Theme For Us (feat Joshua Idehen & Chip Wickham) (7:28)
The Socials (feat Soothsayers) (5:23)
Life Is Valuable (feat James Alexander Bright) (3:13)
After (feat And Is Phi) (6:03)
I Never (feat Madison McFerrin) (8:29)
Won't Get Better (feat Emma-Jean Thackray) (6:55)
Don't Stop Here (feat Ego Ella May) (4:47)
Thru You (feat Georgia Anne Muldrow) (5:44)
Review: Although he never stopped delivering breezy and evocative blends of hip-hop, soul and jazz, Adam Scrimshire hasn't offered up an album in almost six years. That's one of the reasons that we were so excited about "Listeners", his new full-length excursion. Happily, we can confirm that the Wah Wah 45s affiliate has hit the spot with his more jazz-focused set yet. While it's not "pure" jazz in the traditional sense - there are odd electronic noises, differing rhythms, soulful vocals and trips into ambient, broken beat and hip-hop soul territory - it features a wealth of talented jazz players, some inspired vocalists and the kind of soft-touch production that rewards repeat listens. In other words, it's his musically intricate set to date.
Review: It has been three years since we had an album from the mighty New Model Army. Plenty has changed about the world since- much of it not for the better. Reassuringly, though, this is equally if not more powerful an outing than its predecessor. In many ways, it's one of their strongest in some time, making intentions clear from the off with the loud, layered and textured tension builder "Passing Through" recalling acclaimed early albums. The outfit apparently quipped that for all their differences they share commonality in a love of bleak, cold, rugged landscapes typified by snow, rock and water. These influences can be clearly heard here. Even in quieter moments, such as "Hard Way", things couldn't feel more removed from a warm fire and comfortable room. It's a wild, almost primitive soundtrack to an adventure across a new yet familiar wilderness, with Justin Sullivan's vocals and compositions as a guide.
Review: Selva Discos' Fernando Falcao reissue series continues via a fabulous new pressing of the Brazilian percussionist's experimental 1987 album "Barracas Barrocas". Like the artist's 1981 debut, it's a brilliantly eclectic and esoteric affair, offering up a heady - and uniquely South American - blend of off-kilter jazz, pastoral neo-classical compositions, academic ambient, jaunty tropical fusion, narrated soundscapes and heavy drum workouts. Given that it moves in a multitude of directions, the set actually holds together remarkably well, with Falcao's use of bespoke orchestration acting as a constant thread linking disparate sounds and styles. It's both utterly brilliantly and thoroughly mesmerizing, while the accompanying insert includes essays in Portuguese and English telling the story of the album and Falcao's little-known career.