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Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.

Notes: Four-input version of Audient's next-generation EVO interface range. Stereo speaker outputs and a pair of headphone outs. Clean sound, clean design: intuitive controls for ease of use.

Supplier's Notes:
Capture your microphones and instruments and start recording audio directly to your computer with EVO 8's intuitive feature set. EVO 8 has all of the innovative new features found on EVO 4 but provides additional inputs and outputs alongside unrivalled performance and functionality - all off bus power.

Made for the smart creative, EVO 8 will deliver a powerful recording solution no matter your artform.

Whether recording your latest track, producing a beat, or creating a podcast EVO 8's advanced and versatile feature set lets you take control of any recording session.

Building on Audient's 20+ years of audio design experience, EVO 8 gives you unrivalled audio quality on your desktop.

Get the most from your microphones with the warm and accurate EVO preamps - offering 58dB of gain range.

Hear your recordings more accurately than ever and make better mix decisions with 113dB of dynamic range.

Plug your guitar or bass straight in through the JFET instrument input and start recording instantly.

Make sure you capture everything perfectly with Smartgain mode. Start playing or singing and Smartgain mode will automatically set the level of your microphones. You can even perfectly match and adjust gain to all channels simultaneously.

Channels 1-4 and both volume buttons can quickly be muted by simply holding them down until they begin to flash.

Individually switch phantom power on/off for each channel and give your microphones the power they need.

*Four channels simultaneously requires a USB-C to C connection. USB-A to C will provide up to two channels.

Set the gain of your mic pres using your DAW, your settings will also be stored in your session.

Control your speakers, headphones and channels all using the volume encoder.

Connecting a set of headphones to either of the headphone ports will automatically mute the corresponding speaker outputs, making switching between loudspeaker monitoring and headphone monitoring quick and seamless.

All of EVO 8's advanced features are powered directly from your computer via USB, letting you start recording on the go, whenever inspiration strikes.

Compatible with all major audio software and plugins, EVO 8 comes bundled with a collection of professional software, giving you everything you need to start recording.

Audio Loop-back
Audio Loop-back enables you to record your computer audio at the same time as your microphones. Ideal for podcasters and streamers.
Record your computers audio
Record guest Skype/video calls
Record gaming audio

Designed to simplify and adapt to your workflow, the EVO Mixer enables you to effortlessly set up and route your inputs + outputs, provide ultra-low latency monitoring, balance and set your levels, activate phantom power, set up dedicated artist headphone mixes and more.

Minimalist layout. Innovative Engineering. Modern aesthetics. EVO 8 has been designed to last and look at home on your desktop.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


At 84hp wide the NiftyCASE isn't super tiny or super huge, in fact, it's just right for all of the cardboard boxes bought to ship it to you in. Aside from the 84hp width NiftyCASE features ample +12v -12v and +5v power for your modules. It will also take Din MIDI from any DIN MIDI device and USB MIDI from your computer and turn it into eurorack compatible CV, gate, mod, and clock.

MIDI to CV, gate, clock, and mod

It's all built into the case. Make your instrument and don't waste precious hp (space for modules) on power and MIDI tools. you can plug NiftyCASE into your computer via USB or 5pin MIDI DIN device and send it MIDI. It will convert it into CV, gate, mod, and clock. Sequence with your DAW, jam with your controllers, or do something wacky, NiftyCASE has got you covered.

Power

Built-in power saves space for more of your modules, and keeps things good and easy.

As is, you can plug up to 10 modules into NiftyCASE's 10 gang flying bus that provides a peak 1500mA of +12v, 500mA -12v, and 500mA +5v, covering all industry standard power requirements

Specs:
Useable case area = 84hp
Internal depth = 55mm
Weight = 1.8kg
6.8cm x 44.6cm x 18.6cm
Range of cv out 1 = 0-10V
Range of cv out 2 = 0-10V
Voltage output gate 1 - off =0 on =5(off = 0 on = 4.65)
Voltage output gate 2 - off =0 on =5(off = 0 on = 4.65)
Voltage output mod = 1-10V
Voltage output clock - off =0 on =5
Power output for modules
+12V - 1500mA peak output**
-12V - 500mA peak output**
+5V - 500mA peak output**
1/4" ts mono output on rear
MIDI in via USB and 5 pin Din
MIDI thru via 5 Pin Din and USB

Included in the box:

NiftyCASE
NiftyCASE switching power supply with blades for NA, EU, UK, and AU

* Please note that the right and left sides of NiftyCASE fit very flush. It is recommended to favour a module with a pcb 1mm or more narrower than it's front panel for use on the left and right sides of the case (this amount or more of tolerance is fairly common on many modules).

** The NiftyCASE power supply is designed only to power modules that are being used in the NiftyCASE. Modifying the case or using it otherwise to power external cases & external modules is not advised.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C

Notes: Make your playing soar with majestic ambience

Powered by Multi-Dimensional Processing technology (MDP), the TE-2 Tera Echo produces a dynamic new stereo ambience effect that goes far beyond traditional delay and reverb.

Multi-Dimensional Processing for Superior Tone

Roland's innovative Multi-Dimensional Processing (MDP) analyses audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.

TE-2: Inspirational Echo

Thanks to MDP, the TE-2 delivers an amazing new ambience effect that satisfies and inspires. Complex internal processing produces an incredibly deep and spacious sound, dramatically enhancing the straight guitar tone without overwhelming it. Through the TE-2's simple, familiar stompbox controls and incredible sensitivity to your playing dynamics, an extremely wide range of sounds can be achieved. And with the expressive Freeze function, you can hold the current effect sound to create rich soundscapes for lead playing and sonic exploration.

The 100th BOSS Compact Series Model!

The TE-2 Tera Echo represents a milestone as the 100th model in the long history of the BOSS compact series. Starting with the release of the OD-1 Overdrive in 1977, BOSS' legendary stompboxes have been integral tools of artistic expression for millions of players around the world. Fuelled by a spirit of dedication and innovation that began nearly four decades ago, the TE-2 carries on the BOSS legacy of bringing inspiring, leading-edge technologies to musicians everywhere.

Specifications:

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E. LEVEL knob, TONE knob, FEEDBACK knob, S-TIME (Spread Time) knob
Indicator: CHECK indicator (Used for indication of HOLD, and to check battery)
Connectors:, INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 90 mA

Expected battery life under continuous use:
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options: (sold separately): AC adaptor (PSA series)

Size & weight (including battery)

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 435 g / 1 lb

Notes: The Classic CUBE, Evolved for Maximum Flexibility

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE LX Guitar Amplifier carries on this long tradition, evolved with the latest BOSS advancements for unmatched flexibility. This desktop powerhouse is the ultimate guitar amp for home practice and jamming with friends. And with a generous array of connectivity options, its range extends to performing, recording, and many other applications.

Meet the Moment

With its compact size and authentic BOSS tones, the DUAL CUBE LX delivers instant gratification for everyday playing at home. And its ultra-flexible design lets you go much further when you want, providing advanced features that reach well beyond the capabilities of other desktop amps.

Practice and Jam Anywhere

Indoors and out, enjoy big, immersive sound with custom-designed stereo speakers and versatile power with the included AC adaptor or eight AA batteries.

Perform On Stage

Use the stereo Line Out jacks to directly connect to a PA system and perform with pro BOSS amp sounds, complete with mic'd cab emulation and expansive stereo effects.

Record to Your Favourite DAW

Use the DUAL CUBE LX to capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link.

Elevate Your Livestreams

With the Phones/Rec jack and mic volume control, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your guitar sounds.

Play Along with Backing Music

The DUAL CUBE LX offers many ways to play along with backing music from a mobile device or computer, including a stereo aux input, USB and i-CUBE Link Loopback, and an optional Bluetoothr adaptor.

Authentic Amp Tones

With its finely tuned stereo speaker system, the DUAL CUBE LX produces full, punchy guitar tones that belie the amp's small footprint. Choose from eight versatile amp types, all with natural feel and organic response honed with decades of BOSS amp development. Whatever your style or skill level, you'll find expressive sounds to build techniques and deliver inspired performances. There's also a dedicated mic preamp type, allowing you to use the amp as a portable vocal PA system.

Onboard BOSS Effects

The DUAL CUBE LX includes a variety of BOSS stereo and mono effects to enhance your sound. Out of the box, you can spice up tones with four mod effect types or Heavy Octave and add ambience with delay or two types of reverb. If you want to go even deeper, it's possible to change out effects and adjust settings via the DUAL CUBE LX Editor.

Deep Sound Customization

The intuitive panel controls on the DUAL CUBE LX make it easy to craft compelling sounds in the moment. Each amp type includes three user memories, allowing you to store all the knob settings for quick recall. And with the DUAL CUBE LX Editor, there's a world of additional creative power to explore. Select different amp and effect variations, adjust detailed parameters, and more from your Mac or Windows computer.

Stereo In for Modelers and Pedalboards

The DUAL CUBE LX features a special Stereo In amp type for connecting stereo devices, complete with advanced spatial processing that makes it sound like you're playing through a much larger cabinet. By default, it provides rich, full-range sound for an amp/effects processor such as the GT-1000, GT-1000CORE, GX-100, GT-1, or IR-200. With the DUAL CUBE LX Editor, you can alternately choose a neutral guitar amp tone inspired by the famous Roland JC-120, giving you an ideal platform for exploring the stereo capabilities of pedals like the BOSS 500 and 200 series.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the onboard looper and switch memories while performing.


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: GUITAR/STEREO IN L, R: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L/MONO, R: -10 dBu
Speakers: 10 cm (4 inches) x 2
Controls: POWER switch, AMP TYPE knob (ACOUSTIC SIM, JC CLEAN, US COMBO, BRIT COMBO, HI-GAIN STACK, METAL STACK, EXTREME, MIC, STEREO IN), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, EFFECTS knob (CHORUS, FLANGER, PHASER, TREMOLO, HEAVY OCTAVE), DELAY/REVERB knob (DELAY, REVERB, SPRING), TAP button, MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, MEMORY, TAP, REC, PLAY, DUB

Connectors: GUITAR jack/STEREO IN L, R jacks: 1/4-inch phone type, i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA), FOOT SW jack: 1/4-inch TRS phone type, Bluetooth ADAPTOR connector: Dedicated connector, USB port: USB B type,, DC IN jack

PHONES/REC OUT jack: Stereo, Miniature phone type (Stereo, CTIA), LINE OUT L/MONO, R jacks: 1/4-inch phone type

Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8
Current Draw360 mA

Expected battery life under continuous use
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adaptor, Power cord, Mini cable (4-pole miniature phone type)
Options (sold separately)
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL
Size & weight

Width: 341 mm / 13-7/16 inches
Depth: 162 mm / 6-7/16 inches
Height: 215 mm / 8-1/2 inches
Weight (excluding AC adaptor): 3.3 kg / 7 lbs 5 oz

Notes: 44 watts of clean and natural power in a pedal-sized package!

The EHX 44 Magnum Guitar Power Amp head delivers 44 watts of clean and natural power but can also deliver a true amplifier overdrive at the turn of a knob. From your pocket to the stage, the 44 Magnum is the perfect gigging and practice solution. Despite being described as a "guitar head" the 44 has the character and control to work with any electric instrument. Flip the brightness switch for a more defined top end. The sweet tone with an extra power edge that can sit in any backline.

44 watts of power into 8 or 16 ohms
Tone switch toggles between a neutral, flat setting and a Musical top end boost
Maximum headroom potential
Can be driven to a natural, true amplifier saturation
Fits in the palm of your hand
Power adapter included

SPECIFICATIONS
Circuit
Analog
Audio
Mono
Power Supply
24VDC-3000mA power adapter included
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
2000mA
Year Released
2010

Notes: Numark add an extra channel to the classic scratch mixer format, bringing additional flexibility and performance options. Three-band EQ/kills per channel plus a mic input for versatility.

Supplier's Notes:
Bonus inputs for total performance.

M4 is a three-channel tabletop mixer designed for any DJ who needs maximum flexibility. It features a replaceable crossfader with reverse and slope controls, a 1/4" microphone input with EQ, and plenty of routing for phono and line level devices.

Where M4 really shines is its impressive input section. Two switchable phono/line inputs plus four more dedicated line inputs give you a total of SIX inputs! Add Master and Record outputs, and steep three-band EQ/rotary kills on each channel, and you've a powerhouse package that's ready to handle whatever the gig throws at you.

M4 has the inputs, controls, and features to turn what would be a problem for the average mixer into a simple plug-in. Don't get stuck without enough inputs at your next gig. Upgrade to M4.

Inputs:
Line: 10K ohm input impedance; 80mV RMS sensitivity for 0dB output
Mic: 600 ohm input impedance unbalanced; 1.5mV RMS sensitivity for 0dB output; 400mV RMS max input
Phono: 47k ohm input impedance; 1.3mV RMS sensitivity @ 1kHz for 0dB output

Outputs:
Line: 7V RMS max
Headphone: 0.5W into 47ohm

Signal to Noise Ratio:
(maximum output JIS-A weighted)
Line: Better than 100dB
Mic: Better than 95dB
Phono: Better than 85dB

Frequency response:
Line: 20 - 20,000 Hz i0.5dB
Mic: 20 - 15,000 Hz i0.5dB
Phono: i1dB; -3dB attenuation at 20 Hz to reduce rumble and feedback

Channel Equalizer:
Bass: +12 / -35dB at 20 Hz
Mid: +12 / -25dB at 1.3 kHz
Treble: +12 / -20dB at 15 kHz

Channel fader kill: Better than 90dB at 1 kHz

Crossfader kill: Better than 75dB

Crosstalk: Better than 80dB at 1 kHz

Distortion: Less than 0.05%

Notes: The Erica Synths Envelope Generator 2 is a re-triggerable, looping envelope generator with some unconventional features that are very useful for experimental setups. What sets the Black EG2 apart from other envelope generators is its optional GATE LENGTH setting, which allows for generating full ADSR envelopes even if a short trigger is used at the input. Likewise, in LOOP mode, the module outputs a full ADSR envelope instead of a classical AD envelope. The gate length is both manual and CV controlled, which allows for using this envelope generator in compact modular setups controlled by trigger sequencers only.

SPECS:

Gate input level 3...10V
Envelope amplitude 0...10V
Attack time 0...7,4"
Decay time 0...19"
Sustain level 0...10V
Release time 0...17"
Gate length 0...3,7"
Panel width 8HP
Module depth 25mm
Power consumption 29mA@+12V, 33mA@-12V

LOOP/SINGLE

Select between SINGLE SHOT or LOOP modes. When the internal gate is o , the rise and fall times are set via the A and R knobs. When the internal gate is on, all knobs have an e ect on the envelope shape.

The LED gives visual feedback on the envelope state.
GATE ON
Engage the internal gate and you have a full ADSR envelope in loop mode and with a trigger applied to the trigger input in single mode.

G. LENGTH

Set the internal gate length manually

LENGTH CV

This is the internal gate length CV input.

The CV is added to the gate length potentiometer setting

GATE

This is the GATE input

A / D / S / R

These knobs adjust envelope stage times and sustain level

TRIGGER

This is the TRIGGER input. You can retrigger the envelope and start the attack stage again, even if the gate is still high (see Figure 1).

If you wish to use the envelope generator with an internal gate, patch the incoming trigger signal here. The internal gate is linked to the trigger input, not the gate input.

EG OUT

This is the envelope generator output.

Notes: The Foldiplier is a 4hp odd/even harmonics generator with 2 different oscillating feedback paths. The folding core of the design originates from the odd harmonics (middle)section of the Serge Wave Multiplier. But the Foldiplier adds voltage control over the symmetry and offset as well as a switch for feedback, jumper selectable between, a transistor based oscillating fuzz inspired by the Hemmo Bazz Fuss with a lot more low harmonic content and a passive oscillating half wave rectification circuit with more high harmonic content. When these feedback oscillations mix with an incoming waveform some unpredictable and unique nonlinear timbres can be achieved. The module can also be used as a no-input experimental oscillator with the feedback switch engaged. All diodes in the module are silicon.

The Fold knob controls the amount of times the waveform is folded in on its self (indicated by the red led window below the knob). The C.V. knob below is an attenuator for incoming control voltage corresponding to the Fold jack(indicated by the red led window above the jack, it only responds to positive voltage). So, the Fold knob acts like an initial amount of folding depending on its position. For example, with the Fold knob fully clockwise you can get even more folds with a control voltage in at the Fold jack. The Offset knob controls how much positive DC voltage(0 to 5v, clockwise) or negative(0 to -5v counter clockwise) DC voltage(indicated by the led window above the Offset jack, red for positive, yellow for negative) injected into the waveform via the Symmetry knob. With the Offset knob position at noon(0v) there will little effect from the Symmetry knob. The Offset jack is expecting +5v to -5v with knob position at noon to scan through the positive and negative voltage. The Symmetry knob controls the amount of negative or positive offset voltage(dependent on the Offset knob) mixed with the waveform(indicated by the yellow led window above the Symmetry jack). If positive voltage is mixed with incoming waveform more folds will occur on the positive troughs of the waveform, likewise, when negative voltage is introduced more folds happen on the negative troughs. This part of the circuit can also be broken down by thinking of the Offset as a voltage controlled crossfader swinging between positive and negative voltages into a VCA controlled by the Symmetry knob and jack. When a voltage is present at the Symmetry jack the Symmetry knob becomes an attenuator. The Symmetry jack only responds to positive voltage.

Width: 4hp
Panel Material: Double Sided PCB panel with Classic and Soulless
Reverse Power Protected
Current Consumption: +12v: 40mA, -12v: 35mA
Depth: 47mm or 1.75"
All through-hole build
Ships with M3 black nylon screws
Expandable: No

Review: 69 Love Songs by The Magnetic Fields is an audacious feat that toes the line between brilliance and sheer audacity. Clocking in at three hours, this magnum opus is a sprawling exploration of love in all its forms. Stephin Merritt and his collaborators craft a diverse sonic landscape, ranging from giddy lust to resignation and despair, and from genre exercises to archetypal Magnetic Fields songs. The album's sheer scale may initially seem daunting, but Merritt's exceptional songwriting and the band's eclectic instrumentation ensure that each track holds its own. The individual songs offermany moments of small epiphanies and emotional resonance. 25 years since it was first released, 69 Love Songs continues to gain new fans and make original ones keep coming back.

Notes: Infinite inspiration, ready to play

Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire.

Simply Great-Sounding Reverbs

Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won't turn your tone to mud. And modern players will love the new Shimmer and Reverb + Delay modes.

Dialled-In Sounds at Your Command

The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy- just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6's sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting.

Analogue Dry Tone and Versatile I/O

While the RV-6's reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analogue as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There's also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.

Reverb Modes

+DELAY - This is reverb combined with delay. The synergistic effect provides rich reverberation.
SHIMMER- This reverb is distinctive for its sparkling high-frequency range. It produces fantasy-like reverberation wrapped in spacious overtones.
DYNAMIC- This reverb automatically sets the depth of the effect according to your performance. It produces deep reverberation without blurring the overall shape of your playing.
ROOM- This reverb simulates the reverberation of a room. It produces warm reverberation.
HALL- This reverb simulates the reverberation of a hall. It produces clear and spacious reverberation.
PLATE- This simulates a plate reverb (a reverb unit that uses the vibration of a metal plate). It produces metallic-sounding reverberation with an extended high-frequency range.
SPRING- This simulates a spring reverb built into a guitar amp.
MODULATE- This reverb adds modulation to hall reverb, producing extremely good-feeling reverberation.

Specifications


Reverb Modes:

8 modes- HALL, PLATE, ROOM, SPRING, MODULATE, +DELAY, SHIMMER, DYNAMIC
Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, E.LEVEL knob, TONE knob, TIME knob, MODE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors: INPUT-A (MONO) jack, INPUT-B jack, OUTPUT-A (MONO) jack, OUTPUT-B jack, EXP jack, AC adaptor jack (DC 9 V)
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Current Draw: 95 mA

Expected battery life under continuous use (These figures will vary depending on the actual conditions of use.)
Alkaline: Approx. 3 hours

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Options (sold separately) AC adaptor: PSA series
Expression Pedal: BOSS FV-500H, FV-500L, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: The Mini PEG is a clock-synced envelope generator and LFO whose envelope times are set by the time between clock pulses or "pings". The Mini PEG is the latest version of the classic 4ms Pingable Envelope Generator.

Specs

Mini PEG
8HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
16-pin Eurorack power header

Power consumption
+12V: 55mA
-12V: 30mA

Envelope Outputs
Maximum voltage range (ENV OUT): -9.4V to +9.4V
Maximum amplitude (ENV OUT): 9.5Vpp
Voltage range (5V OUT): 0V to +5V

Frequency range: +/-0.1dB DC to 1kHz, -1.0dB@2.5kHz, -2.0dB@4kHz
12-bit, 40kHz sample rate
Clock Range

Period range: 29.16 hours to 250us (4kHz)
CV Inputs (Div/Mult and Shape)

Voltage range: -5V to +5V
Gate Inputs (Ping, Trigger, Cycle)
Rising edge threshold: 2.5V

Notes: A compact attenuverting (attenuator-inverter) joystick controller and Gate Generator. With it, you can generate and process two control voltages using only one hand. Provided controls for CV ranges and offset adjust the boundaries of your control, this way it never gets out of the desired range, ensuring sensibility and playability even with wild performance gestures.

Specifications

Current needs: +12V: 25mA, -12V: 10mA
Width: 12 HP
Depth: 35mm (including power connector)
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.

Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Notes: Creatively inspiring business from Xaoc as usual. The Erfurt is a digital phase accumulator, digital oscillator, binary counter or clock/audio frequency divider. Versatile stuff.

Supplier's Notes:
Xaoc Devices Erfurt is a digital module that may be used as an 8-output clock and audio frequency divider, a bi-directional binary counter, or a component of the Leibniz binary system, i.e. a programmable digital oscillator.

Erfurt features an 8-bit register which holds its current state: an 8-bit number representing digital values from 0 to 255. The state is available at the front panel via eight binary (5V gate) outputs and reflected by the 8 status LEDs. There are three clock inputs: one incrementing the state at each impulse, one decrementing, and one resetting the state to zero. The state may also be changed manually with two buttons.

When operating alone, the state of Erfurt changes by 1 at each impulse from the clock inputs, so that it counts from 0 to 255 in a cycle (modulo 256). This yields the signal frequency divided by 2, 4, 8, etc. up to 128, available at individual bit outputs. Depending on which clock input is used, the clock patterns correspond to the so called mathematical or musical divisions of the rhythm.

With two different clocks patched to the inputs, the counter alternately increases and decreases its state, and ultimately it counts with a rate proportional to the frequency difference between the clocks. A third clock patched to the Reset input may be used to shorten the sequence thus making the cycle incomplete for even more rhythmic diversity.

When there is a Leibniz data source connected at the back (even as simple as Lipsk), the state increases or decreases in larger steps, depending on the data present at the Leibniz bus (eg. the value programmed by the Lipsk buttons). The counter overflows quicker, and produces more complex patterns.

The state of the counter may be used as a phase input to a digital wave table. Connected to other Leibniz modules, Erfurt may play various roles, eg. it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc. Since Erfurt is based on CMOS logic (no CPU!), it can be clocked at very high frequencies (exceeding audio rate), therefore some selection switches are provided for clock pre-scaling.

Dimensions:
6 HP

Current Draw:
25 mA +12V
30 mA -12V
0 mA 5V

Notes: Another intriguing experimental offering from Soma Labs. ROaT is a digital synth inspired by 80s video games. Four oscillators combine with a sequencer to create drones, soundscapes and glitchy loops.

Supplier's Notes:
Rumble of Ancient Times (RoAT) is an 8-bit noise synthesizer and sequencer inspired by the clever programming of the early PC era when an entire video game would fit on a floppy disk. RoAT is capable of a wide variety of sounds ranging from dense noise scapes to diverse glitching rhythmic patterns. The compact and portable instrument contains many elements that can be combined into surprising musical results.

The "heart" of the synthesizer contains 4 sound oscillators, each with a tunable waveform and an individual LFO, which can modulate the tone or volume of the oscillator. The modulated signal of each oscillator is mixed with other signals using 1,536 variations of complex summing algorithms that contain FM, ring modulation, bitwise logical operations and more.

The synth contains an 8-bit resonant lowpass filter with a distinct Lo-Fi character.
The built-in sequencer can be synced to an external device and also send clock out.
RoAT is battery powered and can work up to 130 hours on one set of AAA batteries.

Rumble of Ancient Times is built on a very simple 8-bit microcontroller similar to the ones used in the "brains" of old refrigerators and other simple electronic devices. Thanks to some very clever programming, it's also able to drive a very capable synth with many features!

In stark contrast to modern consumer electronics, this synth celebrates and emphasizes what can be achieved with efficiency of code and using chips considered obsolete by industry leaders. We live in an age where text editors can be 1GB or more and simple things like checking email require the latest OS and powerful processing, despite the core tasks being no different than 15 years ago with a fraction of the computational power.

So RoAT proposes a new kind of ecological thinking with the innovative use of chips that were developed and produced decades ago, instead of turning them into millions of tons of trash. We can still use technology that the industry forced us to consider obsolete, with the added benefit here of extremely low power consumption. It's an environmentally friendlier approach than galloping in the rush of planned obsolescence that damages our planet and wastes precious resources.

Rumble of Ancient Times was designed and programmed by Kakos Nonos, a new creative mind who joined the SOMA development team. His very unique style of building electronic musical instruments combines quality craftsmanship, advanced programming and a love for medieval acoustic instruments such as gusli, wheeled lyre and bagpipes.

Specifications:

Sync out voltage: 5 V
Minimum syn in voltage: 0.2 V
Current input: 20 mA
Maximum output voltage: 5 V
Audio output:3.5 mm jack
Sync out: 3.5 mm jack
Power Supply: 4*AAA battaries
Size: 122 x 136 x 40 mm
Weight (without batteries): 145 g

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: The Pod40X is 40HP with 2.00" (51mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod40 includes ten (10) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Think of the MFD like a tiny DJ mixer: two stereo inputs, one stereo output, with the option to cue either input and crossfade between the two. A simple idea very well executed.

Supplier's Notes:
Inspired by DJ mixers, the MFD allows you to cue and crossfade between signals. Ideal for live performance as well as jamming out ideas in the studio.

Supplier's Notes:
The 'MFD' is a 2-channel stereo crossfader designed for live DJ-style mixing and jamming in Eurorack. Two mono or stereo inputs are mixed to a single stereo output via direct or voltage control. Additional Cue controls provide preview monitoring of either input pre-mix via dedicated Cue switches and an output.

Voltage control over the crossfade and DC coupling allow for further creative uses such as a high quality stereo VCA or as a mix processor for either stereo audio signals or CV.

The MFD is designed to have very low noise and cross bleed and employs equal power crossfading for smooth constant level blending between signal sources.

Features:

Two channel stereo crossfader with voltage control.
Approx equal power crossfading.
Cue output switches for direct monitoring of either stereo input (pairing well with HPO for headphone monitoring).
Can be used as a high quality stereo VCA.
DC coupled for use with both audio and CV.
Skiff friendly with reverse power protection.
Two year warranty.
Made in England.

Ideal For:

Smoothly blending and monitoring 'tracks' or 'scenes' during a live set.
High quality VCA use for stereo based sources.
Voltage controlled crossfading and mixing of both CV and Audio signals.
Other advanced uses including audio rate modulation, stereo panning effects and a CV controlled FX send.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 6HP

Depth: 32mm

Review: Van Halen's sophomore album, Van Halen II, receives the deluxe treatment here with this limited, numbered, 180 gram 45 rpm Audiophile SuperVinyl UltraDisc One-Step 2xLP box set. Originally released in 1979, the album showcases the band's electrifying blend of hard rock and heavy metal, propelled by Eddie Van Halen's revolutionary guitar work and David Lee Roth's charismatic vocals. With classics like 'Dance the Night Away' and 'Beautiful Girls,' the album captures the band at the peak of their powers. Remastered for vinyl with meticulous attention to detail, this deluxe edition offers audiophiles a pristine listening experience, making it a must-have for collectors and fans alike.

Review: The legend of the late great David Bowie will always live on, particularly with spectral releases like this still appearing on the regular. Rock 'n' Roll Star! vharts Bowie's journey to Ziggy Stardust across no fewer than six CDs and a blue-ray disc that include early home demos, radio sessions and live performances, session recordings, outtakes and alternate versions of tunes from his The Rise and Fall of Ziggy Stardust record. Unreleased gems on the album include an alternate rendition of 'Lady Stardust,' an unheard version of the cherished 'Shadow Man,' and an upbeat interpretation of The Who's 'I Can't Explain.' Interestingly, Bowie later slowed down and covered this for the PIN-UPS album.

Notes: The Fold Processor is a voltage-controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from standard sine, triangle, sawtooth, and square waves and includes a CV input with an attenuator, making it very easy to create beautifully animated folding sounds. Adjustable voltage-controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL-like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.

Size: 12HP
Depth: 31mm
Power: +12V 60ma / -12V 55ma

Review: Celebrating its 30-year anniversary with a monolithic deluxe edition, Green Day's Dookie has gone on to become one of the cornerstones of pop-punk, pre-dating Blink-182 with its global expansion. Spawning timeless anthems such as 'Basket Case', 'Longview' and pop smash hit 'When I Come Around'; the album signalled the artistic prowess and bright future the band have continued to live up to in the decades since. Complete with 17 previously unreleased demos, studio outtakes and both their Woodstock 1994 and unreleased Barcelona 1994 live performances, as well as a 36-page book cataloguing the creative journey of these formative years, this 6xLP beast is not for the faint of heart but for the devout and avid legions of generation spanning followers the trio still continue to amass to this day.

Notes: Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Adding another tool to the musical paint pallet, Walrus Audio is creating another way to design your tone with the Canvas Series Passive Re-Amp. The Re-Amp is a studio tool designed to send recorded guitar, drums, or other instrument tracks from your recording session through pedals and effects, or different amp combinations. The Re-Amp makes it's appearance to facilitate all-new ways to experiment with your songs.

Artists and producers can save time on tracking sessions by recording dry tracks first, then using Canvas Re-Amp's custom transformer to convert line-level signals, optimizing them to work with amps and guitar pedals of any kind to explore limitless tones and sounds.

Using a Re-Amp

1. From your DAW, audio track goes into the Canvas Re-Amp.
2. Out from Re-Amp into pedals or mic'd amp.
3. Out from pedals / amp back into DAW.

Specs

Frequency Response: 20Hz To 20kHz
THD+N: 0.07% @ 20Hz / +4dBu Input 0.001% @ 1kHz / +4dBu Input
Maximum Input Level: +21dBu @ 20Hz
Noise Floor: -116dBu
Signal To Noise Ratio: 114dB @ 1kHz
Input: Balanced Line-Level
Input Impedance: 3k Ohms
Output: Unbalanced Instrumental-Level
Output Impedance: 2.5k Ohms
Common Mode Rejection Ratio:79dB @ 20Hz / +4dBu Input
Power Requirement : None - Passive
Audio Circuit: Transformer Isolated

Notes: Arguably the most important pedal on your board, the Canvas Tuner ensures that your instrument is ready to sound its best with the perfect meld of versatility and precision.

Packaged in the same tough-as-nails, tour-ready enclosure as all Walrus pedals, the Tuner features a bright 2.8" TFT LCD display that can be viewed under just about any stage lighting conditions, multiple screen orientations, i0.1 cent accuracy, buffered or true bypass options and more. The Canvas Tuner ensures that you have the most accurate brush to paint your sonic picture.

Uncompromising Accuracy

Precise and accurate tuning you expect with i0.1 cent accuracy and multiple tuning presets. Tune with confidence, allowing your music to shine with clarity.

A World of Sound at Your Fingertips

With a flat frequency range spanning from 20Hz to 20KHz, the Walrus Audio Tuner is ready to handle tuning for low bass notes to high-strung acoustics. Even bassists needing that low B rumble can tune with confidence.

See the Music Come to Life

The 2.8" TFT LCD display is your window to pitch-perfection. Its crystal-clear quality ensures your tuning is always on point, even under the blazing stage lights or glaring sunlight.

Tailored to Your Preferences

Tailor your tuning experience to your liking with multiple screen orientation options and selectable Strobe or Needle tuning modes. Your preferences, your performance.

Your Aesthetic, Your Way

Match your style with ease. The Walrus Audio Tuner comes with eight colour themes and multiple screen savers including a custom picture mode* allowing you to personalize your tuner to fit your unique aesthetic. *Photos can be uploaded to the tuner via walrusaudio.io.

Tune Faster with Tune Assist

Let Tune Assist guide you swiftly and accurately through your tuning process. Quick and easy tuning has never been so effortless. With Tune Assist, once your note stays in tune longer than a pre-determined threshold, a border outlining the display will flash letting you know that you are in tune and can move to the next string.

Versatile Bypass Options

Enjoy ultimate flexibility with buffered bypass which routes your audio through the clean, low-noise, high headroom audio buffer with a Total Harmonic Distortion ratio of .001%. This buffer offers a high input impedance of 1M Ohms and low output impedance of 400 Ohms to maintain the highest level of single integrity. Other available bypass modes include relay bypass, monitor mode, and pass-thru.

Customize Your Reference Pitch

Adjust the reference pitch from 390Hz to 490Hz to suit your musical needs. Precision tuning for any style of music.

Stay Current with Firmware Updates

Keep your tuner up to date with firmware updates via www.walrusaudio.io. Experience continuous improvement and new features as they become available.

Notes: Constellator is an all-analog delay pedal capable of producing up to 600ms of lush echo with adjustable modulation and a comprehensive sound palette. From percussive slapback and doubler sounds to chorused-out, long delays with endless repeats, the Constellator's MN3005 bucket brigade chips provide superior overall headroom and tape-like saturation when pushed to the limit. The Feel toggle switch adjusts several parameters simultaneously for an additional coloring of LFO modulation. With the Feedback control maxed out, the Constellator is capable of self-oscillation which can be pitched up or down by turning the Time knob. Runs on standard 9VDC.

Knob-by-knob

Time: Sets your delay time. Clockwise for slower, counter-clockwise for faster.
Mix: Controls your dry/wet balance.
Mod: Controls the modulation depth. Adds color and warp.
Repeats: Sets the amount of feedback in the delay line.
Feel: Selects between two distinct modulation types. When the switch is pushed in, a chorus effect is selected. When the switch is not pushed in, a vibrato effect is selected.

King of bucket brigades

The pair of analog delay chips used in the Constellator are new production replicas of the mighty Panasonic MN3005 Bucket Brigade Devices (BBD) found in some of the most iconic vintage delay pedals of all time. With 4096 individual "buckets" and +15V power rails, the MN3005 provides the longest possible delay time and most available headroom in an analog delay. Luscious.

Make your ow myth

Develop shimmering delay lines with crystalline overtones and watch them scatter across the canvas in your mind. Constellate your own myth into being.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
1.5
Width: 3.75"
Height: 1.75"
Weight: 0.5lbs

Notes: Fuzz sculptor with an appetite

Star Eater is an all-analogue, dual footswitch super-jumbo Fuzz with a footswitchable booster and variable filter stage, allowing players to easily sculpt a massive array of inspiring, unique fuzz tones. On the fuzz side, newly-available, precision-matched transistor pairs are utilized to ensure that each and every unit is perfectly dialled in to "the sweet spot" that can be so elusive to find in vintage pedals. A rocker switch provides your choice of Germanium or Silicon colour. Downstream from the fuzz, a powerful booster stage drives the filter in the Star Eater. Scoop and Bump voicings for the filter can be selected via a rocker switch, drastically changing the frequency response of the Sweep control throughout its entire range. Built to last and designed to inspire, the Star Eater brings a unique approach and a new standard of performance to the world of boutique fuzz pedals. Runs on standard 9VDC.

Knob-by-knob

Hunger: Determines the amount of gain in the fuzz.
Volume: Determines the output level of the fuzz.
Sweep: Sets the frequency response of the filter. Note: The Sweep knob is only active when the Contour footswitch has been turned on.
Voice: Selects between Silicon (Si) and Germanium (Ge) diode clipping in the fuzz circuit.
Contour: Changes the shape of the tone.

Back to the future

Inspired by the chunky chassis feel of the late 70s and early 80s, Star Eater was designed to offer a fun, tactile user experience and make it easy for players to fine tune their own signature fuzz tone.

Model

Model name: Star Eater
SKU: FUZ
Function: Super-Jumbo Fuzz with Filter
Category 1: Distortion
Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
BodyLength (in): 3.5
Width (in): 4.75
Height (in): 2
Weight (lbs): 1

Notes: The DJ200i is the premium DJ cartridge from hi-fi specialists grado. Hand engineered for a premium quality, rich, warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket, and many cartridges priced significantly higher.

The grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 piece otl cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.

Notes: Terci Ruina combines three classic distortions in 4 hp. Distortions are reinterpreted in classic NE style and routed through each other for complete sonic annihilation of any sound. Patch in and out anywhere in the signal chain to pick the best sound for your purpose (because modular). Looking for a pretty distortion? This is probably not your module. Unapologetically gross and dirty.

Notes: Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

Supplier notes:
The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Review: Where do you start with a band like Depeche Mode? Easily up there with the most influential British live acts of the late-20th Century, and early-mid-21st - a term we specifically use because their work spans so many genres, from synth pop and new wave to alt and dance rock - the fact just one of their records can garner the kind of reverence that can produce 33 remixes by some of the most respected names in electronic sounds says more than we ever could even if this paragraph went on forever.

Here we have it, then, definitive collection of repurposed and rethought songs from the 2001 LP, Exciter. Veering from the deep proggyness of Danny Tenaglia's take on 'I Feel Loved', through Dave Clarke's breakneck sledgehammer-yet-spacey techno interpretation of 'Dream On', broad sounds would be putting it mildly indeed. Other highlights including the lucid downbeat of Bertrant Burgalat, epic dance metal of DJ Muggs, and sparse, stargazing atmospheres of Isan Falling Leaf.

Review: Van Halen's third release, Women & Children First, showcases the band coming into their own after their meteoric rice to fame in the late 70s. Originally released in 1980, the album made the top ten and sold over three million copies with little radio play and not even a top 40 song. The album is also ranked #36 in the top 100 Heavy Metal records of all time. Released on limited numbered 180 gram at 45RPM Audiophile SuperVinyl with the UltraDisc One-Step process spread across two records. Mobile Fidelity Sound Lab US's pressing is perhaps the ultimate copy to have for the discerning audiophile.

Notes: Next-Generation Guitar Compressor for Expressive Players

Powered by BOSS's MDP technology, the CP-1X is a new type of multiband compressor for guitar that preserves the character of your instrument and technique for unlimited musical expression. Intelligent processing analyses your signal in multiple dimensions as you play, providing advanced dynamics control that never colours or muddies your tone like typical stompbox compressors can. The simple, four-knob interface makes it easy to dial in sophisticated results, while the handy gain reduction indicator always shows you how much compression is being applied. Optimized for all types of guitars, the CP-1X offers next-generation performance for every style of music.

Intelligent Processing for Natural Sound

When you first plug into the CP-1X, you're in for a totally new guitar compressor experience. Typical stompbox compressors colour and restrict your sound, and are hard to dial in for various playing styles. The innovative CP-1X eliminates these drawbacks and more, opening up a world of expressive potential. The powerful MDP engine analyses your guitar's many different tonal elements in real time, providing natural compression that intelligently follows and adapts to your playing. With this high-tech approach, your true tone and technique always comes through, even when using aggressive settings for that effected "squish."

Tap Into New Levels of Musical Expression

No matter what kind of guitar or style you play, the CP-1X always delivers rich, musical tone. From mellow phrases and arpeggios to heavy rhythms, fast solos, and beyond, every playing nuance remains detailed and defined. The pedal also provides superior performance for chicken pickin' country licks, funky rhythm grooves, and other standard guitar compressor applications, and works great as a booster thanks to its punchy, transparent sound. On seven- and eight-string guitars, the CP-1X easily controls upper-range dynamics without compromising your powerful low-end tone. And when used with acoustic-electric guitar, the natural, lush overtones are fully preserved as you go from gentle fingerpicking to full-chord strums.

Studio-Level Results with Simple Controls

With the knobs on most pedal compressors, what you see is what you get. Not so with the CP-1X, as the pedal's controls interact with each other at a highly detailed level. When you turn a knob, numerous interlocked parameters are adjusted under the hood at once. This gives you dynamics control and tone shaping ability that far exceeds standard compressor pedals, providing results previously attainable only with high-end studio processing. The good news is that you don't need to be a sound engineer to use the CP-1X-its sophisticated MDP processing has been meticulously fine-tuned by the BOSS engineers to let you dial in ultra-polished tone with familiar stompbox controls.

High-End Features for Pro Performance

The CP-1X features pro-level 18-volt input circuitry that provides ample headroom for the hottest guitar pickups, ensuring exceptional clarity with any instrument. A 16-segment gain reduction indicator clearly displays the compression amount, making it easy to see what the pedal's doing. The CP-1X's noise performance is also extremely low in comparison with other compressors, another huge benefit brought by BOSS technology.

MDP: Advanced Tech, Superior Tone

Leveraging decades of research and development, BOSS's proprietary Multi-Dimensional Processing (MDP) technology offers a fresh approach to achieving exceptional guitar tones. In real time, MDP analyses the various elements that make up the sound, including frequency, overtones, dynamics, pickup response, and more. Various playing characteristics are analysed as well, such as note register, single notes vs. chords, bends, vibrato amount, and others. Each individual element is then processed in unique ways to produce optimized tones as you play. With its ultra-detailed, high-tech approach, MDP delivers tone quality and playability that reaches far beyond the limits of traditional effects processing.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
BypassL Buffered bypass

Controls:
Pedal switch
COMP knob
RATIO knob
ATTACK knob
LEVEL knob

Indicators: CHECK indicator (Serves also as battery check indicator), GAIN REDUCTION indicator
Connectors:
INPUT jack
OUTPUT jack
DC IN jack
Power Supply: Alkaline battery (9V, 6LR61), AC adaptor (sold separately)
Working Voltage: 18 V
Current Draw90 mA

Expected battery life under continuous use: Alkaline: Approx. 2 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Alkaline battery (9V, 6LR61)
Option (sold separately) AC adaptor (PSA series)

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 450 g / 1 lb

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP

Notes: The SVF is a 4hp 2 pole 12dB State Variable Filter Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It provides Low Pass, Band Pass, and High Pass outs inspired by WASP and Thomas Henry filter topologies. The filter has 2 audio inputs, but channel 2 is jumper selectable between standard audio in or Ping-able operation. The 2019 revision also adds improved cutoff and resonance response and attenuversion through the ACV IN using the above pot. CV IN provides another unattenuated voltage input to modulate the frequency.

At the CV in, +10v will open the filter completely if the cutoff pot is CCW(counter clockwise). With the cutoff knob at noon the filter can be opened with +5v or closed with -5v. CV input at the ACV in is dependent on the CV attenuverter knob.

There are also several jumper selectable modes for max resonance, self oscillation or no oscillation based on the setting of the resonance pot. According to the jumper configuration, the filter is capable of clinical and clean, to juicy and drippy, to low pass gate sounding plonks, to screaming chaotic resonance. When set to self oscillation mode, the filter can produce a sine like wave with no input and a trapezoid like wave in the max resonance jumper setting. In max resonance mode, the filter output can exceed 10Vpp. On the newest version, there is a trimmer on the top pcb to set the lowest cutoff frequency.

The new black and white pcb/panel is reversible meaning, one side is classic (first picture) and the other side is soulless (second picture).

Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.

Notes: Module A-174-4 modules outputs three control voltages generated by a spring-loaded X/Y cross potentiometer (so-called joy stick) and a Gate signal. The control voltages for X and Y are controlled by the X and Y position of the joystick in the usual way. The third control voltage Z is controlled by the rotation of the spring-loaded joystick knob. The Gate signal is generated by a button at the center/top of the joystick knob.

For each control voltage the non-inverted signal (X, Y, Z) as well as the inverted signal with adjustable offset (-X+XO, -Y+YO, -Z+ZO) are available. The generic joystick control voltages are bipolar, i.e. they range from typ. -5V (lowest position) via 0V (center position) to typ. +5V (highest position). The "Overlap" switches can be used to add a fixed offset voltage of typ. +5V to the non-inverting output in question so that the output voltage range changes to typ. 0...+10V (rather than -5...+5V). That's necessary if e.g. a VCA has to be controlled, which requires a pure positive control voltage range. The switches are named "overlap" because they allow the overlapping of the non-inverting CV output (X, Y, Z) with the inverting output (-X+XO, -Y+YO, -Z+ZO) for crossfading applications. With the overlap switch "on" and appropriate setting of the offset control it's possible to obtain a control voltage range of 0...+10V for the non-inverting output and +10V...0V (i.e. same range but opposite direction) for the inverting output.

The offset voltages which are added to the inverting outputs can be adjusted by means of three small potentiometers. That way different kinds of control voltage ranges are possible, e.g.
-5V ... +5V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = off, Offset = 0)
0 ... +10V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = on, Offset = max)
-5V ... +5V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = off, Offset = max)
0 ... +10V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = on, Offset = 0)
On top of this the four quadrant voltages Q1, Q2, Q3 and Q4 are available. A quadrant voltage becomes positive when the joystick is positioned in the quadrant in question.
Each CV output is equipped with an LED that displays the present voltage.

Because of the construction height of the joystick (about 7 cm) the module cannot be installed into the cases A-100P6, A-100P9, A-100PMS6, A-100PMS9 and A-100PMS12 during transportation as the depth of the case cover is not sufficient. Into the base cases A-100PB and A-100PMB as well as in all other cases without cover the module can be installed without problems.

HP : 12

Notes: Taking equal inspiration from gritty delays on cheap mixers, the sounds of dub and the fracturing of consciousness in time and space, the Coma Reactor looks like a deceptively simple delay module... till you start digging deeper.

The Coma Reactor boasts the crunchy sounds of the PT2399 chip, but adds a number of useful routing possibilities that really open it up for sound mangling that transcends the norm.

Independent volume controls for dry, wet as well as FX loop return allow you to blend in clean, delayed and affected sounds to suit your needs. A CV input on the module increases or decreases the delay time, going from slight tape-echo warbles to some truly seasick pitch shifting. A buffered clean through allows you to pass an unaffected unity gain to a mixer or other device.

The Send/Return path allows you to process your delay signal through another effects unit. Without anything plugged in, a truly nasty bandpass filter lurks in the delay feedback path. The 2022 edition of Coma Reactor features Frequency (CV controllable) and Resonance knobs for this filter.

Lastly, this completely delirious module is also capable of generating noises and oscillating with no input attached, making it a useful soundtrack generator for the end of the world.

The 2022 Coma Reactor includes a breakout header for future integration with upcoming AFA expander modules.

Power consumption: 39mA at +12 V and 21mA at -12 V
Depth: 22mm
HP : 12