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Played by: Juno Recommends Broken Beat Nu Jazz
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Review: Patrice Scott's long awaited debut album, Euphonium, was arguably one of the most underrated full-lengths of 2015. Happily, he's kept the quality threshold high for this follow-up EP. "The Detroit Upright" is particularly potent, with effortlessly smooth keys stretching out over rich chords and bumpin' deep house beats. On the flip, Scott doffs a cap to the hazy, jazz-funk influenced styles of 2000 Black, on the impeccable broken beat/deep house fusion cut, "Who We Are". Weighty at the bottom end, and blessed with both starry keys and delay-laden synth lines, it's the kind of track you could imagine Theo Parrish losing his shit to.
… Read morePlayed by: Patrick Luca (Island Issues), Tomi Chair, Tres Manos-Your Only Friend, Sean Dixon, Matt Pond (DeepSystems), Bantam Lions, Michael Zucker - Finale / Balance, Patrice Scott, Dj Prophet, Per Bojsen-Moller, ISOUL8 (Volcov), Nick Anthony Simoncino, MR G, Jorge Caiado / Conversion, Petko / Soul Print Recordings, Alex Bradley, NICOLA CONTE, Appian, Cromby, Djs: Most Charted - Deep House, Don Crisp, Titonton Duvante (Residual), DJP (Soul Print Rec), Aleqs Notal, Bradford James (DS Records), Danijel Kevic, Chaos In The CBD, Secretsundaze, Reggie Dokes, Aaron Paar / Teflon Dons
… Read more in stock $14.78
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Back To The Streets (Flying Mojito Bros Refritos) (12" + sticker + MP3 download code)
Cat: UR 12400. Rel: 20 May 21
Disco/Nu-Disco
Review: So far spring has been a real wash out here in the UK. As this is typed, the drizzle has been falling non-stop for 12 hours. But as soon as the first few bars of these Flying Mojito Bros Refritos versions of Rudy Norman's 'Bacl to the Streets' play out, our mood is lifted. There is sunshine b the lush keys, warmth in the bass and feel good groove in the gentle rhythms. The original is included and has a more angular and arts feel, while the dub is the most cosmic and rolling of the lot. You can always rely on Ubiquity for some sunny goodness
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Review: Mulen main man IO has been surprisingly quiet this year following a stellar 2019 in which he released a quintet of must-check EPs. The good news is that the Meuse EP was worth waiting for. The A-side title track is a terrific example of the more robust, peak-time-friendly end of his style, with addictive riffs, spacey electronics and ricocheting percussion hits riding a storming, beefed-up tech-house groove. He begins the B-side with a deeper, loopier and hazier (but not less rhythmically driving) excursion - the disco-tech jack of 'Flirt', before reaching for swinging drums, alien-sounding motifs and warming chords on hypnotic closing cut 'Response Profonde'.
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Review: Something slightly different here from one of Detroit's most storied producers who - somewhat surprisingly - has gone against type and decided to include a full vocal on "Poor Fake (Remix)", the mesmerising and melancholic A-side of his latest release. The vocal in question comes from an uncredited Kate Bush sound-alike, whose distinctive drawl works in perfect unison with Smith's moody Detroit bassline, snappy machine beats and celestial chords. Over on the flip the former Motor City street racer makes merry with some classy disco samples on feel-good workout "Bullshit Baby", before brilliantly playing around with the same Diana Ross sample he used on 2004's "Day", on the throbbing, peak-time ready loop jam that is "75&Day".
… Read morePlayed by: Corbi, NICOLA CONTE
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Review: Last time out, Stefan Ringer came well and truly correct for People of Earth, so the follow up EP was always going to be a tough challenge. French producer Hugo LX proves himself more than worthy of the job, however with this superb deep and spaced out four tracker. 'Freedom House Dance' is the opener, and rides on waves of cosmic synths and deft pads. 'Catching Thunder' is more business like thanks to the chattering claps and more direct and purposeful bassline. 'Track three layers in some doleful trumpets to a taught baseline to make for stylish jazz vibe and lastly, you're cast off into the universe on a wave of infinite pads and meandering leads.
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Review: After a break of almost two years, Trindadian Deep has decided to re-activate the Native Rebel Music label he founded in 2018. Like its predecessor, "Soca Electric" boasts three tracks of intricately detailed, emotion-rich deep house full of nods towards Caribbean and African musical culture. We highly recommend the luscious and beach-warm title track, where steel pan melodies, fluid synthesizer solos and life-affirming chords stretch out above a percussion-laden, Ron Trent style deep house groove. That said, we've also got a lot of love for the similarly sun-kissed, synth bass-sporting "The Edge" and the more heavily electronic deep house lusciousness of "Future Travels". In fact, all three tracks are glorious.
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VARIOUS
Mother's Finest Compilation Part 2 (limited pink vinyl 12" + MP3 download code)
Cat: MF 02. Rel: 20 Mar 20
Techno
Played by: Mark Forshaw, Joe Montana
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Review: On vinyl here for the first time are four tracks by acclaimed soul songstress Jill Scott, remixed by house music veteran Terry Hunter. Originally released on his 4 T's Box Productions back in 2016, they were only available on digital for some time. Story has it that Scott's manager wanted to get proper remixes done from her 2015 opus "Woman" and they agreed that Hunter would be the best person to do it. Beginning with the super sexy funky house rework of "Can't Wait" before going deep and spiritual on the Afro-house vibe remix of "Lighthouse", the smooth late night romance on the "Chicago Remix" of "Prepared" and closing with fellow Chicagoan legend Mike Dunn under their House N' HD alias. Hunter is quoted as saying "it was a great remix package. It's an official one and I'm proud of that" - and rightfully so!
… Read morePlayed by: Red Greg
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Review: Enigmatic producer Lost Desert has built has career on collaborative releases, so it's little surprise to see that his second Shanti Radio outing comprises three quietly impressive studio hook-ups. He first joins forces with Gorje Hewek and Izhevski on A-side cut "Yurta", a delightfully loose and rolling fusion of slipped tech-house grooves, meandering electronic motifs, Middle Eastern percussion and drifting Arabic vocals. Over on side B he reunites with regular studio partner Lee Burridge for some deep tech-house warmth influenced by the music of Turkey, before hooking up with Hermanez to wrap gentle, blissful melodies, dreamy chords and toasty bass around another sumptuous, Middle East influenced dancefloor groove.
… Read morePlayed by: Tomi Chair
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Review: Matt Cheon & Co. unearth yet more rare gems from old school electro fiends Caroline Herve & Michael Amato here, on the second volume of Lost Trax. As story has it, after the French duo met at a rave in their native Grenoble in the early '90s, they made music heavily influenced by 80s synth, post-punk and Italo disco. Bored by the techno scene at the time, they set out out to lighten the serious tone and bring a campy sexiness to the dour musical landscape. From the sexy, four-to-the-floor EBM of "Upstart", the Drexciyan style "Love On" with its aquatic bass assault, or the classic Miss Kittin & The Hacker sound of old on the monochromatic" The Building" featuring the former's trademark deadpan vocal delivery.
… Read morePlayed by: Juno Recommends Electro
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Review: Alleviated's Larry Heard reissue series has previously brought us the rough and tough acid of Gherkin Jerks and, more recently, the intergalactic downtempo grooves of his largely overlooked Alien LP. Here, they revisit one of Heard's later aliases, Loosefingers, dusting down and reissuing tracks from 2003's Glancing at the Moon EP. All three tracks are deep, warm and melodious in typical Heard fashion, with the title track delivering a sultry blend of wide-eyed chords, darting electronics, Latin-influenced percussion and tactile keys. "Deep Inside" delivers a hazy, sun-kissed take on soulful house - all jazz bass, sensual chords and gentle vocals. Best of all, though, is the tougher, synth-heavy "Lamentation", which rolls along at a near techno-tempo and is blessed with thrilling bleep melodies.
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Review: Here's something to get excited about: a cracking new cut from Detroit deep house legend Alton Miller, backed with a 'Sound Signature' translation from the equally revered Theo Parrish. Miller's version of "Bring Me Down", is something of a treat: a sparkling, starry deep house epic that's blessed with immaculate vocals from soul chanteuse Maurissa Rose. Parrish's translation is equally as stretched out and similarly enjoyable, but is far looser and dustier in feel, with warmer bass and beats that naturally tend towards the jazzier. It's naturally more in keeping with Parrish's work than Miller's, but retains enough of the latter's touches to be counted as a fine remix.
… Read morePlayed by: Andrew Pirie (Melting Pot), Ernie (Minuendo Recordings), Mental Vibe Construction, Alex Attias, Thatmanmonkz (Shadeleaf Music), CHRIS KIDBIBZ HABIBIAN, Per Bojsen-Moller, ISOUL8 (Volcov), Juno Recommends Deep House, Petko / Soul Print Recordings, Your Name (Legalize Lambada), Djs: Most Charted - Deep House, Solune, ReeKee (Wrong Notes), Danijel Kevic, DCook, Secretsundaze, Reggie Dokes
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Review: Chicago house legend Ron Trent still has the magic touch. It's getting close to thirty years since his first releases began trickling out of the second generation of the Windy City's house scene, but the producer and DJ still knows how to lay down the utter truth. "Time & Space" is a classic Trent joint, where the spark is lit thanks to warm glow of dubby beats accompanied by sweet, mesmerising licks of instruments floating in mid-air. "Bass To Love" is as gentle and moving, but the sounds linger towards the higher end of the tune, where driving pads fuse gracefully with cascading synth solos to form a thick and wide-eyed wall of house for the deeper end of the DJ spectrum.
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Review: Harry Dennis and Larry Heard began making music together as The IT in the mid-80s, releasing records on D.J International and Black Market until the duo took a break from collaborating in 1990. A staggering 21 years later they resurfaced on proud Chicago DJ and producer Kevin Starke's label, and following that split 12" they now debut on Heard's own Alleviated Records. "Somebody Somewhere" is a classic Chicago house track with pained spoken word lyrics talking about the struggles of life, while "Crying" is deep and kooky in a Perlon kind of way. "Utopian Dream" is piece of street poetry laced with club music that blends electroclash with house, while "Beauty In A Picture" is tribal and bassline driven. Club music doggerels from the street.
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Review: The crew behind that monumental Ilo edit which you will have heard if you stepped in a club any time over the past year come through with a new label called Lo Fi Edits, with this debut offering brandishing five super spacey disco edits for the price of a ten bag. During the trip expect to be plucked from reality with the same tight guitar string picks of Kikroko's "Man This Is My Girl", look forward to some serious robotic struts on the Italo classic "Takin' It Straight", prepare for a savvy string massage on "Space Sentry", anticipate a sloppy bass kiss upside your chops on "Boogieasy" and be sure to receive the loopy, filtered funk finale that is the "Makin Love To The Music" sucker punch. Wow.
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Review: By Alex "Omar" Smith's standards, "I Wanna Know" is something of a curveball. It sees him joining forces with vocalist James Garcia to lay down the sort of spine-tingling vocal house cut that would have once been associated with Chicago acts such as Fingers Inc. Admittedly, it contains plenty of far-sighted Detroit electronics and Smith's usual percussive shuffle, but there's a genuine retro-futurist feel that may take some of his fans by surprise. It's rather wonderful, all told, and sounds like a crossover anthem in waiting. Turn to the flipside and you'll find the Extramental Mix, a superb instrumental version that gives Smith's sublime melodies, vintage synths and sparkling electronics a chance to shine. Artwork of the year too!
… Read morePlayed by: Ka§par, Eamon Harkin, Mister Saturday Night, Thomas Cox, Alex Dallas, Tripeo, Michael Zucker - Finale / Balance, Thatmanmonkz (Shadeleaf Music), Kenny Hanlon (Apartment Records), Juno Recommends Deep House, Jamie Fatneck, Luke Solomon, Ney Faustini, Roberto S, Departures Records, Djs: Most Charted - Deep House, Nautiluss, Edward Navarro, CHEZZ, Rhythm&Soul, Jock Burton, MadderModes, Hard Ton, Ptaki, Homework
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Played by: Jonna and Darran P, Chris Duckenfield, Jimpster, Ze Salvador (Carpet and Snares), Simon Morell (FINA RECORDS), Ka§par, Ionik (Traveller Records, KGS), DJ Doug Gomez, Watson, Thatmanmonkz (Shadeleaf Music), DNArt (Shift Ltd), Martin Haberland, Tommy Finger Jr., JMX, Samann (Traxx Underground), Cecil (artfuldivision), MANIK, Bradford James (DS Records)
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Review: Sound Signature are at it again with their dark, driving and jackin' grooves. Every time Theo Parrish decides a tune is worth pressing up nice and loud on vinyl, it's wise to pay attention. And so it proves here, with Chicago native Spekter dropping one-sided 12" "Pipe Bomb", a deadly and pounding excursion into the murkier corners of house music. It's not one for the faint hearted either, as an overwhelming sense of moodiness pushes ever forward, dripping in twisted samples and heavy techno kicks.
… Read morePlayed by: Peter Van Hoesen, Cez (Pop Your Funk), Brian James, Ernie (Minuendo Recordings), Dave Miller, Owain Kimber (Owain K), Marcello Napoletano, Roberto Bosco, Deetron, Ksoul, Basic Soul Unit, Wes [Cutloose :: Manchester], Zenner, Michael Zucker - Finale / Balance, Kayne Cross, Patrice Scott, Malcolm Moore (Altered Moods), Charlton, ISOUL8 (Volcov), Steven Tang (Emphasis Recordings), Juno Recommends Deep House, Nick Dunton, 3.14, Lwazi Koom, BICEP, Scott Ferguson (Ferrispark Records), Giorgio Luceri, Manos Mara (Bliq), MuteOscillator, Ricardo Miranda, Djs: Most Charted - Deep House, Joe Drive, Bas Mooy, Amir Alexander
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Review: Shout outs to Larry Heard for finally relenting to the numerous requests to reissue his highly prized Gherkin Jerks material through his own Alleviated label with some digitally enhancement help from the guys at Clone. The 1990 EP was the last of the two EPs that Heard anonymously released under the Gherkin Jerks name back in the late 80s as a creative experiment. Notably less unhinged than Stomp The Beat, the six percussively taut tracks here feel like Heard was reacting to the nascent strains of techno emanating from Detroit. Opener "Meltdown" for example is a rolling slab of pitched-down techno with sharp Motor City-esque synth stabs and nagging, incessant keys, whilst the interplanetary connotations are clear as crystal on tracks such as the beautifully chiming "Red Planet" and the pressurised funk of "Saturn V".
… Read morePlayed by: Cez (Pop Your Funk), Alexis Le-Tan, Bu$$ (bliq, olympos), John Heckle, Ernie (Minuendo Recordings), Neville Watson, Hernan Cronner, Telephones, Taelue, Matt Trousdale, Malcolm Moore (Altered Moods), Mike O'Mara, Chicagodeep, Jay Simon (Must Have Records), Nick Anthony Simoncino, Carl (Thug Records), Nicholas, OCH, Mr Beatnick, DJ ROCCA, Tommy Finger Jr., Djs: Most Charted - Deep House, Joe Drive, East Soul Person, Italodisko, Anaxander, Ike Release
… Read more in stock $14.78
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Review: Young but already assured lamb Aurum rolls out more of its singular min ail sounds here with Swoy the one taking the mantle for the fourth EP. There is some tripped-out and abstract beauty to the opener 'Same Place' which is marbled with swirling pads and half-heard vocals as a silky tech groove is established down low. 'Road' pairs more balmy synths and spoken words with crispy beats and 'Metamorphosis' then layers up some lush melodies, bells and sonorous hits with rubbery bass. 'The Storm' closes down with a melancholy feel and a sombre bassline that pulls you in deep.
… Read morePre-orders at Juno
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Review: The next release on Cyberdome is by Terra Form. Born and raised in the culturally rich city of Malmo, the Swedish producer has previously released on Deeply Cultured, Distant Hawaii, Mood Of Era, Traxx Underground and parent label 10 PILLS MATE, spanning atmospheric techno, breaks and electro - the latter being a strong presence on Entering The Void. The old school robot beats of 'Ultratronic' kicks off the A side, followed by the gritty dystopian bass attack of 'Ghettotech' but unlike the name may suggest - booty bass this is not! The rise of the machines continues on the B side with the dystopian slammer 'Exiting The Void'.
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