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Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 24 May 24 $34.77
(No payment required now - pay when released)
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Cat: 21321. Rel: 17 May 24
Rock (All)
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 17 May 24 $33.99
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This vinyl is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 10 May 24 $33.73
(No payment required now - pay when released)
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Cat: 554646 0. Rel: 20 Oct 23
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Review: The Rolling Stones have announced their first album in 18 years, Hackney Diamonds, hot off the heels of a playful, vigorous viral marketing campaign - involving an intentionally faulty website and a one-off ad in the local borough newspaper, the Hackney Gazette - and the promotional single 'Angry'. For those seeking to find out more, here's a quip from Mick Jagger: "I don't want to be big headed, but we wouldn't have put this record out if we hadn't really liked it." Judging from 'Angry' and what has been said of its otherwise press-embargoed release, this is sure to be an incendiary comeback, not only a sating the completist urge for ever more from the Jagger-Richards estate, but also celebrating the legacy of the late Stones drummer Charlie Watts, whose drumming is heard throughout the album.
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Review: The Rolling Stones are arguably one not only the most iconic rock bands of all time but also considered legendary performers as well. One of their most well-recorded performances (as noted by fans often) is their 2002 performance at the Wiltern Theatre in Los Angeles, with a track listing full of 70s classics and spread over three albums to get the best possible fidelity from the medium.
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Review: It's not everyday you release an album that goes on to inspire the name of a record label that goes on to be one of the defining UK music institutions of the late-20th Century. And early-21st. Whether The Rolling Stones quite knew how special their seventh studio LP would be when it first dropped in 1968 is something we can ponder until the cows come home, but it certainly represented a musical turning point back then.
Moving on from their previous psychedelic excursions (aurally, if not behaviourally), Beggars Boutique saw the seminal rock 'n' rollers dive two-feet-first into the sound of America's southern states, returning to the old stomping grounds of influences they had originally made a name for themselves with. And by that we mean blues and roots rock.
… Read moreMoving on from their previous psychedelic excursions (aurally, if not behaviourally), Beggars Boutique saw the seminal rock 'n' rollers dive two-feet-first into the sound of America's southern states, returning to the old stomping grounds of influences they had originally made a name for themselves with. And by that we mean blues and roots rock.
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Review: English rock icons The Rolling Stones dropped Their Satanic Majesties Request in 1967 on home label Decca. It was their 6th British and 8th American studio album and was recorded at Olympic Studio in London. It finds them mixing up psychedelic pop, acid rock, experimental and psychedelic rock thanks to the use of various freaky studio tools including the Mellotron and a load of trippy sound effects, string arrangements and Afro rhythms. It took the best part of a year to record owing to various members being on drugs/in court/sent to jail but generally got favourable reviews when it did finally drop.
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Review: If any other band decided to open what's essentially Greatest Hits Vol.2 with a track like 'Paint It Black' you'd probably worry the album was destined for a sharp decline, and wonder how such a powerhouse piece of music didn't wind up on Greatest Hits Vol I. Not so with The Rolling Stones, a band that had already put out more than enough incredible tunes to fill five volumes by the time this collection came along (1969). Representing the first seven years of the seminal English rock group, after the first juggernaut spirals off into semi-psychedelic mania we're treated to several more reminders of exactly why these guys were so good during their early days. 'Ruby Tuesdays', 'Dandelion' and 'Let's Spend the Night Together' reveal stunning pop sensibilities, while fare such as 'Honkey Tonk Woman', 'Jumpin' Jack Flash', and 'Street Fighting Man' celebrating the predominantly Black-made blues they looked to for so much inspiration.
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Review: There must be something in the water right now cause as well as a new limited edition picture disc featuring a wealth of The Beatles covers, we're also treated to this limited translucent green salt featuring a load of covers from their archival rivals, The Rolling Stones. This one collects together their covers from between 1963 and 1964 when they were often found adding their own blues-rock twist to well known pop hits. The likes of 'Memphis Tennessee', the Lennon-McCartney penned 'I Wanna Be Your Man' and '(Get Your Kicks On) Route 66' all feature.
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Review: The Rolling Stones put out plenty of albums full mostly of cover versions other favourite blues, soul and rhythm & blues tunes and this one, Out Of Our Heads, is one of them from 1986. It was a number two album in the UK charts but marked the band's first ever Billboard 200 number one (maybe because at the time only the American version contained their biggest ever tune, '(I Can't Get No) Satisfaction'). Here the mono version gets reissued and contains songs made over a six month period including the top ten hit 'The Last Time.' Though these are covers, they are newly done in a guitar-based, thoroughly contemporary (at the time) style.
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If you ever wondered what was next for the Rolling Stones, here's your answer. Hackney Diamonds is their forthcoming 26th studio album; the first studio album of original material by the band in 18 years and the final album to feature the drumming of rhythmic fixture Charlie Watts. Kicking off with its first promotional single 'Angry' - a song on which Jagger and Richards implore us not to get angry with them, perhaps owing to the frosty reception the Stones have sometimes received from squarer audiences over the years - the song sets the tone for what is sure to be a Stones completist's favourite and a welcome, high-energy return to blistering blues-rock form.
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