Search dance music

Notes: The Korg Monotron Duo is capable of creating even stranger, extreme and diverse sounds. The combination of 2 oscillators in unison provide thick, rich analogue tones, while tuning them to different intervals can create classic solo synth sounds and powerful effects. Korg have utilized their X-Mod (cross modulation taken from their classic Mono/Poly synths) circuitry in the Monontron Duo, enabling you to generate the mildest of sounds, to vibrant vibrato, to sharp, fm style abrasive synth sounds.

The Monotron Duo features Korg's fantastic enhanced ribbon controller keyboard and now features the same scale function as used on the Kaossilator, chromatic, major, minor or off scales are available, allowing your music juices to flow freely over any music. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Duo uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

The input jack (AUX input) built into the Monotron Duo's compact body allow you to place any audio source into the Monotron Duo's signal path, directly before the analog filter. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter effects.

A miniature speaker is built into the Monotron Duo. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Duo's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

http://www.youtube.com/watch?v=wWLOxRSll5Q

Notes: ZeKit is a 4 voice paraphonic microsynth, featuring a simple step sequencer, various digital waveforms, an analog VCF, VCA and two AR analog envelopes.

The instrument can be controlled using MIDI (notes & clock) and has both a sync and audio inputs. External audio sources can be mixed in or be processed through the VCF / VCA.

ZeKit is available in fully assembled version

This comes with the high quality aluminium case.

A universal power adapter is available as an option.

Please reuse any compatible 5V to 9V DC adapter you already have.

All Fred's Lab instruments are manually assembled in Germany.

ZeKit is an ultra-compact paraphonic monotimbral hybrid synth with 4 voices.

These are the detailed technical specifications of the machine.

Sound Engine
Digital part
Additive sawtooth synthesis
8 mono waveforms / 8 para waveforms
Filter tracking and glide modes
16bit / 250 kHz DAC

Analog part

12dB / Oct low & band-pass VCF
2 resonance level chill / acid
Optocoupler VCA
Analog A/D & A/R envelopes
Envelope looping and re-triggering

Sequencer

96 step sequencer, with up to 4 notes per step
External sync - MIDI clock or Sync (+ start / stop) over 3.5mm jack
16 user programmable patterns
Live pitch transposition and transition of the patterns

Controls

6 knobs - Cutoff, Attack, Decay, Accent, Release and Level
3 toggles - LP/BP, CHILL/ACID, VCF/MIX
7 switches - Wave, Options, Motifs, Sequencer controls

Connectivity

MIDI input - DIN5
Power input - 2.1mm jack 5V to 9V DC
Line / Headphones output - 6.35mm TRS jack
Clock & Sync input - 3.5mm TRS jack
Audio input - 3.5mm TRS jack

Mechanics

Dimensions: 127 x 92 x 56 mm - (w x d x h)
Weight: 315 grams
Power: 350 mW
AAA Battery holder (optional)

Notes: The top dog of the Hydrasynth range, featuring a dual synth engine offering 16 voices (double the standard model) and a larger six-octave keyboard. Serious synth power with great wavetable sound.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's Notes:
The ASM Hydrasynth Deluxe is the new flagship Hydrasynth. Offering a dual-engine setup with a total of 16 voices plus an all new 73-note keybed featuring ASM's much sought after PolyTouchr polyphonic aftertouch functionality, clearly in a class of its own. With essentially two Hydrasynths in one instrument, KeySplit and Dual voice mode patches with 8 independent voices each are possible. You also have separate balanced stereo audio outputs for each of the two parts. The easily accessible 4 octave ribbon controller adds for truly expressive playing. The Hydrasynth Deluxe of course offers CV/GATE I/O for interfacing to modular and other voltage controlled synths. There's a ton of potential for sound creation, using ASM's WaveScan oscillators together with the Mutator waveshaping section and user configurable filters. A plethora of LFO's and Envelope's plus Insert and Master Effects makes this a dream sound creation tool and quite possibly the ultimate synthesizer and controller combo for your rig.

Tech Specs

Type: Polyphonic Wave Morphing Synthesizer
Sound Engine Type(s): Wavescan
Analog/Digital: Digital
Number of Keys: 73
Type of Keys: ASM POLYTOUCH Polyphonic Aftertouch Keyboard, On/Off Velocity-sensitive
Other Controllers: Ribbon Controller, Pitch Bend, Mod Wheel
Polyphony: 16 voices (Full/Layer/Split)
Number of Presets: 1024 Single Programs, 1280 Programs in Multi (Upper/Lower)
Number of Multis: 640 Programs
Oscillators: 3 x Wavescan oscillators (219 Waveforms), 4 x Mutator wave shapers (8 Types), Noise (7 Types)
Mutators: 8 Types (FM-Lin, WaveStack, PW-Orig, PW-Squeeze, PW-ASM, Harmonic Sweep, Hard Sync, PhazDiff)
Noise: 7 Types (White, Pink, Brown, Red, Blue, Violet, Grey)
LFO: 5 per Voice (Sine, Triangle, Saw Up, Saw Down, Square, Pulse27%, Pulse13%, S&H, Noise, Random, Step), Tempo syncable, Semitone Lock
Envelopes: 5 per voice, Tempo syncable, Variable trigger sources
Filter Types: 1 Multimode Filter (16 types) and 1 Variable LP-BP/Notch-HP filter, series or parallel routing
Filters: Filter 1 (LP Ldr12, LP Ldr24, LP Fat12, LP Fat24, LP Gate, LP MS20, HP MS20, LP 3-Ler, BP 3-Ler, HP 3-Ler, LP Stn12, BP Stn12, HP Stn12, LP 1 Pole, LP 8 Pole, Vowel), Filter 2 (LP-BP-HP, LP-Notch-HP)
Effects: 9 Insert Effects, 5 Delays, 4 Reverbs
Effects Types: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor, Distortion, Delay, Reverb
Arpeggiator: 8 types (Up, Down, Up&Down, Up/Down, Order, Random, Chord, Phrase)
Other: Mod Matrix (32 slots), Macro Controllers (8), Favorites (32), Randomizer (Patch and Module), MPE Compatibility, Warm Mode, Microtuning
Audio Outputs: 4 x 1/4" Balanced (L/Mono Upper, R Upper, L Lower, R Lower)
Headphones: 1 x 1/4", 1 x 1/8", Separate volume control
USB: 1 x Type B
MIDI I/O: In/Out/Thru
Pedal Inputs: 2 x 1/4" (expression, sustain)
Other I/O: 2 x 1/8" Inputs (Mod 1, Mod2), 5 x 1/8" Outputs (CV, Gate, Mod1, Mod2, Clock)
Power Supply: 12V DC switchable power supply
Additional: Utility shelf
Height: 3.62" / 9.2cm
Width: 44.45" / 112.9cm
Depth: 13.62" / 34.6cm
Weight: 29.33lbs / 13.3kg
MPN: HSLX

Notes: Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: Heavily redesigned for version three, Twisted Electrons offer up a new take on their compact acid synth: dual oscillators, new digital filter, real-time effects and more. Great value.

Supplier's Notes:
acid8 is an 8Bit bass-line synthesizer with a revisited sound and interface.

MKIII has been rethought from the ground up. The filter has been replaced with an new all digital one, the handling has been redesigned for more immediate handling and many other real time features have been added including transposition automation, filter wobbler, stutter and vinyl spin-down effects.

The synth engine now has dual oscillators allowing fat and harmonized sounds.

acid8 MKIII offers the same features as its slimsynth uAcid8 counterpart, but with the addition of hardware MIDI and analog sync in and out connectivity and packed in a rugged metal case.

A vst plugin is available to easily take control of the synth's parameters.

FREQUENTLY ASKED QUESTIONS:

Q:How do I copy/paste a pattern?

A:Hold SLIDE and press OCT- to copy and OCT+ to paste

Q:The briefly LEDS go out when I stop the sequencer - is something wrong?

A:This is normal and occurs when the memory is updated (a few seconds after the sequencer is stopped when a change has been made).

Notes: *** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.


The Power of Sound

Introducing the Akai Professional MPC Key 61, the revolutionary new standalone production synthesizer keyboard powering the next chapter of the MPC legacy. Building on the history of powerful sequencing and revolutionary sampling, MPC Key 61 adds the most advanced next-generation virtual instruments and effects to MPC, adding to its arsenal of industry-leading music production tools. And now, with the addition of a 61-key semi-weighted keybed with aftertouch, the MPC experience ascends to an unprecedented level of creative interaction and expression, delivering the world's most powerful and complete standalone workflow.

Breaking Sound Barriers

Inside MPC Key 61, experience a new dimension of sound like never before. Powered by 25 plugin instrument engines at your fingertips, and with over 6000 cutting-edge presets, MPC Key 61 delivers the most modern-day sound pallet ever programmed in a production synthesizer. Each plugin instrument features advanced synthesis, deep parameter editing, and modern effects developed for a truly inspiring musical experience-all designed with a fast and vibrant touch interface for an intuitive and compelling workflow. Immerse yourself in a world of sound.

Keys to Expression

The MPC Key 61 features an incredibly expressive and playable semi-weighted keybed with aftertouch to drive its world-class sounds with dynamic responsive control. With players and producers in mind, technology and artisanship were combined to breathe inspiration into every performance. The MPC Key 61's keybed is designed to deliver the highest performance experience possible connecting the dots between sound and feel. The 16-velocity sensitive RGB pads on MPC Key 61 are the same award-winning pads as the MPC One. In addition to the iconic MPC pads are the renowned Time Correct, Swing, and Quantize features of MPC that continue to endure as mainstays of modern music production.

Plugin to a World of Effects

MPC Key 61 includes over 100 state-of-the-art effects ready to load across your music productions for mixing and mastering. Insert lush and spacious Reverb & Delay effects to your tracks, add bounce and punch to your drums and mix using modern or vintage style compressors and limiters. Experience plugin FX like never before only inside MPC Key 61. MPC Key 61 is the world's first production synthesizer incorporating modern day vocal FX plugins which can also be used for the most creative sound design.

Touch Strip and Hands-on Control

The onboard assignable Touch Strip Controller is a catalyst for new ways to control, create and interact with your own signature sounds. Dedicated Pitch Bend and Modulation Wheels mean an added touch of expression to elevate your compositions. Bend the notes of your synth and lead sounds in Fabric XL, add gentle vibrato to your stringed instruments in Session Strings, or dial in the speed of the Organ's rotary Leslie cabinet and hear your parts swell with a wide chorused tremolo.

Specifications

Keys: 61 semi-weighted, full-size keys with aftertouch

Pads: (16) velocity- and pressure-sensitive pads, RGB-backlit, (8) banks accessible via Pad Bank buttons

Knobs + Performance Controls: (4) 360- touch-sensitive Q-Link knobs for parameter adjustment, (1) Touch Strip multi-function 5.5" (140 mm) touch-capacitive controller with LED indicators 360- encoder for display navigation and selection via push, (2) Pitch Bend and Mod Wheel, (3) 270- knobs for gain, mix & level adjustment

Buttons: (44) dedicated-function buttons

Display: 6.9" / 176 mm (diagonal), 5.9" x 3.7" / 150 x 93 mm (width x height), Full-colour LED-backlit display with touch interface

Memory: RAM 4 GB, Storage 32 GB (user storage, 13 GB pre-installed content), 4 GB (MPC operating system), 15+ GB free-space for user storage expandable via SATA connections

Power: Via IEC (Included), Auto Switching Internal Power Supply (100-240v)

Connections: (2) XLR+1/4" (6.35 mm) TRS inputs (Input 1/2) (w/ XLR Mic Preamps), (4) 1/4" (6.35 mm) TRS outputs (2 stereo pairs), 1/4" (6.35 mm) stereo headphone output, (1) 5-pin MIDI input, (1) 5-pin MIDI output, (1) 5-pin MIDI thru, (8) 1/8" (3.5 mm) CV/Gate outputs, Ethernet Network port, USB Type-A ports, (1) USB Type-B port

Other Controls: (2) Line | Instrument switches +48v Phantom Power switch 1/4" (6.35 mm) TRS Footswitch jacks (Sustain + FS2) (Variable and switch compatible) 1/4" (6.35 mm) TRS Expression Pedal input

Notes: The Analogue-only variant can ONLY be used via CV/Gate like the original CMU-810. MIDI is NOT available on this device.

Fully assembled and Calibrated.

The MSW-810 is a faithful recreation of the CMU-810 Monosynth which was designed as a synth expander for the 1983 CMU-800 computer music production system. At its core however, is the tone generator of the MC-202.

Specifications:

VCO

AS3340 Based
Range: 16'/8'/4'/2'
Pulse Width Modulation: 50% to Min
PWM Mode: ENV/Manual/LFO
Modulation Depth
Tune

Sound Mixer

Level Control Sliders: Square, Saw, Sub-OSC, Noise
Sub-OSC Waveforms: 1 oct down, 2 oct down, 2 oct down PWM

VCF

AS3109 Based
Cutoff Frequency: 10Hz to 20kHz
Resonance: 0- Self Oscillation
ENV Depth
Modulation Depth
CV Follow: 0-100%

VCA

Gate or Envelope

Envelope

Attack time: 1.5 ms to 2 s
Decay time: 2 ms to 10 s
Sustain Level: 0-100%
Release Time: 2 ms to 10 s

LFO

Rate: 0.1Hz to 20 kHz
Delay Time: 20 ms to 0.7s
Rate Indicator

VCA + Mixer

Level Control Sliders: Synthesizer, Input 1, Input 2, Output
VCA Bypass Switch
VCA Response: Lin/Exp

Jacks
Synth CV in: 1V/Oct, 0-7V, 3.5mm TS
Synth Gate in: 0-12V, On>2.5V, 3.5mm TS
VCA CV In: Lin 0.83 to 5V, Exp 0.83-4.58V, 3.5mm TS
Input 1: Unbalanced 1/4" TS
Input 2: Unbalanced 1/4" TS
Synth Out: Max -6 dBm, Unbalanced 1/4" TS
Mix Out: Max -10 dBm, Unbalanced 1/4" TS
Headphone Out: Stereo, 9-150 ohm, 3.5mm TRS
Accent In: 0-5V, 3.5mm TS

Power
9V DC, 500 mA, Tip positive. 120-240V Included

Dimensions
13"x2.5"x8"

Includes: Universal power supply, MSW-810 Synthesizer

Notes: Creative little desktop noise synth based on some unique ideas. Generate tones with conventional oscillator, noise source and oscillating delay feedback, then mix it all through a final delay.

Supplier's Notes:
Synamodecs Levitate is a desktop synthesizer that is made for noise and experimental music making.

It's divided into three blocks Legus, Neura and Nxpctd. Legus consists of two delays in series. Those delays offer time, level, feedback and dry/wet parameters. Due to it's layout it is capable of generating sounds without any input signals. The ouput of the first delay can modulate the delay time of both or just the other one. The Neura section is a sound and noise generator with frequency, texture and waveform controls and outputs on two different independent outputs. Last but not least the NXPCTD block is a third delay through which the Legus ad Neura pass through. It gives control over dry/wet, time and feedback control.

Additionally the Levitate offers an external audio input for extra fun.

All in all a fun little box for weird and crazy sound exploration. Dc power adapter included.

Dimensions: 20 × 30 × 10 cm

Notes: The Synadrone consists in four combined oscillators that create powerful and organic sounds.

The mix of the four oscillators as well as their arrangement can be varied by acting on the switches. Oscillators modulate each other in a complex way, but you can control the results of this modulation manually with the pots.

The oscillation section includes after the oscillation section a low pass filter with cutoff and resonance controls.

Cutoff and resonance allow to change from very powerful and "full" bass sounds to delicate and very refined highs.

It has the option to send the filter output signal to a delay, with repeat and level controls.

The Synadrone also incorporates a built-in LFO with rate and level controls to modulate the delay time.

Specifications:
Power supply +9v (center Positive)
4 oscimodulations
Filter - cutoff - resonance
LFO
Analogue delay

Notes: Astrogorus is an standalone compact synthesizer focused to harsh noise and drones. Huge sound with infinte possibilities. Easy to operate and built into alluminium case.

Compact synthesizer ideal for harsh noise and drones, three independent oscillators with rate control -a fourth oscillator is the sum of the three previous ones plus noise mixer of the four oscillators + noise

Six controls to select the type of noise on the fourth oscillator

Harmonics

Six band filter/eq
Feedback and level control

Distortion

Distortion level
Feedback
Two band tone control

Power supply

Transformer 24 v positive to the center (included with the device)
1/4" mono jack output

Notes: Updated take on Artiphon's unique instrument, now with built-in sample engine. Loop, manipulate and create all in the unit, with built-in speaker and expressive motion sensor options.

Supplier's Notes:
Hold out your hands and meet Orba 2, the follow-up to Artiphon's award-winning synth, looper, and controller. Orba 2 has everything you loved about the original with multiple ground-breaking upgrades. Now, you can play any sound imaginable with its unique sample engine. Listen through the built-in speaker, or plug in and get loud. Customize your instrument with the Orba App and share your creations with friends. Take your creativity to new heights as you take Orba 2 anywhere you go.

Play any sound in the world
Orba 2 features a brand new sound engine that includes sampled audio recordings. This means you can now play instruments like electric guitars and upright pianos, as well as more adventurous sounds like vocals, found sounds, and custom artist songs. Imagine conducting an orchestra in the park with no strings attached and no screens required.

Create your own instruments
Orba 2 players can also capture or import their own sounds to create completely unique instruments. With the press of a button in the Orba App, everything around you can be turned into an Orba preset. A bicycle bell, a bird singing, or your roommate's amazing voice can all be played, looped, and shared as a musical melody. Sample recording requires a cabled USB connection.

Loop songs in seconds
Orba 2 allows you to record loops right on the device itself. Using Drum, Bass, Chord, and Lead, you'll be able to layer sounds to create songs that are uniquely yours. Orba 2 also has a quantize feature that snaps your musical phrases to the beat so that every moment fits perfectly into the groove. And since Orba 2 has far more memory than its predecessor, you'll be able to make way longer songs: up to 128 bars!

Play with gestures
Orba 2's touch and motion sensors combine to capture even the most subtle micro - movements. Its improved ceramic - like playing surface simultaneously reacts to the nine simple gestures: Tap, Press, Radiate, Tilt, Shake, Spin, Vibrato, Move, and Bump. Each gesture can control the onboard synth engine or your MIDI music software of choice. With unprecedented express ive potential, you'll never play the same note twice.

MIDI control
Use Orba to control your MIDI - based software and hardware instruments (via USB - C or wirelessly via Bluetooth MIDI). Orba works with GarageBand, Ableton Live, Logic Pro, Pro Tools, Cubase , FL Studio, as well as any MIDI - compatible mobile app. In addition, Orba is fully compliant with the new standard for MIDI Polyphonic Expression (MPE), making it capable of multiple independent note expressions.

What's in the box?

Orba
USB Cable
Quickstart Guide

Dimensions

3.14" (diameter) x 2" (height)

I/O
USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out


Bluetooth
Bluetooth LE MIDI (MIDI only)
Note: Windows 10 does not currently support Bluetooth LE MIDI
Speaker System
3W built-in active speaker system

Compatibility

iOS 11 and newer
Android 9 and newer
macOS 10.12 and newer
Windows 10 (64 bit)

Note: Firmware updating requires a cabled USB connection and can only be done from a desktop computer.

Note: Transferring a sample from your device to Orba 2 requires a cabled USB connection.

Notes: Updated take on Nomono's mini synth. Virtual analogue and granular synthesis with effects, sequencer, looping and performance functions. An affordable but flexible instrument.

Supplier's Notes:
The Qun mk2 is a powerful and unique pocket synthesizer with sequencer and looper.

Normally, cheap synthesizers don't have full flexibility because of hardware limitations.

Nunomo had in mind a small synth that has full flexibility of the real synth with an affordable price tag- and Qun mk1 was the synth.

The Mk2 receives a big improvement from the mk1 by adding LED buttons and external processor for UI processing- SD card support is added.

Once you get used to it, it will be so powerful and it will provide tons of flexibility. It is a real synth, not a preset machine.

If you are looking for a pocket music sketch tool, this is it.

Connectivity: Standard MIDI (TRS Type A, comes with the synth), UART MIDI(Supports MAC OS X and Windows through the Nunomo SerialMIDI https://github.com/raspy135/serialmidi .

Analogue Modelling engine

The analogue modelling engine is made from scratch.
All analogue modelling engine parameters can be configured through MIDI.
2 Oscillators, 2 voices. It can be used as Quad tone (4 voices) or Dual Mono.
Flexible MOD (CV) routing. The signal routing is very flexible, close to modular synthesizer experience. You can route signals as normal, or totally radical.
AUX input can be used for external audio signal, or for modulation.
4 Envelope Generators
FM (4 Operators x 2)
1 LFO, rate can be controlled by MIDI notes
1 Organic sounding VCF
2/4 Poles, Low-pass, Band-pass, High-pass, Notch)
Keysync
1 Effect (Delay, Chorus, Flanger)
MIDI clock sync and beat clock sync
Wavefolding.
Granular synthesis
Oscillators can be used as a granular synthesis engine.
Player / Sequencer

Player (Piano mode)
Mind inspiring 64 step sequencer will generate beats for you
Note On/Off/Double/Triple
Transpose / Note width(Length)
Randomness control
Pattern shuffler
Scale quantize
Arpeggiate steps
Looper
Looper can record the sound up to 24 sec per recording, synchronized with the sequencer.

3 tracks
5 Scenes (3x5 = 15 recordings per session)
Play / Rec / Overdub

Preset bucket
Preset bucket is made for quick preset recall
It has 8 bucket per session, each bucket has 8 presets and 64 sequencer pattern
Mixer
3 tracks, stereo panning
Mute buttons
Extra processing mode allows to use the sound engine as a stereo effector.
Integrated compressor
SD card
Saving recording sessions
Saving preset data with sequencer patterns
All recorded data is saved to SD card, you can import the data to your DAW
You can import WAV files to Looper granular
Firmware update via SD card
For the completed manual and other resources, please visit https://github.com/raspy135/Qun-mk2 .

Notes: Sound:
- 4-operator FM Sound Engine offers dynamic and expressive additive synthesis

- A new feature of this engine is continuously variable feedback on every operator allowing for a wide-range of sound creation

- Two programmable effects blocks with seven effect types per block:
(The effect types are: VCM Touch Wah, VCM Flanger, VCM Phaser, Chorus, Delay, Reverb and Distortion)

- Multi-touch control interface gives direct access to four simultaneous parameters

- 32 Voice memory locations allow storing and recalling favorite Voices

Control:
- Based on the FS action found on the flagship Motif XF, HQ (High Quality) Mini Keys provide premium feel and response for fast, accurate and natural playing

- Sustain pedal input allows the sustain function for all FM generated sounds

Looper:
Integrated Phrase Looper: capture song ideas or just jam.

Mobility & Connectivity:
- Speakers

2W 3cm stereo speaker system lets you play any place, any time.

Specially designed bass reflex port technology enhances bass response for full, rich sound.

- USB

USB "TO HOST" allows MIDI connectivity to your USB-equipped computer or iOS device.

- Audio output

Dual 1/4"unbalanced line outputs provide connection to mixers, audio interfaces, DI boxes and more.

- Audio input

A 3.5mm aux line input lets you connect and hear mobile devices, tablets and more through the instrument.

- Controller

Continuous controller pedal input for volume control.

Battery powered:
Uses six "AA" batteries with five hours of life.

Create your Soundmondo. Inspire and be inspired:
Soundmondo is a free sound sharing community that lets you discover, create and share reface Voices and Set Lists using Google Chrome any place, any time you're online.

Powered by Web MIDI, Soundmondo is simple to use - just connect reface to Chrome and you're ready to create or start browsing.

Notes: This is a special one. Seven-voice, four-part multitimbral analogue goodness from this boutique Argentinian brand. Stunning sound and depth, combining vintage fatness with contemporary precision.

Supplier's Notes:
The GS e7 is a subtractive synthesis polyphonic analogue synthesizer. The sound generation is carried out in a total analogue way. Each voice has two voltage controlled oscillators (VCO), a noise source, a mixer, a voltage controlled filter (VCF) and a voltage controlled amplifier (VCA). The control signals are digitally generated by a microcontroller, which is capable of processing three low frequency oscillators (LFO) and two envelopes (EG) of the ADSR type. In addition, it incorporates an effects processor with chorus and delay.

The GS e7 interface was designed to be simple and intuitive.

It also has MIDI connections, USB, balanced stereo audio outputs, headphone output and CV inputs.

*** Please note: This synthesiser comes with a US type A mains lead with UK plug adapter. ***

Specs

Polyphony: 7
Multitimbral: 4 parts
Oscillators: 2 voltage controlled analog oscillators (VCO) with sub-oscillators. Hard sync.
Oscillator Waveforms: Triangular, Saw-Tri, Sawtooth, Pulse with PWM. It is possible to mix the pulse with the other waveforms.
Filter (VCF): 24dB / Oct low pass filter (4 poles) with resonance control.
Envelopes: 2 (Attack, Decay, Sustain, Release), Velocity to Attack
LFO: 3
LFO waveforms: Triangular, Ascending ramp, Descending ramp, Square, Sample and Hold
Effects: Chorus, Delay
Presets: 512 programmes, 128 multi
Conennections: MIDI IN, MIDI OUT, MIDI Thru, USB, Pitch CV, Cutoff CV, Gain CV, Ext input, Audio Out (L/Mono, R, 1/4" TRS balanced), Headphones
Power supply: DC 12V 3A
Dimensions: 520mm x 190mm x 108mm
Dimensions (with packaging): 620mm x 290mm x 230mm
Weight: 4.6 kg (estimated)

Notes: Wave Expander bridges the gap between the Melody Miracle and Touch Tones synthesizers, and the rest of the synthesizer world. Control other synths by sending CV and gate signals via Wave Expander, and dial in the right amount of control with onboard CV tuners. Outputs are visually indicated with the Chrominancer color window at the center of Wave Expander, bringing cosmic insight to the signals at hand.

Melody Oracle and Touch Tones expander module
Use AMP synthesizers to control external gear
12 outputs (6 CV/6 Gate)
CV Range: 0V to +12V
Chrominancer color window

Notes: Unique touch-activated instrument with built-in speaker, allowing you to trigger notes with one hand and modulate the timbre via touch pads. Unorthodox tones, unorthodox interface. Lots of fun.

Supplier's Notes:
Touch Tones is a touch activated auto harmonic synthesizer, with a 3 octave tuning range, XOR logic modulator, Harmonicon auto harmony generator, and two onboard bandpass filters. The left side of the Touch Tones holds three capacitive touch pads for playing notes, while the right side contains a set of 7 touch pads to modulate the different parameters sequencing the synthesizer.

Three octave range plus XOR modulator.
Harmonicon automatic harmony keys play a perfect 5th of each tuned ROOT note.
Dual Luma filters for active timbral shaping via light control.
Wear the Touch Tones for Function or Fashion with the included chain lanyard.

Notes: Two decades in the game and the mighty MicroKorg remains a classic. Crystal version celebrates the anniversary with a fresh new look and the same punchy sound.

Supplier's Notes:
A shining homage to two decades of microKORG legacy

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio.

The instruments that musicians recognise as "classics" are those that are loved and always in use, regardless of times and trends. The word "classic" symbolises musical instruments that are revolutionary in their field. There may be imitations of a classic, but the distinct character of the original shines more brilliantly and is only enhanced by time.

Two decades ago, the portable, battery powered microKORG was born with a radical new micro-keybed, a powerful Vocoder and ready-to-use sounds ideal for contemporary genres delivering countless hit performances, and instantly revolutionising the way musicians played. This compact sound monster introduced synthesis to a vast number of non-keyboard playing musicians and created a way of making music we now take for granted: a small keyboard resting unassumingly atop a larger one onstage, made for use by hobbyists and pros alike and finding itself front and centre of studios worldwide from the smallest bedroom to the largest pro recording facility.

To celebrate the 20th anniversary of its release, the special edition microKORG Crystal offers a unique and stunningly stylish take on this beloved synth - now a classic in its own right.

The microKORG was originally released in 2002 and has remained strong for two decades. Countless tracks and artists have made use of the amazing possibilities it offers and it continues to be one of the most popular choices for musicians on stage and in the studio. microKORG Crystal is the ultimate reincarnation of this iconic synth.

"Skeleton" type semi-translucent chassis, with matching knobs and controls

Previously unchanged, the microKORG Crystal features a new take on the structure of the microKORG, with a semi-translucent chassis that lets you see the electronics and internals. Even the controllers are semi-transparent, including the knobs, dials and wheels. As a commemorative model, the microKORG Crystal is great fun to look at from any angle, and as its name suggests, it "crystalizes" the energy and feelings of the KORG team behind its birth.

A panel with a beautiful sheen

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Aluminium side panels for a sturdy feel

The original microKORG featured wooden side panels that suggested a retro feel, serving as an elegant accent to the analogue modelled synth engine. This new special microKORG features sleek aluminium side panels for a clean and depurated look.

Dedicated transparent carry bag

The microKORG Crystal features a stainless mirror-finish front panel that blends perfectly with the semi-translucent knobs and dials, blurring the limits between you and your instrument and providing a cosmetic impact never seen in any other musical instrument.

Specifications

Sound generation:
Analogue Modelling Synthesis System

Synthesizer program:
Multi Timbral: 2 (max, Split/Dual Mode)

Voices: 4 voices

Sound source:
2 Oscillator + Noise Generator
Multi Mode Filter (-24dB/octLPF,-12dB/oct LPF/BPF/HPF)
EG×2
LFO×2
Virtual Patch×4

Voices: 4 voices

Vocoder program

Voices: 4 voices

Sound source:
1 Oscillator +Noise Generator
EG×1
LFO×2 8
Channels vocoder
Level and pan of each channel can be edited
Formant Shift function

Programs: 128
Effects: Modulation effects (3 types), Delay (3 types), Equalizer
Arpeggiator: 6 types

Controllers
Real-Time control knob X 4 (3 level Selection),
Arpeggio ON/OFF

Keyboard: 37 Keys (mini-keyboard, keyboard has velocity)
Inputs: AUDIO IN 1,2, Level switch LINE/MIC, [AUDIO IN 1, 2 (LINE) ], [AUDIO IN 2 (MIC)]
Outputs: L/MONO, R, Headphones
MIDI : IN, OUT, THRU
Display : 3 characters×1 line with 8 segment LED
Power supply: DC 9V (AC adapter)
Power: 6.4w Max
Dimensions: 524 x 232 x 70mm
Weight: 2.4 kg (instrument only, without batteries or microphone)
Included items: AC adapter, condenser microphone, dedicated transparent carry bag

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: Unique digital instrument based on bitmask synthesis and resonant filters. Raw and distinctive tones, with notes interacting in unorthodox ways.

Supplier's Notes:
Expressive & Characterful

The Kodamo MASK1 is a musical instrument focused on the interaction between the player and the keyboard. With its exclusive Bitmask engine combined with resonant filters, the MASK1 makes raw, gritty and ethereal sounds that respond in incredible ways to your playing style.

It's not just the notes

Most synths just play the notes you press. Kodamo went a bit further, by looking at how the notes interact with each other. Only by playing the keyboard, you can control when the attacks are triggered, how notes are tied or separated from each other, or if they should keep resonating or stop each other like if they were played on the same string on a stringed instrument. You will discover new ways of playing the keyboard.

Built with love

The MASK1 uses a high quality, 5-octave Fatar keyboard with velocity and aftertouch. It's fully made of painted metal, with two ALPS knobs and 23 KAILH mechanical switches. Everything is assembled in France with high attention to detail. A lot of time was spent on selecting parts and suppliers to balance price and work ethics, while always aiming for the highest quality.

For live and studio players

With its compact size and light weight, the MASK1 will easily fit in your studio and is ideal for gigs. It remembers settings between sessions. With its unique sound, premium keyboard and MIDI connectivity, it can become the main keyboard of your setup.

Explore the sounds

The MASK1 invites you into a zen and relaxed sound exploration. Press a button, turn the knob and listen how the sound changes. The MASK1 is designed to have very few parameters, but well-thought ones. The Bitmask synthesis engine makes rich and warm sounds ranging from classic analogue tones to voice-like formants, glitchy 8-bit noises and ethereal pads. Sounds are fully editable and can be stored in one of the 400 user memory slots. They can be transferred to your computer and shared with other people.

What is Bitmask synthesis?

Bitmask synthesis is the method the MASK1 uses to generate its sound. Internally, oscillators do only have one waveform. Various tones are created by applying what is called a bitmask. This is a technique inherited from computing, which alters a number by masking some of its digits. Here, this technique was adapted to make sound. Bit-masking creates complex wave shapes that are full of harmonics and give the MASK1 its sonic character.

Specifications

Synthesis type: Bitmask, subtractive
Polyphony: 10 voices with optimized allocation
Multitimbrality: 4 parts (5 in layered/split mode)
Oscillators: 2 bitmask per voice with 256 masks each, transpose and detune
Noise: 1 per voice with programmable sample-and-hold frequency
Filter: 1 per voice, two poles (12dB/oct) state variable, self-resonant with pitch tracking and 4 modes (low, high, band pass, notch)
Envelopes: 4 loopable ADSR per voice (osc1, osc2, noise, filter), 3 delta-decay (osc1 mask, osc2 mask, pitch)
LFO: 2 per part with 7 waveforms and noise, delay, decay and 16 destinations
Arpeggiator: 26 patterns with adaptive or fixed chords, latchable, retrig or pitch change modes. Arp do send note events to MIDI out.
Looper: Up to 10000 events, unlimited duration, single track. Records notes, pitch bend, mod wheel, aftertouch and sustain pedal.
Effects: Two stereo effects in series. First effect: chorus, phaser, distortion, bitcrusher, tremolo and ring mod (64 types). Second effect: delay, comb filter, reverb, room simulations and distortion (48 types)
Modulations: Velocity (6 destinations), modulation wheel (16 destinations), aftertouch (16 destinations), LFO1 and LFO2 (16 destinations each)
Play modes: Polyphonic, monophonic, slurred, mono portamento on legato, paraphonic, hybrid poly-mono on legato, slurred paraphonic, mono retrigger, poly retrigger
Split: Configurable split point, balance between voices, transpose, panning and tuning
Layer: Configurable balance between voices, transpose, panning and tuning
Misc: Voice pan spread, polyphonic portamento, keyboard envelope rate scaling
Memory: 120 factory presets, 400 user voices. EEPROM-based (no battery required)
Audio outputs: 2 balanced 1/4" TRS jack, pro audio level with +/-12V internal power supply, 1/4" jack headphones
MIDI: 2 DIN (in, out), class-compliant USB type B, SysEx voice transmit/receive, CC-mapped voice parameters
Keyboard: 61 full-size keys, weighted Fatar action with 6 velocity curves and 6 aftertouch curves
Controls: 23 buttons, 2 rotary encoders, pitch bend wheel, modulation wheel
Display: 4-digit red display
Pedal input: Sustain, 1/4" TS jack, adaptive polarity
Tuning: 400-470Hz. 6 temperaments including arabic tuning.
Size: 89 x 26 x 8cm including knobs and feet.
Weight: 7.5kg
Power: External 12V DC adapter, AC 100-240V in
Chassis: Powder-coated, screenprinted steel. Light grey (RAL 9002) colour
Sides: Black ABS

Notes: One of the most unusual synths around, based on a rotating optical disc which functions as a sequencer. Program the built-in pulsewave synth engine or control other synths using the optional Wave Expander.

Supplier's Notes:
Taking its cosmic inspiration from star charts and ancient astrolabes, Star Song is a rotating optical disc-programmed sequencer with a built-in minimalist synthesizer.

Star Song can be used either to play its own built-in pulsewave synthesizer, or in combination with the A.M.P. electronics Wave Expander (sold separately) to drive external analogue and modular synthesizers.

How it is used

To create sequences on Star Song, the seven translucent rings (orbits) of the optical disc are marked with a marker (included) or opaque tape. The disc is removable and additional discs are sold separately, allowing for indefinite storage of your favourite sequences.

The outer six rings control the tuned note selection and note-on/off sequencing. The innermost ring controls the cut-off frequency for the built-in bandpass filter.

Disc on/off and disc direction are toggled from touch contacts on the front panel, and disc speed is controlled from the central rotary control.

Additionally, there are 1/8" inputs to control rotation speed and rotation direction with an external source.

The addition of Wave Expander makes the Star Song into an incredibly versatile Gate(6 channels) and CV (1 channel) sequencer, as well as providing the Star Song's tuned audio oscillator over five separate octave divisions (four audio and one sub-audio), 12 outputs in all to integrate into your modular system.

Multiple Star Song units can be synced by using an external clock signal, and you can even slave Star Song to your existing Melody Oracle/Wave Expander combo.

Sing the cycles of the spheres, with Star Song, a "revolutionary" new sequencer.

Tech Specs:

Disc Rotation: 0~15RPM
Panel Controls: Disc rotation on/off, disc rotation rate, disc rotation reverse.
Synthesizer: Quasi-monophonic pulsewave, 8 tuned notes, each with three octaves used in any combination. Sequenced via optical disc.
Tone Filter: Bandpass, optically-controlled.
Audio Output: 1/4" LINE (5V p-p)
AMP LINK Output: CAT 5 or 6 w/SHIELDED connector (compatible with Wave Expander and future AMP accessories only).
Motor Clock Input: 1/8" 0-12V. ON @>7.5V
Disc Direction Input: 1/8" 0-12V. CCW @>7.5V
DC input: 15VDC, 2.1mm, tip positive (US adapter included)

Notes: The kind of instrument Soma Labs do so well: weird but wonderful. Based around 32 complex digital synth algorithms and 12 note velocity- and pressure-sensitive sensors, transposition techniques allow you to play the full range of a grand piano.

Supplier's Notes:
TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.

Notes: Reissued version of one of Dreadbox's back catalogue synths, the Erebus is a paraphonic design with two VCOs, a characterful low-pass filter, built-in delay and updated snappy envelopes.

Supplier's Notes:
Dreadbox's most unique sounding analogue synthesizer is finally back, warmer and snappier than ever!

All you synth lovers, the time has come to dive into the Erebus...

All Analogue Paraphonic Synthesizer
Faithful Reproduction of the Erebus V1
2 Oscillators with 2 Waveforms each
Separate Glide controls and Hard Sync function
2-pole Low Pass pre-fed Filter
1 ADSR envelope and a AR Amp Envelope
Snappier than the V1

OTA VCA
Lo-Fi Delay effect
Wide Range LFO
15 patch points for an astonishing and spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Ethereal & Dreamy

Warm sounding Oscillators
Classic Dreadbox Filter
Snappy Envelope Generators
Lo-Fi Delay effect to expand your sound
CV outputs: Envelope, LFO, Mod Wheel, Gate, CV1, CV2
CV inputs: Osc1, Osc2, Echo, Cutoff, CV, Gate, LFO Rate, PW, VCA

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 1 kg

Requirements:

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box:

Erebus Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter
1x Ribbon cable

Notes: Stereo Field is one instrument with three uses. It is simultaneously a stereo/quad modular touch plate feedback atonal synthesizer, a stereo/quad audio processor and a pressure sensitive chaotic CV "controller". All three uses are available separately as well as simultaneously and in conversation with each other.

The Stereo Field allows its user to manipulate and patch two analogue stereo preamp circuits via touch plates. By utilizing skin conductivity as new paths for current to follow you are creating "new circuits" and new sounds in relation to where your fingers are patching. The individual touch plates are directly connected to nearly every connection point of every component in its circuitry (located directly under each corresponding touch plate).

When touched with multiple fingers it will create atonal analogue feedback with either of the two mirrored circuits represented by interlocking touch-plate circles. The resulting feedback can go beyond the abilities of human hearing (take caution!) and down to the very slow clicks of a saw waveform and both can often be happening simultaneously. These parallel mirrored circuits can be finger patched separately or together yielding vastly different chaotic results in regards to texture, timbre and stereo imaging. This instrument has the ability to create atonal synth tones in stereo (and quad) as well as process incoming stereo audio (and quad) sources via 1/4" and 3.5mm ins and outs. Incoming audio sources can be "patched" or rewoven into any area of either or both of the circuits via skin contact.

The two stereo input volume knobs (centre) shape and effect distortion, drive amounts, internal feedback pitch, and modulation rates depending on how your fingers are patching. The quad inputs and outputs via the 3.5mm jacks have small touch plates leading to and from allowing for touch access of each of the 4 inputs and 4 outputs. If multiple audio signals are traveling into the Stereo Field these audio sources can be intermingled and can modulate one another, again depending upon where your fingers are patching.

Sending CV signals into the 3.5mm input jacks will open up many more possibilities both in terms of synthesized sounds and audio processing. Since the two stereo circuits are mirror images of one another the 3.5mm ins and outs can also be thought of as (L/R,R/L) and when your hands get involved this imaging will be further confused and jumbled as your skin can intermingle all of these paths.

The Stereo Field can also be used as a controlled chaos source when using the 3.5mm outputs to send the feedback your hands create as CV to your modular system. Due to the nature of feedback and finger patching the 4 available CV signals have the ability to get incredibly complex, organic and textured in nature (see audio examples below in use with a euro-rack system). Because of the open nature of Stereo Field it can both send and receive CV modulation simultaneously. In addition, this can all be happening while your finger patching is changing and altering the incoming and outgoing CV while also processing incoming audio. These ins and outs can also be patched together with cables for sustained tones with the pitch/rhythm/volume/"cutoff" being affected by adjusting the incoming and outgoing volume knobs in various settings. Inter-patching in this way will also allow for sustained pulse beats and filter-esque sound shaping in addition to bringing new results to finger patching via the touch plates.

Most importantly, processed audio and synthesized audio are available simultaneously with the ability to influence and modulate each other. This will often blur the lines between the two; who is manipulating who, who comes out on top as audio and who is modulation? This can be a constantly evolving cycle based upon where the performers fingers are placed and highly sensitive skin contact pressure changes.

Notes: Based on the legendary Roland Jupiter-8, the ISE-NIN is a synth with the attention to detail we've come to expect from Black Corporation. Eight voices, fully analogue, with MPE support. Beautiful.

Supplier's Notes:
ISE-NIN (pronounced ee-seh-nin) features eight voices, each consisting of 100% analogue voltage controlled oscillators, analogue lowpass and highpass filter, noise generator, two ADSR envelopes and a VCA. 2 different presets can be layered, making richer sounds, but limiting voices amount to 4 per layer. Each layer has its own fully assignable velocity and poly-aftertouch controls and global MPE settings.

Furthermore the synth offers full MIDI/USB control and the ability to store 128 presets per bank across 10 banks. Sophisticated microtuning with a support of ODDSound MTS-ESP and a signature arpeggiator integrates this classic synth concept seamlessly into the future of your modern studio needs.

Design: 19" / 4U
Polyphony: 8
Sound Generation: Analogue
MIDI interface: 1x In, 1x Out/Thru
Storage Medium: Internal
USB-port: Yes
Effects: No
Arpeggiator: Yes
Number of Analogue Outputs: 2
Digital Output: No
Display: Yes

Notes: ENNER is a very expressive sound tool that can generate bits, pads, FX, noises, clicks, glitches, but also function as a cool vocal mic with built-in analogue FX and much more! A musician with a rich imagination and who's experienced in playing ENNER can perform an entire exciting gig using just this synth.

As an instrument, ENNER is a unique analogue synthesizer with the key principle being that all signals that make sound pass through and are managed by your body. Your hands become the central part of the circuitry. Touching different contact pads with different parts of your fingers and palms with different amounts of pressure, letting signals pass through your body defines the mixing, volume, timbre, feedback and other parameters of synthesis. Human skin has much more complex electric properties than we think. The skin provides not just resistance but also some capacitive properties and even nonlinear dependence of conductivity from current, its direction and time during which the current was applied. All of this affects the sound, making you the key part of the synthesis process.

All pots of ENNER are metallic and also function as inputs or outputs. Touching a pot can change not only the parameters but also patch the audio signals.

ENNER consists of:

The array of filters with fixed frequency properties (the triangle in the centre): the stereo high pass filter (HPF), the stereo bandpass filter (high mid - BPFH), the stereo bandpass filter (low mid - BPFL), the stereo lowpass filter (LPF). Stereo means that the filters have separate inputs for left and right channels as well as separate outputs. Sliding on the filters' pads with your fingers you can create a rich stereo image where each channel may have not only individual volume properties but also timbral ones. The outputs of the filters are mixed together and connected to the main output. Also in the triangle, you have a stereo direct input (DIR) that lets you bypass the filters.

The modulated stereo delay. The input of the delay is the two pads on the top of the triangle (DLY blue). The output of the delay is mixed with filter output and connected to the main output. Also, you have delay output connected to the pads placed on the left and right sides from the top of the triangle (DLY orange) that lets you create feedback and other interesting effects. The delay has two separate lines (left and right) with individual TIME controls (BPEMR pots), common FEEDBACK and the common pot that defines the amount of self-modulation (BIZZARE). The BPEMR pots are also touch inputs for delay time modulation.

On the right side of ENNER, there is a five-voice synthesizer with individual adjustment of frequency for each voice (TUNE knobs) with the possibility to change the pitch of all voices simultaneously (PITCH knob). TUNE knobs are also the outputs of the voices, so by touching them you can patch the voices to the filter's inputs. The synthesizer has separate output pads for each voice (pads OUT 1-5), individual modulation inputs (MOD 1-5) and ring modulation outputs (the RING 12, 23, 34 numbers indicate which voices are sources for the ring modulation). Connecting MOD and OUT pads of one voice with your fingers will pitch it up. The fifth voice has an additional modulation pad MOD 5- which can shift the pitch of the fifth voice down (connect it to +12 pad or any pad that has some positive signal including the output of the fifth voice).

On the left side of ENNER, there is the second synth that has one master generator, the output of which is divided six times by two with individual outputs for each stage of division (PULSE 1-6). This synth is aimed at creating rhythmical clicks, basses and octave tones. The frequency of the master generator is defined by the TEMPO knob. The output pads &1,2,3 are logical multiplications of different PULSE outputs giving additional and more complex rhythm combinations.

ENNER is also an electro-acoustic noise instrument. It has a piezo pickup attached to the front panel that captures sound from the casing itself. There is metallic spring and you can attach rubber bands to the panel to create various acoustic sounds. The piezo mic can capture clicks and scratches you make with your fingers, and it also allows you to create filtered feedback. Not only that, it can even capture your voice singing over the panel! To get sound from the piezo you have to connect the PIEZO OUT pad with some filters or delay inputs. Applying filters and delay on the piezo out while the panel works as a mic, catching the audio signal from the speakers connected to the ENNER output lets you create very cool acoustic feedback-based effects. PIEZO GAIN adjusts the piezo sensitivity.

The bottom of the triangle (NOISE pad) is the output of static pink noise.

External in (EXT socket and EXT pad) lets you send an external audio signal to ENNER and process it through the array of filters, delay and other ENNER stuff.

All of these features make ENNER a simple yet powerful kit of sound sources and FX that give you a rich and diverse sound palette with many possible playing techniques that you can change very fast as there is no other control over the sound other than your touches.

Specs

Array of filters

Pads DIR - direct input (no filters)
Pads HPF - highpass filter in
Pads BPFH - bandpass filter high mid in
Pads BPFL - bandpass filter low mid in
Pads LPF - lowpass filter in
(L - left channel, R - right channel)

Pink noise generator

NOISE - noise output

Delay

Pads DLY(blue) - delay in
Pads DLY(orange) - delay out
(L - left channel, R - right channel)
Pots BPEMR - delay time (L and R) also time modulation inputs
The UROBOROS pot - feedback (both channels)
Pot BIZZARE - delay self-modulation

Piezo

Pad PIEZO OUT - the output
Pot PIEZO GAIN - piezo amplification (also piezo output)

The five-voice synth

Pads OUT 1-5 - outputs of the voices
Pads MOD 1-5 - modulation inputs of the voices (try to connect them with OUT)
Pads RING 12, 23, 34 - outputs of ring modulators that multiply outputs of different voices
Pad MOD 5- - an additional modulation input for the fifth voice (try to connect it with +12)
Pots TUNE 1-5 - frequency of the voices (also voices outputs)
Pot PITCH - transposing all voices at once.

Rhythm\Bass synth

Pads PULSE 1-6 - output of binary dividers
Pads &1, 2, 3 - additional outputs that are logical AND of different PULSE outputs.
Pot TEMPO - the frequency of the source generator

External

Socket EXT - external in
Pad EXT - connected to EXT socket tip

Power

+12V center + 0.2A. ENNER requires a good stabilized and filtered PSU. We recommend contemporary switching mode PSUs with a wide input range. The PSU is included.

Grounding

In order that when playing on ENNER there would be no hum from the electricity grid interferences, the device must be properly grounded! A normal grounding connection at the electric socket, which is carried through the power cord to your audio equipment to which the ENNER is connected, is sufficient.

What's in the kit:

ENNER
12V center plus PSU
Several rubber bands

Notes: Limited-edition murdered-out Noir version of Arturia's mega PolyBrute, with expressive multi-axis Morphee controller and Morph knob to blend between patches.

*** Firmware update September 2023 ***

Arturia's PolyBrute goes deeper with firmware 3.0:

Explore new heights of Polyphonic sound with an array of embellishments, experimental features, and creative upgrades for PolyBrute:
New effects distortions
Effects Routing
New Tuning Options
New Layer Modes
Dive to new depths of coloration and customization with a free update that brings features, fixes, and fresh sounds to PolyBrute:

7 Distortion modes:

Add crunch, saturation, and pure sonic carnage with 7 modes of Distortion, accompanying PolyBrute's Modulation, Delay, Reverb, and EQ effects.

Flexible effects routing

Rewire PolyBrute's effects and signal chain to suit your sound design flow; both the Insert and Send modes can now be adjusted in terms of order.

Enhanced tuning:

Adjust PolyBrute's musical role in your projects with deeper individual oscillator tuning, transposing the keyboard by semitones, and more.

New Stereo Layer mode:

Allocate one voice to the left channel and one to the right to add increased natural width to PolyBrute's sounds.

Over 350 new presets:

A total rework of PolyBrute's library means hundreds of new presets, further exploring expressivity, analogue power, and new features like Distortion.

PolyBrute Connect:

Enjoy quicker, smoother communication between PolyBrute and its software counterpart, also accommodating other new features from firmware 3.0.

Workflow & expression improvements:

Reload your last saved preset on startup, send program changes, adjust LED brightness, and more.

Supplier's Notes:
PolyBrute Noir is a 61-note polyphonic analogue keyboard, uniting unparalleled expressivity and sound design flexibility with 6 fearsome Brute voices, complete with a limited-edition stealthy black finish. The result is an instrument that lets musicians perform fearlessly, compose with fluidity, and explore sound in perpetual motion.

Limited Noir Edition

A true dark horse in any setup, PolyBrute Noir stylishly conceals its enormous creative potential within a slick black exterior, complete with colorful accents, luxurious dark wooden appointments, and signature ionized parts that'll make anyone look twice.

Massive analogue polyphony

Harness the raw power of analogue with 6 powerful analogue Brute voices, comprising seamless waveshaping VCOS, dual filters, and a tactile array of modulation. Split, layer, and stack PolyBrute's voices for every flavor of analogue polyphony - from beauty to beast.

Morphing: sounds within sounds

Explore sound between the lines with 2 distinct sonic states within each preset, yours to seamlessly morph and navigate between. With a single sweep of the multi-axis Morphee controller and Morph knob, discover endless sweet spots in every patch.

Perform, express

Freely express your musical style and bring your creative ideas to life with PolyBrute's hands-on controls, flexible interface, and premium velocity-sensitive keybed with aftertouch. From the Morphee to the responsive ribbon controller, every aspect of PolyBrute ensures that your sound is an extension of yourself.

Your sound to infinity

Built to satisfy your inner sound explorer, this polysynth comes fully equipped for perpetual patch discovery and sound design. Quickly create modulation connections with the Matrix, color your patch with 3 digital stereo FX engines, and instantly animate any idea with musical sequencing and effortless arpeggiation.

Included Software:

PolyBrute Connect

Arturia MIDI Control Center

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Inspired by the legendary Roland TB-303, the B1 is a bargain-priced analogue acid and bass synth, featuring a built-in sequencer plus saturation and delay effects to bring your sound to life. Incredible value.

Supplier's Notes:
Donner B1 Analogue Bass Synthesizer & Sequencer with VCF, Saturation and Delay Effects

In order to provide better use experience, Donner B1 analog bass synthesizer has made unprecedented innovation in the operation interface, provide simpler and more intuitive interface for all music lovers. And this innovation won the 2022 reddot design award.

Beginner-Friendly Synthesizer Interface

Donner have optimized the sequencer of this synthesizer to be easier and more intuitive to use. Easily edit your own sequences with 128 sequence presets covering a range of musical styles, and 128 user programmable presets.

Silicone Tactile Keyboard with Backlight

The Donner B1 sequencer features modern silicone keys with a color changing backlight, making them a joy to play. In addition to sequencing, you can also play your synth lines live with the keys.

Classic Deep Bass Tone With Saturation and Delay Effects

The B1 allows you to dial in classic deep bass tones such as, distortion and tape delay. It will give you the taste of being one of the famous EDMs, Hip-Hop DJs or producers.

Flexible and Versatile Music Studio at Your Fingertips

The B1 controller connects to your DAW via USB-MIDI for use as a MIDI keyboard, and the MIDI IN/OUT interface connects the B1 to your external MIDI devices for sequencing or as a MIDI controller.Connect external sound sources using the 1/8" audio input. The 1/4" TS mono Main Out carries the main output signal. The 1/8" headphone jack is perfect for monitoring your sound. The B1's audio I/O options have you covered.

The B1 controller & sequencer features all of the deep bass and acid synthesizer sounds of the classic synth, but brings it back in a more intuitive format. Our B-1 bass synth gives you the perfect combination of retro and new school cool.

Specifications

Number of Voices: Monophonic
Type: Analog
VCF: 1 low pass
Oscillators: 1
Size: 54×323×130mm - 0.62kg (1.37 lbs)
Control Knobs: SATURATION knob, DRIVE knob, TONE knob, DELAY knob, LEVEL knob, TIME knob, FEEDBACK knob
Control Buttons: UP and DOWN, TRANSPOSE, PATTERN, TEMPO/TAP, PLAY/STOP, CLEAR, WRITE, BAR, SIGNATURE, DOTTED
Power Input: DC input connector
Power Adaptor: 9VDC 500mA inner positive
MIDI IN/OUT: MIDI In & MIDI Out, 5-pin IN
USB (MIDI): USB 2.0, Type C
Outputs: Line output: 1/4' TRS
Headphones: 3.5mm TRS
Supported Operating Systems: Win 7 or higher / Mac OS X 10.6.8 or higher
Inputs & Outputs (TS 3.5mm): AUX in: maximum input +5 dBu, Sync in: More than 2.5V
Number of Voices: Monophonic
Type: Analogue
VCF: 1 low pass
Oscillators: 1
Size: 54×323×130mm 0.62kg (1.37 lbs)
Control Knobs: SATURATION knob, DRIVE knob, TONE knob, DELAY knob, LEVEL knob, TIME knob, FEEDBACK knob
Control Buttons: UP and DOWN, TRANSPOSE, PATTERN, TEMPO/TAP, PLAY/STOP, CLEAR, WRITE, BAR, SIGNATURE, DOTTED
Power Input: DC input connector
Power Adaptor 9VDC 500mA inner positive
MIDI IN/OUT: MIDI In & MIDI Out, 5-pin IN
USB (MIDI): USB 2.0, Type C
Outputs: Line output: 1/4' TRS
Headphones: 3.5mm TRS
Supported Operating Systems: Win 7 or higher / Mac OS X 10.6.8 or higher
Inputs & Outputs (TS 3.5mm): 3.5mm TRS

Notes: Great value from this curious little semi-modular FM synth. Two carriers, two modulators and virtual analogue delay give you plenty of creative power. Ideal for drones, weirdo synth parts and special FX.

Supplier's Notes:
The Mystic is an experimental FM synth with 2 carrier frequencies, 2 modulators, and an analogue-style delay. All of the synth parameters are controllable via cv as well as time control in the delay section.

The Mystic generates colossal waves that swirl, echo, ascend, and plunge into an ever-changing, sonic playground. Transcend reality and let the mystic guide the way!

Powering Tip

The Mystic uses a 9VDC, negative-tip, 200ma power supply. It is a standard Boss-style power supply used for most effects pedals. The power supply is sold separately.

Once plugged in, the Mystic is powered up and ready to go. Simply unplug it from the wall when not in use.

Output: line level

A note about the output level

The Mystic runs at line level, to be used with pedals and other devices that also run at line level. If using with Eurorack, the output level needs to be converted, just as you would with any guitar pedal.

There are several Eurorack modules that do this, but the one Recovery use and recommend is the Strymon AA.1.

Output jack

The Mystic requires a 3.5mm cable to connect the audio output to other devices.

Latching switch

Use this to latch the sound on and off. Up is on, and down is off.

Controls

Carrier frequency controls

Each carrier works together to build a waveform. Usually it's CF2 that responds to pitch tracking, but that can vary depending on the setting. Think of CF1 and CF2 as 2 sign waves being folded in various ways. Sending independent CV into each one will not get traditional 1 v/oct pitch results, but a combination of pitch, texture and tone.

Modulator controls

These are used to shape the tone and texture of the folded waveform you've created with CF1 and CF2. Modulation rate will control the speed of the modulation texture.


Momentary button

Use this to momentarily turn sound on and off. The momentary Button only functions when the Latching Switch is in the off (down) position.

Latching switch

Use this to latch the sound on and off. Up is on, and down is off.

Delay time controls

Controls the delay / echo time.

Delay feedback

Controls the number of delay / echo repeats.

Delay mix

Controls the volume of the delay / echo signal.

Volume

Controls the overall output volume of the Mystic.

CV controls

These will accept CV voltage of up to +5 volts. The parameter you are controlling should be at 12 0'clock to get the most effect from the voltage input.

Notes: When Waldorf introduced the Quantum in 2018 it immediately found its way in the studios and hearts of the most acclaimed film composers, producers, musicians and sound designers. Now five years later Waldorf have released an upgrade of the flagship Quantum synthesizer called "Quantum MK2".

Quantum MK2 was upgraded with a 61 keys polyphonic aftertouch keybed from Fatar, increased sampling storage to 59 GB, improved mechanical design and display. The new 3.0 firmware allows for up to 16 digital or any combination using the 8 analogue filter with additional 8 digital.

What's new?

61 keys Fatar TP8/SK with aftertouch

The Quantum MK2 is the first instrument which presents a 61 keys Fatar TP8/SK polyphonic aftertouch keybed to the world. With its increased possibilities for musical and gestural expression the keybed allows to utilize the enormous modulation capabilities of the Quantum synthesis engine. It is a next level of expression based on a traditional keybed, which keeps all playing capabilities of a musician, and then extends it with an additional dimension of control and creativity.

The polyphonic aftertouch is highly customizable in multiple dimensions globally as well as for individual keys. The high-resolution graphical display supports visual feedback and control for the customization process. In addition to its internal poly aftertouch keybed, the Quantum MK2 can be controlled by any MPE capable controller by directly connecting to Quantum's USB host port.

16 voices of polyphony, digital and analogue filters

Based on an 8 voice analogue dual-filter architecture, the Quantum has been opened up for up to 16 voices of polyphony in any combination of using digital dual multi-mode filters with the 8 analogue ones. Moreover the combination of analogue with digital filter opens up new sonic possibilities of what Waldorf Music stands for since its beginning: Hybrid digital and analogue synthesis. A new set of allocation modes gives the musician an easy control.

59 GB sampling storage

Another cornerstone of "The Quantum Mark 2" is its increased internal sampling storage from a few GB to 59 GB. The Quantum has quickly become the instrument of choice for modern advanced sampling capabilities for sound enthusiasts and cinematic composers from Berlin to Los Angeles. From firmware 1.0 to 3.0 Waldorf Music has listened to the requests and needs of musicians to extend it polyphonic granular sampling engine as well its traditional multi-sample engine.
Design and display

The updated mechanical design and a classy naval blue presents the musician an instrument of beauty and inspiration. The improved mounting of the high-resolution touch display provides wider viewing angles and an intuitive way of controlling the more advanced features of the Quantum synthesis engine.
Sounds and samples

Highly acclaimed sound designers from all over the world have contributed to the huge library of factory presets and an initial sample content of 2 GB. Waldorf Music is proud to have sounds from designers like Richard Devine, Howard Scarr, Reinhold Heil, BT, Matt Johnson, Joerg Huettner, Kevin Schroeder, Sascha Dikiciyan, Kurt Ader, Mike Huckaby, Thorsten Quaeschning and many more. All sounds are compatible with Waldorf's Iridium instruments in both directions.

Synthesis Platform

Waldorf Music has updated and improved its Quantum firmware continuously adding new synthesis capabilities and many feature requests by musicians. The Quantum firmware builds together with the Iridium firmware a "Waldorf Synthesis Platform".

Notes: Top-of-the-range take on the powerful Wavestate synth concept, based on wave sequencing with 120-note stereo polyphony, natural-touch 61-note keybed and aftertouch.

Supplier's Notes:
Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis.

Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes of stereo polyphony to inspire new levels of creativity.

A sonic evolution

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis. Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes (stereo) of polyphony to inspire new levels of creativity.

Premium, expressive touch

Featuring a 61-key natural-touch keyboard, Wavestate SE feels incredible to play. The inclusion of aftertouch gives fingertip control of the unique constantly changing sound. All factory presets have been meticulously programmed to take full advantage of this expressive control.

Beauty meets brawn

Wavestate SE's all-metal design is as hard-wearing as it is beautiful - with a matte-black aluminium panel complimented perfectly by glossblack stainless-steel sides. The premium finish continues to the controls themselves, where metal-plated knobs are perfectly weighted and add a luxurious touch.

Easily expressive. Exceptionally deep.

The Wavestate SE puts filters, envelopes, LFOs, effects and more at your fingertips with dedicated front-panel controls. Eight programmable Mod knobs are customised to bring out the most in every sound, for real-time performance and also when saving results as new patches. Pitch bend and modulation wheels, and the unique Vector Joystick, give you instant access to multiple dimensions of real-time expression. Digging deeper, almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Gigabytes of samples

Totalling in the gigabytes, Wavestate SE's sample library is vast. At a thousand times larger than that of the original Wavestation, the amount of great-sounding raw material for Wave Sequences is astounding.

Three of the key sound designers from the original Wavestation, John Bowen, John "Skippy" Lehmkuhl (Plugin Guru), and Peter "Ski" Schwartz, joined Belgian artist Airwave and the renowned Korg voicing team to create the incredible Wavestate SE sound library.

Powerful effects

An arsenal of superb effects ensures Wavestate SE delivers production-ready sounds. Each performance has a master reverb and parametric EQ while each layer has three dedicated effects. Alongside compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb, plus modelled effects including Vox guitar amps and wah pedal, multi-head tape echo, and a collection of other classic guitar pedals.

Multiply by four

Take all that power, and quadruple it! You can layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four layers, and can also modulate any other parameters. This sheer sonic power is further enhanced with 120 notes (stereo) of polyphony. Set Lists offer effortless organisation of your Performances, and deliver instant access at the gig or in rehearsal. And thanks to Smooth Sound Transitions, previously-played voices and effects continue to ring out naturally, even when a new sound has been selected.

Deep connectivity

Connect to recording or monitoring systems with balanced stereo outputs, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The Wavestate SE supports class-compliant USB MIDI connections to Windows and Mac computers, and the Wavestate SE Editor/Librarian and Sample Builder programs are available as free downloads from Korg.

Wave Sequencing 2.0

The original Wavestation gave each step of a wave sequence a duration, a sample and a pitch. This created ear-catching repetitive patterns, giving rise to entirely new approaches to sound design. But what if the sounds could evolve in organic and unexpected ways, instead of just repeating? Wave Sequencing 2.0 separates the timing, the sequence of samples, and the melody, so that each can be manipulated independently. It also adds new characteristics, including shapes, gate times, and step sequencer values. Each of these is a "Lane", and each Lane can have a different number of steps, start, end and loop points. Every time the sequence moves forward, the individual Lanes combine to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different! Lanes can also randomise the step order every time they play, with real-time control over the range of included steps, and individual steps can be randomly skipped (with a modulatable probability from 0 to 100%). The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

Ultimate protection

Whether travelling to a studio or setting out on a world tour, ensure your Wavestate SE arrives safely with the included hard case. The custom design even provides space for cables and pedals.

Specifications

Keyboard: 61 keys (Natural touch keyboard with velocity and release-velocity
sensitive, aftertouch)
Sound generation: Wave Sequencing 2.0
Polyphony: 120 stereo voices
Sounds: 261 Performances, 799 Programs, and 1,042 Wave Sequences. Storage for tens of thousands of user Performances
Performance: 4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Controllers: Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x
Program/Performance Mod Knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack) OUTPUT L/MONO and R (impedance balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack)
MIDI IN and OUT connectors
USB B port

Power supply: AC adapter (DC12V, 2500mA)
Consumption: 5W
Dimensions: 1,014 x 344 x 108 mm
Weight: 8.6 kg

Included items

AC adapter, hard case

Notes: TERRA is a new SOMA Labs synth.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.

Notes: Premium version of the excellent Opsix, Korg's contemporary take on FM synthesis. Full 61-note natural-touch keybed with aftertouch, 80-voice stereo polyphony and full metal construction.

Supplier's Notes:
The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: Special edition Platinum version of the excellent Opsix SE. Metallic finish, aluminium front panel, stainless steel sides and the same powerful FM synth engine as the standard Opsix SE.

Supplier's Notes:
Special limited edition of opsix SE.

Celebrating the release of the long awaited opsix SE, a stunning Platinum model (*) will be available in very limited quantities. While this model shares the same features as the standard model, it boasts a high-end metallic finish with an aluminum front panel and stainless steel side panels. This magnificent instrument is bound to command attention, whether on stage or in the studio.

(*) Differences are only cosmetic, specifications are exactly the same as the standard model. opsix SE Platinum also includes an exclusive set of stickers.

The Ultimate Union of Power and Performance

opsix SE is a digital synth like no other. With a premium all-metal design, 61-keys, and aftertouch, it unlocks a new world of sonic capabilities. Building on the expansive sound engine in the original opsix, opsix SE enhances it with increased polyphony and voicing, resulting in a synthesizer created for superior performance and precise control.

The opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

The opsix SE takes this even further. It is equipped with Korg's premium 61-key natural-touch keyboard, complete with aftertouch, delivering the exceptional tactile experience expected from Korg's flagship workstations. With a sleek, robust metal body, it's built for both the intensity of live gigs and the precision of studio sessions. The metallic knobs are optimally weighted for effortless adjustments. Underneath its exterior, the opsix SE boasts an incredible capacity of 80 stereo voices of polyphony.

The opsix SE arrives preloaded with hundreds of sounds enhanced for aftertouch control. Moreover, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Build to play

opsix SE was born out of the desire to play this incredible synth with both hands. Equipped with KORG's premium 61-note natural-touch keyboard, the opsix SE offers the same outstanding tactile response as KORG's top-tier workstations. Aftertouch puts unparalleled control of all the exceptional opsix sounds at your fingertips. Of course, we've modernized the factory Performances for aftertouch and introduced some fresh ones to the mix as well. In fact, most of the opsix SE programs have been revised to make full use of aftertouch, extended keyboard, and polyphony.

Premium metal design

The opsix SE showcases a notable upgrade in aesthetics. A slim body, specifically designed for this instrument, features a striking brown painted aluminium control panel, paying homage to vintage machines. Together with the vivid, illuminating LEDs, it brings a vibrant energy to any stage performance. The side panels, painted in a sleek black metal, amplify the overall aesthetics for a luxurious finish.

Exclusive hard case included

The opsix SE ships in a dedicated hard case, including space for cables and a sustain pedal. Your instrument can travel protected, whether you're carrying it to a rehearsal downtown or packing it up for a tour.

Get Illuminated with the Operator Mixer

At the heart of every sound is opsix SE's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes opsix SE so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of opsix is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, opsix can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. opsix uses up to six envelopes and multi-modeled filters to achieve many cutting-edge and classical analog synthesis tones.


Semi-Modular
Rerouting signal paths to change the sound. A spin through the Alogorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed.


Analog (Modelling)
Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.


Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.


Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.


Classic FM

Last but certainly not least, opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, opsix SE is uniquely suited as a "future-modern-classic" synth!

Altered Reality

opsix SE is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

opsix SE provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Automatable 16-step sequencer

opsix SE features an incredible step sequencer that rivals groove boxes for flexibility and power. Press the PLAY button on any sound and experience the complexity of the sequences! Every Program has its unique sequence stored with it, or create your very own.

You can record up to six notes per step and edit each note's velocity, gate time, and playback timing. Create long phrases or make subtle shifts in timing to emulate strums or drum rolls, something that's not possible on a typical 16-step sequencer. The motion sequencer of the opsix SE also lets you record changes of up to six parameters, creating smooth motion changes in sound within a phrase or building rhythms that change dramatically with each step.

Notes: Part of Sonicware's excellent Liven groovebox series, the XFM is a modern take on classic digital FM sounds, offering a choice of intuitive and quick sounds or logical and deep programming.

Supplier's Notes:
Classic FM sounds, effortlessly merged with FM FUSION.

Using the 4-track sequencer and presets, you can construct an entire song.

Three Fusion FM Engines X-LAB Engine
Merge two FM sounds with a single knob to create a completely new sound.

XFORM Engine
Transform one FM sound into another over a specific period of time.

X-LFO Engine
Continuously transform between two FM sounds using an LFO.

Over 300 Inspiring Preset Sounds
Ready-to-use presets including, leads, keyboards, strings, winds, basses, pads, chords, drums, and sound effects.

Two approaches to FM sound design

Intuitive and Quick
Merge and sculpt FM sounds with a single, intuitive, knob turn.

The X-Lab engine merges two FM sounds by smoothly blending their envelopes, modulation routing, and feedback. The X-Lab algorithm can merge sounds with radically different FM structures and overtones, all without losing the fundamental tuning of the sound. Pitch locking can also be turned off to create brilliant atonal transitions between FM sounds.

Merged sound can then be saved, recalled, and merged with additional FM sounds. This is called merging process FUSION FM.

Logical and Deep

For those who want to dive into the FM Engine, the EDIT mode and included overlay provide full access to the innovative 4-OP XFM engine.

15 knobs and 30 buttons provide quick and intuitive access to all FM parameters.

Explore FM synthesis without the conventional menu diving and head scratching.

4-Track Step Sequencer

Perfect for song production and live performance

Manage lead, bass, rhythm, and more, each on separate tracks.

Sequence up to 64 steps per pattern.

Save up to 128 patterns.

The parameter locking function allows you to record knob changes into your patterns. This automation function can be recorded live, or programmed in step by step.

Sub-divide the tempo down to 32nd notes for higher resolution sequencing.

Sequence longer notes across several steps, AKA Tied Notes.

Specifications:

Size
297mm (W) x 176mm (D) x 48mm (H)
11.7 in (W) x 6.92 in (D) x 1.89 in (H)

Weight:
790g/1.74lb.

Keyboard:
27 keys (with a hold function)

Knob:
15 physical control knobs
Optional LATCH function prevents jumps in value when knob position and parameter values do not match. LCD dot indicates when a parameter value matches the saved value, or when the value has been changed.
One physical encoder

Audio output:
Stereo line out (stereo 3.5mm mini jack)
Headphone out (stereo 3.5mm mini jack)
Compatible with Teenage Engineering Pocket Operator2 Series SYNC OUT
Speaker

Audio in:
LINE IN (stereo 3.5mm mini-jack)
Compatible with Teenage Engineering Pocket Operator 2 Series SYNC IN

Interfaces:
MIDI IN connector (5-Pin DIN type)
MIDI OUT connector (5-Pin DIN type)
SYNC IN jack (monaural 3.5mm mini jack)
SYNC OUT jack (monaural 3.5mm mini jack)

Power supply:
9V DC output AC adapter
Current: 1A or greater
Plug Type: EIAJ3 Standard
Inner Diameter: 1.7mm
Outer Diameter: 4.75mm,
Polarity: Center +
Compatible with power supplies designed for the Korg Volca 1 .
6 AA batteries

Synth Engine:
Four FM synth engines, X-LAB, XFORM, X-LFO, and LIBRARY

Voice mode:
6-note polyphonic mode
Mono mode
Legato mode with adjustable glide time
Arpeggiator modes (Up, Down, UpDown, DownUp, Up&Down, Down&Up, Up+1, Up+2, Down-1, Down-
2, Random, Play Order)

Sweep:
Sweep with adjustable speed, range, and curve

Filter
Low Pass
High Pass
Band Pass
Each track has its own filter envelope.

Effects:
Chorus
Flanger
Send Delay
Insert Delay
Bit Crusher
Reverb
Distortion
Low Pass
High Pass
Isolator

LFO:
Each track has one LFO which can affect both pitch and filter cutoff.
Adjustable LFO Shapes.
Adjustable start time delay for each LFO.

Sound memory:
512 FM sound memory slots (16 x 32 banks)

Sequencer:
4 tracks
Up to 64 steps per pattern
128 patterns
Step length can be set from 1/1 to 1/32
Enter longer notes (Tie)
Track level and pan can be set independently
FX send amount can be set independently for each track
Pattern BPM / Global BPM can be set
Step copy and paste function
Track copy and paste function
Transpose function
Real-time recording
Directly enter notes for each step when sequencer is on or off
Parameter lock function
Random playback function (Playback step size can be set)
Stutter function
Note Trigger probability can be set between 25% and 100%
Pattern chain function
Metronome and pre-count function
Swing function

MIDI:
Notes, control changes, clock input/output
IMPORT/EXPORT of user data
Firmware update via Sysex

Accessories:
FM sound editing overlay
Warranty

The AC adapter is not included.
Please use 9V DC output AC adapter (1A or higher, EIAJ3 standard inner diameter 1.7mm outer diameter 4.75mm, center +).
Compatible with power supplies designed for the Korg Volca 1.

Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.

Notes: Mono Lancet '15 might be small-sized device, despite it is a bona fide analogue synthesizer.

Two oscillators and a noise generator are the foundation for its sound. Together with the musical lowpass filter and VCA it's capable of producing warm and precious sounds full of character.

Beside its audio qualities Mono Lancet '15 has a dead simple and intuitive user interface. Each parameter has its own control. We are absolutely convinced that you will quickly learn how to realize your sounds with Mono Lancet '15 without thinking about what you do.

Expandable with Modular Dock:
Mono Lancet '15's functionality can even be enhanced using the optional Modular Dock eurorack module. It offers various in- and out-connections to the individual sections of the synthesizer. With just a few additional modules you can multiply the strong sound base of Mono Lancet '15.

Mono Lancet '15 is manufactured in our Elektroakustischen Manufaktur in historical Vogtland. For us it is not only a piece of high-quality analogue technology but rather a musical instrument, handmade with love and passion.

Ships with UK 3-pin power supply.

For audio demos, please visit - http://www.vermona.com/en/products/synthesizer/product/mono-lancet-15/

Notes: Centred around an advanced 16-track sequencer where all tracks run independently, OP-Z makes individual track speed and track length possible. In addition to this, it's possible to add unique step behaviours to every one of the 16 steps: a feature we call step components. Think of this as dual layer sequencing where the first layer is a traditional 16 step sequencer, while the second layer adds variation per cycle, note variation, micro sequencing, direction, parameter changes, re-trig's and much more, all on just one single step. In theory, it's possible to create a complete song by programming only the 1st step of the 16, using multiple step components to create endless variations, a technique recommended for experts and engineers only. Seriously, in some situations it's actually almost impossible to predict the complete length of a sequence. So, we created a special component for those situations named 'catch up', that forces a track to exit at a certain step to stay in sync. In total, there are 14 components sorted into 3 groups: triggers, note variations and specials.

All 14 components have 10 values and behaviour programs. The product of all this is that you have 140 ways to alter just one single step. Probably more than most people can handle. And to make step composing really intuitive and super-fast, all keys are backlit with multi-colour LED's with instant machine feedback, a must-have for poorly lit club gigs and late-night-in-bed composing. Actually, the print on the unit itself is made with a special glow-in-the dark-paint. A pretty cool 'world's first' for synthesizers.

Bring your own screen:

OP-Z is a completely stand-alone synthesizer and composer, ready to be used at anytime and anywhere, but for those of you who need that extra injection of vibrant graphics, interactive user interface and awesome synced animations to feel inspired, we introduce the concept of BYOS - bring your own screen. You already have the phone with that gorgeous retina display in your pocket, right? Just download the OP-Z app, pair the two devices and you are all set. Add cellular connectivity, WiFi and powerful graphics processing to that, and the concept certainly makes sense. All this tech when connected to the OP-Z adds several unique features - like using the phone's camera, snapping a series of photos and arranging them to a beat, creating a synchronised music video 'a-la-minute'.

We support Dropbox on IOS as well, so transfer of your custom artwork on to your IOS device will be instant and without cables. To eliminate any latency between image and sound, we ported the OP-Z sound engine to run simultaneously on your IOS device. Something we call 'dual domain synthesis'.

Photomatic:

Snap a series of photos and sequence them to a beat. Compose a song and create a completely synchronised music video 'a-la-minute'. The included photomatic feature is just pure instant fun.

Custom graphics:

By adding any artwork or a photo to your IOS device camera roll or to a Dropbox folder, you can create high quality custom graphics, patterns, colour palettes or stop motion videos. Anything can be animated in pace with your music.

Create your own world:

OP-Z is tailor made for unity 3D, the world's most popular multi-platform game engine. Chosen because of its intuitive workflow and excellent VR support. A dedicated OP-Z toolkit for unity will be available at launch that opens up the entire machine.

Full unity 3D integration:

Teenage engineering have worked closely with Keijiro Takahashi and the unity Tokyo studio to fully integrate OP-Z with the unity game engine. As Keijiro-san is both a full time software evangelist at unity and a renowned VJ at night, we have had access to a selection of Keijiro-san's personally developed tools and shaders which deliver stunning 3D graphics that run at full speed on iPhone or iPad. Keijiro-san's tool-set and real life experience in performances with motion graphics have been invaluable in making OP-Zan inspiring live tool for moving images in sync with music. The weakest point of VJ-ing has always been the creation of content. By exposing the inner control data of the OP-Z and linking it to unity, users can create anything within unity, build the project and just drop the build to a Dropbox folder. Customizing every single polygon in a performance.

If it don't have tape, it's not OP:

The new tape feature is probably one of the coolest sonic features of the OP-Z. Imagine a short snippet of tape secretly recording everything that is programmed in the sequencer - all in real-time. And with its own dedicated track it's possible to sequence the tape, trig the in-point, length and speed. OP-Z will come with a range of tape reels with unique character and functions. Scrub, scratch, wind-up and mess-up!

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: The premium version of Korg's excellent Wavestate gets the Platinum look in this limited-edition model. 61-note keyboard, metal chassis and limited-edition Platinum finish.

Supplier's Notes:
Wavestate SE Platinum

The ultimate Wavestate, the limited edition Wavestate SE Platinum features a stunning premium silver aluminium panel and stainless steel side panels.

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis.

Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes of stereo polyphony to inspire new levels of creativity.

A sonic evolution

Wavestate SE is the powerful evolution of Korg's legendary Wavestation, taking Wave Sequencing to a new level. Designed in California and built in Japan, Wavestate SE includes a premium 61-note keyboard with aftertouch, in an all-metal chassis. Built for a new era of musicians, composers, and producers, Wavestate SE features hundreds of dynamic sounds, extensive hands-on control and 120 notes (stereo) of polyphony to inspire new levels of creativity.

Premium, expressive touch

Featuring a 61-key natural-touch keyboard, Wavestate SE feels incredible to play. The inclusion of aftertouch gives fingertip control of the unique constantly changing sound. All factory presets have been meticulously programmed to take full advantage of this expressive control.

Beauty meets brawn

Wavestate SE's all-metal design is as hard-wearing as it is beautiful - with a matte-black aluminium panel complimented perfectly by glossblack stainless-steel sides. The premium finish continues to the controls themselves, where metal-plated knobs are perfectly weighted and add a luxurious touch.

Easily expressive. Exceptionally deep.

The Wavestate SE puts filters, envelopes, LFOs, effects and more at your fingertips with dedicated front-panel controls. Eight programmable Mod knobs are customised to bring out the most in every sound, for real-time performance and also when saving results as new patches. Pitch bend and modulation wheels, and the unique Vector Joystick, give you instant access to multiple dimensions of real-time expression. Digging deeper, almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Gigabytes of samples

Totalling in the gigabytes, Wavestate SE's sample library is vast. At a thousand times larger than that of the original Wavestation, the amount of great-sounding raw material for Wave Sequences is astounding.

Three of the key sound designers from the original Wavestation, John Bowen, John "Skippy" Lehmkuhl (Plugin Guru), and Peter "Ski" Schwartz, joined Belgian artist Airwave and the renowned Korg voicing team to create the incredible Wavestate SE sound library.

Powerful effects

An arsenal of superb effects ensures Wavestate SE delivers production-ready sounds. Each performance has a master reverb and parametric EQ while each layer has three dedicated effects. Alongside compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb, plus modelled effects including Vox guitar amps and wah pedal, multi-head tape echo, and a collection of other classic guitar pedals.

Multiply by four

Take all that power, and quadruple it! You can layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four layers, and can also modulate any other parameters. This sheer sonic power is further enhanced with 120 notes (stereo) of polyphony. Set Lists offer effortless organisation of your Performances, and deliver instant access at the gig or in rehearsal. And thanks to Smooth Sound Transitions, previously-played voices and effects continue to ring out naturally, even when a new sound has been selected.

Deep connectivity

Connect to recording or monitoring systems with balanced stereo outputs, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The Wavestate SE supports class-compliant USB MIDI connections to Windows and Mac computers, and the Wavestate SE Editor/Librarian and Sample Builder programs are available as free downloads from Korg.

Wave Sequencing 2.0

The original Wavestation gave each step of a wave sequence a duration, a sample and a pitch. This created ear-catching repetitive patterns, giving rise to entirely new approaches to sound design. But what if the sounds could evolve in organic and unexpected ways, instead of just repeating? Wave Sequencing 2.0 separates the timing, the sequence of samples, and the melody, so that each can be manipulated independently. It also adds new characteristics, including shapes, gate times, and step sequencer values. Each of these is a "Lane", and each Lane can have a different number of steps, start, end and loop points. Every time the sequence moves forward, the individual Lanes combine to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different! Lanes can also randomise the step order every time they play, with real-time control over the range of included steps, and individual steps can be randomly skipped (with a modulatable probability from 0 to 100%). The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

Specifications

Keyboard: 61 keys (Natural touch keyboard with velocity and release-velocity
sensitive, aftertouch)
Sound generation: Wave Sequencing 2.0
Polyphony: 120 stereo voices
Sounds: 261 Performances, 799 Programs, and 1,042 Wave Sequences. Storage for tens of thousands of user Performances
Performance: 4 Layers, Reverb, EQ; all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. is supported but not required)
Layer: Program, Arpeggiator, Key and Velocity Zones
Program: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Filters: 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix
Controllers: Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x
Program/Performance Mod Knobs

Inputs/outputs: Headphone (6.3 mm stereo phone jack) OUTPUT L/MONO and R (impedance balanced 6.3 mm TRS phone jacks)
DAMPER (6.3 mm phone jack)
MIDI IN and OUT connectors
USB B port

Power supply: AC adapter (DC12V, 2500mA)
Consumption: 5W
Dimensions: 1,014 x 344 x 108 mm
Weight: 8.6 kg

Included items

AC adapter, hard case, t-shirt, stickers

Notes: An absolute powerhouse of a synth with 16-voice polyphony, stereo architecture and a four-part multitimbral digital sound engine. Built-in sequencers, sample playback and effects make it a true all-rounder.

Supplier's Notes:
MD900 is a polyphonic desktop synthesizer, multitimbral with 4 parts. A polyphony of up to 16 voices are shared by the 4 multi-timbral parts. All of these 4 parts have their own effect stack [Mod-Delay (flanger, chorus, vibrato), Reverb, Tube-AMP, EQ, LP-Filter, DYNAMIC (Limiter) , Stereo Delay ...].

The overall audio path is stereo. Rationally, the oscillator, mixer filter, amps and effects are all in stereo.

Four independent arpeggiator und step sequenzer assigned to each of the four synth parts. The trigger sequencer may trigger the built in transient sample player (Drum Kit .wav) or send triggers to MIDI-Out (USB-DIN or USB-MIDI)

The housing is made of aluminum with real walnut wood on the front and back.

All components are industrial grade. On the operator panel we use precision potentiometer with aluminum covered knobs.

For some parameter entries we use endless encoder without rest.

This kind of encoders feels like a potentiometer.

All of this feels very valuable and it feels great to work with.

The MD900 XVA engine is patch compatible with the M800-R2 synthesizer.

Overview Firmware OS:

The XVA-Sound Engine of the MD900 runs on top of a Linux OS with real time extensions. The overall boot time is < 30 sec.

All contents like Wavetable-, Sample-files, preset and sub-preset files are stored on the internal filesystem.

The filesystem is accessible over ethernet (USB-Lan Adapter).

Managing presets, samples, wavetables configurations & updates are possible and easy to handle.

Operation Panel:

The operation panel gives you real time control to the major voice parameters with a dedicated knob. All parameters are accessible via touch-display and the endless rotary encoders. The part (timbre) has to be selected to alter the parameter on the dependent timbre.

The module specific info display gives the necessary detailed feedback on the parameter changes.

Specifications

Dimensions: 460mm x 295mm x 65mm
Power: External 15V DC power brick 50W
Audio In : 6.3mm stereo jack
Audio Out: Left 6.3mm mono jack, right/left 6.3mm stereo jack
Headphone: 6.3mm stereo jack
MIDI DIN: 1x Midi Input, 1x Midi Output, 1x Midi through
USB 2.0: 2x Hot connect for USB/Ethernet, USB-Midi Host
Pedal SW: 1x Pedal switch input 6.3mm jack
Volume pedal: 1x Standard expression pedal
TFT Display: 5" 800x 480 Colour (24bit) capacitive touch display.
Frontpanel: 37x Potentiometer, 12x linear slider, 12x endless encoder, 30x switches, 42x Leds

Notes: Inspired by the early 80s Synton Syrinx, the SER-2020 is a semi-modular monster, featuring an excellent formant filter section, unique Touch 'N Bend Control and MPE-compatible MIDI interface.

Supplier's Notes:
The SER-2020 is a monophonic semi-modular analog synthesizer with an formant filter section, designed to use as standalone synthesizer or in combination with Eurorack modules. Inspired by the Synton Syrinx *(1) added the flexibility of an MS-20. Its filter design features a combination of a 24dB/octave VC Low Pass Filter, and two independent Resonant VC Peak Filters for precise and dynamic sound shaping. The sound is ranging from solid bass sounds to articulated formant effects. Other features on the SER-2020 are the Touch 'N Bend Control together with the MPE (MIDI Polyphonic Expression) capabilities makes the SER-2020 a special instrument which response to its player. The flexible routing makes the SER-2020 a versatile machine for sound effects.

Key Specifications:
2 VCO's (CEM3340 based)
1 Sub-Oscillator
Ring Modulator
Noise Generator
Audio Mixer
Multi-Mode Sync & Sync D-Tune
3 VCF's (CEM3350 based)
2 ADSR's
2 LFO's with Reset & Shaper Modes
Auto-Glide
Multiple Triggering
Touch 'N Bend Pad
Bend Assign
Sample and Hold
Semi Modular Setup - CV inputs and outputs
Signal and Headphone output.
MIDI interface
USB MIDI interface
MPE compatible - Sensitive for; Strike (note-on velocity), Press (aftertouch), Glide (pitch bend), Slide (brightness) and Lift (note-of velocity).

The SER-2020 consist of two VCO's and one sub-oscillator, driven by VCO 1. Both VCO's deliver a triangle, sawtooth, square wave and pulse signal, which can be selected. A rich spectrum can be obtained with Pulse Width Modulation of VCO 1 and VCO 2. The LFO 1 and 2 signals can be feed to the pulse width modulation section introducing phase shift effects and Doppler frequency shifts. Since the both VCO's have a separate LFO for PWM, chorus-like effects can be obtained by controlling both pulses with different LFO speeds. VCO 2 can be synchronized to VCO 1 in different modes. Synchronization is applied when two or more VCO's have to produce exactly the same pitches, without phase shift or beat effects. When VCO 2 is detuned from VCO 1 another effect occurs, which will result in quite dramatic tone colors.
Each VCO has an individual output, also the noise generator and sub-oscillator has individual outputs.

The most important sections of this synthesizer is the filter. The SER-2020 features a very extensive filtering system, which consists of the standard 24 dB/octave low pass filter and two independent band pass filters, which together form the Voltage Controlled Formant filter.
Both band pass filters have a frequency control and a resonance control for setting the selective amplification in the pass band. The bandpass filters are equipped with a control voltage mixer for LFO, ADSR and key range voltages. The LFO control can be used for the external modulation input.
The low pass filter is an standard 24 dB/octave roll-off. It has a frequency control and a modulated CV mixer from several sources like LFO, ADSR and the key range. The LFO control can be used for the external modulation input. Also the resonance of the low pass filter can be controlled.

The SER-2020 has two ADSR generators, of which one is used to control the internal VCA, and the other one to control the filter section. The control signal can be inverted by means of the ADSR controls in the filter section, so that the filters can be swept in opposite directions.
ADSR 1 and 2 have a positive and negative (inverted) direct output available on the patch panel.

The SER-2020 has two independent Low Frequency Oscillators (LFO's) of which the rate can be controlled, and for LFO 2 also the wave shape.

LFO 1 generates a triangle wave which exclusively is routed to the pulse width modulation control input of VCO2. LFO 1 also generates a square wave and a pulse wave. The square wave is available as direct output on the patch panel. The pulse wave of LFO 1 is internally routed to the sample and hold generator as clock source.

LFO 2 is more versatile and can be used for the modulation of the VCO's and the filters. Moreover LFO 2 can be used as a one shot generator which means that a signal is generated much alike an Attack/Release generated function. Except for the LFO 2 rate control with the preset knob, it also can be controlled dynamically with the pad.

Several sections in the synthesizer can be controlled with the bend pad, by pressing it with the left hand index and middle finger. The pressure sensitivity for the VCO, VCF and VCA can be adjusted. The touch 'N bend pad also reacts on the MIDI modulation control and the MIDI brightness (CC#74) control for MPE compatibility.
Also the speed of the rise/decay mode of the LFO 2 is possible. Pressing the UP pad will result in a shorter cycle, and pressing the DN pad in a longer cycle.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit

Notes: ***B-STOCK: Box damaged, missing documentation, product in perfect working order***


Keyboard version of IK's three-oscillator, dual-filter analogue synth. Classy purist analogue tones with some nice modern features like a step sequencer and effects. Also available in a cheaper, capacitive keyboard version.

Supplier's Notes:
Next generation analog for everyone

UNO Synth Pro gives you the power to create nearly any analog synth sound you can imagine. With its unique dual-filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connections and much more, UNO Synth Pro breaks new ground for music makers.

Available in two form factors to suit all players' needs- stage-ready with metal housing and premium keybed; or ultra-portable, USB-powered with capacitive keyboard- UNO Synth Pro offers everyone the next generation of analog sound design in a smart format that fits any space or budget.

3 analog oscillators offer continuously variable waveshape, including pulse-width modulation. Oscillators can be hard-synced for more harmonically-complex tones, and oscillator FM (frequency modulation) lets you shape everything from bell-like sounds to screaming industrial tones. UNO Synth Pro even includes ring modulation for wobbly, sci-fi sound, and a white noise generator for a wide range of percussive sounds and epic rises.

Recreate famous synth sound sources or forge entirely new ones - UNO Synth Pro has the tools you need.

In addition to the original UNO Synth's 2-pole OTA multimode filter, UNO Synth Pro adds a new 2/4-pole SSI LP filter with self-oscillation. The dual filters can be used in series or parallel, with invertible phase, for a total of 24 possible filter combinations.

In short, the UNO Synth Pro can recreate the filter sound of the most famous classic synths as well as deliver fresh new options to the limits of your imagination.

UNO Synth Pro offers 2 full ADSR envelopes, one dedicated to the filter and the other to amplitude, with both available as sources to modulate everything from oscillator pitch and waveshape to LFO speed or even other envelope stages.

2 LFOs (low-frequency oscillators) can create classic synth vibrato, wah and tremolo as well as do more complex modulations including audio range FM.

And a 16-slot modulation matrix makes routing all these a breeze. You can quickly and easily design even the most sophisticated modulation scheme, with both internal and external sources, including MIDI controllers.

IK's experience in modeling analog studio effects is decades long. For UNO Synth Pro, you'll find a super warm and organic true-analog overdrive, plus 12 studio-quality effects in three simultaneous slots: modulation, delay and reverb. External signals can also be routed through these effects, with pre-effects filtering for maximum flexibility.

UNO Synth Pro provides an enhanced version of the original's long-lasting capacitance-sensing keys along with pitch and mod strips for enhanced expression. And it adds firm-touch rubber pads for the control sections, plus LED-backlit indicators and an LED display for key information, making it easier than ever to use UNO Synth Pro live on stage or in deep programming sessions in the studio.

UNO Synth Pro offers 256 user-editable presets, each capturing the full state of the sound engine from oscillators to effects.

An onboard 64-step sequencer offers both step and real-time recording, with automation for up to 40 parameters, letting you create incredibly intricate and evolving soundscapes. You can even write CV and gate automation.

And a 10-mode arpeggiator makes it easy to create intricate patterns and runs plus a new "chord mode" that takes advantage of UNO Synth Pro's paraphonic design.

UNO Synth Pro offers two noiseless, balanced stereo outputs as well as headphone out, for superior audio quality in any situation.

USB and 5-pin DIN MIDI In and Out make it easy to integrate with other synths, Mac/PC and mobile devices, and its assignable CV/Gate connections lets UNO Synth Pro interact effortlessly with your Eurorack or other modular system.

And now, audio input allows access to the filter and FX section for external signals, in addition to the original thru-put for daisy-chaining multiple units together without using a mixer.

Free Editor

Free UNO Synth Pro Editor for Mac/PC and iPad now available for all purchasers to download. This gives you access to all the advanced features 'under the hood' to manage presets and to easily create your own directly from your computer. Full details on the editor here: https://www.ikmultimedia.com/products/unosynthpro/?p=editor

Software Promo
All purchasers of UNO Synth Pro can now claim 2 free software downloads from IK's SE or CE product range: AmpliTube 5, SampleTank

Dimensions:
Size (W x D x H): 55 x 30 x 7 cm, 21.65 x 11.8 x 2.75 in.
Enclosure: Metal/plastic
Weight: 5.8 kg, 12.8 lb
Power: Power PSU

Package includes:
UNO Synth Pro
1x Micro USB to USB Cable
Power Supply Unit

Notes: The Skorn da Bask table top module is the same module as the eurorack version but in a hammond 1590BB enclosure and aluminium panel, it can be powered thru a 2,1mm negative pin power jack, compatible with Boss and Ibanez standard power supplies.

Thanks to their routing options, the VCOs can not only be used to generate audio signals, but for modulating the VCF's cutoff frequency as well. Besides processing internally produced saw tooth waves, the filter is also usable for editing sound coming from other modules. Typical Touell Skouarn, the Skorn da Bask distorts like hell. Primary application: The creation of dirty, experimental sound structures and abstract rhythms.

The front panel of Skorn da Bask shows three areas highlighted in red. These zones contain the connectors and control elements for the oscillators. Each VCO comes equipped with a pitch CV input, a tune potentiometer and two switches for defining the routing as well as the frequency range used. In detail, the oscillators can be connected to the audio or CV input of the filter. Thanks to their range switches, each VCO is able to work with audio or low frequency rates. The pitch input does not follow the standard 1v per octave.

After all, Skorn da Bask is not an ordinary oscillator module, but an experimental sound generator.

The low pass filter features a slope of 24 dB per octave. A potentiometer named FreqaNs regulates the circuit's cutoff parameter, Dasson sets the resonance. For processing external signals, there is an audio input. As long as a cable is plugged into this socket, the VCOs are disconnected from the filter's audio path. Third-company modules, like an envelope or LFO, can influence the VCF's frequency via a CV input. For damping modulation signals coming from the oscillators, there is an attenuator knob. The audio output is equipped with a level potentiometer. High settings lead to juicy overdrive effects.

Notes: Digital 12-bit oscillators meet analogue filters in this creative little synth module. Six-voice polyphony, preset storage and MIDI control make for a compelling instrument with its own distinctive sound.

Supplier's Notes:
The Tooro is Fred's Lab's new 6-voice 4-part hybrid "digilog" polysynth.

Including the latest discoveries in mixed electronics, the original FL A847 analog filters, this is the perfect module for demanding sound designers and every musician seeking distinctive tones with a strong personality, in a very compact form factor.

Each voice offers 2 complex digital oscillators with waveform morphing, 2-operator linear phase modulation and self-sync features plus a noise source, a ring modulator, the unique FL A847 lowpass filter accompanied by a digital shaper, 2 advanced LFOs and 2 ADSR envelopes.

A modulation matrix with 8 slots allow the animation of most of synthesis parameters.

A master stereo digital FX offering various modulated delays is also included.

Tooro is shipped with a printed version of the QuickStart Guide (in English) and a 1 meter black USB cable.

Technical aspects:

All Fred's Lab instruments are produced and manually assembled locally in Germany.

The Tooro is a polyphonic and multitimbral synthesizer module with 6 voices, 4 parts, per voice analog filters and a stereo signal path.

Sound Engine

Per voice

Oscillators:
Two 12bit digital oscillators with:
waveform morphing
additional sine modulator (for linear through zero phase modulation)
auto-sync feature - hardsync

Filter:
A single FL A847 12dB/Octave low-pass filter with auto-oscillation and saturation features.

Shaper:
A selection of digital filters algorithms from Fred's Lab.

Noise:
A regular white noise source.

Ring modulator:
An audio rate multiplication of osc1 output by osc2 output.

Envelopes:
Two ADSR envelopes with hold stage and multiple triggering options.

LFOs:
Two complex LFOs with various waveforms and their own AD envelope.

DCA:
A digitally controlled attenuator with volume and panning control.
Per part
MIDI channel selection, overall part volume and panning.

A syncable arpeggiator with multiple modes is included.
Global
Multi-FX
A 12bit digital multi-FX module with various modulated delays.

Instrument:
Memory
The Tooro can store:
100 sound presets
10 multis

Connectivity:
2 line-level unbalanced 6.35mm jacks (mix left & right)
2 instrument-level 3.5mm jacks for separate voice outputs (for voice 1-4 only)
1 DIN5 MIDI-IN
1 DIN5 MIDI-OUT (OUT + smart THRU)
1 USB 1.1 B compatible port (for power and MIDI over USB)
1 power switch

UI:
4 high-quality metal encoders
14 tactile switches
dual digit 7-segment hexadecimal display
12 leds

Mechanics:
aluminum industrial enclosure
quality rubber feet
170 x 120 x 45 mm
550 grams

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II/XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets - totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).

But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensington compatible security lock slot.

Notes: Typically experimental stuff from Soma, the Enner is a five-voice synth with an array of filters, electro-acoustic noise options, analogue effects and huge creative potential.

Supplier's Notes:
ENNER is a very expressive sound tool that can generate bits, pads, FX, noises, clicks, glitches, but also function as a cool vocal mic with built-in analogue FX and much more! A musician with a rich imagination and who's experienced in playing ENNER can perform an entire exciting gig using just this synth.

As an instrument, ENNER is a unique analogue synthesizer with the key principle being that all signals that make sound pass through and are managed by your body. Your hands become the central part of the circuitry. Touching different contact pads with different parts of your fingers and palms with different amounts of pressure, letting signals pass through your body defines the mixing, volume, timbre, feedback and other parameters of synthesis. Human skin has much more complex electric properties than we think. The skin provides not just resistance but also some capacitive properties and even nonlinear dependence of conductivity from current, its direction and time during which the current was applied. All of this affects the sound, making you the key part of the synthesis process.

All pots of ENNER are metallic and also function as inputs or outputs. Touching a pot can change not only the parameters but also patch the audio signals.

ENNER consists of:

The array of filters with fixed frequency properties (the triangle in the centre): the stereo high pass filter (HPF), the stereo bandpass filter (high mid - BPFH), the stereo bandpass filter (low mid - BPFL), the stereo lowpass filter (LPF). Stereo means that the filters have separate inputs for left and right channels as well as separate outputs. Sliding on the filters' pads with your fingers you can create a rich stereo image where each channel may have not only individual volume properties but also timbral ones. The outputs of the filters are mixed together and connected to the main output. Also in the triangle, you have a stereo direct input (DIR) that lets you bypass the filters.

The modulated stereo delay. The input of the delay is the two pads on the top of the triangle (DLY blue). The output of the delay is mixed with filter output and connected to the main output. Also, you have delay output connected to the pads placed on the left and right sides from the top of the triangle (DLY orange) that lets you create feedback and other interesting effects. The delay has two separate lines (left and right) with individual TIME controls (BPEMR pots), common FEEDBACK and the common pot that defines the amount of self-modulation (BIZZARE). The BPEMR pots are also touch inputs for delay time modulation.

On the right side of ENNER, there is a five-voice synthesizer with individual adjustment of frequency for each voice (TUNE knobs) with the possibility to change the pitch of all voices simultaneously (PITCH knob). TUNE knobs are also the outputs of the voices, so by touching them you can patch the voices to the filter's inputs. The synthesizer has separate output pads for each voice (pads OUT 1-5), individual modulation inputs (MOD 1-5) and ring modulation outputs (the RING 12, 23, 34 numbers indicate which voices are sources for the ring modulation). Connecting MOD and OUT pads of one voice with your fingers will pitch it up. The fifth voice has an additional modulation pad MOD 5- which can shift the pitch of the fifth voice down (connect it to +12 pad or any pad that has some positive signal including the output of the fifth voice).

On the left side of ENNER, there is the second synth that has one master generator, the output of which is divided six times by two with individual outputs for each stage of division (PULSE 1-6). This synth is aimed at creating rhythmical clicks, basses and octave tones. The frequency of the master generator is defined by the TEMPO knob. The output pads &1,2,3 are logical multiplications of different PULSE outputs giving additional and more complex rhythm combinations.

ENNER is also an electro-acoustic noise instrument. It has a piezo pickup attached to the front panel that captures sound from the casing itself. There is metallic spring and you can attach rubber bands to the panel to create various acoustic sounds. The piezo mic can capture clicks and scratches you make with your fingers, and it also allows you to create filtered feedback. Not only that, it can even capture your voice singing over the panel! To get sound from the piezo you have to connect the PIEZO OUT pad with some filters or delay inputs. Applying filters and delay on the piezo out while the panel works as a mic, catching the audio signal from the speakers connected to the ENNER output lets you create very cool acoustic feedback-based effects. PIEZO GAIN adjusts the piezo sensitivity.

The bottom of the triangle (NOISE pad) is the output of static pink noise.

External in (EXT socket and EXT pad) lets you send an external audio signal to ENNER and process it through the array of filters, delay and other ENNER stuff.

All of these features make ENNER a simple yet powerful kit of sound sources and FX that give you a rich and diverse sound palette with many possible playing techniques that you can change very fast as there is no other control over the sound other than your touches.

Specs

Array of filters

Pads DIR - direct input (no filters)
Pads HPF - highpass filter in
Pads BPFH - bandpass filter high mid in
Pads BPFL - bandpass filter low mid in
Pads LPF - lowpass filter in
(L - left channel, R - right channel)

Pink noise generator

NOISE - noise output

Delay

Pads DLY(blue) - delay in
Pads DLY(orange) - delay out
(L - left channel, R - right channel)
Pots BPEMR - delay time (L and R) also time modulation inputs
The UROBOROS pot - feedback (both channels)
Pot BIZZARE - delay self-modulation

Piezo

Pad PIEZO OUT - the output
Pot PIEZO GAIN - piezo amplification (also piezo output)

The five-voice synth

Pads OUT 1-5 - outputs of the voices
Pads MOD 1-5 - modulation inputs of the voices (try to connect them with OUT)
Pads RING 12, 23, 34 - outputs of ring modulators that multiply outputs of different voices
Pad MOD 5- - an additional modulation input for the fifth voice (try to connect it with +12)
Pots TUNE 1-5 - frequency of the voices (also voices outputs)
Pot PITCH - transposing all voices at once.

Rhythm\Bass synth

Pads PULSE 1-6 - output of binary dividers
Pads &1, 2, 3 - additional outputs that are logical AND of different PULSE outputs.
Pot TEMPO - the frequency of the source generator

External

Socket EXT - external in
Pad EXT - connected to EXT socket tip

Power

+12V center + 0.2A. ENNER requires a good stabilized and filtered PSU. We recommend contemporary switching mode PSUs with a wide input range. The PSU is included.

Grounding

In order that when playing on ENNER there would be no hum from the electricity grid interferences, the device must be properly grounded! A normal grounding connection at the electric socket, which is carried through the power cord to your audio equipment to which the ENNER is connected, is sufficient.

What's in the kit:

ENNER
12V center plus PSU
Several rubber bands

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Latest incarnation of Buchla's legendary modular synth. Massively creative with incredible sound and history stretching all the way back to the 1960s.

Supplier notes:
The evolution of the legendary modular analog synthesizer by Don Buchla. The Buchla Easel Command is the newly updated 208C in a standalone desktop form with MIDI and CV control.

Buchla's own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It's still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Flagship model in IK's Uno Synth range, the Pro X adds extra synth power to the three-oscillator analogue design, with plenty of hands-on control and sequencing power.

Supplier's Notes:
Freedom of sound

Paraphonic dual filter analogue synthesiser

Embark on a liberating sonic adventure with UNO Synth PRO X, a powerful analogue synthesizer that'll ignite your creativity and elevate your music to new dimensions. Prepare to be inspired as you explore a world of infinite possibilities, where technology meets the timeless allure of analogue warmth.

Get creative

Featuring three discrete wave-morphing oscillators, the UNO Synth PRO X invites you to explore a vast sonic landscape. Unleash your imagination with PWM, sync, FM, and ring modulation capabilities: Your sonic palette knows no bounds.

Unrivalled sound sculpting

Discover a new realm of sonic possibilities with the UNO Synth PRO X's dual-filter design, combining classic OTA and SSI-chip-based filters. Immerse yourself in the moment as you weave intricate textures and shape your sound to perfection. Dive deeper into sonic exploration with the 16-slot modulation matrix enabling you to create intricate and evolving textures.

Sound connection

Take complete control over your music with over 30 hands-on controls, providing immediate access to your sound-shaping tools. With USB, MIDI, CV and Gate in/out options, integrating the UNO Synth PRO X into your setup is effortless.

4 kinds of effects

With 10 studio-quality FX in three slots and an analogue drive, your music will further come to life with warmth and character.

3 effects slots + analogue drive
Vintage chorus and uni-vibe
5 different delays
Hall, plate and shimmer reverbs

From sequencing to arranging

Unleash your creative potential, easily creating complex ever-evolving sequences. Try the 10-mode arpeggiator, equipped with a pattern designer to bring your melodies to life. New horizons are just around the corner with the Bassline mode, along with legato, mono and paraphonic modes, offering unprecedented expression of your musical ideas.

Advanced paraphonic 64-step sequencer
Per-step parameter recording with up to 48 parameters
Sequence randomizer that follows the scale you select
Parameter automation per step and real-time
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono and paraphonic modes

Seamless DAW integration

With 256 user-editable presets the UNO Synth PRO X is a playground for sonic fun and exploration. Effortlessly sculpt save and recall your own custom sounds recapturing every moment of your creativity. And with the included Editor/Librarian software providing seamless control from your Mac or PC anything becomes possible. The Editor works as both a standalone application and as a plug-in inside your favourite DAW. This means you can program and play the UNO Synth PRO X just like a virtual instrument.

Designed for portability
The UNO Synth PRO X is not only a fun sound-design partner but also the perfect musical companion on the go, adapting to any environment. From backpack to mainstage, new sonic destinations will always be within reach.
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs

Custom travel bag available

Whether you're a seasoned sound designer or on the way to becoming one, UNO Synth PRO X is here to travel physically and sonically wherever you go.

UNO Synth PRO X Specifications

Sound generation
3 discrete wave-morphing oscillators
3 super-fast envelopes with loop and retrigger options
PWM, sync, FM and ring modulation
Dual-filter design, OTA and SSI-chip based
12 studio-quality FX in 3 slots + analogue drive

Performance tools
Advanced paraphonic 64-step sequencer
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono, paraphonic
Audio input to filters and FXs or pass-through

Complete controls
Over 30 hands-on controls
16-slot modulation matrix
256 user editable presets
USB / MIDI / CV / Gate in/out
Backlight control and onboard factory preset restore
Advanced software control for Mac/PC

Ready for travel
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs
Editor/Librarian included
Optional gig bag available

Dimensions
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 800 g, 1.76 lb
Power: iRig PSU-3A (included) or USB (5V/1.5A, 7.5W or above)

Package includes
UNO Synth PRO X
1x USB-C to USB-C Cable - 60 cm, 23.6 in.
Power Supply Unit
Quick start guide
Registration card

NOTE: USB power has inherent ground noise, so when connecting the UNO Synth directly to your computer via USB, you may hear more noise and interference than when the synth is connected to a USB wall charger or running via batteries. With the direct computer connection, you can reduce the USB ground noise and other interference by either using a USB isolator or a custom TRS cable into a balanced input on your preamp or audio interface where the ground is not connected at the balanced input side.

UNO Synth Pro Editor Compatibility

Computers
64-bit application. Requires a 64 bit CPU and Operating System.

Macr (64-bits)
Minimal: macOS 10.15 or later.

Windowsr (64-bits)
Minimal: Windows 8 or late