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Notes: Module A-145-4 is a simple quad LFO (Low Frequency Oscillator). Not a very "exciting" module, just a bread-and-butter device and a simple demon for work. Virtually in every modular system several LFOs are required for modulation purposes. The module contains four simple LFOs with the waveforms triangle and rectangle. A dual colour LED (red = positive / yellow = negative output voltage) indicates the triangle output of each LFO. The frequency range can be chosen for each LFO individually by means of a jumper between about 50 Hz ... 0.04 Hz (about 20 seconds, jumper removed) and about 2Hz ... 0.002 (about 8 minutes, jumper installed).

The module can be treated as a slimmed version of the quad LFO A-143-3 as it has similar features available. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is less than one third of the A-143-3. The module is primarily planned for applications where only limited space is available. The functional difference compared to the A-143-3 are the missing sawtooth outputs and frequency range switches.
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 5 in stock $78.66
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FORTHCOMING
4ms Ensemble Polyphonic Oscillator Module
Cat: 762166
 
polyphonic oscillator module
Notes: The Ensemble Oscillator is a unified polyphonic voice of sixteen complex oscillators combining additive, FM, phase-distortion and wavefolding synthesis techniques in new unorthodox ways. By quantizing the oscillators to scales or series of harmonics, the Ensemble Oscillator allows you to explore the sonic boundary between musical chords and rich evolving textures. Easily create a wide variety of sounds ranging from aggregates of pure sine waves to pulsar synthesis or pristine harmonic tones and lush wide chords to rich dirty drones and rumbling glitches. Custom scales can quickly be "learned" and saved using a CV keyboard or by manually entering notes with the controls.

The Ensemble Oscillator is designed by Matthias Puech and 4ms Company.

30 factory-programmed, user-writeable scales organized in three groups:
12TET: all notes quantized to equal temperament, repeating over octaves
Octave: unquantized notes, repeating over octaves
Free: unquantized notes, repeating over the interval between the lowest and highest note
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coming soon $260.48
Notes: Third-gen version of the crazy versatile modulation source. Four channels can all operate as LFOs, envelopes, sample-and-hold, random voltage generators and even audio-rate oscillators.

Supplier's notes:
All Mark III Series modules from Industrial Music Electronics come with a standard preset manager interface. This manager is the product of determined user interface research, and the successful solution to a number of modular synthesizer performance questions. The MORPHING PRESET MANAGER enables immediate control and recall of all panel parameters and significantly reduces the number of patch cords required to recreate carefully patched sounds in a live situation. It provides a new dimension of intense sonic transformation suitable for deep sound design or extended performance technique, for when you just don't have enough cables or limbs to move the controls in the way that your imagination demands.

The interface consists of an OLED display, rotary encoder, CV input, and an attenuator control. The CV input responds to positive and negative voltages. Each module has a setting to limit the operation of the preset manager: for example, the Hertz Donut and Piston Honda oscillators' managers can operate ONLY on the wave parameters, or on ALL controls including the frequency. The user may prefer to use the manager only as a timbral control, or also as the master pitch control in a sequenced performance. The interface and voltage thresholds are standardized across all Mark III modules, so a simple unbuffered multiple is sufficient to simultaneously drive the preset state of several modules.
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MRP:$447.42 SAVE 18%
 5 in stock $365.69
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Cat: 681306 Rel: 24 Jul 18
 
Multi-algorithm macro oscillator - 12HP
Notes: Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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out of stock $161.40
FORTHCOMING
Qu Bit Surface Multi Timbral Physical Modeling Voice Module
MRP:$366.51 SAVE 17%
coming soon $305.43
Cat: 686269 Rel: 27 Apr 18
 
Universal, patch-programmable modulation source - 14HP
Notes: Mutable's segment generator is a one-size-fits-all approach to LFOs, envelopes and modulation. A surprisingly creative module with potential way beyond the basics.

Supplier's notes:
ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 2 in stock $233.92
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Cat: 643379 Rel: 13 Sep 17
 
Quad voltage controlled amplifier & cascaded mixer - 12HP wide
Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).
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out of stock $182.85
Cat: 557488 Rel: 19 Dec 14
 
Analog computer synth module designed for musical purposes
Notes: MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to:

- Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
- Integrate an incoming signal
- With no signal applied, generate a variety of linear, logarithmic, or exponential functions
- Add, subtract and OR up to 4 signals
- Generate analog signals from digital information (Gate / Clock)
- Generate digital information (Gate / Clock) from analog signals
- Delay digital (Gate / Clock) information
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out of stock $272.19
Cat: 732819 Rel: 21 Oct 19
 
Audio repeater synth module - 16HP
Notes: Freaky stereo digital delay from the Eurorack gods at Make Noise. Typically creative stuff, packed full of interesting features for creating complex echoes, modulating sounds and generating loops.

Supplier notes:
The Mimeophon music synthesiser module is a stereo, multi-zone colour audio repeater by Make Noise and soundhack, coded by Tom Erbe.

The Mimeophon (from Greek mimeo (repeat/copy) and phon (sound)) is a modern take on various historical sound copying, echo and repeating devices. It allows for Stereo modulations of Time, Space and Timbre of Mono or Stereo sound sources. The Mimeophon is capable of modulating and morphing time scales of repeated sound from micro-sound to note to phrase length while also colouring and spatializing the repeats.
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 More than 10 in stock $372.85
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Cat: 671564 Rel: 29 Nov 17
 
12dB multi-mode filter with unique classic circuitry, based on the filter from the 70s EDP Wasp synth
Notes: Module A-124 is a special 12dB multimode filter using the "strange" filter circuit of the "EDP Wasp" (an analog synthesizer with black/yellow case built end of the seventies, manufactured by the UK company "Electronic Dream Plant" with Chris Huggett und Adrian Wagner). This design "abuses" digital inverters as analog operational amplifiers leading to distortions and other "dirty" effects that generate the specific sound of this filter. The filter is equipped with a band pass output and a combined low/notch/high pass output. For this output a control knob defines the relation between low and high pass signal. If both signals appear at the same level (i.e. middle position of the Mix knob) one obtains a notch filter. Otherwise the low or high pass signal predominates. The module does not feature self-oscillation in contrast to most of the other filters of the A-100 system.

Inputs: Audio In, CV In (2x)
Outputs: Bandpass Out, Low/Highpass Mix-Out
Controls: Audio and CV attenuator, Frequency, Resonance, LP/HP Mix

The function and operation of this module is very similar to the module SEM VCF A-106-5. But the sound of both filters is very different! The only functional difference is the position of the sockets and controls, and the function of the controls CV2 (A-124: normal attenuator, A-106-5: polarizer).

- 3U Eurorack module, 8HP wide, 45mm deep
- Current draw 30mA
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 7 in stock $75.58
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Cat: 648928 Rel: 25 May 17
 
Compact programmable clocked modulation source in Eurorack format - 8HP
Notes: Updated version of the Pamela's Workout clock source module from one of the best Eurorack brands around. Now functions as a modulation source as well as clock, providing eight outputs of CV. Essential.

Supplier's notes:
'Pamela's NEW Workout' is a compact programmable clocked modulation source for your Eurorack modular synthesiser system. It provides 8 highly editable outputs producing various control voltage signals correlated and synced to a BPM based master clock.

Building on the original 'Pamela's Workout', this new evolved model maintains the original's form factor and intuitive workflow but greatly improves on and adds many new features with upgraded hardware, a new OLED display and rewritten software.

Each output is now able to provide not just clocked triggers but also rhythmic waveforms with many parameters controllable directly and via assigning to external CV control. Pamela has grown beyond a clever clock and now provides almost limitless synced modulation possibilities.

Improvements have been made to overall clock stability and integration with external clocks and devices. Also new are dedicated MIDI and Din Sync clock outputs available via optional expander modules.
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 More than 10 in stock $232.89
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Cat: 733238 Rel: 18 Jul 19
 
Eight channel audio & CV sampler for Eurorack - 21HP
Notes: Our favourite module of 2019. Eight channels of audio and CV sampling with real-time editing and processing. Does basic sampling well but quickly gets creative and weird. We love it.

Supplier's notes:
The 'Squid Salmpler' is a Eurorack 8 channel audio & CV sampler. It is designed for immediate real time sampling, editing and mangling within a modular context.

Taking influence from early hardware samplers, The Squid Salmple focuses on usability and instinctive operation, incorporating a proven Pamela's Workout style user interface for minimal screen dependence and a fun, hands on experience.

With support for sampling and playback for both audio and CV, as well as CV control of all parameters, on-the-fly bank loading and saving to USB, The Squid Salmple brings a unique take on old school sampling into the modular realm.

The Squid Salmple comes with a USB Stick containing approximately 90 banks of original carefully curated royalty free samples. This includes a wide range of sounds from classic drum machines and weird synths to field recordings and CV modulations. Banks are provided by both ALM and some of our favourite artists and friends including Mumdance, Solid Blake, Russell Haswell, Lauren Flax, Dave Burraston (NYZ), Sue Zuki, Dungeon Acid, Sasha Lewis and Andrew Duff.
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out of stock $366.82
Cat: 602205 Rel: 04 Apr 16
 
Quad attenuator, attenuverter, mixer and DC voltage source - 28HP wide
Notes: The shorter and wider brother to the popular Triatt module!

The four handy knobs can act as active attenuators (unipolar) or attenuverters (bipolar) depending on the setting of the two-position switches above each one.

Each input is normalled to a precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 v or -5 to +5 v depending on the position of the mode switch.

- 2 modes for each channel
- 5v normalled to each input
- With external signals it acts as active/buffered attenuator/attenuverter/mixer
- Each output normalled to mix into the adjacent channel on the right making it possible to do sub mixes in groups of 2, 3 or all four channels.
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out of stock $64.34
Cat: 602206 Rel: 04 Apr 16
 
USB/DIN MIDI voice and clock interface in 1U rack size - 22HP wide
Notes: The uMIDI 1U provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the uMIDI 1U ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI 1U gives you everything you need to control a single voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

Future firmware updates over USB are made easy with the Firmware Updater software.

This module connects via ribbon cable to the uMidi JACKS 1U module or to the MIDI I/O jacks on the back of the 7U performance cases.
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out of stock $130.76
Cat: 739057 Rel: 19 Jul 19
 
Two channel, +4dBu balanced line level outputs
Notes: This module has 1/8" jacks to accept either mono or stereo audio signals from your modular gear.

It features input level indicator LEDs, and contains all the gain control circuitry necessary to drive external audio gear at the proper levels.

A ribbon cable is included for connecting it to either the Stereo Out Jacks 1U module, or a compatible Intellijel case with 1/4" jacks (e.g. 7U x 104HP, 7U x 84HP, or Palette 62).
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 4 in stock $69.45
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Cat: 747513 Rel: 07 Nov 19
 
Two high quality & precise linear VCA's - 8HP
Notes: The Voltage Controlled Amplifier or "VCA" is one of the most essential and useful building blocks in a synthesis patch. The DUAL VCA 1U packs two high quality, DC coupled, linear VCAs into a very compact 1U package.

The two VCAs can be used completely independently or in tandem via the handy signal normalling. The DC coupling means that the VCA can be used for the amplitude control of both control voltages (CV) and audio signals.

Some application/use examples:

- Dual, independent VCA for dynamic level control of two different audio or cv sources
- Stereo VCA (use the CV normalling where CV A normals to CV B) for processing stereo sources or CV pairs.
- CV/Audio summing (when Out A is not patched, it normals to sum with OUT B, CV A and B control the independent levels)
- Voltage/signal doubling (use input A only and the doubled voltage will appear at OUT B when a CV of +5V applied to CV A)
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 5 in stock $89.89
Cat: 569573 Rel: 23 Sep 15
 
Liquid filter Eurorack synth module
Notes: Ripples delivers a classic, big-sounding analog four-pole filter in a small 8-HP package, continuing Mutable Instruments' lineage of warm and tasty filters started by the Shruthi SMR4 mkII and 4-Pole Mission.

3 filter modes are available: 2-pole band-pass, 2-pole low-pass, and 4-pole low-pass.

Self-oscillation is available for all modes and produces a clean sine-wave on the LP4 output. Unlike many classic 4-pole designs, this filter does not suffer from "loudness drop" when resonance is increased. The resonance loudness compensation circuit brings a slight tone coloration reminiscent of the Roland SH/Jupiter filters, with a very round and "liquid" resonance.

The 4-pole low-pass output is additionally sent to a VCA. This makes Ripples a good "final stage" module for an inexpensive/space-constrained subtractive synthesis synth voice.

*For audio samples, please visit - http://mutable-instruments.net/modules/ripples
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 4 in stock $146.07
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Cat: 732315 Rel: 11 Sep 19
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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out of stock $300.32
Polyend Preset Module (synth module)
Cat: 732317 Rel: 11 Sep 19
 
Macro controller & sequencer - 22HP
Notes: Presets on a modular? Sacrilege! Or the best of both worlds, depending how you look at it. We'll probably go with the latter, because this is a super versatile little programmer/sequencer/preset storage module.

Supplier notes:
The 22 HP interface is simple, clean and streamlined. At first glance, Polyend Preset module might look like simple a digital preset manager for Eurorack systems, but it's much more than this. Its vast implications make it a very smart companion for your modular system. But let's start from the basics. With the use of 9 LED coloured clickable encoders, Preset allows you to store up to 9 different CV output values in 32 banks of 32 presets. Yep, 1024 in total!

It's capable:

Program the notes sequences using one of the 32 build-in musical scales. Record the automation using the encoders or external source.

Four modes, totally different possibilities:

Depending on what you want to achieve, there are four modes you can choose from: First, Next, Channel and Note.

Both First and Next modes are perfect for building your unique polyphonic synthesizer.

The Channel mode lets you choose which MIDI Channel is responsible for which voice. This mode is what the majority of users utilise to connect DAWs or external sequencers.

The Note mode translates data received from MIDI Notes C through G and directs them into the corresponding voices (no matter the octave). This scenario works excellent for triggering drums from drum pads or drum triggers.
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 3 in stock $314.63
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Cat: 757112 Rel: 06 Jan 20
 
Analogue 'OTA style' cascaded 4-pole lowpass VCF with self-oscillation capability
Notes: Belgian analogue innovators Joranalogue serve up an ultra-versatile filter module. Multimode flexibility meets self-oscillation for added sonic versatility. A hell of a lot of filter for the money.

Supplier's notes:
Representing the cutting edge in modular analogue voltage controlled filter (VCF) design, Filter 8 offers more possibilities and higher fidelity in 12 HP than ever before.

Starting from the classic OTA-style 4-pole cascaded lowpass (LP) topology, Filter 8 features separate LP outputs, each with their own character. Additional filter responses are achieved by pole mixing: 1-pole highpass, a special band boost and notch response, phase shifter and 4-pole bandpass. All outputs are available simultaneously.

Key to Filter 8's performance is the innovative resonant feedback circuit. By increasing the resonance, all outputs will resonate at the filter frequency, without any low frequency response loss. At higher resonance levels, self-oscillation is achieved, turning the module into an excellent 8-phase sine wave voltage controlled oscillator (VCO) with temperature and switchable gain compensation, low distortion, constant amplitude and accurate frequency tracking over at least 5 octaves. At sub-audio frequencies, Filter 8 can function as an 8-output voltage controlled slew modifier or 8-phase low frequency oscillator (LFO).

Simultaneous exponential and linear frequency modulation is possible, for classic FM tones or chaotic modulation. A hold feature is also provided, 'freezing' the output voltages manually or under gate control. This is useful for halting modulations, or as a sync-like effect at audio frequencies. The dedicated 'ping' input allows you to easily create crisp percussive sounds with different timbres.

While rooted in the legacy of classic synthesisers, Filter 8 provides a new approach to musical signal generators and modifiers: instead of simply a VCF, VCO, slew modifier or VCLFO, a single analogue module can now be any of those, and anything in between.
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 9 in stock $244.14
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Cat: 718062 Rel: 18 Feb 19
 
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
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 2 in stock $279.89
Cat: 768939 Rel: 13 Mar 20
 
synth module
MRP:$145.87 SAVE 17%
 2 in stock $121.56
Cat: 747527 Rel: 18 Nov 19
 
Quad Function/Burst Generator/LFO with CV Matrix
Notes: Super-versatile quad envelope generator and LFO source from the Vancouver Eurorack brand. All CV controllable and with tons of shaping options.

Supplier's notes:
The Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:

- An AD (Attack, Decay) envelope
- An AHR (Attack, Hold, Release) envelope
- A cycling envelope (resulting in a unipolar LFO)
- A pulse burst generator (Finite repeated functions that ascend or descend in amplitude)
- A morphing, bipolar beat syncable LFO

The envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.

When set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.

AD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5V or 10V.

LFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel's TRIG input.

Channels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel's trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function's rise time, or at the end of its fall time.

Four freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.

Quadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.
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 3 in stock $304.40
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Cat: 768942 Rel: 13 Mar 20
 
audio input module
Notes: Use the Stereo Line In 1U system to bring external audio into your modular system for processing. The system works with balanced +4 dBu professional audio products and with -10dbV unbalanced gear.

The Stereo Line In 1U system comprises two components:

The Stereo Line In 1U module:
Either a Stereo In Jacks 1U module, or a case with built-in 14" audio jacks, such as Intellijel's Palette or 7U cases (with a 2nd generation Audio Jacks board).

Width: 12HP
Depth: 38mm
Power: 18mA @ +12V
12mA @ -12V
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MRP:$78.45 SAVE 17%
 2 in stock $65.37
Cat: 638949 Rel: 31 Jul 17
 
Experimental sampler module - record, slice & rearrange audio material
Notes: The Morphagene is a next generation tape and microsound music module that uses Reels, Splices and Genes to create new sounds from those that already exist. Search between the notes to find the unfound sounds.

A few of the Morphagene's most basic uses: Splice recorded audio and jumble it using ORGANIZE. Manipulate playback speed and direction with Vari-Speed. Granularize with Gene-Size and Slide. Layer or Stagger Genes using MORPH. Undertake iterative music processes by recording manipulations and overdubs into new Splices, like having two machines (one for Playback and modulations, one for Record). Process sound in real time using Time Lag Accumulation. Utilize envelope following CV OUT and EOSG Trigger to engage Morphagene in conversation with the rest of your modular system. Stretch and squash sound with Clock input.

Width: 20hp
Max Depth: 30mm
Power: 165mA @ +12V, 20mA @ -12V

***MG137 Firmware Update:

Change Log

1. Improves Vari-Speed response for slow modulation rates.

2. Improves SD Card file format for more compatibility with software .wav file formats.

3. Doubles total record time per Reel.

Upgraded memory performance offers an increase from 1.45 minutes to 2.9 minutes of record time.

If you are using Splices that are over 1 minute long the SLIDE parameter will be scanning across a massive amount of material and therefore the longer the Splice the longer it will take to get to where you are Sliding toward. Imagine a tape machine shuttling forward or backward to get to your desired destination. No we cannot change this, the MG is scanning as fast as possible. This new double record time firmware will make this even more of a factor.

The new options mcr1, mcr2, and mcr3 allow user-definable Morph Chord Ratios (detuning of 2nd through 4th Genes with Morph at its highest settings).

The Auto-level procedure has been replaced with an improved input gain staging, accessed with a 4-step gain selection.

Playback gain is reverted to pre-mg157 level to improve TLA and Record-Into-New-Splice functions.

Internal processing improved to work with (2) and (3) to significantly improve signal-to-noise ratio on input and playback.

And more!
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 7 in stock $509.72
Cat: 671589 Rel: 29 Nov 17
 
Four-channel stereo mixer - 8HP
Notes: A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V
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 4 in stock $65.37
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Cat: 679163 Rel: 09 Mar 18
 
Eurorack recreation of classic sampler filter with added resonance & voltage control
Notes: 'MUM M8' is an 8hp Eurorack low pass filter building on the filter design used in the classic Akai S950 12 bit sampler with the addition of resonance, voltage control, clipped saturation and a dedicated VCA.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self-oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.
Mum M8 features dual voltage control with attenuation (and inversion) of filter cut off and voltage control of resonance together with dual audio inputs - one of which includes a VCA to with the capability to aid overdriving signals into the filter core.

The filter core is a 6th Order Butterworth switched capacitor type design featuring an analog core but controlled by a high speed digital clock. This produces the characteristic smooth sounding filter but, as with the original S950, has a relatively high minimum cut off as to avoid 'clock bleed' into the filter output from the digital control. This minimum cut of point (and introduction of bleed if required) can be controlled via trimmers on the rear of the module (see calibration chapter). It is not unusual for there still to be some low-level artefacts from the clock present, particularly during filter sweeps - these add to the filters character.

The motivation for the module came from discussing filters in classic samplers with the artist Jack Adams - aka Mumdance. Jack suggested investigating the S950's filter well known as for it use in classic use in early jungle and hardcore. From that point onward Jack provided inspiration, help and feedback in the development of the filter. Big up Mumdance.
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 4 in stock $177.73
Cat: 621354 Rel: 28 Nov 16
 
Quadruple Low Frequency Oscillator (LFO) synth module in Eurorack format - 10HP wide
Notes: Batumi is a fully voltage controlled, quadruple digital LFO module with a slew of interesting and user-customizable features. Each oscillator can be used independently or in one of 3 synchronized modes: quadrature, phase and divide. For each oscillator, there are sine, square and assignable (saw, ramp, triangle and trapezoid) waveform otputs available. Voltage control is possible for each oscillator's frequency, reset, and external sync ("tap tempo"). The total frequency range spans from 28 hours in voltage controlled divide mode, up to 500 Hz.
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out of stock $233.42
Cat: 663389 Rel: 26 Oct 17
 
Fully assembled field kit for experimenting with electro acoustic sound
Notes: Brilliant experimental box inspired by electroacoustic musicians including John Cage. Signal processing, mixing, sound generation and the ability to send voltages to physical devices like motors and buzzers. Super creative.

Supplier's notes:
The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!

Let's get more detailed...

The Field Kit boasts 7 separate functional blocks all focussed on receiving or generating all types of signals. They are designed to operate together as a coherent electroacoustic workstation or alternatively together with other pieces of music electronics with the ability to use control voltage signals.

The Four Channel Mixer is the beating heart of the Field Kit, providing a fully functional mixer with individual Gain, Mix Level and Tone control over each channel and individual Master- and Aux sub-mixes.

The level of the Master and Aux Channels can be set with the Master Volume and Aux Volume controls and the channels being sent to the Aux sub-mix can be set with dedicated Aux Select-buttons. The Aux sub-mix is pre-fader.

The CV Radio is a CV-controllable radio receiver capable of receiving radio frequencies on AM/FM and SW bands. Additionally it provides the ability to catch electromagnetic waves for further processing inside the Field Kit. The frequency of the radio can be set with a dedicated multifunctional Search-control which acts both as a manual CV-source and as an input attenuator for a CV-signal.

The Envelope Follower in the Field Kit applies two functions to the waveform you send to the input: full-wave rectification (mirroring of negative portions of the waveform) and low-pass filtering (averaging). It can also be used for frequency doubling of a signal, which is a great tool to have in the electroacoustic domain.

The Low Frequency Oscillator generates periodically varying voltages to be used as control signals. The output waveform can be set with a three-position Waveform-control and gives out either a Square-, Triangle- or a mix of Square and Triangle waveforms.

A very cool function of the Field Kit is the DC Interface. You can use its output voltages to run little motors, fans, solenoids, buzzers and control them with control voltage signals. You can pick up the vibrations and electromagnetic waves with the contact microphones and electromagnetic pickup.

The Signal Interface is a nifty toolset to transform the raw signals of a wide variety of sensors and switches into signals that can be used with the Field Kit or other gear. This means you can trigger or control sound by light, heat, humidity, distance, speed, acceleration, proximity, pressure, force, level, all depending on what type of switch or sensor you are using! Ideal for sound installations!
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out of stock $202.26
Cat: 688859 Rel: 10 Sep 18
 
Modular drum synthesiser with seven voices 30 HP
Notes: It's black, it's loud, it's dark.

BLCK_Noir is an amazing 30 HP modular drum synth with a very flexible sound-engine inspired by the Roland CR-78 CompuRhythm. Unlike other modules from Endorphin.es, this one is black, thus the name: Blck_Noir.

It includes seven drum voices: bass drum, snare, tambourine, closed and open hi-hat, cymbal and metal beat. It uses hybrid sound generation: digital noise with spectrum animation, injected into analogue circuits. The analogue generation part is fully discrete, using inductor coils instead of op-amps, giving a raw and powerful sound. Thanks to this special design Black_Noir will sound good in every setting.

Several CV inputs will let you control various parameters for lively drum sounds.

On top of that, the module has an on-board effect processor with eight effects: hall, shimmer, room, plate, spring reverb types, tap and tape delay types as well as a new freezer effect with additional auxiliary input and firmware update over audio.

With this module you will be able to create drums that have character! It will fit all styles of music, from Darkwave to Techno.
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 1 in stock $447.40
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Cat: 734890 Rel: 15 Oct 19
 
Multi effects module - 6HP
Notes: Milky Way is a multi effects module with stereo signal flow. Its algorithms are already known from the Blck_Noir and the Grand Terminal.

- Simple and effective 6hp stereo* FX module
- Comes with "T.F.D" firmware installed: 16 types of effects are available, sorted in two banks
- Meta CV effects scanning
- Volume control with VCA

*depending on the effect type
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out of stock $170.58
Cat: 677564 Rel: 24 Aug 18
 
Joystick/vector mixer for CV or Audio - 14HP
Notes: The most complex modulator is you. The Planar 2 puts macro control over six outputs - including a quad panning mixer - into your hands with a buttery smooth joystick. Record up to 30 seconds of your own movements, stretch it or mangle it with scan mode, use a trigger for playback, or just loop it - synced or not. Add yourself to your patch.

With its smoothly responsive precision joystick, Planar 2 facilitates hands-on vector control of two entirely independent sets of outputs (quadrants A-D, and axis X/Y), plus the ability to capture and playback your gestures. Recording your joystick movements enables the creation of organic and complex envelopes, wild and wobbly LFOs, or extended sonic evolutions. It mixes, morphs, routes and pans audio inputs; triggers gates; outputs control voltages and is itself, CV-controllable. Planar 2 puts the 'joy' back in 'joystick,' and the 'fun' back in 'function generator.' Its multitasking and tactile interface makes it a flexible and unique control device, no matter what your musical genre.
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out of stock $302.87
Cat: 584253 Rel: 15 Apr 16
 
Compact utility synthesiser module for interfacing guitar effects with eurorack modular system - 4HP wide
Notes: The 'S.B.G' is a compact utility module intended for the interfacing of guitar effect pedals with your eurorack modular system.

It provides both attenuation and amplification of audio signals for level matching together with a crossfade control to conveniently adjust the wet/dry mix of a processed signal. The module also offers regulation of outgoing CV signals for safer use of pedal expression inputs.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~30ma
Size: 4 HP
Depth: 22mm (including power header)
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 2 in stock $88.86
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Cat: 589506 Rel: 09 Dec 15
 
Power solution for eurorack systems - 40W
Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 40 provides 40W of power, suited for up to two typical eurorack rows:

+12V @ 1.5A
-12V @ 1.3A
+5V @ 1.5A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).
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MRP:$174.06 SAVE 23%
 1 in stock $133.82
Cat: 671740 Rel: 04 Dec 17
 
Dual voltage control amplifier & overdrive - 6HP
Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.
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 3 in stock $133.31
Cat: 686654 Rel: 30 Apr 18
 
Dual drum/sampler module with 64 samples, pitch, decay & volume control
Notes: Erica "Pico DRUMS" module gives you two independent great sounding drums with versatile control over several parameters and extensive collection of drum samples. Chain up several Pico Drums and get one of the smallest modular drum setup in the modular world!

You can also upload your own drums (samples) on it using the programmer device.
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out of stock $126.66
Cat: 588824 Rel: 02 Oct 15
 
2 pole multi-mode filter synthesiser module - 4HP wide
Notes: MMF is a 2 pole Multi-Mode Filter in 4 HP. It has simultaneous LowPass, BandPass and HighPass filter outputs.

MMF will self oscillate into a nice sine wave and track 1V/octave. The Resonance is voltage controllable.

The PING input is for a gate or trigger, and generates a fast decay envelope with a nice sound, reminiscent of a vactrol filter, but without the vactrol. PING can normal to the FM jack, or go direct (switchable behind the panel).

The FM input is connected to an attenuverter pot to give you control over the signal.

Power Draw: +62mA, -24mA. 4HP Width. 25mm Depth.
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MRP:$196.13 SAVE 18%
 1 in stock $160.37
Cat: 742232 Rel: 16 Dec 19
 
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Expander for WMD's Metron, a 16-channel trigger and gate sequencer module. Adds four tracks of voltage sequencing per module, turning the Metron into an even more powerful sequencer

Supplier notes:
Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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MRP:$226.77 SAVE 26%
 9 in stock $167.53
Koma Elektronik Field Kit Expansion Pack (expansion/accessory pack)
Cat: 663392 Rel: 26 Oct 17
 
Expansion pack for the Koma Elektronik Electro Acoustic Workstation
Notes: It's all about the things you connect to the The Field Kit! To get you started, Koma Elektronik have decided to offer an Expansion Pack with a bunch of different sources that you can use and connect to create your own signature sounds.

The Expansion Pack contains:

- 2 x Contact Microphones: Use these contact microphones to pick up vibration or sound, they are an amazing versatile input source
- 1 x Electro-Magnetic Pickup: This guy is good at picking up changes in magnetic fields, you can use it to amplify a string like a guitar pickup or amplify a spinning motor
- 1 x Solenoid push-pull motor: Use the solenoid to hit things, together with the DC Interface the solenoid can make anything rhythmical and percussive
- 1 x DC motor: The Motor can be used to rotate things or as a noisy oscillator together with the Electro-Magnetic Pickup
- 1 x small speaker: Use the speaker to listen to the main mix or as a sound source and to feedback sounds
- 3 x patch cables Always handy to have around to patch up different parts of your Field Kit... and a bunch of little objects to play with (little springs, marbles)

The new KOMA Elektronik Field Kit is the perfect tool for everyone who would like to experiment with electro acoustic sound. Use everyday objects, amplify them and use them to make sound, like our heroes John Cage and David Tudor used to do!

The Field Kit is optimized to process signals from microphones, contact microphones, electromagnetic pickups and able to run DC motors and solenoids. On top of that it can receive radio signals and convert signals from switches and sensors into control voltage!
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 2 in stock $56.18
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Cat: 690924 Rel: 21 Jan 19
 
Fully analogue multipurpose movement manager - 18HP
Notes: The FALISTRI is a fully analogue multipurpose movement manager designed to generate and edit voltages to easily accomplish any patch.

The module can be divided in two big parts: in the upper two thirds of the panel take place two specular function generators, while the lower third is composed by a dual cascaded frequency divider, a linear slew limiter and a four-quadrant multiplier.
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 3 in stock $358.55
Cat: 563563 Rel: 10 Mar 15
 
Buffered multiple synth module, 2HP wide
Notes: Dual 1 x 3 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×6 buffered mult
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 5 in stock $64.34
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Cat: 563665 Rel: 11 Mar 15
 
Passive multiple synth module, 2HP wide
Notes: Dual 4-way passive mult (one audio or cv signal in with multiple unbuffered outputs)

On the back of the pcb is a pair of solder points marked as "link". You can connect these (with a solder blob or small jumper wire) to turn the mult into a single 8 channel Mult instead of 2 x 4 channel.
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 6 in stock $29.37
Cat: 643380 Rel: 27 Mar 17
 
Buffered multiple module in 1U
Notes: Dual 1 x 4 buffered mult (one audio or cv signal in with multiple buffered outputs).

The output of the first mult is normalled to the input of the second mult to create a 1×8 buffered mult.
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 1 in stock $40.61
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Cat: 643382 Rel: 27 Mar 17
 
Headphone & stereo output module
Notes: This is a simple 1U module designed to allow the monitoring of a system using headphones. However, if your cat isn't easily scared, the headphone jack doubles as a TRS stereo line level output. Simply connect the signal that you want to monitor to the 1/8? jacks, plug in your headphones, and adjust the volume as desired.
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out of stock $65.37
Cat: 643383 Rel: 27 Mar 17
 
Utility module featuring Clock, Random Pulse, Analog Noise, Sample/Hold & Slew
Notes: Noise Random Tools comprises a collection of useful utility blocks that you could use in many of your patches - Clock, Random Pulse, Analog Noise, Sample and Hold, and Slew.

Features:

- Clock and Random pulse source with adjustable rate
- Analog pink and white noise source with very accurate spectrum
- Analog sample / track and hold with very low droop
- Analog slew with adjustable slew rate
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out of stock $107.25
Cat: 620692 Rel: 10 Aug 16
 
Stereo rhythmic delay & stereo comb resonator synth module in Eurorack format - 36 HP wide
Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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 1 in stock $610.85
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Cat: 643387 Rel: 21 Aug 17
 
Physical modelling percussion synthesiser module - 12HP
Notes: Killer physical modelling module collab from two of the biggest names in their respective fields of hardware and software. Generates a huge range of percussion instruments plus synths and bass tones.

Supplier's notes:
Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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 1 in stock $335.05
Cat: 673868 Rel: 12 Jan 18
 
Versatile audio mixer module - 6HP
Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.
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out of stock $84.78
Cat: 716898 Rel: 30 Jan 19
 
2-channel Eurorack oscilloscope - 16HP
Notes: Sometimes your ears are not enough and you really need to see the sounds and control voltages you are generating. Zeroscope's two channel design lets you display and compare both control voltages and audio. It's a good old fashioned sci-fi light show!

The Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.

Three Modes Packed Into 1U:

- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.

The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs

The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.
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out of stock $134.84
Intellijel Tete Module (synth module)
Cat: 747529 Rel: 30 Dec 19
 
Expander module for the Tetrapad controller
Notes: Expander module for the Tetrapad, Intellijel's multi-dimensional performance touch controller. Adds huge functionality, allowing you to sequence parameters and create complex modulation.

Supllier notes:
Tete is the long awaited and highly anticipated expander for the Tetrapad.

Some of the key features:

Three primary modes: VOLTAGES, NOTES and COMBO.

VOLTAGES mode:

Up to 16 voltage storage locations (grid) with 8 voltages stored at each location.

You have the choice to record and playback your recall of these locations in a looper style (just play freely and spend arbitrary amount of time at any location) or as a clocked sequence (SH-101 style). Additionally you can traverse the matrix using the X and Y CV inputs to get Cartesian style sequencing.

There is also variable slew that allows you to morph/glide between the values.

NOTES mode:

You can create sequences or loops in chord, scales or keyboard mode. The isomorphic keyboard grid can vary from 4 notes to 12 notes max. There are real-time performance looping, transposition and inversion capabilities via the CV inputs and dedicated loop button. In sequencer mode each step can be a tie, rest, or gate with size 25/50/75%. Basically we have created a way to very quickly and intuitively make chord sequences that are very musical and easy to manipulate. It is difficult to summarize in words but we will be sure to create some videos to demonstrate how easy and fun this is to play with. It definitely represents something unique in the landscape of Eurorack sequencers.

COMBO mode:

In this mode you can loop record your performance on any combination of the following functions:

fader, bipolar fader, drum hit, switch or LFO. Kind of like Elektron style parameter locking but all of the motions is recorded continuously instead of just in slices. Instantly turn a simple patch into a highly animated and complex beast.

With all of the above mentioned loop recording modes you can very easily overdub since the Tetrapad detects pressure/pressing. In combo mode you can erase individual channels.

All modes allow for internal or external clocking and configurable syncing.

All of the modes have special XYZ CV modulation assignments and make use of the dedicated CV outputs.

For example, in Looper mode one of the CV outputs generates a continuous ramp that represents the position in the loop. This can be used with devices like the Planar 2 in Interpolation mode to sync the recorded patterns together no matter what tempo.
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out of stock $275.79
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