Review: "Dj Sounds presents Captured, a 3 track EP for the house heads. Lazy is a ready-to-go exercice, easy to spin and fresh house track in its most classical yet very personal form, Captured is an intense Detroit oriented synth jam and Dj Beats is a short drum track reminding of the beat of track 1. That 001 is for the Djs who care about a fresh record of House. And those who like to dance."
Review: AntiDEEPressant is here to bring some positivity to your life by way of subliminal house music from the outer reaches. Vincent Inc is just the ticket to help deliver the good news, and his Abstract Life EP is loaded with soul-enriching vibes to get you through times of hardship. "Panic In Cosmos" is a fluttering, meditative melter that will coat your ears in honey on the way down, while "Rayskoye Mesto" takes an equally submerged approach that drifts further away from conventional beats into a beautifully executed, heavy-lidded excursion. "Mechta" sports a few more conventional house tropes, but keeps things varied and interesting just the same, and then "Jazz Night" rounds the EP off with some cracked piano lilt and soul infusions to cradle you on the way to the run out groove.
Review: Having sprung into action with the Sol Explorer EP on Girasole, William Caycedo is back with a new selection of jams on the ever-developing SlapFunk. As the label's remit for minimal house and techno broadens, we're treated to low slung leftfield beats on "Booty Call" before the peppier broken beat groove of "Ain't No Joke". "Creepin'" and "G Groove" head into more familiar territory for SlapFunk fans, but there's still space for the crisp, laid back funk of "Tales From The West" and the off-kilter jazzy vibes of "Yes We Do" thrown in for good measure.
Notes: A High quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180 degree 5 pin DIN plug.
Review: Nathan Melja drew some favourable attention with choice outings on Mister Saturday Night, Black Opal and Technicolour, but now he's steering his own label Dream Real as a vessel for his wayward but warm sonics. This second release keeps the psyched out tone of his previous work intact, offering up four jams of illustrious synth work and fractured beats for the adventurous souls out there. "Ignore" is a vaporous cut of stuttering drums and fuzzy chord shapes, while "Steam" sports a more clearly defined rhythmic pulse for the deepest house heads. "Raindrops" cools things down to a downtempo lilt, and then "That F Sound" nudges towards a leftfield techno domain that Melja ably makes his own.
Review: Arvid Whetman has plenty going for him at the moment. As Sexazoid he's dropping all kinds of off-kilter machine beats on excellent labels like Born Free, while as Your Planet Is Next he builds on appearances on Junk Yard Connections, Waving Hands, Opal Tapes, Studio Barnhus and Klasse to deliver this chirpy four-tracker to Acid Waxa. From the twee vocals to the playful synths and straight up drums, this is club music crafted for an immediate hit. Whetman makes this approach work magnificently though, liberally applying his musical personality to lo-fi deep house and roughshod acid, with "Heartbreaker" being a firm favourite thanks to its fulsome 303 bassline and hooky vocal mantras.
Review: Newcomer Tom Dicicco aka Veyg presents an ear snagging selection of leftfield beatdowns here for adventurous spinners on the fringes of the party. "Mutual Romance" is a quivering, shimmering trip through crooked house beats and crunchy yet dubby synth flourishes to delight the mind. "Virgo Love Affair" has a sweeter lilt, but it's no less wayward in its execution, but then "Filling Pieces" heads into more explicit deep house territory with some blissed out melodic content riding atop a deep diving US-flavoured rhythm section. "How We Live" ramps up the meandering dub processing, with tripped out filter sweeps and panning lending a psychedelic edge to this smoked out joint.
Review: After an excellent first release featuring Freerotation lynchpin Steevio, Russ Gabriel's Rivers Of Groove label returns with a pair of excursions into lush, bubbling techno from Gabriel on his own. As a first generation UK techno stalwart, it's little wonder that he can turn out productions as accomplished as these, but there's no sense that he's treading water. "Ambulate" bears the hallmarks of modular production, all twinkling, morphing synth tones chiming around a delicate beat, while "Dover Calling" favours a snappier electro palette, but both stand out from the crowd for the sheer quality in the production, the warmth in the composition and the needlepoint focus given to every shred of detail in this crucial cuts.
Review: As Galcher Lustwerk's label continues to expand at an easy pace, so this intriguing prospect arises from the lesser known Double Pelican Man. As The Nassau Sessions title might imply, this is a departure from sleek house and techno into an abstraction of the island boogie sound, taking some cues from digi-dub and 80s dancehall but offsetting it with a final mix that is all its own. "Jet Ski" is a perfect slice of canned dub for mellow heads, and "Sweet Genius" is the pick for a more audacious application of delay and reverb, but the bass on "Shit To Buy" makes it the standout track on this collection of dubwise jams.
Review: Following initial appearances on Bahnsteig 23, Jonny 5 returns on the Pleasure Wave label with more of that well-travelled, groovesome voodoo for all manner of sonic wayfarers. "Apocalypse" in particular is a stunning piece of tom-powered menace, but it's quickly offset by the bubbling cosmic delights of "Electronix". "Firedance" on the B-side channels some righteous 80s industrial and synth pop tropes to create it's own kind of drama, and then "Stardriver" finishes the EP off with some pulsing, noirish wave synths and gaseous atmospherics. With the styles shifting from track to track, Jonny 5 has once again done a sterling job of keeping his options open and keeping us locked expectantly into his delirious sound.
Notes: High quality MIDI cables for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180- 5-pin DIN plug.
Review: Following the excellent OHM compilation, Glasgow's Ambidextrous label continues its forays into vinyl editions with this sterling EP from label regular Solipsism, aka Craig Murphy. With an energised, dynamic sound that positively bursts out of the speakers, Murphy is flying the flag for leftfield electronica coming out of Scotland. "Error Hash Mirror Mountain" has the kind of overloaded yet melodic sound that you might expect from early Nathan Fake, although the wooziness is replaced by a rabid punch that shakes your cerebellum. "Sea Dweller" by way of stark contrast dives into a low-slung trip hop vibe, and the smoked out mood continues with "Hypnagogo" on the flip. "Fast Rubber Taxis" is equally slow, but it sports a sassy rhythmic strut that sets it apart from the other two downtempo tracks.
Review: Italian duo Concret are the latest signings to Wonder Stories, following up previous releases for Toy Tonics and others to make their debut appearance on vinyl. The crisply produced, modern originals sit somewhere in between disco-infused house music and bombastic electronica in the Moderat vein, while the remixes throw a few more stylistic twists into the mix. Rodion brings a bold, bleepy analogue vibe to his version of "Ritorno", while Timothy Heretic Clerkin gets a little acidic in his revision of "Andata", rounding out a strong EP of maximal dance music for the modern age.
Review: Hailing from Hong Kong and more commonly found recording as S.Y., this release is the first music the producer has put out as Dopamine Rider, and it's certainly a record that thrives on unpredictable rushes of chemicals to the brain, making it a perfect fit on Discos Capablanca. "$ LFO" sports a techno framework of sorts, but it's really a vessel for strange ripples of FX and one-shot tones, but then "Personal FX" ramps up the freakiness with some atonal machine whirring that sounds like it's been wrenched from an errant modular system. "John Cage Is My Homeboy" is positively delicate in comparison, but it's by no means straight laced, and "Sai Ying Pun" finishes this adventurous EP off with a strange drum track that adds a little spice to the DJ tool format.
Review: The high grade, leftfield approach to house music Lyssna have set out as their MO continues in fine style on this new Colours series, starting with the Yellow EP and a strong cast of characters from the outer reaches. Riciar Ghir opens up proceedings with the tumbling deep house of "Cargo", making the keys dance with distinction and injection a subby rumble where it counts. Minimal Afrika follow that up with a percussive tryst entitled "Drakma Queen" that blossoms into a sumptuous ambient excursion. Robotalco takes a very different approach with some classically pumping sample-powered house music to shake feel-good fists to, and then Klubbhuset finishes up with an impassioned romp through peak time disco licks for the peak of the night.
Following the successful reception of klodio's debut EP, the Tokyo-based producer spent the year playing shows in Japan with various upcoming artists like Fulbert and label co-founder Alixkun, and taking part in disruptive events such as Pow Wow School of Music.
When klodio decided it was time to start recording his second EP, he took a slightly different direction, going from Techno-influenced Detroit House to House-influenced Detroit Techno. "Shinagawa Sunrise" is a fast-paced retro-futuristic Jazz jam which climaxes on a fantastic sax solo by the young and talented Ilia Skibinsky. Daiba goes a step further in this Techno journey, flowing from glowing, light, syncopated chords to a dark and aggressive atmosphere, and back again to the relaxing chords.
More polished, singular, deep, and yet aggressive than "Toktroit", "Rainbow Bridge EP" brings another stone in the Asia-infused universe that the French producer is bringing to the world of electronic music.
Review: Jef K's Silver Network springs a surprise on the label's followers with a slightly darker offering than fans may be used to. Part of Jef's ethos is to shake things every once in a while to avoid becoming stale, so he decided to sign this super fresh cut from Ludovic Vendi and Olive_R. 'Nosh' is a fidgety, morose production with unsettling beats and the constant mutter of voices lurking in the background.
Remix pressure comes from Jef's good friend, and owner of the excellent La Vie En Rose label, Terence :Terry: who, together with Spanish wonderkid Hanfry Martinez (Overall Music), drops a bouncing bomb of a track. Meanwhile, Yoshitaca, Japanese producer and boss of amazing label Fasten Musique Concrete, also turns in a dynamite rework full of flavour.
So we have three splendid versions of a track that serves as a perfect example of Silver Network's ability to push its own boundaries. Deep, dark and utterly delectable.
Review: After a string of releases for Omena, Transatlantyk and Studio Barnhus, Wroclaw-based Naphta delivers his first EP for Maciek Sienkiewicz's FASRAT label. This is house music like you've never heard before - loose, freaky, hippie, voodoo machine funk, highly infectious grooves for any modern dancefloor. As always FASRAT delivers also a stunning artwork - this time by renowned graphic designer Ania Goszczynska.
Review: In the third (and last) part of "So Many Ways Remixed" series we have yet another special set of heavyweights, delivering their own reinterpretations of Lay-Far original album tracks. Please welcome Kaytronik, D-Malice, Phil Asher and Red Rack'Em!
Kaytronik aka Karizma opens the EP with his Rub of "Yes You Can". Frankly speaking, from the very beginning of the project we were expecting something special from the Baltimore-based house guru, but the final result surpassed it all for us - what you're about to hear is a very soulful and deep dance number but with power and grit to shake large festival dance floors! Get ready!
On A2 the pro-active afro-house aficionado D-Malice (Defected, Soul Candi, DM.Recordings) delivers a percussion-heavy banger that will make you swing in no time. You know where it all began, don't you?!
The UK house legend Phil Asher kicks off the Side B with a remix of "Can't Deny", featuring Yannah Valdevit and Souled. Strong dance grooves is what Phlash has always been notorious for - this remix is another vivid example of the principle! Ain't no need to question the authority.
Last but not least we have the old pirate Red Rack'Em, delivering his trademark deep & dirty house sound with hints of Detroit and dub techno influences. A perfect soundtrack for a midnight voyage on a ghost ship or a basement party, maybe. Aye!
Review: [Emotional] Especial looks back at the first 9 releases since its inception to provide a
selection or "Eleccio" via a special dubbed out DJ meets studio mix from label stalwart
Jamie Paton. Ever since the first white labels appeared at the end of Summer 2013, [Emotional] Especial
has been busy putting out music that are their own warped take on club music. Mixing the
influences of dub, electro, disco, proto-house, house and techno, a sound appeared without any preordained plan. To celebrate the end of the first series of releases come EES10CD - a DJ meets studio
compilation mix created by label artist, remixer and even in-house designer, Jamie Paton. Freaturing tracks from every EP, including two unreleased remixes are the tight productions
of Richard Sen; the wiggle of Scott Fraser; deep, chugging Cage & Aviary dubs; the Eastern
influences of Baris K and newcomers Khidja; the quirky discoid wonk of Maurice & Charles and finally not forgetting of course, the stand out Timothy J Fairplay touches. Whether
alongside Mr Weatherall, Andy Blake or in solo remix mode, young "Junior"s skills (and name)
grows and grows.
All this is perfectly put together by Jamie Paton, the man who launched the label with his
Bizarre Feeling EP. As well as the inclusion of several unreleased cuts, Jamie has edited the
"selection", adding live studio dubbing, FX and the odd mega-mix to make it truly (E)special.
Luke Solomon presents Jean Caffeine - "Jean Aftertought"
Point G - "La Lampe du Vizir Adjané"
Modal - "Lovers" (Roy Davis & Dj Skull remix)
Skymaster - "Final Link"
Lazare Hoche & Malin Génie - "Formes"
Nimbus Quartet - "Your House Is Yours"
Lazare Hoche & Malin Génie - "Session 2"
Unit T - "Mystery Tones"
Mandar - "Fouad"
Review: Lazare Hoche doesn't release that much music, but what he does put out is invariably excellent. Following a smattering of singles and an acclaimed collaborative album alongside Malin Genie - 2013's I Don't Sync So Volume II - he's decided to put together a compilation featuring his own productions and those by music industry mates. Access, then, is a lesson in warm and luscious deep house, with significant contributions coming from Luke Solomon (donning the Jean Caffeine guise on the dreamy and rolling "Jean Afterthought"), DJ Gregory's Point G project (the ultra-deep pulse of "La Lampe Du Vizir Adjane"), and pals Skymaster and Mandal. Hoche's own contributions rank amongst the compilation's highlights, with the title track delivering a pitch-perfect lesson in the seductive powers of dreamy, dust-encrusted deep house.
Review: Not An Animal Records was formed in 2015 out of the ashes of the London-based party Bad Passion, and has thus far welcomed the likes of Man Power, Ess O Ess and Eric Duncan to release on the label. Now they turn to James Hadfield, a relatively new producer previously spotted on To Rack & Ruin and Me Me Me. On this four-tracker he deals in brooding synthwave tones mixed with classic jack track rhythms. "Literate" is just the kind of taut, sinister club creeper we can't get enough of, while "Buried Answers" takes a skippier but no less moody approach. On the remix front, Jamie Blanco takes the prize, turning "Buried Answers" into a bombastic slice of driving synth pop.
Review: Russian producer Kirill Sergeev has been setting light to the likes of Hell Yeah, Bordello A Parigi and Bahnsteig 23 in the past under his Kito Jempere alias, and now it's the turn of Pleasure Unit to get his unique treatment. "House Track" may seem like an innocuous title but don't be fooled, it's far from a conventional house jam. Loose, 80s tinted production vibes abound across the record, not least with the party heaters on the A side. "Never Been To Ibiza Beaches 1997" is a more laid back jam, but still sizzling with inventive energy, and "Jungle Mantra" explores tribal percussion with a fresh slant that will call out to the tropical spinners.
Review: The Finale Sessions Select series finds Michael Zucker steering his label into new, techy pastures with a host of esteemed guests on board. For this fourth round, he's called upon Kai Alce and Reggie Dokes to stand alongside him in demonstrating exactly what's great about contemporary house and techno. Alce is up first with "Scene 2", bringing a bubbly, sleek confection of machine soul to the table. Zucker gets things rolling along steady with the heady trip of "Summer Time", and then Reggie Dokes sends the record drifting off on a wonderfully crooked tip with "Running".
Review: Having previously popped up on ESP Institute, Juan Ramos teams up with Trent to form Greenvision, making their first appearance on the home of freshly squeezed discoid deviance, Cocktail D'Amore. "Surdinia" takes over the A side with a bombastic array of peak time devices in its utility belt, from bubbling acid tweaks to gluttonous monosynth leads and a chunky set of drums. "Meccanica" is no slouch either, laying down thick slabs of synthesized grease in pursuit of a different kind of party track. This is unusual, distinctive club music for those who want the crowd to stop and pay attention.
Review: For the first reference, Sounds of The City is happy to welcome the mysterious Spirit Of The Black 808, responsible for one of the hottest pieces of wax in 2013 for Eargasmic Recordings in Chicago. Invasion Of The Black Bass is also following the Eargasmic record in terms of style. It's warm in every way and infectious. Let's get invaded with Invasion of the Black Bass and Invasion of the Black House. Both tracks share the same chords grid, one could be a re-interpretation of the other. Both are very warm and melodic. Frenzy In Firenze on the other side demonstrates SB8's skills for groovy tools and more DJ oriented tunes.
Review: Having been spotted splurging out guttural techno mischief on Super Rhythm Trax and No Logo, G-23 gets invited to Torn Hawk's Valcron Video label with more of that deviant sonic behaviour to share with the world. There is sludgy bass, strangled acid and clattering percussion aplenty on lead track "Access Code", while "Bleep Shots" throws down hard and raw with an utterly sick mix of grotty drums and gnarled synth blots. There's a Mr Husk "unmix" of "Access Code" which adds some extra melodic strains into the melee, and then "ARS Trip" finishes the EP off with some end of days tone damage for anyone left standing.
Review: Three years in, Blackhall & Bookless' Jaunt label is becoming a serious force for forward thinking, fractured techno exploration. On this split EP with Chad, the duo take the A-side and present two different versions of "Links". The "Battle rework" is a tense and dramatic tumble through dub techno soundscapes, while the "Bleak remix" pares the elements down to a more focused, minimalist thrum. Chad presents a wholly different vibe on the flip, using rich, warm synthesiser tones to draw you in to "Afters", and then Scenery regular ASOK takes up remix duties on the track with an immersive version that borders on breakbeat.
Review: Proudly positioned as a label dedicated to showcasing emerging talent within the realms of dark and dubby minimal techno, FarFromNormal return with their second release of the year. This time they're providing a platform to Nice N Trick & Sacke, who make the most of the vinyl space with two long form tracks that demonstrate just how much talent they have to offer. "Senor Memories" is a tribally-inflected experience sprinkled with off-kilter samples atop a driving techy backbone, while "Viola Profonda" steers a more streamlined course through crisp drums and nerve-jangling violin on a one way trip into the heart of the night.
Review: Dating from tape recordings made between 1996 - 2012, Cosmic Vibrations follows the Tropical Psychedelics (ERS003) album for the label, this time digging deeper in to the mind of Secret Circuit than the more dance flor inspired sounds heard on last years album Tactile Galactics album for Beats In Space. Again we glimpse a melting pot of pyschedelia, techno, balearic and ambient to create an electronic gem, but all done with a wry smile and jesters wink rather than today's penchant of moody seriousness. Life on the US West Coast shines from the album, from opener Out West to She Got Love, sunshine music that couldn't be made anywhere else. It's not all hippy-happy vibes though with Minimal Vibrations and the dub of Straightline taking things in to deeper and instropective territory. However, all things resonate in Eddie's analogue meets kitchen sink synthesis. Layer after layer flats across the album to create a smile-inducing whole. Journeying from the folk guitar of Somnambulation to the minimilism of Glass Skeletons, before bidding a fond farewell in the apt, Bells. This second and fial collection of early cassette works is not an end, but a blessing.
Clandestino - "Crack In The Sky" (Beat Broker Dream dub)
Last Waltz - "Tribute" (Machete Savane remix)
DJ Rocca & Daniele Baldelli - "Sartana"
Daniel Wainwright - "Doing It"
The Saint Petersburg Disco Spin Club - "Neva Liv U"
Ilija Rudman - "Second Screen"
Felix Dickenson - "Ousana" (Coyote remix)
I-Boat Captain - "Poly Punk"
Coyote - "California Jam"
Craig Bratley - "Maverick Sound System Mix"
Max Essa - "Burning Palms"
Rompante - "How Low Can You Dance" (Ahiki remix)
Sorcerer - "Zulu Honda"
Coyote - "Sin Distracciones"
9DW - "Right On" (original mix)
Leo Mas & Fabrice - "Sunrise 87" (Balearic Militant mix)
Downtown Party Network - "The Returning" (Prins Thomas Diskomiks)
Max Essa - "Feel The Machine"
Baptiste & Pierre - "Virage" (Ruf Dug extension)
Joe Morris - "Mpondo Theme"
Review: 2016 sees Coyote arrive at a decade of posing the question Is It Balearic? Replicating the compilation shaped celebrations surrounding their fifth anniversary, the landmark is noted with this fine 2CD collection. The compiling skills of Balearic chieftain Max Essa are called on for the first disc selections, with Coyote taking care of business on the second for a fine horizontally-minded celebration of all things Balearic encompassing 22 tracks. Tempos nudge back and forth, different vibes coming to the fore along the way as a dash of steel drum is replaced by forthright synth glistens and upright basslines. Legends mingle alongside future heroes, Foolish Felix and Baldelli impressing as much as Last Waltz and Clandestino. As the end nears, up pops Prins Thomas's classic Diskomiks of Downtown Party Network. Here's to another ten years Is it Balearic?
Review: Chris Weeks has been building up the Kingbastard catalogue for a long time now, generally taking a self-reliant approach in the underground electronica scene where CD-r releases reign supreme. He's been a key figure on Ambidextrous since the label launched back in 2008, and now he's committed to wax with a range of crunched up leftfield sonics for the machine-loving crowd. "Anxiety" is a melodic cut with a house-minded structure, but there's a lot of production acrobatics and compositional swerves taking place within this framework. "Scatterbrain" is more overtly out there, tapping up the kind of heavily processed sounds that producers like Paradroid have championed in the past. "Data_Loss" strike a heavy blow somewhere between dubstep and electro, and "Data_Ctrl" ups the tempo for a rabble-rousing exercise in mind-bending machine music.
Review: We're not sure who's behind the mysterious AC-EXP project, but the shadowy figure returns with more of that strange, submerged house music he's been tickling discerning DJs with over the past few years. After taking last year off, "1A" is a fine place to start things up again with a strutting jack track carrying acidic synth pulses that flirt with measured delay processing. It's a jam that sounds steamy and sinister all at once. "1B" maintains this restrained but seductive vibe with the slightly trancey throb of the lead synths pivoting around the snappy drums to great effect.
Review: A promise is a manifestation of intent to act or refrain from acting in a specified way at some point in the future. It's communicated by one party, to at least one additional party, to signify a commitment has been made. The person manifesting intent is the Promisor. The person to whom the manifestation is addressed is the Promisee.
Review: Emotional Rescue label boss Stuart Leath is particularly excited about this release, and it's not hard to see why. While Spanish singer/songwriter Javier Bergia is not widely known in the UK, his releases - either solo, or as part of the Finas Africae and Arium Musicae groups - are held in high regard by those of a Balearic persuasion. Eclipse is something of a treat, gathering together the best of Bergia's solo work from 1985 to the present day. Featuring Bergia's spoken and sung vocals atop a mix of gentle acoustics, atmospheric strings, delay-laden percussion and subtle global rhythms, Eclipse impresses from start to finish. It should be essential listening for anyone with even the tiniest interest in Balearica.
Review: The Bahnsteig 23 crew are flying towards the end of the year with a salvo of essential wares from their established crew and new faces alike. Sweden's Albion Venables has been doing the business on labels such as Ambassador's Reception and Macadam Mambo for the past seven years, and his first turn on Bahnsteig doesn't disappoint. In a flurry of eclecticism, the mood veers from the bubbling kosmische tones of "En Trance" through to the schlocky funk of "Schwarzen Mer", mixing live band dynamics with quirky electronics and keeping the groove delightfully authentic. The diversity maintains on the flip as "City People" taps up a moody New York flavour and "Die Marinette Der Zeit" strikes a more classic funk note.
Review: The Sugarhouse label hits its fifth outing with one of the core members of the collective, Roy Rozell. For the first time Rozell is at the helm on his own, and he sounds completely at ease twisting out refined deep house meanderings for the soulful crowd. "Last Time Around" has a resplendent amount of live key flexing going on, and all the while a loose and limber rhythm section rolls out underneath. "Easy Easy" maximises on plastic trumpet tones and lets them freestyle over the top of a sunkissed, smoked out groove. "100 Percent" takes over the B side with pan pipe moods and synthetic string swells aplenty, making for a truly atmospheric deep house jam.
Vocoder So Sexy (Quad IBB's Funk-Trib original mix)
Vocoder So Sexy (instrumental)
Review: Donnie Tempo has only appeared once previously as Knu Je', and that was way back in 2001. Now the alias is revived on Sound Reflection in a shimmering, twirling expression of broken beat and boogie sensibilities for those who like their beats soul n' sun drenched. It's actually his Quad IBB alias that serves up the "original mix" of "Vocoder So Sexy", and it's nothing short of stunning. The rich layers of vocals cavort with the expressive key changes and sharply angled beats, making for a truly striking cut that sounds equally fresh in its instrumental form on the B side.
Your Beautiful Look Is Looping Endlessly In My Head (4:48)
Review: Having done such wonderful work alongside Wolf Muller on The Sound Of Glades album, Cass makes a welcome return with an expansive album release on Emotional Response. The German producer's ambient tendencies blossom here, occasionally meeting with laconic drums as on "U" but primarily dealing in huge swathes of melody. DJs will want to hold out for the dramatic pulse of "Ann", where a more pronounced drum set makes for one of the album's most club-ready moments. There's a strong variety of tones and moods across Youth Sessions, from the strafing arpeggios of "Running" to the bliss-out shapeless swirl of "Prismatic Prolog", and this ensures that the album will not dull with repeated listens.
Review: Emotional Response reach out to another fine selection of sonic voyagers to take Brain Machine's excellent Peaks LP to task, leading in with the warm discoid undulations of Rollmottle who refigures "To The Stars" as a gentle, groovy warm-up joint. Die Wilde Jagd takes on "Mercury Ripples" and fashion a bombastic breaks jam out of it, and Merrick Adams pushes "Alpha Moon" into a curious but ultimately cosmic space somewhere beyond the titular lunar body. Cass takes the prize with the bittersweet synth tones that course through the two-part remix of "Nexus Vox".
Review: Brothers Simon and Robin Lee have long excelled at the album format, delivering occasional sets that ripple with impressive musicality, sinewy strings, cozy downtempo moods and upbeat dancefloor moments. Body of One, their fourth full length (their first dropped on Nuphonic back in 1997), continues this trend, offering a compelling trip through the pair's myriad influences. After opening with a sweaty post-punk thumper ("Prisoner of Your Love"), we're variously treated to Italo-influenced vintage house ("Magic Touch"), rubbery disco-funk ("Freak For Your Love"), Arthur Russell-influenced tropical downtempo pop ("Caruso's Monkey House"), dreamy Balearica ("Floating World") and string-laden gorgeousness. As for the title track, it sounds like So-era Peter Gabriel.
Review: Finale Sessions welcomes Anaxander to join label main man Michael Zucker for another one of those impeccable trips through top shelf deep house. Anaxander gets busy with "Stabs Of Love", a truly ear nagging piece that cuts through the glut of soundalike productions to say something truly special. Meanwhile his "Heart 2 Heart" resides on the B2, presenting a lighter, more playful cut peppered with pattering bongos and sprightly keys. Zucker gets into a slightly off kilter funk on "Greater Is He" before dropping into a perfect bump on "Lost Without You", putting some swing into dub house and making it sound natural.