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Notes: Goldring D22GX stylus is designed to fit the current Goldring 1022GX phono cartridge or old model 1020 or 1022, a direct replacement when your stylus is worn - saving the cost of buying a whole new cartridge. Goldring cartridges generally last many hours until the stylus needs replacing. An indication of wear is a "duller" sound.

Simply remove your current stylus by carefully pulling it away from the cartridge and replace it with the replacement.

The 1022GX record cartridge is recommended for the discerning listener. The diamond stylus is a Vital PH type, which provides increased resolution and ensures the maximum accuracy of musical reproduction.

Replacement stylus: 1022GX - D22GX

Notes: EarthQuaker Devices proudly present to you the new and improved Spatial Delivery V3 Envelope Filter!

EarthQuaker Devices took the already cosmic, original Spatial Delivery and added six available preset slots for you to store your preferred settings - whether they be dissonant sweeps, rhythmic auto wah frequencies, oscillating robot gibberish or honestly whatever filtered frequency fun you want.

Even the expression jack assignment can be saved and recalled in any of the slots so that the signature sounds you dial in are readily available with a quick tap of the switch.

Save your settings confidently on the go thanks to the two modes indicated by the LED Save/Recall switch. Green means you're in Live Mode so what you see is what you get; current control settings will be what you hear. Red means you are in Preset Mode, where your selected pre-saved setting will be what's taking the journey through your amp.

You didn't think this pedal could get any better, and then, bam!

And of course, for all of you Spatial Delivery diehards, all the familiar features of the original are still in place. This baby has three modes with the switchable Up Sweep, Down Sweep, and Sample and Hold functions, along with Range, Resonance and Filter controls.

Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, which alters the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. But again, you're a smart player, you get this stuff.

In the Sample and Hold mode, the filter is controlled by random voltage and the Range controls the speed. The filter can be crossfaded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.

Due to its envelope control, it is recommend that you place the Spatial Delivery first in your signal chain, however, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further. How far will you take it? Only time will tell.

Each Spatial Delivery pedal is handmade in Akron, Ohio, USA and is hand delivered... espatially for you.

Notes: The Nectar "Tone Sweetener" strikes aperfect balance between versatility and simplicity. It offers a wide range of tones, spanning from a vintage tweed-style crunch to a full-bodied overdrive, and even a modern high-gain fuzz that pairs wonderfully with any guitar, pedal or amp.

Use the mode toggle to switch between the DRIVE and FUZZZ modes, while the LEDS indicate the selected mode, even when the effect is bypassed. Fine-tune your sound with the TASTE control to set the perfect eq for each guitar or amp.

The Nectar's responsiveness is truly unparalleled, like a delicate bee collecting pollen. Every nuance of your playing is enhanced and sweetened in the best way possible, with plenty of headroom.

True Bypass Design
Power requirement: 9V, 30mA
Made in California, USA

Notes: SkipLog, a probability processor with sequence capturing and looping features, along a range of other versatile functions waiting to be explored.

SkipLog is a 3-channel rhythmic probability processor designed for inventive rhythmic exploration in modular setups. Introduce unpredictable rhythmic possibilitis to your creative flow.
SkipLog's basic operation is simple: when a trigger or gate is received at one of its three channels' inputs, the same channel’s Probability knob allows you to control the likelihood of these triggers or gates reaching the output. This inputs are internally connected .

SkipLog continuously captures the binary outcomes of its use, storing them for potential sequences. Activate the Loop function to break from pattern creation and loop the recorded sequences. Individual Loop Length knobs for each channel allow adjustment of the loop sizefrom 1 to 16 or 32 steps (as selected on the back), providing evolving rhythmic patterns.

To fine-tune your arrangement, SkipLog introduces functions like Mute for real-time channel silencing, Inv for signal inversion, and Choke for establishing channel priorities. Lastly, the G/T (Gate/Trigger) Mode enables users to specify whether the channel output is a gate or a trigger.

Dimensions
8 HP
33 mm deep

Current Draw
100 mA +12V
22 mA -12V

Notes: Designed with mixing and mastering in mind, Sennheiser's HD400 Pros are a competitively priced pair of open-backed headphones with excellent clarity and fatigueless sound.

Supplier's Notes:
It's all in the mix.

When working at home or in the studio, you need your mix to sound as it does when your listeners hear it. The HD 400 PRO reference headphones are your everyday tool to get the job done. Its open-back design provides a natural and accurate listening experience for fine tuning your signature sound. The core of the HD 400 PRO is the 120 ohm transducer developed by Sennheiser engineers, featuring a specialized polymer blend in its diaphragm. The drive magnet offers high power while its damping system manages ventilation - this combination yields deeper bass while mitigating the distortion that otherwise impacts clarity - a difference our professional users will appreciate. This makes the HD 400 PRO a precise monitoring tool which reveals your mix in every detail. Velour earpads and a distinct lightweight design provide the comfort you need during long sessions. The robust housing endures everyday wear and tear regardless of your application, whether editing, mixing or mastering. A single-sided and coiled cable gives you the freedom to operate. For convenience, a straight cable is also included in the delivery. In addition, open ear cups and angled transducers allow for a wide and transparent soundstage, recreating the optimal listening position found in high-end recording studios. Artifacts of a confined space are a thing of the past. The HD 400 PRO is a true reliable companion for those who put quality and precision above all else.

Specifications:

Acoustic principle dynamic, open
Ear coupling circumoral
Ear pad material Velour
Jack plug 3.5 mm jack plug with 6.3 mm adapter
Impedance: 120 O
Frequency response: 6 Hz to 38 kHz (-10 dB)
Sound pressure level: (SPL) 110 dB (1 kHz / 1 V RMS)
THD (total harmonic distortion): < 0.05 % (1 kHz / 90 dB SPL)
Weight (w/o cable): 240 g
Temperature
Operation:
Storage:
-15 -C to +55 -C (5 -F to 131 -F)
-55 -C to +70 -C (-67 -F to 158 -F)
Relative humidity = 90 %

Included in the box:

HD 400 PRO Studio Reference Headphone
3 m coiled cable with 3.5 mm jack plug
3.5 mm jack plug to 6.3 mm adapter
1.8 m straight cable
Quick Guide
Safety Guide

Notes: Compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb!

The EHX Turnip Greens is a multi-effect pedal that combines the Soul Food Overdrive and Holy Grail Max Reverb.

The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It's equally adept at adding punch to a player's tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion.

The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal.

A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two.

The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section.

Soul Food goes from clean boost to classic distortion and can easily drive a guitar amp into saturation
Holy Grail Max delivers four studio quality reverbs: Spring, Hall, Plate and Reverse
An Effects Loop lets you put a single pedal or your entire pedalboard in between the Soul Food and Holy Grail Max
An Effect Order toggle switch lets you put either the Soul Food or Holy Grail Max first in the chain
Power supply included

SPECIFICATIONS
Circuit
Analog / Digital
Bypass
Selectable True Bypass
Audio
Mono
Effects Loop
Yes
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
125mA
Year Released
2014

Review: A beautifully made package that presents Coltrane and his ensemble exploring a softer, more introspective side of jazz. The quartet, featuring McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums, delivers a captivating performance characterised by sublime improvisation and profound musical expression. Across the album's tracks, including classics like 'Say It (Over and Over Again)' and 'It's Easy to Remember,' Coltrane's saxophone weaves intricate melodies with a soul-stirring resonance, Tyner's piano work adds rich harmonies and delicate textures, while Garrison and Jones provide a solid rhythmic foundation that anchors each composition. Ballads shows Coltrane's ability to convey a wide range of emotions through his music, from tender vulnerability to profound introspection. The quartet's impeccable musicianship and intuitive interplay make this album a timeless treasure in the world of jazz..

Review: Here it is: the all-time great album that popularised jazz for the masses, and which carries the genre's torch to this day. Most works by Coltrane serve as good introductions to jazz’s endemic practice of through-composition, but A Love Supreme (1964, Impulse!) is arguably among his best works to come in four suites; to quarter a technically singular piece. Widely recognised as the moment at which John all-aboarded the Soul ‘Trane, the album marked the apogee of a wave of popular analyses of US jazz records as holding special spiritual significance. This early vaunting may have fed into its popularity into the present day; but we cannot gloss over the fact that such elevations in status do not tend to come without supreme merit, and more level-headed takes on the LP simply interpret it as one of the most impeccably performed, precisely timed jazz records of its day. Remastered for the esteemed Analogue Productions series, its everlasting flame is rekindled.

Review: Steely Dan are the kind of band where everyone has their favourite album, with a fanbase who might well get a little heated debating which phase of the band is superior. But when it comes down to it, everyone will agree Aja is their masterpiece, where that exacting studio process and the elevated songwriting hit some magical sweet spot that yielded the semi-mythical perfect album. The grooves are so slinky as 'Black Cow' opens the record up, they spring with joy out of 'Peg' and they lock down heavy on 'Josie', and there's so much more in between. This faithful reproduction from Analogue Productions is a limited audiophile edition for a band who were made for audiophiles.

Review: Who doesn't love the White Stripes? One can quite predictably measure a band's impact on commercial music history by way of just how many full-blown reissues they've released, many of which aim to repackage and represent albums to their fullest, most honest effect. By that metric, this ubiquitous duo are more than certainly going down in history; Elephant, the Stripes' fourth album, is lent the sonic perfection and signature packaging it deserves, with Analogue Productions and Third Man Records teaming up for the ultimate reissue edition here. They present in UHQR format on Clarity Vinyl this modern rock cornerstone, limited to 10,000 copies. It comes with gold foil numbered jackets, housed in a premium slipcase with a wooden dowel spine.

Notes: The Zoom G2x Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
Expression pedal lets you control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2X Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

The G2X Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been miked at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historical guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2X Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones

The G2X Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, set up the G2X Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Express yourself

The G2X Four features an expression pedal for controlling volume, wah-wah and more.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2X Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: Premium tone for players on the go

Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.

Exceptional Sound

Thanks to its Premium BOSS sound engine, the GT-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. A history of BOSS processing is at your fingers, from classics such as the OD-1 Overdrive to modern effects powered by innovative MDP technology. There's a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there's even a looper to enhance your practice sessions and stage performances.

Portable Tone Partner

The GT-1 was designed for musicians on the move. It's surprisingly lightweight and compact, yet still delivers the rugged durability that BOSS is famous for. The modern design is easy to slip in and out of a guitar bag's accessory compartment, with no worries of hard edges causing damage to your axe. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs.

Easy Patch Selection and Sound Creation

With the GT-1, it's simple to find fantastic tones for your style, and just as simple to customize them to taste. Beginners can get great sounds right away, while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The Easy Select function allows you to choose patches by genre, distortion, or effect type, while Easy Edit lets you tweak drive, modulation, and echo tones to perfection with little effort. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning.

BOSS Tone Central and BOSS Tone Studio

At BOSS Tone Central, you'll find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialled-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central.

Maximum Control in a Small Space

The GT-1's three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, and various effects parameters. If you crave more control, there's even a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1's USB jack lets you record tones with your favourite DAW.

Specifications

Sampling Frequency: 44.1 kHz
AD Conversion: 24 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 24 bits
Effects: 108 types
Patches: 99 (User) + 99 (Preset)
Phrase Loop: 32 sec
Nominal Input Level: INPUT: -10 dBu, AUX IN: -20 dBu
Maximum Input LevelINPUT: +7 dBu, AUX IN: 0 dBu
Input Impedance: INPUT: 1 M ohm, AUX IN: 27 k ohms
Nominal Output LevelOUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater
Controls: DOWN switch, UP switch CTL1 switch, EASY SELECT button, EASY EDIT button, FX1/COMP button, OD/DS button, PREAMP button, FX2/MOD button, DELAY button, REVERB button, MEMORY EDIT button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)
Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type, CTL2, 3/EXP2 jack: 1/4-inch TRS phone type, AUX IN jack: Stereo miniature phone type, PHONES jack: Stereo miniature phone type, USB COMPUTER port: USB type B, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
Current Draw: 200 mA

Expected battery life under continuous use:
Alkaline: Approx. 7 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet "USING THE UNIT SAFELY", Alkaline battery (AA, LR6) x 4

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression Pedal: FV-500L, FV-500H, Roland EV-5

Size & weight

Width: 305 mm / 12-1/16 inches
Depth: 152 mm / 6 inches
Height: 56 mm / 2-1/4 inches
Maximum height: 74 mm
2-15/16 inches
Weight (including battery): 1.3 kg / 2 lbs 14 oz

Notes: AGOGO is a pack of 8 vactrol low pass gates in an open design configuration.

Why:

To bongo.
To enhance and enrich a weak audio source.
To create sub-mixes of up to 8 inputs.
To send a single source to many outputs and modulate each one of them individually.

With:

Multiple fixed waveforms - use the individual LPGs as a CV scanner.
Stereo sources - control them with a single CV input.
EOC pulses and triggers - this is where it gets percussive.
Slow modulations - take advantage of those vactrols and their natural decay.

How:

"I", the inputs row is normalized from top to bottom.

An input inserted in the first socket will be copied unaltered to the next one.

If a jack is plugged in it will break the normalization.

"V" is for control voltages and they cascade the same way as the inputs following to natural decay of the vactrol response. All the LPGs can be opened simultaneously with a single CV source. Combining the features of both "I" and "V" rows you can control a signal with 8 different CVs or 8 different sources with the same CV.

"O" stands for outputs. They act as an active mixer letting you combine up to 8 signals. As in the previous two rows, the connection can be interrupted in any given point to create sub mixes or individual outputs.

Since Jolin are actively summing copies of the original input, each LPG stage will add saturation to the final out. Thanks to the open design path and normalizations this is just an additional feature: all the LPGs can still be used individually or in multiple combinations for multichannel effects or other creative application. More AGOGOs can be chained together thanks to headers on the back to multiplicate the number of inputs/outputs.

Dimensions:

6 HP
28 mm deep

Current Draw:

150 mA +12V
90 mA -12V

Notes: Introducing the MAGMA SOLID BLAZE packs, the new benchmark standard in utility backpacks. Designed for modern creators with eco-sustainability in mind.

The new SOLID BLAZE packs are constructed from recycled plastic bottles as the foundation, while maintaining the perfect balance between high-grade material processing, advanced features, and a clean and ergonomic look. When it comes to comfort, performance and functionality, the new SOLID BLAZE packs are unrivalled in the market. Developed to fit a wide range of applications, they make the ultimate travel packs for pro DJs, music producers, photographers, filmmakers, and content creators.

A true packing backpack designed to carry what you need.

The SOLID BLAZE PACK 120 is an all-purpose travel backpack with modular interior layout crafted for versatility. Whether you are hauling DJ or production gear, photo or video equipment, or other electronics, the SOLID BLAZE PACK 120 enables you to easily and conveniently organize your gear. The spacious and expandable main compartment features removable EVA padding and multiple dividers for ultimate packing experience. The customizable padded interior ensures your gear travels with you safely. Loads of additional compartments, pouches and zippered pockets offer intuitive accessory management and quick access to your belongings. The SOLID BLAZE PACK 120 is crafted from only the highest quality materials, such as its water-repellent RPET 900D shell and YKKr AquaGuardr zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 120.

FITS:

Pioneer DJM-S11
Pioneer DJM-S9
Pioneer S-1000
Pioneer Toraiz SP-16
Rane Seventy-Two
Rane Seventy
Rane Sixty-Two
Reloop Elite
Akai MPC Live
Akai MPC Live 2
Ableton Push 2
Roland SP404
NI Maschine MK2
NI Maschine+
Denon Prime Go
12" vinyl
Rodecaster Pro
Laptops up to 17"
Camera gear etc.

Outer dimensions: (H/B/T): 52 x 35 x 23-26*cm / 20.5" x 13.75"x 9"-10.25"* (*extended)

Inner dimensions: 45 x 32 x 14 -17* / 17.75" x 12.5" x 5.5"-6.75"* (*extended)

Weight: 2,3 kg / 5lb

Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed thru AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.

Features
10 sets of custom cymbal samples
Analogue VCA and EG
Tune and Decay controls
CV control with an attenuators over Tune and Decay
Sample loop for Crash and Ride
Manual triggers
Accent for better expression

Audio output level: -5...+5V
CV level (full span): -5V - +5V
Accent CV level: 10V
Tigger level: 5V
Trigger time: 1ms
Power consumption: 95mA @ +12V, 36mA @ -12V
Module width: 10HP
Module depth: 45mm

Notes: Envelope with filter with serious attitude

This mangled, filter-sweeping, abruptly overdriving pedal is designed to respond to your playing. It syncs its wave-thumping movement with the force at which you play. It multiplies dynamics into a hyper-exaggerated frenzy. It adds just the right amount of movement to punch through the mix and it reacts to an external trigger of your choosing to follow your tempo. Six selectable frequency ranges mean you're always gonna have just the right quack and oomph for whatever's plugged in! The sounds are wild, the thump is thick, and the animation is deep.

Controls

Input: Plug an instrument in to this jack.
Trig: Plug another instrument in to this jack and use it to trigger the filter sweep.
Out: Connect this to the amplifier.
Sensitivity: Determines the point at which the filter engages and the frequency range of the filter shift in relation to the input amplitude.
Intensity: Simultaneously blends in the resonance, amount, and grit of the filter.
Vol: Adjusts the output volume of the DEEP ANIMATION.
Frequency Selector: Selects the frequency range of the filter.
Bypass: True bypass the effect.
Up / Down: Controls the polarity of the filter decay once triggered. UP sweeps the frequency from higher frequencies to lower ones and DOWN, the opposite.
Additional Features: There is a subtle light to indicate the external trigger behind the main bypass LED.

Specifications

Dimensions: 5.92" x 4.72" x 2.34" (including hardware).
Weight: 21 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 18 mA.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analogue LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds not found on traditional chorus pedals.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untraceable. While most scientists attributed it to an iceberg dragging the ocean floor, some sceptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

9V DC, 30mA
121 x 66 x 41 mm, 0.27 kg
Made in Oklahoma, USA

Dimensions and power consumption:

6,6 x 12,2 x 4,1 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julia V2
Manual
Sticker
Guitar pick
Pouch

Notes: 8HP Tides version 2

Fully calibrated.

With LED Pots for the attenuverters.

Notes: Pikoloops is Manecolabs' take on the Pkocore, developed by InfiniteDigits.

Main features:

A lo-fi music mangler based on the Raspberry Pi Pico .
Capable of holding 8 minutes of 8-bit 33 kHz monophonic samples.
Tempo-synced with a selectable BPM between 60 and 300, with samples mangled by beat-synced effects (stutter, retrig, gate, tunneling).
Loaded with real-time effects like a resonant filter, timestretching, volume, and wavefolding.
Sequenced with a 128-step sequencer with recording/playback
Saved and loaded via EEPROM for instant patch recall.
Able to load custom firmware, new samples, all through USB-C.
Sync-compatible with eurorack devices.
12HP eurorack module

Notes: All the reverb and analogue-style delay you could wish for in a single pedal thanks to this killer all-rounder. Separate foot switches for reverb and delay on/off, with optional true bypass or 'trails' setting.

Supplier notes:
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.

Notes: Ledges is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it's everything you've ever wanted and needed out of a reverb.

The three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb's longest setting is the Hall (H) reverb's shortest setting, the Hall reverb's longest setting is the Plate's (P) shortest setting, and the Plate's longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever.

Ledges can go from an '80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. The Mix knob lets you control how much your signal is affected, while the Length knob controls the size of the reverb. The Damping knob subtly mutes the high-frequency reflections of the reverb, which you'll hear clearly by adjusting your gain.

In addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 80 mA
Input Impedance: 1M O
Output Impedance: 100 O
TRS expression pedal wiring:
Tip: Wiper
Ring: +3.3V
Sleeve: Ground

Flexi-Switchr Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Ledges is buffered bypass with tails. Power is required to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. It is always recommend you use pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Notes: A clever pedal design based on classics. Mix and match tone and distortion circuits from legendary Nobels ODR-1 Natural Overdrive and Ibanez Tube Screamer. Versatile stuff.

Supplier's notes:
Imagine the ability to combine the best and defining characteristics of different overdrive & boost pedals in order to create hybrid sounds no one has ever played through before. That is exactly what Keeley have engineered with the Noble Screamer.

It's a 4-in-1 pedal that gives you two very familiar drive circuits and two brand new amp-like overdrive and distortion tones. It's almost like pedal-modelling, except these are 100% analogue circuits, and you decide which tone-control or clipping-section you want to play through.

Toggle between battle-tested, classic overdrive effects or innovate your sound using new hybrid tones; let your ears be the judge. Even with all of these features, the pedal remains a user-friendly three knob overdrive. The innovation in the Noble Screamer doesn't end there; this new design features true-bypass or buffered, truly silent switching, on the fly. The Keeley Noble Screamer Overdrive and Boost is entirely manufactured at Keeley Electronics and is the first release in a new aluminium enclosure.

The Noble Screamer gives you two tone control circuits to choose from - a Broad Spectrum Tone Control or Narrow Focus Filter Control.

When the Tone Switch is up and in the OD Position you will hear a 'Spectrum' type of tone control that has the ability to go from a flat EQ to an EQ that has a boost in the treble and bass response. If it is in the TS Position you have a Low Pass Filter that rolls off the high frequencies only.

Diode Clipping

Also the pedal offers both styles of diode clipping - Hard and Soft Clipping: If the Clipping Switch is in the OD Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When in the TS Position that uses Soft Diode Clipping, like a tube amplifier softly overdriven.

Buffered and True Bypass

The Keeley Noble Screamer features Keeley's Vitamin K Infused Buffer for noise free switching. Keeley have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.

No more pops and clicks to distract from your music. If you want to turn that feature off and go back to true bypass, simply press and hold down the foot switch for two seconds and the pedal will switch to True-Bypass. This is great for players that want the effect of plugging directly into their amp when the pedal is off.

Alternatively, players that want a strong and clear signal even when the Noble Screamer is turned off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass. Enjoy truly silent switching and let your music be the only voice.

Made In The USA

Keeley design, engineer, and manufacture the Noble Screamer in Oklahoma City. Everything about the Noble Screamer is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.

Notes: Sewastopol is a multifunction Eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyse the incoming audio to generate voltages and triggers to control your modular system.

This is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The EHX 1440 Stereo Looper is a compact powerhouse that provides 1440 seconds of high-quality, uncompressed, stereo recording time plus the ability to store 20 different loops. It can even tempo sync to an external MIDI device and is packed with features you'll want. Unlimited overdubbing means you can lay down as many parts as you like while variable tempo playback plus Reverse and Octave speed effects really enhance creative control.

A 1 Shot function is also included, adjustable fadeout times and optional external footswitch control for selecting loops and Undo/Redo. The affordable 1440 Stereo Looper puts a ton of looping power on your pedalboard.

Notes: A lot of fun from this quirky little box, designed to hold up to eight minutes of samples and then allow you to trigger, warp and manipulate them in real time with hands-on controls.

Supplier's Notes:
Pikoloops is Manecolabs' take on the Pkocore, developed by InfiniteDigits:

Main features:

A lo-fi music mangler based on the Raspberry Pi Pico .
Capable of holding 8 minutes of 8-bit 33 kHz monophonic samples.
Tempo-synced with a selectable BPM between 60 and 300, with samples mangled by beat-synced effects (stutter, retrig, gate, tunneling).
Loaded with real-time effects like a resonant filter, timestretching, volume, and wavefolding.
Sequenced with a 128-step sequencer with recording/playback
Saved and loaded via EEPROM for instant patch recall.
Able to load custom firmware, new samples, all through USB-C.
Sync-compatible with eurorack devices.

Notes: Excellent value here. Alto's portable speaker is designed to fill a room with just one unit, plus the option to link two units wirelessly for even bigger sound. Built-in battery gives up to 100 hours of playback from a single charge.

Supplier's Notes:
Uber FX MK2 is a powerful but portable battery powered PA system with Bluetooth technology. Its 5-speaker, 320-degree sound array is the perfect solution for delivering hours of clear, punchy sound from microphones, instruments, mobile devices and more. Uber FX MK2 is not just for musicians - it's also perfect for many other indoor and outdoor events including business meetings, training sessions, backyard parties and award/graduation ceremonies - and with up to 100 hours of charge, it doesn't matter whether you have access to AC power or not.

Powerful and Clear

The innovative 200W, 5-speaker system features an 8" Woofer, stereo tweeters and full-range side-firing drivers providing 320- of audience listening area. The side-firing speakers also make for excellent live performance monitoring. UBER FX MK2 features two input channels, each with its own independent volume control and 2-band EQ and digital effects, and there's an additional third 3.5mm aux input.

Fully Wireless

With Bluetooth 5.0, the Alto Uber FX MKII offers robust streaming, linking and control: You can stream from any device to Uber FX MK2, and wirelessly connect a second Uber FX MK2s to create a stereo PA system using your favourite music streaming app. The Alto Pro App for iOS and Android provides control of mixing functions wirelessly for convenient control from anywhere. The simple single screen mixer allows you to select a channel and control all parameters effortlessly,

Portable and Convenient

Uber FX MK2 is incredibly easy to transport with its telescoping handle and wheels; it also has a handy top storage compartment, side bottle opener and front panel lighting. There are also two USB charging ports to keep your devices topped up.

Portable battery-powered 200W speaker with 320 degree sound

320 Degree Sound
Innovative 200W, 5-speaker system fills the room
All day battery
100 hours of sound on a single charge
Easy to Transport
Less lifting with telescoping handle and wheels
Create your own Mix
Built-in 2-channel mic/line/instrument mixer with EQ and FX
Stream Music Effortlessly
Bluetooth 5.0 enabled streaming and control
Wireless Control
Alto Pro Control App on iOS and Android
Stereo Speaker Link
Expand to two speakers with Bluetooth Linking
Charge your Devices
Includes two USB charging ports
Set the Right Sound
Music and Live Performance EQ presets
Third Input
Additional 3.5mm aux input
Made for Events
Top storage compartment, side bottle opener and front lighting

Tech information

Output Power: 200 W

Charge Port: 5V, 1A

Mic Inputs 1-2
Connector: XLR / 1/4" TRS Combo Input Connector
Dynamic Range: 108 dB (A-weighted)
THD+N: <0.01%
Noise EIN: >-110 dB (A-weighted)
Maximum Input Level: +1.5 dBu
Gain Range: 50 dB
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Input Impedance: 600 O

Line Inputs 1-2
Connector: XLR / 1/4" TRS Combo Input Connector
Dynamic Range: 108 dB (A-weighted)
THD+N: <0.01%
Maximum Input Level: +16 dBu
Gain Range: 24 dB
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Input Impedance: 20 kO

Instrument Inputs 1-2
Connector: XLR / 1/4" TRS Combo Input Connector
Dynamic Range: 108 dB (A-weighted)
THD+N: <0.02%
Gain Range: 24 dB
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Maximum Input Level: +6 dBu
Input Impedance: 1 mO

Channel EQ
EQ Configuration: Channels 1 and 2 have independent 2-band shelving EQs
High EQ Filter Type: 12 dB/octave shelving filter
High EQ Cutoff Frequency: 12 kHz
High EQ Gain/Attenuation: +/-15 dB
Low EQ Filter Type: 12 dB/octave shelving filter
Low EQ Cutoff Frequency: 80 Hz
Low EQ Gain/Attenuation: +/-15 dB

Aux Inputs
Connector: 1/8" (3.5 mm) TRS Input Connector
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Maximum Input Level: +12 dBu
Input Impedance: 20 kO

Line Output
Connector: 1/4" (6.35 mm) TRS Output Connector
Frequency Response: 20 Hz - 20 kHz (+/- 0.1 dB)
Output Level: Fixed +10 dBu
Input Impedance (unbalanced): 100 O

Amp/Drivers
Frequency Response: 60 Hz - 20 kHz
Max SPL: 110 dB
Power Amp: 100 W RMS mono-bridged
LF Driver: 8.0" 203 mm woofer
HF Drivers: (2) 1.0" / 25 mm tweeters
Side Drivers: (2) 3.0" / 76 mm drivers

Bluetooth Specifications
Profile: A2DP, AVRCP
Version: 5.0
Frequency: 2402 - 2480 MHz
Range: Up to 100 feet / 30.5 meters*

Battery
Type: lead-acid battery
Capacity: 12V, 7A, 84 Wh
Life: Up to 100 hours
Charging Time: 10 hours

USB-A Charging
Front USB Port: 5V, 1A
Top USB Port: 5V, 2.2A

Power
Connection: IEC
Voltage: 100-240 VAC, 50/60 Hz, 120 W

Dimensions (height x width x depth):
19.4" x 10.4" x 15.1" / 493 x 383.6 x 266.6 mm
Weight: 22.9 lbs. / 10.4 kg

Notes: Constructed with 100% aluminium die casting, this two-tier sleek and robust keyboard stand weighs a mere 3.06kg, making it an incredibly lightweight and portable option. Designed to support keyboards with up to 76 keys and weighing up to 60kg, it offers the reliability and strength for musicians on the go. Easy to set up and dismantle, this stand is a perfect choice for those looking to blend functionality with simplicity.

Features:
Maximum height: 1,300mm
Capacity: 69.8kg
Weight: 8.19kg
Includes: 1 angled base and 1 straight, 1 pair of 45mm straight arms, one pair of 38mm arms

Notes: The Morphor Plectrum - Analogue BBD Pluck is the successor of Morphor's successful module. Now only 8 HP instead of 10 HP with additional CV-able feedback!

Plectrum is a high quality, fully analogue Eurorack module that can produce plucked string-like sounds. It is a compact all-in-one solution for generating amazing bass, acoustic guitar, percussion and other amazing sounds.

The module is based on the Karplus-Strong principle with a true analog audio path built with an authentic bucket brigade delay (BBD) circuit which is recognizable by its specific timbre. By using carefully chosen high quality components, this module has a rich, warm analogue sound.

Now being only 8 HP in width, you won't need a lot of space to get going and start creating some incredible sounds. If you're looking to fully sculpt the string-like sound, you can extend the internal Karplus-Strong loop by breaking out the signal and adding external modules like filters and/or FX modules to it.

Features

100% analogue
Karplus-Strong principle
Built with classic BBD chip
Break-out BBD loop
Internal/external loop switch
Trigger input
1V/oct input
Tune knob
Pitch modulation CV input
Feedback CV input
Colour CV input (i.e. internal loop LPF cut-off frequency)
Mono output

Specifications

Panel width: 8 HP
Panel height: 3 U
Module depth: 40 mm
Current draw: 12V : 40 mA | -12V : 40 mA | +5V : 0 mA
Dimensions: 128.5 x 40.3 x 40 mm
Weight: 259 g
Frequency Range: sub-audio range to roughly 800 Hz
Power Socket: 16-pin

Notes: Premium analogue delay from Erica's flagship Black Series range. Two bucket brigade device delay lines work simultaneously with smooth crossfading and tons of voltage control. Lovely.

Supplier's Notes:
Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest quality components are used, all inputs and outputs are protected against undesired overvoltage. When designing Black Series, put design and usability superior. Big knobs are assigned to functions that make difference in sound. Erica Black series consist of range of modules that are needed to put together entire synth. Enjoy!

The Erica Synths Black BBD is one of kind analogue delay module. It features two BBD lines: short, 1024 stage and long, 4096 stage, that work simultaneously and you can smoothly fade between those two, thus creating distinct multitap effect.

Furthermore, an advanced BBD clock noise cancellation circuit is implemented that reduces unwanted BBD noise without filtering higher frequencies of audio signal. Most of parameters are voltage controlled, which allows to integrate the module in complex modular setups.

Time

This is delay time manual control.

Because of BBD clock suspension circuit, delay time can be pushed in extremely long regions, however in that case BBD clock noise may appear. The Time CV is added to the knob setting.

In level

This is the input attenuator switch. Select among full amplitude, half amplitude and audio off.

BBD mode

This control smoothly fades between short and long delays. Any setting in-between will result in distinct multitap delay effect.

LFO rate

Adjust the internal modulation LFO rate. The internal LFO controls delay time, and it's automatically disengaged, when an external modulation signal is connected. The LED gives visual feedback on the LFO rate.

LFO shape

Select the LFO shape. Three shapes are available - triangle, square and in-between shape - mix of triangle and square.

Input

This is the audio input of the module. This is manual Dry/Wet mix. The MIX CV is added to the knob setting.

Colour

Even though the module has BBD clock suspension circuit, the colour switch provides extra lowpass filtering of the signal. At top setting no filtering is applied, at lower settings increasing filtering is present.

Feedback

This is the delay feedback manual control. In extreme clockwise settings the module goes into self-oscillation, and by adjusting delay time and BBD mode settings, the module becomes a drone machine. The FBK CV is added to the knob setting.

CV level

This is the Time CV level attenuator. If nothing is patched into TIME CV socket, it controls the internal LFO amplitude.

WET out

This is the WET signal output of the module - use it for advanced patches.

Out

This is the main output of the module.

Time CV; FBK CV; Mix CV;
These are CV inputs for Time, Feedback and Dry/Wet mix.

SPECS:
Audio level 10Vptp
CV level (full span) -5V - +5V
Power consumption +95mA, -81mA
Module width 12HP
Module depth 35mm

Notes: Sono Abitus is a high-quality output module. It has a stereo pair of Eurorack-level 1/8" inputs that feed a pair of 14" TRS jacks for line output and a 14" headphone output. The headphone output and line outputs have separate level controls, making it easy to monitor while performing or recording.

Size and power:
4 HP

+12v: 50mA

-12v: 50mA

+5v: 0mA

Sono -- from Latin: "to make a noise"

Abitus -- from latin: "way out, exit"

"Make noises exit"

Notes: This is an exact hardware replica of the Mutable Instruments Clouds.

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: The A-100LC1v is a smaller version of the A-100LC3 with 48 HP of space. It is made out of raw wood, a black coating gives the Eurorack frame a vintage look. The built-in power supply, type A-100SSB, delivers up to 380 mA at +12 V and -12 V as well as 100 mA at +5 V.

The A-100LC1v comes equipped with one 48 HP measuring row for 3U modules. Its power supply features eight connectors for oscillators, filters and so forth. The case is connected to the grid via an IEC power socket.

Notes: Based on the classic tones of bearded Texas legend Billy Gibbons (ZZ Top), El Hombre is the ideal overdrive for those feeling the blues or ready to rock all night. Capturing the nuances and touch sensitivity of an amplifier, El Hombre can go from mild to wild with the turn of the gain knob showing its versatility with each guitar plugged into it. From added harmonics to chewy sag El Hombre has it all. The El Hombre is simple in format but complex in its abilities. The tone section is highly effective allowing you to alter the drive style simply by adjusting the "Bite" control. When you bring the bite control up (Clockwise) it becomes more aggressive, turn it down (counterclockwise) making it smoother and more reminiscent of Dumble tones.

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 5mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Ableton Push 3 Black also features heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Ableton Push 3 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 12,50 kg / 27.5 lbs
Outer Dimensions (W x H x D): 45.6 x 43.2 x 18.3 cm | 17.9 x 17.0 x 7.2 inch
Inner Dimensions (W x H x D): 38.2 x 31.9 x 6.8 cm | 15.0 x 12.5 x 2.7 inch
Material: Heavy duty construction of 5 mm thick plywood
Protection: Improved powder coated and anodized hardware

High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Secure stacking due to stackable ball corner

Fits

Ableton Push 3

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: For podcasters, videographers, bloggers, journalists and more, the F2 is the perfect audio solution for creators on the move.

The F2 is incredibly small, but its audio quality will amaze you.

The F2 features 32-bit float recording technology, allowing you to record the loudest audio signals without worrying about clipping. It will also record the quietest signals in beautiful detail. And the best part is you don't have to worry about setting the gain. Just plug in the lav and hit record.

Once you start your recording, use the F2's HOLD switch to ensure you don't accidentally stop recording.

Screw-lock connectors keep your lav plugged-in securely no matter the situation.

With the F2 actors can record and playback their lines to perfect their delivery.

The F2-BT comes with built-in Bluetooth. And with the free Zoom F2 Control app the F2-BT can wirelessly start/stop recordings, display battery levels, adjust output volume, control lo-cut and more.

You can also pair the F2-BT with a Bluetooth timecode synchronization device to receive and write timecode to recorded files. See Bluetooth Control features here.

The F2 Editor for PC and Mac allows you to adjust settings, format SD cards and more. Simply connect your F2 or F2-BT via a USB cable and launch the editor. The USB connection also makes it easy to transfer files to your computer. See the F2 Editor features here.

Whether a stroll through your garden, or the whispers and shouts of a dramatic reading, the F2 provides crystal clear recordings.

The F2 can record up to 15 hours (14 hours on the F2-BT) with two AAA batteries.

Record on microSD, microSDHC, and microSDXC cards up to 512GB.

The LMF-2 omnidirectional lavalier microphone has a low-profiled design, captures high-quality audio, and includes a windscreen and lapel mic clip.

The F2 Field Recorder gives you the option to choose the recording format that works best for your projects. Choose from 44.1 kHz/32-bit float or 48 kHz/32-bit float mono WAV files.

The F2 Is Perfect For Recording Interviews Anywhere.

TECHNICAL SPECIFICATIONS

LMF-2
Lavalier mic
Connector: 3,5 mm stereo mini (with screw lock)
Directionality: Omnidirectional
Sensitivity: -32 dB/Pa at 1 kHz
Maximum sound pressure input: 115 dB SPL
Cable length: 160 cm

F2 / F2-BT
Input
Connector: 3,5 mm stereo mini (with screw lock) Supports plug-in power (2.5 V)
Input impedance: 2 k? or more
Maximum input level: -5,5 dBu
Output
Connector: 3,5 mm stereo mini (with screw lock)
Maximum output level: 20 mW + 20 mW (into 32 O load)
Recording media
Cards compatible with microSD/microSDHC/microSDXC specifications (Class 4 or higher, 512 GB maximum)
Recording formats
WAV, 44.1kHz/32-bit float, 48kHz/32-bit float Mono, BWF format supported WAV
USB
USB Typ-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Mass storage operation: USB 2.0 High Speed
PC app operation: USB 2.0 High Speed
Power
2 AAA batteries (alkaline, lithium or rechargeable NiMH batteries)
AC adaptor
Bluetooth
Bluetooth Ver4.2

The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

External dimensions: 57,5 mm (w) x 46,4 mm (D) x 22,4 mm (H)
Weight (main unit only): 32 g

Notes: After Later's redesigned take on the classic Mutable Instruments Rings module offers all the distinctive resonant synth sounds you'd expect, from strings to percussion. Great value.

Supplier notes:
This is an exact hardware replica of the Mutable Instruments Rings module.

Notes: The AURRAS Optical Vibraphase by SolidGoldFX is a powerful effects pedal named after the goddess of sound that meets the legacy of its predecessor the Athena Vibraphase in a harmonious blend of legendary, vintage Uni-Vibe textures and innovative, modern prowess.

Rich, Energetic Soundscapes

AURRAS Optical Vibraphase is a 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators offering a clearer signal with minimal distortion while simultaneously isolating the audio path from any possible LFO interference.

The dual LFO setup, powered by a microprocessor, provides limitless sonic flexibility. Drawing inspiration from albums such as Band of Gypsys or the Dark Side of the Moon, the AURRAS delivers the lush modulation and heavy pulse that have shaped Rock & Roll history.

With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes. While the AURRAS features a 100% analogue audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping.

Comprehensive Tone-Shaping Controls

With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes.

While the AURRAS features a 100% analogue audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping. Set your effect with the Speed knob, Expression Pedal, Tap Tempo, or by using the Ramp function. You can ramp up your LFO speed by simply holding the Tap Tempo footswitch, which will automatically ramp up to double your speed.
You can also ramp down your LFO speed by simply holding down the Bypass Footswitch. This will automatically decrease your speed to half. Repeat this process as many times as you'd like to achieve the desired speed.

Let's talk about LFO Offset

AURRAS runs on a pair of opto-isolators each operating on an independent LFO. While most Phaser or Modulation pedals use a single LFO to create their effect, independent LFOs can open a new array of effects by offsetting their symmetry.

The OFFSET ADJ knob and OFFSET MODE FREQ|PHASE knobs work in tandem. For a more conventional effect, turn the OFFSET ADJ mode fully counterclockwise, allowing both LFOs to be in sync with no offset.

The FREQUENCY OFFSET adds rhythmic patterns by slowing down the second LFO, while the PHASE OFFSET fine-tunes the throb by introducing asymmetry between the LFOs.

Notes: Great value from this versatile percussion module, built around a noise generator and four linked envelope generators, each with its own VCA. Generate hi-hats, envelopes, shape drums or create modulation sequences.

Supplier's Notes:
Ricochet is a compact, fully analogue module featuring four interconnected decay envelopes, each with its own VCA and an integrated noise generator.

The module's design is inspired by the way skipping stones bounce on the water, creating a versatile tool for crafting percussive sounds.

The exponential envelopes are specifically designed to generate dynamic percussive tones. The unique linking function connects the end of one envelope's decay to the trigger of the next, enabling the subsequent envelope to activate once the previous one ends. This innovative feature allows you to create ratcheted envelope.

A front-panel trimmer lets you adjust the threshold for triggering subsequent envelopes, while a rear header enables connecting two Ricochet modules together, or linking the last envelope to the first. This feature transform the Ricochet to a weird sequencer where the steps length depend of the decay times.

Since Ricochet is fully analogic, trig inputs are velocity-sensitive, responding to a standard gates but also allowing attenuation to modify the envelope's velocity (you can play with the dynamic of your sound by attenuating the trigg input. Ricochet is also perfect to play with drum pads).

Each VCA features a gain control that can be pushed to achieve subtle saturation.

All envelopes and VCAs have separate outputs, but there are also mixed audio and envelope outputs. When an individual output is connected, it is removed from the mix. The decay modulation inputs are normalized between each other.

Last but not least, an analogue noise generator is normalised to the first input, so you can use ricochet on it's own to create hi hat kind of sounds

Main features:

- Fully analogue design so everything is responsive to the amplitude
- Unique linked envelopes feature
- Compact 4 envelopes 4 VCAs module
- Linkable to a second ricochet or looping back the last envelope to the first one

Some applications:

- Envelope generator
- Drum shaper
- Hi-hat
- Clap envelope shaper( with short ratcheted envelopes)
- Envelope sequencer
- Trigg delay
- Burst generator

Technical details:

- Fully Analogue design
- 14hp
- Skiff friendly
- Reverse power protection

Notes: Part of the excellent Eris range, the Studio 8 is PreSonus's eight-inch two-way studio monitor, offering solid performance all the way down to 35 Hz and crystal clear reproduction thanks to 1.25-inch silk-dome tweeters and Elliptical Boundary Modeled waveguides.

Supplier's Notes:
With a smooth, accurate frequency response; powerful amplification with tons of headroom; and Acoustic Tuning functions that ensure you get the best sound, it's no wonder that Erisr-series studio monitors have been a runaway hit since their introduction. Building on the reputation of its award-winning predecessors, the Eris Studio 8 is a substantial update that delivers richer low-end and more controlled high-frequency response, reproducing every detail in your recordings with a natural sound unparalleled in its class.

Designed for superior performance in both home studios and professional mix rooms, the Eris Studio 8 features a custom-designed EBM (Elliptical Boundary Modeled) waveguide that provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a 1.25-inch, silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite, 8-inch, low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 140W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 8 to reach down to an astonishing 35 Hz - with no subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

8-inch woven composite, low-frequency transducer
1.25-inch (31.75 mm), ultra-low-mass, silk-dome, high-frequency transducer
100-(H) x 60-(V) EBM waveguide for a wide sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
140W, Class AB bi-amplification
35 Hz to 20 kHz frequency response
106 dB SPL (Peak, @ 1 meter)
Acoustic Tuning controls: HF (i6 dB, continuously variable); Midrange (i6 dB, continuously variable), and Acoustic Space (flat, -2, -4 dB), plus highpass filter (Off, 80 Hz, 100 Hz)
RF interference, output-current limiting, over-temperature, transient, subsonic protection, and amplifier "soft start" feature (eliminates popping on power-up)
Internal power supply with IEC connector and power switch with on/off LED
Balanced XLR and 14-inch inputs and unbalanced RCA inputs

Set up your studio monitors for your room.

Erisr Studio 8 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonusr studio monitors, the Erisr Studio 8 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space, and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 6 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 16.50 x 9.80 x 11.70 IN

Depth: 11.73" (29.8 cm)
Height: 16.5" (41.91 cm)
Width: 9.84" (25 cm)

Notes: As an Old Blood Noise Endeavors take on reverb, BL-37 Reverb Variable-Clock Effector is a new voice with a streamlined control set: a reverb both more immediate and more degraded than any other.

Thanks to its simple yet intuitive and interactive control set this modulated reverb can be quick and highly reflective or slow and stretchy with noticeable pitched undulations.

The sheer audacity of sound, to fill a room, to fill our heads, to fill our hearts. To act digitally as if tangible, as if these walls could talk, as if this were a real space and not a series of all-pass filters and modulated delays meant to capture the idea of somewhere we'd been before and something we'd done before and something we were before, as if. To give control over the whole thing, to simply stretch by hand the entire clock! It's a heck of a concept really.

BL-37 is a reverb pedal. It is lush but also ringy, and easily stretchable. It modulates, and sometimes that modulation feels certain, an obvious pitch bend, while other times it washes, simply a shimmering softening element. The control set for BL-37 is simple. A Clock slider sets the timing of the entire system - the sample rate that determines signal fidelity, the timing of the reverb, and the speed of the modulation within that reverb are all affected as the slider slides. Additional controls for Feedback, Mix, and Volume allow you to further craft the spatial voice in play here.

Notes: Portable recording made with musicians in mind, the R4 records up to four tracks in 32-bit float resolution, with on-board EQ and effects, amp simulation and the option to bounce recordings down then overdub.

Supplier's Notes:
The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

Notes: Introducing Jazzman's own exclusive range of brand new 7" hard-wearing wooden record cases, in equal measure stylish and functional, solving the age-old problem of storing, transporting & displaying your precious 45s once and for all!

The PRO Large holds 150 x 7" records, and is available in your choice of 2 finishes: Dark Walnut or Graphite Grey.

This new updated design is again custom made to an exact specification in limited numbers. They don't just look the business, they've been built for professional use and will last for many years to come.

Ugly, bulky industrial cheap n' nasty mass-produced flight cases they are not! No flimsy plastic, chipboard, MDF or cheap cardboard either! These cases are hand-crafted from ethically-sourced & hard-wearing wood, the ultimate 7" record cases for all serious record collectors & professional DJs.

Each case has been hand-made in the EU from wood that has been sourced from managed and sustainable forests. They have been custom built to Jazzman's exact specifications before being stained and lacquered for a durable finish:

The lid is fully removable via detachable metal hinges so you have unfettered access to your records
Interior lined with soft & durable black felt to add both extra cushioning and a luxurious feel. Each interior is also embossed once with Jazzman's shiny 45CASE logo
All corners made with extra strong interlocking dovetail joints
Dual metal catches on the front are lockable with padlocks (not included) to keep your records secure from unwanted attention
Strong metal brackets feature on all corners to further protect against knocks & damage
Wood sourced from managed and sustainable forests
The base has 4 sturdy rubber feet to protect the bottom of the case when standing
Each cases has dual compartments, securely holding up to 150 of your prized 7" records. The interior dimensions will also accommodate double-bagged 45s.

Important note: due to the innate variability of wood grain, each box is unique and will differ slightly to the image shown. Records are for illustration purposes only and are not included!

Details:

Exterior size: 420 x 220 x 220mm
Weight when empty: 3.2kg (7lb)
Weight with 150 records: 11kg (24lb)

"I'm really impressed with this box, nobody's made them like this for years, a nice new home for my best stuff" - Mark 'Butch' Dobson (World #1 Northern Soul DJ)

"Jazzman are already known for making great records, well done to them for making the nicest record boxes I've seen in years" - Norman Jay MBE

"Sturdy and with a classic design, this is the best 7" box I have come across" - Eddie Pillar (Acid Jazz)

"Northern, Funk, Rockabilly, Garage - these are the boxes to keep 'em in, f*** marvellous!" - The Legendary Keb Darge

Notes: 1U version of the excellent Golden Master, a surprisingly creative little output module which combines radio-style multi-band compression with brickwall limiting and mid-side stereo processing.

Supplier's Notes:
Golden Master is a multiband processor module in Eurorack format. Inspired from the studio mastering and radio loudness units from the 90's, this tool is a game changer for everyone who performs live with a Eurorack synthesizer.

The whole magic of Eurorack lies in its raw sound and simple analog mixes - processing through the Golden Master brings instant punch and sound pressure, as well as controlling the overall volume.

Features:

instantly improve your raw Eurorack mixes to sound balanced and powerful on stage or wherever you are
96 kHz 16 bit digital audio stereo processing
3-band compressor with intuitive adjustment and brickwall limiter
mid/side stereo field processing
Power consumption: 125mA at +12 V and 12mA at -12 V

Depth: 42mm

HP : 22

Notes: DJ Controller Case XDJ-RX3/RX2

Customized to hold the new Pioneer XDJ-RX3 or XDJ-RX2 DJ-Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles and heavy duty butterfly latches, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer XDJ-RX3
Pioneer XDJ-RX2

Specs

Outer measures: 80,5 x 53 x 20,5 cm
Inner measures: 72,5 x 37,4 x 7,5 cm (Controller-compartment)
Weight: 12,9 kg