Review: Blue World is an album that was never intended for release. It features music commissioned for a soundtrack for a Canadian film in 1964 and showcases a quartet that was at its very best. It's made up of short tracks and alternate takes of early Coltrane material and is utterly vibrant. Catchy little ditties like "Village Blues", stripped down numbers like the title track and the mostly-improvised "Traneing In" are all testament to the enduring brilliance of Coltrane, no matter the setting in which he was playing. The clarity of the recording and richness of the bass playing also add to the overall beauty of this record.
Acknowledgement (take 1/alternate - part I) (9:12)
Acknowledgement (take 2/alternate - part I) (9:31)
Acknowledgement (take 3/breakdown with studio dialogue - part I) (1:02)
Acknowledgement (take 4/alternate - part I) (8:52)
Acknowledgement (take 5/false start - part I) (0:32)
Acknowledgement (take 6/alternate - part I) (12:33)
Review: There is little to say or introduce about both the Impulse label and master John Coltrane, apart from stating the obvious. Both label and artist have been cornerstones of jazz music for the better part of sixty years, and it's always a pleasure to have these timeless classics re-compiled and presented as a shimmering remaster of the original format. A Love Supreme is perhaps Coltrane's greatest moment - which that is a bold statement - and unlike the vintage Chicago house reissues that are lauded as being too 'clean' compared to their original formats, jazz is a music that must be listened to with crystal-clear detail and sound. That is precisely what you get here with this beautiful new version of the album, an edition which boasts longer cuts of the original, and that'll go down a storm with the Dingwalls heads. A classic - enough said.