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Items 1 to 50 of 362 on page 1 of 8
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FORTHCOMING
Old Blood Noise Endeavors Dark Light Dual Reverb Effects Pedal (limited edition) Old Blood Noise Endeavors Dark Light Dual Reverb Effects Pedal (limited edition) Old Blood Noise Endeavors Dark Light Dual Reverb Effects Pedal (limited edition) Old Blood Noise Endeavors Dark Light Dual Reverb Effects Pedal (limited edition) Old Blood Noise Endeavors Dark Light Dual Reverb Effects Pedal (limited edition)
Cat: 1003621 Rel: 31 May 24
 
Dual reverb effects pedal
Notes: Dark Light is a dual reverb featuring both Dark Star and Sunlight. With all the routing options you could want, including separate stereo, parallel mono, and series mono, Dark Light takes Dark Star’s dark pitch shifted, delayed, and bit crushed reverb voices and Sunlight’s bright modulated, comb filtered, and bandpassed reverb voices and combines them into one massive sound to take your time and drift away in. Each pedal maintains its core sound and control set, then expands from there.

Additional Controls

Wet and Dry volumes for each side (replacing the previous Mix control)

Spread to set the stereo spread, allowing Dark Star and Sunlight to blend into each other’s outputs

Hold switch to create indefinite reverb trails while the pedal is engaged

Hold toggle to choose between holding Dark Star, Sunlight, or both

Exp jack to control any combination of Ctrl 1, Ctrl 2, Decay, Decay, Rate, Depth, or Input with an external expression controller

Independent In and Out routing for each pedal, with automatic parallel mono when plugging into only one

Soft-touch Bypass footswitches for true bypass and minimal switch noise

Requires 9V DC center negative 2.1mm jack power supply capable of 150mA (not included).

The art of Dark Light is by Jon Carling.
Read more
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 31 May 24 $388.46
(No payment required now - pay when released)
FORTHCOMING
Boss RV-500 Reverb Effects Pedal
Cat: 1005726 Rel: 30 Jun 24
 
Reverb effects pedal
Pre-orders at Juno

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MRP:$448.47 SAVE 23%
est. release 30 Jun 24 $345.30
(No payment required now - pay when released)
FORTHCOMING
Animal Factory Ozymandias Dual Overdrive Effects Pedal
Cat: 1008029 Rel: 30 Jun 24
 
Dual overdrive effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $251.61
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio GE1000 Amp Modeling & Multi-Effects Processor
Mooer Audio GE1000 Amp Modeling & Multi-Effects Processor (amplifier modeling/multi-effects pedal)
Cat: 1010860 Rel: 30 Jun 24
 
Amplifier modeling & multi-effects processor
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

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MRP:$542.17 SAVE 18%
est. release 30 Jun 24 $443.20
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio GE1000LI Amp Modeling & Multi-Effects Processor
Mooer Audio GE1000LI Amp Modeling & Multi-Effects Processor (amplifier modeling/multi-effects pedal)
Cat: 1010866 Rel: 30 Jun 24
 
Amplifier modeling & multi-effects processor
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MRP:$620.07 SAVE 18%
est. release 30 Jun 24 $506.37
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio Prime S1 Multi-Effects Pedal
Cat: 1010796 Rel: 30 Jun 24
 
Multi-effects pedal: 128 effect and tone presets, 80-second looping module, 40 synchronizable drum machines & 10 metronomes
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MRP:$189.50 SAVE 15%
est. release 30 Jun 24 $160.81
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio Tender Octaver X2 Octave Shifter Effects Pedal Mooer Audio Tender Octaver X2 Octave Shifter Effects Pedal Mooer Audio Tender Octaver X2 Octave Shifter Effects Pedal Mooer Audio Tender Octaver X2 Octave Shifter Effects Pedal
Cat: 995935 Rel: 30 Apr 24
 
Octave shifter effects pedal
Notes: MOOER, one of the world's leading guitar pedal innovators, has never been a stranger to octave pedals. The company has already enjoyed a successful response to its "Pure" and "Purer" Octave pedals, but the company's latest offering, the Tender Octaver X2, aims to take guitar octave capabilities to the next level.

Unlike the Pure and Purer Octave pedals which focus on pitch-shifting by the semitone, the Tender Octaver X2 is designed with a more specialized intention, focussing solely on octave shifts. When using the pedal, users can choose between two different octave shift modes, facilitating the addition of both subjacent and upper frequencies to a guitar signal. Both options have two dedicated rotatable dials, one for determining the volume of the added octave, and one for fine-tuning its tonal colour.

Both of these octave effects can be used independently and can be toggled on or off with their own easy-access footswitches, each paired with its own LED light to indicate its current activation status. Furthermore, both effects can also be used simultaneously, empowering guitarists to experiment with unique tri-octave guitar presets.

However, these subjacent and upper octave effects need not be explicit if the guitarist using the Tender Octaver X2 is looking for a more subtle octave manipulation. Thanks to the octave volume dials and the "Direct" dial for dry signal volume adjustment, anything from an explicit pitch shift to a subtle octave underlay can be achieved within the same pedal.

The pedal also contains 14 preset slots, allowing users to experiment and save their favourite parameter combinations with the "Save" button. In classic MOOER fashion, this has been presented in a minimalistic fashion, with 7 LED lights representing the full range of 14 save slots, lighting up blue or red depending on which half of the slots are being browsed. Each slot can be saved into or browsed through the two "Sub" and "Upper" footswitches, providing a further example of MOOER's dedication to making the most out of a minimalistic interface.

Using the pedal will be as simple as plugging it into the included DC 9V power supply, and plugging in a guitar with a standard 1/4" guitar cable. Overall, the Tender Octave X2 is set to be an exciting new addition to MOOER's octave pedal catalogue, and if paired with the "Pure" or "Purer" Octave products, just about any pitch-shift combination is made possible for guitarists of any style or experience level.

Features:
Precise octave-shifting DSP algorithm
Two octave effect options - subjacent and upper
Two effect volume dials, one for each octave
A 'Direct' dial for adjusting the dry signal volume
14 unique user preset slots
A dual-function 'Save' button for presets
7 dual-color preset LEDs, with red representing one half of presets, and blue representing the other half
Two additional LEDs, indicating the activation status of both octave effects
Two footswitches that function both independently and simultaneously for effect toggling and preset browsing
1/4" mono input and output
DC 9V power supply
Minimalistic and compact casing design
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$157.91 SAVE 15%
est. release 30 Apr 24 $134.23
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio Harmony X2 Harmonic Shifter Effects Pedal Mooer Audio Harmony X2 Harmonic Shifter Effects Pedal Mooer Audio Harmony X2 Harmonic Shifter Effects Pedal Mooer Audio Harmony X2 Harmonic Shifter Effects Pedal
Cat: 995938 Rel: 30 Apr 24
 
Harmonic shifter effects pedal
Notes: Ever since MOOER launched onto the guitar pedal scene in 2010, it has been producing pedals that have consistently pushed the boundaries of audio effect processing. 2023 has seen many impressive new entries, but the new Harmony X2 is set to sit at the top of Christmas lists this year. This device is a highly specialized and versatile harmonic shifting pedal, complete with every harmonic capability a guitarist could need for live performance and recording.

First and foremost, users of the Harmony X2 can select between the 12 pitches of the chromatic scale to customize their harmonies, with each pitch facilitating both major and minor scales. Once a root note has been chosen, a further 11 harmony modes enable further customization of harmonic intervals, including classics such as thirds, fifths, sevenths, and octaves.

Interestingly, the Harmony X2 is designed to specifically facilitate independent stereo harmonies. This means that guitarists can choose separate harmonic intervals for the left and right output, both of which can also have their volume adjusted independently by their dedicated dials. This allows the pedal to stand out from other harmonic pedals, facilitating harmonically rich tones that make optimum use of the stereo field.

After experimenting with these versatile parameters, guitarists can finely tune the intensity of the effect with the 'Dry' dial, determining the level of unprocessed guitar signal in the overall mix. Once satisfied, users can then save their favourite harmonic combinations with the 'Save' button, enabling them to return to their favourite preset at any time.

Despite the advanced nature of the Harmony X2 pedal, its use has been designed to be very simple. A dual foot-switch setup is provided to seamlessly toggle harmonic effects independently for both left and right pannings, and a simple and sleek combination of dials and LED indicators help the user clearly visualize their harmonic effects.

The Harmony X2 supports standard 1/4" inputs and outputs, with both containing two ports to facilitate both mono and stereo usage. However, these can interestingly be used in 'mixed' or 'individual' mode, enabling outputs that either correlate or merge the stereo inputs. The pedal is powered by the included DC 9V power supply, ensuring that guitarists never are never limited by the frustrating process of swapping out batteries during a performance or recording session.

Features:
High-quality pitch processing module
12 pitch options with 11 harmonic modes
Two dials for isolated left and right harmonic customization
Two dials for left and right harmony volumes
Dedicated dial for adjusting the level of dry signal
Support for both major and minor scales
LED indicator for harmony mode
Two LED indicators for major or minor mode
Multi-purpose 'Save' button
Dual-footswitch setup for independent harmonic bypassing
Two 1/4" inputs, supporting both mono and stereo
Two 1/4" outputs that support stereo mixed or individual output modes
Powered by included 9V DC power supply

Read more
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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$157.91 SAVE 15%
est. release 30 Apr 24 $134.23
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio Loopation Vocal & Instrument Looper Effects Pedal Mooer Audio Loopation Vocal & Instrument Looper Effects Pedal Mooer Audio Loopation Vocal & Instrument Looper Effects Pedal Mooer Audio Loopation Vocal & Instrument Looper Effects Pedal
Cat: 992164 Rel: 30 Apr 24
 
Vocal & instrument looper effects pedal
Notes: MOOER has been impressing musicians with its unique effect pedals for over a decade, and the new MVP3 Loopation is set to continue this trend. It's a versatile and feature-packed pedal designed to enable musicians to create seamless loops with their voice and instruments and is part of MOOER's recent VP series which provides versatile support for microphone input.

Loopation provides 11 save slots for recorded audio loops, with 8 of these slots featuring 5 minutes of recording time, and the other three having 10 minutes. Slots can be selected with the simple 'song' dial, and once audio has been recorded, the files will automatically save onto the device. The pedal offers two recording modes: real-time, and auto.

Recording in real-time mode is activated when the right footswitch is pressed, in the same style as traditional loop pedals. In contrast, the auto mode enters standby when the right footswitch is pressed and begins recording once signal is detected, stopping recording with another press.

However, the looping functions don't stop there. Pressing the right footswitch commences file playback, and during playback, another right footswitch press will enable dub mode, which will continue until the footswitch is pressed once again. Playback can be halted with two quick presses of the right footswitch, or alternatively by switching to a different save slot.

When playback is stopped, users can delete all recorded layers by holding the right footswitch for 1 second, or by holding the second 'stop' footswitch press. Finally, users can undo their dubs by holding the left footswitch whilst an overdub is playing and can complete this motion again to restore this deleted layer. If the musician wishes to reverse the audio file, this can be achieved through a single left footswitch press.

Loopation provides both XLR and 1/4" inputs, which can be used in either 'mixed' or 'individual' mode. Users can toggle between these modes by holding the right footswitch while plugging in the power supply. In mixed mode, both inputs will be active, which can be balanced using the 'mix' dial, whereas, in individual mode, the input signals will be isolated to their respective outputs. The master dial allows users to adjust the overall volume of both outputs.

Amazingly, Loopation augments these features further with built-in reverb and tonal effects. By holding the 'tone' button whilst rotating the 'master' dial, the reverb volume can be adjusted. The tone button can also be used independently to switch between the pedal's three tone modes: flat, warm, and bright.

Finally, Loopation offers a gain adjustment knob, a 48V phantom power switch tailored for internal microphone amplification, a grounding switch, a line-in switch, and a DC 9V 500mA power input. When combined with the impressive looping features of the pedal, musicians are left with a complete toolkit for full compositional processes, whether this is in the studio, at home, or during a live performance.
11 loop memory slots with up to 70 minutes of recording time
Unlimited overdubs within each memory slot
Features for overdubbing, deleting, undoing, redoing, and reversing recordings
Built-in volume-adjustable reverb module
Dial for adjusting volume balance between XLR and 14" input
Master volume dial
Dual-functionality LED button
Two multi-functional footswitches
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch
Line in toggle switch
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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MRP:$168.44 SAVE 14%
est. release 30 Apr 24 $145.01
(No payment required now - pay when released)
FORTHCOMING
BOSS GT-100 COSM Amp Multi-Effects Processor Pedal
Cat: 997471 Rel: 31 May 24
 
COSM amp multi-effects processor pedal
Pre-orders at Juno

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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$482.16 SAVE 22%
est. release 31 May 24 $378.06
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio Harmonier Vocal Harmony Effects Pedal Mooer Audio Harmonier Vocal Harmony Effects Pedal Mooer Audio Harmonier Vocal Harmony Effects Pedal Mooer Audio Harmonier Vocal Harmony Effects Pedal
Cat: 992162 Rel: 30 Apr 24
 
Vocal harmony effects pedal
Notes: MOOER burst onto the music products scene in 2010 and has been impressing guitarists ever since. However, the company has expanded it's horizons this year with its VP vocal processing pedal series. The MVP2 Harmonier is a powerful example of this - it's a versatile and innovative vocal processor pedal designed to elevate both vocal and guitar performance, offering tonal precision, creativity, and convenience in one compact pedal.

At its core, the pedal offers a versatile pitch harmonizer effect. The 'Key' dial allows users to choose to harmonize their important with any note in the chromatic scale, with the 'Sharp' LED button being used to select sharp notes. Once chosen, the 'Mode' dial facilitates further customization, offering 11 different harmony modes that control the harmony's interval. This includes all classic intervals such as octaves, fifths, and thirds.

The 'Level' dial adjusts the volume of the harmonizer effect, but Harmonier offers even further tonal flexibility thanks to its reverb function. Users can press and hold the 'Sharp' button while rotating the 'Level' dial, which allows them to adjust the volume of the pedal's internal reverb module. The pedal also offers tone modes: flat, warm, and bright. These can be controlled by activating the pedal's unique 'hidden mode' and using the 'sharp' button.

'Hidden mode' is activated by pressing and holding both of the pedal's footswitches, but this is just one example of Harmonier's unique control system. The left footswitch can be held to save effect presets, and pressed to scroll through 7 preset slots. The right footswitch can be pressed to turn on the pedal's effects, pressed again to isolate the reverb, and held to turn off all effects except for the tone setting.

Unlike most of MOOER's pedal offerings, Harmonier supports both XLR and 1/4" inputs and outputs. These can be used in 'mixed mode' by holding the right footswitch whilst plugging in the power supply or repeating this action again to switch to 'individual mode', which isolates the signals to their given ports.

Alongside its fundamental functionalities, the pedal features a gain dial, a 48V phantom power switch designed for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Collectively, the MVP2 Harmonier's features guarantee that both vocalists and guitarists have all the necessary tools to augment their instrument's sounds with stunning harmonies, without ever having to worry about the pedal's batteries running low.
12 pitches with 11 different harmony mode
11 harmony modes that provide different harmonic intervals
High-quality internal reverb module with adjustable volume
3 tone modes: flat, warm, and bright
7 preset slots
Dual-functionality LED button
Two multi-functional footswitches
Customizable effect, tone, and reverb isolation
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input
Read more
Pre-orders at Juno

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MRP:$168.44 SAVE 15%
est. release 30 Apr 24 $142.92
(No payment required now - pay when released)
FORTHCOMING
Zoom MS-70CDR+ Multi-Effects Pedal
Zoom MS-70CDR+ Multi-Effects Pedal (modulation/time/dynamics/filter effects pedal)
Cat: 1010032 Rel: 30 Jun 24
 
Chorus, delay, reverb, dyanmics & filter effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $184.23
(No payment required now - pay when released)
FORTHCOMING
Collision Devices TARS Fuzz Effects Pedal With Analogue Filter (black on white)
Cat: 971909
 
Fuzz effects pedal with analogue filter.
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

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MRP:$356.88 SAVE 12%
coming soon $314.78
(No payment required now - pay when released)
FORTHCOMING
Collision Devices TARS Fuzz Effects Pedal With Analogue Filter (silver on white)
Cat: 971912
 
Fuzz effects pedal with analogue filter.
Notes: The TARS is a concept pedal combining the guitar and synth worlds this time not throwing you into a black hole ! It rockets through the Ergosphere and Horizon to disintegrate directly in its center, the Singularity.

Derived from the flagship Black Hole Symmetry, the TARS is inspired by its Singularity fuzz section and adds a gain setting allowing it to go from grainy low-gain sounds to round and powerful fuzz/distortion tones.

It also offers a filter inspired by the legendary Korg MS-20 in order to create fuzzy-noisy textures and cut through the mix. The filter is controlled via 2 faders for a unique tweaking experience by hand as well as with the expression input to sweep through the frequency range of your vertiginous dive into the Singularity!

Controls

Gain: Fuzz level.
Master: Master volume.
CutOff: Cutoff frequency of the MS-20 style low-pass filter, from 15Hz to 44kHz.
Res(onance): Intensity of signal at cutoff frequency.
LPF VOL: VCA - Filter volume.
2P/4P switch: Attenuation curve - 2P at -12dB/octave or 4P at -24dB/octave.
Add Fuzz switch: Add an extra unfiltered fuzz signal.
Serial switch: Puts the fuzz through the filter or use both effects in parallel.
EXP/CV input: For controlling the CutOff fader externally.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$356.88 SAVE 12%
coming soon $314.78
(No payment required now - pay when released)
FORTHCOMING
Collision Devices Singularity Black Hole Symmetry Fuzz Effects Pedal (black)
Cat: 971914
 
The fuzz effects part of the Black Hole Symmetry pedal.
Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.
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Pre-orders at Juno

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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $177.91
(No payment required now - pay when released)
FORTHCOMING
Collision Devices Singularity Black Hole Symmetry Fuzz Effects Pedal (white)
Cat: 971917
 
The fuzz effects part of the Black Hole Symmetry pedal.
Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $177.91
(No payment required now - pay when released)
FORTHCOMING
Recovery Moonstruck Real Spring Reverb & Analogue-Style Delay Effects Pedal
Cat: 973529
 
Real spring reverb and analogue-style delay effects pedal.
Notes: The Moonstruck pedal marries real spring reverb with a beautifully voiced analogue-style delay in one simple-to-use device. The reverb and delay can be manipulated independently, allowing for complete control of each effect.

The delay section provides up to 550ms of classic echo sound with an all-analogue dry path. The feedback knob can be adjusted to produce as few as one repeat or turned up for an analogue-style self-oscillation frenzy. The delay level can be set wherever you like in relation to the reverb. The "reverb mix" knob controls the level of reverb with enough headroom to drench your instrument with vintage character.

Moonstruck is what every musician craves when searching for that quintessential, authentic spring reverb sound. The analogue delay elevates this player-friendly pedal, making it an exceptional addition to any pedalboard.

- Clean reverb sound, in contrast to the psychedelic, overdriven reverb of the Endless Summer pedal.

- Moonstruck pairs beautifully with the Endless Summer pedal for a rich stereo spring reverb experience.

- Signal chain: delay, reverb

- 60mA current draw

- Enclosure size: 5.625" x 4.625" x 1.563"

- And, yes, it has a real spring reverb tank inside!

Designed and assembled in Seattle, Washington. Operates on a standard Boss style 9vdc power supply, not included. Includes a limited 1-year warranty, if registered within 30 days of purchase.
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We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $289.51
(No payment required now - pay when released)
FORTHCOMING
Folktek Alter X Multi-Effects Pedal Folktek Alter X Multi-Effects Pedal Folktek Alter X Multi-Effects Pedal Folktek Alter X Multi-Effects Pedal Folktek Alter X Multi-Effects Pedal Folktek Alter X Multi-Effects Pedal Folktek Alter X Multi-Effects Pedal
Cat: 983098
 
Multi-effects pedal
Notes: Alter X is the pedal version of Alter 1 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.

Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.

These pedals accept guitar, line or eurorack levels.

The enclosure is very thick, gold plated PCB (it's very, very tough).

Included power is standard for most pedals (2.1mm, -tip)

Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.

Control

- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and filter all have CV control inputs.
- Each control level or cv input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.


Ins and outs

- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
-Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

1 - long delay
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch

Specs

- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $356.88
(No payment required now - pay when released)
FORTHCOMING
Folktek Alter Y Multi-Effects Pedal Folktek Alter Y Multi-Effects Pedal
Cat: 983099
 
Multi-effects pedal
Notes: Alter Y is the pedal version of Alter 2 eurorack module featuring four 1/4" jacks in addition to 1/8" as well as buffered switching that allows for trails.

Though it functions the same as other pedals, this pedal is a little different. Most pedals are made for guitars and then artists may choose to use them in different ways. Folktek made this pedal to work with either standard 1/4" jacks (for both input and output) or 1/8" (3.5mm) jacks for use with anything else. For those who like to use CV (control voltage) for any eurorack format, cv keyboard, or pedals which output cv (e.g. expression or sequencing), all four of the main knobs have cv inputs (mix, x, y, filter) so you can control your knobs without touching if the desire strikes you.

These pedals accept guitar, line or eurorack levels.

The enclosure is very thick, gold plated PCB (it's very, very tough).

Included power is standard for most pedals (2.1mm, -tip)

Folktek wanted a broad array of effects in each X and Y pedal so each is a mashup of effects which complimented one another when used together. Running X into Y or vis versa creates some powerful changes.

Control

- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to "X" and "Y").
- Clock control adjusts the bitrate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Filter all have CV control inputs.
- Each control level or CV input is visualized on the control panel.
- Buffered relay-based bypass over 1/4" ins and out.

Ins and outs

- Stereo 1/4" ins and outs.
- Stereo 3.5mm inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input.
- Mono input is made stereo within the DSP and outputs to both left and right channels.
- Stereo outputs for right and left channels.

Effects

1 - analogue delay
2 - reverb with infinite capture and LP + HP filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones)
7 - time stretch glitch

Specs

- Power: 12v negative tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Dimensions: 6" x 5.1" x 2.2" (152.7mm x 128.5 x 56mm)
Read more
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
coming soon $356.88
(No payment required now - pay when released)
FORTHCOMING
Death By Audio Octave Clang v2 Fuzz Effects Pedal With Octave-Up Death By Audio Octave Clang v2 Fuzz Effects Pedal With Octave-Up Death By Audio Octave Clang v2 Fuzz Effects Pedal With Octave-Up Death By Audio Octave Clang v2 Fuzz Effects Pedal With Octave-Up
Cat: 1006631 Rel: 30 Jun 24
 
Fuzz effects pedal with octave-up
Notes: The highly coveted Octave Clang has made a triumphant return to Death By Audio's Queens workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernation-evolving, refining, and enhancing its already extraordinary sound.

In the decade since it disappeared, Death by Audio have revisited the original Clang circuit, sculpting it into something better-a more ferocious, menacing, and thunderous force that is as usable as possible for today's musicians.

Embraced by professionals and punks alike, the vintage Octave Clang was created to unleash distinctly unconventional tones that captivated the senses. In this, it succeeded, but many users found it difficult to tame. Today, Death By Audio have refined and extended the range of the original controls, added a foot-switchable octave, and did some under-the-hood supercharging.

The resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking distortion. The revitalized Octave Clang is primed and ready to destroy!

Controls

Bypass (Left Footswitch): Turns the Octave Clang on and off (red LED).
Octave (Right Footswitch): Toggles the Octave Up mode (yellow LED). The yellow LED stays on/off when the pedal is bypassed to indicate if the Octave Up is engaged.
Volume: Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive
Gain: Sets the gain of the Octave Clang. This can (and will) drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain.

Tone: A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the rest of the circuit. This can make the octave and fuzz react very differently. Overloading the lows yields a larger, more blown-out sound while overloading the highs gives a more cutting and clear sound.

Bias (Internal): Allows misbiasing the distortion circuitry. Leave this control in the middle (5-6) for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound.
Access this control by removing the back plate of the Octave Clang.

Specifications

Dimensions: 4.8" x 3.7" x 2.1" (including hardware).
Weight: 11.5 oz.
Power: The Octave Clang is powered by a standard 2.1mm 9V DC adapter with a centre-negative polarity. Isolated power supplies are recommended. It is also possible to use the Octave Clang with a 9V battery (not provided). When not using a battery, the internal battery snap should be attached to the corresponding battery snap holes on the board. This will prevent the contacts from shorting out against the circuitry. Do NOT leave the battery snap floating inside the pedal when not using a battery.
Current Draw: 10 mA
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $251.61
(No payment required now - pay when released)
FORTHCOMING
Mooer Audio Autuner Vocal Autotune Effects Pedal Mooer Audio Autuner Vocal Autotune Effects Pedal Mooer Audio Autuner Vocal Autotune Effects Pedal Mooer Audio Autuner Vocal Autotune Effects Pedal
Mooer Audio Autuner Vocal Autotune Effects Pedal (pitch/frequency effects pedal)
Cat: 992160 Rel: 30 Apr 24
 
Vocal autotune effects pedal
Notes: MOOER has unveiled its latest effect pedal innovation, the MVP1 AUTUNER vocal processor. Unlike most of MOOER's products, this pedal is designed primarily for use with vocals, offering precise pitch correction and exceptional vocal enhancement features. However, MOOER hasn't forgotten about its primary audience, so AUTUNER still provides features that will interest guitarists.

Due to the pedal's primary focus on vocals, the device includes several features specifically designed for microphone usage. This includes XLR input and output, in addition to support for 48V phantom power, ensuring that the pedal supports both dynamic and condenser microphones. However, AUTUNER also includes standard 1/4" guitar inputs and outputs, along with convenient footswitch control to switch between mixed or individual signals.

The pitch correction features behind AUTUNER are highly versatile. With an LED button, users can choose between flat, warm, and bright vocal tones, each indicated by a different colour. Once a tone has been chosen, the 'correction' dial can be used to define the sensitivity of the pitch correction. Users can also press and hold the left footswitch to trigger the pitch correction's vocal synthesizer mode.

AUTUNER's versatility shines particularly brightly thanks to its built-in effects modules. The first of these is delay; the delay module can be can controlled with its dedicated dial, with users having the option to choose between tape delay, digital delay, slapback delay, or bypass. The pedal's left footswitch serves as a tap switch, which allows the user to determine the speed of the delay module.

A reverb module is also featured within AUTUNER. This too has its own dedicated dial, which can be used to morph between room delay, hall delay, and plate delay. Whilst the pitch correction features of the pedal are limited only to vocals, these delay and reverb modules ensure that the pedal has plenty of dedicated features to offer MOOER's guitarist fanbase.

As is common with MOOER products, AUTUNER features a wide range of control mechanisms. In addition to the left footswitch's dual functionality, the right footswitch also acts as a bypass for the pitch correction and effects, whilst still ensuring the tone processing remains active. The pedal's tonal enhancements can then be fully bypassed with the 'flat' tone option.

In addition to its core features, the MVP1 AUTUNER also includes a gain dial, a 48V phantom power switch for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Overall, the features of this pedal ensure that musicians have everything they need for impressive pitch correction, vocal synthesis, and special processing, whilst ensuring that they never have to rely on external batteries.
Vocal pitch correction feature with a controllable sensitivity dial
Footswitch-controllable vocal synthesizer mode
Three vocal tone modes: flat, warm, and bright
Four delay modes: tape, digital, slapback, and OFF
Four reverb modes: room, hall, plate, and OFF
Tap tempo footswitch for delay speed
Bypass footswitch functionality for isolating the tone from effects
Multifunctional footswitches for 'hidden mode'
LED button for tonal control
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$168.44 SAVE 15%
est. release 30 Apr 24 $142.92
(No payment required now - pay when released)
FORTHCOMING
KMA Machines Endgame Duality Calibrator Effects Pedal KMA Machines Endgame Duality Calibrator Effects Pedal KMA Machines Endgame Duality Calibrator Effects Pedal KMA Machines Endgame Duality Calibrator Effects Pedal KMA Machines Endgame Duality Calibrator Effects Pedal KMA Machines Endgame Duality Calibrator Effects Pedal KMA Machines Endgame Duality Calibrator Effects Pedal KMA Machines Endgame Duality Calibrator Effects Pedal
Cat: 995968 Rel: 30 Apr 24
 
Duality calibrator effects pedal
Notes: After years of development work, ENDGAME is KMA Machine's most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, ENDGAME is a superb problem solver and a convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA's proprietary True Double-Tracker doubler and own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones.

And now, you can finally use all your stereo devices with just one easy to use and compact product - let the alchemy begin!

It's no secret that over the past few years stereo pedals have become a huge part of many musician's rigs. While many regular tones can (and should) be mono, KMA are very much fond of stereo effects. But why is it so hard to use them either at home or on the stage? Without the luxury of 2 amps (plus the ability to turn them up if you have them) or for owners of cab/amp simulators that are usually mono input by design, monitoring stereo effects properly can end up being so difficult that many just end up running their stereo effects in mono and therefore lose many of their spatial creativity nuances.

Doubling guitars in recording is also a common practice in a variety of musical styles. In many cases, a single guitarist will record the same track twice with each separate recording being spread to the left and right channels. The effect of this is unmistakable to the ear and the slight differences and nuances between the two separate performances complement each other to create a noticeable thickness, density and weight to the musical experience. This is hard to get sounding right live too. Note this is not the same thing as simple doublers (that just delay one signal with a modulation) or ADT type solutions that are on the market today.

So, KMA developed ENDGAME. KMA wanted to make an easy-to-use product that gives the essentials of good tone, nothing more and nothing less. While from the front panel it might look like ENDGAME has lots of controls, compared to many hidden menus and screens in many other products, all means that it is also deceptively simple to use, despite the huge complexity of what's going on inside!

Stereo FX Loop

A Stereo FX Loop isn't a new thing, but in ENDGAME's case it is probably one of the most usable, making this a killer feature!

For maximum flexibility, the serial loop features routing that can exist either before or after the IR loader and/ or Doubler (when active). Buffered for the sake of long cable runs and to maximise signal clarity, you can now hear your stereo pedals and other effects in their true pristine glory! Plus, you can quickly switch the loop on or off via the convenient soft footswitch.

True Double Tracker

Whether playing live or recording with a single instrument, the KMA ENDGAME's True Double Tracker provides the perfect solution for adding a "fatness" and "width" to your performances and really feels like you are playing the same riff twice!

Enabled via the footswitch, the doubler accurately replicates the minor differences that could exist within two separate recordings and the width control can spread your doubled tracks anywhere from completely centred (0%) to 50% left and right (centre indent) and 100% left and right split.
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Apr 24 $367.41
(No payment required now - pay when released)
FORTHCOMING
BOSS PH-3 Phase Shifter Effects Module
BOSS PH-3 Phase Shifter Effects Module (pitch/frequency effects pedal)
Cat: 996379 Rel: 30 Apr 24
 
Phase shifter effects module
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$151.60 SAVE 21%
est. release 30 Apr 24 $119.17
(No payment required now - pay when released)
FORTHCOMING
Boss DD-500 Digital Delay Effects Pedal
Cat: 1005716
 
Digital delay effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$448.47 SAVE 19%
coming soon $362.14
(No payment required now - pay when released)
FORTHCOMING
Boss MD-500 Modulation Effects Pedal
Boss MD-500 Modulation Effects Pedal (modulation effects pedal)
Cat: 1005723
 
Modulation effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
MRP:$448.47 SAVE 23%
coming soon $345.30
(No payment required now - pay when released)
FORTHCOMING
Animal Factory Godeater+ Distortion Effects Pedal
Cat: 1008025 Rel: 30 Jun 24
 
Distortion effects pedal
Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

We'll keep you informed of your order at every stage, and let you know if the release date changes.

If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $325.30
(No payment required now - pay when released)
FORTHCOMING
J Rockett Airchild Six Sixty Compressor Effects Pedal J Rockett Airchild Six Sixty Compressor Effects Pedal
Cat: 1008780 Rel: 30 Jun 24
 
Compressor effects pedal
Notes: The Fairchild 660 studio compressor is consistently regarded as the best compressor ever made. For years, the original Fairchild 660 and 670 (Stereo) compressors have been extensively used in studios. This inspired J. Rockett to offer that sonic signature to the guitar community at a fraction of the $30k+ price tag.

The typical guitar compressor is the "Dynacomp", which has created iconic tones throughout the history of music, especially in Country music. That said, it's widely acknowledged that there are already countless Dynacomp variants available.

"The 'typical Dynacomp circuit' tends to crush the sound more like a limiter. This characteristic has cemented its sound into certain genres of music, which some may find desirable.

The Team at J. Rockett aimed to provide a compressor that works like a studio compressor, enhancing harmonic richness and evening out transients without crushing the entire spectrum.

The Airchild Six Sixty simply makes you want to play more. It increases sustain without crushing your output, imparts richness to your overall tone, and adds feel to your playing. The target tones were the slide tones of Lowell George and the singing lead/rhythm tones of Mark Knopfler.

The Fairchild 660 Compressor was designed by Rein Narma, who had worked with Les Paul to build a recording mixer for use with Les Paul's Ampex 8-track. Les Paul asked Narma if he would build a compressor/limiter. Sherman Fairchild, who was friends with Les Paul, learned of the compressor and licensed Narma's compressor design, hiring Narma to be chief engineer at Fairchild Recording Equipment Corporation. The first 10 Fairchild 660's were built by Narma himself. The first unit was sold to Rudy Van Gelder who used it to cut lacquer masters for Blue Note Records and Vox Records. The second unit went to Olmsted Sound Studios in New York City and the third 660 built went to Mary Ford and Les Paul.

Notable users: Abbey Road Studios purchased 12 Fairchild 660s after staff engineer Peter Bown heard it during a visit to Capitol Records in America. They used it on recording sessions for the Beatles, primarily for vocals. Beginning in 1966, Geoff Emerick began using the 660 on Ringo Starr's drum tracks as well as piano and guitar tracks. As of 2014, Abbey Road still had 8 of the original 660s purchased in the 1960s.

"We put the drum sound through Fairchild 660 valve limiters and compressors. It became the sound of Revolver and Sgt Pepper really. Drums had never been heard like that before." (Geoff Emerick)

Compressors are probably the most misunderstood effect that also have incredible impact on the delivery of music. There is not a professional recording in history that does not have some sort of compression. Gain is a form of compression, even EQ is a form of compression.

A compressor is used to reduce a signal's dynamic range-that is, to reduce the difference in level between the loudest and quietest parts of an audio signal.

Compression is commonly used to attenuate loud transient peaks (e.g., when a singer suddenly belts out a high note or a guitar player digs in to a note with muscle) compression helps maintain a consistent level. Compression essentially causes distortion in a signal, in that it changes the original sound of the signal through its processing. The compressor typically achieves this by emphasizing certain harmonics based on how the compressor is hitting the incoming signal. The job of this peda;l is to make that distortion feel transparent and to use dynamics to create the best-sounding performance possible. Use your ears!

In compression, the dynamic range becomes narrower - the highest peaks and the quietest parts have fewer dB of level difference between them. In contrast, a compressor can also help support or bring to life soft notes as well. For guitar, compression helps with sustain and feel. Using compression in front of an amp with gain or a gain pedal essentially just adds more compression and is typically not very audible. A good compressor will help sustain notes without introducing noise or artifacts in an amp or pedal with gain but typically works best in a clean amp to hear the effect. You will typically hear compression on country guitar, at least as an audible full throttle effect. Most players do not utilize this sound because a squished signal limits dynamics, however, if used correctly it can increase dynamics across the board. One of the best descriptions about compression is that it is the opposite of reverb. If you think about that it is true. Compression brings the full dynamic force forward in a balanced manner where Reverb creates space and distance.
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Pre-orders at Juno

This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.

If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $251.61
(No payment required now - pay when released)
Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal Boss OD-200 Hybrid Drive Effects Pedal
Boss OD-200 Hybrid Drive Effects Pedal (distortion effects pedal)
Cat: 996875 Rel: 18 Mar 24
 
Hybrid drive effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The OD-200 Hybrid Drive brings next-level sound, feel, and flexibility to overdrive and distortion, combining decades of BOSS tone expertise with innovative technologies. Powered by hybrid analogue/digital circuitry, this dream pedal delivers any drive tone you can imagine via 12 primary modes, 15 boost types, series/parallel gain paths, and more. There's even an advanced gate on board, ideal for both eliminating noise and adding tightness to high-gain drive tones.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current OD-200 system software

Premium Drive Tones with BOSS's Advanced Hybrid Design

The OD-200's next-generation hybrid design seamlessly brings analogue and digital clipping circuits together for the best of all worlds, putting a universe of expressive drive colours under your fingers. Twelve modes offer a variety of premium overdrive, fuzz, and distortion sounds, including a high-gain Brown mode derived from the acclaimed Katana amplifier series. And with the three high-performance "X" drive modes powered by BOSS's cutting-edge MDP tech, you'll experience enhanced definition, clarity, and dynamic response that's perfect for modern playing styles.

Powerful Gain Shaping with Series and Parallel Boosts

While each of the OD-200's 12 main drive modes sound fantastic on their own, you're able to craft tones even further with 15 switchable boost circuits. Placing the boost in series lets you create traditional stacked drive voices, complete with post-gain level to balance with the bypassed sound or kick up the volume for solos. The boost circuit can also be used in parallel with the main mode, enabling side-by-side blending for an unlimited range of unique drive textures.

Kill the Noise and Tighten Your Tone

With its integrated gate circuit, the OD-200 always keeps your signal clear and quiet when you're not playing. The default setting is a great starting point, providing gentle, transparent gating that works well for general playing styles. The decay and threshold controls can also be adjusted for super-fast gate performance when needed, perfect for bringing tightness to heavy modern styles that combine full-throttle gain with precision staccato riffing.

Dial in Sounds Fast

The OD-200 offers a ton of advanced capabilities, but remains as simple to use as any regular distortion stomp. With dedicated controls, you can quickly dial in the gain and overall level for any selected mode, then sculpt the tone with wide-ranging low, mid, and high EQ. There's also a multi-function parameter knob, which changes operation based on the group selected with the panel's parameter switch and LED status indicators.

Save and Recall Your Favourite Setups

The OD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Drive Circuit: Analogue + Digital

Modes:
12 modes
OVERDRIVE, BLUES, SCREAM, CNTR OD, X-DRIVE, DIST, X-DIST, STACK DRIVE, FAT DIST, BROWN, X-METAL, FUZZ

Memory: 127 + Manual
Nominal Input Level: INPUT: -10 dBu
Maximum Input Level: INPUT: +7 dBu
Input Impedance: INPUT: 1 M ohm
Nominal Output Level: OUTPUT: -10 dBu
Maximum Output Level: OUTPUT: +7 dBu (Load Impedance: 220 k ohms or greater)
Output Impedance: OUTPUT: 1 k ohms
Recommended Load Impedance: OUTPUT: 10 k ohms or greater
Bypass: Buffered bypass

Controls: ON/OFF switch, MEMORY/BOOST switch
MODE knob, DRIVE knob, LEVEL knob, PARAM knob, LOW knob, MIDDLE knob, HIGH knob
PARAM button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: PARAM indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT jack, OUTPUT jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 220 mA

Expected Battery Life Under Continuous Use:
Alkaline: Approx. 6 Hours
* These figures will vary depending on the actual conditions of use.

Accessories:

Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight:

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height: (including rubber foot)65 mm / 2-9/16 inches
Weight: 600 g / 1 lb 6 oz
Weight (including battery): 670 g / 1 lb 8 oz
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MRP:$271.61 SAVE 20%
 1 in stock $217.92
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quote 996875
Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal Boss SY-200 Synthesiser Effects Pedal
Boss SY-200 Synthesiser Effects Pedal (synthesis effects pedal)
Cat: 996878 Rel: 19 Mar 24
 
Synthesiser effects pedal
Notes: Part of Boss's 200 series, the SY-200 is the latest in a range of guitar synth pedals dating all the way back to the 1970s. Plug in any guitar or bass and layer synth sounds over the raw tone. A versatile and creative way to explore new sounds.

Supplier's Notes:
A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms
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MRP:$331.62 SAVE 15%
 1 in stock $281.08
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quote 996878
Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK) Digitech Mosaic Polyphonic 12-String Effects Pedal (B-STOCK)
Cat: 1008910 Rel: 01 Jan 90
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The DigiTechr Mosaic Polyphonic 12-String effect pedal sets you upon the path of creating lush 12-string sounds with either 6-string electric or amplified acoustic guitars. Immediately identifiable 12-string tones are now yours with octave low strings and doubled high strings. Single notes and full chordal strums shine with polyphonic richness and celestial movement that will inspire you. The Mosaic's balanced low-end response with crisp octave shimmer produces a tone that's lush and articulate, just as with a 12-string guitar.

Tailor the Mosaic's sound with the independent Level and Tone controls. Level will control the 12-string effect intensity while Tone shapes the overall brightness of the effect. The Mosaic will give you a richer, more resonant and full tone than a standard six-string guitar. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.


General Specifications
SAMPLE RATE

44.1 kHz
FREQUENCY RESPONSE

20 Hz-11 kHz (Effect Enabled)
SIGNAL TO NOISE RATIO

> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD

0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A CONVERSION

24-bit
INPUT

1/4" Unbalanced (Tip-Sleeve)
OUTPUT

1/4" Unbalanced (Tip-Sleeve)
CONTROLS

Level, Tone
TRUE BYPASS

Yes. True bypass circuitry preserves your tone when the pedal is not in use.
Dimensions
LENGTH

4.75" (120mm)
HEIGHT

1.75" (44mm)
WIDTH

2.875" (73mm)
WEIGHT

0.36 lb. (163g)
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MRP:$146.33 SAVE 15%
 1 in stock $124.30
Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal Boss DD-200 Digital Delay Effects Pedal
Cat: 996860 Rel: 19 Mar 24
 
Digital delay effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colours from modern digital to classic analogue, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There's also a looper that's always ready to use, plus a selectable carryover function for seamless transitions between memories.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current DD-200 system software

Twelve Modes, Unlimited Sounds

With 12 different modes to choose from, the DD-200 provides nearly any flavour of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analogue echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There's also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colours are just a knob twist away.

Dial in Sounds Fast

The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive.

Save and Recall Your Favourite Setups

The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions.

Deep Real-Time Control

By default, the DD-200's multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers.

Ready-to-Go Looper

Any time you're ready, pressing the DD-200's two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you're able to develop expressive loops with any of the DD-200's rich delay sounds.

DD-200 Delay Modes

Standard-Clear digital delay. PARAM adjusts the delay attack.
Analog-Emulates classic analogue "BBD" delays like the BOSS DM series. PARAM controls character and distortion amount.
Tape-Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
Drum-Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
Shimmer-Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
Tera Echo-Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
Pad Echo-Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
Pattern-Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
Lo-Fi-Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
Dual-Two different delay lines connected in series. PARAM adjusts the time of the second delay.
Reverse-Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
Ducking-Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

*The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Modes: 12 modes
STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/TAP switch
MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob
TAP DIVISION button, MEMORY button

Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA

Expected Battery Life Under Continuous Use
Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
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 1 in stock $240.01
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quote 996860
Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal Boss MD-200 Modulation Effects Pedal
Boss MD-200 Modulation Effects Pedal (modulation effects pedal)
Cat: 996868 Rel: 18 Mar 24
 
Modulation effects pedal
Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

Outfitted with algorithms from the flagship MD-500, the MD-200 Modulation delivers an array of world-class effects in one small, convenient pedal. Twelve different modes provide every mod sound you need and more, and each includes customized controls that unlock deep tone shaping right from the panel. And with the powerful insert function, it's simple to patch in drive pedals and other effects for selectable pre or post processing.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current MD-200 system software.

Twelve Mod Essentials in One Pedal

Compact and mighty, the MD-200 gives you every key mod effect in a minimal footprint. Modern and vintage BOSS chorus effects are included, plus phaser, flanger, rotary, vibrato, and tremolo. Classic vibe and '70s phaser effects are also available, complete with selectable distortion for added versatility. BOSS's famous Slicer delivers lots of cool rhythmic grooves, while the rich Overtone effect dishes up fat octave tones and unique sonic colours. There's a highly adjustable auto wah as well, which can double as a foot wah when an expression pedal is connected.

Dial in Sounds Fast

With the MD-200's simple and direct interface, it's easy to craft inspiring sounds in the heat of the moment. Using dedicated controls, you can quickly dial in rate, depth, and level for any selected mode. You can also tap in the rate with a footswitch while playing, and visually set note subdivisions right from the panel. Going further, three additional parameter knobs dynamically change functions with each mode, providing extended tone shaping with no need to menu dive.

Save and Recall Your Favourite Setups

The MD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. And if you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device.

Instantly Change Effect Order for Optimum Tone

Using the MD-200's insert loop function, you're able to patch external pedals, set the ideal effect order, and save the setting to an onboard memory. For example, you can place a phaser or classic vibe before an external pedal in one memory, a chorus or flanger after in the next, and then switch between them. This is particularly useful with drive pedals, where the signal order can have a dramatic effect on the selected mod sound.

Deep Real-Time Control

By default, the MD-200's multi-function footswitches control bypass, memory scrolling, and tap tempo, but you can easily reassign them to alternate functions as needed. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control various functions from MIDI devices like the ES-8 and ES-5 effects.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes:12 modes; CHORUS, CE-1 CHORUS, FLANGER, PHASER, VINTAGE PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, ROTARY, AUTO WAH, SLICER, OVERTONE
Memory: 127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/TAP switch, MODE knob, RATE knob, DEPTH knob, E. LEVEL knob, PARAM 1 knob, PARAM 2 knob, PARAM 3 knob, TAP DIVISION button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack

USB port: USB micro B-type (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA
Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight
Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot)65 mm 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery)680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms
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MRP:$271.61 SAVE 21%
 1 in stock $213.80
Soma Laboratory Cosmos Drifting Memory Station Effects Pedal (black) Soma Laboratory Cosmos Drifting Memory Station Effects Pedal (black) Soma Laboratory Cosmos Drifting Memory Station Effects Pedal (black) Soma Laboratory Cosmos Drifting Memory Station Effects Pedal (black)
Cat: 839944 Rel: 20 Oct 22
 
A drifting memory station designed to work with meditative states through music.
Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!
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 3 in stock $597.96
Digitech FreqOut Natural Feedback Creator Effects Pedal Digitech FreqOut Natural Feedback Creator Effects Pedal
Cat: 638959 Rel: 12 Jul 17
 
Natural feedback creator effects pedal.
Notes: The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position. The FreqOut uses a 9VDC power supply to easily integrate into your existing pedalboard.

General Specifications
ControlsFeedback, Momentary On/Off, Dry On/Off, Gain, Onset, Type, Effect On/Off
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D/A Conversion24-bit
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power Adapter (Sold Separately)PS0913DC-04 (US, JA, EU, AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output Type1/4" Unbalanced TS (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) ; True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input Type1/4" Unbalanced TS (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) ; True Bypass (Effect bypassed w/ Momentary switch off)
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MRP:$152.65 SAVE 14%
 1 in stock $131.60
Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal
Cat: 972476 Rel: 12 Oct 23
 
Digital delay effects pedal.
Notes: Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$206.34 SAVE 17%
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quote 972476
Boss OC-5 Octave Effects Pedal Boss OC-5 Octave Effects Pedal Boss OC-5 Octave Effects Pedal
Boss OC-5 Octave Effects Pedal (pitch/frequency effects pedal)
Cat: 996380 Rel: 16 Feb 24
 
Octave effects pedal
Notes: The New Standard in Octave Pedals

Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.

OC-5 Octave Sound Tryout

Get interactive with our custom TonePedia player and explore hundreds of sound variations. Select your instrument, tweak and choose pedal settings.

High-Octane Octave Performance

Powered by the latest real-time processing technologies from BOSS, the OC-5 provides exceptional sound and playability for the most expressive octave experience ever. A key feature is the newly developed tracking engine, which delivers clean, accurate performance with no latency. The OC-5 also offers wider range and greater polyphonic capabilities than previous OC models, covering all your octave needs in one high-performance pedal.

Classic Tones with Vintage Mode

Introduced in 1982, the OC-2 was the world's first modern octave pedal for guitar and bass. Still loved by players everywhere, the stomp's warm-yet-present tone sits perfectly in a mix, and its characteristic voice can be heard in many famous songs. The OC-5's Vintage mode brings you the OC-2's iconic mono sound, coupled with improved response thanks to the new tracking engine. Dedicated level controls are provided for -1 and -2 octave effects and the direct sound, giving you quick access to an endless variety of sub-octave colours.

Enhanced Poly Mode

The OC-5 also features an evolved version of the smart Poly mode first introduced with the OC-3 Super Octave, letting you play full chords with octave effects. The variable Range knob restricts the effect to the lower notes on your instrument, perfect for playing octave bass lines alongside normal chords and melodies in the higher registers. And with the new tracking refinements, it's even possible to isolate the octave effect to the bottom note in a chord-just turn the Range knob to the "Lowest" setting.

Extended Range with Octave Up

Another cool OC-5 enhancement is the new octave-up effect, which is available in both Vintage and Poly modes. Simply twist the dedicated +1 OCT knob to bring in the desired effect level. Use the octave-up effect on its own for faux 12-string sounds and unique solo tones, or blend it with the octave-down effects for extended chord voicings and super-fat leads.

Guitar/Bass Switch and Direct Out

The OC-5 lets you instantly optimize the performance of its tracking engine for either guitar or bass via a dedicated switch on the body of the pedal. And with the Direct Out jack, it's easy to route dry and effect sounds to different destinations, such as two stage amps or discrete channels on a mixer or audio interface.

Specifications

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls:
Pedal switch, GUITAR/BASS switch, VINTAGE/POLY switch, DIRECT LEVEL knob, +1OCT knob, -1OCT knob, -2OCT/RANGE knob
Indicator: CHECK indicator (Serves also as battery check indicator)

Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DIRECT OUT jack: 1/4-inch phone type
DC IN jack

Power Supply: Alkaline battery (9 V, 6LR61 or 6LF22), AC adaptor (PSA series: sold separately)

Current Draw: 60 mA

Expected battery life under continuous use: Alkaline: Approx. 5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9 V, 6LR61)
Options (sold separately) AC adaptor: PSA series

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
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MRP:$151.60 SAVE 12%
 2 in stock $133.70
Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal
Nu-X Mini Super Chorus Flanger & Pitch Modulation Effects Pedal (chorus/flanger/pitch modulation effects pedal)
Cat: 922254 Rel: 17 Feb 23
 
A mini chorus effect pedal with 3 switchable modes for Chorus, Flanger and Pitch Modulation.
Notes: A mini chorus effect pedal with 3 switchable modes for Chorus, Flanger and Pitch Modulation. Chorus thickens the sound by modulating a short delay effect, producing a swirling ethereal tone. The Flanger effect tightens this by shortening to a very fine delay and regenerating it for rotating and tubular jet sounds. Pitch Modulation provides a lighter chorus effect by slightly varying the pitch and mixing back with the dry signal. All 3 are selected by an illuminated push button above the controls. Holding this button down during power-up selects between mono output or stereo output, which requires a stereo jack lead. Controls include Speed, Width and Intensity to adjust each effect as required, Pressing the footswitch engages or disengages the effect. The smart tap tempo feature means that the pedal recognises pressing the footswitch twice or in a short space of time and responds to the timing as a tap tempo function to adjust the speed setting. An extremely versatile modulation effect to give space and motion to chords and picked passages alike.

Power supply: 9Vdc (DC5521 connector, negative centre, adaptor not supplied)
Controls: Speed, Width, Intensity and Chorus/Flanger/Pitch Mod switch
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains :

Mini Super Chorus/Flanger/Pitch pedal
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quote 922254
Empress Effects Bass Compressor Effects Pedal Empress Effects Bass Compressor Effects Pedal Empress Effects Bass Compressor Effects Pedal
Cat: 799007 Rel: 27 Nov 20
 
Bass compressor effects pedal
Notes: When Empress released the original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we've now added a fully variable sidechain high pass filter, and a two position 'tone + colour' circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 10Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"


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MRP:$314.77 SAVE 17%
 2 in stock $262.13
Digitech Whammy Ricochet Pitch Shifting Effect Pedal Digitech Whammy Ricochet Pitch Shifting Effect Pedal Digitech Whammy Ricochet Pitch Shifting Effect Pedal Digitech Whammy Ricochet Pitch Shifting Effect Pedal Digitech Whammy Ricochet Pitch Shifting Effect Pedal
Cat: 607451 Rel: 22 Jun 16
 
Pitch Shift Pedal.
Notes: The Whammy Ricochet lets you bounce your playing up or down in pitch in controlled or crazy shifts. A momentary switch and customizable independent rise and fall time ballistics, allow you to get the Whammy action you know and love without the use of a treadle. Just hold your foot on the footswitch and let the Ricochet do the rest. Seven pitch selections - 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch. The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times. All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before.

General Specifications
ControlsBallistics Control, Pitch Control, Range Switch, Momentary Switch, Effect On/Off
Sample Rate44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
A/D/A Converter24-bit
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power SupplyPS0913DC-01 (US, JA, EU); PS0913DC-02 (AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output1/4" Unbalanced (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input1/4" Unbalanced (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)

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quote 607451
SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white) SoMa Laboratory Cosmos Drifting Memory Station Effects Pedal (white)
Cat: 958661 Rel: 18 Jul 23
 
A drifting memory station designed to work with meditative states through music.
Notes: A typically unique take on multi-effects from Soma, designed to induce meditative states. Hybrid analogue-digital delay/reverb/granular processing gives a range of creative approaches.

Supplier's Notes:
COSMOS is a drifting memory station designed to work with meditative states through music. The design of the controls, functions and generated soundscapes are intended to evoke, in both performer and listener, states and experiences inherent in meditation, such as limitless space, fluidity, spontaneous development, presence, the ability to hear, tranquility, the experience of subtle harmony and happiness enveloping the whole world.

From a functional point of view, COSMOS is a large array of sound memory, in which recorded sounds undergo constant recombinations, spontaneously generating an ever-changing soundscape. This is achieved in three ways - by a mathematical shift based on the relationships between large prime numbers (the size of all delay lines are different primes), an asynchronous operation of the LFO, and modulation with a slowly changing chaotic signal. As a result, it allows the endless layering and processing of various sounds, as in a looper, but without an intrusive, repetitive loop.

COSMOS generates rich, fluid and evolving soundscapes perfect for ambient music. Using COSMOS, you can play an entire meditative solo concert while being in a spontaneous flow and without using studio-prepared sequences, backing tracks and other things that can't be a reflection of the "here and now".

Specifications

Minimum input voltage: 0.35 V peak-to-peak
Maximum output voltage at line outputs: 11.3 V peak-to-peak
The maximum output voltage at the headphones output: 10.4 V peak-to-peak
Frequency response: 10-22000 Hz
Sound memory: 44.7 sec
Supply voltage: 12 V *
Power connector polarity: centre plus
Current consumption: 0.25 A
Dimensions: 342 x 153 x 68 mm
Weight: 2.2 kg

* Use only the power supply supplied with the device! In case of failure, it can be replaced with a high-quality modern switched-mode power supply with an output voltage of DC 12 volts, the center is plus and an output current of at least 0.5 amperes (more is fine). The power supply must have a wide AC input voltage range of 100-240 volts. Such power supplies have excellent output voltage stabilization required for the device. It is forbidden to use COSMOS with nonstabilized voltage from transformer power supplies. It can lead to damage to the device, which is not covered by the warranty repair!
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 2 in stock $608.48
Mooer Audio Drummer X2 Dual Drum Machine Pedal
Cat: 907079 Rel: 14 Feb 23
 
Dual drum machine pedal
Notes: MOOER is proud to announce their first standalone drum machine pedal as part of the ever-growing X2 lineup of enhanced classics. The Drummer X2 is a powerful practice and live performance tool that provides players with a fully customizable groove station featuring 121 different drum grooves, 11 song banks, and a full array of EQ and parameter adjustments that can be made on the fly.

The Drummer X2 let guitarists employ the popular drum grooves from 11 different genres of music, with 11 different groove variations from each genre. Favorite grooves and tempos can easily be saved in one of the 11 song banks, each with 7 customized rhythm slots so they can quickly be recalled later. For fast cycling through presets, the Drummer X2 also supports external footswitches. In addition to the SPEED, GENRE, LEVEL, and PATTERN knobs, the Drummer X2 also boasts an EQ knob for making quick adjustments on the fly and for increasing compatibility with FRFR and non-FRFR devices. Timing can also alternatively be adjusted by utilizing the TAP TEMPO function with the right footswitch or external footswitch.

The Drummer X2 features a two-footswitch UI for fast toggling on/off, scrolling through drum grooves, and queuing up a fill using the FILL function, triggered by the right footswitch, all handled comfortably while playing. Specialized editor software is available to easily manage presets and update firmware and can be downloaded from the official MOOER website. Like with other X2 devices, the Drummer X2 includes Stereo I/O and a 14" External Control out for connecting a footswitch.11 different musical genres with 11 different grooves from each style.

Specifications:

Input: 2*1/4" mono audio input jack (impedance value 1Mohm)
Output: 2*1/4" mono audio output jack (impedance value 510ohm)
Num. of saving slot: 77
Num. of groove: 121
Power requirements: 9V 300mA, center negative (Original power supply is recommended, to avoid unexpected noise)
Dimension: 75mm(D) * 115mm(W) * 33mm(H)
Accessories: Power supply, USB-C to USB-A cable, Quick Guide, LOGO Sticker
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MRP:$178.97 SAVE 21%
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quote 907079
Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal Digitech Whammy (5th Gen) 2-Mode Pitch-Shift Effects Pedal
Cat: 548182 Rel: 16 Sep 14
 
2-Mode Pitch-shift Effect with True Bypass
Notes: The legendary Whammy pedal is the premier pitch-shifting pedal for any guitarist's board, and it only gets better with time. In addition to the classic Whammy sound, we've added chordal Whammy pitch-shifting and true bypass.

Whammy artists have won over 60 Grammysr using its unique pitch-shifting sound to enhance their music. Its songs echo the hallways of the Rock & Roll Hall of Famer and generate acclaim on over 700 million albums around the world. There is no doubt why Whammy is one of the most common sights on guitarists' pedalboards.

The Whammy can bring new depth to your artistry. Turn your solo into raging, rebellious screams of tone or tame your crowd with highly expressive, ambient chordal bends. Energize your audience with a scratchy note frenzy, bring them in and out of the sound tunnel with musical bursts, or carry them through an existential exploration of full-fretboard pitch translation. The Whammy puts expression into the expression pedal.

Don't be the last guitarist without a Whammy! The iPB-10 unleashes the ability to create and control guitar effects like never before.

General Specifications
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
A/D Conversion24 bit
D/A Conversion24 bit
Power Consumption2.4 Watts (< 265 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Dimensions
Height2.5"
Width6.5"
Depth7.75"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din
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MRP:$220.02 SAVE 19%
 2 in stock $177.91
Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue) Walrus Audio Sloer Stereo Ambient Reverb Effects Pedal (blue)
Cat: 959522 Rel: 28 Jul 23
 
Stereo ambient reverb effects pedal.
Notes: The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.
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 2 in stock $352.66
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quote 959522
Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition) Nobels ODR-1 30th Anniversary Overdive Effects Pedal (limited gold sparkle edition)
Cat: 977991 Rel: 20 Nov 23
 
Overdrive effects pedal
Notes: The ODR-1 30th Anniversary Overdrive - Limited Gold Sparkle Edition commemorates three decades since the pedal's introduction in 1993.

Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for 30 years. To celebrate this milestone, Nobels have produced a very special gold sparkle finish edition and added a new versatile and convenient Bass Cut Pot for more even more tonal flexibility.

Limited to 5000 units worldwide, each pedal is numbered and includes a certificate, a sticker, a special plectrum and features the original ODR-1 front cover design.

The top selling ODR-1 pedal has developed its own almost cult following since it was first designed and engineered way back in the eighties. At NAMM 2020, the pedal was upgraded to the now current ODR-1BC model. With the addition of a (much-requested) bass cut switch to help tame low end (if needed for humbuckers etc.) as well as newly developed power circuitry for enhanced headroom, it makes the pedal way more versatile for the modern age.

However, in celebration of three decades of Natural Overdrive, the ODR-1 30th Anniversary Overdrive now features an even more useful and convenient variable Bass Cut Pot, based on feedback from musicians around the world. It also retains all the other upgraded features from the BC model such as higher headroom and Glow-in-the-Dark knobs, as well as Nobels' Spectrum control- one of the most important ingredients of the original pedal's success.

The very special gold sparkle finish makes this edition look as stunning as it sounds and only a limited number of ODR-1 30th Anniversary Overdrive pedals will be released, just 5000 worldwide.

So grab a piece of legendary overdrive history while you can!
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MRP:$146.33 SAVE 12%
! low stock $129.29
Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal Crazy Tube Circuits HiPower Amp & Speaker Simulation Effects Pedal
Cat: 986581 Rel: 02 Jan 24
 
Pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium
Notes: HI POWER is Crazy Tube Circuits' next endeavour in pedal + amp-in-a-box overdrives recreating legendary sounds, following the success of Crossfire and Unobtanium.

It was inspired by the sonic combination of two British tone machines. The almighty Colorsound Power Boost meets the blistering high-headroom Hiwatt amp.

While the combination of these two units directly hints at the gear setup of David Gilmour and especially the gear used on Pink Floyd's album: Wish You Were Here (think the guitar solo sounds of "Shine on you Crazy Diamond", "Have A Cigar") the sonic options are endless.

The orange enclosure silicon transistor circuit (Colorsound Power Boost) can deliver from a transparent clean boost to an all-out fuzz driving a tube amp to sonic bliss. Crazy Tube Circuits set out to clone the original unit featuring the true-to-the-original spec BC184 transistors running on 18V DC (via an internal voltage booster circuit).

The ultra-flexible 2-band Baxandall EQ circuit can add bite and low-end rumble to any setup. Crazy Tube Circuits used a reverse log gain pot (labelled as volume), compared to the linear taper pot found in the original units and acted as an on/off switch, to be able to set the amount of boost/overdrive more precisely. While the earlier units didn't feature a master volume control (only as an aftermarket mod - Pete Cornish made an external unit master volume for David Gilmour's Power Boost) Crazy Tube Circuits chose to include one that is setup in a way so that when it is all the way clockwise it is bypassed. Later versions of the Power Boost had 9V power supply and were renamed as the "Overdriver" due to the lower headroom and their ability to drive the signal earlier. They were offered in a grey enclosure and can be seen in the gear setups of Jeff Beck, Marc Bolan, etc. Crazy Tube Circuits chose to incorporate this version as well with a flip of a toggle switch (PWR-ODR toggle switch).

On the left side of the HI POWER you will find an all-analogue circuit set out to emulate the sound and feel of a Hiwatt amp. Following the path of the famed British tube amplifier, this circuit offers authentic amp tone and feel resembling guitar tones from guitar greats like David Gilmour, Pete Townsend, Jimmy Page, Noel Gallagher to name a few. From the big bold high-headroom clean sounds to the face-melting crunchy tones.

True to the last detail, Crazy Tube Circuits have included the full EQ section along with a presence control located at the negative feedback of the power amp simulation circuit. A headroom toggle switch selects between the high headroom 100w power section provided by a quartet of EL34s (think Hiwat DR103), or the lower headroom and compression provided by a 50W power section with a pair of EL34s when hit hard (think DR504). Similar in operation to the original amps the master volume was designed to produce more gain at higher settings.

Crazy Tube Circuits taken the design a step further by adding a switch to select between input channels of the amplifier. You can select between the full response of the normal channel of the amplifier, the increased presence and tight low end of the bright channel input or the "Gilmour-ish" enhanced frequency response and added gain of those inputs linked together. This follows the modifications that Pete Cornish did to all David Gilmour's Hiwatt amps.

Like their other dual overdrive/amp-in-a-box designs, Crazy Tube Circuits also included a passive effects loop to give you the option to connect your beloved pedals between your booster/overdrive and amp in a box or use the two sections as separate and independent effects when using an external bypass switcher/looper. Gilmour enthusiasts will love to insert their Big Muff, Tube Driver and Phase 90 in there. Note that all pedals inserted in the passive effects loop are still in the signal chain when any or both sections of HI POWER are in bypass.

HI POWER features a power-up bypass/engage pre-set function for the footswitches. That way you can select which state your pedal will go to when you plug the power supply. This function comes in especially handy to people that use remote pedal switchers / loopers as they only set the state of the pedal once and then operate from the controller.

All-analog dual booster/overdrive - amp in a box.
Recreates the tones of the legendary setup used by David Gilmour in the recordings of Pink Floyd's Wish You Were Here album.
Right side: Faithful reproduction of the Colorsound Power Boost/Overdriver circuits with true-to-the-original-spec BC184 transistors.
Controls: gain, bass, treble, master, voicing toggle.
Wide gain range control: from transparent boost to gnarly and fuzzy overdrive.
Two-band (treble & bass) Baxandall EQ.
Master knob sets overall output. Huge amount of dB boost available.
Toggle switch to select between the 18V Power Boost style circuit or the 9V Overdriver style circuit.
Left side: Hiwatt AMP in a box overdrive.
All analog simulation of the preamp and power amp sound and response.
Controls: gain, bass, middle, treble, master, input channel toggle switch, headroom toggle switch.
Gain control: from clean to big bold British crunch/overdrive.
3-band Hiwatt style EQ (bass, middle, treble).
Presence control follows the original design/is located at the negative feedback of the power amp simulation circuit to control the amount of upper mid and high frequencies.
Master knob sets overall output volume. Designed to respond like the original control producing more gain at higher settings.
Input channel toggle switch selects between normal, bright, or linked input channels of the AMP for different voicing and gain levels.
Headroom toggle switch selects between the high headroom and dynamic response of a 100W amp or the lower headroom and compression of a 50W power amp.
Independent operation of the BOOST/OVERDRIVE and AMP sections
Click-less true bypass design via high-quality relays for each section.
2 Footswitches / 2 Status LEDs - one for each effect section.
Power-up bypass/engage preset function for the footswitches.
Top-mounted jacks
Passive series effects loop to connect pedals between the two sections or use them separately as independent effects.
Power Supply: Use only 9V DC, 2.1 mm x 5.5 mm, center negative (not included).
Runs internally at 18V DC (via voltage doubler circuit) for higher headroom and tube-like performance.
Current consumption: 84mA.
British Racing Green die-cast enclosure with color-coded lettering for the control section (orange for BOOST/OVERDRIVE section, white for AMP section).
Dimensions: (W x L x H): 119 x 97 x 53 mm.
Weight: 444 g.
Made in Greece.
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 4 in stock $247.39
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Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal Boss RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 01 Mar 24
 
Space echo effects pedal
Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz
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MRP:$375.83 SAVE 20%
 2 in stock $300.02
Snazzy FX Tracer City Analogue Modulation Effects Pedal Snazzy FX Tracer City Analogue Modulation Effects Pedal
Cat: 704150 Rel: 28 Sep 18
 
Analogue multi-mode resonant filter effects pedal
MRP:$300.03 SAVE 31%
 1 in stock $207.38
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Electro Harmonix Super Pulsar Stereo Tap Tremolo Effects Pedal
Cat: 565165 Rel: 16 Mar 15
 
Analog tap tremolo guitar effects pedal with stereo in/out, mono in/stereo out, stereo in/mono out, mono in/mono out & true bypass
Notes: A truly super tremolo with powerful controls and signal routing.

Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity.

Create your own rhythmic patterns and store them.

Save and recall up to eight customized preset programs.

Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation.

Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

*UK 230V power adapter included*

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 1 in stock $207.09
Electro-Harmonix Deluxe Memory Boy Analogue Delay Effects Pedal
Cat: 560410 Rel: 03 Feb 15
 
Analogue delay effects pedal
Notes: Analogue delay with extensive controls and tap tempo all in an affordable package!

The EHX Deluxe Memory Boy Analog Delay's Quality ICs deliver warm and organic analog tones while "tap tempo" allows you to always be in sync with the groove. Choose five note divisions for metronomic variances. Sweet modulations can add lush ambience while the expression pedal input gives you external control. The Deluxe Memory Boy is the most flexible, affordable analog delay ever designed.

Tap Tempo
Tap Divide timing subdivisions
Expression pedal input for flexible control
Triangle and square wave modulation with adjustable rate and depth for superior chorus, vibratos and sweeps
Total analogue bucket brigade design
Built in EFX loop
Total Analog bucket brigade design
Power adapter included

Specifications

Circuit
Analogue: Analogue w/ Digital Control
Bypass: True Bypass
Audio: Mono
Effects Loop: Yes
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 100mA
Year Released: 2010
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MRP:$195.81 SAVE 27%
 3 in stock $143.88
Electro-Harmonix Ravish Digital Sitar Emulator Pedal
Cat: 560446 Rel: 03 Feb 15
 
Digital sitar emulator pedal
Notes: Transform your electric guitar into a sitar!

Very few instruments offer as much harmonic and dynamic flexibility as a sitar. Electro-Harmonix has streamlined the essence of the sitar into a compact enclosure that offers a polyphonic lead voice and tuneable sympathetic string drones that dynamically react to your playing. With the EHX Ravish Sitar Emulator, you can create your own custom scales for the sympathetic strings while you set the decay time for the lead voice.

Two expression pedal inputs allow you to bend the pitch of the lead voice and control the volume of the sympathetic strings simultaneously. These unique controls offer the player the ability to program the Ravish to become a totally unique and organic instrument unto itself.

The Ravish is a truly new design with the flexibility to be a crossover tonal wonder.

Download free Ravish settings

Transform your electric guitar into a sitar
Lead sitar voice tracks your notes polyphonically with a wide range of tonal possibilities
Selectable decay speed for the Lead voice
Sympathetic string drone simulation with a wide tonal range
Selectable keys and scales including major, minor and exotic provided for the Sympathetic strings
Power adapter included

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 160mA
Year Released: 2011
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MRP:$262.13 SAVE 16%
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