signal is split 50/50 clean/overdriven.

The OD820 features a standard 808-style tone control. However, the entire pedal is running at 18 volts via an internal voltage doubler that bumps up the clean headroom and provides greater output and a fuller frequency response than the typical 808 circuit - in other words, no midrange spike!

Even though the 820 circuit is running at 18 volts, it powers up off standard 9 VDC via battery or a standard external power adaptor.

The OD820 features buffered, Mechanical bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -107 dB (VR Max)

Residual Noise: -98 dB (Level, VR Min)

Maximum Gain: +46 dB (VR max) (at 1 KHz)

Maximum Amplitude: +16 dB (At 1 KHz)

Controls: Drive, Tone, Level

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 19 mA (10 VDC)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Maxon AC210N Adaptor: (9VDC/200mA)

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783422
Maxon OD-808X Extreme Overdrive Reissue Series Pedal
Cat: 783413 Rel: 11 Sep 20
 
Overdrive pedal
Notes: For over 40 years Maxon's legendary "808" overdrive circuit has been an essential ingredient to achieving great guitar tone. Whether it's used as a booster to drive an amp, as a Dirt box for crunch and extra sustain or as an EQ to shape the tone of a high-gain amp, the 808 in its many incarnations has shown up in more rigs and on more recordings than anyone would care to count.

Yet for all its legendary status, there are some who wish the 808 offered just a little bit more - and for those players obsessed with excess, Maxon has created the OD808X Overdrive Extreme.

The Extreme shares the same basic circuit architecture as the OD808. However, several key component values have been altered to achieve what may be the ultimate overdrive tone.

The OD808X offers a wider frequency response than a stock OD808, with an extended hi-frequency tonal range that offers additional clarity without becoming harsh.

It also features a harder clipping pattern than the standard model, creating a searing, full-bodied drive tone that helps chords ring and notes sing.

An additional +5 dB of output level assures that the OD808X will punch through the densest of mixes with an authority that most OD's just can't match. Its additional level and top-end also allows the X to be stacked in a chain of pedals without getting buried under other Dirt boxes.

The OD808X offers the same "feel" and amazing transparency that the 808 is famous for - digging in you'll get more break-up; rolling back your volume will clean things up and you're guitar will sound like your guitar.

Beyond that, all similarities end and all bets are off. Comparing the X to a stock OD808 is kind of like bringing a gun a knife fight - it's excessive, but you know it will get the job done!

When even legendary overdrives just aren't enough, it's time to go to the extreme - the OD808X Overdrive Extreme.

The OD808X takes Maxon's classic 808 circuit to the extreme; adding extra Drive, Level and High frequencies to create a versatile, amp-like overdrive with excellent note clarity that won't get lost in a mix.

TECH TALK:
The OD808X features a low-impedance buffered bypass, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Maximum Gain: 40dB (2 kHz)

Input Noise: -110dB or less (Input shorted, IHF-A weighted)

Controls: DRIVE, TONE, LEVEL

Switch:
BYPASS/EFFECT (Buffered Electronic Bypass)

Indicator: BYPASS/EFFECT LED

Power Supply: 6F22/6LF22 9V battery x 1 or Maxon AC adaptor

Power Consumption: 7.2mA max. / 9VDC

Battery Life:
9VDC manganese battery 78 hours 25 deg C (FUJITSU 6F22)
9VDC alkaline battery 114 hours 25 deg C (TOSHIBA 6LF22)

Dimensions: 70(W) x 113(D) x 56(H) mm

Weight: Approx. 300g (incl. battery)

Accessory: 6F22 9V battery x 1, operating manual* 0dB = 0.775Vrms

* Be sure the battery is firmly connected to battery snap with the correct polarity.

* All specifications are subject to change for improvement without notice or obligation.
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quote 783413
Maxon OD-9 Overdrive Nine Series Pedal
Cat: 783322 Rel: 11 Sep 20
 
Overdrive pedal
Notes: While the OD808 may have been the first overdrive circuit of its kind, it was the OD-9 that cemented this sound in the history of Rock & Roll guitar.

Looking at the OD-9's circuit, you'll realize that this is not some redesign being cleverly marketed as a reissue - this is THE original OD-9 (TS-9) circuit, yet with the addition of true bypass switching. Even the PC board is the same one that Maxon's been using for the past 30+ years, complete with empty slots where parts for the FET switching circuit have been left out!

Like the original, the current production OD-9 features the NJM (JRC) 4558D Op Amp - an essential component for authentic "TS" tone. The NJM is smoother sounding and less compressed than other Op Amps, offering superior sound quality with low noise.

The absence of the FET switching circuit gives the OD-9 some added output and a slightly more open sound than the OD808, making it perfect for the classic rock tones that it helped to define.

If your future plans include a meteoric rise to rock & roll stardom, then rely on the legendary tones of the OD-9 to fuel your ascent.

The OD-9 is a true-to-spec reissue of the legendary 1980's OD-9/TS-9 circuit, with the addition of true bypass switching for clean, uncolored tone when bypassed.

TECH TALK:

Input is fed into a 2SC1815 emitter/follower transistor to optimize the signal's impedance structure. From here it's on to the first section of an NJM 4558D Op Amp - NJM is the company formerly known as the Japan Radio Corporation (JRC) - the legendary manufacturer that designed and built tons of these components in the late 70's/early 80's.

In this non-inverting Op Amp there are diodes in the feedback loop that clip the signal gradually as well as a High-Pass filter that keeps low frequencies from being distorted as much as high frequencies - the classic "808" configuration that creates the tone we all know and love.

After this is a passive LP filter and then an active tone stage that uses the other half of the Op Amp to create a HP filter that brings back frequencies cut by the inter-stage LP filter. After the tone stage it's through the volume pot, another E/F 2SC1815 to provide a low impedance output and then the true bypass switch.

The OD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - input signal is sent to ground when bypassed.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Outputs: 1

Equivalent Input Noise: -114 dB or less (input shorted IHF-A weighted)

Maximum Output Level: 0 dBm

Maximum Gain: +40 dB (at 1.5 KHz)

Controls: Drive, Tone, Level

Switch: Normal/Effect (true bypass configuration)

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9 V) / 7 mA (10 V)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$148.53 SAVE 28%
 1 in stock $107.63
Fulltone Soulbender	 60's Classic Fuzz Pedal with 3 Matched Germanium Transistors
Cat: 782873 Rel: 11 Sep 20
 
Fuzz pedal
Notes: The Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings.

Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding.

The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons of tonal character and even harmonics and of course, true bypass w/ LED is included with every one.
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MRP:$238.95 SAVE 24%
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Maxon AD-9 PRO Analog Delay Nine Series Pedal
Cat: 783311 Rel: 09 Sep 20
 
Analogue delay pedal
Notes: Gorgeous analogue delay based on Maxon's custom-made bucket brigade chips. Warm but clean, with a range of vintage-inspired features like tape-style multi-tap mode and ping pong effects.

Supplier's Notes:

The AD-9 Pro model improves on one of Maxon's most coveted models in order to produce the best-sounding, most reliable analog delay ever. Featuring 4 of Maxon's proprietary MC4107D bucket brigade IC's, and the world's first RMS level sensor and companding noise reduction system, the AD-9 Pro delivers 450 millseconds of the most transparent analog delay sound ever available in a stompbox format.

Offering improved headroom, the AD-9 Pro can accept any input signal and will work in an amplifier's effects loop as well as its front-end.

The AD-9 Pro also features a switchable multi-head tape echo simulator function. This feature provides interesting new delay effects such as the "Ping Pong" repeats made famous by Tape Echo units as well as ambient effects that recreate the echoes of a large concert hall with stunning accuracy.

AD-9 Pro is outfitted with mechanical true bypass switching on both wet and dry outputs by use of a 4PDT switch assuring pure, unaltered tone when bypassed.

In a world that grows more "digital" by the day, the Maxon AD-9 Pro sets a new standard of analog innovation and audio purity.

"If you want a delay pedal with rich tone and a ton of vibe get a Maxon AD-9 Pro! I love the ability to switch from single to dual head delay modes." - Devin Bronson - Guitarist with Avril Lavigne

"Maxon pedals are just simply amazing. Thanks for making pedals that just sound great, all the fucking time!" - Tyler Connolly - Theory of a Deadman

TECH TALK:
The AD-9 Pro starts with a string of low gain, low voltage op amps designed to boost the signal and shape the sound without adding distortion. Signal then passes to a THAT4315s Compander - a precision low voltage, low noise Compander IC designed to boost signal while killing any noise. This IC brings the input signal up to an ideal level and keeps it there as notes decay. This is good for signal-to- noise ratio and also gives the delay chips a clean, strong signal to work with.

The 4 x Maxon MC4107D BBD delay IC's are controlled by two clock driver IC's. The driver is running the BBDs at a very low clock rate to achieve maximum delay time. This rolls off a fair amount of high frequencies, giving the AD-9 a big, warm delay sound.

The delay circuit has a switchable tap that grabs midstream delayed signal and adds it back in with the main delay signal. This setup is very reminiscent of the multi-head feature on vintage tape echoes (Roland Space Echo, etc.).

Both the tapped and untapped signals are sent through their own sets of filtering op amps (3 apiece) which help get rid of clock noise and hiss. Then the signal is sent through another THAT4315s Compander chip and into a mixing Op Amp (where the clean signal is mixed with the delay) and out.

The AD-9 Pro features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

NOTE ON POWERING THE AD-9 Pro - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the AD-9 Pro by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Residual Noise: -100 dB or less (IHF-A)

Delay Time: 20 mSec to 450 mSec

Equivalent Input Noise: 116 dB or less (IHF-A)

Controls: Delay Time, Feedback, Delay Level

Switch: Single/Dual Mode, Effect

Operating Voltage: 9V

Power Consumption: DELAY TIME MIN 39mA/DC.9V 38mA/DC.10V

Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 80 grams (including battery)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery Life: Manganese dry battery more than 2 hours 25deg C / 77deg F (Panasonic 6F22NB) Alkaline dry battery more than 8 hours 25deg C / 77deg F (Panasonic 6LR61G)
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Maxon CP-9 Pro + Compressor Nine Series Pedal Maxon CP-9 Pro + Compressor Nine Series Pedal
Cat: 783312 Rel: 11 Sep 20
 
Compresssor pedal
Notes: The CP-9 circuit provides a very smooth, transparent, almost "glassy" compression with an extremely low noise floor, even at maximum settings. Your guitar sounds like your guitar, only with a smoother, more balanced dynamic response - Notes jump off the fretboard with stunning clarity and limitless yet controlled sustain.

The CP-9's internal voltage doubler provides massive headroom with full-range frequency reproduction. It can be used with any instrument and for a variety of applications - send into an amp's front end, place in a loop, or use as an outboard processor for home recordings.

With up to +30 dB of clean Gain, the CP-9 Pro+ can also be used as a straight clean booster or as a volume attenuator to clean up an already dirty amp by reducing input level.

The CP-9 Pro+ is that rarity of rarities - a compressor with tons of squash that does not color your guitar tone or create excessive noise.

The CP-9 Pro+ provides studio-grade compression in a portable stompbox format - you'll wonder how you ever played without it!

TECH TALK:
When re-designing the CP-9, Maxon looked at every type of compressor on the market and came to one conclusion - standard-grade components and traditional guitar compressor designs simply would not do.

The CP-9 Pro+ runs off of a dual power supply (converted from a single 9V+) giving the pedal twice the headroom and ability to handle compressing/expanding a signal without clipping.

The pedal starts by splitting the input signal into 2 circuits - control and effected. The control stream makes its way into a THAT2252 chip, a precision RMS level detector (by the "THAT Corporation," a Silicon Valley manufacturer of high-end precision analog chips) which measures the input signal and provides a precise trigger signal for the VCA.

After the RMS chip we head into a series of 4 Op Amps that are used to control the Threshold, Shape, and Gain of the trigger signal. The affected trigger signal is then routed into a THAT2150 VCA which follows the unity gain amplifier in the effected circuit.

The THAT2150 is a Voltage Controlled Amplifier based on the "Blackmer Gain Cell" developed by David Blackmer, the founder of DBX - This VCA structure is the granddaddy of them all and was instrumental in the early DBX designs. After the 2150 VCA the signal is amplified again by another Op Amp and then out through the true bypass switch.

The CP-9 Pro+ features Mechanical True Bypass switching using a Fujisoku 4PDT switch.

NOTE ON POWERING THE CP-9 Pro+ - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the CP-9 Pro+ by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Output: 1

Switch: Normal/Effect (true bypass configuration)

Maximum Output Level: +18 dBu (1 KHz)

Controls:
THRESHOLD: 0 dBu TO -40 dBu
GAIN: 0 dB to +30 dB

Distortion Ratio: 0.01% (1 kHz) at 0 dB output

Residual Noise: 95 dBu (input shorted, IHF-A weighted)

Indicator: Normal/Effect LED, Reduction LED (when reduction LED lights, Compression is more than 3 dB)

Internal Circuit Voltage: Stabilized +/-9V DC-DC converter

Power Supply: 9V Manganese dry cell battery (6F22) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 25 mA (9 V) / 23 mA (10 V) at 18 volts

Battery Life:
Panasonic NEO battery 6F22NB
Approximately 5.1 Hours @ 77 deg F / 25 Deg C
Panasonic Alkaline battery 6LF61G
Approximately 12.4 hours @ 77 deg F / 25 deg C

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 580 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Warranty Card: x 1

User's Manual: x 1
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MRP:$257.03 SAVE 16%
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quote 783312
Old Blood Noise Expression Slider Portable Expression Fader
Cat: 782128 Rel: 11 Sep 20
 
Expression slider pedal
Notes: The Old Blood Noise Endeavors Expression Slider is a fader for use with any pedal that has an Old Blood style expression input (see details below). Simply use a TRS cable to plug the Expression Slider into the Expression input and use the slider as you would a knob or expression pedal. Suggested uses: strap it to your mic stand to adjust your favorite setting without bending down, keep it at your studio console to control a parameter while tracking, use the indicators to mark your favorite settings, or simply replace a knob control with a slider because let's face it: sliders are cool. Unsuggested uses: Unintended excess weight from use with foot while standing may cause damage to the device. Read: Don't use your foot.

Details: the Expression Slider uses a TRS jack with tip connected to the wiper of a 100K slider. Old Blood Noise confirmed that it works with all their other products, as well as pedals from Chase Bliss, Meris, Earthquaker Devices, Empress, Montreal Assembly, Strymon, EHX, and Boss. It will not work with TS style expression inputs such as Line6 without an additional TRS splitter cable.
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MRP:$63.29
 4 in stock $59.19
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quote 782128
Old Blood Noise Procession Sci Fi Reverb Pedal
Cat: 782157 Rel: 11 Sep 20
 
Reverb pedal
Notes: Out of the hazy, sand blown distance, something comes forth. Moving slowly, moving softly, it is seen and just as quickly lost. It echoes in the open air, a voice on the wind. It's a Procession. A cavalcade making its way through the deserts of a distant planet. The sounds of another world. Or something along those lines.

Which is where the Old Blood Noise Endeavors Procession reverb comes in. It's what would be used to create a science fiction soundtrack. A strange mix of haunting reverb and three modulation settings, the Procession aims at inspiring something new, something fringe and something risky.

The Procession's simple controls run the gamut of reverb soundscapes ranging from simple reverb to complex Sci-Fi filtery echo weirdness. The Mix and Reverb knobs control the mix of dry/wet signal and the decay of the reverb, respectively. The Speed and Depth knobs correspond with the selected modulation mode: Flange, Filter or Tremolo.

The Procession has two footswitches. The Bypass switch is your standard on/off True Bypass switch. The Hold switch is a momentary footswitch that when pressed, will lock in whatever note is being played through the reverb effect. This will sustain as long as the Hold switch is pressed. If the Mix control is set less than 100% wet, you can continue to play over the sustaining reverb signal.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.

The Procession now features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.
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Fulltone Full-Drive 2 V2 Overdrive With Boost Pedal
Cat: 782837 Rel: 11 Sep 20
 
Overdrive pedal
Notes: Since the 1990s, Fulltone's FullDrive series of pedals have been among the most popular overdrive stompboxes around. Undergoing many refinements and tweaks over years to meet the demands of its fans, the FullDrive 2 V2 is the smallest and most pedalboard-friendly version yet!

Featuring a super-compact enclosure without losing any of the key controls or functionality that users adore, this potent-sounding unit can really add some grit to your amp.

2 Footswitches:
Left ON/OFF footswitch: True-Bypass switching with exclusive Fulltone "Anti-Pop" circuit.
Right "Channel select" footswitch: switches between Overdrive 1 or Overdrive 2, each with individually adjustable Volume and Drive knobs.
100% Built in the USA.
16 gauge cold rolled steel chassis with easy battery access via 2 thumbscrews.
9-18VDC operation, extremely green circuit only pulling 10mA of current.

2 toggle switches to access the many clipping options
LEFT 3-position switch:
Comp-Cut- removes clipping diodes, not a clean boost because it can distort the opamp.
Flat Mids- a late 1990's Fulltone invention that feeds signal back on to the clipping diodes removing the Mid-hump.
Vintage- traditional 90's Full-Drive slightly asymmetrical clipping.
RIGHT 3-position switch
Wide- combines Mosfets & Schottky Diodes for more clarity, less compression, a more D*mble-like sound.
Standard- traditional 90's FD2 slightly asymmetrical.
Half-Clipped- another Fulltone exclusive, only clips the top waveform for extreme clarity, feel, and touch like you've never experienced!

Explanation of DRIVE 2 channel.
Think of it as the "More" Channel....
Engaging the DRIVE 2 footswitch brings in the DRIVE 2 knob, allowing you to add distortion (in addition) to what's selected on the DRIVE 1 knob.
At the same time, the pedal jumps from the (pedal's main, large) VOLUME knob level setting to a higher level selected on the DRIVE 2 VOLUME (mini-knob.)
Practical uses:

1) Use as a volume Booster (same Distortion setting, only louder): Set DRIVE 2 knob to "0" and set DRIVE 2 VOLUME mini-knob to taste

2) Use as a higher Gain lead tone with Volume Boost: set DRIVE 2 knob anywhere above "0" and DRIVE 2 VOLUME mini-knob to taste. Ideally you set DRIVE 1 for your lower-distortion sounds and DRIVE 2 for the higher distortion sound...effectively giving you 2 pedals.
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quote 782837
Old Blood Noise Fault Overdrive V2 Distortion Pedal
Cat: 782132 Rel: 11 Sep 20
 
Overdrive/distortion pedal
Notes: Tweaking the platform of their Fault overdrive/distortion, Old Blood Noise have carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.
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MRP:$244.11 SAVE 13%
 1 in stock $213.10
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quote 782132
Fulltone 69 MkII 60's Classic Fuzz With 2 Matched Germanium Transistors Pedal
Cat: 782502 Rel: 11 Sep 20
 
Fuzz pedal
Notes: This is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick.

If you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the "woofiness" and gives great Overdrive/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking.

Specifications subject to change at any given moment due to availability... and whimsy.

True-Bypass w/LED is standard equipment to preserve tone when the pedal is off!
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MRP:$226.03 SAVE 17%
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quote 782502
Fulltone 70 70's Classic Fuzz With Matched BC108C Silicon Transistors Pedal
Cat: 782503 Rel: 11 Sep 20
 
Fuzz pedal
Notes: Ever played an original FuzzFace from around 1970? (HINT: Not AT ALL the same sound as ones with the same namesake being mass-produced currently.) Fuzztone's has two intentionally mismatched (for harmonic content) silicon transistors that snarl and spit... not for the meek! If you put the "Fuzz" on 10 you will rip, and you might get all sorts of oscillation and weirdness... but that's Rock. Don't try using it with a wah wah... you can't, and neither could Jimi, without it screaming and howling. You want polite and quiet? Go elsewhere. You want art in a box? Come on in.

Housed in a 16 gauge steel box and powder coated deep blue, this pedal is a bit unruly but with some warmth... ideal for older 4 input Marshall amps, it has much more FUZZ than the '69 Pedal and includes a Mid control for extra clarity and cut.
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 1 in stock $145.29
Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal Fulltone Clyde Deluxe Wah Pedal
Cat: 782509 Rel: 11 Sep 20
 
Wah pedal
Notes: The Deluxe version of the CLYDE wah has all the features that players have come to know and love about the original "CLYDE Standard" but with the following additions:

10-step Variable Input Level Control
True-Bypass w/ bright side-viewable low current Pilot light status indicator
3 selectable modes:
Wacked
Jimi" (Clyde Standard)
Shaft
The three-way mode switch and variable input control pot will let you dial in almost any type of wah sound you can imagine. All the way from classic Voodoo Chile... to biting funk... to down and dirty low-end grunt. The CLYDE Deluxe can do it all!

All CLYDE Deluxes sport the most authentic '60's Vox type inductor available, which happens also the quietest... our hand-wound MU-80 (80% nickel alloy) shielded Fulltone 500mH inductor and the long-life Fulltone-1 wah pot.
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MRP:$334.52 SAVE 22%
 1 in stock $259.39
Electro Harmonix Oceans 11 Reverb Pedal
Cat: 691705 Rel: 25 Jun 18
 
Compact, affordable pedal packed with advanced functionality & eleven reverb styles
Notes: With 11 reverb types and a ton of "hidden" functionality, the Electro-Harmonix Oceans 11 reverb pedal could be your new go-to reverb pedal. You can tap into classic tones like hall, plate, and spring reverbs, including a brand-new spring reverb algorithm that sounds gloriously complex and rich - you can even double-tap the footswitch to "crash" the spring reverb. And you'll be able to cover a huge range of modern tones with a variety of modulated reverbs, shimmer reverb, reverse reverb, and more. A mode switch offers access to variations on many of the 11 reverb types. Complete with an infinite reverb mode for freeze-style effects, there is vast creative potential in the Electro-Harmonix Oceans 11 reverb pedal.

Reverb types:

Hall - rich and full sound of a grand concert hall
Spring - brand-new tube spring reverb emulation
Plate - lush and warm plate reverb
Reverse - each note fades in backwards
Echo - recirculates echoes through the plate reverb algorithm
Trem - hall reverb plus tremolo
Mod - modulated reverb
Dyna - swells, gates, and ducks in response to your playing dynamics
Auto-Inf - auto-infinite reverb, triggers a wash of reverb with each new note or strum
Shim - shimmer reverb with an octave-shifted wash that blooms behind your core tone
Poly - polyphonic reverb with two pitch shifts operating on your pre-reverb guitar tone
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quote 691705
NUX NDR5 Atlantic Delay & Reverb Pedal NUX NDR5 Atlantic Delay & Reverb Pedal NUX NDR5 Atlantic Delay & Reverb Pedal
NUX
Cat: 712793 Rel: 29 Nov 18
 
Effect Pedal with Inside Routing and Secondary Reverb Effects
Notes: Multi Delay and Reverb effect pedal with inside routing and secondary reverb effects. One of the best Delay and Reverb algorithms in a metal box. Special select 3 classic Delays & 3 classic Reverbs . . . and we added a bonus "Shimmer" and "Freeze" effects which let you create a dreamy waterfall shimmer~ especially handy for intros, interludes, and endings. And now, because of NUX's latest Core Image Technology, the new Verdugo Series effect pedals offer pro-level sound enhancement.
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MRP:$166.62 SAVE 44%
 5 in stock $93.63
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quote 712793
Electro Harmonix 1440 Fourteen-Fourty Stereo Looper Pedal
Cat: 785073 Rel: 30 Jul 20
 
Looper pedal
Notes: The EHX 1440 Stereo Looper is a compact powerhouse that provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you'll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

A 1 Shot function is also included, adjustable fadeout times and optional external footswitch control for selecting loops and Undo/Redo. The affordable 1440 Stereo Looper puts a ton of looping power on your pedalboard.
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MRP:$264.78 SAVE 26%
 4 in stock $196.97
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quote 785073
Electro Harmonix Bass Mono Synth Effects Pedal
Cat: 718362 Rel: 18 Feb 19
 
Bass synthesizer effects pedal with 11 monophonic synth sounds
Notes: The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more.

Its intuitive layout makes it easy to use and easy to dial in good sounds quickly. DRY controls the volume of your dry bass signal at the Synth Output. SYNTH controls the volume of the Synthesizer sound at the Synth Output. Used together they let you create just the right mix. The SENS control, short for sensitivity, adjusts how your playing dynamics trigger the synthesizer and allows you to fine tune the way the pedal responds to your bass rig and playing style.

With the CTRL knob you can adjust a key parameter for each of the eleven synth types. It varies depending on the preset and provides more tweakability for customizing your sound. There’s also an EXP input which lets you control an entirely different parameter in real-time with an expression pedal!

Using the built-in Preset footswitch, a user customizable preset for each of the eleven synth sounds can be created, saved and recalled. The factory presets are also easy to restore should you wish to.

From lush, warm sounds to sharp, percussive stabs, the Bass Mono Synth puts a collection of cool bass synths at your fingertips.
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 3 in stock $95.80
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quote 718362
Mooer Radar Speaker Simulator Pedal Mooer Radar Speaker Simulator Pedal Mooer Radar Speaker Simulator Pedal Mooer Radar Speaker Simulator Pedal
Cat: 672344 Rel: 05 Dec 17
 
Fully-fledged cab simulator in tiny stompbox format
Notes: The MOOER RADAR is a full-featured professional speaker simulator which can be a permanent resident at the end of your pedalboard. Not only does it carry 30 cab models but it also has optional microphone and power amp simulation. Ideal for recording or hooked up to your favourite headphones for practice. The RADAR will transform your pedalboard into a complete guitar rig.
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 5 in stock $115.16
Meris Ottobit Jr. Bitcrusher Pedal
Cat: 781884 Rel: 15 Jul 20
 
Bitcrusher pedal
Notes: Really nice digital effect pedal based around bitcrushing but capable of so much more: gritty filtering, stutter effects and tap tempo for synced modulation sequences. Super vibey.

Supplier notes:
From an era when visiting the arcade meant silicon-defined-sonics were burned into so many kids' memories (big and small alike), the Meris Ottobit Jr. is inspired by the world of vintage gaming consoles, bringing those sounds directly to your pedalboard.

So what exactly is Ottobit Jr.? Well, it's a bitcrusher, but it would be an insult to just call it that. It's also an ultra-musical sequencer, stutter and filter effect, but it's not JUST that either. It's the sum of all of these parts that make the Ottobit Jr. what it is: a maniacal side-scrolling, coin-collecting, power-glove-punching-machine with a host of earth-shattering sounds that'll melt your face right off! Heck, the pedal is so unique and innovative that it deserves to have a verb all of its own. So plug in, press play and Ottobit away!

Ottobit Jr. takes everything that made the original Meris Ottobit 500-series unit such an innovative studio tool and crams it down into a rugged and roadworthy pedal suited for any rig, be it guitar, bass or synth. Basically, if you have a creative bone in your body and you love designing crazy and unique sounds unlike anything else, then the Ottobit Jr is for you!

Ottobit Jr. sports a fuzzy bitcrusher with variable sample rate, triggered stutter effects, a multi-mode sequencer module and a mind-blowing low-pass filter that sounds just as good as any analog synth filter out there. All of this is syncable and controllable via tap-tempo, expression and/or midi. But most important of all, Ottobit Jr. always stays super reactive to your playing, seeing you jump from fiery fuzz tones to classic arcade bleeps and bloops, only to end up in a barrage of 6-step sequencing and glitchy stutter effects without breaking a sweat and without ever sounding unmusical.

The Meris Ottobit Jr. is built to Meris' boutique standards in Los Angeles, California, USA. It features an analogue signal path and 24-bit AD/DA with 32-bit floating point DSP to ensure crystal clear sounds with loads of headroom.

Premium quality 24 bit A/D and D/A

32 Bit floating point DSP hardware

Premium low noise Analog signal path throughout

Analog Devices JFET input circuitry

Selectable True Bypass (Relay) or Analog Buffered Bypass

Durable black powder coat with fine metal flake

Current draw: < 150 mA

Dimensions: 4.25" wide, 4.5" long, 2" tall
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MRP:$406.85 SAVE 26%
 2 in stock $300.30
Electro Harmonix Nano Bass Big Muff Pi Distortion Sustainer Pedal
Cat: 560339 Rel: 04 Feb 15
 
Distortion/sustainer effects pedal with true bypass for maximum signal path integrity
Notes: The new Nano Bass Big Muff is the latest EHX bass guitar, effect pedal. It delivers that huge Bass Big Muff sound in a nano-sized package.

With voicing inspired by the battle-tank green, Russian Big Muff and a classic Big Muff Pi layout of Sustain, Tone and Volume controls, it provides sounds ranging from a slight but satisfying grit to an over-the-top wall of bass fuzz.
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quote 560339
Electro Harmonix Nano Big Muff Pi Distortion Fuzz Overdrive Pedal
Cat: 560343 Rel: 04 Feb 15
 
Distortion/fuzz/overdrive effects pedal with compact, rugged nano enclosure
Notes: We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound.

The Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!
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quote 560343
Electro Harmonix Pitch Fork Polyphonic Pitch Shifter Pedal
Cat: 560349 Rel: 04 Feb 15
 
Polyphonic pitch shifter effects pedal, transposes over a +/- three octave range
Notes: The Pitch Fork transposes an instrument's pitch over a +/- three octave range and features three modes which allow the pitch to be transposed up, down or both, simultaneously. The pitch shift amount can be set to a fixed interval or continuously varied by an expression pedal or control voltage.

The controls are straightforward and intuitive. An 11-position Shift switch selects the maximum transposition interval ranging from D (Detune), a shift of 17 cents, through Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, 1 Octave, 2 Octaves and 3 Octaves. A three position toggle switch controls whether the pitch is transposed up, down or both. In Dual mode, two pitch-shifted signals are output. One follows the shift knob as if in the Up position while the other creates a harmony. Dual Mode settings include M3 up + P5 up, P5 up + 1 Oct down, 1 Oct up + 1 Oct down and many others. A Blend knob controls the mix of the dry signal and the effected signal, and an EXP jack enables the player to control pitch and glissando with an expression pedal.

The Latch button selects Latch or Momentary mode which affects how the footswitch and EXP input behave. In Latch mode, the footswitch toggles between effect on and buffered bypass each time it's pressed and the EXP input continuously varies pitch. In Momentary mode the effect is only on while the footswitch is depressed and when it is released the Pitch Fork goes into bypass.

In Latch mode the EXP input controls pitch shift amount, ranging from unity to the interval set by the Shift knob, and pitch varies continuously throughout the expression pedal's range. In Momentary mode the EXP input controls glissando rate for the Pitch Fork's footswitch. When the bypass footswitch is pressed, the Pitch Fork jumps from bypass to the interval set by the Shift knob. The amount of time it takes to reach that new note is the glissando rate. When the footswitch is released the pitch will return to unity at the same rate. That glissando time can vary between 4 milliseconds to two seconds depending on the heel/toe position of the expression pedal. The default glissando rate is 60 milliseconds when nothing is plugged into the EXP input.

The Pitch Fork comes equipped with an EHX 9.6DC-200mA power supply and also runs on a 9Volt battery.

*UK 230V power adapter included*
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 6 in stock $138.74
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Electro Harmonix Memory Boy Analog Delay With Chorus Vibrato Pedal
Cat: 560432 Rel: 03 Feb 15
 
Analog delay effects pedal with chorus vibrato and up to 500ms delay time
Notes: What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970's, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality.

The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC's the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart.

The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.

*UK 230V power adapter included*
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MRP:$149.83 SAVE 32%
 1 in stock $102.26
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Electro Harmonix Octavix Octave Fuzz Pedal
Cat: 563346 Rel: 16 Mar 15
 
Compact octave fuzz effects pedal with classic octave up + fuzztone effect and true bypass
Notes: Octavix delivers the definitive late 1960's fuzzed out, octave up sound together with modern enhancements that update the classic concept.

Housed in EHX's rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzztone and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.

A period-evocative, psychedelic design and blue LED contribute to the pedal's vintage vibe. Octavix runs on a 9 volt battery or accepts a standard EHX9.6DC power supply.

*UK 230V power supply included*
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 1 in stock $85.03
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Electro Harmonix BASS9 Bass Machine Pedal Electro Harmonix BASS9 Bass Machine Pedal Electro Harmonix BASS9 Bass Machine Pedal Electro Harmonix BASS9 Bass Machine Pedal Electro Harmonix BASS9 Bass Machine Pedal
Cat: 743356 Rel: 10 Oct 19
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
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MRP:$264.78 SAVE 31%
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Electro Harmonix Mod 11 Modulation Pedal Electro Harmonix Mod 11 Modulation Pedal Electro Harmonix Mod 11 Modulation Pedal Electro Harmonix Mod 11 Modulation Pedal
Cat: 744056 Rel: 10 Oct 19
 
Modulator effects pedal for guitar with 11 modulations, depth control, rate control, volume/colour control & momentary mode
Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
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MRP:$182.12 SAVE 28%
 2 in stock $131.32
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Electro Harmonix CNTL Knob Static Expression Pedal
Cat: 784229 Rel: 22 Jul 20
 
Static expression pedal
Notes: The Cntl Knob is an affordable, compact, easy-to-use pedal that delivers static remote control for devices with expression control jacks. It lets you set two preset values that represent two positions of a traditional expression pedal and toggle between them with its footswitch.

The pedal's EXP 1 Knob selects the first expression setting and the EXP 2 Knob the second. On both, fully CCW corresponds to the heel position while fully CW to the toe position. LEDs indicate which knob is active and can be powered by your pedalboard's power supply or an optional EHX's 9.6DC200mA PSU.

To maximize the Cntl Knob's compatibility with other products it's equipped with a TRS+/- Button that lets you match its expression polarity with the device being controlled. For extra convenience it comes equipped with a 6 foot TRS (Tip-Ring-Sleeve) cable.

Electro-Harmonix introduces the compact Cntl Knob which lets a player set two preset values that represent two positions of a traditional expression pedal and toggle between them with its footswitch.

The Cntl Knob's EXP 1 Knob selects the first expression setting and the EXP 2 Knob the second. On both, fully CCW corresponds to the heel position while fully CW to the toe position. A TRS+/- Button matches the expression polarity of the Cntl Knob to the product being controlled and ensures maximum compatibility with pedals by all makers. LEDs indicate which knob is active and can be powered by a player's pedalboard power supply or an optional EHX's 9.6DC200mA PSU.

The Cntl Knob (Control Knob) comes equipped with a 6 foot TRS (Tip-Ring-Sleeve) cable.

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Mooer Ocean Machine Delay Reverb & Looper Pedal Mooer Ocean Machine Delay Reverb & Looper Pedal Mooer Ocean Machine Delay Reverb & Looper Pedal Mooer Ocean Machine Delay Reverb & Looper Pedal
Cat: 666629 Rel: 18 Oct 17
 
High-fidelity delay, reverb & looper unit
Notes: Designed and developed over two years, in collaboration with Devin Townsend, the Ocean Machine is a high fidelity professional Delay, Reverb and Looper unit which brings together the best available hardware on the market and very complex algorithms to create lush, heavenly effects. MOOER has worked very closely with Devin Townsend to meet all of his own personal requirements while also ensuring that the "Ocean Machine" is versatile and enjoyable for musicians from all walks of life.

A multitude of programmability and control options makes the ocean machine ideal for all different kinds of guitarists from bedroom beginners to industry professionals and is easy to integrate into all different kind of setups. MOOER has brought all of this together into a small, stylish and highly competitive, cost efficient package.
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 5 in stock $240.06
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Mooer D7 Delay Pedal
Cat: 761055 Rel: 09 Jan 20
 
delay pedal
Notes: D7 is the redesigned multi-delay effects pedal from Micro-series. Using the 7 signature LED lights as a guide, this pedal houses 6 customizable digital delay effects and a built-in LOOPER that can be used in tandem with any delay setting. All of this effects are customizable and storable for your convenience, featuring Tap Tempo functionality to easily set the despired delay timing. With the "Trail on" feature, delay effects fade out naturally and organically to complement your musical creativity.
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 2 in stock $88.26
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EBS Black Haze Distortion & Overdrive Pedal EBS Black Haze Distortion & Overdrive Pedal EBS Black Haze Distortion & Overdrive Pedal EBS Black Haze Distortion & Overdrive Pedal EBS Black Haze Distortion & Overdrive Pedal EBS Black Haze Distortion & Overdrive Pedal
EBS
Cat: 639060 Rel: 09 Feb 17
 
Analog overdrive/distortion pedal for guitar & bass
Notes: The Black Haze is an overdrive pedal in the new 'blue label' pedals series, developed for guitar and suitable for bass.

The Black Haze is developed by EBS with input from several Swedish top session guitarists. It is a beautiful drive with some darkness to it to make it interesting and irresistible. The Black Haze features dual drive engines and low-range compensation.

Full control. The pedal feature controls for Drive, Tone and Volume and a switch for Thin, Normal or Deep character.

Brand new design. A new compact housing design include recessed jacks to reduce space between pedals on a pedal board and a comfortable angle that makes switching smoother.

Can I use it with bass? The Black Haze offers a rich and creamy drive sound for your bass with solid bottom-end. Use the Drive, Tone and Volume controls to tweak your sound, and pick your favourite character between Thin, Normal and Deep, where Deep makes it interesting and dark while Thin and Normal makes it stand out more. It adds a new flavour of distortion to EBS existing product portfolio of bass effects.
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 1 in stock $83.94
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NUX NCH1 Monterey Vibe Pedal NUX NCH1 Monterey Vibe Pedal NUX NCH1 Monterey Vibe Pedal
NUX
Cat: 712769 Rel: 29 Nov 18
 
Features all of the classic Uni-vibe style selections
Notes: NUX Monterey Vibe, born to recreate the grand, yet complex, psychedelic rock guitar sound of the 1960's and 70's. NUX Monterey Vibe, born to recreate the grand, yet complex, psychedelic rock guitar sound of the 1960's and 70's. It features all of the classic Uni-vibe style selections: Chorus, Rotary-Speaker, and Phaser pedal.

We modernized the original 4 stage phaser circuit ( a pulsating bulb surrounded by 4 photo-resistors ) by replacing it with a powerful 32Bit floating DSP to process our custom algorithm. What was the outcome?
A perfect mimic of the complex physical-phenomena of its original analog circuitry. NUX Monterey Vibe generates a truly unique effect tone; a mix of chorus, tremolo, rotary, and phaser.
This unique tone can be found in Pink Floyd's 'Breathe', Robin Trower's 'Bridge of Sighs', and the haunting audio mood created for 'Machine Gun' by Jimi Hendrix.
The earliest Uni-Vibe effect pedal came out in the 1960's. Cutting-edge guitarists were seeking a replacement for the heavy rotary speaker amplifier--configured from a standard amplifier for the electronic pipe organ.

The original Leslie speakers did have a charm of their own, but it was more than compensated for by gaining the phaser effect, and the ease-of-use of a simple pedal configuration. Just like the traditional Uni-Vibe pedal, you can switch between Chorus ( the Uni-vibe effect ) or Vibrato, by simply holding the foot-switch. In Chorus mode, the mix of Phaser and dry guitar signals produces a classic Rotary sound. In Vibrato mode, your pitch modulates between high and low. Both modes yield a rich, vintage vibe at any speed, intensity, or volume.
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 2 in stock $46.28
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NUX NBK-5 Masamune Booster & Kompressor Pedal NUX NBK-5 Masamune Booster & Kompressor Pedal NUX NBK-5 Masamune Booster & Kompressor Pedal
NUX
Cat: 712809 Rel: 29 Nov 18
 
Extremely tweakable pedal with squashed compression and overdrive
Notes: NUX Masamune is a sound-crafter pedal. It forges your dry-signal, enhancing your sound before sending your signal to your amp, and/or any effects unit. The Booster adds beneficial color to your signal, and, if necessary, after you adjust the boost & drive levels, you can cut high frequencies on your Input signal with the Hi-Cut Toggle Switch. Masamune's Kompressor does a remarkable job managing and enhancing your signal: Komp Level knob adjusts the final Output level for the Compressor, perfectly balancing your Input and Output signals. Sustain knob adjusts the compression ratio, and increases sustain. Higher sustain levels will squash your signal harder when you hit the strings and creates a longer, richer sustain. Blend knob adjusts the compressor transparency from 50% to 100%, so you can dial-in the exact amount of compressed dry-signal blend you want.
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 2 in stock $73.18
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NUX Time Core Deluxe Delay Pedal NUX Time Core Deluxe Delay Pedal NUX Time Core Deluxe Delay Pedal NUX Time Core Deluxe Delay Pedal NUX Time Core Deluxe Delay Pedal
NUX
Cat: 712824 Rel: 29 Nov 18
 
Stereo multi-delay effects
Notes: Time Core Deluxe, awesome, user-friendly delay sounds all wrapped up in one little box. You get a total of 7 different delay types offering a wide variety of delay effects from: 40ms Doubled Rock'n Roll delay, then all the way to 1500ms, with an absolutely mesmerizing wash for ambient echo! Each delay mode has its own characteristic sound, tweak-able to personalize your preset. Fill your lead tone for solos or experience new and interesting ways to enhance rhythm guitar performance.
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MRP:$102.04 SAVE 47%
 2 in stock $53.81
NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal NUX Stageman Floor Analogue Acoustic Preamp DI Pedal
NUX
Cat: 735364 Rel: 04 Jun 19
 
Analogue acoustic preamp with digital effects & looper function
Notes: NUX Stageman Floor is an analogue acoustic preamp with digital effects and looper function. The preamp features a highly sensitive 3-band EQ with MID scoop toggle switch, adjustable notch filter and input gain control. It is equipped with multi-functional chorus & reverb effects. High headroom gain stage with 3-band EQ, mid-scoop and switchable response for piezo or magnetic pickups. A built-in looper can make use of both pedals for freeze and overdub effects. A complete stage or studio tool for acoustic players.
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MRP:$166.62 SAVE 41%
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NUX NCP2 Sculpture Compressor Pedal NUX NCP2 Sculpture Compressor Pedal NUX NCP2 Sculpture Compressor Pedal
NUX
Cat: 747757 Rel: 21 Oct 19
 
Mini compressor pedal
Notes: NuX Sculpture is a mini compressor pedal with professional performance. Sustain and level controls adjust the compression and output, whilst blend gives the ability to add back in some of the unaffected signal to give a more natural attack. Hold down the on/off pedal to switch between soft clip and clean compression modes. Perfect for long sustain chords and clean lead tones.
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MRP:$63.29 SAVE 43%
 4 in stock $35.79
Earth Quaker Devices Disaster Transport SR Advanced Modulated Delay & Reverb Machine Pedal Earth Quaker Devices Disaster Transport SR Advanced Modulated Delay & Reverb Machine Pedal Earth Quaker Devices Disaster Transport SR Advanced Modulated Delay & Reverb Machine Pedal
Cat: 781635 Rel: 28 Jul 20
 
Reverb & modulation delay pedal
Notes: The Disaster Transport SR is a dual delay with reverb and modulation. It was designed from the ground up to create an intense wash of lo-fi swirling tape styled echo. While it may look intimidating at first glance, it's actually pretty easy to navigate. The top row of controls are for delay A and the bottom row of controls are for delay B. Delay A is a 600ms delay with modulation and delay B is a 300ms delay with reverb. Both delays can be run separately, in parallel, in series or in series/parallel. To take it one step further, there are also expression controls for the repeats on delay A as well as bleeding delay A into delay B. The switching was designed so each delay can be used individually or in tandem with both true bypass or trails.

In addition to being used as a straight delay, straight reverb, rhythmic delay, modulated delay and old school tape-style echo, the Disaster Transport SR can also be used to create a wide variety of wild sounds ranging from warped records, clanging flange, smooth chorus, echoed out squalls and various other-worldly effects that will blow your mind, man. If you are a fan of old school tape delay and crazy lo-fi sounds, you will get hours of enjoyment every time you plug into the Disaster Transport SR.

The controls for delay A and B are separated by row. The top row is for delay A and the bottom row is for delay B.

Time: Controls the delay time from about 30ms up to 600ms.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation. This can also be controlled via an expression pedal. The Moog EP-2 is recommended.

Mix: Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.

Depth: Controls the intensity of the modulation, from no modulation to all out seasick pitch bends.

Rate: Controls the rate of the modulation. The LED for delay A flashes in time with the modulation to visually show where the rate is set.

Bleed: This feeds delay A into delay B, post reverb (see block diagram for visual explanation). Use this control for series or series/parallel operation to create rhythmic repeats, extra long delay time or an all out echo wash. This can also be controlled via an expression pedal. The Moog EP-2 is recommended. When using the bleed, experiment with the repeat controls on each delay line. Try using them in different settings, both together and individually, for different timing and textures.

Delay B Controls
Reverb: Controls the amount of reverb added to the input of delay B.

Mix: Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation.

Time: Controls the delay time from about 30ms up to 300ms.

The switches for both delays switch the inputs only. The outputs are always connected. This allows you to have trails by always leaving the bypass switch engaged or to use the bypass switch as the master on/off for true bypass. Additionally, you can feed delay A in to delay B with the bleed control without having delay B switched on for a cleaner rhythmic delay.

Tech Specs:

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 107 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
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MRP:$412.02 SAVE 17%
 1 in stock $342.26
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quote 781635
Earth Quaker Devices Pyramids Stereo Flanging Device Pedal Earth Quaker Devices Pyramids Stereo Flanging Device Pedal Earth Quaker Devices Pyramids Stereo Flanging Device Pedal Earth Quaker Devices Pyramids Stereo Flanging Device Pedal Earth Quaker Devices Pyramids Stereo Flanging Device Pedal Earth Quaker Devices Pyramids Stereo Flanging Device Pedal Earth Quaker Devices Pyramids Stereo Flanging Device Pedal
Cat: 781712 Rel: 28 Jul 20
 
Flanger pedal
Notes: Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don't see on a flanger every day.

Built upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that's sure to tickle your third ear.

Controls:
1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.

2. Rate: Controls the speed of the LFO as well as the rise time in Trigger Up mode and fall time in Trigger Down mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate & Tap toggle switch.

3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.

4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.

5. Activate Footswitch: The activate switch features our Flexi-Switch technology! This relay-based true-bypass switch allows for momentary or latching operation.

6. Feedback: Regeneration control for the modulated signal.

7. Rate & Tap Toggle Switch: Normal (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to Slow (left position), the tempo you tap is divided for a slower sweep. When set to Fast (right position), the tempo you tap is multiplied and delivers a faster sweep.

8. Modify: The behavior of this control depends upon which mode you're using:

Classic: Tone control for the modulated signal. Clockwise cuts the low end and allows the high frequencies to pass through. Counterclockwise cuts the high end and allows bass frequencies to pass through.

Through-Zero: Delay time for the unmodulated dry signal. This controls where in the LFO cycle the through-zero point occurs, which is where you'll hear the most drastic cancellation.

Barber Pole Up: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Barber Pole Down: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Trigger Up: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Trigger Down: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Step: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

Random: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

9. Tap / Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.

10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you're allowed to re-write them if you want. We don't mind.

11. Mode Rotary Switch: Selects between Pyramids' eight flanger modes

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

To use with multiple output transformer-balanced isolated pedal-specific power supplies, Pyramids' may be powered from two outlets combined using a current-doubling cable. DO NOT USE A VOLTAGE-DOUBLING CABLE BECAUSE THAT WILL SEND 18V TO PYRAMIDS AND FRY IT LIKE AN OVEREASY EGG AT A GREAZY SPOON DINER.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 460 mA
Input Impedance: 1 MO
Output Impedance: 100 O
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MRP:$432.69 SAVE 30%
 1 in stock $302.38
Earth Quaker Devices Tone Job V2 EQ & Boost Pedal Earth Quaker Devices Tone Job V2 EQ & Boost Pedal Earth Quaker Devices Tone Job V2 EQ & Boost Pedal Earth Quaker Devices Tone Job V2 EQ & Boost Pedal Earth Quaker Devices Tone Job V2 EQ & Boost Pedal Earth Quaker Devices Tone Job V2 EQ & Boost Pedal Earth Quaker Devices Tone Job V2 EQ & Boost Pedal
Cat: 781748 Rel: 14 Jul 20
 
EQ & boost pedal
Notes: This compact Boost & EQ device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard, no matter what instrument you play.

So what does that mean, exactly? It means that you'll hear full frequency response from your Tone Job everywhere you plug it in - guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo, or wherever!

The Tone Job has active EQ controls for Bass, Mid and Treble, with up to 20 dB of cut or boost, which is handy for pairing up with other pedals in your chain to breathe new life into old dirt. Unlike boring old graphic EQs, the Tone Job's EQ controls are interactive, so you can experiment with different settings to alter the response and overall feel of the device, getting your tone out of the lunchroom and back on the clock.

Place the Tone Job at the beginning of your chain to alter the overall character of your guitar, or use it at the end to boost output at the end of a long cable run and fine-tune your tone. The Level control on the Tone Job can boost your signal up to 5x the original input level, so you'll always be heard, and makes for a fantastic solo and/or clean boost!

Controls:
1. Level: Post EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 o'clock.

2. Treble: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the treble and all settings below cut treble.

3. Bass: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the bass and all settings below cut bass.

4. Middle: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the middle and all settings below cut middle.

Tech Specs:
Switching
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

Power
This device takes a standard 9-18 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 21 mA
Input Impedance: 1 MO
Output Impedance: <1 kO
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MRP:$213.11 SAVE 11%
 1 in stock $189.43
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quote 781748
Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal Earth Quaker Devices Plumes	 Small Signal Shredder Overdrive Pedal
Cat: 781709 Rel: 28 Jul 20
 
Overdrive pedal
Notes: Plumesr is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom and almost three-dimensional clarity that will push your amp over the edge. The reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain.

Controls:
1. Level: This controls the output volume.

2. Gain: This controls the amount of drive.

3. Tone: More bass to the left, more middles in the middle and more treble to the right.

4. Clipping Modes (3-Way Toggle):

1. Symmetrical LED clipping - More Crunch and Compression.

2. No clipping - Wide open OpAmp drive for clean boost.

3. Asymmetrical silicon diode clipping - More transparency with a loose feel.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 25 mA
Input Impedance: 10 MO
Output Impedance: 100 O
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MRP:$135.62 SAVE 22%
 2 in stock $105.47
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