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Cat: 681306 Rel: 24 Jul 18
Multi-algorithm macro oscillator - 12HP
Notes: Rightly considered a Eurorack classic, Plaits is the successor to the much-loved Braids oscillator. Huge range of modes offering everything from speech synthesis to analogue drums. Superb.

Supplier's notes:
Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.
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 More than 10 in stock $163.28
Cat: 643379 Rel: 13 Sep 17
Quad voltage controlled amplifier & cascaded mixer - 12HP wide
Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.


- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).
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 More than 10 in stock $184.99
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Cat: 679163 Rel: 09 Mar 18
Eurorack recreation of classic sampler filter with added resonance & voltage control
Notes: 'MUM M8' is an 8hp Eurorack low pass filter building on the filter design used in the classic Akai S950 12 bit sampler with the addition of resonance, voltage control, clipped saturation and a dedicated VCA.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self-oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.
Mum M8 features dual voltage control with attenuation (and inversion) of filter cut off and voltage control of resonance together with dual audio inputs - one of which includes a VCA to with the capability to aid overdriving signals into the filter core.

The filter core is a 6th Order Butterworth switched capacitor type design featuring an analog core but controlled by a high speed digital clock. This produces the characteristic smooth sounding filter but, as with the original S950, has a relatively high minimum cut off as to avoid 'clock bleed' into the filter output from the digital control. This minimum cut of point (and introduction of bleed if required) can be controlled via trimmers on the rear of the module (see calibration chapter). It is not unusual for there still to be some low-level artefacts from the clock present, particularly during filter sweeps - these add to the filters character.

The motivation for the module came from discussing filters in classic samplers with the artist Jack Adams - aka Mumdance. Jack suggested investigating the S950's filter well known as for it use in classic use in early jungle and hardcore. From that point onward Jack provided inspiration, help and feedback in the development of the filter. Big up Mumdance.
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 4 in stock $179.80
Cat: 584259 Rel: 15 Apr 16
High quality quad linear voltage controlled amplifier (VCA) synthesiser module - 8HP wide
Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)
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 5 in stock $173.60
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Cat: 742232 Rel: 16 Dec 19
4HP voltage expander module for the METRON trigger & gate sequencer
Notes: Expander for WMD's Metron, a 16-channel trigger and gate sequencer module. Adds four tracks of voltage sequencing per module, turning the Metron into an even more powerful sequencer

Supplier notes:
Voltera is a voltage expander module for the METRON trigger and gate sequencer and adds 4 bipolar voltage tracks in 4hp. Up to 16 Volteras can be added to a single METRON giving you up to 64 CV Sequencing lanes for your Eurorack modular system!

With independent voltage ranges and quantize settings per track, Voltera allows for real time control over 4 different parameters at once, allowing you to dial that track to the parameter you are sequencing.

Sequence melodies, modulate parameters, and more with ease by adding Voltera to your METRON set up.
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MRP:$229.42 SAVE 26%
 9 in stock $169.48
Cat: 734886 Rel: 15 Oct 19
Stereo filter with voltage controlled resonance - 6HP
Notes: Versatile stereo digital filter based on Endorphin's Grand Terminal module. CV-controlled cutoff, resonance and separate high-pass filter. Simple but effective.

Supplier notes:
The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end
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 4 in stock $159.14
Cat: 569556 Rel: 03 Mar 16
Topographic drum sequencer module - 16HP wide
Notes: Take the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you've got a drum pattern generator like no other.

Grids' "brain" is a map of the typical drum patterns used in (mostly electronic) music, laid out by similarity, trained on a large corpus of drum loops. The module can smoothly interpolate and navigate from one pattern to the other, at the whim of a knob move or a CV.

But Grids' knowledge of drum patterns goes far beyond what would be achieved with presets - given a position in the map, thousands of variations can be intuitively generated by controlling the "event density" of each of the 3 channels (bd, sd, hh) - gradually moving from a sparse backbone to a deliciously rich pattern with ghost notes, rolls and fills.

Add CV-control on these parameters and you can add subtle or drastic variations to the drum pattern. If you don't want to waste a noise source or S&H for that, Grids has its own internal source of randomness that can unpredictably spice the pattern, in an always meaningful way.

Building the rhythmic foundation of your tracks with Grids is fun, surprisingly intuitive, with modulation and variations possibilities that will rapidly make you forget x0x-style sequencers.

*For audio demos, please visit - http://mutable-instruments.net/modules/grids
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 2 in stock $166.37
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Cat: 689665 Rel: 14 Jun 18
VC addressable sequential switch & sequencer - 16HP
Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.
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MRP:$266.62 SAVE 29%
 1 in stock $190.14
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Cat: 689667 Rel: 14 Jun 18
Probabilistic & pingable burst generator - 8HP
Notes: Burst is a Pingable Trigger Burst generator with distribution, probability and time division control. It will create multiplications of your triggers, leading to doubles, triplets, quintuplets and true polyrhythms for your modular system.

The module allows you to add voltage controlled redrums and dynamic ratcheting effects for your patches. In addition, Burst works like a regular clock source and trigger for other modules via its Tempo and End of Cycle outputs.
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MRP:$209.58 SAVE 27%
 3 in stock $152.94
Cat: 689669 Rel: 14 Feb 19
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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MRP:$266.62 SAVE 27%
 1 in stock $195.32
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Cat: 746361 Rel: 16 Sep 19
Multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
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MRP:$205.86 SAVE 13%
 1 in stock $179.80
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Cat: 625062 Rel: 22 Sep 16
Mini Mod Discrete Cascaded VCA Module
MRP:$192.22 SAVE 20%
 2 in stock $153.97
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Cat: 625067 Rel: 22 Sep 16
Eurorack format dual envelope generator based on the original RA Moog design
Notes: Two independent Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's.

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally, or the filter opens incrementally with each extra key press.

AJH Synth have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).
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MRP:$260.42 SAVE 29%
 2 in stock $183.94
Cat: 672786 Rel: 03 Jan 18
Versatile 8 step sequencer - 10HP
Notes: With a simple, performance focused interface, the feature set of the Lifeforms Micro Sequence module speaks for itself. Eight sliders with integrated channel mute. Eight quantized scales. Eight sequencer direction modes. Sequences up to 8 steps. Four external modulation functions. Integrated tap tempo clock. Eight step external clock divider. Run/Stop transport button. Sequence reset button. Dedicated analog CV output. And more....

Full List of Features:

- 8 Step Sequencer
- 8 30mm Dedicated Channel Sliders with Integrated Mute
- Independent Quantized Pitch and Analog CV Outputs
- 8 Quantized Scale Options (Micro Tuning, Chromatic, Major, Minor, Blues, Phrygian, Lydian, Dorian Scales)
- 8 Sequencer Direction Modes (Forward, Reverse, Pendulum, Stagger, Skip, Transpose, Random, Random With Rest)
- Assignable Pattern Length From 1 to 8 Steps
- Modulation Gate Input Assignable to One of Four Functions (Reset, Hold, Reverse, Ratchet)
- Internal Tap Tempo Clock
- 8 External Gate or Trigger Clock Divider Options (#1, #2, #3, #4, #5, #6, #7, #8)
- 4 Octave Quantized Pitch Output Range
- 0 to 5 volt Analog CV Output
- 5 volt Gate Output
- 5 volt Tap Tempo Clock Output
- Run/Stop Transport Button
- Pattern Reset Button
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MRP:$241.82 SAVE 21%
 1 in stock $192.20
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Flame u16MCC MIDI CC To CV Module (MIDI CC to CV module)
Cat: 757292 Rel: 10 Mar 20
MIDI CC to CV module
Notes: Part of the new FLAME Midi family. These 5HP modules use the new Midi-Mini jack standard and all have a Midi-Through socket.
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MRP:$203.38 SAVE 17%
 3 in stock $169.48
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Cat: 757118 Rel: 07 Jan 20
Analogue voltage controlled bidirectional slew limiter
Notes: For decades, the voltage controlled slew limiter has been a staple of modular synthesisers. With its extreme versatility, it can be used to slew control voltages (CVs), create envelopes, as a low-frequency or audio oscillator and much more.

Today, Contour 1 brings a fresh approach to this classic circuit. It delivers much improved performance and control by incorporating modern design techniques.

At its most basic, a slew limiter slows down the rate of voltage change in a signal. On Contour 1, the rising and falling rates can be individually set using sliders and CV modulation.

The gate and trigger inputs allow the module to be used as a function generator: create snappy attack-release (AR) and attack-decay (AD) envelopes, with slope times ranging from 500 µs to 30 seconds. The dedicated gate input makes it easy to generate +10 V envelopes from any signal source. Using the large tactile push button, AD envelopes can be manually triggered. A trigger will also reset the output voltage.

When set to loop mode, Contour 1 will continually re-trigger itself. In this mode, it fulfils the role of a variable-shape low-frequency oscillator (LFO) or temperature-stable voltage controlled oscillator (VCO) in the audio range.

Both the rising and falling slopes can be individually bent, from concave through linear to convex. While doing so, the deviation in slope time, and thus oscillation frequency, is kept to a minimum. Since the bend parameters are separately voltage controllable, boundless modulation possibilities present themselves.

Explore anything from shape-shifting envelopes to rich VCO timbres: Contour 1 will make you re-think what a slew limiter can do.
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 6 in stock $164.31
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Cat: 590419 Rel: 09 Nov 15
Hi-hat percussion synth module made from the legendary TR-808's closed & open hi-hat circuits - 8HP wide
Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 2 in stock $153.98
Cat: 749811 Rel: 15 Nov 19
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit


- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)


- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)


- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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 2 in stock $173.60
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Cat: 755398 Rel: 13 Nov 19
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 4096 stages provides a delay time of 8.19 - 4096 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $157.07
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Cat: 584252 Rel: 15 Apr 16
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 2 in stock $194.29
Cat: 589497 Rel: 09 Dec 15
Rotating Clock Divider (RCD) synthesiser module - 4HP wide
Notes: The Rotating Clock Divider (RCD) produces eight divided clock tempos from a single input clock. The divisions range from /1 to /64, including all odd and non-standard divisions such as /3 and /17 and /62. A Rotate CV input re-assigns the division number of each jack, allowing for creative mix-ups and experimentation. A Reset input jack helps to sync/start with an external clock.

- Clock Input (5V to 15V clock, rising edge triggered), max 3kHz
- CV Rotate (0V to +5V input)
- CV Reset (5V to 15V trigger)
- Divided Clock Outputs (8 jacks):
...where R is the CV Rotation.
- Selectable Gate/Trigger mode:
- Selectable Divide range up to Divide-by-64:
Two jumper pins on the back can be pre-set with jumpers plugs, or used with (forthcoming) breakout panel.
- Selectable Auto-reset:
Auto-reset will reset the divide counter every 16/24/32 clocks, which keeps the beats more "dance-able" even when using the "weird" clock divisions (3/5/6/7/9/10/11/etc..) Two jumper pins on the back can be pre-set with jumpers plugs, or used with (forthcoming) breakout panel.
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MRP:$203.38 SAVE 25%
 1 in stock $152.94
Cat: 717581 Rel: 06 Feb 19
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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MRP:$236.86 SAVE 24%
 3 in stock $179.81
Cat: 712706 Rel: 10 Jan 19
Drum modulator featuring two independent modulation/pitched noise sources
Notes: Erica Synths Modulator is an advanced modulation and pitched noise source with focus on rhythmic (but not limited to) compositions in mind. It features two identical syncable to the BPM LFOs/noise sources with selectable morphing waveshapes. LFO frequency can be manually adjustable, as well as they provide frequency divisions and multiplication in Sync mode. Each LFO has two outputs- main one and secondary one with adjustable phase, so you can create evolving modulations. Furthermore, LFOs can be linked to work at the same frequency and the first LFO has built in VCA to control output signal amplitude.
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 1 in stock $198.42
Cat: 712709 Rel: 10 Dec 18
Distinct topology digital/analogue cymbals module - 10HP
Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed through AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.
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 1 in stock $183.94
Cat: 741570 Rel: 29 Jul 19
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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MRP:$256.70 SAVE 25%
 1 in stock $193.24
Cat: 599600 Rel: 16 Aug 17
3-section modulation module with flexible, all-analog ADSR & LFO circuitry
Notes: Three different modulation sources in one module make the mod1 the control centre of your modular patch.

From simple envelopes and LFOs to complex looped multi-stage curves, the mod1 delivers rich and endless modulation options - all based on pure analogue circuitry for everything from super- smooth curves to razor-sharp edges that never sound "digital".

From gently undulating LFOs to ultra-precise hard cuts, you get it all based on innovative analogue circuits for a truly musical touch.
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 1 in stock $162.24
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Cat: 640973 Rel: 27 Feb 17
Tempo-syncable modulation source module - 6HP
Notes: The Modbox is a tempo syncable modulation source with a three-phase LFO, CV Skewable LFO, Sample and Hold, and White Noise generator.

LFO 1 is a three-phase LFO with independent outputs for each phase which are set at 0, 120, and 240 degrees. Shape can be switched between Sine, Triangle, and Saw with a push of a button.

LFO 2 is a Skewable LFO with three shapes. The LFO shape can be smoothly changed from a Ramp through Triangle to Saw wave shapes. The skew shape can be changed with the Skew knob or with CV

The Sample and Hold circuit's clock is normalled to the 2nd LFO but can be clocked externally as well. The sample and hold samples voltage from and internal white noise source. There is also an input for an external sample source. White noise has its own output as well for use with other modules and applications.

Both LFOs can be sync'd to an external clock source by holding the wave shape button for different lengths of time. As they are independent of each other, one can be sync'd while the other runs free like a gazelle on an African plain.

Tempo sync calculates the time between incoming clocks and reacts instantly to each new clock pulse. Each rate knob becomes a multiplier/divider when sync is engaged.
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MRP:$229.42 SAVE 23%
 3 in stock $177.74
Cat: 625059 Rel: 22 Sep 16
Mini Mod VCF Transistor Ladder Filter Module
MRP:$241.82 SAVE 18%
! low stock $199.45
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Malekko Quad VCA Module (synth module)
Cat: 676895 Rel: 17 May 19
4-channel, advanced voltage controlled amplifier - 8HP
Notes: Quad VCA is a 4-channel, advanced voltage controlled amplifier with an analog signal path that can either be used stand-alone, or in tandem with the Varigate 4+ and 8+ for multiple preset recall over the power bus. Input channels 2-4 are normalled to 1 and Scan Mode allows for complex level and modulation routing. Each channel includes a mute function and all outputs are summed to a mix output. To adjust level and CV modulation per channel, use the Select Channel buttons and then adjust the Offset and Attenuverter controls. Scan Mode includes two functions. Scan: Insert 4 inputs, 1 CV and monitor Mix output for 4:1 scanning. Pan: Insert an input into Ch 1 and Ch 1 CV will route input to up to 4 different outputs. Offset and Attenuation can be adjusted to control how incoming CV is applied. The Remote switch allows you to access saved presets when paired with Varigate 8+ (100 presets) or Varigate 4+ (16 presets). In stand-alone mode, all settings are auto-saved.
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 1 in stock $171.54
Cat: 758645 Rel: 16 Dec 19
6HP Eurorack voltage-controlled delay module
Notes: The Analog Delay Unit is based on the design created for the Voltage Lab synthesizer module. A finely tuned circuit designed to enhance the source material by adding depth and warmth.

Module Overview:

The Analog Delay utilizes a pair of 4,096 stage BBD chips to produce a voltage controllable analog delay signal. Clean delay time can vary from 16ms to 340ms. The maximum delay time can be increased using the TIME CV INPUT delay time maxes out at 465ms but the increased time comes at the cost of fidelity and a bit of high frequency clock noise bleed. The name BBD stands for bucket brigade device in reference to a line of people passing buckets of water to quickly extinguish a fire. Each stage of a BBD chip contains a single capacitor. Pairing two chips together creates a chain of 8,192 capacitors. Like the water buckets, an audio signal is passed from capacitor to capacitor within the BBD chips once every clock step. A slower clock produces a longer delay and a faster clock produces a shorter delay.

Delay time:

Delay time is set by adjusting the DELAY TIME SLIDER. Moving the slider up increases the delay time. Delay time can be voltage controlled by patching into the DELAY TIME CV INPUT JACK and adjusting the DELAY TIME CV TRIMMER. The DELAY TIME CV TRIMMER is an attenuverter. That means the incoming signal is off when the trimmer is set to the 12 o'clock position. Turning the attenuverter to the right passes the original signal through. Turning the attenuverter to the left passes an inverted version of the original signal through. Turning the DELAY TIME CV TRIMMER to the right will increase the amount of CV passed through to the delay time. Turning the DELAY TIME CV TRIMMER to the left will increase the amount of inverted CV passed through to the delay time. Locating the exact off position of an attenuverter can be difficult. The easiest wave to remove the CV signal from the signal path is to simply remove the patch cable patched into the DELAY TIME CV INPUT JACK.


The DELAY REPEATS SLIDER sets the amount of repeats created by the delay. Moving the DELAY REPEATSSLIDER all the way down will produce 1 repeat. Adjusting the slider up increases the number of repeats until the delay begins to self-oscillate.

Output Mix:

The DELAY MIX KNOB acts as a balance control between the dry incoming signal and the wet delayed signal. Turning the DELAY MIX KNOB to the left weighs the output toward the dry signal. Turning the DELAY MIX KNOB to the right weighs the output toward the wet signal. In theory, setting the DELAY MIX KNOB at 12 o'clock creates an even mix of the wet and dry signals. In reality, the tolerance of the potentiometer, waves shape, and dry signal level all influence the location of an even 50/50 mix.
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 1 in stock $191.19
Cat: 720430 Rel: 28 May 19
Trigger & CV sequencer - 6HP
Notes: The TRAX is a compact 6 HP Eurorack module that manages to combine the best elements of classic sequencers mixed with some amazing new features. It offers a wide range of possibilities from traditional to the more experimental algorithmic type sequencing.

With unique new features like Evolve, once you enter a pattern or two, the TRAX is able to compare the patterns and generate numerous related patterns instantly for you to access. In addition, the Remix feature will provide 256 variations of each pattern entered.

The TRAX features a Trigger Output, 2 CV Outputs, and an Analog Clock Input that doubles as an Output when reconfigured. Combine the TRAX module with the new MIDI BUS module to control TRAX with a MIDI Clock, send TRAX MIDI Input, or even send MIDI Note Output from the TRAX!

Each Trigger and CV part have their own parameters to control playback type, direction, remix, evolve, phi, randomize, copy/paste, offset, loop steps, loop bars, and a regeneration loop point for evolve and phi modes. And our unique CV Links feature allows any or all of these parameters to be used independently, or instead follow the Rhythm part's parameter values to behave more like traditional sequencers.

A host of Global features provide playback, sync, tempo control, swing, mute, fills, rec type, independent CV output quantization to 29 different scales, MIDI, MIDI to CV conversion, and screensaver.
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 2 in stock $170.50
Cat: 757295 Rel: 25 Feb 20
MIDI to CV module
Notes: The FLAME uQMCV 4Voice provides 1V/oct, gate and velocity CV signals for four voices from the incoming Midi signals and additionally offers an aftertouch and modulation CV output as well as a run transport output and clock output.

Part of the new FLAME Midi family. These 5HP modules use the new Midi-Mini jack standard and all have a Midi-Through socket.
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 2 in stock $170.51
Cat: 665167 Rel: 02 Nov 17
Overdrive/distortion module
Notes: Full-blooded distortion - Pit Viper is a solid state overdrive for hard-boiled musicians. The circuit can generate clean, beefy signal boosts. However, its true strengths lie in aggressively screaming distortions with a tangible character.

Pit Viper comes equipped with the following control elements:

- Toxicity: Gain potentiometer - Please turn up for heavy distortion.
- Hiss: Tone knob - Turn clockwise to cut the treble.
- Venom: Volume potentiometer
- Fear: Three-stage soft clipping switch - Activates normal soft clipping or a more tube-like version with less treble.
- Malice: Three-stage hard clipping switch - Activates beefy hard clipping or a spongier version with less treble.
- Blend: Dry / Wet potentiometer
- Bite: CV input plus attenuator to cut the high frequency range. Without a cable plugged in, the knob can be used for adjusting the treble manually.
- Saturation: CV input plus attenuator and on/off switch to influence gain and saturation.
- Filter: CV input plus attenuator and on/off switch to control the Viper's VCF circuit.

Via a jumper on the circuit board, users can choose between several filter types:

- Passive clipped low pass
- Unbuffered high pass
- Buffered high pass
- Buffered low pass

Furthermore, there is a trim potentiometer on the circuit board, which can be used to adjust the gain.

PLEASE NOTE: Any scratches on the front panel are part of the Pit Viper's design.
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 1 in stock $163.28
Cat: 744610 Rel: 06 Sep 19
Eurorack receiver for the Wave sensor that allows Wave to connect to modular synthesisers - 4HP
Notes: The Wavefront module is the Eurorack receiver for Wave that allows Wave to connect to modular synthesizers. With Wavefront you can completely bypass the computer and bring unprecedented sound control, effect shaping and manipulation to modular setups.

Use subtle gestures to add vibrato to your favourite lead synth module, or use more visible gestures while performing.

The buttons are great for triggering sequences while the tap lets you interact with percussive modules in a completely new way. Drumming on a table has never been as fun!

To use Wavefront you need one Wave (ring) per module.
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 2 in stock $173.60
Cat: 590433 Rel: 19 Jan 16
Percussion synthesiser module reverse-engineered from the original TR-909 circuit - 8HP wide
Notes: Reverse-engineered from the original machine, our BD909 is an identical recreation of the original all-analog drum circuit of the TR-909. We've added additional controls and synthesis features that turn this classic circuit into a chest-pounding analog bass drum laboratory - all tightly packed into an 8HP module. The BD909 sound differs from our BD808 in that the main sonic energy is centered in the mid to low frequency range (as opposed to the low frequency range of the BD808). This frequency range gives the needed headroom allowing your bass Lines to deeply fill up the low end while the kick drum rides on top - creating a clear and punchy mix.

The BD909 includes all the controls found in the original: Attack, Decay, Tune Decay, Accent and Level. We have gone beyond that and added controls that further increase the palette of sound this circuit is capable of. First off, we've added a tuning control knob for the oscillator and included its own CV input and attenuator that let you tune your 909 kick with your bass lines. Next, we added control knobs for the tuning attack and extending tuning decay - each one affects the other, allowing for very intuitive and interactive sound shaping - this feature opens up numerous "sweet spots", and provides the ability to center the energy peak at different parts of the sound. Finally, we offer additional punch and distortion by giving complete control over the internal waveshaper, which allows you to overload the waveform manually or with voltage control.

Beginning with the classic and pure sound of the 909 kick, these additional functions greatly expand the BD909's flexibility and let it create powerful analog bass drums that range from soft and smooth to punchy and aggressive - and everything in between.
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 2 in stock $151.91
Cat: 643384 Rel: 27 Mar 17
Voice allocator, note hocketing & analog shift register module - 6HP
Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.
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 3 in stock $163.28
Cat: 696915 Rel: 27 Jul 18
8HP voltage-controlled ADSR envelope with CV processor - 'New Style'
Notes: The Z4000 NS is a snappy voltage-controlled analogue envelope generator with a built-in CV processor for scaling, inverting, and voltage-controlled deviating of the envelope shape. The Z4000 generates an envelope made of the four classic segments: Attack, Decay, Sustain and Release, in which each segment can be manually set using knobs or dynamically set under voltage control.

Control knobs for the Attack, Decay, and Release segments are scaled. The first 0-50% of the knobs rotation is dedicated to high resolution adjustment in the millisecond range.

The output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler. A bi-colour LED indicates intermediate values in both polarities and their crossfade state.

The Attack slope switch allows selection of a logarithmic or exponential curve for the Attack segment. This subtle effect helps further the fine adjustment of the Attack segment slope. A Shoot button is provided to let you fire the envelope manually. The Z4000 also provides a retrigger input allowing you to create legato notes when using a classic keyboard interface.

Going down to nuts and bolts, the Z4000's smoothness and snappiness is made possible by a four-segment active-charge discrete circuit which is an extended version of circuits found in classic two-segment rise/fall transient generators.
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 2 in stock $155.00
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Cat: 658617 Rel: 13 Sep 17
Snare drum module in Eurorack format - 8HP
Notes: The SD909 adapts the iconic TR-909 snare drum and noise generator for use in the Eurorack modular synthesizer format. We painstakingly tested the module in our lab to sound like a fresh machine coming off of the assembly line back in the 80s. On top of the original circuit, we have added new features that expand the palette of what can be produced with this analog circuit.

The sound of the SD909 consists of two main sections: the binary noise generator and two modulated triangle oscillators. The oscillators provide the low end punch while the noise makes up the upper sonic spectrum, resulting in a combination that makes the 909 snare sound so rich. In the SD909 module the noise generator and oscillators are variable and voltage controlled, which pushes the circuit beyond its original boundaries offering new sounds as well as many variations of the original tone. The panel has markings to guide setting the knobs to reproduce the snare sound of the vintage machine.

Just like the other drums in this series, the SD909’s high-powered output gain stage allows further enhancement of the sound through distortion and clipping. We have designed a dual pulse-shaper circuit on each gate input so you can trigger your SD909 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. Also, the SD909 is equipped with access to the MIXZ MixBus matching the rest of the Tiptop line of percussive modules.
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 1 in stock $178.77
Cat: 664820 Rel: 03 Oct 17
2 channel low-pass gate with integrated mixer - 10HP
Notes: DYNAMIX is a fast two-channel Low Pass Gate, dynamics manager and mixer, the core of which is derived from our 0-COAST synthesizer. The LEVEL parameter provides simultaneous voltage control over the Amplitude and Frequency content of audio signals, operating as a VCF/A. The DYNMC parameter accepts audio signals or control voltages and converts them into a signal that may increase or decrease the LEVEL parameter thus allowing for Expansion, Compression and Ducking. The summing section is complete with an AUXiliary INput allowing for the chaining of multiple MIX units (modDemix, Optomix and RxMx modules) to create large, non-centralized mixes.

The DYNAMIX is functionally similar to the Optomix LPG: a fundamental element in the sound of West Coast Synthesis, however, rather than using the Vactrol component that gives the Optomix its characteristic "slow" sound, the DYNAMIX circuit utilizes transistors in a topology that has more in common with East Coast instruments. This combination of West Coast technique and East Coast circuitry is No-Coast synthesis at its best, allowing the Low Pass Gate to be used in tandem with an extremely important East-Coast synthesis circuit: the ADSR, a 4-stage Envelope generator we call CONTOUR.

Width: 10HP
Depth: 24mm
Power @+12V: 55mA
Power @-12V: 45mA
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 1 in stock $152.94
Cat: 569583 Rel: 30 Jun 15
Dual analog VCA and 2-pole VCF, with digital control path - 12HP size
Notes: Streams provides two channels of extremely flexible signal dynamics manipulation.

Each channel consists of an analog voltage-controlled filter and amplifier (VCFA). The response curve of the amplifier section is continuously variable from exponential to linear. The amplifier gain is directly controllable from a CV input, through an attenuator. But what makes Streams truly unique is the multi-purpose EXCITE input. The signal routed to this input is analyzed by a micro-controller and translated into internal control voltages for the VCFA, turning Streams into a very versatile signal contouring tool:

Envelope generator
The EXCITE input can work as a trigger input, triggering an internal AD or AR envelope routed to the gain and the filter cutoff (in variable amount). With only 6-HP of space, you can shape an oscillator or noise source into a full-bodied sound.

Vactrol curve generator
The EXCITE input is processed by a digital model of a resistive opto-isolator (Vactrol), controlling the gain and the filter cutoff (in variable amount). The digital emulation allows the modification of properties of opto-isolators - such as response time - which are otherwise difficult to control. The virtual vactrol response can be either optimized for processing CVs, or triggers (for "plucked" sounds).

Amplitude and frequency content follower
The envelope and cutoff of the EXCITE signal is measured, and applied to the signal on the VCFA input.

Streams' VCF is disabled, and the VCA is used to control the dynamics of the input signal. An intuitive control scheme allows the compressor to be used either for peak reduction/limiting operation; or for boosting signal levels with soft-limiting. The EXCITE input can be used as a sidechain.
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 1 in stock $183.94
Cat: 671598 Rel: 29 Nov 17
Monophonic MIDI/USB interface Eurorack module with outputs for gate, clock, reset & two outputs for CV's
Notes: A-190-4 is the replacement for module A-190-1 which is no longer available. The functions of A-190-1 and A-190-4 are nearly the same (Midi In, Midi Out, CV1, CV2, Gate, Clock, Reset). But the operation of the A-190-4 has been improved because a 3-digit LED display is available. The current values of all parameters (like Midi channel, reference note, clock divider) can be read back and modified by means of up/down buttons. In addition, A-190-4 is equipped with an USB interface and the external +5V supply is no longer available. Consequently, the additional charges for the 5V adapter fall away.

The module width is the same for A-190-1 and A-190-4. In the A-100 basic systems the A-190-1 will be replaced by the A-190-4 from about May 2014.

Important notes:

- The Scale (SCA) and Tune (TUn) parameters remain unchanged when the module is initialized! Otherwise the initialization would overwrite the adjusted values. Because of the tolerances of electrical parts there are no fixed values for SCA and TUn which are valid for all modules. The values for SCA and TUn differ a bit from module to module because of the tolerances of electrical parts. In case that the module has been adjusted totally wrong: typical values are 100 for SCA (coarse) and 55 for TUn (coarse).

- The module comes with installed bus jumpers for CV and Gate. One has to remove the jumpers if e.g. an A-164, A-190-1, A-190-2, A-190-3, A-185-1 or A-185-2 is already connected to the CV and/or gate lines of the same bus board! If the A-190-3 should be used as CV and gate source for the A-100 bus the CV and gate connections of other CV/gate sources to the A-100 bus have to be removed. Otherwise short circuits are made between the outputs of the CV or gate transmitters!

- The gate level of the A-190-3 can be changed from +5V to +12V. For this the jumper on JP10A (behind the CV Note socket, labelled "GATE 5V JP10A") has to be removed and installed to JP10B (behind the 16 pin bus connector, labelled "GATE 12V JP10B").

- The module is a USB device or slave in USB mode. It has no USB host function (like computers or laptops with type A USB connectors).
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 1 in stock $165.34
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Cat: 692510 Rel: 19 Jun 18
Classic Moog voltage-controlled lowpass filter - 12HP
Notes: Module A-108 is a completely new voltage-controlled low pass filter based on the well-known transistor ladder (Moog ladder). The module has internally an 8-stage low pass filter with different slopes available: 6, 12, 18, 24, 30, 36, 42 and 48 dB per octave. In addition, it features a band pass output (i.e. band pass with transistor ladder). In the factory, the 4 low pass outputs of the A-108 are internally connected to the filter stages 6, 12, 24 and 48dB.

Resonance (Emphasis or Q) can be adjusted manually right up to self-oscillation, in which case the filter will behave like a sine wave oscillator. The A-108 features an external feedback input that enables the insertion of additional modules into the feedback path (e.g. VCA for voltage-controlled resonance or phaser/frequency shifter for phase/frequency shifting effects). The socket is normalized and internally connected to the 48dB low pass output if no cable is inserted into the feedback socket.

The frequency can be adjusted manually, or by voltage control. Three CV inputs (CV1, CV2, CV3) are available. CV2 and CV3 are equipped with attenuators.

The filter audio input is very sensitive so that distortion - if desired - is possible even with normal A-100 levels (e.g. VCO output). Self-oscillation will break off at high distortion levels as the internal feedback signal is drown out by the distorted audio signal. This feature may intentionally be used to create new sounds.

In combination with the Voltage Controlled Mixer A-135 and the Morphing Controller A-144 a filter with voltage-controlled slope can be realized (i.e. controlling the slope from 6dB to 48dB via CV).
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 1 in stock $152.94
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Cat: 676691 Rel: 21 Sep 18
Polyphonic filter with four identical 24dB Lowpass filters 8HP
Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).
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 1 in stock $181.87
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Cat: 738634 Rel: 09 Jul 19
Quad AD-generator with four independent Attack-Decay envelopes - 28HP
Notes: Module A-143-1 is a complex envelope generator that consists of Attack/Decay generators. For the complex envelope generator the four units are daisy-chained, i.e. the preceding unit triggers the following unit. The four units can be used even as four separate AD generators (switch position AD) or AD-type LFOs (switch position).

Details: Module A-143-1 contains four separate attack/decay type envelope generators. Each unit can be switched into a free running mode (LFO mode). The LFO mode differs in several points from a regular LFO (like A-145, A-146 or A-147): The slopes are exponential - in contrast to linear slopes of a normal LFO, and the frequency is defined by both controls. The attack control defines the time of the rising slope, the decay control the falling slope.

Each unit has available a comparator that compares the AD output voltage with a manually adjustable threshold and switches the corresponding comparator output (Cp 1...4) to "high" as soon as the AD output voltage goes in the decay phase below this value. The comparator output is normalled to the trigger input of the next stage via the switching contact of the trigger input socket. Consequently the first unit triggers the second, the second triggers the third and so on.

Each AD generator is equipped with a Polarizer (look at the Voltage Controlled Polarizer A-133 concerning details about the polarizer function) and a mixer that adds up all polarizer outputs. This allows to add up all AD/LFO output signals inverting or non-inverting with adjustable level to the mix output. Additionally a single output (Env 1...4) is available for each unit.

If the trigger input of unit 1 is controlled by a normal gate signal (e.g. from a keyboard resp. MIDI-to-CV/Gate interface) one obtains a very complex envelope signal at the mix output. The signal contains 8 segments controlled by Attack 1, Decay 1, Attack 2, Decay 2, Attack 3, Decay 3, Attack 4 and Decay 4. The transition between the stages (i.e. when the following AD generator is triggered) is controlled by threshold knob. The positive or negative contribution of each unit to the mix signal is adjusted with the Mixing Polarizer control. If the trigger input of unit 1 is controlled by the comparator output of unit 4 one obtains a 8 stage LFO.

The single AD outputs can be used to control VCAs or VCFs that open one after another corresponding to the AD signals (a little bit similar to the Shepard generator A-191).

The default-connection between the four units (CPn = Trig.n+1) can be interrupted by patching cables into the trigger inputs. Consequently the four units can be used as separate AD generators or LFOs. In any case the mix signal is available (e.g. mix of four AD generators or LFOs with adjustable level and sign).

In the LFO mode the comparator output serves as LFO rectangle output with adjustable pulse width (= threshold control).

Each unit is equipped with a separate LED display for envelop and comparator output. The shortest attack/decay time is about 5 ms, the longest attack/decay times are about 3 seconds (attack) / 10 seconds (decay). By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

The sketch at the bottom of the page shows the module principle with 4 daisy-chained AD units (as predetermined by the normalled sockets), that are mixed with the integrated polarizing mixer.
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 2 in stock $165.34
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Cat: 755389 Rel: 13 Nov 19
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 128 stages provides a delay time of 0.26 - 128ms and is great for Karpluss-Strong synthesis.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $153.98
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Cat: 755390 Rel: 13 Nov 19
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a co-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 256 stages provides a delay time of 0.51 - 256ms and is great for Karpluss-Strong synthesis.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $157.07
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quote 755390
Cat: 755391 Rel: 13 Nov 19
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a co-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 256 stages provides a delay time of 0.51 - 256ms and is great for Karpluss-Strong synthesis.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $164.31
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quote 755391
Cat: 755393 Rel: 13 Nov 19
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital delays of the 1980s.

The version with 512 stages provides a delay time of 1.02 - 512 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $163.27
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Cat: 755400 Rel: 13 Nov 19
Analogue delay module - 14HP
Notes: The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 4096 stages provides a delay time of 8.19 - 4096 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $165.34
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quote 755400
Cat: 758825 Rel: 13 Nov 19
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

The A-188-1 series bases on a so-called bucket brigade device (BBD) that has been used in the pseudo-digital BBD-delays.

The version with 4096 stages provides a delay time of 8.19 - 4096 ms.

The module is not an entire delay but only its core with all anomalies (e.g. cross talk of the internal clock frequency), and its very independent spacey and raw sound.

There are modulation possibilities with invertible polaritiy, a dry/wet control, feedback up to self-oscillation and a feedback loop with insert.
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 1 in stock $157.24
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