Review: Originally active around the turn of the century, Difusion are back in action with a mission to champion real songwriting in the deep house scene. "Playin' With Fire" rides a funky disco groove and works around some seriously catchy vocals, while Daniel Maunick dubs the track out and rides the filter to deadly effect. "Shining" rounds the EP off with a sweet, sensitive jam that strikes the kind of melancholic tone that wistful dancefloor memories are made of. Once again the vocals lift to the track to another stratosphere of heartfelt expression - this is sure to go down a storm with the late summer crowd.
Review: Active for the past couple of years, Burnski's Instinct alter ego has been a revealing window into the ruder side of this seasoned producer's repertoire, and so it continues on round seven of this self-titled label series. The A-side jam "Operation" finds the Leeds stalwart in UK Garage mode, riding a mean bassline flex and amping up the 2-Step shuffle. Jack Michael takes up the B-side mission with a razor-sharp electro workout that matches bleepy electronica with badass breaks and nasty bass to get bodies freaking all over the joint. This is a record precision primed for basement sessions - if you're looking for some sounds to do real damage in the dance, look no further.
(Let Everybody) Join Hands (It Could Be An American mix) (6:33)
Feel The Power (The Music Can Give) (The House Nation mix) (5:03)
Storm (The Doody Dodgy mix) (5:09)
(Let Everybody) Join Hands (The Latin Love Affair mix) (4:19)
Review: For the first time since 1997, Laurent Garnier's earliest studio productions are available on wax. "French Connection" harks back to 1991, a time when Garnier spent a lot of his time travelling between Paris and Manchester. It was in the latter city that he met Mix Master Doody AKA Dream Frequency's Ian Bland, an experienced producer and studio engineer who co-produced the EP's six cuts. Musically, "French Connection" has stood the test of time better than a lot of dancefloor-focused music from the period. There's something wonderfully naive and glassy-eyed about its endearing mixture of heavy techno rhythms, post-Chicago house beats and loved-up, hardcore-era elements (piano riffs, female vocal samples, and so on). Crucially, all six cuts would slip easily into many contemporary house and techno sets.
Review: Joe Corti has had a breakthrough 12 months, with releases landing on Better Listen and his own China White. Bringing more of that sweet, disco tinged house music to the second volume on his label, Corti strikes a heady mood on "Move Your Seat" with a mixture of swirling Philly string samples and looped up elements that should set the dancefloor alight in that most tender of ways. "Think Twice" is on a similar tip, albeit with a choice run of dreamy trumpet coursing through the track. "Just You" has a slightly techier edge, but it's embellished with the kind of keys that will appeal to fans of Glenn Underground. Classy stuff from a rising talent.
Metal Banshee ( Mad Professor Mix One) (CD2: Mezzanine Mad Professor)
Angel (Angel Dust)
Teardrop (Mazaruni dub One)
Inertia Creeps (Floating On dubwise)
Risingson (Setting Sun dub Two)
Exchange (Mountain Steppers dub)
Wire (Leaping dub)
Group Four (Security Forces dub)
Review: Two decades have passed since Massive Attack signaled a new stage in their career with the dark, paranoid and claustrophobic brilliance of "Mezzanine", their third studio album. Given the current global political climate, it arguably sounds even more relevant 20 years after it first hit stores. This time round, the re-mastered original set comes accompanied by something none of us have heard before: Mad Professor's complete dub translation, which was slated for release around the turn of the Millennium but for one reason or another never came out. Like his take on "No Protection", it's an inspired set of revisions that takes 3D and Daddy G's dense and red-eyed originals into wild new bass-heavy places. Even if you own the original version already, it's well worth picking up this special edition just for that alone.
Review: Chonk Mob familia Koma joins the gang at White Peach with this far-out four-piece that showcases his broadest and most considered range. "Arrival" sets the scene with big cinematic pads, arpeggiated pipes and a mood that gets deeper and darker the more you stride into it. "Missing Amsterdam", meanwhile, shows a calmer Koma as we mooch to poignant chimes in the most contemplative way. Finally, the bashy steel drum twister "Tasteful" plays the consummate pudding course as Koma and fellow Chonkster Rygby serve up the final course of this exceptional feast. Koma back soon.
Review: Brand new Marky! It's about time... Four years after his "My Heroes" album landed (and two years after his last single - "Silly VIP") the Sao Paulo don returns with two perfect soulful D&B gems. "Should I" looks back to the early 2000s with its powerful sample and Bingo-style bubbling bassline while "Love Break" takes off where "Silly" left us; swooping instrumentation that will have you leaping behind the decks and a break that will never ever quit. Don't leave it so long please Marky!
Review: If you enjoyed Yu Su's brilliant EP on Second Circle earlier in the year - and, let's face it, who didn't? - there's a rather high chance that you'll enjoy her first outing on Ninja Tune offshoot Technicolour. "Watermelon Woman" is a superb chunk of bass-heavy house music positive - an inventive and hugely enjoyable fusion of unfussy drum machine rhythms, sampled tribal drums, toasty bass, dubbed-out effects, stargazing electronics, fluttering flutes and jazzy motifs that have just the right amount of breezy Latin flavour. The original version comes backed with a hazy and laidback Dub rework and a boisterous, off-kilter remix by Francis Inferno Orchestra that layers rubbery sounds and heady vocal samples above a skewed tribal house beat.