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CatSynth Slimline Passive Multiple Module (multiple module)
Cat: 1009295 Rel: 30 Jun 24 • View all Synth modules
Passive multiple module - 2HP
Notes: Expand the connectivity options in your Eurorack system with the versatile 2HP Eurorack compatible Passive Multiple. This compact module is an indispensable helper when it comes to efficiently distributing signals within your modular setup. With its intelligent design and two normalized channels, it offers a flexible solution for a wide range of patch requirements.
Space-saving design
With its slim design of only 2HP, the Passive Multiple fits seamlessly into any Eurorack system without taking up much space.
Flexible Signal Distribution
Thanks to the two normalised channels, this module can be used either as a 2x 1->3 multiple for distributing a signal to up to three targets, or as a 1x 1->6 multiple to send a signal to up to six targets. This flexibility makes it a true all-rounder for your patch environment.
Optimized for gate and trigger
The module is specially designed for the distribution of gates and triggers. It allows you to route a signal unchanged to multiple outputs, which is ideal for complex signal paths.
Limited CV signal suitability
Although the passive multiple can also be used for CV signals, it is only suitable to a limited extent due to its passive design. For precise voltage distribution, especially with pitch CV, we recommend using a buffered multiple to avoid signal loss and inaccuracies.
Dimensions
2 HP
14 mm deep
Current Draw
Module does not draw current
… Read moreSpace-saving design
With its slim design of only 2HP, the Passive Multiple fits seamlessly into any Eurorack system without taking up much space.
Flexible Signal Distribution
Thanks to the two normalised channels, this module can be used either as a 2x 1->3 multiple for distributing a signal to up to three targets, or as a 1x 1->6 multiple to send a signal to up to six targets. This flexibility makes it a true all-rounder for your patch environment.
Optimized for gate and trigger
The module is specially designed for the distribution of gates and triggers. It allows you to route a signal unchanged to multiple outputs, which is ideal for complex signal paths.
Limited CV signal suitability
Although the passive multiple can also be used for CV signals, it is only suitable to a limited extent due to its passive design. For precise voltage distribution, especially with pitch CV, we recommend using a buffered multiple to avoid signal loss and inaccuracies.
Dimensions
2 HP
14 mm deep
Current Draw
Module does not draw current
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $21.78
(No payment required now - pay when released)
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Analog Cases Trakpack Producer & DJ Backpack (producer/DJ backpack)
Cat: 1007639 Rel: 30 Jun 24 • View all DJ Backpacks | Backpacks For DJ Equipment
Backpack designed for producers & DJs
Notes: Introducing the TRAKPACK: the ultimate backpack for producers, DJs and creatives.
This rugged and spacious bag delivers maximum versatility, with 3 storage layers and 11 pockets. The separate padded layers protect your gear, and are precisely designed to fit the top production tools.
With interior dimensions of 19.1" x 12.6", the TRAKPACK's largest storage layer offers a massive 5" of depth for your sampler, mixer, DJ controller, or vinyl records. It's a perfect fit for the MPC Live 2 or Push 3, and can also fit up to 5 smaller machines like the Digitakt or SP-404.
The 2nd layer is 3" deep, and can hold other large drum machines and synths, and the 3rd layer has a laptop pocket with a soft velvet lining, plus extra space for your cables or iPad.
There are 5 interior pockets for organizing your accessories and FX, plus 5 exterior pockets that can fit headphones, audio interfaces, or even a MIDI controller keyboard. The exterior storage pockets are enhanced with an expandable design that can increase to a depth of 2.5".
With so much storage space available, this could be the only bag you'll need on the road. The premium materials include padded shoulder straps, cushioned back support pads, and a spacious and comfortable handle. There's even a luggage pass-through for attaching to your carry-on, and the straps can be detached and stowed when you're using this feature.
The TRAKPACK is engineered with a rigid structured frame, so the bag can rest in a standing position with total stability, and the waterproof zippers, ballistic nylon material, and shock-resistant rubber padding ensure complete protection for your gear
… Read moreThis rugged and spacious bag delivers maximum versatility, with 3 storage layers and 11 pockets. The separate padded layers protect your gear, and are precisely designed to fit the top production tools.
With interior dimensions of 19.1" x 12.6", the TRAKPACK's largest storage layer offers a massive 5" of depth for your sampler, mixer, DJ controller, or vinyl records. It's a perfect fit for the MPC Live 2 or Push 3, and can also fit up to 5 smaller machines like the Digitakt or SP-404.
The 2nd layer is 3" deep, and can hold other large drum machines and synths, and the 3rd layer has a laptop pocket with a soft velvet lining, plus extra space for your cables or iPad.
There are 5 interior pockets for organizing your accessories and FX, plus 5 exterior pockets that can fit headphones, audio interfaces, or even a MIDI controller keyboard. The exterior storage pockets are enhanced with an expandable design that can increase to a depth of 2.5".
With so much storage space available, this could be the only bag you'll need on the road. The premium materials include padded shoulder straps, cushioned back support pads, and a spacious and comfortable handle. There's even a luggage pass-through for attaching to your carry-on, and the straps can be detached and stowed when you're using this feature.
The TRAKPACK is engineered with a rigid structured frame, so the bag can rest in a standing position with total stability, and the waterproof zippers, ballistic nylon material, and shock-resistant rubber padding ensure complete protection for your gear
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $230.39
(No payment required now - pay when released)
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Tesseract Modular UFO 8 Low Frequency Oscillation Module (LFO synth module)
Cat: 974272 • View all Synth modules
8 triangle low frequency oscillations module - 4HP.
Notes: 8 triangle LFOs with relative frequencies and CV control.
Output voltage is +/- 5.25v (10.5Vpp).
Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .
The frequency range with the potentiometer is 80-90%.
Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.
Dimensions: 4 HP
25 mm deep
… Read moreOutput voltage is +/- 5.25v (10.5Vpp).
Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .
The frequency range with the potentiometer is 80-90%.
Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.
Dimensions: 4 HP
25 mm deep
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $91.33
(No payment required now - pay when released)
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Black Lion Revolution 6x6 USB-C Audio Interface & Master Clock (6x6 USB audio interface)
Cat: 976053 • View all Audio interfaces
A master clock, standalone DAC & ADC and 6-in/6-out USB audio interface
Notes: Beyond what you expect from an audio interface.
The Revolution 6×6 is an all-purpose studio dynamo that can serve as a master clock, a standalone DAC and ADC, a master clock, and a 6-in, 6-out class-compliant USB interface with audio quality worthy of the Revolution name. Enjoy world-class clocking and low-noise conversion while tracking to the included Studio One Artist. Use the USB OTG connection to sample audio from your phone or tablet... or send audio from your laptop to your mobile device and stream your performance live online. Sync your other hardware devices via Black Lion's proprietary Macro-MMC clocking - all while treating your music with the highest audio quality imaginable.
Audio interfaces don't sound better than this.
Revolution 6×6 is a class-compliant, bus-powered USB audio interface with industry-leading signal quality based on Black Lion's years of experience in audio interface modification. Record anything thanks to balanced XLR, line-level, and instrument-level input options. Connect pro studio monitors or use its two plenty-loud, crystal-clear, mono-summable headphone outputs with direct monitoring mix control. Integrate external gear via the S/PDIF connection and USB OTG.
Rarified tech found in Revolution 6×6 includes the Macro-MMC clock for maximum converter quality, yielding reduced jitter and enhanced harmonics for a glossy, airy top-end you won't hear in lesser interfaces. Proprietary PG-i filtering technology and highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination. And for the best possible capture and playback, Revolution 6×6 sports the most cutting edge, high-end ICs and Vishay, Nichicon, and Wima capacitors throughout with all internal gain-staging optimized for the best possible signal-to-noise ratio. Last but not least, all analogue I/O is fully decoupled and balanced - right to the very core of the converter!
Standalone mode for DAC and ADC use.
Not every studio task requires a computer. The Revolution 6×6's DAC, word clock, and D/A conversion features can all be used without a computer; just press and hold the "Standalone" button. Hook up your media player via S/PDIF and enjoy good old-fashioned hi-fi listening with good new-fashioned hi-fi conversion, or add two additional output channels from another audio interface or digital mixer.
Many MPCs, synths, and guitar processors also have S/PDIF, which will often deliver better sound than using their onboard converters.
For recording, connect any guitar processor with a S/PDIF output and enjoy high-quality D/A conversion of your custom guitar tones. You can even connect Revolution 6×6 to your computer over USB for hi-fi listening by bypassing the questionable converters in your old laptop. Use S/PDIF to add two channels to an audio interface or digital mixer, all synchronized by the same master clock over BNC.
As a standalone A/D converter, you'll add two superior channels of Black Lion-converted audio over S/PDIF to your existing recording setup - and you won't have to buy an ADAT expander.
Get mobile with USB On-The-Go.
USB On-the-Go connectivity gives the Revolution 6×6 2-in, 2-out connectivity with Android and Apple mobile devices. It's perfect for livestreamers and mobile musicians who record to or stream from phones and tablets. Connect two USB devices to the Revolution 6×6 simultaneously and send audio to and from either. Sample from your phone to your laptop, or livestream an iPad performance from your phone... the possibilities are endless!
Shocking clocking.
The Macro-MMC (Master Music Clock) in Revolution 6×6 was developed from Black Lion's experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces. Macro-MMC ensures the best possible performance from its converters, but also allows you to connect external gear via the BNC connections for maximum sync and ultra-low jitter - meaning any devices synced via Macro-MMC are communicating as accurately as possible to minimize the phase distortions that can muddy your high-end and dull your transients.
If you've already invested in a clock you like, that's fine - the Revolution 6×6 graciously accepts clock in.
All the software tools you need, included.
The Revolution Software Suite covers all of your software needs so you can start creating from day one. You'll record straight into the award-winning Studio One Artist, of course... and we've also included select plugins from Izotope, Psychic Modulation, Brainworx, and Lindell:
PreSonus Studio One Artist: Recording and music production DAW
Izotope Elements Suite: Nectar, Neutron, Ozone and RX for tone-shaping, mastering, and repair
Platform: macOS (class compliant), Windows 10+ (driver)
Input Impedance: 2KO mic, 15KO line
Gain Range: 59dB
Frequency Response: 20Hz - 20KHz +/- 0.25dB
THD + N: 0.01% (Min Gain)
Dynamic Range: 112dB (A-Weighted)
Crosstalk: < 100dB
Output Impedance: 47O (balanced)
Dimensions: 330 x 305 x 152mm, 2.72kg
… Read moreThe Revolution 6×6 is an all-purpose studio dynamo that can serve as a master clock, a standalone DAC and ADC, a master clock, and a 6-in, 6-out class-compliant USB interface with audio quality worthy of the Revolution name. Enjoy world-class clocking and low-noise conversion while tracking to the included Studio One Artist. Use the USB OTG connection to sample audio from your phone or tablet... or send audio from your laptop to your mobile device and stream your performance live online. Sync your other hardware devices via Black Lion's proprietary Macro-MMC clocking - all while treating your music with the highest audio quality imaginable.
Audio interfaces don't sound better than this.
Revolution 6×6 is a class-compliant, bus-powered USB audio interface with industry-leading signal quality based on Black Lion's years of experience in audio interface modification. Record anything thanks to balanced XLR, line-level, and instrument-level input options. Connect pro studio monitors or use its two plenty-loud, crystal-clear, mono-summable headphone outputs with direct monitoring mix control. Integrate external gear via the S/PDIF connection and USB OTG.
Rarified tech found in Revolution 6×6 includes the Macro-MMC clock for maximum converter quality, yielding reduced jitter and enhanced harmonics for a glossy, airy top-end you won't hear in lesser interfaces. Proprietary PG-i filtering technology and highly-filtered power rails work with full-circuit power decoupling to further reduce noise contamination. And for the best possible capture and playback, Revolution 6×6 sports the most cutting edge, high-end ICs and Vishay, Nichicon, and Wima capacitors throughout with all internal gain-staging optimized for the best possible signal-to-noise ratio. Last but not least, all analogue I/O is fully decoupled and balanced - right to the very core of the converter!
Standalone mode for DAC and ADC use.
Not every studio task requires a computer. The Revolution 6×6's DAC, word clock, and D/A conversion features can all be used without a computer; just press and hold the "Standalone" button. Hook up your media player via S/PDIF and enjoy good old-fashioned hi-fi listening with good new-fashioned hi-fi conversion, or add two additional output channels from another audio interface or digital mixer.
Many MPCs, synths, and guitar processors also have S/PDIF, which will often deliver better sound than using their onboard converters.
For recording, connect any guitar processor with a S/PDIF output and enjoy high-quality D/A conversion of your custom guitar tones. You can even connect Revolution 6×6 to your computer over USB for hi-fi listening by bypassing the questionable converters in your old laptop. Use S/PDIF to add two channels to an audio interface or digital mixer, all synchronized by the same master clock over BNC.
As a standalone A/D converter, you'll add two superior channels of Black Lion-converted audio over S/PDIF to your existing recording setup - and you won't have to buy an ADAT expander.
Get mobile with USB On-The-Go.
USB On-the-Go connectivity gives the Revolution 6×6 2-in, 2-out connectivity with Android and Apple mobile devices. It's perfect for livestreamers and mobile musicians who record to or stream from phones and tablets. Connect two USB devices to the Revolution 6×6 simultaneously and send audio to and from either. Sample from your phone to your laptop, or livestream an iPad performance from your phone... the possibilities are endless!
Shocking clocking.
The Macro-MMC (Master Music Clock) in Revolution 6×6 was developed from Black Lion's experience creating dedicated word clocks, as well as modifying many embedded clocks found in other recording interfaces. Macro-MMC ensures the best possible performance from its converters, but also allows you to connect external gear via the BNC connections for maximum sync and ultra-low jitter - meaning any devices synced via Macro-MMC are communicating as accurately as possible to minimize the phase distortions that can muddy your high-end and dull your transients.
If you've already invested in a clock you like, that's fine - the Revolution 6×6 graciously accepts clock in.
All the software tools you need, included.
The Revolution Software Suite covers all of your software needs so you can start creating from day one. You'll record straight into the award-winning Studio One Artist, of course... and we've also included select plugins from Izotope, Psychic Modulation, Brainworx, and Lindell:
PreSonus Studio One Artist: Recording and music production DAW
Izotope Elements Suite: Nectar, Neutron, Ozone and RX for tone-shaping, mastering, and repair
Platform: macOS (class compliant), Windows 10+ (driver)
Input Impedance: 2KO mic, 15KO line
Gain Range: 59dB
Frequency Response: 20Hz - 20KHz +/- 0.25dB
THD + N: 0.01% (Min Gain)
Dynamic Range: 112dB (A-Weighted)
Crosstalk: < 100dB
Output Impedance: 47O (balanced)
Dimensions: 330 x 305 x 152mm, 2.72kg
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $600.91
(No payment required now - pay when released)
FORTHCOMING
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Synthetic Sound Labs Soleil Lo-Fi MIDI String Synthesiser (digital desktop synthesiser)
Cat: 977158 • View all Synthesisers
Lo-fi MIDI string desktop synthesiser
Notes: Inspired by the early vintage string synths of the '70s such as the Elka Rhapsody and ARP Solina, the Soleil POD is a tiny low-cost Lo-Fi MIDI String Synth table-top box.
Capable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.
The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a "paraphonic" instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.
MIDI is input via a 3.5mm TRS Type "A" jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.
MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non-volatile memory.
A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8") jacks.
Specifications:
Controls
Fine Tune - (Approx. +/- 1 semitone)
Detune - (Approx. +1 semitone)
Wave - (Sawtooth thru variable Pulse Width)
Modulation Rate
Attack Rate
Decay Rate
Volume
Inputs
3.5mm MIDI TRS Type "A" Standard wiring
2.1mm Co-axial 2.1mm Power - Center Positive - NOT included
Outputs
Audio Out - ~2V peak-to-peak
Gate Out - 0 to +5V
Indicator LEDs
MIDI Activity (Orange)
Gate Active (Orange)
MIDI Implementation
Note On, Note Off, Running Status
Mod Wheel: 176 (B0 hex)
Pitch Bend: 224 (E0 hex)
Power
2.1mm Coaxial, +8 to +18V DC Center positive, reverse polarity protected
(User supplied adapter)
Size
4.5" W x 2.4" H x 1.25" D (not including pot shafts)
… Read moreCapable of playing 4 paraphonic notes with 2 oscillator ranks per note. Waveforms are continuously variable from thick sawtooth thru variable pulse widths for more reedy sounds. The second rank is detunable for lush pads and honky-tonk riffs.
The Soleil contains built-in modulation / vibrato LFO, the depth of which can be controlled by MIDI. Attack and release envelope times are individually adjustable and share a single VCA making this a "paraphonic" instrument. A gate output jack allows convenient triggering of external effects and synth equipment, and its state is displayed by an LED.
MIDI is input via a 3.5mm TRS Type "A" jack, and responds to keyboard running status as well as pitch bend and modulation. An LED MIDI displays MIDI activity.
MIDI channel defaults to channel 1 but can be easily reset to other channels using a unique sequence from your controller keyboard at power-up, which is retained in non-volatile memory.
A fine tune control allows accurate tuning to other instruments, and an output volume control is provided. MIDI, Gate Out and Audio Out are standard 3.5mm (1/8") jacks.
Specifications:
Controls
Fine Tune - (Approx. +/- 1 semitone)
Detune - (Approx. +1 semitone)
Wave - (Sawtooth thru variable Pulse Width)
Modulation Rate
Attack Rate
Decay Rate
Volume
Inputs
3.5mm MIDI TRS Type "A" Standard wiring
2.1mm Co-axial 2.1mm Power - Center Positive - NOT included
Outputs
Audio Out - ~2V peak-to-peak
Gate Out - 0 to +5V
Indicator LEDs
MIDI Activity (Orange)
Gate Active (Orange)
MIDI Implementation
Note On, Note Off, Running Status
Mod Wheel: 176 (B0 hex)
Pitch Bend: 224 (E0 hex)
Power
2.1mm Coaxial, +8 to +18V DC Center positive, reverse polarity protected
(User supplied adapter)
Size
4.5" W x 2.4" H x 1.25" D (not including pot shafts)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $183.70
(No payment required now - pay when released)
FORTHCOMING
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Eventide Omnipressor 2830Au Dynamics Effects Processor (audio compressor)
Cat: 980301 • View all Compressors Limiters & Gates
Dynamics effects processor unit
Notes: In 1973, Eventide Clockworks introduced the Omnipressor, the first studio product to encourage the use of dynamics for special effects. It joined the Instant Phaserr in studios worldwide, with the Instant Flanger following shortly after. All were used on countless recordings and are now considered truly classic products. Unlike the Phaser and Flanger, the Omnipressor, with its still-unique dynamic reversal, infinite compression, variable gating and separate "side chain," was discontinued a few years later. It had become difficult to obtain some exclusive parts and even more difficult to explain it to an industry that was much less sophisticated than it is today.
Omnipressor was the first dynamics effects processor of any kind, suddenly making possible a new, wide range of dynamics effects unlike anything that had come before it. Originally invented by Eventide's founder, Richard Factor (and later redesigned for production by Jon Paul), the Omnipressor made a host of dynamic effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the 'side chain' and foretold techniques that today we take for granted like 'look ahead' processing. One of Eventide's first customers was Brian May, the lead guitarist of Queen.
Eventide now announces the golden-anniversary Omnipressor Model 2830*Au. The original handdrawn schematics were in the Eventide archives, and the new model is a faithful replica designed with the same circuitry and the same sound as the original 2830.
The new *Au model features the ability to link multiple units and is fitted with input and output audio transformers, which were a costly option on the original. Other improvements include a universal power supply and a back-lit meter, as well as more convenient TRS/XLR connectors replace the original terminal strip.
Specifications
Analogue Audio I/O
XLR and 1/4" Line In
XLR and 1/4" Line Out
XLR and 1/4" Side Chain In
XLR and 1/4" Side Chain Out
1/4" Link In
1/4" Link Out
Physical
Size
Inches: 3.5h x 19w x 8.9d
Metric: 8.9h x 48.3w x 31.7d
Weight
14 pounds (6.4kg) net
What's in the box:
Omnipressor
US-type IEC power cord
Omnipressor poster
Omnipressor manual
Eventide sticker
Eventide guitar pick
… Read moreOmnipressor was the first dynamics effects processor of any kind, suddenly making possible a new, wide range of dynamics effects unlike anything that had come before it. Originally invented by Eventide's founder, Richard Factor (and later redesigned for production by Jon Paul), the Omnipressor made a host of dynamic effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the 'side chain' and foretold techniques that today we take for granted like 'look ahead' processing. One of Eventide's first customers was Brian May, the lead guitarist of Queen.
Eventide now announces the golden-anniversary Omnipressor Model 2830*Au. The original handdrawn schematics were in the Eventide archives, and the new model is a faithful replica designed with the same circuitry and the same sound as the original 2830.
The new *Au model features the ability to link multiple units and is fitted with input and output audio transformers, which were a costly option on the original. Other improvements include a universal power supply and a back-lit meter, as well as more convenient TRS/XLR connectors replace the original terminal strip.
Specifications
Analogue Audio I/O
XLR and 1/4" Line In
XLR and 1/4" Line Out
XLR and 1/4" Side Chain In
XLR and 1/4" Side Chain Out
1/4" Link In
1/4" Link Out
Physical
Size
Inches: 3.5h x 19w x 8.9d
Metric: 8.9h x 48.3w x 31.7d
Weight
14 pounds (6.4kg) net
What's in the box:
Omnipressor
US-type IEC power cord
Omnipressor poster
Omnipressor manual
Eventide sticker
Eventide guitar pick
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $2,073.59
(No payment required now - pay when released)
FORTHCOMING
Related products...
Blue Lantern Modules Hats Analogue High Hats Module (drum/oscillator module)
Cat: 980377 • View all Synth modules
Analogue hi-hats module - 8HP
Notes: This is a self contained analogue high hat module. This is a Transistor based VCA design. It is influenced by the DR110 drum machine. The original circuit used 4 oscillators to make the metallic audio sound. I added the original 4 oscillator, and an extra 6 oscillator circuit. The 6 oscillator version is doing a double XOR ringmod (internally). You select that by switch.
The 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.
Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.
The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.
There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.
There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.
Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.
This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.
Features
-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.
Why get this module over the Shimm module, or other high hats modules?
-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.
Dimensions
8 HP
32 mm deep
Current Draw
21 mA +12V
13 mA -12V
… Read moreThe 4 oscillator design sounds more crunchy, where as the 6 XOR circuit sounds more polished with sheen. You can blend in the amount of white noise in the mix labeled 'sizzle'.
Internally, the audio is passing through a few high pass filters, making the output sound very high in frequencies.
The module by itself is not exciting. But in the mix, with other percussion modules, this is your favorite-go-to module. It sits almost perfect in the mix.
There are two triggers. One is for 'Open' sound. The other is for 'close' sound. Both open and close have there own decay knob to adjust the length of the audio tail.
There is a tone control, labeled LPF. Use this to taper off some of the high frequencies.
Instead of adding an 'accent' control. Both triggers have been made to voltage variable. 5V triggering is the normal expected input. So a 3V trigger will sound softer in volume. 10V trigger signals will sound louder.
This module is as simple as it gets, just patch your Arturia Beat Step Pro and use the drum track.
Features
-Both trigger inputs are voltage variable. You can get softer audio, with softer trigger voltage.
-2 voice metallic noise generator
-2 decays (open and close)
-2 Flavors select by switch.
-Normal mode, and Sustain mode, selected by switch.
-frequency adjustment of the internal XOR ringmod.
-classic roland sounding transistor based VCA.
Why get this module over the Shimm module, or other high hats modules?
-Ease of use, ready to go. No sound exploring needed.
-Want the classic transistor based, crunchy sound.
-lower budget
-Sits very well in the drum mix.
Dimensions
8 HP
32 mm deep
Current Draw
21 mA +12V
13 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $112.09
(No payment required now - pay when released)
FORTHCOMING
Related products...
Doepfer A-100 Basic System 3 Full Analogue Modular System (LC6v case with PSU) (analogue modular synthesiser)
Cat: 982339 • View all Synthesisers
Full analogue modular system
Notes: The new basic system 3 from Doepfer is a return to Dieter Doepfer's original vision of analogue modular synthesis. Modules can be connected via front panel audio and CV connectors and used in infinite combinations. The Basic System 3 is an easily accessible and well-structured system that can be used by enthusiasts and beginners alike. It can be used as a base for exploring sound synthesis and electronic sounds, or as a supplement to delve deeper into different types of synthesis. For example, it is possible to create 4-part paraphonic patches or create complex sounds using the ring modulator. Percussion and drum sounds can also be created in a variety of ways alongside the classic synth sounds. The system's two filters can also be set to self-resonance to provide additional sound sources. The Waveshaper can be used to modify simple sounds and change their overall timbre. As each user's personal requirements are different, blank panels are installed that can be replaced with modules. This means there is no need to buy a new cabinet.
The following modules are included in the basic system 3:
1x A-108 6/12/24/48dB Low Pass Filter
2x A-110-1 Standard VCO
1x A-118 Noise / Random
1x A-121-2 Multimode Filter
1x A-131 VCA exponential
1x A-132-3 Dual linear/exponential VCA
1x A-137-1 Wave Multiplier I
1x A-138j Inverting/Interrupting Mixer (Janus Mixer)
1x A-138b Mixer logarithm.
1x A-138s Mini Stereo Mixer
1x A-140 ADSR Envelope Generator
1x A-140-2 Dual Mini-ADSR
1x A-147-4 Dual VCLFO
1x A-151 Quad Sequential Switch
1x A-160-2 Clock Divider II
1x A-171-2 VC Slew Processor / Generator
2x A-180-2 Multiples 1
1x A-184-1 Ring Modulator/S+H/T+H/Slew Limiter
5x Blind Panel 4HP
The following Patch cables are included:
5x A-100C15 Cable 15cm yellow
10x A-100C30 Cable 30cm black
15x A-100C50 Cable 50cm grey
5x A-100C80 Cable 80cm red
… Read moreThe following modules are included in the basic system 3:
1x A-108 6/12/24/48dB Low Pass Filter
2x A-110-1 Standard VCO
1x A-118 Noise / Random
1x A-121-2 Multimode Filter
1x A-131 VCA exponential
1x A-132-3 Dual linear/exponential VCA
1x A-137-1 Wave Multiplier I
1x A-138j Inverting/Interrupting Mixer (Janus Mixer)
1x A-138b Mixer logarithm.
1x A-138s Mini Stereo Mixer
1x A-140 ADSR Envelope Generator
1x A-140-2 Dual Mini-ADSR
1x A-147-4 Dual VCLFO
1x A-151 Quad Sequential Switch
1x A-160-2 Clock Divider II
1x A-171-2 VC Slew Processor / Generator
2x A-180-2 Multiples 1
1x A-184-1 Ring Modulator/S+H/T+H/Slew Limiter
5x Blind Panel 4HP
The following Patch cables are included:
5x A-100C15 Cable 15cm yellow
10x A-100C30 Cable 30cm black
15x A-100C50 Cable 50cm grey
5x A-100C80 Cable 80cm red
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $2,655.82
(No payment required now - pay when released)
FORTHCOMING
Related products...
Folktek Alter 1 Effects Processor Module (delay/effect/filter/reverb/dual/stereo module)
Cat: 983092 • View all Synth modules
Effects processor module - 16HP
Notes: Alter is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 1. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.
Control
- Controls for mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y).
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
Ins and outs
- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input
- Mono input is made stereo within the DSP and outputs to both left and right channels
- Stereo outputs for right and left channels
Effects
The effect is selected by the hexagonal touch pad. The effects for Alter 1 are as follows:
1 - long delay
2 - tight, notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion multi-filter
6 - pitch delay
7 - stutter glitch
Specs
Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth
… Read moreControl
- Controls for mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y).
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
Ins and outs
- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input
- Mono input is made stereo within the DSP and outputs to both left and right channels
- Stereo outputs for right and left channels
Effects
The effect is selected by the hexagonal touch pad. The effects for Alter 1 are as follows:
1 - long delay
2 - tight, notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion multi-filter
6 - pitch delay
7 - stutter glitch
Specs
Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $302.01
(No payment required now - pay when released)
FORTHCOMING
Related products...
Folktek Alter 2 Effects Processor Module (delay/effect/filter/pitch shifter/reverb module)
Cat: 983094 • View all Synth modules
Effects processor module - 16HP
Notes: Alter 2 is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 2. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.
Control
- Controls for mix, X, Y and filter as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects.
(note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y.)
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
Ins and outs
- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.
Effects
The effect is selected by the hexagonal touch pad. The effects for Alter 2 are as follows:
1 - Analogue delay
2 - Reverb with infinite capture and LP + HP filters
3 - Choral reverb
4 - Palindrome reverse delay - backward/forward repeat
5 - Time stretch
6 - Pitch shift (notated semi-tones)
7 - Time stretch glitch
Specs
Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth
… Read moreControl
- Controls for mix, X, Y and filter as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects.
(note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y.)
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
Ins and outs
- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.
Effects
The effect is selected by the hexagonal touch pad. The effects for Alter 2 are as follows:
1 - Analogue delay
2 - Reverb with infinite capture and LP + HP filters
3 - Choral reverb
4 - Palindrome reverse delay - backward/forward repeat
5 - Time stretch
6 - Pitch shift (notated semi-tones)
7 - Time stretch glitch
Specs
Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $302.01
(No payment required now - pay when released)
FORTHCOMING
Related products...
Folktek Alter X Multi-Effects Pedal (multi-effects pedal)
Cat: 983098 • View all Effects pedals
Multi-effects pedal
Notes: Alter X is the pedal version of Alter 1 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.
Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.
These pedals accept guitar, line or eurorack levels.
The enclosure is very thick, gold plated PCB (it's very, very tough).
Included power is standard for most pedals (2.1mm, -tip)
Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.
Control
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.
Ins and outs
- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
-Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.
Effects
1 - long delay
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch
Specs
- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)
… Read moreThough it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.
These pedals accept guitar, line or eurorack levels.
The enclosure is very thick, gold plated PCB (it's very, very tough).
Included power is standard for most pedals (2.1mm, -tip)
Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.
Control
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.
Ins and outs
- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
-Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.
Effects
1 - long delay
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch
Specs
- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $351.83
(No payment required now - pay when released)
FORTHCOMING
Related products...
Folktek Alter Y Multi-Effects Pedal (multi-effects pedal)
Cat: 983099 • View all Effects pedals
Multi-effects pedal
Notes: Alter Y is the pedal version of Alter 2 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.
Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.
These pedals accept guitar, line or eurorack levels.
The enclosure is very thick, gold plated PCB (it's very, very tough).
Included power is standard for most pedals (2.1mm, -tip)
Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.
Control
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Filter all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.
Ins and outs
- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.
Effects
1 - analogue delay
2 - reverb with infinite capture and LP + HP filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones)
7 - time stretch glitch
Specs
- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)
… Read moreThough it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.
These pedals accept guitar, line or eurorack levels.
The enclosure is very thick, gold plated PCB (it's very, very tough).
Included power is standard for most pedals (2.1mm, -tip)
Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.
Control
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Filter all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.
Ins and outs
- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.
Effects
1 - analogue delay
2 - reverb with infinite capture and LP + HP filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones)
7 - time stretch glitch
Specs
- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $351.83
(No payment required now - pay when released)
FORTHCOMING
Related products...
Folktek Resonant Garden Electronic-Acoustic Hybrid Instrument (hybrid synthesiser)
Cat: 983105 • View all Synthesisers
Electronic-acoustic hybrid instrument
Notes: The Resonant Garden is an electronic-acoustic hybrid instrument designed to create anything from beats and oddities to dense soundscapes.
The garden utilizes three Alter circuits each equipped with a mic pre-amp, and 4 sprout (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and affected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations.
Monolithic vs Discrete
A Monolithic version of the Resonant garden consists of a single faceplate for the entire instrument.
A Discrete version of the Resonant garden consists of 7 faceplates, three for each Alter module and four for the sprouts. The discrete version allows for individual sprout and Alter modules to be moved around or substituted with other modules. Keep in mind the power and audio distribution system is designed for the configuration shown here, but can easily be hand wired with standard cables (sold separately). The maximum depth for modules in the garden box is 33mm.
Effects
There are two Alter 1 units and one Alter 2 unit. Each Alter 1 has seven DSP effects which are selected by touching the copper hexagon:
1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch
Alter 2 has the following effects:
1 - analogue delay
2 - reverb with infinite capture and lp + hp filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones
7 - time stretch glitch
Control
On each of the Alter sections, the following is present:
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
Acoustics
Each garden panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.
Routing
1/8" stereo inputs with separate level/gain control for right and left channels. These level controls can also act as mute as they can take the signal to 0. They can also add gain to a quiet signal.
In its natural state, each Alter utilizes the garden panel acoustics and each Alter outputs its own signal. By plugging in to the left input of any Alter, the mic amp is bypassed. This means that the signal can be chained from one alter to another, utilizing the single final output. This chain of effects can result in an incredibly broad range of sound.
- use all effects in parallel (3 sets of stereo output)
- use two in series and one in parallel (2 sets of stereo output)
- use all in series (single stereo output)
- peak level indicator for clipping levels at the input
Design
The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument we ship.
Included
- Power Supply: 12v positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Printed manual
- Four (4) black 6" (15cm) 3.5mm TS mono patch cables
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables
Dimensions
- 76 HP Total Width, Sprouts: 7 HP, Alters: 16HP
- Mounting Rails are 406.16mm long
… Read moreThe garden utilizes three Alter circuits each equipped with a mic pre-amp, and 4 sprout (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and affected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations.
Monolithic vs Discrete
A Monolithic version of the Resonant garden consists of a single faceplate for the entire instrument.
A Discrete version of the Resonant garden consists of 7 faceplates, three for each Alter module and four for the sprouts. The discrete version allows for individual sprout and Alter modules to be moved around or substituted with other modules. Keep in mind the power and audio distribution system is designed for the configuration shown here, but can easily be hand wired with standard cables (sold separately). The maximum depth for modules in the garden box is 33mm.
Effects
There are two Alter 1 units and one Alter 2 unit. Each Alter 1 has seven DSP effects which are selected by touching the copper hexagon:
1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch
Alter 2 has the following effects:
1 - analogue delay
2 - reverb with infinite capture and lp + hp filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones
7 - time stretch glitch
Control
On each of the Alter sections, the following is present:
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
Acoustics
Each garden panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.
Routing
1/8" stereo inputs with separate level/gain control for right and left channels. These level controls can also act as mute as they can take the signal to 0. They can also add gain to a quiet signal.
In its natural state, each Alter utilizes the garden panel acoustics and each Alter outputs its own signal. By plugging in to the left input of any Alter, the mic amp is bypassed. This means that the signal can be chained from one alter to another, utilizing the single final output. This chain of effects can result in an incredibly broad range of sound.
- use all effects in parallel (3 sets of stereo output)
- use two in series and one in parallel (2 sets of stereo output)
- use all in series (single stereo output)
- peak level indicator for clipping levels at the input
Design
The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument we ship.
Included
- Power Supply: 12v positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Printed manual
- Four (4) black 6" (15cm) 3.5mm TS mono patch cables
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables
Dimensions
- 76 HP Total Width, Sprouts: 7 HP, Alters: 16HP
- Mounting Rails are 406.16mm long
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $1,209.07
(No payment required now - pay when released)
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Folktek Nano Garden Acoustic Electronic Synthesiser & Audio Effect Processor (hybrid synthesiser/audio effect processor)
Cat: 983110 • View all Synthesisers
Acoustic electronic synthesiser & audio effect processor
Notes: Acoustic Electronic "synthesiser" and external audio effect processor with CV control. Little sister of the Resonant Garden.
The Nano Garden is an acoustic-electronic hybrid designed to create anything from beats and oddities to dense soundscapes. From its inception in 2006, the original garden has gone through many changes and refinements: micro garden, luminist garden and illuminist garden and finally this latest and likely final version of what is essentially an expanded micro garden.
The Nano Garden essentially utilizes a single Alter circuit with 7 effects selected specifically for this instrument. Each is also equipped with a mic pre-amp, and 2 garden (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and effected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations. Aside from the internal mic, the nano can be used to process external signals with any of the internal effects as well.
Effects
There is a single Alter in the Nano which has seven different DSP effects, selected by touching the copper hexagon. The effect list is different than either Alter 1 or 2 - these are selected specifically for the Nano (this selection is subject to change):
1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - choral reverb
5 - palindrome reverse delay - backward/forward repeat
6 - pitch delay
7 - time stretch/glitch
Control
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
Acoustics
Each sprout panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.
Design
The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument Folktek ship.
Included
- Power Supply: 12V positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables
… Read moreThe Nano Garden is an acoustic-electronic hybrid designed to create anything from beats and oddities to dense soundscapes. From its inception in 2006, the original garden has gone through many changes and refinements: micro garden, luminist garden and illuminist garden and finally this latest and likely final version of what is essentially an expanded micro garden.
The Nano Garden essentially utilizes a single Alter circuit with 7 effects selected specifically for this instrument. Each is also equipped with a mic pre-amp, and 2 garden (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and effected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations. Aside from the internal mic, the nano can be used to process external signals with any of the internal effects as well.
Effects
There is a single Alter in the Nano which has seven different DSP effects, selected by touching the copper hexagon. The effect list is different than either Alter 1 or 2 - these are selected specifically for the Nano (this selection is subject to change):
1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - choral reverb
5 - palindrome reverse delay - backward/forward repeat
6 - pitch delay
7 - time stretch/glitch
Control
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
Acoustics
Each sprout panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.
Design
The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument Folktek ship.
Included
- Power Supply: 12V positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $554.20
(No payment required now - pay when released)
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MachineRoom Filth Analogue Transistor Ladder Filter Module (distortion/filter/VCA module)
Cat: 983127 • View all Synth modules
Analogue low pass or high pass 12dB or 24dB transistor ladder filter module - 10HP
Notes: The basis of the module is a version of the transistor ladder with low-end compensation at resonance, to which Machineroom have added aggressive Overload and linear VCA. Thanks to three audio inputs, FILTH can work with polyphonic patches, if you add Trilobite (or another triple osc) and ADSR to it, you will get a paraphonic synthesizer. 2 VCA inputs in the classic case allow you to use loudness envelope and voltage offset (for example, velocity) at the same time, but there are many more options for their application.
Works in LP/HP and 12/24 db modes
In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.
Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.
Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.
10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
… Read moreWorks in LP/HP and 12/24 db modes
In the 24db mode, the filter self-oscillates and can act as a sine generator with perfect pitch tracking in the range of 5 octaves.
Despite the name, without overload, the module can be used as a vanilla filter, but its brutal version is generally more preferrable.
Based on "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers.
10HP
* skiff-friendly (25mm depth)
* 28 mA +12V
* 21 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $238.71
(No payment required now - pay when released)
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MachineRoom Trilobite Triple Analogue Saw-Core Oscillator Module (LFO/noise/oscillator module)
Cat: 983133 • View all Synth modules
Triple analogue saw-core oscillator module - 26HP
Notes: TRILOBITE is a triple oscillator analogue module inspired by the original Moog schematics and made with thru-hole components only.
The module features:
- 4 octave ranges
- 3 waveforms (triangle, square, saw),
- UNISON (FINE) control with a range of +/- 12 semi-tones
- Independent LIN FM and PWM inputs with attenuators
- White noise source
Independent audio output is provided for each oscillator. A mixed output is also present featuring a level control.
We are recommended to use independent audio outputs to avoid distortion, in this case MiX output works as WHITE NOISE source with attenuator.
V/oct input of the first oscillator is normalled to all 3 oscillators, so OSC2 and OSC3 would track it too, however, connecting other signals to the other V/oct inputs make each input independent.
The minimum frequency of each oscillator is as low as 3Hz which makes it possible to use them as LFO.
Each oscillator tracks up to 9 octaves.
V/Oct range: 0-10 V
NB: Trilobite as is a full analogue module so should be allowed 5-7 minutes to warm up before use.
* 26HP
* skiff-friendly (25mm depth)
* 200 mA +12V
* 180 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
… Read moreThe module features:
- 4 octave ranges
- 3 waveforms (triangle, square, saw),
- UNISON (FINE) control with a range of +/- 12 semi-tones
- Independent LIN FM and PWM inputs with attenuators
- White noise source
Independent audio output is provided for each oscillator. A mixed output is also present featuring a level control.
We are recommended to use independent audio outputs to avoid distortion, in this case MiX output works as WHITE NOISE source with attenuator.
V/oct input of the first oscillator is normalled to all 3 oscillators, so OSC2 and OSC3 would track it too, however, connecting other signals to the other V/oct inputs make each input independent.
The minimum frequency of each oscillator is as low as 3Hz which makes it possible to use them as LFO.
Each oscillator tracks up to 9 octaves.
V/Oct range: 0-10 V
NB: Trilobite as is a full analogue module so should be allowed 5-7 minutes to warm up before use.
* 26HP
* skiff-friendly (25mm depth)
* 200 mA +12V
* 180 mA -12V
* 0 mA +5V
hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $358.05
(No payment required now - pay when released)
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MachineRoom 204D Dual Analogue VCF Module (dual/stereo/filter module)
Cat: 983136 • View all Synth modules
Dual analogue voltage-controlled low-pass filter module - 10HP
Notes: MachineRoom 204D Dual VCF is a dual voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequencies pass through.
Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.
Filter has separate controls for both sections, but can be used for stereo operations as well.
4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
… Read moreBased on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.
Filter has separate controls for both sections, but can be used for stereo operations as well.
4 cv inputs (2 with attenuators) allows complex cut off modulation
Skiff-friendly
25 mm deep
12HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $238.71
(No payment required now - pay when released)
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MachineRoom 204D Analogue VCF Module (filter/mixer module)
Cat: 983140 • View all Synth modules
Analogue voltage-controlled filter module - 10HP
Notes: MachineRoom PRODIGY 204D VCF is a voltage-controlled low-pass filter, which filters out the higher parts of the sound spectrum and lets lower frequences pass through.
Based on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.
Works as passive 2-channel mixer with attenuators as well
3 cv inputs allows complex cut off modulation
Thru-hole components only
Skiff-friendly, 30mm deep
10HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
… Read moreBased on the "transistor ladder" design of Minimoog 204D with a cut-off slope of -24 db/octave as in various Moog synthesisers. Resonance (or Emphasis) is adjustable all the way up to self-oscillation with V/Oct tracking up to 4 octaves.
Works as passive 2-channel mixer with attenuators as well
3 cv inputs allows complex cut off modulation
Thru-hole components only
Skiff-friendly, 30mm deep
10HP
Power consumption: 120 mA +12V, 15mA -12V, 0 mA 5V
Hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $162.94
(No payment required now - pay when released)
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MachineRoom Prodigy Dual Analogue VCO Module (LFO/oscillator/dual/stereo module)
Cat: 983141 • View all Synth modules
Dual analogue voltage-controlled oscillator module - 20HP
Notes: MachineRoom PRODIGY DUAL VCO is an analogue dual oscillator based on the legendary Moog Prodigy synth schematics. MachineRoom improved Bob's design by incorporating ICs with better thermal stability, increased the range of secondary oscillator, and also added cross-modulation possibility. As usual for this limited run of full-analogue handmade modules, MachineRoom used only thru-hole components.
The module features 3 octave registers and 3 waveforms per oscillator.
OSC1 generates SAW, SQUARE, and TRIANGLE waves with 8, 16, 32 octave registers.
OSC2 generates SAW, PULSE, and TRIANGLE waves with 4, 8, 16 octave registers.
Unlike the original version, PRODIGY DUAL VCO allows switching OSC2 to the LFO mode to modulate OSC1 or other parameters (LFO range is from 0.1 Hz to 8.6 kHz). Precise pitch tracking is up to 7 octaves.
PITCH control has a range of +/- of 1.5 octaves with a central point (to have the ability to quickly return to the initial frequency with precision). The rise/fall time of the GLIDE/SLEW is up to 5 seconds
HARD SYNC switch allows syncing the phase and frequency of oscillators.
LINEAR FM input has a built-in attenuator.
OSC2 UNISON control has a range of +/- 7 semi-tones (increase/decrease relative to the Detune central point).
OSC2 V/Oct Tracking switch activates or disables the OSC2's LFO mode. When disabled, OSC2 stops v/oct tracking, and the UNISON knob becomes a control for the LFO frequency.
OSC1 - OSC2 FM switch enables OSC2 as an OSC1 modulator.
When HARD SYNC is switched ON, Pitch/Sync knob controls the phase of oscillators.
The output level of each oscillator is about 3.5V which allows passive mixing. PRODIGY DUAL VCO is analogue so should be allowed 5-7 minutes to warm up before use.
Skiff-friendly design.
Thru-hole components only
20HP / 35mm deep
Current consumption:
+12V - 125 mA
-12V - 105 mA
+5V - 0 mA
Hand-built in Kyiv, Ukraine
… Read moreThe module features 3 octave registers and 3 waveforms per oscillator.
OSC1 generates SAW, SQUARE, and TRIANGLE waves with 8, 16, 32 octave registers.
OSC2 generates SAW, PULSE, and TRIANGLE waves with 4, 8, 16 octave registers.
Unlike the original version, PRODIGY DUAL VCO allows switching OSC2 to the LFO mode to modulate OSC1 or other parameters (LFO range is from 0.1 Hz to 8.6 kHz). Precise pitch tracking is up to 7 octaves.
PITCH control has a range of +/- of 1.5 octaves with a central point (to have the ability to quickly return to the initial frequency with precision). The rise/fall time of the GLIDE/SLEW is up to 5 seconds
HARD SYNC switch allows syncing the phase and frequency of oscillators.
LINEAR FM input has a built-in attenuator.
OSC2 UNISON control has a range of +/- 7 semi-tones (increase/decrease relative to the Detune central point).
OSC2 V/Oct Tracking switch activates or disables the OSC2's LFO mode. When disabled, OSC2 stops v/oct tracking, and the UNISON knob becomes a control for the LFO frequency.
OSC1 - OSC2 FM switch enables OSC2 as an OSC1 modulator.
When HARD SYNC is switched ON, Pitch/Sync knob controls the phase of oscillators.
The output level of each oscillator is about 3.5V which allows passive mixing. PRODIGY DUAL VCO is analogue so should be allowed 5-7 minutes to warm up before use.
Skiff-friendly design.
Thru-hole components only
20HP / 35mm deep
Current consumption:
+12V - 125 mA
-12V - 105 mA
+5V - 0 mA
Hand-built in Kyiv, Ukraine
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $324.84
(No payment required now - pay when released)
FORTHCOMING
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Cat: 1009352 Rel: 30 Jun 24 • View all Synth modules
Voltage controlled amplifier module - 2HP
Notes: Expand your Eurorack system with the 2HP wide VCA, which offers maximum sound control despite its minimalist size. This highly flexible Voltage Controlled Amplifier is the perfect addition to any modular setup, designed to add depth, dynamics, and nuanced expressiveness to your sounds. Whether you're a seasoned modular enthusiast or a newcomer to the world of synthetic sound shaping, this VCA will impress you with its performance and versatility.
Ultra-compact design
With a width of only 2HP, this VCA fits seamlessly into any Eurorack setup and optimizes the available space for maximum creativity.
A standout feature of this VCA is the ability to manually switch between a linear and a logarithmic characteristic. This feature allows you to fine-tune the VCA to meet the needs of your sound design, from smooth, smooth fades to dramatic, exponential changes.
Use the VCA for a wide range of applications, from simple volume control to shaping dynamic amplitude modulations. Its flexibility makes it the ideal tool for experimental sound research as well as classic synthesizer sounds.
Intuitive operation
Despite its advanced features, the VCA remains intuitive to use. Switching between characteristics is straightforward, so you can focus on experimenting with your sounds.
Perfect for any setup
Whether you're in the studio or on stage, this VCA is a must-have for anyone looking to expand their sonic palette and refine control over their sounds. Its robust construction and reliable performance make it a trustworthy partner for all musical endeavors.
… Read moreUltra-compact design
With a width of only 2HP, this VCA fits seamlessly into any Eurorack setup and optimizes the available space for maximum creativity.
A standout feature of this VCA is the ability to manually switch between a linear and a logarithmic characteristic. This feature allows you to fine-tune the VCA to meet the needs of your sound design, from smooth, smooth fades to dramatic, exponential changes.
Use the VCA for a wide range of applications, from simple volume control to shaping dynamic amplitude modulations. Its flexibility makes it the ideal tool for experimental sound research as well as classic synthesizer sounds.
Intuitive operation
Despite its advanced features, the VCA remains intuitive to use. Switching between characteristics is straightforward, so you can focus on experimenting with your sounds.
Perfect for any setup
Whether you're in the studio or on stage, this VCA is a must-have for anyone looking to expand their sonic palette and refine control over their sounds. Its robust construction and reliable performance make it a trustworthy partner for all musical endeavors.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $55.27
(No payment required now - pay when released)
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Zoom MS-70CDR+ Multi-Effects Pedal (modulation/time/dynamics/filter effects pedal)
Cat: 1010032 Rel: 30 Jun 24 • View all Effects pedals
Chorus, delay, reverb, dyanmics & filter effects pedal
Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs
The Zoom MS-70CDR+: Your New Modulation Station
The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.
A Deep Dive into Chorus, Delays, Reverbs & More
Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.
Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.
Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.
Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.
Expanded Controls
The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.
Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.
Next Generation Circuitry
Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.
Everything's Better in Stereo.
The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.
Soundscapes Are Key
For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.
Change Patches With MIDI
With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.
Enhanced Navigation
Cross Key Switches
The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.
Control Knobs
Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.
Colour Coded LCD Screen
The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.
Sturdy Build
The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.
Power Options
The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.
Tune-Up
The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.
Handy Guitar Lab
With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.
Technical Specifications
Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD
Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB
Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu
Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)
USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.
Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V
… Read moreThe Zoom MS-70CDR+: Your New Modulation Station
The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.
A Deep Dive into Chorus, Delays, Reverbs & More
Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.
Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.
Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.
Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.
Expanded Controls
The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.
Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.
Next Generation Circuitry
Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.
Everything's Better in Stereo.
The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.
Soundscapes Are Key
For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.
Change Patches With MIDI
With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.
Enhanced Navigation
Cross Key Switches
The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.
Control Knobs
Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.
Colour Coded LCD Screen
The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.
Sturdy Build
The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.
Power Options
The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.
Tune-Up
The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.
Handy Guitar Lab
With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.
Technical Specifications
Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD
Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB
Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu
Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)
USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.
Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $181.62
(No payment required now - pay when released)
FORTHCOMING
Related products...
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963504 • View all Synth modules
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.
This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
… Read moreThis module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $267.76
(No payment required now - pay when released)
FORTHCOMING
Related products...
Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (silver) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)
Cat: 963505 • View all Synth modules
4x VCA-decay & mute group module - 16HP.
Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.
This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
… Read moreThis module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.
The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.
Key Features:
Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.
16 HP
Power consumption 180mA@+12V, 64mA@-12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $267.76
(No payment required now - pay when released)
FORTHCOMING
Related products...
Cosmotronic Messor Stereo Compressor & Transient Shaper Module (silver) (dynamics/dual/stereo/envelope follower/expander/VCA module)
Cat: 995681 Rel: 30 Apr 24 • View all Synth modules
Stereo compressor & transient shaper module - 8HP
Notes: Messor is an analogue stereo compressor with lots of tricks up its sleeve, in only 8HP.
From squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.
At its core it's a VCA based feed-forward compressor with a low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope. This starts with a a switchable high-pass / low-pass filter, before going into a precision envelope follower, controlled by familiar parameters: the attack, release, threshold, ratio and makeup gain.
The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.
Being modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.
The gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.
There's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.
Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.
Dimensions
8 HP
25 mm deep
Current Draw
45 mA +12V
26 mA -12V
… Read moreFrom squashing drums, sidechaining kicks and sculpting transients, to glueing a mix together, it's a very versatile dynamics manager.
At its core it's a VCA based feed-forward compressor with a low noise signal path. The magic is in the internal sidechain that shapes the gain reduction envelope. This starts with a a switchable high-pass / low-pass filter, before going into a precision envelope follower, controlled by familiar parameters: the attack, release, threshold, ratio and makeup gain.
The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.
Being modular, of course there are CV inputs for Attack, Release and the side-chain Filter cutoff. The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob turned fully CCW.
The gain reduction envelope is also available as an output, for turning filters or other VCA's into compressors for example, or as a standalone envelope follower.
There's a bypass switch, and a Warm mode, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.
Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.
Dimensions
8 HP
25 mm deep
Current Draw
45 mA +12V
26 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 24 $212.75
(No payment required now - pay when released)
FORTHCOMING
Related products...
KMA Machines Endgame Duality Calibrator Effects Pedal (amplifier modeling effects pedal)
Cat: 995968 Rel: 30 Apr 24 • View all Effects pedals
Duality calibrator effects pedal
Notes: After years of development work, ENDGAME is KMA Machine's most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, ENDGAME is a superb problem solver and a convenient creative companion.
Talk about feature packed! With an integrated Stereo FX loop, KMA's proprietary True Double-Tracker doubler and own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones.
And now, you can finally use all your stereo devices with just one easy to use and compact product - let the alchemy begin!
It's no secret that over the past few years stereo pedals have become a huge part of many musician's rigs. While many regular tones can (and should) be mono, KMA are very much fond of stereo effects. But why is it so hard to use them either at home or on the stage? Without the luxury of 2 amps (plus the ability to turn them up if you have them) or for owners of cab/amp simulators that are usually mono input by design, monitoring stereo effects properly can end up being so difficult that many just end up running their stereo effects in mono and therefore lose many of their spatial creativity nuances.
Doubling guitars in recording is also a common practice in a variety of musical styles. In many cases, a single guitarist will record the same track twice with each separate recording being spread to the left and right channels. The effect of this is unmistakable to the ear and the slight differences and nuances between the two separate performances complement each other to create a noticeable thickness, density and weight to the musical experience. This is hard to get sounding right live too. Note this is not the same thing as simple doublers (that just delay one signal with a modulation) or ADT type solutions that are on the market today.
So, KMA developed ENDGAME. KMA wanted to make an easy-to-use product that gives the essentials of good tone, nothing more and nothing less. While from the front panel it might look like ENDGAME has lots of controls, compared to many hidden menus and screens in many other products, all means that it is also deceptively simple to use, despite the huge complexity of what's going on inside!
Stereo FX Loop
A Stereo FX Loop isn't a new thing, but in ENDGAME's case it is probably one of the most usable, making this a killer feature!
For maximum flexibility, the serial loop features routing that can exist either before or after the IR loader and/ or Doubler (when active). Buffered for the sake of long cable runs and to maximise signal clarity, you can now hear your stereo pedals and other effects in their true pristine glory! Plus, you can quickly switch the loop on or off via the convenient soft footswitch.
True Double Tracker
Whether playing live or recording with a single instrument, the KMA ENDGAME's True Double Tracker provides the perfect solution for adding a "fatness" and "width" to your performances and really feels like you are playing the same riff twice!
Enabled via the footswitch, the doubler accurately replicates the minor differences that could exist within two separate recordings and the width control can spread your doubled tracks anywhere from completely centred (0%) to 50% left and right (centre indent) and 100% left and right split.
… Read moreTalk about feature packed! With an integrated Stereo FX loop, KMA's proprietary True Double-Tracker doubler and own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones.
And now, you can finally use all your stereo devices with just one easy to use and compact product - let the alchemy begin!
It's no secret that over the past few years stereo pedals have become a huge part of many musician's rigs. While many regular tones can (and should) be mono, KMA are very much fond of stereo effects. But why is it so hard to use them either at home or on the stage? Without the luxury of 2 amps (plus the ability to turn them up if you have them) or for owners of cab/amp simulators that are usually mono input by design, monitoring stereo effects properly can end up being so difficult that many just end up running their stereo effects in mono and therefore lose many of their spatial creativity nuances.
Doubling guitars in recording is also a common practice in a variety of musical styles. In many cases, a single guitarist will record the same track twice with each separate recording being spread to the left and right channels. The effect of this is unmistakable to the ear and the slight differences and nuances between the two separate performances complement each other to create a noticeable thickness, density and weight to the musical experience. This is hard to get sounding right live too. Note this is not the same thing as simple doublers (that just delay one signal with a modulation) or ADT type solutions that are on the market today.
So, KMA developed ENDGAME. KMA wanted to make an easy-to-use product that gives the essentials of good tone, nothing more and nothing less. While from the front panel it might look like ENDGAME has lots of controls, compared to many hidden menus and screens in many other products, all means that it is also deceptively simple to use, despite the huge complexity of what's going on inside!
Stereo FX Loop
A Stereo FX Loop isn't a new thing, but in ENDGAME's case it is probably one of the most usable, making this a killer feature!
For maximum flexibility, the serial loop features routing that can exist either before or after the IR loader and/ or Doubler (when active). Buffered for the sake of long cable runs and to maximise signal clarity, you can now hear your stereo pedals and other effects in their true pristine glory! Plus, you can quickly switch the loop on or off via the convenient soft footswitch.
True Double Tracker
Whether playing live or recording with a single instrument, the KMA ENDGAME's True Double Tracker provides the perfect solution for adding a "fatness" and "width" to your performances and really feels like you are playing the same riff twice!
Enabled via the footswitch, the doubler accurately replicates the minor differences that could exist within two separate recordings and the width control can spread your doubled tracks anywhere from completely centred (0%) to 50% left and right (centre indent) and 100% left and right split.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 24 $362.20
(No payment required now - pay when released)
FORTHCOMING
Related products...
Zoom H1essential 32-Bit Float Stereo Handy Recorder (handheld audio recorder)
Cat: 997060 Rel: 30 Apr 24 • View all Portable audio recorders | Handheld recorders
32-bit float stereo handy recorder
Notes: Zoom H1essential - 32-Bit Float Recording for All
The World's Easiest Recorder, Just Got Easier
With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.
32-Bit Float Magic
With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take
The First Handy Recorders with Accessibility
The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.
Loud and Clear
The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.
The Perfect Practice Companion for Musicians
Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.
Sound Makes the Scene
The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.
For Storytellers
Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.
Big Features, Small Package
The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.
Features
32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power
Specs
Inputs
Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL
MIC/LINE IN jack
Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V
Built-in mic
90 degree XY stereo format
Directionality: Unidirectional
Outputs
PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW
Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported
Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification
Display
OLED: 128 x 64
USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed
Power
2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.
Estimated continuous operation time using batteries
Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.
Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms
… Read moreThe World's Easiest Recorder, Just Got Easier
With the push of a button the H1essential captures perfect audio for musicians, podcasters, filmmakers, and content creators. Simply hit record and discover the power of 32-bit float.
32-Bit Float Magic
With 32-bit float recording, you never have to adjust levels. The H1essential captures every nuance of your sound ensuring high-quality audio with every take
The First Handy Recorders with Accessibility
The Essential Series was designed with Accessibility for the blind and visually impaired. Navigate the menu with audible descriptions through the built-in speaker or headphones. Creators can choose English, Spanish, French, Japanese, German, Italian or Chinese.
Loud and Clear
The onboard X/Y microphones capture clean audio up to 120 dB SPL, equivalent to the sound of a high-performance engine.
The Perfect Practice Companion for Musicians
Musicians can use the H1essential to record every rehearsal, a great way to improve your playing. Features like overdubbing and playback-speed-adjustment are great for writing and practicing.
Sound Makes the Scene
The H1essential is great for filmmakers. Record and send audio directly to your camera or use it to record sound effects to complete your scene.
For Storytellers
Podcasters can mount the H1essential on a tripod for sit down conversations or use 'mono mode' for on-the-go interviews.
Big Features, Small Package
The H1essential has advanced features such as overdubbing, pre-record, auto record, and playback speed adjustment.
Features
32-bit float recording: perfect audio with no need to set gain
120 dB SPL 90 degree XY Mics
Records up to 96kHZ sample rate
New OLED Display
Overdubbing, auto record, pre-record and timer functions
USB Microphone Function
Audio guidance function for the blind and visually impaired
10 hours of battery life on 2 AAA Batteries or USB-C Bus power
Specs
Inputs
Built-in mic: 90 degree XY stereo format
Directionality: Unidirectional
Sensitivity: -37 dB/1 Pa at 1 kHz
Maximum sound pressure input: 120 dB SPL
MIC/LINE IN jack
Connector: Stereo mini jack
Input impedance: 2 kO or more
Plug-in power: 2.5 V
Built-in mic
90 degree XY stereo format
Directionality: Unidirectional
Outputs
PHONE / LINE OUT jack
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(into 32O load)
Output impedance: 10 O or less
Built-in speaker Type: 20 x 30mm oval dynamic speaker
Practical maximum output: 250mW
Recorder
Recording formats:
WAV
44.1/48/96 kHz, 32-bit Float
Stereo / Mono
BWF and iXML formats supported
Recording media
4-32GB cards compatible with the microSDHC specification
64GB-1TB cards compatible with the microSDXC specification
Display
OLED: 128 x 64
USB
Connector: USB Type-C (Use a USB cable that supports data transfer.)
USB Mic: USB 2.0 High Speed
48 kHz, 24-bit
File transfer: USB 2.0 High Speed
Power
2 AAA batteries Alkaline, Lithium, or Rechargeable NiMH
AC adapter: ZOOM AD-17: DC 5 V/1 A
USB bus power is supported.
Estimated continuous operation time using batteries
Alkaline batteries: About 10 hours
NiMH batteries (800 mAh): About 9 hours
Lithium batteries: About 18 hours
Stereo recording, 48kHz/32-bit float, no headphones, Power Save 1min
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.
They will vary greatly according to use conditions.
Power consumption: 5 W maximum
Dimensions: 53.9 mm (W) × 136.6 mm (D) × 29.0 mm (H)
Weight (including batteries): 92 g
Note: 0 dBu = 0.775 Vrms
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 24 $98.60
(No payment required now - pay when released)
FORTHCOMING
Related products...
Rode Interview Pro Wireless Handheld Condenser Microphone (wireless condenser microphone)
Cat: 1014317 Rel: 31 Jul 24 • View all Wireless Microphones | Wireless Microphone Systems
Wireless handheld condenser microphone
Notes: The Interview PRO is a broadcast-quality handheld wireless microphone that's ideal for capturing professional audio in a wide range of content creation, media and broadcast applications. It pairs seamlessly with all RODE Series IV wireless receivers, utilising state-of-the-art 2.4GHz digital transmission to deliver incredibly stable audio with a range of up to 200m (line of sight). Featuring a high-quality omnidirectional condenser capsule, 32-bit float on-board recording, and intelligent GainAssist technology, it delivers professional results in any recording scenario.
The Interview PRO can be used as a standalone field recorder, but for wireless operation, a RODE Series IV receiver or compatible product is required.
Pristine Wireless Audio in Your Hands
Combining the ultimate flexibility of RODE's cutting-edge wireless technology with the pristine audio quality of a broadcast-grade condenser microphone, the Interview PRO is a compact, versatile and professional solution for capturing your voice in a wide range of applications, from interviews and media to small presentations and content creation.
The Perfect Mic for Your RODE Wireless System
The Interview PRO is compatible with all RODE Series IV wireless receivers. This includes the ultra-versatile Wireless PRO, Wireless ME and Wireless GO II compact wireless systems for recording broadcast-quality audio into your camera, smartphone, or even a computer. It can also be paired directly to the RODECaster Pro II and Duo, just like an XLR microphone - perfect for podcasts and small presentations where you need the freedom of wireless.
The Leaders in Wireless Audio Solutions
The Interview PRO utilises RODE's state-of-the-art Series IV 2.4GHz digital transmission with 128-bit encryption to deliver incredibly stable wireless audio with a range of up to 200m, line of sight, and is optimised for extremely stable close range operation. It pairs in seconds with minimal setup required, so you can get creating right away.
Perfect Sound, Every Time
Designed to be as easy to use as possible, the Interview PRO features RODE's intelligent GainAssist technology, which automatically controls your audio level on-the-fly to make sure it doesn't clip or distort. With two different modes available, GainAssist will ensure your audio is perfect every time.
Broadcast-grade Voice Capture
The Interview PRO's broadcast-grade condenser capsule delivers rich, detailed voice reproduction and its omnidirectional polar pattern makes it very forgiving when it comes to mic placement - the perfect combination for street interviews, presenting and more. Featuring an internal pop filter, an included windshield, and internally shock mounting around the capsule, the Interview PRO is primed to protect against plosives, wind noise and handling noise, keeping your audio pristine.
Present, Interview, Create
Whether you're presenting in the field, conducting street interviews, hosting a casual podcast or creating content on the move, the Interview PRO's unique set of features make it an ultra-versatile and high-quality solution for capturing your voice.
Never Lose a Recording
With over 40 hours of 32-bit float on-board recording, you have the ability to recover any recording in post-production that was too loud or too quiet, so you can always be sure that your interview, presentation or performance has been captured safely. You can even record without the Interview PRO connected to a receiver, making it an ideal portable field recorder.
RODE Central
RODE Central is an easy-to-use desktop and mobile companion app that allows you to configure your Interview PRO anywhere, access and export your on-board recordings (desktop only), and update your firmware. Download it for free to unlock the full potential of your Interview PRO.
Note: OS Requirements - MacOS 10.15 or later; Windows 10 Version 1803 or later; iOS 14 or later; Android 9.0 or later.
Specifications
Capsule: Electret Condenser
Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20Hz - 20kHz
Signal-to-Noise Ratio: 74dB
Dynamic Range: 102dB (as per IEC651)
Maximum SPL: 122dB SPL
Wireless Connectivity: RODE Series IV Wireless 2.4GHz
Transmission Range: Up to 200m (line of sight)
Computer Connectivity: USB-C (USB SuperSpeed 5Gbps)
Power Requirements: In-built lithium-ion rechargable
(charged via USB)
Recording Capacity: 32GB (over 40 hours of recording)
Operating Time: Up to 25 hours
Bit Depth: 32-bit
Sample Rate: 48 kHz
Minimum OS Requirements: macOS 11
Windows 10: iOS 14, Android 11
Compatible RODE Software: RODE Central, RODE Connect, UNIFY, RODE Reporter, RODE Capture, RODE Central Mobile
Mechanical specifications
Colour: Black
Weight (grams): 250
Dimensions (millimetres):
Length: 258
Width: 47
Height: 47
What's in the Box
1 x Interview PRO
1 x RM3
1 x SC34
1 x Windshield
1 x ZP2
… Read moreThe Interview PRO can be used as a standalone field recorder, but for wireless operation, a RODE Series IV receiver or compatible product is required.
Pristine Wireless Audio in Your Hands
Combining the ultimate flexibility of RODE's cutting-edge wireless technology with the pristine audio quality of a broadcast-grade condenser microphone, the Interview PRO is a compact, versatile and professional solution for capturing your voice in a wide range of applications, from interviews and media to small presentations and content creation.
The Perfect Mic for Your RODE Wireless System
The Interview PRO is compatible with all RODE Series IV wireless receivers. This includes the ultra-versatile Wireless PRO, Wireless ME and Wireless GO II compact wireless systems for recording broadcast-quality audio into your camera, smartphone, or even a computer. It can also be paired directly to the RODECaster Pro II and Duo, just like an XLR microphone - perfect for podcasts and small presentations where you need the freedom of wireless.
The Leaders in Wireless Audio Solutions
The Interview PRO utilises RODE's state-of-the-art Series IV 2.4GHz digital transmission with 128-bit encryption to deliver incredibly stable wireless audio with a range of up to 200m, line of sight, and is optimised for extremely stable close range operation. It pairs in seconds with minimal setup required, so you can get creating right away.
Perfect Sound, Every Time
Designed to be as easy to use as possible, the Interview PRO features RODE's intelligent GainAssist technology, which automatically controls your audio level on-the-fly to make sure it doesn't clip or distort. With two different modes available, GainAssist will ensure your audio is perfect every time.
Broadcast-grade Voice Capture
The Interview PRO's broadcast-grade condenser capsule delivers rich, detailed voice reproduction and its omnidirectional polar pattern makes it very forgiving when it comes to mic placement - the perfect combination for street interviews, presenting and more. Featuring an internal pop filter, an included windshield, and internally shock mounting around the capsule, the Interview PRO is primed to protect against plosives, wind noise and handling noise, keeping your audio pristine.
Present, Interview, Create
Whether you're presenting in the field, conducting street interviews, hosting a casual podcast or creating content on the move, the Interview PRO's unique set of features make it an ultra-versatile and high-quality solution for capturing your voice.
Never Lose a Recording
With over 40 hours of 32-bit float on-board recording, you have the ability to recover any recording in post-production that was too loud or too quiet, so you can always be sure that your interview, presentation or performance has been captured safely. You can even record without the Interview PRO connected to a receiver, making it an ideal portable field recorder.
RODE Central
RODE Central is an easy-to-use desktop and mobile companion app that allows you to configure your Interview PRO anywhere, access and export your on-board recordings (desktop only), and update your firmware. Download it for free to unlock the full potential of your Interview PRO.
Note: OS Requirements - MacOS 10.15 or later; Windows 10 Version 1803 or later; iOS 14 or later; Android 9.0 or later.
Specifications
Capsule: Electret Condenser
Acoustic Principle: Pre-polarised pressure transducer
Polar Pattern: Omnidirectional
Frequency Range: 20Hz - 20kHz
Signal-to-Noise Ratio: 74dB
Dynamic Range: 102dB (as per IEC651)
Maximum SPL: 122dB SPL
Wireless Connectivity: RODE Series IV Wireless 2.4GHz
Transmission Range: Up to 200m (line of sight)
Computer Connectivity: USB-C (USB SuperSpeed 5Gbps)
Power Requirements: In-built lithium-ion rechargable
(charged via USB)
Recording Capacity: 32GB (over 40 hours of recording)
Operating Time: Up to 25 hours
Bit Depth: 32-bit
Sample Rate: 48 kHz
Minimum OS Requirements: macOS 11
Windows 10: iOS 14, Android 11
Compatible RODE Software: RODE Central, RODE Connect, UNIFY, RODE Reporter, RODE Capture, RODE Central Mobile
Mechanical specifications
Colour: Black
Weight (grams): 250
Dimensions (millimetres):
Length: 258
Width: 47
Height: 47
What's in the Box
1 x Interview PRO
1 x RM3
1 x SC34
1 x Windshield
1 x ZP2
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 Jul 24 $258.42
(No payment required now - pay when released)
FORTHCOMING
Related products...
Analog Cases Akai Professional APC64 Pulse Case (MIDI controller case)
Cat: 1001821 Rel: 31 May 24 • View all Recording Studio Accessories
Case designed to fit the Akai Professional APC64
Notes: The PULSE case is the perfect case for your Akai APC64: an ideal travel solution for mobile producers and musicians.
PULSE cases are made of rigid moulded EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a ballistic nylon exterior, super-soft velvet interior, and an ultra-smooth zipper.
With a spacious storage pocket for cables, and a comfortable handle, this case comes equipped with all the features you'll need for travel. Ultra-compact and totally flat, it can also pack easily into your backpack, carry-on, or a larger flight case.
PULSE Case For Akai APC64
Perfect fit for the Akai APC64
Rigid moulded case that provides excellent protection
Super-soft velvet interior and spacious pocket for cables
Compact and lightweight
Specifications
Perfect fit for your Akai APC64
Versatile and lightweight
Spacious and comfortable handle
High-quality Analog Cases logo zipper puller
Exterior Dimensions: 17.90 x 13.20 x 2.00 Inches
***Please note: the APC64 is not included, it is shown in the pictures for demonstration purposes only. ***
… Read morePULSE cases are made of rigid moulded EVA material that is durable and lightweight, while providing excellent protection. The 100% premium materials include a ballistic nylon exterior, super-soft velvet interior, and an ultra-smooth zipper.
With a spacious storage pocket for cables, and a comfortable handle, this case comes equipped with all the features you'll need for travel. Ultra-compact and totally flat, it can also pack easily into your backpack, carry-on, or a larger flight case.
PULSE Case For Akai APC64
Perfect fit for the Akai APC64
Rigid moulded case that provides excellent protection
Super-soft velvet interior and spacious pocket for cables
Compact and lightweight
Specifications
Perfect fit for your Akai APC64
Versatile and lightweight
Spacious and comfortable handle
High-quality Analog Cases logo zipper puller
Exterior Dimensions: 17.90 x 13.20 x 2.00 Inches
***Please note: the APC64 is not included, it is shown in the pictures for demonstration purposes only. ***
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $58.12
(No payment required now - pay when released)
FORTHCOMING
Related products...
Mackie DLZ Creator Adaptive Digital Studio Mixer (digital studio mixer)
Cat: 1001846 Rel: 31 May 24 • View all Studio mixers
Adaptive digital studio mixer
Notes: DLZ creator
Adaptive digital mixer for podcasting and streaming
Introducing the podcast mixer that adapts to you.
The DLZ creator adaptive digital mixer for podcasting and streaming enables you to get the results you want-faster than ever. Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator transforms the on-screen controls to meet your creative style or skill level-without compromising processing power or sound quality.
Easy
A no-fuss user interface that offers the fastest path to recording your first podcast. For those who want to get great results without menu-diving.
Enhanced
Expanded control over your sound and mix. For those who want some customization without an overwhelming number of options.
Pro
Total control and fully customizable. For those who know what they want, and how to get it.
Built-in smarts
More than a digital mixer
DLZ creator is designed to help you become a better content producer.
Mix Agent is your personal audio assistant that guides you through setup and sound check, so in a few button presses you'll be recording. AutoMix manages levels for up to four mics so everyone can be heard-even when they speak at the same time-which is a big help when you're busy hosting a show with multiple guests or hosts.
Using Mix Minus with your Bluetoothr-connected smartphone lets you add a caller into the mix with no audible echo when they speak.
The ins and outs of producing
A professional studio mixer for your desktop
DLZ Creator harnesses decades of Mackie expertise, making every detail count for your productions. From Onyx80 preamps that make even low-output mics sound both loud and pristine, to customized headphone mixes for each of your guests, DLZ Creator gives you the benefits of a professional studio mixer without the steep learning curve.
Ready for what's next
A portable and versatile podcasting interface
As a content creator, you know that flexibility is key. No matter how you like to create, the DLZ podcast mixer supports you every step of the way. Record or stream to a computer via USB-C, or skip the computer and record full multitrack audio to an SD card for a truly self-contained setup.
Tech specs
DLZ Mix Agent
Guided setup walks you through channel configuration
Automatic Gain sets your input levels for you
Fast headphone output setup
DLZ Work Modes
Choose between Easy, Enhanced, and Pro
Transform the user interface to fit your experience level and needs
Auto Mix
Automatically reduces channel levels when not receiving signal
Ensures a consistent overall output level and reduces potential feedback in mix
10.1" High-resolution full-colour touch display with anti-glare coating
4 discrete XLR/TRS combo inputs
Stereo channel with dual 1/4" TRS inputs
Stereo channel with 1/8" TRS connection
Stereo Bi-Directional Bluetoothr channel
Onyx80 mic preamps with up to 80dB gain
14x4 USB-C audio interface to Mac/PC
Flexible multitrack recording and stereo playback to MicroSD and USB thumb drive
Professional audio processing
3-band parametric EQ + high pass filter
Noise gate / De-esser / Compressor
Atomizer Reverb and Chronotronic Delay
5 dynamically color-coded rotary controls
9 professional 100mm faders
Backlit mute, solo, sample triggers, and nav buttons
Sample playback
Instantly trigger pre-made samples via dedicated backlit buttons
Store your favourite sounds and record new ones on the fly to MicroSD
4 independent headphone outputs
Individual level control for each output
Create custom mixes for each output (pro mode only)
Hard power switch and locking power connector
… Read moreAdaptive digital mixer for podcasting and streaming
Introducing the podcast mixer that adapts to you.
The DLZ creator adaptive digital mixer for podcasting and streaming enables you to get the results you want-faster than ever. Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator transforms the on-screen controls to meet your creative style or skill level-without compromising processing power or sound quality.
Easy
A no-fuss user interface that offers the fastest path to recording your first podcast. For those who want to get great results without menu-diving.
Enhanced
Expanded control over your sound and mix. For those who want some customization without an overwhelming number of options.
Pro
Total control and fully customizable. For those who know what they want, and how to get it.
Built-in smarts
More than a digital mixer
DLZ creator is designed to help you become a better content producer.
Mix Agent is your personal audio assistant that guides you through setup and sound check, so in a few button presses you'll be recording. AutoMix manages levels for up to four mics so everyone can be heard-even when they speak at the same time-which is a big help when you're busy hosting a show with multiple guests or hosts.
Using Mix Minus with your Bluetoothr-connected smartphone lets you add a caller into the mix with no audible echo when they speak.
The ins and outs of producing
A professional studio mixer for your desktop
DLZ Creator harnesses decades of Mackie expertise, making every detail count for your productions. From Onyx80 preamps that make even low-output mics sound both loud and pristine, to customized headphone mixes for each of your guests, DLZ Creator gives you the benefits of a professional studio mixer without the steep learning curve.
Ready for what's next
A portable and versatile podcasting interface
As a content creator, you know that flexibility is key. No matter how you like to create, the DLZ podcast mixer supports you every step of the way. Record or stream to a computer via USB-C, or skip the computer and record full multitrack audio to an SD card for a truly self-contained setup.
Tech specs
DLZ Mix Agent
Guided setup walks you through channel configuration
Automatic Gain sets your input levels for you
Fast headphone output setup
DLZ Work Modes
Choose between Easy, Enhanced, and Pro
Transform the user interface to fit your experience level and needs
Auto Mix
Automatically reduces channel levels when not receiving signal
Ensures a consistent overall output level and reduces potential feedback in mix
10.1" High-resolution full-colour touch display with anti-glare coating
4 discrete XLR/TRS combo inputs
Stereo channel with dual 1/4" TRS inputs
Stereo channel with 1/8" TRS connection
Stereo Bi-Directional Bluetoothr channel
Onyx80 mic preamps with up to 80dB gain
14x4 USB-C audio interface to Mac/PC
Flexible multitrack recording and stereo playback to MicroSD and USB thumb drive
Professional audio processing
3-band parametric EQ + high pass filter
Noise gate / De-esser / Compressor
Atomizer Reverb and Chronotronic Delay
5 dynamically color-coded rotary controls
9 professional 100mm faders
Backlit mute, solo, sample triggers, and nav buttons
Sample playback
Instantly trigger pre-made samples via dedicated backlit buttons
Store your favourite sounds and record new ones on the fly to MicroSD
4 independent headphone outputs
Individual level control for each output
Create custom mixes for each output (pro mode only)
Hard power switch and locking power connector
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $620.62
(No payment required now - pay when released)
FORTHCOMING
Related products...
Feedback VCZIII B Base Voltage Controlled Oscillator Module (oscillator/waveshaper module)
Cat: 1004977 Rel: 31 May 24 • View all Synth modules
Voltage controlled oscillator module - 12HP
Notes: The VCZIII voltage controlled oscillator modules are Feedback's latest creation and are based on the VCOs of one of the most revered analog instruments, the famous British pin matrix synth released in 1969.
The VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH NORMAL FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
… Read moreThe VCZIII series VCO is a result of the collaboration of Feedback modules and CMS-LAB and is a modern re-creation of those temperamental, organic and beautiful sounding VCOs from 1969 but with enhancements and adaptations to the Eurorack needs of 21st century.
There are two type of VCOs, VCZIII A based on VCO1 with variable shape SINE & SAW waveforms, VCZIII B based on VCO2 & VCO3 with variable TRIANGLE & PULSE waveforms.
Also, each VCO comes in two versions, one with normal fine tune potentiometers and one with precision multiturn potentiometer.
THIS VERSION IS WITH NORMAL FINE TUNE POTENTIOMETER.
Tech specs:
- 12HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 50mA , -12V 30mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $181.62
(No payment required now - pay when released)
FORTHCOMING
Related products...
Anti-Kulture Precision Disrupter Generative Sequencer Module (sequencer/random module)
Cat: 1005099 Rel: 31 May 24 • View all Synth modules
Generative sequencer module - 40HP
Notes: The Precision Disrupter is a generative Eurorack sequencer that relies on controlled randomization to create melodic & rhythmic patterns with ease and relentless conviction.
The idea
Unlike other generative sequencers in euorack, the Precision Disrupter
offers complete command over the randomization parameters and then immediately empowers you with fine-editing controls for precise, real-time performance punch.
The bottom line
The Precision Disrupter is a melody generating powerhouse. Quickly find the the perfect sequence, breathe in the inspiration, and show them what you are made of.
Width: 40HP
Max Depth: 25mm
200mA @ +12V 5mA @ -12V
… Read moreThe idea
Unlike other generative sequencers in euorack, the Precision Disrupter
offers complete command over the randomization parameters and then immediately empowers you with fine-editing controls for precise, real-time performance punch.
The bottom line
The Precision Disrupter is a melody generating powerhouse. Quickly find the the perfect sequence, breathe in the inspiration, and show them what you are made of.
Width: 40HP
Max Depth: 25mm
200mA @ +12V 5mA @ -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 31 May 24 $540.72
(No payment required now - pay when released)
FORTHCOMING
Related products...
Kiviak Instruments Wofi 10-Voice Polyphonic Sampler Keyboard Synthesiser (digital keyboard synthesiser)
Cat: 1000935 Rel: 30 Apr 24 • View all Synthesisers
10-voice polyphonic sampler keyboard synthesiser & sequencer
Notes: WoFI is a portable Sampler keyboard that connects to the internet via WiFi, and features an innovative effect module called Texturer that combines elements of shimmer and granular synthesis to create unique and fascinating sounds. Its compact size and intuitive interface make it an ideal tool for musicians and producers who are always on the move. In addition, WoFI comes with a rechargeable battery, allowing you to create music anywhere you go without worrying about power. You can also share your patches and access sound banks from other sound designers through the mywo.fi community platform. Whether you're a beginner or a seasoned professional, WoFI offers endless possibilities for exploring new sonic territories and creating unique sounds.
Features
Player
The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.
Enveloppe
Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.
Manager
With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.
Filter
The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.
Texturer
The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.
LFO
The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.
Sequencer
The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.
Recorder
The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.
Master
The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.
Technical details
Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices
Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant
Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets
100 MB allows storing 18 minutes of audio
Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing
DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer
File servicing
- Direct file system management through USB
- Embedded sample editor
Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.
Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones
Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow
- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm
… Read moreFeatures
Player
The Player let you colour your sound with our emulations of classic samplers and their different sample player modes. Make it clean, dirty or anywhere in between.
Enveloppe
Sculpt your sound with the Enveloppe that can be assigned to WoFi's amp, filter or even both.
Manager
With the Manager and its display, get a visual feedback on all your tweakings, manage your sample library, access to mywo.fi content through WiFi and play with the touch strip. Oh, and there is no subscription needed for mywo.fi. Having WoFi gives you free access to community.
Filter
The Filter let you play the WoFi like classic subtractive synthesizers. It's a digital low-pass filter with two different slopes (12dB and 24dB) and a tasty resonance.
Texturer
The Texturer is here to bring you to unexplored sonic territories. Elevate your sound with this effect halfway between a shimmer FX and granular synthesis.
LFO
The LFO let you modulate your creation. With three different wave shapes, assign it to any parameter of the front panel and give motion to the sound.
Sequencer
The Sequencer let you build melodic patterns with the 16 polyphonic steps. It can be used as an arpeggiator. You can have your two hands free to play along the sequence and tweak your sound while it is looping. Oh, and you can also step sequence parameters, which makes it another modulation source in addition of the LFO and the Enveloppe.
Recorder
The Recorder let you either capture a sample from the line in or directly from the built-in microphone. It's easy as pie, pick your audio source with the switch, click on record and voila. Just like with the iconic first keyboard samplers.
Master
The Wofi is made to be played in many contexts, from your couch to the studio, so it has a full connectivity and two stereo audio outputs: one for your headphones and one for a master line-out and the WoFi internal speaker. Set your volumes easily.
Technical details
Player
- 48kHz 16 bits
- Direct streaming from flash, no preloading
- Polyphony 10 voices
Recorder
- 48kHz 16 bits mono
- Line / dynamic microphone / integrated microphone
- Gain adjust -6dB + 22dB
- Eurorack level compliant
Memory
- Flash embedded memory : 100 Mbytes, Flash cartridge memory : 100 Mbytes, Up to 200 User Patches + 50 Presets
100 MB allows storing 18 minutes of audio
Sequencer
- 16 steps track for notes
- 16 keys track for parameters sequencing
DSP
- Real time processing (No Preprocessing)
- Interpolation modes: sample & hold, linear, whittaker-shannon
- Pitch shift
- Time stretch
- Bit crusher
- Texturer
- Machine rendering emulation
- Resonant state variable filter (12dB/o-24dB/o)
- Parameter modulation from different sources : enveloppe, LFO, sequencer automations, external modulation (CV/MIDI), after touch, touch strip
- Texturer: self mixing renderer based on granular sampling - 8 grains - multi tap harmonizer
File servicing
- Direct file system management through USB
- Embedded sample editor
Network
- WIFI connectivity, up to 16 key pass
- Cloud access: Patch / Sample upload and download, sharing or backup.
Connectivity
- Sync clock + start/stop
- CV input, Gate input
- CV output, modulation output, gate output
- MIDI in, out, through DIN+USB
- Line In, Line out, Headphones
Miscellaneous
- USB powered
- Embedded battery - roughly 4h autonomy
- Integrated Microphone
- Integrated Speaker
- Full backup to Cartridge or mywo.fi
- User friendly workflow
- Aluminium / wood body
- Dimensions: 52cm x 23cm x 7cm
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Apr 24 $705.73
(No payment required now - pay when released)
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ADDAC System ADDAC200CT Cable Tester Device (cable tester device)
Cat: 1007258 Rel: 30 Jun 24 • View all Synth Module Accessories
Cable tester device
Notes: Introducing ADDAC's Cable Tester, a desktop utility that provides a reliable means to test the integrity of both mono jacks and ribbon cables, ensuring that every connection is secure and electrically sound.
Individual Wire Testing - Featuring the ability to test each wire within the ribbon cables independently with dedicated LEDs for every wire, providing a clear visual indication of the status of each connection, wires are also tested against their neighbouring wires to detect shorts.
Busboard monitor
The busboard monitor LEDs allows the user to check the state of the busboard power lines as well as the special CV/Gate functions. If the busboard has no +5v supply the led will be off likewise for the CV/Gate functions if not in use.
This is a desktop device, ADDAC provide a long power cable so that it can still be plugged into your rack.
As a safety precaution only power this board when you need to test a cable. Leaving it ON at all times can lead to unintended problematic misuses which, in a worst case scenario, can shorten your Eurorack PSU,
! WARNING !
DO NOT POWER MODULES FROM THE TEST SOCKETS!!
Compatible with all ADDAC System ribbon cables (power, expansions and interconnectivity: 112, 213, 807).
Also compatible with any standard Eurorack power ribbon cable (2x5 to 2x8 or 2x8 to 2x8).
! WARNING !
NOT ALL MANUFACTURERS FOLLOW THESE STANDARDS!
ALLWAYS NOTICE THE ORIENTATION OF THE HEADERS IF YOUR CABLE DO NOT FOLLOW THE STANDARD THEN MOST PROBABLY IS NOT COMPATIBLE.
Tech Specs:
30mA +12V
30mA -12V
… Read moreIndividual Wire Testing - Featuring the ability to test each wire within the ribbon cables independently with dedicated LEDs for every wire, providing a clear visual indication of the status of each connection, wires are also tested against their neighbouring wires to detect shorts.
Busboard monitor
The busboard monitor LEDs allows the user to check the state of the busboard power lines as well as the special CV/Gate functions. If the busboard has no +5v supply the led will be off likewise for the CV/Gate functions if not in use.
This is a desktop device, ADDAC provide a long power cable so that it can still be plugged into your rack.
As a safety precaution only power this board when you need to test a cable. Leaving it ON at all times can lead to unintended problematic misuses which, in a worst case scenario, can shorten your Eurorack PSU,
! WARNING !
DO NOT POWER MODULES FROM THE TEST SOCKETS!!
Compatible with all ADDAC System ribbon cables (power, expansions and interconnectivity: 112, 213, 807).
Also compatible with any standard Eurorack power ribbon cable (2x5 to 2x8 or 2x8 to 2x8).
! WARNING !
NOT ALL MANUFACTURERS FOLLOW THESE STANDARDS!
ALLWAYS NOTICE THE ORIENTATION OF THE HEADERS IF YOUR CABLE DO NOT FOLLOW THE STANDARD THEN MOST PROBABLY IS NOT COMPATIBLE.
Tech Specs:
30mA +12V
30mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $52.93
(No payment required now - pay when released)
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ADDAC System ADDAC813 Stereo Mixer+ Module (dual/stereo/mixer module)
Cat: 1007268 Rel: 30 Jun 24 • View all Synth modules
4-channel stereo mixer module - 8HP
Notes: ADDAC813 is a straight forward stereo mixer. Featuring 5 stereo channels, 4 of them with attenuators, a mono send/return path for parallel processing plus stereo and mono outputs
Four channels with stereo input and gain knob. Fifth channel with stereo input without gain knob, which are the prefered inputs to cascade several ADDAC813s when more channels are needed. Master Output controls the level of the Inputs mix. Two LEDs monitor the inputs mix.
Mono Send / Return return path allows for easy integration of mono effects in a stereo chain. Plug your favorite module through it (filter, bbd delay, spring reverb...) or any mono pedal.
The Return Gain works in parallel with the Master Output, just like regular wet / dry controls.
The send output can be configured to be line or synth level via a jumper in the back.
Stereo output sums the Inputs Mix with the Return signal.
The Mono output is the sum of Left and Right outputs
Effect Pedals
Using the send output at Line level, the user can connect the send output directly into mono effect pedals and have the pedals output connected directly into the return input without the need of an attenuator/amplifier module.
Tech Specs:
8HP
4 cm deep
50mA +12V
50mA -12V
… Read moreFour channels with stereo input and gain knob. Fifth channel with stereo input without gain knob, which are the prefered inputs to cascade several ADDAC813s when more channels are needed. Master Output controls the level of the Inputs mix. Two LEDs monitor the inputs mix.
Mono Send / Return return path allows for easy integration of mono effects in a stereo chain. Plug your favorite module through it (filter, bbd delay, spring reverb...) or any mono pedal.
The Return Gain works in parallel with the Master Output, just like regular wet / dry controls.
The send output can be configured to be line or synth level via a jumper in the back.
Stereo output sums the Inputs Mix with the Return signal.
The Mono output is the sum of Left and Right outputs
Effect Pedals
Using the send output at Line level, the user can connect the send output directly into mono effect pedals and have the pedals output connected directly into the return input without the need of an attenuator/amplifier module.
Tech Specs:
8HP
4 cm deep
50mA +12V
50mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $169.16
(No payment required now - pay when released)
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CubuSynth 4VCLFO Quad Voltage Controlled Low Frequency Oscillator Module (CV modulation/LFO/quad module)
Cat: 1006079 Rel: 30 Jun 24 • View all Synth modules
Quad voltage controlled low frequency oscillator module - 10HP
Notes: The 4VCLFO is four LFOs with triangle Outputs in 10hp. It features a knob for the Frequency of each LFO and CV inputs with attenuators.
The "Aux" input is normalized to the four CV inputs, so you can modulate all LFOs with one signal at the same time. Plugging a cable into the CV input breaks its connection from the aux input.
This way you can create more interesting Modulations for your Patches.
You can easily customise LFO speeds to your liking by changing capacitor values on the back.
Features:
- Size: 10hp
- Single SMD Pre-soldered PCB design
- 10 pin power
12 mA +12V
12 mA -12V
… Read moreThe "Aux" input is normalized to the four CV inputs, so you can modulate all LFOs with one signal at the same time. Plugging a cable into the CV input breaks its connection from the aux input.
This way you can create more interesting Modulations for your Patches.
You can easily customise LFO speeds to your liking by changing capacitor values on the back.
Features:
- Size: 10hp
- Single SMD Pre-soldered PCB design
- 10 pin power
12 mA +12V
12 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $119.35
(No payment required now - pay when released)
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CubuSynth Engine v2 Dual Complex Oscillator Module Wth Chaos (dual/stereo/oscillator module)
Cat: 1006090 Rel: 30 Jun 24 • View all Synth modules
Dual complex oscillator module wth chaos - 24HP
Notes: The CubuSynth Engine V2 is their updated dual analogue VCO with wave shaping functions, internal modulations and a chaos generator. It is based around the 3340 chip and features 4 Waveforms + Wavefolder per VCO and 4 Modulated Outputs, all simultaneously.
The CubuSynth Engine can work as 2 independent VCOs, or as one complex FM oscillator.
With its internal "Chaos Engine" it creates semi-random voltages, generated by the 2 oscillator cores. This signal is then normalized to the CV inputs for Pulse width modulation and exponential FM.
Each of the 2 VCOs offers a switch to select one of the 4 waveshapes to be used by the wavefolders, and the linear FM input normalisations.
Features:
2 VCO cores (voices)
4 simultaneous wave forms per voice + 4 Modulation Outputs
Wavefolder per voice
Pulse Width modulation
Linear and exponential FM inputs
1 V/oct tracking stable over up to 10 octaves
Chaos generator with external clock input
Complex internal normalized modulations
Dimensions:
24 HP
24 mm deep
Current Draw:
87 mA +12V
74 mA -12V
15 mA 5V
… Read moreThe CubuSynth Engine can work as 2 independent VCOs, or as one complex FM oscillator.
With its internal "Chaos Engine" it creates semi-random voltages, generated by the 2 oscillator cores. This signal is then normalized to the CV inputs for Pulse width modulation and exponential FM.
Each of the 2 VCOs offers a switch to select one of the 4 waveshapes to be used by the wavefolders, and the linear FM input normalisations.
Features:
2 VCO cores (voices)
4 simultaneous wave forms per voice + 4 Modulation Outputs
Wavefolder per voice
Pulse Width modulation
Linear and exponential FM inputs
1 V/oct tracking stable over up to 10 octaves
Chaos generator with external clock input
Complex internal normalized modulations
Dimensions:
24 HP
24 mm deep
Current Draw:
87 mA +12V
74 mA -12V
15 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $403.72
(No payment required now - pay when released)
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CubuSynth Exhaust v2 Expander Module For Engine v2 (expander/mixer module)
Cat: 1006096 Rel: 30 Jun 24 • View all Synth modules
Expander module fr the Engine v2
Notes: The Exhaust adds many features to your Engine V2 VCO module like Sub-octaves, Mixing and a Gate / Trigger generated by the Chaos signal.
You can select one of the two VCO cores of the engine to Produce Square Waves one and two octaves below the Oscillators frequency. You can blend between -1 and -2 octaves and Set the volume they are Mixed into the Main "Mix" output.
The knobs "VCO1" "VCO2" and "AM" set the level of the selected waveform of each VCO and the AM output from the Engine to the Main Mix. The "Ext In" Input is normalled from the RM output, but you can plug in any other signal to go to the Main Mix.
The V Ref sets a Voltage between 0V and +10V which compares against the Chaos signal from the engine (Chaos attenuator on the Engine doesn't matter). Whenever the Chaos signal is higher in Voltage than the Knob setting, It will Give you a Gate or Trigger signal depending on the switch. There is also a CV input, which offsets your V Ref and can create interesting Rhythms.
Features:
Two Sub-Octave generator with selection switch, Mix knob for -1 and -2 octaves (marked as /2 and /4)
5 Channel Audio Mixer for 4 different Outputs from the Engine and level for the Sub-Octave generator
External Input for Mixing with other signals
Semi-Random Gate or Trigger Output generated by the Chaos signal
Audio-optimized Chaos Output
Separate Outputs for Sub-Octave and Main Mix
Dimensions
8 HP
24 mm deep
Current Draw
6 mA +12V
5 mA -12V
… Read moreYou can select one of the two VCO cores of the engine to Produce Square Waves one and two octaves below the Oscillators frequency. You can blend between -1 and -2 octaves and Set the volume they are Mixed into the Main "Mix" output.
The knobs "VCO1" "VCO2" and "AM" set the level of the selected waveform of each VCO and the AM output from the Engine to the Main Mix. The "Ext In" Input is normalled from the RM output, but you can plug in any other signal to go to the Main Mix.
The V Ref sets a Voltage between 0V and +10V which compares against the Chaos signal from the engine (Chaos attenuator on the Engine doesn't matter). Whenever the Chaos signal is higher in Voltage than the Knob setting, It will Give you a Gate or Trigger signal depending on the switch. There is also a CV input, which offsets your V Ref and can create interesting Rhythms.
Features:
Two Sub-Octave generator with selection switch, Mix knob for -1 and -2 octaves (marked as /2 and /4)
5 Channel Audio Mixer for 4 different Outputs from the Engine and level for the Sub-Octave generator
External Input for Mixing with other signals
Semi-Random Gate or Trigger Output generated by the Chaos signal
Audio-optimized Chaos Output
Separate Outputs for Sub-Octave and Main Mix
Dimensions
8 HP
24 mm deep
Current Draw
6 mA +12V
5 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $119.35
(No payment required now - pay when released)
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CubuSynth Dual CS-20 VCF Dual Multimode VCF Module With Self Oscillating Resonance (dual/stereo/filter/oscillator module)
Cat: 1006099 Rel: 30 Jun 24 • View all Synth modules
Dual multimode VCF module with self oscillating resonance - 10HP
Notes: Dual / Stereo Multimode VCF with Self-oscillating Resonance and intuitive Routing and CV modulation Matrix
The CubuSynth Dual CS-20 VCF is a dual / stereo multimode VCF / Phaser / VCO, inspired by the legendary Korg MS-20, with CV control over frequency and resonance. The resonance can self-oscillate and features a 1V/Oct input, stable over at least 2~3 octaves.
Each of the two filter cores has 2 stages of Low Pass and High Pass filtering, which can be blended.
The Frequency CV can be "attenuverted" (with inverting attenuator on CV input). The resonance CV comes with an attenuator.
Key features
2 individual Filter cores with common Frequency and Resonance controls
CV control over Frequency and Resonance for each Filter core
self-oscillating Resonance with LED feedback circuit (visible on the Front)
1 V/oct input, tracking over 2~3 octaves
Frequency Range: 22 Hz - 20 kHz
Blend between LP / HP Filter modes
Ability to use as 2 pole (12db) stereo HP/LP Filter, 4 pole (24db) mono LP/HP or a Band Pass (12db) Filter
Cross FM Modulation possible
Specifications
Size: 10HP x 3U / 50mm x 129mm
Depth: DIY version: 36 mm
Built version: 24 mm
Max. Current Draw:
+12V: +19mA
-12V: -19mA
… Read moreThe CubuSynth Dual CS-20 VCF is a dual / stereo multimode VCF / Phaser / VCO, inspired by the legendary Korg MS-20, with CV control over frequency and resonance. The resonance can self-oscillate and features a 1V/Oct input, stable over at least 2~3 octaves.
Each of the two filter cores has 2 stages of Low Pass and High Pass filtering, which can be blended.
The Frequency CV can be "attenuverted" (with inverting attenuator on CV input). The resonance CV comes with an attenuator.
Key features
2 individual Filter cores with common Frequency and Resonance controls
CV control over Frequency and Resonance for each Filter core
self-oscillating Resonance with LED feedback circuit (visible on the Front)
1 V/oct input, tracking over 2~3 octaves
Frequency Range: 22 Hz - 20 kHz
Blend between LP / HP Filter modes
Ability to use as 2 pole (12db) stereo HP/LP Filter, 4 pole (24db) mono LP/HP or a Band Pass (12db) Filter
Cross FM Modulation possible
Specifications
Size: 10HP x 3U / 50mm x 129mm
Depth: DIY version: 36 mm
Built version: 24 mm
Max. Current Draw:
+12V: +19mA
-12V: -19mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $171.24
(No payment required now - pay when released)
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CubuSynth VCFA Multimode Voltage Controlled Filter & Amplifier Module (filter/VCA module)
Cat: 1006103 Rel: 30 Jun 24 • View all Synth modules
Multimode voltage controlled filter & amplifier module - 10HP
Notes: VCFA - Voltage controlled Filter and Amplifier
The CubuSynth VCFA is a multimode VCF with LP,HP and BP modes with integrated VCA, CV control over Frequency, Resonance and Volume.
The CV input for the Frequency features 1V/Oct scaling over about 2~3 octaves. So you can even create plucky melodies
with the resonance in "ringing" mode.
The Gain control can reach a nice, soft saturation.
Key features
- 3 simultaneous outputs for Low Pass, Band Pass and High Pass
- Integrated VCA on input stage
- Input saturation on upper Gain levels
- CV control over Volume, Frequency and Resonance
- Frequency CV scalable for 1V/oct signals (stable up to 2-3 octaves)
- "ringing" appears on upper Resonance levels
Specifications
- Size: 10HP x 3U / 50mm x 129mm
- Depth: 34mm (measured from the front panel)
- Max. Current Draw:
+12V: +14mA
-12V: -14mA
… Read moreThe CubuSynth VCFA is a multimode VCF with LP,HP and BP modes with integrated VCA, CV control over Frequency, Resonance and Volume.
The CV input for the Frequency features 1V/Oct scaling over about 2~3 octaves. So you can even create plucky melodies
with the resonance in "ringing" mode.
The Gain control can reach a nice, soft saturation.
Key features
- 3 simultaneous outputs for Low Pass, Band Pass and High Pass
- Integrated VCA on input stage
- Input saturation on upper Gain levels
- CV control over Volume, Frequency and Resonance
- Frequency CV scalable for 1V/oct signals (stable up to 2-3 octaves)
- "ringing" appears on upper Resonance levels
Specifications
- Size: 10HP x 3U / 50mm x 129mm
- Depth: 34mm (measured from the front panel)
- Max. Current Draw:
+12V: +14mA
-12V: -14mA
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $119.35
(No payment required now - pay when released)
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CubuSynth ADSR VC Looping Envelope Generator Module (envelope generator module)
Cat: 1006105 Rel: 30 Jun 24 • View all Synth modules
Voltage controlled looping envelope generator module - 10HP
Notes: The CubuSynth ADSR Module is a VC looping envelope generator, with controls for the Attack, Decay, Sustain and Release stages, for overall Time of the envelope and CV inputs for Time and Level.
The EnvGen8 chip was written/designed by Tom Wiltshire aka "Electric Druid".
1 ATTACK (1ms - 10s)
Sets the time, the Envelope takes to reach full level from the moment a gate is detected (Key is pressed)
2 DECAY (1ms - 10s)
Sets the time, after the envelope hits full level, to fade to the level set by the SUSTAIN Knob.
3 SUSTAIN (0% - 100%)
Sets the Volume to stay after the decay, while the GATE input is high.
4 RELEASE (1ms - 10s)
Sets the time for the fade out on falling edge of the GATE input (after the Key is released)
5 MODE switch
Select between exponential and linear curves.
6 PUNCH switch
Adds extra thump to very short percussive envelopes
7 LOOPING MODE switch
Allows selection between three different modes of operation. Gated mode is a normal envelope. Gated Looping will
trigger the ATTACK stage when the GATE goes high, then continue looping whilst the GATE remains high, and will
RELEASE to zero when the GATE goes low. The LFO Looping mode loops continuously and ignores input from the
GATE.
8 TIME (x1 - x100)
Overall Time control which shortens the length of the entire envelope.
9 TIME CV Attenuator
Attenuates incoming CV for Time modulation. Higher voltages will shorten the
length of the envelope.
10 TRIG Input
Re-trigger for the envelope. Useful for Polyphonic patches. Envelope goes to
ATTACK stage on rising edge of 0-5V pulse while Gate can still be on.
11 GATE Input
Normalized to TRIG Input. Envelope goes to RELEASE stage on the falling edge.
12 Level CV Input
Control the overall Volume of the envelope. Can be used for velocity control.
If nothing is plugged in, the Volume stays on max.
13 OUT
CV-output of the envelope (0 to +5V)
14 LED
Indicates the output voltage.
15 TIME CV
CV Input for Time modulation. Higher voltages will shorten the length of the
envelope.
16 INV. OUT
Inverted voltage of the output CV (0 to -5V)
Dimensions
10 HP
25 mm deep
Current Draw
16 mA +12V
16 mA -12V
7 mA 5V
… Read moreThe EnvGen8 chip was written/designed by Tom Wiltshire aka "Electric Druid".
1 ATTACK (1ms - 10s)
Sets the time, the Envelope takes to reach full level from the moment a gate is detected (Key is pressed)
2 DECAY (1ms - 10s)
Sets the time, after the envelope hits full level, to fade to the level set by the SUSTAIN Knob.
3 SUSTAIN (0% - 100%)
Sets the Volume to stay after the decay, while the GATE input is high.
4 RELEASE (1ms - 10s)
Sets the time for the fade out on falling edge of the GATE input (after the Key is released)
5 MODE switch
Select between exponential and linear curves.
6 PUNCH switch
Adds extra thump to very short percussive envelopes
7 LOOPING MODE switch
Allows selection between three different modes of operation. Gated mode is a normal envelope. Gated Looping will
trigger the ATTACK stage when the GATE goes high, then continue looping whilst the GATE remains high, and will
RELEASE to zero when the GATE goes low. The LFO Looping mode loops continuously and ignores input from the
GATE.
8 TIME (x1 - x100)
Overall Time control which shortens the length of the entire envelope.
9 TIME CV Attenuator
Attenuates incoming CV for Time modulation. Higher voltages will shorten the
length of the envelope.
10 TRIG Input
Re-trigger for the envelope. Useful for Polyphonic patches. Envelope goes to
ATTACK stage on rising edge of 0-5V pulse while Gate can still be on.
11 GATE Input
Normalized to TRIG Input. Envelope goes to RELEASE stage on the falling edge.
12 Level CV Input
Control the overall Volume of the envelope. Can be used for velocity control.
If nothing is plugged in, the Volume stays on max.
13 OUT
CV-output of the envelope (0 to +5V)
14 LED
Indicates the output voltage.
15 TIME CV
CV Input for Time modulation. Higher voltages will shorten the length of the
envelope.
16 INV. OUT
Inverted voltage of the output CV (0 to -5V)
Dimensions
10 HP
25 mm deep
Current Draw
16 mA +12V
16 mA -12V
7 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $108.97
(No payment required now - pay when released)
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CubuSynth Dual Vintage VCA Dual Audio Controlled Voltage Amplifier Module (VCA/dual/stereo module)
Cat: 1006109 Rel: 30 Jun 24 • View all Synth modules
Dual audio controlled voltage amplifier module - 8HP
Notes: The CubuSynth Dual Vintage VCA is a nice sounding, zero bleed, analog Voltage controlled amplifier based on the LM13700 Dual OTA. It can work as two independent VCAs or as a stereo unit, and CV input 1 on channel 1 is normalized to the CV input 1 on channel 2. (same signal can control both Channels).
The Original concept is designed by Tom Wiltshire aka "Electric Druid". For more information visit:
https://electricdruid.net/design-a-eurorack-vintage-vca-with-the-lm13700/
1 LEVEL
Sets the Amplitude for each channel.
2 CV AMOUNT
Attenuates the Control voltage from CV input (3)
3 CV
CV input for the amplitude Modulation. The input on channel 2 is
normalized from CV on channel 1 when nothing is plugged in.
4 CV2
A second CV input for amplitude modulation, without attenuator
5 IN
Input for Audio Signal
6 OUT
Output for the Audio Signal
Dimensions
8 HP
25 mm deep
Current Draw
9 mA +12V
9 mA -12V
… Read moreThe Original concept is designed by Tom Wiltshire aka "Electric Druid". For more information visit:
https://electricdruid.net/design-a-eurorack-vintage-vca-with-the-lm13700/
1 LEVEL
Sets the Amplitude for each channel.
2 CV AMOUNT
Attenuates the Control voltage from CV input (3)
3 CV
CV input for the amplitude Modulation. The input on channel 2 is
normalized from CV on channel 1 when nothing is plugged in.
4 CV2
A second CV input for amplitude modulation, without attenuator
5 IN
Input for Audio Signal
6 OUT
Output for the Audio Signal
Dimensions
8 HP
25 mm deep
Current Draw
9 mA +12V
9 mA -12V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $88.21
(No payment required now - pay when released)
FORTHCOMING
Related products...
CubuSynth 6xLevel Passive Attenuator & Multiple Module (attenuator/multiple module)
Cat: 1006112 Rel: 30 Jun 24 • View all Synth modules
Passive attenuator & multiple module - 8HP
Notes: The CubuSynth 6xLevel module is a 8hp passive Attenuator, which allows scaling of CV and audio signals. The inputs are normalized from the outputs above, which allows passive multiplication with attenuation. The normalized path is attenuated by the potentiometer before, so you can also create very subtle changes (e.g. Fine tune a VCO).
The white lines on the Front panel mark the normalisation routing.
Dimensions
8 HP
12 mm deep
Current Draw
Module does not draw current
… Read moreThe white lines on the Front panel mark the normalisation routing.
Dimensions
8 HP
12 mm deep
Current Draw
Module does not draw current
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $57.08
(No payment required now - pay when released)
FORTHCOMING
Related products...
CubuSynth VCLFO v2 Complex Digital LFO Module With 16 Waveforms (LFO/random/sample & hold module)
Cat: 1006115 Rel: 30 Jun 24 • View all Synth modules
Complex digital LFO module with 16 waveforms & CV control over everything - 10HP
Notes: The CubuSynth VCLFO v2 is a Complex voltage controlled Low frequency oscillator, with 16 Waveforms, Step control (Sample&Hold style), LFO Sync / Reset, CV control over Frequency, Amplitude, Waveform, Frequency multiplier, Skew and Step Rate.
16 Waveforms selectable in two Banks of 8
Frequency range: 0.05Hz to 12.8Hz (102.4Hz with multiplier x8)
6 CV inputs for Multiplier, Frequency, Step Rate, Skew, Waveform and Level
"Sync" Input for LFO reset, or Step Sync
3 outputs:
Uni-Polar (0 to +5V),
Bi-Polar inverted (+5V to 5V / 10Vpp) and
Bi-Polar normal ( 5V to +5V / 10Vpp)
Size: 10 HP / 50 mm
Depth: 2 4 mm (measured from the front panel)
Current Draw:
+12V: +40 mA
-12V: -30 mA
single SMD PCB design
… Read more16 Waveforms selectable in two Banks of 8
Frequency range: 0.05Hz to 12.8Hz (102.4Hz with multiplier x8)
6 CV inputs for Multiplier, Frequency, Step Rate, Skew, Waveform and Level
"Sync" Input for LFO reset, or Step Sync
3 outputs:
Uni-Polar (0 to +5V),
Bi-Polar inverted (+5V to 5V / 10Vpp) and
Bi-Polar normal ( 5V to +5V / 10Vpp)
Size: 10 HP / 50 mm
Depth: 2 4 mm (measured from the front panel)
Current Draw:
+12V: +40 mA
-12V: -30 mA
single SMD PCB design
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $171.24
(No payment required now - pay when released)
FORTHCOMING
Related products...
BLL Instruments Elyra 16-Voice Virtual Analogue & FM Synthesiser (virtual analogue/FM synthesiser)
Cat: 1007744 Rel: 30 Jun 24 • View all Synthesisers
16-voice virtual analogue & FM synthesiser
Notes: It starts with a dream
We are all fans of synthesizers, their vintage sound, classic and modern at the same time, their ability to mix several timbres. We love the musical journey that transports us while listening to each new presets.
We also like guitar and bass. Standing or sitting, in your studio or on stage, playing on guitar or bass is this tremendous energy, this way in which the intensity of the playing is in total connection with the music you want to create. A sweet ballad, a melodious arpeggio, a hell of a bass line, a stratospheric lead, an awesome riff.
What if we could express all that but with a great synth sound?
The dream came true, and even more!
A modern synth played like a guitar or a bass
Elyra is played with the typical gestures of playing guitar and bass and all the energy that comes from it. You play with your whole body.
There are two strumming aera for strings, one dedicated to back and forth and another dedicated to bass and arpeggios.
Elyra is designed to be played by both right-handed and left-handed people.
You can also play it placed on a table or on your knees like a groove box.
A powerful and unique composition tool
With up to 16 voices polyphony, spread across 16 instruments/layers and with is powerful sequencer, Elyra is more than a groovebox, it is a composition tool.
You can have one instrument with 16 voices or 16 instruments with one voice and everything in between.
Because Elyra is battery powered, you can carry it anywhere with you and play for several hours.
You can play and sequence all your other instruments via MIDI port.
A sound engine is made for this instrument by Kodamo.
At the core of Elyra there is a powerful and beautiful sound engine created for by Kodamo.
It is a virtual analogue engine based on subtractive synthesis with just enough FM synthesis to offer a vast sound territory.
It has many parameters to sculpt and create a unique sound.
Electronics and wood
Elyra is made of electronics and wood.
The electronic parts are designed in France and comply with environmental standards and in particular RoHS.
The body of the instrument is made of wood. It is cut and assembled in France. The wood is only chosen from sustainable or recycled sources.
Elyra is built to last.
Raised touch buttons
All Elyra buttons are touch sensitive pads made up of a slightly raised area allowing the user to feel physical feedback.
This is capacitive sensor technology which offers an extremely fast response time of 2 ms.
There are 5 distinct areas on the main panel:
the fretboard composed of 4 * 12 pads
the strumming area separated into two types, A and B
two assignable sliders
an OLED screen with its wheel and its 8 contextual buttons
Guitar/bass mode
At first you need a double trig to play a note in Guitar or Bass mode: the hand on the fretboard selects the note to be played, and the other hand uses one of the two strumming areas.
Each one of the four strings has its own two strumming areas.
The strumming area A, is made of a long and very thin relief pad. It is ideal for playing back and forth on one or more strings.
The strumming area B, is a double pad surrounded by holes in the main layer, it allows both bass type playing and is ideal for playing arpeggios.
Elyra retains the essential subtleties of guitar playing, when a note has just been played you can also, like in guitar, slide to another note, or do a Pull-off or a Hammer-on without using the strumming area again.
You can use the slider with your thumb to bend the notes.
Elyra can be tuned according to your needs. there are basic tunings, like the first 4 strings of a guitar E, A, D, G, or any open tuning, or like a Ukulele.
You choose the root notes of each string, and the choice is specific to each track in one project.
Specifications
Fretboard: 12*4 capacitive pads (2ms latency)
Sound Engine: Virtual analogue + FM
Polyphony: 16 voices shared by all tracks
Multitimbrality: up to 16 instruments/layers
Presets: 256 factory presets
1024 user presets
16 presets per project
Oscillators: 15 waveforms including sine, triangle, saw, pulse and noise
Pitch envelope
Amp envelope ADSR + delay
FM: envelope modulator (osc 2) + feedback level
Filter: filter type : HPF, LPF
Filter slope: 2 poles -12dB/oct, 4 poles -24d B/Oct
Envelope ADSR
LFO: 2 LFOs, 5 waveform, speed depth, delay, retrig position, sync to BPM
Effects: 3 master effects with individual send by tracks
Effect 1: distortion/overdrive
Effect 2: bitcruch or chorus
Effect 3: stereo delay or reverb
Sequencer: a pattern = up to 256 steps per track, 128 patterns per project
max 999 project by SD card
Power Supply: 5v USB bus power supply
Memory: SD card
Size and Weight
Width: 435 mm - 17 - 1/8 inches
Depth: 170 mm - 6 - 11/16 inches
Height: 40 mm - 1 - 37/64 inches
Weight: 1.2 kg / 2 lbs 12,3 oz
… Read moreWe are all fans of synthesizers, their vintage sound, classic and modern at the same time, their ability to mix several timbres. We love the musical journey that transports us while listening to each new presets.
We also like guitar and bass. Standing or sitting, in your studio or on stage, playing on guitar or bass is this tremendous energy, this way in which the intensity of the playing is in total connection with the music you want to create. A sweet ballad, a melodious arpeggio, a hell of a bass line, a stratospheric lead, an awesome riff.
What if we could express all that but with a great synth sound?
The dream came true, and even more!
A modern synth played like a guitar or a bass
Elyra is played with the typical gestures of playing guitar and bass and all the energy that comes from it. You play with your whole body.
There are two strumming aera for strings, one dedicated to back and forth and another dedicated to bass and arpeggios.
Elyra is designed to be played by both right-handed and left-handed people.
You can also play it placed on a table or on your knees like a groove box.
A powerful and unique composition tool
With up to 16 voices polyphony, spread across 16 instruments/layers and with is powerful sequencer, Elyra is more than a groovebox, it is a composition tool.
You can have one instrument with 16 voices or 16 instruments with one voice and everything in between.
Because Elyra is battery powered, you can carry it anywhere with you and play for several hours.
You can play and sequence all your other instruments via MIDI port.
A sound engine is made for this instrument by Kodamo.
At the core of Elyra there is a powerful and beautiful sound engine created for by Kodamo.
It is a virtual analogue engine based on subtractive synthesis with just enough FM synthesis to offer a vast sound territory.
It has many parameters to sculpt and create a unique sound.
Electronics and wood
Elyra is made of electronics and wood.
The electronic parts are designed in France and comply with environmental standards and in particular RoHS.
The body of the instrument is made of wood. It is cut and assembled in France. The wood is only chosen from sustainable or recycled sources.
Elyra is built to last.
Raised touch buttons
All Elyra buttons are touch sensitive pads made up of a slightly raised area allowing the user to feel physical feedback.
This is capacitive sensor technology which offers an extremely fast response time of 2 ms.
There are 5 distinct areas on the main panel:
the fretboard composed of 4 * 12 pads
the strumming area separated into two types, A and B
two assignable sliders
an OLED screen with its wheel and its 8 contextual buttons
Guitar/bass mode
At first you need a double trig to play a note in Guitar or Bass mode: the hand on the fretboard selects the note to be played, and the other hand uses one of the two strumming areas.
Each one of the four strings has its own two strumming areas.
The strumming area A, is made of a long and very thin relief pad. It is ideal for playing back and forth on one or more strings.
The strumming area B, is a double pad surrounded by holes in the main layer, it allows both bass type playing and is ideal for playing arpeggios.
Elyra retains the essential subtleties of guitar playing, when a note has just been played you can also, like in guitar, slide to another note, or do a Pull-off or a Hammer-on without using the strumming area again.
You can use the slider with your thumb to bend the notes.
Elyra can be tuned according to your needs. there are basic tunings, like the first 4 strings of a guitar E, A, D, G, or any open tuning, or like a Ukulele.
You choose the root notes of each string, and the choice is specific to each track in one project.
Specifications
Fretboard: 12*4 capacitive pads (2ms latency)
Sound Engine: Virtual analogue + FM
Polyphony: 16 voices shared by all tracks
Multitimbrality: up to 16 instruments/layers
Presets: 256 factory presets
1024 user presets
16 presets per project
Oscillators: 15 waveforms including sine, triangle, saw, pulse and noise
Pitch envelope
Amp envelope ADSR + delay
FM: envelope modulator (osc 2) + feedback level
Filter: filter type : HPF, LPF
Filter slope: 2 poles -12dB/oct, 4 poles -24d B/Oct
Envelope ADSR
LFO: 2 LFOs, 5 waveform, speed depth, delay, retrig position, sync to BPM
Effects: 3 master effects with individual send by tracks
Effect 1: distortion/overdrive
Effect 2: bitcruch or chorus
Effect 3: stereo delay or reverb
Sequencer: a pattern = up to 256 steps per track, 128 patterns per project
max 999 project by SD card
Power Supply: 5v USB bus power supply
Memory: SD card
Size and Weight
Width: 435 mm - 17 - 1/8 inches
Depth: 170 mm - 6 - 11/16 inches
Height: 40 mm - 1 - 37/64 inches
Weight: 1.2 kg / 2 lbs 12,3 oz
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $1,057.56
(No payment required now - pay when released)
FORTHCOMING
Related products...
J Rockett Airchild Six Sixty Compressor Effects Pedal (dynamics effects pedal)
Cat: 1008780 Rel: 30 Jun 24 • View all Effects pedals
Compressor effects pedal
Notes: The Fairchild 660 studio compressor is consistently regarded as the best compressor ever made. For years, the original Fairchild 660 and 670 (Stereo) compressors have been extensively used in studios. This inspired J. Rockett to offer that sonic signature to the guitar community at a fraction of the $30k+ price tag.
The typical guitar compressor is the "Dynacomp", which has created iconic tones throughout the history of music, especially in Country music. That said, it's widely acknowledged that there are already countless Dynacomp variants available.
"The 'typical Dynacomp circuit' tends to crush the sound more like a limiter. This characteristic has cemented its sound into certain genres of music, which some may find desirable.
The Team at J. Rockett aimed to provide a compressor that works like a studio compressor, enhancing harmonic richness and evening out transients without crushing the entire spectrum.
The Airchild Six Sixty simply makes you want to play more. It increases sustain without crushing your output, imparts richness to your overall tone, and adds feel to your playing. The target tones were the slide tones of Lowell George and the singing lead/rhythm tones of Mark Knopfler.
The Fairchild 660 Compressor was designed by Rein Narma, who had worked with Les Paul to build a recording mixer for use with Les Paul's Ampex 8-track. Les Paul asked Narma if he would build a compressor/limiter. Sherman Fairchild, who was friends with Les Paul, learned of the compressor and licensed Narma's compressor design, hiring Narma to be chief engineer at Fairchild Recording Equipment Corporation. The first 10 Fairchild 660's were built by Narma himself. The first unit was sold to Rudy Van Gelder who used it to cut lacquer masters for Blue Note Records and Vox Records. The second unit went to Olmsted Sound Studios in New York City and the third 660 built went to Mary Ford and Les Paul.
Notable users: Abbey Road Studios purchased 12 Fairchild 660s after staff engineer Peter Bown heard it during a visit to Capitol Records in America. They used it on recording sessions for the Beatles, primarily for vocals. Beginning in 1966, Geoff Emerick began using the 660 on Ringo Starr's drum tracks as well as piano and guitar tracks. As of 2014, Abbey Road still had 8 of the original 660s purchased in the 1960s.
"We put the drum sound through Fairchild 660 valve limiters and compressors. It became the sound of Revolver and Sgt Pepper really. Drums had never been heard like that before." (Geoff Emerick)
Compressors are probably the most misunderstood effect that also have incredible impact on the delivery of music. There is not a professional recording in history that does not have some sort of compression. Gain is a form of compression, even EQ is a form of compression.
A compressor is used to reduce a signal's dynamic range-that is, to reduce the difference in level between the loudest and quietest parts of an audio signal.
Compression is commonly used to attenuate loud transient peaks (e.g., when a singer suddenly belts out a high note or a guitar player digs in to a note with muscle) compression helps maintain a consistent level. Compression essentially causes distortion in a signal, in that it changes the original sound of the signal through its processing. The compressor typically achieves this by emphasizing certain harmonics based on how the compressor is hitting the incoming signal. The job of this peda;l is to make that distortion feel transparent and to use dynamics to create the best-sounding performance possible. Use your ears!
In compression, the dynamic range becomes narrower - the highest peaks and the quietest parts have fewer dB of level difference between them. In contrast, a compressor can also help support or bring to life soft notes as well. For guitar, compression helps with sustain and feel. Using compression in front of an amp with gain or a gain pedal essentially just adds more compression and is typically not very audible. A good compressor will help sustain notes without introducing noise or artifacts in an amp or pedal with gain but typically works best in a clean amp to hear the effect. You will typically hear compression on country guitar, at least as an audible full throttle effect. Most players do not utilize this sound because a squished signal limits dynamics, however, if used correctly it can increase dynamics across the board. One of the best descriptions about compression is that it is the opposite of reverb. If you think about that it is true. Compression brings the full dynamic force forward in a balanced manner where Reverb creates space and distance.
… Read moreThe typical guitar compressor is the "Dynacomp", which has created iconic tones throughout the history of music, especially in Country music. That said, it's widely acknowledged that there are already countless Dynacomp variants available.
"The 'typical Dynacomp circuit' tends to crush the sound more like a limiter. This characteristic has cemented its sound into certain genres of music, which some may find desirable.
The Team at J. Rockett aimed to provide a compressor that works like a studio compressor, enhancing harmonic richness and evening out transients without crushing the entire spectrum.
The Airchild Six Sixty simply makes you want to play more. It increases sustain without crushing your output, imparts richness to your overall tone, and adds feel to your playing. The target tones were the slide tones of Lowell George and the singing lead/rhythm tones of Mark Knopfler.
The Fairchild 660 Compressor was designed by Rein Narma, who had worked with Les Paul to build a recording mixer for use with Les Paul's Ampex 8-track. Les Paul asked Narma if he would build a compressor/limiter. Sherman Fairchild, who was friends with Les Paul, learned of the compressor and licensed Narma's compressor design, hiring Narma to be chief engineer at Fairchild Recording Equipment Corporation. The first 10 Fairchild 660's were built by Narma himself. The first unit was sold to Rudy Van Gelder who used it to cut lacquer masters for Blue Note Records and Vox Records. The second unit went to Olmsted Sound Studios in New York City and the third 660 built went to Mary Ford and Les Paul.
Notable users: Abbey Road Studios purchased 12 Fairchild 660s after staff engineer Peter Bown heard it during a visit to Capitol Records in America. They used it on recording sessions for the Beatles, primarily for vocals. Beginning in 1966, Geoff Emerick began using the 660 on Ringo Starr's drum tracks as well as piano and guitar tracks. As of 2014, Abbey Road still had 8 of the original 660s purchased in the 1960s.
"We put the drum sound through Fairchild 660 valve limiters and compressors. It became the sound of Revolver and Sgt Pepper really. Drums had never been heard like that before." (Geoff Emerick)
Compressors are probably the most misunderstood effect that also have incredible impact on the delivery of music. There is not a professional recording in history that does not have some sort of compression. Gain is a form of compression, even EQ is a form of compression.
A compressor is used to reduce a signal's dynamic range-that is, to reduce the difference in level between the loudest and quietest parts of an audio signal.
Compression is commonly used to attenuate loud transient peaks (e.g., when a singer suddenly belts out a high note or a guitar player digs in to a note with muscle) compression helps maintain a consistent level. Compression essentially causes distortion in a signal, in that it changes the original sound of the signal through its processing. The compressor typically achieves this by emphasizing certain harmonics based on how the compressor is hitting the incoming signal. The job of this peda;l is to make that distortion feel transparent and to use dynamics to create the best-sounding performance possible. Use your ears!
In compression, the dynamic range becomes narrower - the highest peaks and the quietest parts have fewer dB of level difference between them. In contrast, a compressor can also help support or bring to life soft notes as well. For guitar, compression helps with sustain and feel. Using compression in front of an amp with gain or a gain pedal essentially just adds more compression and is typically not very audible. A good compressor will help sustain notes without introducing noise or artifacts in an amp or pedal with gain but typically works best in a clean amp to hear the effect. You will typically hear compression on country guitar, at least as an audible full throttle effect. Most players do not utilize this sound because a squished signal limits dynamics, however, if used correctly it can increase dynamics across the board. One of the best descriptions about compression is that it is the opposite of reverb. If you think about that it is true. Compression brings the full dynamic force forward in a balanced manner where Reverb creates space and distance.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $248.05
(No payment required now - pay when released)
FORTHCOMING
Related products...
CatSynth Slimline ADSR Envelope Generator Module (envelope generator module)
Cat: 1009302 Rel: 30 Jun 24 • View all Synth modules
ADSR envelope generator module - 2HP
Notes: Discover the new dimension of your sound design with the ultra-compact 2HP wide ADSR Envelope Generator in Eurorack format. This precise tool is specially designed for synth enthusiasts who don't want to miss out on professional dynamic control in their Eurorack system. Despite its small size, this ADSR generator offers a plethora of features that will take your soundscapes to the next level.
Compact design
With a width of only 2HP, this envelope generator fits seamlessly into any Eurorack setup without wasting valuable space.
Customise your sounds with full ADSR control - Attack, Decay, Sustain and Release can be intuitively adjusted to bring your sounds to life
There is also a built-in LED display that gives you real-time visual feedback on the current phase of the envelope. This way, you always have an overview of the dynamic progression of your sounds.
With the ability to choose between three timebase settings (S, M, and L), you can flexibly adjust the envelope time base to suit your musical needs. From fast, crisp pulses to long-drawn-out, atmospheric evolutions, expand your expressive possibilities.
Manual Trigger
A special highlight is the manual trigger button. This allows you to trigger the envelope independently of external signal sources, ideal for spontaneous performances or experimenting with new sound ideas.
Dimensions
2 HP
42 mm deep
Current Draw
15 mA +12V
5 mA -12V
0 mA 5V
… Read moreCompact design
With a width of only 2HP, this envelope generator fits seamlessly into any Eurorack setup without wasting valuable space.
Customise your sounds with full ADSR control - Attack, Decay, Sustain and Release can be intuitively adjusted to bring your sounds to life
There is also a built-in LED display that gives you real-time visual feedback on the current phase of the envelope. This way, you always have an overview of the dynamic progression of your sounds.
With the ability to choose between three timebase settings (S, M, and L), you can flexibly adjust the envelope time base to suit your musical needs. From fast, crisp pulses to long-drawn-out, atmospheric evolutions, expand your expressive possibilities.
Manual Trigger
A special highlight is the manual trigger button. This allows you to trigger the envelope independently of external signal sources, ideal for spontaneous performances or experimenting with new sound ideas.
Dimensions
2 HP
42 mm deep
Current Draw
15 mA +12V
5 mA -12V
0 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $53.96
(No payment required now - pay when released)
FORTHCOMING
Related products...
CatSynth Slimline Dual Sample & Hold Module (sample & hold module)
Cat: 1009305 Rel: 30 Jun 24 • View all Synth modules
Dual sample & hold module - 2HP
Notes: Tap into the fascinating world of random modulation and creative signal processing with our innovative 2HP Eurorack compatible Dual Sample and Hold module. This compact but powerful tool is a must-have for anyone who wants to enrich their soundscapes with unique, unpredictable textures and sequences. Perfect for experimental musicians, modular synth enthusiasts, and creative sound designers.
Space-saving design
With its narrow 2HP width, the Dual Sample and Hold module fits seamlessly into any Eurorack system without compromising on functionality.
Dual operation
Two independent sample and hold channels give you double the creativity. Use them for stereo effects, parallel modulation sources, or complementary CV sequences to add a new dimension to your sounds.
Standardized inputs
A special feature of this module is the normalization of the "in" and "trigger" inputs of the second channel to the first. This means that the second channel will automatically pick up the signals from the first channel if no separate inputs are connected. This intelligent linkage allows you to create complex, interconnected modulations with just one input signal.
Flexibility of use
Whether you want to create random melodies, rhythmic variations, or dynamic soundscapes, this module gives you the flexibility you need. Experiment with different input signals and triggers to achieve surprising and inspiring results.
Intuitive operation
Despite its sophisticated functionality, the Dual Sample and Hold module is intuitive to use. It is therefore suitable for beginners in the world of modular synthesizers as well as for experienced users who want to expand their sound palette.
Dimensions
2 HP
39 mm deep
Current Draw
15 mA +12V
15 mA -12V
0 mA 5V
… Read moreSpace-saving design
With its narrow 2HP width, the Dual Sample and Hold module fits seamlessly into any Eurorack system without compromising on functionality.
Dual operation
Two independent sample and hold channels give you double the creativity. Use them for stereo effects, parallel modulation sources, or complementary CV sequences to add a new dimension to your sounds.
Standardized inputs
A special feature of this module is the normalization of the "in" and "trigger" inputs of the second channel to the first. This means that the second channel will automatically pick up the signals from the first channel if no separate inputs are connected. This intelligent linkage allows you to create complex, interconnected modulations with just one input signal.
Flexibility of use
Whether you want to create random melodies, rhythmic variations, or dynamic soundscapes, this module gives you the flexibility you need. Experiment with different input signals and triggers to achieve surprising and inspiring results.
Intuitive operation
Despite its sophisticated functionality, the Dual Sample and Hold module is intuitive to use. It is therefore suitable for beginners in the world of modular synthesizers as well as for experienced users who want to expand their sound palette.
Dimensions
2 HP
39 mm deep
Current Draw
15 mA +12V
15 mA -12V
0 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $32.69
(No payment required now - pay when released)
FORTHCOMING
Related products...
CatSynth Slimline Single Buffered Multiple Module (multiple module)
Cat: 1009307 Rel: 30 Jun 24 • View all Synth modules
Single buffered multiple module - 2HP
Notes: Expand the capabilities of your Eurorack system with the 2HP Eurorack compatible Single Buffered Multiple. This compact but powerful module is the perfect solution to multiply and distribute your signals without losing quality. It is specially designed for synth lovers who want to optimize their signal chain and shape their soundscapes with precision.
Ultra-compact design
With a width of only 2HP, this module fits seamlessly into any Eurorack setup, maximizing the space available for further creative expansion.
Seven outputs
Equipped with seven outputs, our Single Buffered Multiple allows simultaneous signal distribution to multiple modules. Perfect for complex patches where you want to send a signal to different destinations.
Buffered Outputs
The buffered outputs ensure that signal integrity is maintained even when distributed across multiple modules. Enjoy precise control and stability in your signal chain without sacrificing signal quality.
LED indicator for positive input signals
A special feature is the integrated LED, which lights up as soon as a positive input signal is detected. This visual feedback is not only convenient, but also makes it easier to troubleshoot complex patches and improve the user experience.
Optimal flexibility
Whether you want to route audio signals, control voltages or triggers, our Single Buffered Multiple offers the flexibility you need to meet your creative needs.
… Read moreUltra-compact design
With a width of only 2HP, this module fits seamlessly into any Eurorack setup, maximizing the space available for further creative expansion.
Seven outputs
Equipped with seven outputs, our Single Buffered Multiple allows simultaneous signal distribution to multiple modules. Perfect for complex patches where you want to send a signal to different destinations.
Buffered Outputs
The buffered outputs ensure that signal integrity is maintained even when distributed across multiple modules. Enjoy precise control and stability in your signal chain without sacrificing signal quality.
LED indicator for positive input signals
A special feature is the integrated LED, which lights up as soon as a positive input signal is detected. This visual feedback is not only convenient, but also makes it easier to troubleshoot complex patches and improve the user experience.
Optimal flexibility
Whether you want to route audio signals, control voltages or triggers, our Single Buffered Multiple offers the flexibility you need to meet your creative needs.
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $37.10
(No payment required now - pay when released)
FORTHCOMING
Related products...
CatSynth Slimline Dual Buffered Multiple Module (multiple module)
Cat: 1009290 Rel: 30 Jun 24 • View all Synth modules
Buffered multiple (2x 1->3 or 1x 1->6) module - 2HP
Notes: Expand your modular synth world with our 2HP Eurorack compatible Dual Buffered Multiple. This versatile and space-saving module is a must-have for those who want to distribute their signals with precision and flexibility. Whether you want to synchronize multiple oscillators, control filters in parallel signal paths, or create complex modulation setups, our Dual Buffered Multiple gives you the reliability and versatility you need.
Compact design
With its slim 2HP width, this module fits seamlessly into any Eurorack system without taking up valuable space.
Normalized Second Input
The input of the second channel is normalized, which means that a signal is automatically distributed to both channels if only the first input is used. This simplifies simultaneous signal distribution and increases creative freedom without the need to use multiple patch cords.
Dual operation
Equipped with two channels, our Buffered Multiple offers the freedom to distribute signals as either 2x 1->3 or 1x 1->6 for maximum flexibility. This allows for a wide range of patching options and maximizes the efficiency of your system.
Buffered Outputs
Each output is buffered, which means your signal will be amplified without any loss of quality or voltage drop. This is especially important if you want to send precise control signals (like pitch CV) to multiple targets.
Versatile applications
Whether you want to build complex modulation routings, control multiple synth voices at the same time, or simply distribute a signal across multiple effects modules, this module gives you the flexibility you need.
Dimensions
2 HP
40 mm deep
Current Draw
15 mA +12V
15 mA -12V
0 mA 5V
… Read moreCompact design
With its slim 2HP width, this module fits seamlessly into any Eurorack system without taking up valuable space.
Normalized Second Input
The input of the second channel is normalized, which means that a signal is automatically distributed to both channels if only the first input is used. This simplifies simultaneous signal distribution and increases creative freedom without the need to use multiple patch cords.
Dual operation
Equipped with two channels, our Buffered Multiple offers the freedom to distribute signals as either 2x 1->3 or 1x 1->6 for maximum flexibility. This allows for a wide range of patching options and maximizes the efficiency of your system.
Buffered Outputs
Each output is buffered, which means your signal will be amplified without any loss of quality or voltage drop. This is especially important if you want to send precise control signals (like pitch CV) to multiple targets.
Versatile applications
Whether you want to build complex modulation routings, control multiple synth voices at the same time, or simply distribute a signal across multiple effects modules, this module gives you the flexibility you need.
Dimensions
2 HP
40 mm deep
Current Draw
15 mA +12V
15 mA -12V
0 mA 5V
Pre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $33.73
(No payment required now - pay when released)
FORTHCOMING
Related products...
CatSynth Slimline Passive Fader Module (attenuator module)
Cat: 1009355 Rel: 30 Jun 24 • View all Synth modules
Passive fader module - 2HP
Notes: The Slimline Passive Fader Eurorack module is the perfect addition to your modular system. With a width of only 2HP, it offers a passive attenuation feature that allows you to precisely control and adjust the audio signal. Whether you're looking for subtle nuances or strong interventions, this module gives you the flexibility you need. Thanks to its slim design, it easily fits into any Eurorack setup and ensures efficient use of available space. Get the Slimline Passive Fader Module now and take your sound experience to the next level.
… Read morePre-orders at Juno
This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 30 Jun 24 $17.12
(No payment required now - pay when released)
